Podcast
Hollywood Exiles
Hosted by BBC & CBC · EN
Host Oona Chaplin guides listeners through the period known as the Red Scare - an ideological battle that implicated Hollywood’s biggest stars, including her grandfather, Charlie.
10episodes
Episodes
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10. Exile
Mar 25, 202400:38:28Tap to summarizeAlthough the blacklist era ends, the scars remain. Dalton Trumbo discovers a backdoor to Hollywood screenwriting work. Families of Hollywood workers reckon with the fallout in generations to come. After decades away, Charlie Chaplin makes a triumphant return to America. Ellen Geer recalls the effects of the blacklist on her father Will Geer, who refused to expose his friends. Oona Chaplin reflects on the lasting effects of anti-communist fervour on her family and the wider culture.Archive: Oscars ceremony highlights: Academy of Motion Picture Arts and Sciences for the 29th Academy Awards 1957, and the 44th Academy Awards 1972 The Dude goes West, directed by Kurt Neumann, King Brothers Productions, 1948 Dalton Trumbo interviewed on television program Night Beat, 19 September 1957, Wisconsin Center for Film and Theater Research The Waltons, Lorimar Productions 1972
Transcribe →9. Naming names
Mar 18, 202400:31:31Tap to summarizeAfter years of allegations and suspicion, those accused of so-called un-American political beliefs are driven from the movie industry. Mitzi Trumbo recalls visiting her father Dalton in prison. Host Oona Chaplin speaks to some of those whose careers were ruined and friendships fractured, as anti-communist fervour pushed witnesses to expose the names of alleged communists. Norma Barzman describes this as a period of political exile. Charlie Chaplin faces the FBI.Archive: Limelight, Charlie Chaplin, United Artists, 1952 Johnny Guitar, directed by Nicholas Ray for Republic Pictures, 1954 Senator Joseph McCarthy speaking on America’s Town Meeting of the Air, ABC Radio, 3 April 1947 Attorney General James McGranery press conference 1952, John E. Allen Archive
Transcribe →8. The un-Americans
Mar 11, 202400:28:26Tap to summarizeHollywood producers gather at the Waldorf Hotel to plot strategy. They push back against allegations of “subversive” content. Motion Picture Association of America president Eric Johnston makes the case that movies are a force for moral good. He also calls for a hardline: he pushes studios to purge communists and sympathizers from their payrolls. This marks the beginning of the so-called “blacklist” era in Hollywood. Screenwriter Norma Barzman recalls this as a repressive period, when creative people were self censoring their political beliefsArchive: Recordings of House Unamerican Activities Committee by Paramount Newsreels The Hollywood Ten, directed by John Berry, 1950 Dalton Trumbo interviewed for Hollywood on Trial, directed by David Helpern, Corinth Films, 1976
Transcribe →7. Are you now, or have you ever been
Mar 4, 202400:27:57Tap to summarizeThe House Unamerican Activities Committee begins its hearings into alleged communist subversion in the movie business. The hearings cement a phrase in American history: “Are you now or have you ever been a member of the communist party?” Friendly witnesses, including actors Gary Cooper & Robert Taylor, are called to the stand, along with movie mogul Jack Warner of Warner Brothers. Walt Disney uses the opportunity to call out alleged communists among members of the striking animators’ union. Dalton Trumbo and his allies challenge the legitimacy of HUAC and its hearings. Archive: Mission to Moscow, directed by Michael Curtiz for Warner Bros., 1943 Recordings of House Unamerican Activities Committee by Paramount Newsreels
Transcribe →6. Hollywood on trial
Feb 26, 202400:27:35Tap to summarizeThe House Unamerican Activities Committee starts calling witnesses. Their hearings with Tinseltown celebrities create a sensation and put Hollywood's alleged communists in the spotlight. Dalton Trumbo is among those summoned to Washington for hearings. Oona Chaplin explains why her grandfather Charlie was not called to appear, despite his reputation as a leftist. Actress Katharine Hepburn takes a public stand against HUAC, mocking its hearings at a Los Angeles rally. Archive used: Testimony of J. Edgar Hoover before HUAC, National Archives and Records Administration, 1947 Hedda Hopper’s Hollywood Show, 25 February 1951 Katharine Hepburn for Progressive Citizens of America at Gilmore Stadium, Alco Records, 1947 ‘Monsieur Verdoux’, Charlie Chaplin, United Artists, 1947 Recordings of House Unamerican Activities Committee by Paramount Newsreels
Transcribe →5. Billy's list
Feb 19, 202400:30:05Tap to summarizeRumours of communist infiltration in the movie business had circulated for years. Showbiz insider Billy Wilkerson is the first to publicly name alleged Tinseltown “communists”, including Dalton Trumbo, in his paper, the Hollywood Reporter. William R. Wilkerson III speaks about his father’s friendship with billionaire producer Howard Hughes, a rabid anti-communist. He describes how his mostly apolitical father’s anti-communist stance was shaped by a visit to the Soviet Union. Wilkerson III recalls how his father’s close connections with stars like Jimmy Cagney gave him political influence in Hollywood. Oona Chaplin learns how future president Ronald Reagan operated as an FBI informant. Archive Ronald Reagan’s 'evil empire' speech, 1983, The Ronald Reagan Presidential Library
Transcribe →4. Hearts and minds
Feb 12, 202400:29:28Tap to summarizeFBI Director J. Edgar Hoover and allies like Ayn Rand were convinced that Hollywood was infested with communists. Now they started scouring the movies themselves for evidence of propaganda. Anti-communist figures in the movie business, including John Wayne and Gary Cooper, create the Motion Picture Alliance for the Preservation of American Ideals to counter groups like the Writers Guild. Even American classics like It’s a Wonderful Life came under FBI scrutiny. Studios began to feel the pressure – even changing seemingly innocuous scripts to avoid political heat. Archive: The Locket, directed by John Brahm for RKO Pictures, 1946 Robert F Wagner on National Labour Relations Act, Labor Comes of Age, ABC Television, 1965 Ayn Rand interviewed by Mike Wallace, ABC Television, 1959 Interviews with Dalton Trumbo, UCLA Department of Communication Archive, 1972 Woman of the Year, directed by George Stevens for Metro-Goldwyn-Mayer, 1942 Hedda Hopper’s Hollywood Show, 14 January 1951 It’s a Wonderful Life, directed by Frank Capra for RKO Pictures, 1946
Transcribe →3. The case against Charlie Chaplin
Feb 5, 202400:37:26Tap to summarizeCharlie Chaplin’s personal life sparks legal woes. Hedda Hopper, known as the queen of Hollywood gossip, was Chaplin’s nemesis, and she deemed him "un-American.” Joan Barry was just 22 years old when she arrived in Hollywood with dreams of stardom. She soon met Chaplin and the pair became romantically entwined. When the relationship went sour, Chaplin’s enemies – including J Edgar Hoover and columnist and radio star Hopper – saw an opportunity. Chaplin soon landed in court facing charges under the White-Slave Traffic Act. Archive: The Hedda Hopper Show, 3 December 1940 J. Edgar Hoover, Battle of the United States, Army-Navy Screen Magazine, 1940 Pearl Harbor newsflash, WOR Radio 1941 The Great Dictator, Charlie Chaplin, United Artists, 1940
Transcribe →2. Red menace
Jan 29, 202400:36:45Tap to summarizeDalton Trumbo’s career as a screenwriter blossoms just as FBI director J. Edgar Hoover makes Hollywood his focus for rooting out communism. Trumbo becomes active in the Screen Writers Guild, a harbour for radical politics. Charlie Chaplin makes influential friends on the political left. With his first talking film, The Great Dictator, Chaplin draws critical praise and unwanted attention with a rousing speech. Shifting alliances between Soviets and Nazis force an awkward political reckoning in the US. Host Oona Chaplin explores the FBI's covert operations which targeted alleged communists. We learn how Hollywood became the battleground for the soul of America.From the BBC World Service and CBC Podcasts.Archive:Interviews with Dalton Trumbo, UCLA Department of Communication Archive, 1972G-Men trailer, directed by William Keighley, Warner Brothers 1935Upton Sinclair interviewed by Joe Toyoshima, 1966The Great Dictator, Charlie Chaplin, United Artists, 1940 Battle of the United States, J. Edgar Hoover, Army-Navy Screen Magazine, 1940
Transcribe →1. An American dream
Jan 22, 202400:35:40Tap to summarizeCharlie Chaplin was one of Hollywood’s first and biggest stars. He helped create the art and industry of movies. But by the 1960s, he was exiled. Oona Chaplin follows her grandfather’s rise from the grinding poverty of his childhood in Victorian London to wealth and fame in Hollywood. In many ways, it seemed like the embodiment of the American Dream. But almost as soon as he hit the big time, Chaplin made some powerful enemies. Federal investigators were suspicious of his political beliefs and began to build a file on him. We learn how Hollywood became the battleground for the soul of America.From the BBC World Service and CBC Podcasts.Archive:Communism Condemned, Universal Newsreel, 1947 Hedda Hopper's Hollywood show, 14 January 1951 Testimony of J. Edgar Hoover before HUAC, National Archives and Records Administration, 1947
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