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- [00:00]
Lindsey Graham
There are more ways than ever to listen to History Daily ad free. Listen with Wondry plus in the Wondery app as a member of Noiser plus at noiser.com or in Apple Podcasts. Or you can get all of History Daily plus other fantastic history podcasts@intohristory.com It's April 1, 1978. In an apartment in the West Village in New York City, 65 year old Avant garde composer John Cage sits down in his favorite chair, a cup of tea in one hand and a large manila envelope in the other. Spring sunshine pours in through the tall windows of his home, and for a moment or two John just sits and watches the steam from his drink curl into the air. Then he sets the tea aside, opens the envelope and slides out the magazine inside. It's the debut issue of a specialist arts publication, and the entire first edition is dedicated to an interview with John. There's a black and white photograph of him on the front cover, along with a quote. Art, when it's useful, should spill out of just being beautiful and move over to other aspects of life so that when we're not with the art, it has nevertheless influenced our actions or our responses. John is pleased with that. He flips through the rest of the pages of the magazine, but as he reads his own words, his mind begins to wander and he thinks back over the achievements and setbacks of his long career. John has been a composer for more than four decades, but he's no ordinary musician. Inspired by the cultures of China and South Asia, he's torn up the traditional rulebook of Western music and probed the boundaries of what composing even means. He's embraced chance and randomness in his work. And he's been a pioneer of making music with a so called prepared piano, a piano that has objects placed in between its strings to alter the sound it makes. But as John sits in his apartment this morning, there's only one piece he feels like hearing. He sets the magazine aside. Stepping over to his piano, he sits down and rests his fingers on the familiar keys. Then John checks his watch as the second hand ticks to 12, and when it does, he closes the keyboard cover and begins the composition that once made him famous all over the world. Next on History Daily, April 2, 1800 the composer Ludwig van Beethoven premieres his first symphony in Vienna, and this one has notes in it from Noiser and Airship. This is History Daily hosted, edited and executive produced by me, Lindsey Graham Audio editing by Wahammad Shahzib Sound design by Gabriel Gould Supervising Sound Designer Matthew Filler Music by Thrum this episode is written and researched by William Simpson Managing Producer Emily Byrne. Executive producers are William Simpson for Airship and Pascal Hughes for Noiser.
- [07:47]
Narrator
Have you ever wondered how a circus performer could become the most powerful woman in the Byzantine Empire?
- [07:52]
Even Even the Royals is a podcast from Wondery that pulls back the curtain on royal families from ancient empires to modern monarchs to show you the darker side of what it means to be royalty.
- [08:02]
Before she ruled an empire, Theodora was a teen sensation in circus shows featuring dancing bears, burlesque performers and blood soaked chariot races. But when her star came crashing down, she clawed her way from rock bottom to the very top, using everything from comedy to espionage to get there.
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And Empress Theodora didn't just survive, she revolutionized women's rights across the Byzantine Empire, like changing laws to let women divorce men, own property and bring abusive men to justice. For all her work in pioneering, she's remembered as the most powerful Byzantine empress in history.
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Follow Even the Royals on the Wondery app or wherever you get your podcasts. You can listen to Even the Royals early and ad free by joining Wondery.