This lecture will focus on independently produced Chinese documentary cinema as it has entered the Anglophone industry market. Using “Plastic China” by the award-winning director Wang Jiuliang as a case study, I will explore what the implications of cross-border collaborations are for documentary form and content, and how this may encourage a particular set of viewer responses. This will allow me to locate the documentary form in relation to broader liberal arguments over China’s place in the world system and assess the limitations of this approach to “going global” for independent Chinese documentary.

This lecture was recorded by Luke Robinson on the 27th of May 2026

Luke Robinson is a Senior Lecturer/Associate Professor in Film Studies in the Faculty of Media, Arts, and Humanitiies, University of Sussex.

He is the author of Independent Chinese Documentary: From the Studio to the Street, and the co-editor of two further collections on Chinese film culture: (with Chris Berry) Chinese Film Festivals: Sites of Translation and (with Chris Berry, Lydia Wu and Sabrina Yu) Chinese Independent Cinema: Past, Present, and a Questionable Future.

His writing has appeared in books and journals including DV-made China, The New Chinese Documentary Movement, Vocal Projections, Screening China’s Soft Power, positions: Asia cultures critique, Film Studies, Screen, and Journal of Chinese Cinemas.

Between 2019 and 2025 he was co-investigator on the AHRC-funded project, “Independent Cinema in China: State, Market, and Film Culture”. One of the outcomes of this grant was the establishment of the Chinese Independent Film Archive, located at Newcastle University.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/chinese-documentary

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