Demolition Man LIVE! w/ Wyatt Cenac (HDTGM Matinee)

Summary

How Did This Get Made?

Episode: Demolition Man LIVE! w/ Wyatt Cenac (HDTGM Matinee)
Release Date: August 12, 2025
Hosts: Paul Scheer, June Diane Raphael, Jason Mantzoukas
Guest: Wyatt Cenac

Introduction

In this lively episode of How Did This Get Made?, hosts Paul Scheer, June Diane Raphael, and Jason Mantzoukas welcome comedian and actor Wyatt Cenac to dissect the cult classic action film Demolition Man (1993). The trio dives deep into the movie's peculiarities, memorable moments, and the broader societal themes it attempts to satirize.

Opening Impressions and Initial Scenes

The discussion kicks off with the hosts critiquing the film's clichéd opening, where the Hollywood sign inexplicably bursts into flames. Paul Scheer humorously remarks, “In the future, we're all pussies. Thank goodness” (01:29), setting a playful tone for their analysis. Wyatt Cenac adds, “Not just being hater” (01:48), highlighting the show's comedic approach to the film's exaggerated elements.

Character Portrayals and Plot Breakdown

The hosts delve into the film’s protagonists and antagonists. Paul Scheer points out the hyper-violent nature of Sylvester Stallone’s character, John Spartan, contrasting it with the sanitized future society: “Sylvester Stallone and Wesley Snipes are gonna blow shit up” (01:29). June Diane Raphael questions the initial absence of real chaos, observing, “Nothing else around it was on fire” (03:24), emphasizing the disproportionate depiction of violence.

Wyatt Cenac discusses Wesley Snipes' portrayal of Simon Phoenix, noting his effortless combat skills: “he goes like, you know what? Never mind. Diet. Diet. Just diet. Blonde diet” (02:08). Jason Mantzoukas humorously critiques Phoenix’s unrealistic ability to dismantle large groups effortlessly: “he goes like, bam, bam, bam, bam” (05:49).

Memorable Scenes and Humorous Highlights

Several iconic scenes are highlighted with humor:

• The freezing and thawing process: Paul Scheer mocks the absurdity, “I have a bowl, a pull and a wipe. God, they didn't even know about the Cottonelle soft wipe” (35:28).
• The three seashells debate: The hosts playfully dissect the movie’s unresolved mystery, with Scheer exclaiming, “We really want to prominently feature 10 Sumner's tales. Nope, that's fine” (87:15).
• The awkward sex scene revelation: The hosts express bewilderment and amusement over the plot twist where Sandra Bullock’s character appears to be John Spartan’s daughter, culminating in Jason Mantzoukas’s humorous admission, “I should make sure you're not my daughter” (43:18).

Themes and Societal Commentary

Demolition Man is examined for its portrayal of a dystopian future devoid of violence yet stripped of personal freedoms. June Diane Raphael reflects, “But you're in a position though, you're put in a position where it's like as an audience member, you're hearkening back to the better times of 1996” (31:02), discussing the film’s critique of societal controls.

The hosts also touch upon the implications of technology in the future society depicted in the movie:

• Language Evolution: Paul Scheer humorously breaks down redundant phrases like “murder, death, kill,” questioning their necessity (24:27).
• Technology Adaptations: Discussions on the futuristic policing methods and devices, with Wyatt Cenac pondering the efficiency of the three seashells as a replacement for toilet paper: “They have bones that shoot out of concrete” (32:39).

Audience Q&A

Listeners’ questions propel deeper dives into the film’s inconsistencies and hidden jokes:

• Frozen Hostiles: A listener queries how police found 20 bodies swiftly post-explosion, prompting Scheer to speculate, “Maybe Phoenix must have killed them by lighting them on fire” (68:43).
• Future Tech Queries: Questions about the film’s depiction of future technology, such as the three seashells and advanced vehicles, lead to humorous yet insightful discussions about practicality and absurdity. Jason Mantzoukas quips, “They have jingles from our time, right? Why don't they have, like, a book of phrases from our time?” (81:19).

Final Thoughts and Conclusions

Wrapping up the episode, the hosts reflect on the film’s enduring appeal despite its flaws. Paul Scheer concludes, “This movie asked a lot of questions and did not do a lot of answers. I feel like we got the bottom. Would you recommend seeing it? I know I would” (86:45). Jason Mantzoukas echoes the sentiment, “Yes. Recommend. Strong recommend” (86:47), emphasizing that Demolition Man remains a beloved piece of fantastical cinema worthy of its cult status.

Notable Quotes

• Paul Scheer: “In the future, we're all pussies. Thank goodness.” (01:29)
• Jason Mantzoukas: “I should make sure you're not my daughter.” (43:18)
• Wyatt Cenac: “Not just being hater.” (01:48)
• Jason Mantzoukas: “They have jingles from our time, right? Why don't they have, like, a book of phrases from our time?” (81:19)

Conclusion

This episode offers a comprehensive and humorous exploration of Demolition Man, dissecting its narrative choices, character dynamics, and satirical undertones. With Wyatt Cenac's insightful participation, the hosts provide both laughter and thoughtful critique, making it a must-listen for fans of bad movies and sharp comedy alike.

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Note: All timestamps correspond to moments within the podcast transcript where notable discussions or quotes occur.

Transcript

[Paul Scheer]

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[Jason Mantzoukas]

Death is coming for our family.

[Paul Scheer]

The Disney Hulu HBO Max Bundle planned starting at $16.99 a month. All these and more streaming soon. Visit Disney huluhbomaxbundle.com for details.

[June Diane Raphael]

Change is always happening. But no matter what changes in five.

[Jason Mantzoukas]

Years, there's one thing that will stay the same. The price of your Internet. With the Xfinity five year price guarantee, you get five years of the most reliable WI fi with our best equipment included for a price that stays exactly the same. Restrictions apply.

[June Diane Raphael]

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[Jason Mantzoukas]

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[June Diane Raphael]

August 2024 When Life Brings the blah. Add more yabba dabba doo with some tasty fruity Pebbles. Early morning meeting blah. Someone brought the Pebbles. Yabba dabba doo. Run errands. Blah. Head to the store for Pebbles. Yabba dabba doo. Fruity Pebbles. Less blah, more yabba dabba doo. Pick up pebble cereal today. Yabba dabba doo in the Flintstones and all related characters and elements copyright and trademark Hanna Barbera.

[Paul Scheer]

In the future, we're all pussies. Thank goodness. Sylvester Stallone and Wesley Snipes are gonna blow shit up. And fuck the future women. We saw Demolition man, so you know what that means. Now it's time for failure.

[Wyatt Cenac]

Not just being hater.

[Paul Scheer]

Cause you may wonder.

[Jason Mantzoukas]

Let's swallow in the mediocrity of subpar art.

[Paul Scheer]

Perhaps we'll find the answer. The question how did this get made? Hello, people of Earth.

[Wyatt Cenac]

Whoa.

[Paul Scheer]

Holy cow. Hello, New York. We are live at Subculture. We're in a beautiful space here on Bleecker Street. We have an amazing show for you. But first, let me introduce my two co hosts. Please welcome June Diane Rayfield and Jason Mandougas. Very special guest here tonight. Please welcome Wyatt Sinek. Welcome, everybody. Demolition Man, a movie made 1993 posits a world that 1996 shit has gone terribly wrong. The opening of this movie, this is like a weird cliche that bugs me. It's like the Hollywood sign is just on fire.

[Jason Mantzoukas]

Oh, yeah.

[Paul Scheer]

And it feels to me like the filmmaker's like, oh, yeah. It's always on fire.

[June Diane Raphael]

It's not like, yeah. Because there wasn't like a Fire in the hills. No, like, nothing else around it was on fire.

[Paul Scheer]

Like lighter fluid.

[June Diane Raphael]

Yeah.

[Wyatt Cenac]

Well, I feel like every year, at least when I lived in la, there was always. This is the year that the Hollywood sign is going to be torn down and people would fight to save it. And it's like, if you watch all these movies. No, don't. Nobody wants it. No, nobody wants it.

[June Diane Raphael]

Let her go.

[Wyatt Cenac]

Yeah, these clearly. These politicians are like, no, I've seen Demolition man in, like, 800 other movies where this sign gets burned down. You guys don't want it. We get the message.

[June Diane Raphael]

We hear you.

[Jason Mantzoukas]

Also, why are our politicians watching Demolition?

[Paul Scheer]

The best politics that happened in the 80s, most of Clinton's administration was made off of Sylvester Stallone, Joel Silver, almost.

[Jason Mantzoukas]

Almost all of Antonio Villaragosa's campaign promises were from demolition man.

[Wyatt Cenac]

Prop 8 was demolition man.

[Jason Mantzoukas]

Guys, Prop 8 is dead. Yeah.

[Wyatt Cenac]

Right. And you know. You know why? Because the Demolition man came in and destroyed it. Lit it on fire.

[Paul Scheer]

I thought that DOMA was like, Demolition Man. Like, it was the. I don't know what the O stand.

[Wyatt Cenac]

For, but the D and the M. Yep, absolutely.

[Paul Scheer]

So in 1996, things are bad. So bad that one of the. The airline, one of the helicopter police pilots goes like, hey, remember when they used to let commercial airlines land in Los Angeles? Like that. What about when the city was on fire? Like, that's like. That's the one thing he's regretting. Like, oh, man. Remember that? When commercial airlines would land here. That's a weird thing. All right, I bought that.

[June Diane Raphael]

Well, by the way, in that first scene, when Stallone throws a rope down and just. Oh, yeah, shimmies down to the ground.

[Jason Mantzoukas]

He doesn't shimmy. He jumps out of the back of a helicopter and yells, with Phoenix.

[June Diane Raphael]

First he says he's crazy.

[Jason Mantzoukas]

Send a maniac to catch one. Then he jumps out screaming, phoenix.

[Paul Scheer]

Phoenix.

[Wyatt Cenac]

I'm sky fucking you.

[June Diane Raphael]

So at this point in the movie, though, you don't really know who Phoenix is. Like, where Phoenix is. So to just see him yelling, screaming.

[Paul Scheer]

Phoenix, well, that is, like, the problem, the beginning of this movie, which is he runs out, he does like, basically the world's best bungee jump, and then immediately goes into killing mode. Like, before he lands, like, bam, bam, bam, bam.

[Jason Mantzoukas]

That's the thing is he bungees out and he never goes back up. He bungees out to the ground and is like, click, click. He just jumped like, half a mile.

[Paul Scheer]

He lands and he misses no one. And then proceeds to have a mental knowledge of this abandoned warehouse. As if he is still studied it his entire life. It was like, ah, yeah, it's like going to mom's house. I know this like. And meanwhile it's revealed that like he's been chasing Phoenix for two years and he finally found this place. So this is the first time there was no recon on this building.

[Jason Mantzoukas]

No, no. He lands on the ground, shoots everybody. And as if he is like has the map in his head, goes like. And like Wesley Snipes is like, boop. Wait, what? And then Stallone is like, ah, I'm here now, I got you. And I was like, at what point is Wesley Snipes not like there are like 400 dudes that I feel like should be guarding me. But you got through all of them instantly.

[Paul Scheer]

Basically the beginning of Demolition man is the end of an awesome movie that we did not see.

[Wyatt Cenac]

And I want to see the two years where like Wesley Snipes moves to la, then somehow works his way up.

[Jason Mantzoukas]

In the LA underworld where his family is murdered. And so having nothing to live for, he takes to a life of crime.

[Wyatt Cenac]

Then builds a wall all around LA set on fire.

[Paul Scheer]

He goes to that beauty shop, gets his hair dyed blonde. One of my favorite moments too is like, he's like, where are those people on the bus? And he's like, and Wesley Snipes.

[Jason Mantzoukas]

Cuz Wesley Snipes has kidnapped, has abducted a bus full of regular people.

[Paul Scheer]

And he's like, I told bus drivers don't come into la, but those bus drivers all listen.

[Jason Mantzoukas]

It's like that is their job.

[Paul Scheer]

Your beef is with the bus drivers of Los Angeles.

[Jason Mantzoukas]

And by the way, they're just doing their job, guys. Yeah, they are just shepherding us from place to place in the most humiliating.

[Wyatt Cenac]

Vehicle known to man.

[Paul Scheer]

These bus drivers, like that's Wesley Snipes anger. He talks so vehemently about these bus drivers. Like they can't come in here. It's like why? What? Like they're not threatening your drug empire, they're just dropping people off. I don't know why they would even want to be dropped off in a city that is on fire. But if they want to, they're doing the job.

[Wyatt Cenac]

Also, he's a guy, he's clearly wasteful because very early on you see him do one line of coke but leave two behind. Just like, these are fine. I'm going to come back to you.

[June Diane Raphael]

Guys when I'm ready.

[Wyatt Cenac]

Yeah, you don't go stale.

[Jason Mantzoukas]

How about this? At a certain point when Stallone is entering and Wesley SNIPE Wesley Snipes realizes Stallone is gonna enter. He punctures these gasoline tanks. So there's gasoline all over the ground. Right? And so Stallone comes in, he's like, I got you. Or whatever he says. Right, Whatever he says, relax, Everybody relax. And then Wesley Snipes is like, ha, you're standing in gasoline. Lights a cigarette and then says. What does he say? Something about like, you're gonna go up in flames or whatever. Some one liner.

[Wyatt Cenac]

Then he, oh, he says, it's cold in here.

[Jason Mantzoukas]

Oh, yeah, let's turn up the heat or something. Throws the cigarette, flames erupt everywhere.

[Paul Scheer]

Okay, but he's also standing in flames.

[Jason Mantzoukas]

Yes. Okay, so he's standing in gasoline. So flames are like. Right. All Stallone does, the only thing that happens to Stallone is he drops his gun. He's like, oh, that's hot.

[Paul Scheer]

The steel got so hot in my hand.

[Wyatt Cenac]

Oh, God.

[Jason Mantzoukas]

But then he just jumps right out of it.

[Wyatt Cenac]

Jumps onto us.

[Jason Mantzoukas]

They're fighting. Nobody's on fire.

[June Diane Raphael]

But.

[Jason Mantzoukas]

But I'm burned.

[June Diane Raphael]

Did the gun get caught in the flames and then it got too hot to hold? Or did he just get scared and throw that gun down? Cause that's what it looked like.

[Jason Mantzoukas]

I hope it's b.

[June Diane Raphael]

It looked like he just, like freaked.

[Wyatt Cenac]

There's a what? That's what you don't see when he's in the helicopter flying past the Hollywood sign burning is that he's like, oh, can't look, can't look, can't look, can't look. Tell me when we pass the fire sign. Tell me when we pass the fireside.

[Jason Mantzoukas]

I would love it if there's a. If in this movie. There was a thread that is like fire is his snakes to Indiana Jones. Why did it have to be fire?

[Paul Scheer]

He's part. He's part Frankenstein monster and he's afraid of fire. Move is basically like a football player's tackle. It's just sort of like just lunges at a guy. He has guns and he has knives on him, but it's just a tackle.

[Wyatt Cenac]

But he also, I realize, like, he does a lot in that movie of the sideways jump and shoot action.

[Paul Scheer]

Before John Woo. It's like it was pre John Woo, but that.

[Wyatt Cenac]

It seems like for the 90s, like the three point stance thing that we see in movies now was that's what it used to be. Sideways, like goosh, goosh, goosh.

[June Diane Raphael]

One leg up.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

The one thing I remember about this movie most clearly, and it's not even about the actual movie, is I used to go to Planet Hollywood all the time under the guise I would be like, dad, take me to Planet Hollywood. That's where the celebrities hang out. What? I was naive, but I also met Anthony Michael hall, so I was also right.

[Jason Mantzoukas]

Oh, nice.

[June Diane Raphael]

Joke's on us.

[Paul Scheer]

Joke's on us.

[Wyatt Cenac]

Nice.

[Jason Mantzoukas]

I thought you said celebrities.

[Paul Scheer]

It was pre decade. Yeah, that's right.

[Jason Mantzoukas]

I'm starting to beef with Anthony Michael Hall.

[Paul Scheer]

And I remember always wanting to eat under the naked Stallone Demolition man, because he gets frozen in this movie and it's like a block of bites, but it's like kind of just naked Stallone, really. And I just thought that was so cool. It's like, whoa. It's like he's in there.

[Wyatt Cenac]

Wait, and that was. That was at Planet Hollywood?

[Paul Scheer]

Yes. A big, like, giant, you guys. Okay. Like six by eight foot circle with like a Stallone dummy inside.

[Jason Mantzoukas]

You know what they should have done is they should have had a table that was that you should have been able to use that as a table.

[Paul Scheer]

And then when you would eat your fries, you could see his junk. Oh, yeah, got it.

[Wyatt Cenac]

I have a feeling that there is someone who has that now. And it is a table.

[Jason Mantzoukas]

Oh, yeah, it is.

[Paul Scheer]

That would be the best table of all time, guys.

[Jason Mantzoukas]

Let's all chip in and get one of those.

[Wyatt Cenac]

Well. Cause once Planet Hollywood shut down, all that shit had to go somewhere.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Someone had to find Axel Foley's jacket.

[Wyatt Cenac]

Yeah, I'm sure. I'm sure that they weren't like, hey, so Planet Hollywood shutting down Smithsonian. You guys. You guys want Stallone in. In ice?

[Jason Mantzoukas]

You guys want a bunch of garbage?

[Wyatt Cenac]

Yeah, I mean, we're loading it up on the truck and driving it down to you guys. We were just giving you a heads up to move the Millennium Falcon.

[Paul Scheer]

The. There's a great line at the beginning of the movie said by the police chief in Lethal Weapon, who, like, there after, like, he captures Phoenix and he was like, hey, enough of this demolition man shit. Like, that Stallone's M.O. that he just demolishes stuff.

[Jason Mantzoukas]

Well, very. Keep this in mind, okay. In the opening of this movie, upon capturing Phoenix, the entire building both explodes and crumbles to the ground, like, in seconds. And they get away and they walk out of that.

[Paul Scheer]

But if you were to understand why it was because Wesley Snipes punctured a couple cans of gasoline.

[Wyatt Cenac]

Yes.

[June Diane Raphael]

I thought it was also, like a chemical factory, guys.

[Paul Scheer]

Oh, all right. Maybe it was.

[Jason Mantzoukas]

That brings up something I really want to talk about, which is the events of September 11th.

[June Diane Raphael]

Oh, brother. Well, here's the crazy thing. Stallone goes to. To jail because the hostages were in the building. But nobody thinks to ask, like, wait, did they die now? Like, did they die from this explosion or were they shot in the head? Because we learned later on that they were dead. Major spoiler alert.

[Jason Mantzoukas]

Spoilers.

[June Diane Raphael]

They were. They had been killed by Phoenix. But by the way, how did he kill.

[Paul Scheer]

A very harsh sentence for a police officer capturing, like, the world, like, the world's worst, worst criminal. Like, yeah, he, like, that guy started the fire. All he did was knock him out of the window. And he's like, you're under arrest.

[June Diane Raphael]

He made a tough call. He made a tough call.

[Paul Scheer]

But it would. But it would be. But it would be like, in my opinion, it would be like, if Stallone said, fuck it, we'll blow up that building, then it would be a tough call. Wesley Snipes booked the building. He just escaped.

[Jason Mantzoukas]

I love you're going to jail. I love that you have injustice. You have a sense of, like, there is an injury. Injustice at the center of this movie. An American hero is tried and sentenced to jail.

[Paul Scheer]

He is the only man who could find.

[Jason Mantzoukas]

Phoenix tried to take down a terrorist. And in the. In the. In the. As a result, some innocents died. Those are lives lost in the service of a greater good.

[Wyatt Cenac]

But what makes it. What makes it. What makes it worse is the fact that Wesley Snipes, as he's being taken away, is like this. I told him. I told him there were people there. I told him there were people there. And he said he didn't care.

[Paul Scheer]

He didn't care.

[Wyatt Cenac]

That's witness testimony. Send him to ice cream.

[Jason Mantzoukas]

Amazing Wesley Snipes impression.

[Paul Scheer]

And then, like, but by the way, it's as if, like, the cops were like, yeah, we believe you. Wesley Snipes maniac who has taken over Los Angeles over a cop, like, who.

[Wyatt Cenac]

Is a hero, but also he's a maniac, too, because it takes a maniac to catch a maniac.

[June Diane Raphael]

Sure. That's true. That is true. Well done. Thanks for coming.

[Jason Mantzoukas]

Why it's an act, everybody. Why it's an actor.

[Scott Aukerman]

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[Paul Scheer]

By the way, we've. We've only cracked into the first three minutes of this.

[Jason Mantzoukas]

By the way.

[June Diane Raphael]

I do have a question.

[Paul Scheer]

That's.

[Jason Mantzoukas]

The credits have not yet happened.

[Wyatt Cenac]

No.

[Jason Mantzoukas]

This movie has a cold open, so.

[June Diane Raphael]

But are we to understand that he's been sentenced to jail forever?

[Paul Scheer]

No, no.

[Jason Mantzoukas]

For 30 years.

[Paul Scheer]

Oh, 70.

[Jason Mantzoukas]

I'm sorry.

[Wyatt Cenac]

I'm sorry.

[June Diane Raphael]

Okay. 70 years.

[Paul Scheer]

Yes.

[Wyatt Cenac]

In the same jail that Scott Peterson was apparently frozen in.

[Paul Scheer]

Yes. I pulled up a screen. Grab that. As they're going through their records.

[Jason Mantzoukas]

I didn't catch this.

[Paul Scheer]

Yeah. As they're pulling up their records that we can. I can show you right here. This is all the people that are in jail.

[Jason Mantzoukas]

Oh, that's amazing.

[Paul Scheer]

Scott Peterson also had his parole hearing at 8:15, by the way. Why would they listen like that? It says 7am Hyde, Quentin, 8:15. Peterson, Scott, 7:30, Phoenix, Simon. It should be the other way around.

[Wyatt Cenac]

No, no, in the future.

[Jason Mantzoukas]

Evening. In the future, nothing happens in order.

[Wyatt Cenac]

That was an evening parole hearing. Like they kind of knew that the Scott Peterson one, he had a lot to talk about.

[Paul Scheer]

So they both get frozen. And this is before I think people even understood what cryogenics were because they basically put Stallone, Han Solo, like, in a cube and then fill it full of water. He seems to be choking.

[Jason Mantzoukas]

Oh, it is just. It is alarming sequence.

[June Diane Raphael]

It's a very disturbing sequel.

[Paul Scheer]

He's also naked. No need to be naked. There's no, like, real sign of like, life signs. Like he's drowned in what we're to believe, like oxen, oxygen, goo. Like, I don't. Like, there's. He's drowning. There's no way that he's.

[Jason Mantzoukas]

Oh, his lungs are filling with some sort of gloopy liquid. And then they drop like a freezer thing in and it all freezes. And he's like.

[June Diane Raphael]

I mean, it looks like a terrible way to get frozen. Oh, yeah, for sure.

[Wyatt Cenac]

They didn't say. So here's the thing. Just lay down and put your hands on top of your thighs. They were like, no, we're gonna put you in a weird hot tub thing and do whatever you want. Make a face. Do one of those guys. Whatever you want, however you want to be frozen. That's Your last choice. Like, that's the last thing.

[Paul Scheer]

Because he is swimming around in there. Like, he's like. Because there's a point with the. The water. The goop is filling up. He's like, whoa, hey, whoa. Something's like, it's so.

[Jason Mantzoukas]

And he also seems okay with it. The thing that really bothered me was that he wasn't like, hey, this isn't cool. Well, I'm a hero.

[June Diane Raphael]

Yeah. And when. And when someone.

[Paul Scheer]

I don't.

[June Diane Raphael]

I don't remember if it's Smithers. There's an officer named Smithers. When someone's telling him, like, what he's going to jail for and listing off, like, all them of the charges, he's just. He refuses to hear it and keeps on saying, skip it.

[Wyatt Cenac]

Yeah, skip.

[Jason Mantzoukas]

Yeah, just skip.

[June Diane Raphael]

Skip it. As. But, but, but.

[Jason Mantzoukas]

Like we all said in 1983, skip.

[Paul Scheer]

But the vibe.

[Jason Mantzoukas]

Sorry.

[Wyatt Cenac]

Sorry.

[June Diane Raphael]

The vibe, though, is like, he's been down this road a million times. Like, he knows what's going to happen.

[Paul Scheer]

And even the parole officer was like, hey, man, real bummer. I hate to do this to you. I hate to free the for 70. But my job, like, he does say something like, I'm not.

[Jason Mantzoukas]

And apparently. And apparently that's, like, cool.

[Wyatt Cenac]

Yeah, yeah.

[Jason Mantzoukas]

Like, no biggie.

[Paul Scheer]

And by the way. Yeah. Oh, gosh. Again. The first five minutes we are cracking into, I feel like Wesley Snipes is like, I'm not getting naked and you're not filling up a confined space with me.

[Jason Mantzoukas]

Although he's in that trailer you played. There is Wesley Snipes in ice, which we never see in the movie, Right?

[Paul Scheer]

Yeah. Maybe his trial was quick.

[Jason Mantzoukas]

Guys crack that code.

[June Diane Raphael]

When you're frozen, though, like, hair doesn't grow on your body and your body doesn't age at all.

[Jason Mantzoukas]

What's this now?

[Wyatt Cenac]

Well, he's got. He's got. He suffers from, like, below the ears alopecia. That's either below the ears alopecia or like, he went to a barber shop and had two different people working on him because he's got half of a box that's like, there's a fade that's not finished. And then he's like, you know what? Never mind. Diet. Diet. Just diet. Blonde diet.

[Jason Mantzoukas]

I got to get out of here. I got to get out of here. I got to commit heinous acts of terrorism.

[Paul Scheer]

He can't spend all day at the salon. We cut to 2032. Life has changed. It is big time.

[Jason Mantzoukas]

Apparently, we all dress like Nazis.

[Paul Scheer]

Yes. Nazis are extras.

[Jason Mantzoukas]

The police. The police.

[Paul Scheer]

Do extras in Star Trek Next Generation. It's like everyone's dressed like Dinan. Like, big, flowy dresses and, like, plates.

[June Diane Raphael]

Yeah.

[Paul Scheer]

Welcome to Obama's America. They don't say phone. They call it fiber optic. I'll fiber optic you back, which is odd.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

Because that doesn't even seem like.

[Wyatt Cenac]

No, they. Yeah, they've just added they because they've got no violence. They've like, we got time to kill, so let's. Let's just throw extra words. Homicide. No, it's a murder, death, kill.

[Jason Mantzoukas]

Yeah. Is this. Is this a. Is this a car I'm driving? No, it's a conveyance. Yeah, my conveyance is dry. We're getting in the conveyance and.

[Paul Scheer]

Murder, death, kill. I've thought about that a lot.

[June Diane Raphael]

Me, too.

[Paul Scheer]

Murder, death, death, kill. It's redundant. Murder. There's never a murder that doesn't end in death. So you can just rip the death out of there.

[Jason Mantzoukas]

Killing is also murder.

[Paul Scheer]

Yes. So you could just say kill, because that would imply death and murder. You could just say murder, which implies kill and death. But you don't need to say murder, death, kill.

[Jason Mantzoukas]

Yeah.

[Wyatt Cenac]

Okay. Okay, Paul. Murder, death, kill. Sylvester Stallone. John Claude Van Damme. Arnold Schwarzenegger goes, I'm gonna murder Stallone.

[Paul Scheer]

I'm gonna kill Schwarzenegger. And I'm gonna. I'm gonna death Wesley.

[Jason Mantzoukas]

When we cut to 2032, we're with Sandy Bullock.

[Paul Scheer]

Sandy Bullock.

[Jason Mantzoukas]

And she is like, a uniformed police officer.

[Paul Scheer]

Her name is Huxley. Brave New World. Nice reference. Movie Deepest Smart.

[Jason Mantzoukas]

There's so many references in this. Did anybody else notice? And the first thing, Stallone punches a guy who's dressed like the Terminator. Did anybody else notice that? Right? There is a guy who's dressed like. Yeah, there's this, too.

[June Diane Raphael]

Oh, yeah, There's a Schwarzenegger reference later on.

[Jason Mantzoukas]

There's. There is.

[Wyatt Cenac]

Wait, do you think that Wesley Snipes dyed his hair because Joe Pesci had done it in Lethal?

[Jason Mantzoukas]

Oh, my God, that's amazing.

[Paul Scheer]

I did want to talk about this.

[Jason Mantzoukas]

Do you think that's Joel Silver being, like, Joe Pesci's blonde hair work? So we're going to do blonde hair in this.

[Paul Scheer]

Blonde hair is cool.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

Basically. Just so you know people at home, that Cinder book is a big, like, 20th century fan. So that's why her office has a Lethal Weapon 3 poster. Not even the best. Like the. One of the worst of the Lethal Weapons.

[Wyatt Cenac]

Whoa, whoa, whoa.

[Jason Mantzoukas]

Hang on, bro.

[Wyatt Cenac]

Yeah.

[June Diane Raphael]

Like, it's so weird.

[Paul Scheer]

Chili Peppers. Because they've definitely lasted. The Chili Peppers carried over to 2030, 2032. And there's a.

[Wyatt Cenac]

There's a little joker.

[June Diane Raphael]

She's a joker from Batman with the 90s. Like, there's nothing wrong with that. But hey, guys, she keeps on saying she's obsessed with the 20th.

[Paul Scheer]

And. And what about this one? The. The great. They're like, oh, yeah, Chili Peppers. Leave the weapon. And a poster for the band Bomb Hate Fed Love. What? Like, I feel like that was Joel Silver's kid.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

And he was like, we've gotta get into a little bit.

[Jason Mantzoukas]

If he's. If we put just a poster in the movie, we'll move some units. But she. She is a uniformed police officer in 2032, just driving her crew, like her police car on. And calls prison warden. She calls the prison ward warden to say, hey, hey, warden, how come there's no crime? I'm bored. She's a police officer. Like, just a regular. It's. It is crazy.

[Paul Scheer]

She's looking for action.

[Wyatt Cenac]

Lil does.

[Paul Scheer]

She knows she's gonna get it here?

[Wyatt Cenac]

I will say what's kind of what they did predict was they did predict the iPad because the warden has an iPad, but it's just got like a shiny silver frame. Like Steve Jobs.

[Jason Mantzoukas]

A lot of people think Steve Jobs got the inspiration for the iPad from this movie.

[Wyatt Cenac]

That's.

[Jason Mantzoukas]

He got, by the way, true story. Before he died. He said that.

[Wyatt Cenac]

Yeah, he said it as he died.

[Paul Scheer]

Yeah.

[Wyatt Cenac]

Watch Demolition Man.

[Jason Mantzoukas]

All the answers for Apple products are in Demolition Man. And then X is over his eyes. He's dead.

[Paul Scheer]

Well, that's why they included the script in that Jobs book. It was a script.

[Jason Mantzoukas]

Yep.

[Wyatt Cenac]

Yep.

[Jason Mantzoukas]

The last. The last. The appendix of the Jaws book is just the script for Demolition Man.

[Wyatt Cenac]

That's gonna be so prescient. That's gonna be my favorite part of the Ashton Kutcher movie is. Cause in the movie, they show him. Watch Demolition man, but they don't cut. They just show him. It's the whole movie.

[Jason Mantzoukas]

Him jerking off to Demolition Man. Cause everybody knows Steve Jobs jerked off to Demolition Man. That's where we're at.

[Paul Scheer]

It is proven.

[Wyatt Cenac]

And you can download this podcast on itunes.

[Paul Scheer]

Be ripped off itunes immediately. So anyway, oddly, Wesley Snipes has a parole hearing for a mass murderer. Seems odd. Seems odd that he's getting a parole hearing.

[Jason Mantzoukas]

Wasn't he sentenced to eternity? Wasn't he sentenced to eternity?

[Paul Scheer]

But yet they still run parole hearings just in case, like, stallone accidentally killed 20 people. He still has 40 years before parole hearing. Snipes gets one. He gets out immediately. No explanation how? Because he breaks out of cuffs. He doesn't do anything. He's like, I didn't know.

[Jason Mantzoukas]

Oh, no, no, that's because they programmed him.

[June Diane Raphael]

Yeah, yeah.

[Jason Mantzoukas]

But the bad guy. Programmed, Programmed.

[Paul Scheer]

He would have to be sentient to a computer to unlatch it. Like he didn't do like.

[Jason Mantzoukas]

No, he knew the code. The guy says, how'd you know the code word?

[Paul Scheer]

Oh, code word.

[Jason Mantzoukas]

Yeah, or whatever.

[Wyatt Cenac]

He says, yeah, he said like diddy pants. And then it was. It was something that. Yeah, silly. It was like diddly pants. And then the handcuffs opened up and.

[Jason Mantzoukas]

Then they say, how did you know the password? He goes, I don't know. And that's why he's able to use all the. Like he goes up to an ATM and he's like, like as if you mean.

[Paul Scheer]

Oh wait, do you mean a self esteem machine?

[Wyatt Cenac]

Yes, exactly.

[Paul Scheer]

Okay. Yeah. Wesley Snipes escapes very quickly, by the way. I feel like Wesley. I would like to look at the script because I feel like Wesley Snipes improvised every line. Every line.

[Jason Mantzoukas]

I feel like he was like, yeah, I'll be in this movie if I can't. If I don't have to say any of your dumb words.

[Paul Scheer]

There's a scene where he's just speaking in Spanish and I happen to watch his DVD last night in the audio. Director's commentary was on. He's like, yeah, wasn't just started doing the scene in Spanish and we thought it was funny so we just let him do it. I was like, I'm proven right.

[Jason Mantzoukas]

That's crazy.

[Paul Scheer]

Yeah, like that's why he talks to the parole officer.

[Jason Mantzoukas]

I love that you just said and for some reason the director's commentary was on. As if you didn't turn on director's commentary.

[Paul Scheer]

Witness.

[June Diane Raphael]

He couldn't figure out the dvd.

[Paul Scheer]

We couldn't figure out the DVD for she last. I was like, I don't get that old shit, man. I'm about Netflix Instant and Hulu.

[Jason Mantzoukas]

Oh, I'm about streaming.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

So.

[June Diane Raphael]

Here'S what's really weird about this movie though overall, this is just a.

[Jason Mantzoukas]

General comment is the macro point.

[June Diane Raphael]

Yeah, I'm gonna take it macro for a second. Cause it's so like you don't know exactly what you're rooting for. Like there's this new society and it is violence free. But there are certain freedoms, like the freedom to eat fast food that have been taken away from us.

[Paul Scheer]

June, haven't you heard Dennis Leary's rant?

[June Diane Raphael]

I Do. I did. I did.

[Paul Scheer]

So.

[June Diane Raphael]

But you're in a position though, you're put in a position where it's like as an audience member, you're hearkening back to the better times of 1996, which.

[Jason Mantzoukas]

Was, I definitely was like, yeah, hey.

[June Diane Raphael]

But don't we wishing for here.

[Wyatt Cenac]

But at the same time there are people today who are like, oh, it was so much easier in the 50s. And it's like, not for me it wasn't.

[June Diane Raphael]

Right? Absolutely.

[Wyatt Cenac]

I don't know what you mean. I don't know what you mean.

[Paul Scheer]

If you're unclear about why people are upset, here is Dennis Leary's rant, which this is at the height of Dennis Leary being a stand up. And I feel like they're like, do your thing, man, just have fun.

[Jason Mantzoukas]

And Dennis Leary, just so you know, Dennis Leary is like, like society.

[Wyatt Cenac]

Is.

[Jason Mantzoukas]

Rid of violence and everything's great and glossy and funny. And Dennis Leary is like the leader of the bad people that live underground, like in a kind of Matrix Revolutions kind of scenario. So he's like a rap, a Robin Hood type figure.

[June Diane Raphael]

And by the way, their graffiti is amazing, is unbelievable. And what they write in the one of the first scenes in the movie is just simply life as hell. Yeah, life is hell.

[Jason Mantzoukas]

And it is.

[Paul Scheer]

And by the way, they have a graffiti anti graffiti machine which they show how it works, but it's just like poles that shoot out of concrete. So I don't understand how the graffiti disappears.

[Jason Mantzoukas]

It just seems like, like you wouldn't get it, man.

[Paul Scheer]

But meanwhile, wasn't Snipes uses it to beat up people. So we'll jack up the volume a little bit because these clips are a little bit low. But here we go. This is Dennis Leary's rant. See, according to Cocteau's plan, I'm the enemy because I like to think, I like to read. I'm into freedom of speech and freedom of choice. I'm the kind of guy who sits in a greasy spoon and wonder, gee, should I eat the T bone steak.

[Jason Mantzoukas]

Or the jumbo rack of barbecue ribs.

[Paul Scheer]

With a side order of gravy fries? I want high cholesterol.

[Jason Mantzoukas]

I want to eat bacon and butter and buckets of cheese. Okay?

[Paul Scheer]

I want to smoke a Cuban cigar the size of Cincinnati in a non smoking section.

[Jason Mantzoukas]

I want to run the with green jello all over my body reading Playboy magazine.

[Paul Scheer]

Why? Because I suddenly might feel the need to. Okay, pal, I've seen this.

[Jason Mantzoukas]

Did you know what it is?

[Paul Scheer]

It's a 47 year old virgin sitting around in his face pajamas drinking a banana broccoli shake, singing I'm an Oscar Mayer wiener. You live up top. You live cocktails away. What he wants, when he wants, how he wants your other choice, come down here, maybe starve the day. And then he breaks into his pit song, I'm an Right. That was like that song that he had, like, where he did stand up material during a song.

[Wyatt Cenac]

The other great part of that is that. Go back to that for a second. Jack Black is one of the underground dwellers.

[Paul Scheer]

Oh, really?

[Wyatt Cenac]

Yeah, Go to the very end. Go to the very end. I looked, I saw it in the credits and I was like, that's. Yeah. Wow.

[Jason Mantzoukas]

Oh, amazing.

[Paul Scheer]

That is awesome. Three Bob Roberts. Oh, wow. That's awesome. So that's the. That's the villain of the movie. So basically.

[June Diane Raphael]

Wait, that's the villain of the movie?

[Paul Scheer]

Well, I mean, he is. Because basically Cocteau the new.

[Jason Mantzoukas]

No, Cocteau is the villain.

[Paul Scheer]

Well, but I'm saying Cocteau says he's the villain, so.

[Jason Mantzoukas]

Hey, Paul, why are you listening to Cocteau?

[Paul Scheer]

Yeah, the guy created a great San Angeles guys.

[Jason Mantzoukas]

Hey, man, I'm starting to think you're part of Cocteau's plan.

[Paul Scheer]

Whatever. I like wiping my ass with three seashells. No big deal. That's another like, weird thing. Like, why would you over. Why would you Flintstones it? Like, why would you go from toilet paper to seashells? Because according to Stallone, he said. He asked the director and is quoted as saying. It was explained to me, the seashells, you hold two of them like chopsticks and then you pull gently and scrape what's left behind with the third. What? So you are like. You're going. It seems way more than have a shit in the future.

[Jason Mantzoukas]

Wait, but how is it cleaned?

[Wyatt Cenac]

So you're.

[Jason Mantzoukas]

Wait, what?

[Paul Scheer]

You're going. You're going chopsticks down. And as you're getting the middle of the log of crap, you're pulling that out and then you're taking the third shell and you're.

[Wyatt Cenac]

So.

[Paul Scheer]

Wait a second. Get that unclean.

[Jason Mantzoukas]

We're talking right like this.

[Paul Scheer]

I have a bowl, a pull and a wipe. God, they didn't even know about the Cottonelle soft wipe. That shit is so much more.

[June Diane Raphael]

But you can't. When you say you hold them chopstick style. So you hold. You hold two seashells with one hand.

[Paul Scheer]

Yes, like that. And you're getting in there and you're pulling it out.

[June Diane Raphael]

But we saw them.

[Wyatt Cenac]

Sure.

[Paul Scheer]

Like how crabs are big. They Were pretty big and they were very clean. So you'd have to wash the shit off of these seashells. Like who was like, oh yeah, that's actually more convenient than paper that I used once and dumped the toilet.

[Wyatt Cenac]

That makes sense also if you're somebody like, because it was how it was. What was? Like they're like 80 year olds who should be alive during this time who were like, wait a minute, no toilet paper. There was nothing, there was nothing about toilet paper that made us a violent society like toilet paper. If anything kept us from being a more violent society, why in your utopia that does not involve the rest of the country?

[June Diane Raphael]

Yeah, what is happening with the rest of the country?

[Wyatt Cenac]

Do you get rid of toilet paper? And also, can we have the word homicide back? Because it's really murder. Death kill is a, the best part.

[Jason Mantzoukas]

Of murder death kill was when they, they the computer replacement reports like a 187 or like code and they're like, well what is that? I don't even know what that. Well, let's look it up. Look up 187. Oh, it's a murder. Death kill. Don't you think as a police officer you would know exactly what that thing is?

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[Paul Scheer]

So basically, you know, we don't have to get into the big plot of it. Stallone is unfrozen. Wasn't sliced unfrozen. They wreck a lot of havoc in the. In the future.

[Wyatt Cenac]

Basically. Futurama.

[Paul Scheer]

Yeah. And. And wow.

[Wyatt Cenac]

I didn't, didn't realize there were so many Futurama fans.

[Jason Mantzoukas]

But there are canceled a second in time. Really? Really. Really. Then you should have watched.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

By the way, I know.

[Wyatt Cenac]

I don't mean I was.

[Paul Scheer]

I don't mean to get back into the shit talk, but there is a moment like Sylvester Stallone is unfrozen. They bring him right to the police place. He gets in the uniform right away, he's fully a cop. And. And he's like, hey, yeah to Sandra Book. By the way, you're. You had toilet paper. So that means that he's walking around with. In his ass.

[Jason Mantzoukas]

No, no, no, no.

[Wyatt Cenac]

He, no, he was holding a.

[Jason Mantzoukas]

He didn't go. He didn't go because then he swears a bunch. He swears a bunch. And every time you swear you get a ticket, so he swears a whole bunch. So a whole bunch of paper tickets come out. And he goes, thanks, I'll be in the bathroom.

[June Diane Raphael]

Yeah, here's the weird thing.

[Wyatt Cenac]

Did you think he was just going to go read those in the bathroom?

[Paul Scheer]

Like a newspaper had taken his and was like, oh, damn it, there's no toilet paper. All right, I can go out there, tell him the problem, then get a bunch of tickets and wipe my ass. Like, he just pulled up his pants real quick. So he's got Paul, that scene. His ass.

[Jason Mantzoukas]

Hey, Paul, how are you living? What are you. Do you live like an animal? Like, do you not check if there's toilet paper before you go?

[Paul Scheer]

He was like, I've been frozen for 40 years. I got this goo coming out of my ass. Cuz it's all up and all, everything. I need to like shake this, this out. I can't hold it in. Oh, there's no toilet paper. And I'm freaked out. I got to go out there. I'm embarrassed. This girl's kind of cute. I need to wipe my ass. I got to be cool with her and just whisper.

[Jason Mantzoukas]

Let me ask you this also.

[Wyatt Cenac]

Bidets. They had bidets in the 90s. And somebody was like, b. No, I, I figured out a method. I found three seashells.

[Jason Mantzoukas]

Three metal seashells. They appeared to be. Paul, I have a question for you.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

When Stallone was frozen, he had a family, I think.

[Paul Scheer]

Oh yeah, he did. And when he asked about that family, here's what he was told.

[Jason Mantzoukas]

And then I have a mindblowing question afterwards.

[Paul Scheer]

Okay, great.

[Jason Mantzoukas]

I think, Yeah, I think we have the same question.

[June Diane Raphael]

I think we all have the same question. Yes, I think we all have the same question.

[Paul Scheer]

By the way, if you are a fan of.

[Jason Mantzoukas]

I'm just gonna.

[Paul Scheer]

The.

[Jason Mantzoukas]

Should we just go. Sandra Bullock is 100% his daughter, right?

[Wyatt Cenac]

Yeah, yeah, yeah.

[June Diane Raphael]

There's no other way.

[Wyatt Cenac]

Yeah.

[Jason Mantzoukas]

Sandra Bullock is 100% his daughter.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Thank you.

[Wyatt Cenac]

Thank you.

[Paul Scheer]

No, no, no, no, no. Yes, she knows. No, no, no. Cuz she knows who the daughter is.

[Wyatt Cenac]

No, she doesn't.

[Paul Scheer]

She says she doesn't.

[Jason Mantzoukas]

Let her look it up. She's about to look it up. She's like, I can look it up.

[Wyatt Cenac]

And he's like, no, no, no, don't do that. Because then when I. You, It'll be weird.

[Paul Scheer]

Oh, my God.

[Jason Mantzoukas]

This is like old boy shit. Spoilers for old boy.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

Guys, you've rocked my world.

[Jason Mantzoukas]

I know that. Right? The minute that happened, I was like, oh, she's his daughter. Then they had the sex scene and.

[Wyatt Cenac]

I was like, whoa. Yeah, this is gonna be really weird.

[Jason Mantzoukas]

When they reveal that she's his daughter.

[Wyatt Cenac]

But it was just mindset, so you could kind of.

[Jason Mantzoukas]

I was kind of okay with it. But then kisses her and I was like, barf.

[Wyatt Cenac]

Yeah.

[Jason Mantzoukas]

But then I. And by barf, I mean barf out of my wiener. I came.

[Paul Scheer]

But by the way, the way the movie ends and spoiler alert. But it looks like he's gonna go off with her. Yes. His daughter.

[June Diane Raphael]

Together.

[Paul Scheer]

They're together.

[Jason Mantzoukas]

His daughter. Come on. This is a dystopian future, by the way.

[June Diane Raphael]

There's no other explanation that's offered.

[Paul Scheer]

I am wrong.

[June Diane Raphael]

There's no other explanation.

[Paul Scheer]

Much time.

[Jason Mantzoukas]

They spend so much time with. Where's the daughter? Is there a daughter? The wife is dead. We know that. But there's a daughter and blah, blah, blah.

[Wyatt Cenac]

And I don't want to see the daughter because she won't like me because I've been in ice jail.

[Jason Mantzoukas]

But. But I want to fuck you, baby. I should make sure you're not my daughter.

[Wyatt Cenac]

Oh, fuck it. Who cares? Yeah, But.

[June Diane Raphael]

All right.

[Jason Mantzoukas]

First thing I do.

[Paul Scheer]

One hole in this theory. He was married. His last name is Huxley. Or his last name was Spartan. She's Huxley. How did you change her name?

[Jason Mantzoukas]

Who knows?

[June Diane Raphael]

She may be worried about that.

[Wyatt Cenac]

She may be remarried. She may be remarried.

[Jason Mantzoukas]

Like maybe.

[Paul Scheer]

Oh, yeah.

[Jason Mantzoukas]

His wife remarried his wife.

[June Diane Raphael]

And by the way, it's like, it's a new society. Who the fuck knows what happened there?

[Jason Mantzoukas]

I love. Thank you. Thank you. I love. We are 100% on the same page as fucking his daughter.

[Wyatt Cenac]

Yeah. That's what also seemed weird when he was having mind sex and he was, like, freaked out by it. It seemed like.

[Jason Mantzoukas]

It seems like a horror movie.

[Wyatt Cenac]

Yeah. That. It was like he was kind of into it and then it was like, oh, wait a minute. This could be my kid.

[Jason Mantzoukas]

Yeah.

[Wyatt Cenac]

Oh, I gotta go.

[Jason Mantzoukas]

I really thought we were gonna learn that information. And that we didn't was very upsetting.

[Paul Scheer]

Well, do you wanna.

[Jason Mantzoukas]

This is Sex in the Future.

[Paul Scheer]

You guys wanna watch Sex in the Future? The following. The following scene is.

[Scott Aukerman]

It's pretty amazing.

[Paul Scheer]

I let it go long. Here we go.

[Wyatt Cenac]

Also, why do they fucking love jingles? We'll begin in a few Seconds. Having sex. Of course.

[Jason Mantzoukas]

I want to talk to Sandra Bullock about this movie.

[Paul Scheer]

Stallone. Again, great acting. Here, watch this.

[Jason Mantzoukas]

What? Not cool.

[June Diane Raphael]

Oh, by the way, it's film sequence.

[Wyatt Cenac]

It's a.

[June Diane Raphael]

It's a horror movie summer sequence.

[Wyatt Cenac]

Yeah.

[Jason Mantzoukas]

Is this my daughter? Wait a minute. A minute.

[Wyatt Cenac]

Oh, yeah. We both have clefts in our chin.

[Jason Mantzoukas]

What?

[Paul Scheer]

What?

[Jason Mantzoukas]

What?

[Paul Scheer]

What's wrong?

[June Diane Raphael]

He broke contact.

[Paul Scheer]

Contact?

[Jason Mantzoukas]

I didn't touch you yet. Wow, guys, that just happened.

[Paul Scheer]

That is, I think, the most graphic sex scene I've seen. Even though it's not graphic, it's like it's. He's a.

[Jason Mantzoukas]

The zoom in. The zoomins on his face.

[Paul Scheer]

Yeah. Because you never see him. You never see him naked. And by the way, this is a great look in the future. Just the. The tuxedo vest without sleeves.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

The tuxedo Jaguar that.

[Wyatt Cenac]

Yeah. In a world where everyone is.

[Jason Mantzoukas]

If he has a right sleeve.

[Paul Scheer]

Oh, did it.

[Wyatt Cenac]

No, I think he had. No, he didn't have either sleeve. But in a world where, like, everybody's a wimp. Like the fact that they're like, ah, but we're going to go sleeveless to show off our muscles, even though we don't have violence or anything like that.

[Paul Scheer]

I have a feeling they gave him like a full out. I'm ripping these sleeves off because everyone else, like, I feel like he was like, rip, rip. All right.

[Jason Mantzoukas]

It's the same thing in over the Top when the kid had a jacket and he was like, I want this.

[Wyatt Cenac]

Kid to have no sleeves.

[Jason Mantzoukas]

I do.

[Paul Scheer]

Like, by the way that they refer to Simon Phoenix, the Wesley Snipes character, as maniac.

[Jason Mantzoukas]

A lot.

[Paul Scheer]

Like, yes, yeah, stand down, maniac. Or like the maniac is not listening. Yes.

[Wyatt Cenac]

Right.

[Paul Scheer]

That, like, why. That seems an overtly confrontational term.

[Wyatt Cenac]

Oh, yeah. Criminal maniac just seems heightened or even just, hey, suspect. Why did they go in this future? They like, went zero to George Zimmerman. Just like, I don't know if you're the person I'm supposed to be stopping, but. Get on the ground, maniac.

[Paul Scheer]

Get on the ground, Maniac. Oh, man. And then so. But also, the movie is based on this idea that Wesley's not. He needs to find the gun, but yet he steals a stick from a police officer that, when injected into a car, blows it up. Well, also, you know what? The gun. I'll take this stick. That blows up.

[June Diane Raphael]

That was only because the museum, though, the guns are all in, like a glass structure and he behaves as though he's never seen glass in the 90s.

[Paul Scheer]

He gets so cannons like an old can school pirate cannon. He's like, ooh, what do we got here?

[Wyatt Cenac]

Well, he was never. As a child, he was never taken to a museum. And that's why he turned to that life of crime. It says. It really says something about the state of public education.

[June Diane Raphael]

So here we go.

[Wyatt Cenac]

I'm just saying, perhaps if it was a little better, you know, he had.

[Paul Scheer]

A good time at that museum. He was learning.

[Wyatt Cenac]

Yeah. He went to, like, that school that the kids in the Wire went.

[Jason Mantzoukas]

And.

[Wyatt Cenac]

Then was like, oh, this is going crazy.

[June Diane Raphael]

So in the world of demolition man, is there a world outside of San Angeles?

[Paul Scheer]

You would argue that that would be yes.

[Jason Mantzoukas]

I mean, well, we do. We learned that there's an enormous earthquake that kills everybody, basically.

[June Diane Raphael]

A lot of lights were extinguished.

[Paul Scheer]

If Sandra Brook said, and my mother.

[Scott Aukerman]

Was also killed in that earthquake, it.

[Paul Scheer]

Would have been good. Oh, wait.

[Jason Mantzoukas]

Oh, yeah, yeah, yeah, yeah.

[Wyatt Cenac]

She was so.

[Jason Mantzoukas]

Oh.

[Wyatt Cenac]

But no, here, actually, this is why her name is Huxley, because her mother died, her dad's in jail, she gets adopted. She may. She never knew her mom. Oh.

[Jason Mantzoukas]

Ryan.

[Paul Scheer]

She leaves twice in the show.

[Jason Mantzoukas]

Two exits. Two bold exits.

[Paul Scheer]

Oh, here's another thing. When Stallone's trying to have sex with his daughter, he goes. He goes, oh, we're not gonna, you know, we're not gonna knock boots. We're not gonna hunk a chunka. Yeah, hunk a chunka. When was that a phrase?

[Jason Mantzoukas]

Oh, it was between 93, when the movie was made, in 96, when the movie is set.

[Paul Scheer]

Hunka chunka. You want a hunk a chunka?

[Wyatt Cenac]

Yeah, it was really gross.

[Jason Mantzoukas]

My favorite.

[Wyatt Cenac]

I remember Color Me Bad sang a song, Hunka chunka. Yeah.

[Jason Mantzoukas]

One of my favorite things is once Simon Phoenix has escaped and they've thawed out Sylvester Stallone, they're like, okay, well, we've run the computer program. We know what he's gonna do. He's going to. It is determined that he will try and set up a drug lab and start a new crime syndicate. That's just his. That must be his plan. And that. That made me furious because I was like, you are fucking assholes if you think like. And Sylvester Stallone rightfully is like, you guys are assholes. And I felt.

[Wyatt Cenac]

Also. Also, do you realize how long it takes to set up a drug lab in this environment?

[Jason Mantzoukas]

It would be almost impossible to even.

[Paul Scheer]

Get some people on the idea of taking drugs.

[Wyatt Cenac]

Right. And find a drug that they like that.

[Jason Mantzoukas]

Yes.

[Wyatt Cenac]

Like, you're not. You don't have, like, weed or cocaine Available. Like you're going to have to go into a lab and make some sort of synthetic drug. You're going to have to do human trials.

[Jason Mantzoukas]

Yep. You're gonna have to make sure graffiti artists.

[Wyatt Cenac]

That's. Yeah.

[Paul Scheer]

It would be like saying in this time it would be like he's gonna set up a loom factory and people are gonna go there and get tapestries like it.

[June Diane Raphael]

And also it's gonna take some doing.

[Wyatt Cenac]

Yeah. This is a seven year plan. His drug lab idea. It's. It's. That's seven years.

[Paul Scheer]

That's a big world. Yeah, yeah. Chunk that he's got to get into. Like by the way, it's also very. Yeah. Low tier plan.

[June Diane Raphael]

So. But where we come to understand once Stallone is.

[Paul Scheer]

I'm sorry. They're always looking for him. But they can clearly find him because he curses all the time. Whenever he curses, a ticket comes out of the machine. So it's like, oh, he'll just follow the cursing machines. Like that's where he is. They never use the cursing machines to locate him. Sorry.

[Jason Mantzoukas]

By the way, great point.

[Paul Scheer]

We owe Copton Rob Schneider.

[Wyatt Cenac]

We all should go to the future and be future cops.

[June Diane Raphael]

We come to understand that while Stallone was frozen, he was conscious during that entire time.

[Paul Scheer]

Yeah, he definitely has that.

[Wyatt Cenac]

Oh, right. Yeah.

[Paul Scheer]

Do you want to hear his monologue?

[June Diane Raphael]

Yeah. I love this.

[Paul Scheer]

But say your point first.

[June Diane Raphael]

No, no, let's watch it first. For sure.

[Paul Scheer]

Here's a great dramatic monologue from Sylvester Stallone about his time in cryo jail.

[Jason Mantzoukas]

I don't want to spoil your dinner.

[Paul Scheer]

Pal, but my cryo sentence was no sweet lullaby.

[Jason Mantzoukas]

I had feelings and I had thoughts. How about a 36 year nightmare about.

[Paul Scheer]

People caught in a burning building? You were awake. I don't think so. I do think so.

[Jason Mantzoukas]

And my wife beating her fist against a block of ice that used to be her husband.

[Paul Scheer]

Then you were nice enough to wake me up and let me know everything that matters. Something in my life is gone.

[Jason Mantzoukas]

It would have been just take me.

[Paul Scheer]

Down and leave me to the fucking crows. What would you say if I called.

[June Diane Raphael]

You a brutish fossil symbolic of a decayed era? Great.

[Paul Scheer]

I love that Lady Beetlejuice playing the same character.

[Wyatt Cenac]

I, I honestly thought the whole like her thing. She wanted to fucking him. Oh yeah, she and I. I was waiting for that moment where like he takes her into the bat into the Taco Bell bathroom.

[Paul Scheer]

She.

[Wyatt Cenac]

And it's like I've done this before in a Taco Bell bathroom but never won this. Nice.

[Jason Mantzoukas]

Yeah. She Is wet.

[Paul Scheer]

I, I, I, I oddly got the, I guess the European version of this online. And Taco Bell is replaced with Pizza Hut.

[Jason Mantzoukas]

What?

[Paul Scheer]

But they didn't change it all out. So there are some scenes that like do you see a Taco Bell sign? And then they say pizza. It's like let's go to this Pizza Hut. But it's Taco Bell. There's no Taco Bell. And I guess far foreign countries I.

[Wyatt Cenac]

Went to, I went to college at the University of North Carolina. And the one thing that I can take pride in is that fellow alum Dan Cortez was the piano.

[Paul Scheer]

Yeah.

[Wyatt Cenac]

In, in the Taco Bell combination. Combination. Pizza Hut. Taco Bell.

[Paul Scheer]

I like that.

[Jason Mantzoukas]

Yeah, I like that.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

Playing like on the piano like Jolly Green Giant. It's a great scene. Jesse the Jesse the Body Ventura is in this movie as well.

[Jason Mantzoukas]

He's one of the thought out thought that Simon Phoenix asks to be thought out.

[Paul Scheer]

And by the way, a huge question mark on that one. Only because like Simon Phoenix. Yeah. If you want me to kill Dennis Leary, I gotta get like a bunch of my guys out there. Oh yeah, yeah, sure. We'll release more crazy people in this world. And then at the end of the movie, those guys are not captured. They're probably performing that drug life.

[Jason Mantzoukas]

Oh yeah.

[Wyatt Cenac]

But a few of them were talking about it like hey, we could really make a killing with a drug lab. Also, do you know, did he ever thaw out Jeffrey Dahmer? Cause he was so excited about getting to meet Jeffrey Dahmer.

[Jason Mantzoukas]

Great news. John Hein is tweeting about the show. John Hein from the Howard Stern Show?

[Paul Scheer]

He was just here.

[Jason Mantzoukas]

I do know that the police don't seem too worried about Simon Phoenix being out because at one point Benjamin Bratt said it'll just be a matter of tiktoks until we find him again.

[Paul Scheer]

Over complicating the word time because in.

[Jason Mantzoukas]

The future we use longer and more words to say short things.

[June Diane Raphael]

Here's what's so confusing about Sandy Bullock's character. She's set up as wanting to see violence and action so badly, but the second it actually something actually happens, she doesn't do anything. No, she just until later when she kicks a little ass because her instinct is to unfreeze someone else to get in there.

[Wyatt Cenac]

Yeah, right. Her dad.

[Jason Mantzoukas]

Just her father slash sexual partner. I mean like there's an argument to be made that she wants to see action because it's in her blood. Yeah, it's in her blood.

[Paul Scheer]

Genetics.

[Jason Mantzoukas]

That's why everybody else is docile and lame, and she has the blood of John Spartan in her. John Spartan. She has the blood of John Spartan in her. She says soon she will have. She will have the semen of John Spartan in her.

[Paul Scheer]

Oh, wait, by the way, this is the interesting point in this movie. There's a part in this movie where Wesley Snipes threatens Cocteau, who's actually in.

[Scott Aukerman]

On the whole thing.

[Paul Scheer]

And we know that it's not a secret and it's not really revealed in an interesting way. And. And he runs away, and then they. Like, everyone just kind of takes a break. It's like, oh, yeah, we're hunting that guy. Anyway, you want to come to Taco Bell tonight? Yeah, let's go to Taco Bell. Let's go back to your apartment. Like, there's a long period of time where Wesley Snipes, he escapes in the daylight. We catch back up with him at night. He's like, all right, here I am going down here. Like, there's a. Everyone just took time off.

[Wyatt Cenac]

Yeah, he jumped into some bushes and they were like. Like, we're not. I'm not getting this fancy new outfit dirty.

[Paul Scheer]

He is dressed like crisscross in this movie. He is full blown crisscross.

[Wyatt Cenac]

And.

[Paul Scheer]

And, like, for whatever reason, there's like a Demolition man logo on the front of his overalls. I don't know where he got that.

[Wyatt Cenac]

But there, you know, it was from the. It was from the cryo lab.

[June Diane Raphael]

Yeah, they all. They all got those plastic things. That's not. That's not a demolition map.

[Wyatt Cenac]

Yeah, they had that.

[June Diane Raphael]

That's like a. That's just something from the prison.

[Wyatt Cenac]

I will say. I will say. In the Dennis Leary underground Teenage Mutant Ninja Turtle sewer world, why did the lady who made cheeseburgers look like Frida Kahlo? Yes.

[June Diane Raphael]

That was weird.

[Jason Mantzoukas]

Yes, 100%.

[Paul Scheer]

She's alive and she's been living down.

[Jason Mantzoukas]

That's her new resistance.

[Wyatt Cenac]

Yep.

[Jason Mantzoukas]

In the future, Frida. In this version of the. The future, Frida Kahlo and Diego Rivera live in an underground city.

[Paul Scheer]

Guys, let me just drop some facts on you about this movie, and I want to hear your reactions to them. Lori Petty was originally cast in the role that Sandra Bullock played, Tank Girl. Yes. And was. And after a few days of filming, was fired and replaced with Sandra Bullock.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

Few days. So we don't know. So we have to get that footage. It's the Eric Stolt Marty McFly footage.

[Wyatt Cenac]

I feel like she probably tried to get fired because what the fuck I'm fucking my dad. Yeah.

[Paul Scheer]

The original movie was written for Steven Seagal and Jean Claude Van Damme.

[Jason Mantzoukas]

Amazing.

[Paul Scheer]

Van Damme was offered the role of the bad guy, but didn't want that role. He agreed to start it if both lead roles could be switched. But Seagal was like, well, I don't want to play the bad guy. So then that movie was scrapped. Here's two other facts that are interesting. Jackie Chan was supposed to be Wesley Snipes, but Jackie Chan said he didn't want to play a bad guy because Asian audiences don't like good guys who become bad guys.

[Jason Mantzoukas]

And then he has name checked in it.

[Paul Scheer]

Yes, because Sandra Bullock is a big Jackie Chan fan.

[Jason Mantzoukas]

Oh, interesting.

[Paul Scheer]

But in the European version, he says Bruce Lee.

[Jason Mantzoukas]

He says Bruce Lee, not Jackie Chan. How interesting.

[Paul Scheer]

Here are two other things. These are all, like, amazing facts. Wesley Snipes kicks and punches look lurchy and awkward because he's such a good karate guy in real life that his punches were so fast that it blurred in the camera.

[Jason Mantzoukas]

Oh, my God.

[Paul Scheer]

So they made him slow it down so it looks weird.

[Jason Mantzoukas]

That's amazing.

[Paul Scheer]

And in Kuwait, the movie was simply called Rambo the Destroyer.

[Jason Mantzoukas]

Rambo. Rambo. Also name checked in this movie. Wesley Snipes gets guns and is like, thanks, Rambo, or something like that. And then Luke Skywalker is also name checked in this movie. There's a lot of pop culture references from the 1980s in 2032.

[Wyatt Cenac]

Also, I am wondering if in the Expendables movies, Sylvester Stallone wears a beret. And I'm wondering if he just took the beret from Demolition man or if this is some kind of a nod to all the guys and gals who went to Democon.

[June Diane Raphael]

And where does that beret come from.

[Jason Mantzoukas]

When he gets wearing berets? No, it was in his box. He had a box of stuff.

[Wyatt Cenac]

Right? With yarn.

[Jason Mantzoukas]

Yes. Remember when he knit a sweater? Remember when in one night, Sylvester Stallone knit a red sweater?

[Wyatt Cenac]

By the way.

[June Diane Raphael]

By the way, he made an entire sweater out of, like, one ball of yarn.

[Wyatt Cenac]

Yeah, yeah.

[Paul Scheer]

That's how good the rehabilitation program was.

[Wyatt Cenac]

He and his daughter.

[June Diane Raphael]

That was going to be, like, fully realized. And that was going to be, like, paid off in a wonderful way. The final sequence.

[Wyatt Cenac]

I want to learn to. I want to learn to knit now just so I can start an Etsy shop called John Spartan.

[Jason Mantzoukas]

John Spartan. Sweaters. Sweaters for my daughter. Wife.

[Paul Scheer]

I wanted before we go out to the audience, because I'm sure you guys have some things we might have missed. I Do want to play the scene that Jason, which said that we should definitely play. And I agree with.

[Jason Mantzoukas]

I'm gonna pee while we do this because it's. It's too sexy for me to deal with.

[Paul Scheer]

So obviously wasn't sniped from the way he's dressed. Is pretty hip hop. So let's score the fight scene with a little bit of hip hop here. Let's have some record. So listen to the record scratches during this fight scene. Here we go.

[Jason Mantzoukas]

Hey, wait for me.

[Paul Scheer]

Stupid. I love one day, whoever made that joke. Like, it's like old, like, Casio piano that you would buy.

[Wyatt Cenac]

Yeah. And then you never hear it for the rest of the movie.

[Paul Scheer]

Never.

[Jason Mantzoukas]

Yeah.

[Wyatt Cenac]

Never again. They. Throughout the movie, they hired different people to score it and then fired them. Like, they would submit one song and it was like, huh, get out. And then another person like, but we don't have the budget to have them rescore the whole. Just. Just give. Let them do the next song. That's your song. Get out. Cause even at the very end, like, when he's hanging. When Stallone's hanging from the grabber thing, the music there is, like, weirdly, like, orchestral, but fast and kind of circusy.

[Paul Scheer]

I feel like they. No one really knew what was going on, but they were psyched that it was happening. I feel like they're like, what, doing something.

[June Diane Raphael]

The best in this sequence, though, is when they cut back to everyone in the police station who's watching violence, I guess, for the first time. I mean, that's what I think that scene is about. Right? Like, they've never seen it. But, like, so. So my question is, they've never seen movies they've never seen.

[Paul Scheer]

Well, she's a 90s aficionado, right? Seen some Stallone films, right?

[Wyatt Cenac]

I mean, no, she just has the poster for Lethal Weapon 3.

[Jason Mantzoukas]

Well. And Rambo is talked about. So Rambo exists in there. What's that?

[June Diane Raphael]

Did you use the three seashells?

[Jason Mantzoukas]

Yeah, yeah, yeah, I used three seashells.

[Paul Scheer]

But that also. That brings up a good. It brings up a good point. There's a moment where, like, when the. The warden is killed and they're like, bring him up on screen, they show him dying, and they're all just like.

[Wyatt Cenac]

Huh, yeah, That's a shame.

[Paul Scheer]

Yeah, it's a bummer they didn't call for help. Back up. They're like, oh, this is watching Bleed out. Okay.

[Wyatt Cenac]

Also in 2036, I just wanna. I just have to say, 2036, I think there's only two women on the police force. Yeah.

[Paul Scheer]

Yeah.

[Wyatt Cenac]

Like, really?

[Jason Mantzoukas]

There's Benjamin Brat, too, and he's kind of a lady.

[Wyatt Cenac]

Like, they really built it.

[Paul Scheer]

Cleary are gay. Like, the end of the movie. Like, they're together and they're, like, side by side. He's like it. And then there's, like, high five. And there's a moment between the two of them.

[Wyatt Cenac]

Yeah. Because he, like, gets dressed. Like, they change his clothes. They give him a makeover and rip the sleeves off his outfit and put a vest on him.

[Paul Scheer]

No sleeves.

[Wyatt Cenac]

Yeah, they put a vest. Like, good. Yeah, you're one of us now. Wear this. Wear this vest.

[Paul Scheer]

There are obviously some things that we missed, and that's why we go out to you, the audience, if you have questions, things that we might have missed, things you want to inform us about. Oh, my gosh. This guy's question of. All right, your name, your favorite scene of the movie and your question. Oh, he wrote it down on his iPad. Here we go.

[Wyatt Cenac]

You mean on his fiber op.

[Paul Scheer]

Read your fiber op. My name is Chris. I think my. You thought way too long.

[Wyatt Cenac]

I know. Well, and he was reading like, he was reading as he said it.

[Paul Scheer]

My name is Chris.

[Jason Mantzoukas]

What I was actually thinking about is.

[Wyatt Cenac]

My favorite scene in the movie because.

[Jason Mantzoukas]

There'S so many great ones.

[Wyatt Cenac]

I think it's the blood sugar, sex.

[Jason Mantzoukas]

Magic, Lethal Weapon 3 framing of Sandra Bullock's office.

[Paul Scheer]

I just wanted to bring up that.

[Jason Mantzoukas]

The director of this movie, which I.

[Wyatt Cenac]

Had to look up because I was.

[Paul Scheer]

Like, where did this come from?

[Wyatt Cenac]

I just want to read the first line of his Wikipedia bio.

[Paul Scheer]

Marco Vambrilla is a New York based.

[Jason Mantzoukas]

Voice, video collage and installation artist known.

[Paul Scheer]

For his elaborate recontextualizations of popular and found imagery, which Vanity Fair praises as.

[Jason Mantzoukas]

Critiques and masterpieces of visual overload.

[Paul Scheer]

Well, that.

[June Diane Raphael]

That lines up.

[Jason Mantzoukas]

Sounds like the guy that I want directing Demolition Man.

[Paul Scheer]

And by the way, this movie is not, like, poorly directed.

[Jason Mantzoukas]

Are you sure about that?

[June Diane Raphael]

I agree. I agree with you.

[Paul Scheer]

But I mean, like, in the scheme, like in the grand scheme of, like, the room.

[Jason Mantzoukas]

Are you sure about that?

[Paul Scheer]

I mean, in that.

[Jason Mantzoukas]

Did you see that sex scene?

[Paul Scheer]

Yeah, you're right. That's a pretty great video installation. All right, all right. Your name. Your. Your favorite thing that Simon Phoenix did in your question. Here we go.

[Wyatt Cenac]

My name is Tom. Favorite thing that Simon Phoenix did was actually the opening fight sequence when he just goes crazy to hip hop music. And my question is. It's more of an explanation, hope, but.

[Paul Scheer]

Nice reference.

[Jason Mantzoukas]

This guy gets it. This guy gets It. I was wondering.

[Paul Scheer]

The entire building does get blown up.

[Wyatt Cenac]

In the opening scene, right?

[Jason Mantzoukas]

So how did they find 20 bodies.

[Wyatt Cenac]

In a matter of seconds?

[Paul Scheer]

Very good point.

[June Diane Raphael]

Very good point.

[Paul Scheer]

I think they were left out to the front. Maybe there is in the front of the building.

[Jason Mantzoukas]

Maybe the. Maybe the explosion.

[June Diane Raphael]

I think Phoenix must. Here's what I think. I think Phoenix must have killed them by lighting them on fire or something. Because otherwise.

[Paul Scheer]

Put them in a dumpster and they were going through the dumpster.

[Wyatt Cenac]

No, he froze. Well, he froze. He said he froze them so that way. Because Stallone early on is like, I did a thermoscan and there was only eight people in that giant building.

[Jason Mantzoukas]

And he says the reason you didn't know is because they were dead already.

[Wyatt Cenac]

When he froze them. He froze them so that they wouldn't show up on a thermoscan.

[June Diane Raphael]

The cops in Los Angeles thought that Stallone froze these people to death.

[Wyatt Cenac]

No, no, no. That's what. That's what signed Phoenix.

[Jason Mantzoukas]

They thought the explosion. They thought that he was a cowboy and went in and just with reckless abandon caused the death of these 20 hostages. And what they didn't know is that Simon Phoenix had already killed and frozen the hostages to frame John. I'm dying. I'm fucking dying. This is our lives. We try and make sense of this for you.

[Paul Scheer]

But I'm looking. I'm looking for a lady.

[June Diane Raphael]

But here's the last question about that. So the cops found them frozen, though. The cops found the bodies frozen.

[Wyatt Cenac]

No, because the fire. The fire, they've got flash fried.

[June Diane Raphael]

They really did just take Phoenix's word for it that they were dead.

[Paul Scheer]

Yes, that's the injustice that I was complaining about.

[June Diane Raphael]

Yeah, you're right. You're right. You're right.

[Paul Scheer]

This is the kind of world I don't want to live in.

[Wyatt Cenac]

1990.

[Paul Scheer]

Okay, your name. What you would say to Simon Phoenix at his trial. And your question.

[Wyatt Cenac]

You're a maniac.

[Paul Scheer]

Good.

[Wyatt Cenac]

Your name is.

[Jason Mantzoukas]

Your name. Okay, now, what would you say to Simon Phoenix in his trial? Two quick questions.

[Paul Scheer]

Number one, if they're trying to underplay.

[Jason Mantzoukas]

The sexuality so much in this society.

[Wyatt Cenac]

Why did that girl, like, new dial Stallone?

[June Diane Raphael]

Yeah, that was strange.

[Jason Mantzoukas]

And who did she think she was dialing? Like, what was that?

[Paul Scheer]

The other quick question was, doesn't the.

[Wyatt Cenac]

Liquid Styrofoam for crashed cars seem so much like more inefficient and slower than airbags?

[Paul Scheer]

When that.

[Wyatt Cenac]

I actually thought that.

[June Diane Raphael]

That I thought that the safety foam. I thought that that foam was a great idea. Though. Cause the foam protects the entire car. Like, there's. To me, there's no way, if you have a car that produces that foam that you could ever die in a car crash.

[Paul Scheer]

Whereas what you would die in suffocation.

[Jason Mantzoukas]

It would. It is filling the cabin with something that goes from soft to hard so you would be killed.

[June Diane Raphael]

You know what happens?

[Jason Mantzoukas]

Goes from soft to hard.

[June Diane Raphael]

Ladies.

[Paul Scheer]

Just fart. Your aid boat, Dan.

[June Diane Raphael]

It protects you inside of it. It protects you inside of it. And then someone has to chisel you out.

[Jason Mantzoukas]

Yeah. Because you're dead. Because you're dead.

[Paul Scheer]

Then I did. I did think that the naked girl was interesting. That's a very good.

[Jason Mantzoukas]

Like, there is, like, this is, like, the first, like, sexting, here's naked picture kind of scenario. And because it's a phone call appears and there's a naked woman and she's like, hey, do you want to. Oops, wrong number.

[Paul Scheer]

But this is, like, the era where, like, naked women in movies, like, started, like, went on a decline a little bit. It was sort of like, actually, like, I just put some tits in there. Like, that would be a fun scene, right? Like, if it's, like, so gratuitous and even, like, there's no. Like, they should just.

[Jason Mantzoukas]

I had no problem with that scene.

[Paul Scheer]

Your name. Why you think John Spartan's a hero in your question? Go ahead.

[June Diane Raphael]

My name is Mallory.

[Jason Mantzoukas]

I think Mallory. It's a Family Ties quote, guys. RIP David.

[Wyatt Cenac]

Gary.

[Jason Mantzoukas]

David Goldberg.

[Paul Scheer]

Great Scott. Valentine reference.

[Jason Mantzoukas]

Thank you.

[June Diane Raphael]

I think John Spartan was a hero.

[Paul Scheer]

Because he didn't let anything stop him. Great.

[Jason Mantzoukas]

I like that.

[June Diane Raphael]

And I guess my question is that scene where he's in the museum and he's kicking the glass, and then I.

[Paul Scheer]

Guess the museum guard sees him, and.

[June Diane Raphael]

I guess I'm wondering how socially stunted are they that they can't. Like, he's breaking into the thing and he's like, oh, do you need help?

[Paul Scheer]

And then he's like, oh, how much do you weigh?

[June Diane Raphael]

And just chuck some.

[Paul Scheer]

And, you know, this movie posits that 30 years in the future we would forget 30 years ago. So that would be. We have no recollection of. What would that be? Like the 8. 77.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

So we'd be like, yeah, I don't know what happened in the 70s. I don't know.

[June Diane Raphael]

Like, unless that earthquake killed most people.

[Jason Mantzoukas]

I don't think it did.

[Wyatt Cenac]

And then lobotomized everybody else. And just information's leaving my brain.

[Jason Mantzoukas]

It's one thing. It's one thing to be like, we don't have crime. It's another thing to be like, what is crime? You know, like, that's a tough. Like, that's a tough sell, especially for.

[Paul Scheer]

People that are in their 20s.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Which means that they were like, they were born 10 years after this. So it's not like.

[Wyatt Cenac]

Well, like, his cop friend. His cop friend who was flying the helicopter at the beginning of the movie. Like, nobody ever thought to be like, hey, man, you. You lived through this. You were a cop. Then this. Like, you. You don't remember what a 187 is.

[Jason Mantzoukas]

Yeah. Why can't he be like, oh, no, that's a murder, right? Death kill as you guys know it now.

[Wyatt Cenac]

And then they'd be like, shut up, man. Just. Just keep working on your little miniatures. That's my third Wyatt. That's my third Wyatt. Yeah.

[Paul Scheer]

By the way, Wyatt and I were talking about this. I love that guy because in the young version of him was Agent Johnson from Die Hard, which is just, you know, look, I like that, and I like that he's both. He's flying helicopters in both movies.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

He has a very. He has a niche.

[Jason Mantzoukas]

The problem is the actor who's the older version of him is like a foot and a half taller than the actor playing a younger version of him.

[Paul Scheer]

We all grew.

[Jason Mantzoukas]

Oh, everybody gets longer.

[Paul Scheer]

Your question. Your name. What? Favorite piece of future tech in your question, Mike. My favorite piece of future tech has.

[Wyatt Cenac]

To be Taco Bell. Being every restaurant ever.

[Paul Scheer]

My question or my point is, you guys left out.

[Wyatt Cenac]

The part of the movie actually made me have to pause it and take.

[Jason Mantzoukas]

A break and come back. And that is the way people greet.

[Paul Scheer]

Each other in the.

[Wyatt Cenac]

The future.

[June Diane Raphael]

Be well, all right.

[Paul Scheer]

Hands close. And they do a little.

[Wyatt Cenac]

Yeah, they go like that. And then someone's face, but not.

[Paul Scheer]

It's very weird. It's very Karate Kid. Wax on, wax off.

[Wyatt Cenac]

Although, you know what? We. If we all did that, we'd put that damn Purell family out of business.

[Jason Mantzoukas]

Well, that's the thing is they also don't high five. They come close to high five. They are like, yeah, yeah, yeah.

[June Diane Raphael]

They really don't have any physical contact with each other.

[Wyatt Cenac]

No, no.

[Jason Mantzoukas]

Sex is outlawed because of the swapping of fluids.

[Wyatt Cenac]

Yeah, yeah, but.

[Jason Mantzoukas]

Which we all understand to be disgusting.

[Paul Scheer]

Who has a good question? Double hand raised. We have a good question. All right.

[Jason Mantzoukas]

Holy. What is going on? Why does every. Everyone's raising their hands. Your name.

[Wyatt Cenac]

You.

[Jason Mantzoukas]

Okay.

[Paul Scheer]

What you would call the first movie that leads into. Into Demolition Man. And your question. All right, the movie leading Into Demolition man is probably. White man can't jump. All right, I like that theory. And then after that, it's Major League, and then Major League 2 is pretty much happening at the same time as. Wait, so you're saying White man can't jump, goes into Major League 1, Major League 2, and then demolition man happening while Demolition Man's going on. And then. All right, we're off the track. Here we go. Question. So, Mike. Well, it's more of a point leading in. Okay, so at the start, there's the fire going on, and then Wesley Snipes says, is it me or is it hot in here?

[Jason Mantzoukas]

And then.

[Paul Scheer]

Or it's getting cold in the air. And he throws the thing on. Yeah, the gas. But at the end, it's, like, all frozen and cold. And then Sloan says, is it me or is it cold in here?

[Wyatt Cenac]

And then the.

[Paul Scheer]

Just pisses off Wesley Sl. So it's kind of like they're going first, like, full circle.

[Wyatt Cenac]

And like. Well, there is. There actually.

[Paul Scheer]

There is a parallel of the last scene.

[Wyatt Cenac]

There's another parallel about that because Wesley Snipes says something in the beginning about taking my head off. Like, he's like. He's like, something, something. If you take my head off. And. And Stallone's like. Stallone's like, oh, keep that in mind. And then in the end, he takes. Takes his head off. He kept it in mind for 37 years or whatever.

[Paul Scheer]

A lot of time to think while he was alive in that block of ice.

[Jason Mantzoukas]

People go insane in solitary confinement. People go insane.

[June Diane Raphael]

Yeah, he.

[Jason Mantzoukas]

For 37 years, he's been awake and comes out and is like, let's get.

[June Diane Raphael]

To work and ask to be put in a moment of frustration. Says, put me back in the fridge.

[Paul Scheer]

Yeah. All right, here we go. Not even the freezer, just the fridge.

[June Diane Raphael]

Fridge.

[Paul Scheer]

He wants a lesser sentence. Okay, Question. Comment. Name. Here you go.

[June Diane Raphael]

My name is Merlennis, and I'm not very good with names of cars. But there's one scene when they're on the ground and they have this, like, awesome red car. Like, how is these, like, poor people have this awesome car? And how they got it down there and then.

[Paul Scheer]

And how did that.

[June Diane Raphael]

How did they get it down there? And just like. That's my question.

[Paul Scheer]

Like, it's an amazing question that basically, the Mole people had an elevator underneath a Chevy dealership that just in case they needed to.

[June Diane Raphael]

Yeah, because we see them go down there a number of times, and the only way it seems to get down, they seem to be able to get down is through, like, a manhole covers cover.

[Wyatt Cenac]

But also with that, like, Wesley Snipes runs away. And Stallone, rather than give chase, is like, wait, hold on a second. Can you start that elevator up? Because I really want to drive that GTO right now. Like, I know I need to stop this terrorist that's, like, trying to kill me and everybody, but I want to give this thing a test drive. Is that cool? Dennis Leary. I know I'm supposed to be protecting you, but is it all right if I. Like, I know I'm gonna catch him. He's on foot. There's no way. I'm just. Just let me put the car in the elevator. Hey, move past De La Huerta. Move your fucking burger shop so I can drive in there.

[Jason Mantzoukas]

Did anybody else think it was weird that the Dennis Leary people, the underground dwellers, their way of checking in on in the real world is to have, like, a periscope that pops out of the ground and that twice. Sylvester Stallone sees it randomly and is like, hey, what is that thing? And everybody else is like, what are you talking about? And it's like, I guess it was nothing.

[Paul Scheer]

He's a groundhog in 1996. He's a great groundhog hunter. And I was going to say this is my favorite part. When he goes underground for the first time, Sylvester Stallone lets up the sewer grate and goes. Smells like biscuits and gravy.

[Jason Mantzoukas]

Yep. But it shouldn't.

[Paul Scheer]

No, it doesn't. If it does, then that's a beautiful place to live, but did not seem like it match.

[Jason Mantzoukas]

Especially because then he manages to find a hamburger which he's been craving forever.

[Paul Scheer]

Oh, Nick. Yeah.

[Jason Mantzoukas]

Y' all done with show?

[June Diane Raphael]

Where at?

[Jason Mantzoukas]

Everybody text Nick Kroll. No, we're not done with the show, asshole.

[Paul Scheer]

Very close. Very close. But not yet.

[Jason Mantzoukas]

He eats a hamburger. Turns out it's made of rat meat.

[Paul Scheer]

But you know what? It's still pretty good.

[June Diane Raphael]

He doesn't mind it.

[Paul Scheer]

Here we go. This is your final question. A lot of pressure on you to bring it home.

[Wyatt Cenac]

No, we've gotta get to Nick Kroll, Guys.

[Jason Mantzoukas]

Nick Harper.

[Wyatt Cenac]

Yo.

[June Diane Raphael]

Texting.

[Paul Scheer]

Go, guys. All right, here we go. Your name, what you would say to Sylvester Stallone when he was on trial.

[Jason Mantzoukas]

And your question?

[Wyatt Cenac]

My name is John. I'd say it's not your fault.

[Paul Scheer]

Good answer.

[Jason Mantzoukas]

And my question is, could you guys just briefly talk about how Sandra Bullock tries to say, like, these 90s phrases but says them wrong at a certain level?

[Wyatt Cenac]

What's there to say after Simon Phoenix.

[Jason Mantzoukas]

In a hole and Says, I'm gonna go down there. I'm gonna blow him. I wrote down a bunch of those. They're all terrible.

[Paul Scheer]

Again, like. Again. No, no, Lang, like, language has not devolved. No, like, I'm gonna blow him. I'm gonna blow him.

[Jason Mantzoukas]

She says at one point, she says, it looks like you've meet your match. What?

[Wyatt Cenac]

And she says, take this jab and shovel it.

[Jason Mantzoukas]

It.

[Wyatt Cenac]

Yeah, yeah.

[Paul Scheer]

Like there is a weapon. She would know that. Those are wrong statements.

[Wyatt Cenac]

To anyone who's. To anyone who is like over 45 in that society, they, like, they would know those phrases. Like you. Yeah, like you.

[Jason Mantzoukas]

They have jingles from our time, right? Why don't they have, like, a book of phrases from our time?

[Wyatt Cenac]

Also, why don't they have the music from our time?

[Paul Scheer]

They clearly have.

[Wyatt Cenac]

They have posters for the Red Hot Chili Peppers. But not no music. Yeah. Was that like. Was that the end? Like, oh, that's music. Can't get any better. Let's shut it down. Shut down the studios, everybody. We're not listening to music anymore. Just jingles.

[Jason Mantzoukas]

Old jingles too. Like jingles from like the 40s. Jingles.

[Paul Scheer]

Yeah. Not jingles from our time.

[Jason Mantzoukas]

No, like oldies is for them from the 40s. Right, but just jingles. Not songs.

[Wyatt Cenac]

But not the. Yeah, and not like the good ones like by Menon.

[Jason Mantzoukas]

Yeah, like, that's great. Solid.

[Paul Scheer]

If you want to watch some deleted scenes of Dan Cortez singing by men and you can see it.

[Wyatt Cenac]

Yeah.

[Paul Scheer]

Obviously we had opinions on this movie, but they're not shared by everyone. Now it is time for a second opinion. These are five stories reviews called from Amazon.com People who felt very strongly about it. There's some good ones in here. This one's from JTS titled Beauty and the Ciro Cop. I think Jimin's like, well, okay, Ciro Cop is not right.

[June Diane Raphael]

This is an all cast cryo.

[Jason Mantzoukas]

Does she mean cryo?

[Paul Scheer]

I think she means cryo. It's spelled Ciro though, so.

[Wyatt Cenac]

And does she maybe mean.

[Paul Scheer]

There's always a constant in these Amazon reviews.

[Jason Mantzoukas]

Here we go.

[Paul Scheer]

All caps. Sandra's sweet innocence takes the edge off this tough guy film. She is the Spartan what Adrian spelt like Alderaan was to Rocky. The special effects are great. Some of the dialogue lags at times, but the strengths of the characters carry this one through. Check out the end.

[Jason Mantzoukas]

Wow.

[Wyatt Cenac]

All right. Sandra Bullock wrote that review. Sandra Bullock wrote.

[Paul Scheer]

I own this title and have seen it six times. Worth a sequel? I think so. Good. Fair.

[Jason Mantzoukas]

Do you think any of the people who Listen to our podcast. When they hear about the movie, go and write five star reviews hoping that they might get picked.

[Paul Scheer]

I never take anything that's written past like 2009.

[Jason Mantzoukas]

Well done.

[Paul Scheer]

So that is so nice.

[Jason Mantzoukas]

Try asking.

[Paul Scheer]

I really like this movie. A good thing about it is there is profanity, but they don't abuse it like they do in Pulp Fiction. In that movie they say the F word so many times it loses its meaning. Also, Snipes is pretty funny at times throughout the film. Five stars. Okay, this is my. I think this goes up in the pantheon of like favorite Amazon reviews because it really takes a turn from geek mom. This is my most favorite movie ever. There are so many quotes in this movie that are relevant today to today's society. It's a great action flick with some of my most favorite actors and the crazy humor in it makes looking at what we're going to through today almost laughable. I wish more people had seen it. And then they'll understand what's wrong with today's Congress and why they need to stop voting for progressives asap. This is the kind of world we'd be forced to live in if the progressives continued to thrive. Nothing would be legal and government would monitor and pay for everything you do. Truly frightening. Five stars.

[Wyatt Cenac]

I will say. Will say. Watching this movie, there was something about it that felt like, oh yeah, if you listen to Glenn Beck, like Glenn Beck would love this movie as like, oh, this is the dystopian future that like liberals want because, oh, everyone wears the same outfits and there's only one restaurant. Like you get like, like there's no money anymore. And I agree with it.

[June Diane Raphael]

But what we can't from in 96 was so terrible.

[Wyatt Cenac]

Right. And in 96 that was Clinton.

[Paul Scheer]

Right?

[June Diane Raphael]

Right.

[Wyatt Cenac]

That was, that was like, oh, Clinton caused Hollywood to catch fire.

[Paul Scheer]

And then no planes to land in LAX anymore. No commercial airliners. Yeah.

[Wyatt Cenac]

Like they were like, everything about the movie seemed like a liberal complaint. Like, it sucks now that Clinton's president. Everything's on fire. And then it only gets gets worse. We can't curse no more.

[Paul Scheer]

This movie asked a lot of questions and did not do a lot of answers. I feel like we got the bottom. Would you recommend seeing it? I know I would.

[Jason Mantzoukas]

Yes. Recommend. Strong recommend.

[Wyatt Cenac]

Yeah. I mean if the choice is that or like winter's bone. Because demolition. Demolition.

[Paul Scheer]

Even though Sandra Bo could to get a winter bone. Right?

[Wyatt Cenac]

Yeah.

[Paul Scheer]

With that John Spartan ice dick.

[Jason Mantzoukas]

And by that we mean her father's penis in her body also.

[Wyatt Cenac]

Also Sting did the theme song.

[Paul Scheer]

Oh, my God, you're right.

[Jason Mantzoukas]

Yes.

[Paul Scheer]

How about that?

[Wyatt Cenac]

And I wonder if Sting asked. Like, they were like, hey, Sting, you know, Sandra Bullock's character is, like, into 90s things. We were thinking about putting up a poster view. No, it's all right. Don't do it. Don't, don't.

[Paul Scheer]

We really want to prominently feature 10 Sumner's tales. Nope, that's fine. That's cool.

[Wyatt Cenac]

Hey, here's a Red Hot chili pepper.

[Jason Mantzoukas]

Soul Cages. You don't want us to put soul cages up?

[Paul Scheer]

I'm fine. I'm fine. I'm going to continue having tantric sex with my wife. You cannot put any of my movie.

[Jason Mantzoukas]

Really? You sure? No Soul Cages.

[Paul Scheer]

Absolutely not. Yeah. No, no, no, no, no.

[Jason Mantzoukas]

I saw that tour. Guys saw that tour. Just saying.

[Wyatt Cenac]

Do you think he does the theme song in concert?

[Jason Mantzoukas]

Like, I kind of. No, wait a second. Can somebody. Can somebody settle something? Did he write it for this, or is that a police song? It is a police song that was appropriated for this.

[Wyatt Cenac]

All right.

[Paul Scheer]

Even worse, Sting, you did it. You did it. You did it the best way you could. Well, thank you guys so much for coming. Adam Pally here, and I'm John Gabris. We're a couple actors and best friends who you may know as the host of the TV show 101 Places to.

[Jason Mantzoukas]

Party before you die.

[Paul Scheer]

Now we're bringing you a comedic look at health and wellness with our our new show, Staying Alive.

[Jason Mantzoukas]

We'll have guests like our friend, actor.

[Paul Scheer]

Jerry O', Connell, ketamine therapist Dr. Steven Radowitz, Paul Scheer, Eggo Wodo, Gillian Bell, Dr. Dolittle. Staying alive with John Gabris and Adam Pali is out right now.

[Jason Mantzoukas]

Get them a week early and ad.

[Scott Aukerman]

Free with SiriusXM podcast on Apple Podcasts.

[June Diane Raphael]

We quilt this city with a comfy roll. Quilted Northern is quilted with three cushy.

[Wyatt Cenac]

Layers for your comfort.

[Paul Scheer]

The quilted comfort of Quilted Northern.

[Wyatt Cenac]

Keep it quilted with quilted Northern.