Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.

Sam Raimi's new film Send Help is in theaters, so we decided to look back at the director's undersung maximalist Western pastiche The Quick and the Dead. A Raimi Movie™ through and through, the film pays loving homage to revisionist entries in the western canon like Sergio Leone's Once Upon a Time in the West and Clint Eastwood's High Plains Drifter, but also sacrifices some of the thematic potential of the genre's Golden Era in favor of shoot-em-up schlock and a thoroughly fun time with a knockout cast of established and up-and-coming greats including Sharon Stone, Gene Hackman, Russell Crowe, and a fresh-faced Leonardo DiCaprio.

We begin with a discussion of the Western, its persistence and malleability as genre, and where Raimi's vision falls in the lineage of America's mythmaking. Then, we examine the political limitations of The Quick and the Dead, its topicality as a piece of pop filmmaking, and its reduction of symbolism to mere signifier. Finally, we discuss Sharon Stone as actor and producer, and how the film offers her an oppotunity to explore a character that runs counter to the archetypal femme fatale roles she had made her career playing thus far.

Elsewhere, we briefly discuss another great 00s thriller in our ongoing watch project - David Twohy's A Perfect Getaway and share some thoughts on the new Isaac Chotiner interview with The Quick and the Dead and Melania DP Dante Spinotti.

.
.
.
.
Our theme song is "Mirror" by Chris Fish.