Highlander II: The Quickening LIVE! w/ Sam Richardson (HDTGM Matinee)

Summary

Podcast Summary: "How Did This Get Made?" – Highlander II: The Quickening LIVE! w/ Sam Richardson

Release Date: July 1, 2025

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Introduction

In this live episode of "How Did This Get Made?" (HDTGM) hosted by Paul Scheer, June Diane Raphael, and Jason Mantzoukas, the trio delves into the notorious sequel, Highlander II: The Quickening. Joined by comedian and actor Sam Richardson, the hosts attempt to unravel the convoluted plot of this widely criticized film, exploring its numerous plot holes, production mishaps, and overall reception.

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Overview of Highlander II: The Quickening

Highlander II: The Quickening attempts to expand the original Highlander universe but quickly confuses both fans and newcomers with its intricate and poorly explained mythology. The sequel introduces the concept of the Highlanders being extraterrestrial beings from the planet Zeist, adding layers of time travel and alternate realities that stray far from the original narrative.

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In-Depth Analysis and Critique

Plot Confusion and Character Dynamics

From the outset, the hosts express their bewilderment regarding the film's storyline. Paul Scheer reflects on the opening narration:

“I'm Dexter Morgan. I've been through hell, but now I'm back for my curtain call...” ([00:01])

This unconventional introduction sets the tone for the ensuing confusion.

Sam Richardson admits his unfamiliarity with the Highlander franchise:

“I have never seen Highlander. As such, I was like, oh, this must be all Highlander stuff that I'm not aware of because I didn't see Highlander.” ([07:18])

June Diane Raphael echoes the sentiment of frustration and anger toward the film's incoherence:

“I felt very scared that I had missed so much. But here's the thing. I didn't understand any of it, but I also didn't care to understand it. Yeah, that's the other part of that. I didn't care to. And that's what made me angry.” ([05:56])

Production Issues and Multiple Cuts

The discussion reveals significant production turmoil, including multiple endings and cuts that left the narrative disjointed:

“They shot three endings. There are three cuts of this movie. And the director left at a certain point, so there are some giant plot holes in it.” ([29:10])

The Renegade Cut attempts to present a version where Highlanders are from another planet, but this addition only further complicates the already tangled storyline. The hosts criticize the lack of coherence and logical progression, making it difficult for audiences to follow.

Character and Mythology Inconsistencies

The film’s mythology, particularly the introduction of characters like Sean Connery’s Ramirez and the concept of the "Quickening," is a focal point of frustration:

“The only Scottish person in the movie played a Spaniard by. Or an Egyptian, by the way of Spain. So he's a Highlander... What makes Christopher Lambert special?” ([74:02])

Jason Mantzoukas summarizes their collective confusion:

“I spent not understanding anything that was going on.” ([07:18])

Notable Quotes and Moments

Throughout the episode, the hosts share notable quotes from the film that highlight its absurdity and lack of continuity. One standout moment involves a parody of a Hamlet scene:

“Alas, poor Yorick. I knew him, Horatio... What's your fucking game, shithead?” – Sean Connery’s Ramirez ([37:12]–[38:25])

This blend of Shakespearean references with crude humor exemplifies the film’s erratic tone.

Audience Reactions and Reviews

The hosts examine real and fabricated reviews, further cementing the film's reputation:

• Five-Star Reviews: Absurdly positive comments that seem out of place, such as “Just what my child wanted” and “My fantasies get tickles by the dream...” ([88:08]–[89:00])

• One-Star Reviews: Genuine confusion and disappointment, exemplified by statements like “I am just confused by this plot.” ([90:23])

Roger Ebert's scathing critique is also referenced:

“Plot of Highlander 2, the Quickening is one of the most hilariously incomprehensible experiences I've had in a long time.” ([91:00])

Conclusion and Final Thoughts

After an exhaustive and often exasperated discussion, the hosts reach a unanimous conclusion:

“The movie was a piece of shit... It fucked me up.” – Jason Mantzoukas ([92:54]–[93:04])

They lament the film’s inability to present a coherent story, its reliance on nonsensical plot devices, and poor character development. Despite the hosts' efforts to dissect and understand the film, Highlander II: The Quickening ultimately stands as a testament to how a sequel can dramatically falter by deviating too far from its source material without providing a satisfying narrative for audiences.

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Closing Remarks

The episode wraps up with plugs for upcoming projects and other shows the hosts enjoy, maintaining their signature blend of humor and camaraderie. They express their appreciation for their live audience and the continued support from listeners.

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Key Takeaways:

• Highlander II: The Quickening is widely regarded as a poorly executed sequel with a confusing and convoluted plot.
• Production issues, including multiple cuts and unresolved plot holes, contributed to the film’s negative reception.
• The hosts of HDTGM highlight the importance of coherent storytelling and staying true to the essence of the original material in sequels.

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Notable Quotes:

• Paul Scheer: “I spent not understanding anything that was going on.” ([07:18])
• June Diane Raphael: “I felt very scared that I had missed so much... And that's what made me angry.” ([05:56])
• Jason Mantzoukas: “I am still, like. I can't, like, think. This movie broke me.” ([93:04])

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Timestamp Highlights:

• 00:01 – 01:02: Introductory advertisements skipped.
• 07:18: Sam Richardson reveals he hasn’t seen the original Highlander.
• 29:10: Discussion on multiple film cuts and their impact on the plot.
• 37:12 – 38:25: Clip and analysis of a chaotic Hamlet-themed scene.
• 90:23 – 91:00: Examination of audience reviews and Roger Ebert’s critique.
• 92:54 – 93:04: Hosts unanimously express their disdain for the film.

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Note: This summary excludes advertisements, introductory segments, and non-content sections to focus solely on the discussion and analysis of Highlander II: The Quickening. Readers unfamiliar with the podcast or the film will gain a comprehensive understanding of the hosts' perspectives and critiques.

Transcript

[Paul Scheer]

I'm Dexter Morgan. I've been through hell, but now I'm back for my curtain call. And what better place to hide than New York City? There may be a new area code, but my code never changes. In a city full of monsters, my dark urges will feel right at home. Dexter Resurrection Starring Michael C. Hall, Uma.

[Jason Mantzoukas]

Thurman and Peter Dinklage.

[Paul Scheer]

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[June Diane Raphael]

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[Paul Scheer]

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[June Diane Raphael]

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[Paul Scheer]

A famous Highlander once said there can only be one. Unfortunately, the producers of this movie did not listen to that Highlander. We saw Highlander 2 the Quickening so you know what that means.

[Sam Richardson]

Screaming how did Schwarzenegger grow a baby in his belly?

[Jason Mantzoukas]

Rock a roster vest while whipping Justin the Kelly? Or maybe see a burlesque show with Nick Crow and take a boat with speech to hitting cruise control J man big Paul in the beautiful Jewel gonna take you from the goob all the.

[Paul Scheer]

Way to the room Ran the games.

[Jason Mantzoukas]

In Street Fighter hope to blow off.

[Paul Scheer]

Steam just to suck a punch the odd life of Timothy Green sharp NATO.

[Jason Mantzoukas]

The birdemic how we staying alive they call it in the badass and he's on the line cranking 88 minutes cause they cool as ice cause a bad Jim Barney looking kind and nice Paul and June getting literal Jason is getting laid June is making sure all the monkey shots getting paid they judge a bunch of movies while they making the grade Here's a real question for you. How did this get made?

[Paul Scheer]

Hello, hello people of Earth and hello people of Largo. Welcome, welcome. We are here at Largo at the Cornet, our LA home for our live shows. And we are so excited to talk to you about another sequel following in the brave footsteps of Grease 2, a sequel made about years late and not asked for. But unlike Reez 2, this movie makes zero sense. So here to help me dissect Highlander 2, the Quickening, I will tell you, I have some amazing people. Number one, please welcome Jason Mantzoukas.

[Sam Richardson]

What's up, Drew?

[Paul Scheer]

What's up, Jason?

[Sam Richardson]

How are you, Paul?

[Paul Scheer]

I am excited.

[Sam Richardson]

Thrilled to be here.

[Paul Scheer]

Very rarely backstage do we stop ourselves from even. We couldn't even talk about this on the basis of levels.

[Sam Richardson]

Back I came in hot, I was like, I want to talk about this as of right now starting go.

[Paul Scheer]

You were talking about in your car on the way over.

[Sam Richardson]

Talking to myself, just ranting and raving.

[Paul Scheer]

Probably like the screenwriters.

[Sam Richardson]

Why can't I get porcupine hair? It's one of the things I said to myself.

[Paul Scheer]

Well, we will find out that and much more. But first, let me introduce my other co host, the wonderful, the talented, the June Diane Raphael. June. Welcome, welcome, welcome, June.

[June Diane Raphael]

Hi, welcome.

[Virginia Madsen]

Hi, Paul. How are you?

[Paul Scheer]

Very well, very well. How are you, June?

[Sam Richardson]

I will say backstage too. You guys introduced yourselves to each other?

[Virginia Madsen]

Yeah.

[Paul Scheer]

June and I's relationship is. How many introductions would you say do we give each other in a day? Like a random day? 12.

[Virginia Madsen]

About. Yeah, about 12.

[Sam Richardson]

Just to be clear, is introduction's a euphemism?

[Virginia Madsen]

No, it's. You know, they say it's like the key to a successful marriage to really see someone anew every time.

[Paul Scheer]

Identify yourself at all points. I'll say, hey, June, it's Paul. And she'll say, it's June. And we'll. We'll move on with our day.

[Sam Richardson]

I will say backstage, you were like, I think we've met before.

[Paul Scheer]

She looks damn familiar to me.

[Virginia Madsen]

You'll place me sometime.

[Paul Scheer]

I will say, june, and I will. I'm not saying that I was above it at all, but watching this movie with you was particularly enjoyable simply because it was like watching a person who never has studied take an sat. And there was frustration and there was anger and there was yelling, we'll get into it.

[Virginia Madsen]

But this is what I'll say.

[Sam Richardson]

I feel like it's the picture of the woman in Times Square in Westworld. Like it caused you to short circuit.

[Virginia Madsen]

I kept on saying, I mean, I don't know how many times I said to you, do you know what's going on? I felt very scared that I had missed so much. But here's the thing. I didn't understand any of it, but I also didn't care to understand it. Yeah, that's the other part of that. And it's so important. I didn't care to. And that's what made me angry.

[Paul Scheer]

Well, buckle up. Joining us tonight, a very special guest. You've seen him in the movie Office Christmas Party. You can watch him on the television show Veep. He has a brand new Comedy Central show called the Detroiters coming out in February. Please welcome Sam Richardson. Hi. Welcome. Welcome, Sam. And. And I apologize because this is a tougher movie than we normally do.

[Jason Mantzoukas]

I don't know what it was. I. It could have been forwards or backwards.

[Sam Richardson]

I, at some point wrote, was this cut out of order? I. I WR Michael Ironsides appears to be able to be everywhere at once.

[Paul Scheer]

I wrote down this, and I mean it with 100% sincerity. This is not for comedic effect. Majority of this film I spent not understanding anything that was going on.

[Sam Richardson]

Okay, well, here's. I'm so happy to hear that. For this very reason. Early on into the movie, I realized something very important.

[Paul Scheer]

Okay.

[Sam Richardson]

I have never seen Highlander.

[Paul Scheer]

Yeah. Yeah.

[Sam Richardson]

As such, I was like, oh, this must be all Highlander stuff that I'm not aware of because I didn't see Highlander. Now, I'm glad to hear that you guys also felt like it was absolute gobbledygook.

[Paul Scheer]

Well, let me tell you something, Jason. Tell me, Paul, if you were a Highlander fan, you also would not understand it because apparently what has happened is they decided, well, yeah, Highlander was good, but we can't just continue those characters. Let's just get rid of everything that we set up and create a brand new world.

[Sam Richardson]

Does Highlander take place in 2024?

[Paul Scheer]

No. What? Literally, it is.

[Sam Richardson]

This is not the world of the first movie.

[Paul Scheer]

Not at all. I'm being very serious.

[Sam Richardson]

Whoa.

[Paul Scheer]

There is nothing about this movie that is, like, technically a.

[Virginia Madsen]

The first movie travel time.

[Jason Mantzoukas]

Well, the first movie, like, goes back to, like, the days of actual Highlanders.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

But then it's just 1985 and then like the 1500s or.

[Paul Scheer]

Right.

[Sam Richardson]

Yeah.

[Paul Scheer]

They go like, they're in, like, the Scottish Highlands.

[Jason Mantzoukas]

Yeah, exactly. Like Scotsman.

[Sam Richardson]

But sometimes when they're in the Scottish Highlands, he's got a machine gun.

[Virginia Madsen]

That made no sense.

[Sam Richardson]

I couldn't crack that at all. Well, that was like some Zardoz level nonsense.

[Paul Scheer]

Well, it's interesting. It isn't. Well.

[Sam Richardson]

Whatever. Whatever's about to follow, I guarantee is not interesting.

[Paul Scheer]

Well, here's here's what I. Here's what I will put down and I'll just throw it out there because I think it's worthy. Because there's probably some people who watch the Renegade edition, which is the director's cut, and there's some people who probably just watched regular Highlander 2, the Quickening.

[Virginia Madsen]

The big difference, by the way, this all makes me sick. Like, all these words make me fucking sick. Fucking hate this. I hate it.

[Paul Scheer]

Oh, the. The big difference that they made with this movie was that in the sequel, the Highlanders are from the planet Zeist and they are coming from another planet to come to Earth. Wow. Yes. Now the Renegade cut cuts that out. Yes. They don't in this movie.

[Sam Richardson]

They shot it in theory, going interplanetary travel as well as time travel.

[Paul Scheer]

So the Highlanders live in another planet and they come here.

[Sam Richardson]

So they don't live in the Scottish Highlands.

[Virginia Madsen]

Which, by the way, that might explain why he had a machine gun. Because that was not old in days. That was current.

[Paul Scheer]

Current Zeiss days.

[Virginia Madsen]

Current Zeiss days. Just on another planet.

[Jason Mantzoukas]

I didn't know that watching this. And I'm so glad that because I was watching that movie. Like, I'm going to do a bad job with this because I'm the only one who doesn't understand what's happening.

[Paul Scheer]

No, this is.

[Sam Richardson]

Felt like I didn't understand why Christopher Lambert was old Lambert. I didn't understand why he kept falling asleep in the opera. I didn't understand why the opera was being terribly lip synchronized synced.

[Paul Scheer]

Terrible. Like they spent so much money on that opera house, that stage.

[Sam Richardson]

Just get the opera singer sing the song. And then I also felt like was. He was flashing back to this other. Now I'm realizing planet where he is like the Neo of the.

[Paul Scheer]

But the Renegade. The Renegade cut does not allow you in on that fact. Like. Oh, like you can't.

[Virginia Madsen]

What is the Renegade cut?

[Paul Scheer]

The one that we watch. That's the director's version. The director was.

[Sam Richardson]

You watched Renegade.

[Paul Scheer]

The best Lorenzo Lamas. No, the.

[Sam Richardson]

Wait, that's the cut you watched.

[Paul Scheer]

I mean, well, that's what it's called, the Renegade cut. If you watch it on itunes.

[Sam Richardson]

I didn't.

[Paul Scheer]

Okay.

[Sam Richardson]

Oh, I didn't. I watched it on ulu.

[Paul Scheer]

Oh, you might have watched. Well, we'll find. Well, if you don't know about the Zeiss, do you know about Zeiss?

[Sam Richardson]

I know nothing about you probably watching.

[Virginia Madsen]

About Zeiss then if you don't.

[Paul Scheer]

If you watch the Renegade cut, you don't know about.

[Jason Mantzoukas]

Okay, yeah.

[Sam Richardson]

Okay. I was like, paul, what is Zeiss? What is Zeiss?

[Jason Mantzoukas]

That's a lot of words I didn't know.

[Paul Scheer]

Just so you understand, like, what's going on here. That makes a difference.

[Sam Richardson]

If you say Zeiss again, I'm gonna punch you right in the. Right in the nose.

[Virginia Madsen]

I don't want to hear Zeiss. I don't want to hear Renegade. I don't want to hear Quickening. I don't want to hear Highlander.

[Sam Richardson]

We're over there when we were there watching the trailer, and it goes, Highlander 2, the Quickening. June goes the Quickening. Didn't know that was the name of the movie. And I. I get it. Why would you?

[Paul Scheer]

Well, let's hear what the producer has to say about this movie and how you can enjoy it. It's a sequel because the characters do pick up 25 years later from when the first movie ended, and we had to resolve those issues. But it's also a picture that stands completely by itself. It is a story that has a beginning, a middle, and an end.

[Jason Mantzoukas]

Leaves us with an opening to go forward again for another picture.

[Paul Scheer]

But if you've never seen the first Highlander, you should be able to. We felt. Watch this one, understand it, and enjoy.

[Sam Richardson]

You are wrong.

[Paul Scheer]

Absolutely not.

[Jason Mantzoukas]

You can tell he's, like, sick of asking that question. Like, I don't know.

[Paul Scheer]

Well, here's the problem then. The first movie, Sean Connery dies.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

As a big, like, part of the movie.

[Paul Scheer]

Yeah. And for the second movie, Christopher Lambert was like, well, I like Sean Connery. We should bring him back. And they're like, well, he's dead. He's like, well, I won't make this movie. And they're like, all right, we'll bring him back.

[Sam Richardson]

Was Highlander 2 that big of a success? I mean, Highlander 1. I'm sorry, was it. Did it necessitate this? Kind of, like, everybody was clamoring for that Highlander sequel.

[Paul Scheer]

I don't have that research in front of me. Yeah. I would imagine that people wanted. I mean, Highlander seems like a movie people talk about.

[Jason Mantzoukas]

People talk about. It had a great Queen soundtrack everybody loved, you know, But I don't know if the TV show was inspired by, like, the Quickening or Bills from.

[Virginia Madsen]

What was the Highlander about?

[June Diane Raphael]

What?

[Virginia Madsen]

What was the Highlander about?

[Paul Scheer]

Sam, you could probably take it. Yeah.

[Jason Mantzoukas]

I think I'll down on the. The explanation hat. Conor Connor McLeod.

[Sam Richardson]

Played by Christopher Lambert.

[Jason Mantzoukas]

Christopher Lambert was a. Was a Scottish Highlander and the leader of a tribe. I can't Remember the name of the tribe, but they're warring with another tribe. He's in war.

[Sam Richardson]

Clan McCloud.

[Jason Mantzoukas]

That's the name of his clan. And he's playing with clan other guy. And then in a battle, he gets harmed, and then he recovers overnight. And everybody's like, oh, he's a witch. Turns out he's one of these highlanders who cannot die unless their heads are removed.

[Sam Richardson]

But he didn't know that.

[Jason Mantzoukas]

He didn't know.

[Sam Richardson]

So he's just finding out in the moment.

[Jason Mantzoukas]

He's like, wait a minute, what's all this?

[Sam Richardson]

Uh, oh, zoinks, I'm immortal.

[Jason Mantzoukas]

And he like.

[Paul Scheer]

And then how does he get to 1985?

[Jason Mantzoukas]

He's been living lives, not dying. And the way it is is like two highlight. There can be only one. That means. So, like, it's hard to explain. There's a bunch of.

[Sam Richardson]

Don't worry about it. One of these fucking nerds will help us.

[Paul Scheer]

I know.

[Sam Richardson]

If we need it.

[Jason Mantzoukas]

I want to see if I can do this. So, like, they have to all. There's a bunch of highlanders who are these immortal beings who, like. But then they do battle because there can be only one. So they all fight each other over time, and they kill each other by removing their heads. And then what happens is the quickening, where, like, electricity goes and they gain, like, oh, that's the power from these.

[Sam Richardson]

So they take, like the essence of the dead hyper.

[Jason Mantzoukas]

I hear people like, no, am I wrong? Is that not right? Okay, all right.

[Virginia Madsen]

Something's feeling right about me, you know, so they basically.

[Paul Scheer]

Basically just took.

[Sam Richardson]

This isn't helping me understand the movie I watched any better, but, like, thank you.

[Virginia Madsen]

So Sean Connery's head is chopped off at the end of that movie.

[Jason Mantzoukas]

Yes. Because he's a Spaniard who comes.

[Sam Richardson]

He is.

[Paul Scheer]

He's Ramirez.

[Sam Richardson]

Ramirez.

[Jason Mantzoukas]

Who comes to, like, teach him the ways of the Highlander.

[Sam Richardson]

He is not a Spaniard at all.

[Jason Mantzoukas]

And he teaches him, like, about highlandering and then has his head chopped off as a huge, like, you know.

[Paul Scheer]

Yeah, right. That's a moment.

[Jason Mantzoukas]

He's like, oh, no. Now I've gotta avenge my master.

[Virginia Madsen]

Couple more questions. A couple more questions. So, like, on a day to day basis, like, what does a Highlander do?

[Jason Mantzoukas]

Like, it's a lot of, like, wrist training for, like, a lot of spins like this.

[Sam Richardson]

They're warriors.

[Paul Scheer]

They're warriors.

[Jason Mantzoukas]

They're warriors.

[Sam Richardson]

It's like, then when not high landing. They are titans of industry and developing Earth protecting shields.

[Virginia Madsen]

Well, no, that's what I'm Trying to get at. Which is like, what. What do they want out of life? You know, what do they.

[Sam Richardson]

They just want to keep that head on, baby. That head on.

[Paul Scheer]

So they're living a life of fear, knowing at one point someone's gonna come around and try to chop their head off.

[Jason Mantzoukas]

Try and chop the head off. That's why you always have a sword on.

[Sam Richardson]

You have to be a Highlander to fight a Highlander. Like, you don't fight. You don't take on a Highlander to gain immortality. You have to be also immortal.

[Jason Mantzoukas]

I think you already have to be in the club. You can't, like, get it. You don't. You can't get access to it from the outside.

[Virginia Madsen]

So with this phrase, there can only be one. Sorry.

[Jason Mantzoukas]

So, yes. So they bet they have to battle each other until like, for all time, until there's one left. And then they win what's called the prize.

[Sam Richardson]

What? What? The prize.

[Paul Scheer]

Yep.

[Jason Mantzoukas]

And I'm murky on what the prize is.

[Paul Scheer]

Does anyone know the prize?

[Jason Mantzoukas]

That's right. Mortality.

[Paul Scheer]

Because.

[Sam Richardson]

Because also you can die.

[Virginia Madsen]

I would imagine. Yes. That most of them are tired of living.

[Sam Richardson]

Like all of us.

[Virginia Madsen]

Yeah. But why?

[Paul Scheer]

Hey.

[Virginia Madsen]

Okay, another question. If I'm a Highlander and I wanna, you know, end it all, I can't kill myself via, like, decapitation.

[Jason Mantzoukas]

I don't think they addressed it in the film.

[Sam Richardson]

The suicidal tendencies of Highlanders.

[Jason Mantzoukas]

Highlanders.

[Paul Scheer]

So that movie takes us beautiful history and flushes it down the toilet. They just keep the head knocking off part of it. Like, that's really the only part that.

[Sam Richardson]

We really get, I guess wild.

[Paul Scheer]

And the names, because they don't. He doesn't even seem to be that surprised when Sean Connery pops up and like, oh, yeah, your head go. You know, there was no.

[Jason Mantzoukas]

And he's like, whoops, here I am.

[Sam Richardson]

Ramirez, my old friend.

[June Diane Raphael]

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[Paul Scheer]

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[June Diane Raphael]

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[Paul Scheer]

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[June Diane Raphael]

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[Paul Scheer]

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[Paul Scheer]

I mean, I am addicted to the Boom Chicka Pop.

[June Diane Raphael]

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[Virginia Madsen]

Can I ask another very basic question about this movie? Why do they want the shield down?

[Paul Scheer]

Oh, okay. This is. Now about the sequel.

[Virginia Madsen]

Okay, I'm sorry.

[Paul Scheer]

Well, I understand that. So basically, this will help us because I. Again, it's one of those movies like when you see in the beginning, this is a now become a trope of a how did this get made movie where the opening text makes a lot more sense at the end of the movie. And I feel like they should replay the opening text maybe midway through or at the end to be like, oh.

[Jason Mantzoukas]

Right, yeah, every 10 minutes, just pop that thing up there.

[Sam Richardson]

More text crawls is what this needed. It needs to be like a silent movie. Just like indiscriminately throughout the movie, just text blocks. Well, I mean, the year is 2024.

[Paul Scheer]

So the first one. The year is 2024. Second one. Industrial pollution has destroyed the ozone layer, leaving the planet at the mercy of the sun's ultraviolet rays. An electromagnetic shield now protects the Earth.

[Sam Richardson]

Which, by the way, is also in Escape from la. Yes, the same idea of, like, the UV tomorrow is gonna be real bad.

[Paul Scheer]

It's right all there. I mean, this is what everyone's afraid of, the UV rays. And it goes. A small group believes that the ozone.

[June Diane Raphael]

Layer has repaired itself and that the.

[Paul Scheer]

Shield is no longer necessary. But no one knows for sure.

[Virginia Madsen]

No, I read that, Paul. I got that.

[Paul Scheer]

You got that?

[Virginia Madsen]

I got that.

[Paul Scheer]

So.

[Virginia Madsen]

So I understand that they're not sure, but I don't. What I don't understand is why.

[Sam Richardson]

I.

[Virginia Madsen]

Guess why that other guy is keeping the shield up if there's no. Like, what are they gaining from?

[Sam Richardson]

Money, Money, money. Yeah, I think. Wait, you're talking about the bad guy?

[Paul Scheer]

John McGinn.

[Sam Richardson]

John McGinley. Yeah.

[Paul Scheer]

He.

[Sam Richardson]

He. He's making money. His company makes money. So.

[Virginia Madsen]

Okay, I guess here's the question. Are we to believe that the world has fallen into. That people are, you know, just turned into animals, and there's just despair everywhere because of this shield? Well, because they can't see the sky.

[Sam Richardson]

I do think that that is a little bit. What. What's her name? Louise.

[Paul Scheer]

Yes.

[Sam Richardson]

Says to him, is like, you. Like that nobody has seen the sun. Like, nobody. Like everybody.

[Paul Scheer]

When he talks about that. When she talks about the sun, she almost gets, like, real horn dog for it. Like, she's like, oh, tell me. Yeah, but the clouds.

[Sam Richardson]

And that's like foreplay for them.

[Paul Scheer]

And what? Like, did video cassette players or DVD players not exist? Like, could they not watch?

[Jason Mantzoukas]

Go back and look.

[Paul Scheer]

Yeah, I feel like there's a book around or something.

[Sam Richardson]

Pictures, TVs in their cars. You'd think they'd have. Yeah, they had a way to watch stuff from the past. It's 2024.

[Virginia Madsen]

Okay. I guess the other question is, so how is the corporation making money off.

[Paul Scheer]

The shield, charging countries for protection?

[Jason Mantzoukas]

It's protection money.

[Paul Scheer]

Ozone protection.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

But then that. Then that shield comes down. But it's tough because that's a one of five plots that are running concurrently and told to you with not the proper backstory. In the beginning, Christopher Lambert is doing his best. Jean Claude Van Damme doing an old man, which is, like, talking like this.

[Jason Mantzoukas]

But, like, still the same speed that he would speak in as a young man.

[Sam Richardson]

But that's.

[Virginia Madsen]

But when he has to move, he is sprightly.

[Sam Richardson]

Yeah.

[Paul Scheer]

Also like. Yeah, because he. Because, like, in the beginning, like, you see him look down at this old man, and he kind of tips his opera goggles to him, but we don't know who.

[Sam Richardson]

Opera goggles, right.

[Jason Mantzoukas]

Does he have goggles?

[Paul Scheer]

Or is it glasses?

[Sam Richardson]

Did you bring your opera goggles?

[Paul Scheer]

Sorry. It was glasses. It was glasses.

[Sam Richardson]

I want to be able to. To see the opera that's happening underwater.

[Paul Scheer]

It's 2024. You love that.

[Jason Mantzoukas]

2024.

[Paul Scheer]

That's why it looked like it was dubbed. So Christopher Lambert. So he's old at this point now, just to go back to the first movie.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Do they get old?

[Jason Mantzoukas]

No, but he. He. But he won the prize, right? Is that right? So he won the prize. So he's. So now he ages and he.

[Paul Scheer]

And so when he gets that cut on his hand and he sees it heal Like Wolverine. He's like, shit.

[Jason Mantzoukas]

He's like, shit.

[Paul Scheer]

Here we.

[Jason Mantzoukas]

Here we go again, essentially.

[Paul Scheer]

And there's no reason to why he lost the prize.

[Jason Mantzoukas]

Yeah.

[Sam Richardson]

Well, in this. They say. In this thing, they say. The priests say to Michael Ironside, right?

[Paul Scheer]

Yes. Mm.

[Sam Richardson]

Both of these movies have, like, all of my favorite character actors from when Michael. Cause I watched this one first. I was like, oh, yeah, Michael Ironside's the original Powers Booth. And then. And then in the next movie, Stacy Keach. And I was like, stacy Keach, the original Powers Booth. I was like, these are titans of villainous character actors from the 80s and 90s. I'm so happy.

[Paul Scheer]

There's so much. And I think John C. McGinley falls in that category too. So much beautiful scene shoeing is like. And even Sean Connor is like, fuck it.

[Virginia Madsen]

People are acting their asses off in this movie.

[Sam Richardson]

But the priests say to Michael Ironside, he's not chosen whether he's gonna grow old and die or whether he's gonna come back here, which is apparently something called Zeiss, which is where they are and I'm assuming, fight Michael Ironsides for supremacy, right?

[Paul Scheer]

Yeah, I guess that's part of the story.

[Virginia Madsen]

Here's my question. After that moment when he gets zapped.

[Sam Richardson]

Then Michael Ironsides is like, well, I guess I'll go to him then.

[Paul Scheer]

Right.

[Virginia Madsen]

But when he gets zapped in, he's going to the future, correct?

[Sam Richardson]

Correct.

[Virginia Madsen]

So he's not aging. Okay.

[Paul Scheer]

Yeah.

[Virginia Madsen]

He starts aging in the future from whatever age he was at the moment he was zapped into that.

[Sam Richardson]

Correct. I think at that point, I'm assuming. Well, at that point. At that point, when there's two Highlanders, aren't they both immortal?

[Paul Scheer]

Yes.

[Virginia Madsen]

I mean, there can only be one.

[Sam Richardson]

I think we're going to be unsatisfied if we think we're gonna figure it out.

[June Diane Raphael]

Yeah.

[Paul Scheer]

Well, here's why we'll never. Here's why we'll never figure it out. They shot three endings. There are three cuts of this movie. And the director left at a certain point, so there are some giant plot holes in it. As a matter of fact, when he.

[Sam Richardson]

Kills both the Porcupine Boys and what I've now found out is the Quickening. The Quickening happens and he absorbs their power. There is an explosion of energy all around him. Windows. Cars explode. Windows are blown out.

[Paul Scheer]

Yes.

[Sam Richardson]

The number of civilian casualties that must have died simply so that he could become young Handsome Lambert again.

[Paul Scheer]

It was worth.

[Virginia Madsen]

Was worth it.

[Sam Richardson]

And it seems like it both hurts him when the quickening happens and it seems like he's coming.

[Paul Scheer]

Which is like sex. Yeah, that is just. Just take a listen to this. This is another clip from the documentary of the making of this movie, about the actors understanding the movie.

[Sam Richardson]

I'd never been in and have never since been in a situation where the plug was pulled. And you.

[Paul Scheer]

You actually thought to yourself, well, hang.

[Sam Richardson]

On, have we finished the movie?

[Paul Scheer]

It was a complete nightmare. All of a sudden, people who had been allowed in the cutting room were not allowed in the cutting room. All the creative shifted. You had a new set of bosses. Different producers came in. At the end of the day, we're just like a horse with a different rider on it. And all of a sudden, this rider was like, totally into purely finishing the film from an insurance company standpoint. So you have an actor going, I don't know if we finished the movie.

[Sam Richardson]

Wow.

[Paul Scheer]

So that would be.

[Sam Richardson]

Well, see, that's why I feel like. Cause there were scenes where Michael Ironside from scene to scene was like, okay. For example, in the scene where they leave the Max prison. Guys, I don't fucking care about the order of this movie. Yeah, they didn't. They did. So they run Michael Ironside over with the truck. Louise is like, ha, ha. That was amazing. And then he fights Christopher Lambert on the truck.

[Paul Scheer]

Sure.

[Sam Richardson]

They knock him off and they keep driving. Then they are. They're driving to climb the ladder to see above the shield. Cut to Michael Ironside in a room with John C. McGinley. He's like, we don't have any idea where they're going. Like, you just fell off the car. Like, where were you? Where were you when you fell off the car? They're not much farther from there. Like, why did you come back? Why?

[Paul Scheer]

He got an Uber. He went back. He was like, I lost it.

[Virginia Madsen]

And they.

[Sam Richardson]

And they have a scene which is genuinely like, John McGinley's like, I don't know. And it's like, how did you get back here so fast? What the fuck is. And I think that's not meant to be there.

[Paul Scheer]

Well, of course not. Like, I mean, this movie, like.

[Sam Richardson]

Well, I. I think I figured out that this was not a very well made movie.

[Paul Scheer]

I. I felt like all the fight scenes in this movie was like watching a theme park stunt show. It was like they would shoot something and like, a giant piece of a balcony would fall off. Like, gun. And they're like, wait, how would that. Like.

[Jason Mantzoukas]

And like a sharply cut off piece of balcony. Like, no, like, fray at the edge. Just.

[Paul Scheer]

Like you know that there's a guy at the bottom. Like, show's over. It goes right back in the.

[Sam Richardson]

And the guy who's on a wire, who's got, like. He's got wings. This is one of the Porcupine Boys. The Porcupine Boys have one. Dude's got a hoverboard.

[Jason Mantzoukas]

Yeah.

[Sam Richardson]

And that shit is nonsense. When Lombert jumps on the hoverboard and starts flying around, and then he's being chased by Porcupine Boy with wings. They're both moving so slowly. They're both moving at such slow, deliberate paces. It's shitty beyond belief.

[Paul Scheer]

Now, I'll tell you who was really nervous about that hoverboard scene. Robert Zemeckis. Because they. Back to Future 2 is not out yet. And they're like, oh, shit.

[Jason Mantzoukas]

Oh, no.

[Paul Scheer]

So they got real freaked out from Highland. If Highlander 2 gave us anything, they gave us cooler hoverboards. Marty McFly would have been on these.

[Sam Richardson]

Like, I felt like this is where, like, the Wachowskis were like, ooh, I know what we can do in Jupiter Ascending. We'll give him. Yeah, we'll give him flying boots. The problem is the board.

[Paul Scheer]

But now, you guys might know this, but when do you think this movie was made? I know when it was, but it doesn't feel like it was 2024. 2024?

[Virginia Madsen]

I'm gonna say 19. 1987.

[Paul Scheer]

Okay.

[Virginia Madsen]

No, 1990.

[Paul Scheer]

Got it.

[Jason Mantzoukas]

I'm gonna price this right at 1991.

[Paul Scheer]

1991. 100%. But this is crazy, because it doesn't feel like these are the movies that were their contemporaries. Terminator 2, like, Robin Hood, Princess of Thieves and Beauty and the Beast. Like, this is like. If this feels like. I mean, maybe it's just the fact that they shot it in Buenos Aires. It's like, you know, like old cameras taking shots.

[Sam Richardson]

Taking shots at Buenos.

[Virginia Madsen]

But weirdly, though, there's a couple of scenes, like the scene with Sean Connery where he's trying on the suit. Like, that looks. I love that scene. I love. Genuinely.

[Sam Richardson]

I loved.

[Virginia Madsen]

I loved it.

[Sam Richardson]

It was the best scene.

[Jason Mantzoukas]

Exactly.

[Virginia Madsen]

It felt like a movie, and it looked like a movie.

[Sam Richardson]

Yeah. I was like, finally, I understand a character's wants in a scene from beginning to end. And they are unchanged, by the way. It's not like I know what he wanted at the beginning of that scene. And then a bunch of nonsense happened, and then, I don't know where we are now.

[Paul Scheer]

The man simply wants a suit. And I also felt like, why didn't they ever make a prank show where Sean Connery just got on stage during Broadway productions and interrupted? That was my favorite scene.

[Jason Mantzoukas]

That was the best. And, like, by the end of it, the audience was on board.

[Sam Richardson]

Oh, yeah.

[Paul Scheer]

He comes and interrupts. The middle of Hamlet starts, like, making fun of Hamlet, and he's interrupting a show, and the audience gets on his side.

[Jason Mantzoukas]

They start out like this. Like, what this guy? And then he just bows and they're like, yeah, Bravo.

[Paul Scheer]

That was theater.

[Sam Richardson]

Why does Sean Connery land where he lands? Why, when Christopher Lambert says, I need you, Ramirez, my old friend. And thus conjures him, why doesn't Sean Connery show up? Is there something in there that seems to say that the shield bounces him away?

[Jason Mantzoukas]

Well, I have a theory.

[Paul Scheer]

Oh, yeah, Okay.

[Jason Mantzoukas]

I think it's because he was decapitated in Scotland that he returns.

[Sam Richardson]

Really?

[Jason Mantzoukas]

To Scotland.

[Sam Richardson]

Okay, I'll take it.

[Paul Scheer]

All right. I like that.

[Sam Richardson]

The nerds. The nerds agree.

[Paul Scheer]

The odd part of this, when he does appear in Scotland, and this is a screen grab, which, if you're listening, you can't see, is everyone's dressed like they're from the 1940s, which is also hard to like. Oh. So in Scotland, they kind of stopped. Like, they stopped. They went backwards almost, because the shield only went up in 1999. So they went backwards in time.

[Sam Richardson]

Yeah. You would think they would be dressed. Oh, who cares?

[Virginia Madsen]

One of my favorite scenes in this movie was early on, there's.

[Paul Scheer]

Should we see that Hamlet scene, by the way? Is it worth just. Just because we have it and it's one of my. I think it's the best scene in the movie. Here we go.

[June Diane Raphael]

Just real quick.

[Sam Richardson]

Wow.

[June Diane Raphael]

Well done.

[Paul Scheer]

Alas, poor Yorick. I knew him, Horatio.

[Jason Mantzoukas]

Actually, the name is Ramirez.

[Paul Scheer]

Will you get out of here?

[Sam Richardson]

I'm a Spaniard.

[Paul Scheer]

Excuse me.

[Jason Mantzoukas]

A fellow of infinite jest, of most excellent fancy. Forgive me for interrupting your conversation, but.

[Paul Scheer]

He hath borne me upon his back.

[Sam Richardson]

Back a thousand times.

[Paul Scheer]

Here hung those lips that I have kissed. I know not how oft.

[Jason Mantzoukas]

Sir, whatever you gentlemen felt for each.

[Paul Scheer]

Other when your friend was still alive.

[Jason Mantzoukas]

Is certainly none of my affair.

[Paul Scheer]

What's your fucking game, shithead?

[Jason Mantzoukas]

Shithead?

[Paul Scheer]

What's a shithead? That's how he wins over the office.

[Sam Richardson]

My apologies.

[Jason Mantzoukas]

Enough of this useless banter.

[Paul Scheer]

I shall be on my way and.

[Jason Mantzoukas]

Leave you to converse with your scum. Farewell, dear shithead.

[Paul Scheer]

Farewell. And the stage manager, very upset.

[Jason Mantzoukas]

And also good on that actor for watching a man apparate on stage and Then trying to continue the scene.

[Paul Scheer]

Yes, professional.

[Jason Mantzoukas]

Professional.

[Sam Richardson]

And also when he makes his exit, who's playing the bagpipes? Well, by the way, the bagpipes for the Spaniard who has appeared on stage.

[Paul Scheer]

They play bagpipes in every scene that he is in. That is like his under. He has, like, a motif. Like, it's underneath. Like, oh, we gotta play bagpipes. Remind people.

[Jason Mantzoukas]

Very so subtle.

[Paul Scheer]

And I also feel like there was a point where Sean Connery was like, the reason why he has that scene where he gets in a suit is just because he's like, I'm not wearing this fucking Highlander outfit. I'm gonna work for three days, tops. You're gonna pay me $10 million, and I'm gonna wear a nice suit. And guess what? I'm keeping it.

[Virginia Madsen]

He looks great.

[Paul Scheer]

I also just like that Sean Connery is, like, notorious for picking the wrong movies. Like, it's amazing. Like, he was supposed to be in Lord of the Rings. He's like, no, I'll do Legal of Extraordinary Gentlemen. He was supposed to be in the Matrix. He's like, no, thank you. Like, he's turned down every good movie and just been like, yep. Highlander 2. Where do I sign?

[Sam Richardson]

Only if you make the origin story that we started on another planet and get zapped here. Who knows why, then I'll do it. That's my Sean Connery impression.

[Virginia Madsen]

It was great.

[Paul Scheer]

I liked it.

[Sam Richardson]

I think gets pretty good.

[Paul Scheer]

June, I. I interrupted you before we played that scene. You were. Did you have a thought there before?

[Virginia Madsen]

Oh, I was thinking the female characters in this movie are insane. The woman in the bar in an early.

[Sam Richardson]

Oh, yeah.

[Virginia Madsen]

Oh, I am so obsessed with. I. It's a performance that. Unlike anything I've ever seen. Yeah, it was. Is really quite something.

[Jason Mantzoukas]

Like, so many facets of it.

[Sam Richardson]

I always wanted to meet the guy that turned the world to. Well, he saved our lives, if you ask me. I'm not asking you. Okay, what do you want? Did you ever think about that before you covered the sky with that puke? I work all day and my life stinks.

[Paul Scheer]

And it's your goddamn fault, you old bastard.

[Sam Richardson]

Don't turn your back on me. There are some people in this world who know when to stop and some people who don't. Which kind are you okay, Miss Nobody, you're out of here. Come on, come on, come on, come on.

[Paul Scheer]

Take it back. No. Prostitute.

[Sam Richardson]

I'm sorry, Mr. McLoud. Jimmy. No problem.

[Paul Scheer]

And then she comes back and what?

[Sam Richardson]

Son of a. I love the runaway I love her. I love it. I love that she runs away.

[Paul Scheer]

Okay?

[Virginia Madsen]

I'm obsessed with her. And I'm also obsessed with the woman on the airplane.

[Sam Richardson]

Obsessed. Also. Also, why does the plane appear to be from the 1940s?

[Jason Mantzoukas]

Also on that plane, why has the instructional video come on halfway through the damn flight?

[Sam Richardson]

Also, why does it end with a plane crash? Why does the safety video for the plane end with the plane crash?

[Paul Scheer]

Whoa, wait, wait, wait.

[Sam Richardson]

There's a lot of footage of the plane, like, of harrowing footage.

[Paul Scheer]

It is, I would argue, worse than any airplane disaster movie you've ever seen.

[Virginia Madsen]

It's really scary.

[Paul Scheer]

Used to calm passengers mid flight.

[Sam Richardson]

Mid flight. It. That is crazy. Sean Connery appears to be, like. He also is in the air for, like, days of movie time. So much happens to Lambert while Connery's in the air. It's, oh, this movie.

[Paul Scheer]

I wanted to ask you guys what he meant by this, because they go, would you like some food? They show him some food, and he goes, I won't eat anything I can identify. And then, oh, yeah. He kind of says, oh, yeah, yeah, like, but that's not always the case to a woman.

[Sam Richardson]

Yeah. Because I can't always identify that puss. Yeah.

[Virginia Madsen]

I mean, but that's an insult.

[Sam Richardson]

Don't get me wrong. I'll chow down on it, even if it's an unidentifiable puss.

[Paul Scheer]

And those are the lines that got Sean Connery to sexual harassment lawsuits during the filming of the. This movie over nine days.

[Sam Richardson]

What? What are you talking about? Are you saying that that scene in the movie was. They. He didn't know he was being filmed.

[Paul Scheer]

I want to improvise a line just a bit.

[Sam Richardson]

Oh, my God, that's amazing.

[Paul Scheer]

But, yeah, like, that was an odd way to come on to a woman. Cause it also. She kind of liked it. I mean, she loved it.

[Sam Richardson]

She loved it. Oh, yeah.

[Jason Mantzoukas]

I've never seen a person laugh harder at anything in my life.

[Sam Richardson]

You do have to be like, if you turn down putting stuff in your mouth and you want to get with the lady next to you, you do have to assure her that you do indeed put stuff in your mouth.

[June Diane Raphael]

Today's podcast is brought to you by Squarespace. Hell, I might even be brought to you by Squarespace. I got so many websites up there. Squarespace gives you everything you need to offer services and get paid all in one place. Truly, I have been loving my Squarespace experience. I have broadened out. I have my website. How did this get made? Website Unspooled's website, Dark Web's website all there and they each work completely differently. And what I love about Squarespace is from consultations to events to experiences, you can show off your offerings with a customizable website designed to attract clients and grow your business. Plus, with Blueprint AI they have this AI enhanced website builder. You can quickly create personalized sites that align with your brand and goals. You can streamline your workflow with built in tools for appointment scheduling, email marketing, invoices and seamless online payments. To keep your business running smooth, head to squarespace.combonkers for a free trial. And when you're ready to launch, use the code bonkers to save 10% off your first purchase of a website or domain. That's right, squarespace.com bonkers using the offer code Bonkers. You might not know this about me, but my favorite candy is Twizzlers. Hands down from when I was a kid. There is nothing better than a Twizzler is my go to treat. Let me tell you something. When I saw that Twizzlers was sponsoring this show, I got excited. The fun never stops with Twizzlers. All right. It is the candy to stretch out the fun. Now look. Other candy too.

[Paul Scheer]

Sweet.

[June Diane Raphael]

Overpowering. But Twizzlers is the perfect level of sweet.

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[Paul Scheer]

June. Do you identify with Louise when she sees the raw masculinity of Christopher Lambert? And just that's.

[Sam Richardson]

I have a lot to say about that scene.

[Virginia Madsen]

I mean, ultimately it was just like this same haircut. Like making and fucking, like watching, like two people who have the same haircut.

[Sam Richardson]

Do you think that's what was attractive to her is she saw herself in his hair?

[Jason Mantzoukas]

It was just an egotist.

[Virginia Madsen]

It was like a wild.

[Sam Richardson]

And she's just a narcissist.

[Jason Mantzoukas]

She's a super narcissist.

[Sam Richardson]

They do not know each other. He throws her in a dumpster.

[Jason Mantzoukas]

Yeah.

[Sam Richardson]

As an old man. Like a child's magic trick. When she comes out of the dumpster, he's a young man. So she raw dogs him in the street against a wall in the street. She's like, you were old moments ago. I've come out of a dumpster. You're young. Put it inside me.

[Paul Scheer]

Now this has to imagine that he does it quite quickly.

[Sam Richardson]

Oh, he just goes for it. And by the way, they're just making it out. And I was like, okay, cool. Maybe a make out. But they are hard making out. She's making out with his chin. And he shoves it in and comes. Yeah, he just came. We just watched him come. It was quick. It was quickening.

[Jason Mantzoukas]

The quickening.

[Sam Richardson]

Thank you. Thank you. Guys, guys, guys, guys, guys. Thank you, guys. I'd like to accept my howdy for the.

[Paul Scheer]

No, you gotta wait two and a half some odd years before the next one comes out.

[Virginia Madsen]

Here's the thing I'll say on her behalf. First of all, let's not just entirely blame her for this. I mean.

[Sam Richardson]

Oh, no, he's completely.

[Virginia Madsen]

He attacks her. Okay. But it does seem like there's an energy to this world where people are just in the streets.

[Sam Richardson]

Like, that's in the opening.

[Virginia Madsen]

Crazy.

[Sam Richardson]

But it starts on the opening scene. There's a woman being on a mattress on the street.

[Virginia Madsen]

Really disturbing.

[Sam Richardson]

Which was not cool.

[Paul Scheer]

No. Yeah. I wouldn't say. I would say being raped Right.

[Jason Mantzoukas]

She didn't seem entirely conscious.

[Paul Scheer]

Seem like a real loving. It started off real nice. This is like a real. This is like, hey, a great, cute, as you would call it, very Harry Met Sally moment.

[Sam Richardson]

Watched him de Age decades and stand.

[Jason Mantzoukas]

Out of a fire.

[Sam Richardson]

Yes. Like.

[Jason Mantzoukas]

And then he'd ask her, who are you? And then they.

[Paul Scheer]

She's like, I want some of this. I gotta. You know. Oh, my gosh. That isn't. This is a very intense scene because there's. That's the only connection between them. And then in the next scene, she.

[Sam Richardson]

Explains the 15 seconds. I just counted it. Oh, that's 15 seconds of penetration. And he came. I mean, probably he hasn't fucked in, like hundreds of years, but that is.

[Virginia Madsen]

No, not true. Because we do find out that he's had wives and girlfriends.

[Jason Mantzoukas]

Yeah, no, no, you're right.

[Sam Richardson]

You're right. But, like, that was 15 seconds of sex. At which point, like, that's disappointing.

[Paul Scheer]

I think sometimes Highlanders can't hold the back.

[Sam Richardson]

And he doesn't apologize. He's not like, my bad.

[Paul Scheer]

I'll.

[Sam Richardson]

Give me a minute, I'll go again.

[Jason Mantzoukas]

He's proud of himself.

[Paul Scheer]

Yeah. He's like, I did it. Yeah.

[Jason Mantzoukas]

He's like, there can be only one.

[Paul Scheer]

The original. The original way.

[Virginia Madsen]

Just lost that, Jason.

[Paul Scheer]

The original way. Ramirez came in with Ramirez. I need your help. And Sean Connory from behind. And it's a very awkward.

[Jason Mantzoukas]

That's not the Renegade. Cut.

[Sam Richardson]

I'll help you, Highlander.

[Paul Scheer]

I'll eat anything. I can't identify.

[Sam Richardson]

What.

[Paul Scheer]

Seconds later, though, this scene happens, which is, I think, always. There are things in these movies. Title cards, flying skateboards, skateboard scenes. And then a movie. And then this point, which is like, probably about 30 minutes, where they just go, okay, shit. The audience is lost. How about this?

[Sam Richardson]

Oh, amazing.

[Paul Scheer]

Let's see if I can get this straight. You're mortal there, but you're immortal here until you kill all the guys from there who have come here, and then you're mortal here. Unless you go back there or some more guys from there come here, in which case you become immortal here.

[Sam Richardson]

Again, Something like that.

[Paul Scheer]

Of course, it would be something like that, wouldn't it? Even he's not sure.

[Jason Mantzoukas]

I think that was the actress legitimately asking and was being filmed.

[Paul Scheer]

It wasn't. Yeah, it was a pre. Before they called Action. She's like.

[Sam Richardson]

And there's a moment there where he looks down at sides and he's like, I don't know that.

[Paul Scheer]

That. I mean, it's all. Movie reeks. Of, like, additional recording later. Some wide shot. Say this as quick as you can, Virginia Madsen. Okay, so here's the plot. You came here and I didn't. There's no. Like, that's like. Thank God they had that wide shot to shove that all in.

[Sam Richardson]

There's so much to talk about. Oh, go ahead, Sam. Sorry, sorry.

[Jason Mantzoukas]

My other favorite thing about this scene is that he just got back from being an old man. So now he's a young man and he just got home and he's got. Got denim jeans that fit so sweet and tight. Did they stop at a store on the way home?

[Sam Richardson]

Yeah, yeah, yeah.

[Paul Scheer]

He really got into a naive. He knows what he likes.

[Sam Richardson]

He walked out of the fire dressed like a fashionable young man.

[Paul Scheer]

No, he walked out of the fire in the same clothes as the old man, but the clothes didn't burn.

[Sam Richardson]

Are the clothes immortal?

[Paul Scheer]

Yeah.

[Sam Richardson]

Oh, that's an interesting.

[Paul Scheer]

Do we think it's not like the Hulk where his clothes are ripped and tattered? They are completely just hanging off?

[Sam Richardson]

Because that makes total sense.

[Paul Scheer]

Yeah. I wanted to also talk about the psychic cooking show.

[Sam Richardson]

Yes.

[Paul Scheer]

Oh, yeah.

[Jason Mantzoukas]

Oh, that's my favorite part.

[Sam Richardson]

That's my favorite cook.

[Jason Mantzoukas]

Psychic cook.

[Paul Scheer]

So what was going on?

[Sam Richardson]

Psychic cook and the airplane video are part and parcel of the same thread of insanity that's running through this movie.

[Paul Scheer]

It's like these two moments of what entertainment is. So again, we're 25 years under the dome. It's 2024. And now there is a psychic cook.

[Jason Mantzoukas]

Who'S calling ghosts and then like, cooking next to them as they choke each other.

[Paul Scheer]

Yeah, that was the thing. Why is that ghost killing the other ghosts?

[Jason Mantzoukas]

That's entertainment, baby.

[Sam Richardson]

I couldn't figure this out at all.

[Paul Scheer]

So it's a world in which ghosts exist and can be broadcast cast over tv. That's another part of this world. And that's why probably people are this.

[Sam Richardson]

And it seems like a very highly regarded show.

[Paul Scheer]

Huge.

[Jason Mantzoukas]

Like it felt like they were trying to have those moments like, from. From like RoboCop where, you know.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

It's like the commercial for the like. Like the car that electrocutes somebody. It's like, oh, that's like a commentary on what things would be like in the future. This one was like, also, ghosts are in the future.

[Paul Scheer]

You could eat.

[Jason Mantzoukas]

You can eat and see him eat. And they're like, see through. And planes crash in the video constructs.

[Paul Scheer]

It's edgy. You get it.

[Sam Richardson]

And the subway goes 700 miles an hour if you just push it fast.

[Jason Mantzoukas]

You gotta Turn the knob.

[Virginia Madsen]

Why would the subway ever had a gauge that would go?

[Sam Richardson]

Why? Why would it be built. Why would the subway be built to even go?

[Virginia Madsen]

That makes no sense.

[Jason Mantzoukas]

In case businessmen are in a hurry.

[Sam Richardson]

100 miles an hour, a man. A man's face explodes off of his skull. Because of the speed that the subway is effortlessly capable of achieving.

[Paul Scheer]

My question is, why didn't Sean Connery take a subway from Scotland to wherever they are?

[Sam Richardson]

Great. I love, too, that Michael Ironsides says to the kid, you want to see how fast this thing can go? And by the way, real fast is the answer.

[Virginia Madsen]

Really very fast.

[Sam Richardson]

And every single person on that subway dies. I was like, oh, this is crazy. And then I was like, oh, wow, they're killing everybody, children.

[Virginia Madsen]

I mean, everybody's dead on that subway.

[Sam Richardson]

Meanwhile. Oh, that whole thing, too. Wait, is this video or is that just the picture?

[Paul Scheer]

I have a video of the subway scene.

[Sam Richardson]

Can you play it, please?

[Paul Scheer]

Yeah.

[Sam Richardson]

Only because. Only because it happened. This. This movie has one of the best insane visuals to terrible electric guitar scores combinations of any movie we've ever done.

[Paul Scheer]

You know, Sam, you brought up that the first movie, the music was done by Queen. This movie, the music was done by Stuart Copeland. From the. Yes.

[Sam Richardson]

From the police.

[Paul Scheer]

Yes.

[Sam Richardson]

Oh, by the way, bad on him, because this is terrible. And I love Stuart Copeland.

[Paul Scheer]

Yeah, that's what. All right, here we go. I thought that mother went after her kid in a very lackluster way. The baby carriage was rolls down and she's, like, trying to get it.

[Jason Mantzoukas]

She's like, man, she doesn't cry out, like, oh, my baby.

[Paul Scheer]

Someone says, stop it.

[Jason Mantzoukas]

She's like, oh, crap.

[Virginia Madsen]

I'd also like to think if I'm a passenger on the train and not the mother of that child, that I would reach out and just stop it.

[Jason Mantzoukas]

Oh, there you go. Save that baby.

[Sam Richardson]

Let me help you.

[Virginia Madsen]

Yeah.

[Paul Scheer]

What I also love about, like, these actors are all. I mean, Christopher Lambert gives the most grounded performance. I would argue Virginia Madsen, too, but they were so into the roles that Lambert refused to use fake swords for the fight scenes. And the first time they ever gave him a real sword, he cut his finger down to the bone.

[Sam Richardson]

Oh, my God.

[Paul Scheer]

And then. And then Michael Ironside chopped off a part of Lambert's finger. And then Lambert got his tooth chipped. And then Michael Ironside dislodged his jaw in a fight scene. And then after that, they were like, okay, you have to use plastic swords. And they reel. And then still, Lambert has terrible eyesight, so he can't see. And he almost cut off Michael Ironside's thumb. So. And basically his argument was, well, it's hard to do precision thrust when you're wielding a 22 pound broadsword. So that was his.

[Jason Mantzoukas]

But it was worth it. It shows in the film.

[Sam Richardson]

Can you. Hey, Paul. Paul, can you forward to the end of this scene, by any chance? Not the very, very end, but, like, the last 15 seconds maybe?

[Paul Scheer]

Yeah. Yeah. What do we got?

[Sam Richardson]

Okay, I just. Okay, I want to watch. I want to watch the. The. The guy's head explode. And then I want Michael Ironsides, his final line, if we have it.

[Paul Scheer]

Yeah, hopefully we do. All right, here we go.

[Sam Richardson]

Hey, Michael, usually you're getting. Oh, shit.

[Paul Scheer]

Remember it? Fuck.

[Sam Richardson]

So he comes out, looks straight down the barrel of the lens, and goes, last stop, right? Is that what it was? Hold on.

[Paul Scheer]

I wrote that. Yeah, I wrote it. Yeah.

[Sam Richardson]

Cause every last stop, everyone's dead. He look, but he looks right into camera. It's like. He's like, ha, ha, ha, ha. Last stop.

[Paul Scheer]

They say things. They say things sometimes that feel very bizarre in the world. It's like. Well, I wouldn't say that.

[Sam Richardson]

Okay. Especially because. And Michael Ironsides and Sean Connery, they do a little bit of business with Sean Connery, but they make no effort to have them be like, what world am I in? You know what I mean? Like, Michael Ironsides just starts driving a train. He was just. Just zapped here. From Zeiss. Yeah, I just said the past. Or the past on Zeiss. I don't know.

[Virginia Madsen]

I had to believe that he's been zapped there before. I think it's possible. Yeah, it is.

[Sam Richardson]

Maybe.

[Paul Scheer]

Maybe Zeiss have subway trains.

[Jason Mantzoukas]

Maybe got subway trains.

[Sam Richardson]

Maybe he did semester abroad, but he was at Zeiss U.

[Paul Scheer]

But there are some odds. Like, there are odd moments, because then when Sean Connery comes in, he kind of makes some sort of weird reaction to a statue. And Christopher Lambert is like, that's a sculpture. Well, yeah, I think arguably the one thing you probably did have was some sort of, like, sculpt. Like, stone carving would be the most familiar thing.

[Jason Mantzoukas]

It's not new.

[Paul Scheer]

Yeah, that's a new thing. It's like, that's. That's a tv I get. He's like, oh, what is this odd stone thing of a man?

[Jason Mantzoukas]

But then, like, also, like, he. He's here, and then he sees, like, a bus go by, and he's like, whoops. So much for horse and buggies. And then he's like.

[Paul Scheer]

They'Re very they're unfaced. Look, John C. McGinley watches Michael Ironside come in and he's like, just kill all these people. Like, I'm not even moving. And he's just a businessman.

[Sam Richardson]

No, he's not just a businessman. He's the head of shit.

[Paul Scheer]

Oh, yeah. And then doesn't Michael Ironside. I don't even know what Michael Ironside's doing, but he gets a man's face on the table and is like.

[Jason Mantzoukas]

He's banding his jaw, pulling his head, open his jaw, and you're just hearing.

[Paul Scheer]

Like, crack, crack, crack, crack.

[Sam Richardson]

I have a real question. Up until now, none of my questions have been real. No. Okay. Michael Ironside, Sean Connery, Christopher Lambert. Okay.

[June Diane Raphael]

Yes.

[Sam Richardson]

They all are from the past. Also maybe are from another planet. Yes. Okay. Regardless, they find themselves in 2024 on Earth.

[Paul Scheer]

Yes.

[Sam Richardson]

How do they keep finding each other Everywhere they go? They are so easily locatable by each other at all times. Do Highlanders know where other Highlanders are?

[Jason Mantzoukas]

It's an app. Oh, hang on.

[Virginia Madsen]

Ask.

[Sam Richardson]

Wait, is that real?

[Paul Scheer]

Yes.

[Sam Richardson]

Wow. They're drawn to each other.

[Virginia Madsen]

Drawn to each other.

[Sam Richardson]

Wowee. Okay. Okay, then. Actually, I'm glad you said that, because I was really like, this is shitty that they keep showing up and being like, I found you.

[Virginia Madsen]

When you say they're drawn to each other, do you mean they have to sort of put the vibe out they're looking for someone or they're just like, naturally.

[Jason Mantzoukas]

Well.

[Paul Scheer]

Cause I guess their only job is to kill each other, right?

[Jason Mantzoukas]

Yeah, exactly. That's the theory.

[Sam Richardson]

Exist. So they have, like, a homing beacon to the guy that they're gonna fight.

[Jason Mantzoukas]

And to win the prize.

[Paul Scheer]

To die.

[Jason Mantzoukas]

To die.

[Paul Scheer]

So you're dying either way.

[Sam Richardson]

Yeah, exactly.

[Paul Scheer]

You're either gonna get your head cut off or you're just gonna die.

[Sam Richardson]

You're gonna die eventually.

[Paul Scheer]

Not really a great upside there.

[Sam Richardson]

How about the fact that when he goes out to fight, Virginia Madsen, straight up reads his centuries old diary.

[Paul Scheer]

Oh, yeah.

[Sam Richardson]

She's like, oh, what's this big book? Also, like, I'm not a big journal keeper, but like, he's been keeping the same diary for hundreds of years. It's one book. Does he do, like, one entry a year?

[Paul Scheer]

Highlanders are thrifty. They get, you know, a moleskin notebook.

[Sam Richardson]

But I'm also like, hey, don't look at my diary. Yes, I'm immortal, but, like, don't worry about it. And she's basically like, so there have been other women.

[Virginia Madsen]

I did appreciate that. He has.

[Sam Richardson]

Who's this bitch.

[Virginia Madsen]

I did appreciate he had amazing penmanship, which is a. It's really going the way of the dodo bird. People don't have good penmanship anymore.

[Paul Scheer]

What about. Was his wife talking to him from beyond the grave too, when she was all burned?

[Virginia Madsen]

Now, if you are sick with, like, UV rays. Is that what you look like?

[Sam Richardson]

I think you're all burned up.

[Virginia Madsen]

So you've gone outside and you got burnt.

[Sam Richardson]

You were exposed to the sun. Is this is what I'm assuming because there were so many people, the sun is too powerful, and you get all burned up. And that's why they created the shield, to keep the UV rays out. But to plunge us into a dystopian future of darkness, Wouldn't it have just.

[Paul Scheer]

Been better to start the movie with him creating the shield?

[Virginia Madsen]

I would have loved to have seen that.

[Paul Scheer]

When you finally get to the idea that he created this shit.

[Sam Richardson]

Ooh, you mean a SHIELD origin story.

[Paul Scheer]

Yeah. You're like. You're at least 40 minutes deep.

[Jason Mantzoukas]

You're well into it. You know the shield exists.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

So they're like, oh, here we go.

[Paul Scheer]

We're gonna turn it on.

[Jason Mantzoukas]

Like, I know it's on.

[Paul Scheer]

Yeah. Like, the better. The better thing that would have been was, like, why? He's visiting his wife. She's dying. Then he creates the shield, and then.

[Sam Richardson]

Flash cuts in the middle of it or in the middle of the. In the middle of the cre. Oh. Oh, I see what you're saying. So it's like, that's how to start the movie.

[Paul Scheer]

That's how you would start.

[Virginia Madsen]

It's a great idea.

[Paul Scheer]

Just. Hey, audience, we like you to follow along with us just a tad, but build. Instead of making it a reveal, which doesn't. Only the reveal is like, oh, it's beginning to make sense. Like. Like the. That's what they're revealing is just.

[Sam Richardson]

Did we. Have we even mentioned that storytelling. Virginia Madsen, Virginia Madison.

[Paul Scheer]

Yeah, yeah.

[Sam Richardson]

Is a eco terrorist. We have yet to mention her flawless break in at SHIELD hq, which involves some, like, some real nonsense. These people would have been caught instantly. Everyone seems. Everybody gives up.

[Paul Scheer]

Yeah, yeah. Very quickly.

[Sam Richardson]

And everybody gains access to everything very quickly, immediately. That's all.

[Jason Mantzoukas]

I also didn't. I, like, legitimately don't get. Didn't get. Like, when she was, like, out there and she's changing her clothes. She took off her clothes in the street after her amazing espionage mission. And then there was a phone number, and there's a note.

[Paul Scheer]

Yeah, yeah, yeah.

[Virginia Madsen]

Where did that come from?

[Jason Mantzoukas]

His number. And Then that was just it. Would it say McLeod and his phone number? And then she randomly. I thought you were somebody else.

[Sam Richardson]

And then that's number.

[Jason Mantzoukas]

And did she call it.

[Sam Richardson]

Wait, what? Wait, wait. For real? Who gave her that information?

[Virginia Madsen]

I don't know. I thought maybe Ramirez. She found it while she was in. But I feel like the scene that they cut where she found it during that mission. I don't know.

[Sam Richardson]

What? What?

[Paul Scheer]

Maybe the cab driver gave it to him.

[Sam Richardson]

She's supposed to meet him. It's an address. It's not a phone number.

[Jason Mantzoukas]

I think it's an address. That's right.

[Sam Richardson]

But still. Which would lead me to believe she's coming to the bar to meet him. Where he is when the Porcupine Brothers attack. But why is she sent to meet with him?

[Paul Scheer]

Because he created the shield.

[Sam Richardson]

By whom, though? Do we. Maybe by his partner.

[Paul Scheer]

That old man was sending messages.

[Sam Richardson]

Maybe that's somebody, remember?

[Paul Scheer]

And then, like, John C. McGinn was like, I see all those messages.

[Sam Richardson]

Yeah, that's who they said they sent. Send him to prison then.

[Paul Scheer]

Yeah. This is hard. The audience is doing a lot of work.

[Virginia Madsen]

Those messages that you're talking about are the messages he was just communicating with.

[Paul Scheer]

Fuck.

[Virginia Madsen]

Fuck it.

[Jason Mantzoukas]

This.

[Paul Scheer]

This isn't a good one. I never. And then, by the way, just. I want to talk about you and I watching this movie together. You were.

[Sam Richardson]

I've never.

[Paul Scheer]

I'm being serious. I've never seen you get this mad at a movie.

[Virginia Madsen]

He's really mad.

[Paul Scheer]

And feeling like someone was tricking you because you said to me, you're like. Like, do you get it? Do you get it? And I said. And then at one point, I said, yeah, of course. And you would reply like, tell me. Tell me. I was like, well, you know, because it's about. It's a. It's a. It's more of a metaphor. It's not necessarily a straight story. And you're like, what?

[Virginia Madsen]

No, because what. What angers me about you is that you then go on, after viewing this, to do tons of research about the movie and understand it. And if I did that research, yeah, I'd understand it, too. But I'm just with an open heart, coming here, describing my reactions.

[Sam Richardson]

Matt. Paul, how does that make you feel? What June just said was how she felt.

[Paul Scheer]

I know, I know. I was annoying about you, I guess.

[Sam Richardson]

So how did that make you feel to hear that?

[Paul Scheer]

I guess maybe I need to have.

[Sam Richardson]

Guys, I'm an open heart. I'm so sorry.

[Virginia Madsen]

We just asked him a question.

[Sam Richardson]

But I just Looked at the clock.

[Paul Scheer]

You know, Should I be here?

[Sam Richardson]

Sorry.

[Paul Scheer]

We're so appreciative that you're here. Well, obviously we have a lot of questions, but We've barely tagged Mr. Now, we're coming to you. To answer or to ask us some questions? To answer some questions. To make observations.

[Sam Richardson]

We're not going to have answers.

[Paul Scheer]

You never know, you might have a real Highlander head in the house. All right. Okay, here we go, sir. Your Name, your logline. Highlander 2. The blank. What would you call it? And your question? Highlander 2.

[Sam Richardson]

What?

[Paul Scheer]

All right, I like it. Here's your question. What the hell was happening with Sean Connery and the fan? Like, could he.

[Sam Richardson]

Oh, oh, oh, yeah.

[Paul Scheer]

Sean Connery.

[Sam Richardson]

When Sean Connery used the Force, he just blew up. Like, you mean didn't crush him?

[Paul Scheer]

Like.

[Sam Richardson]

Yeah. No, no. You mean when he used the Force.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

But then he. He died.

[Sam Richardson]

He didn't get his head.

[Paul Scheer]

But my whole theory about.

[Sam Richardson]

Sure, right. It was a beheading device.

[Jason Mantzoukas]

Whole point of the device.

[Paul Scheer]

But I also thought then, like, as a. Just as like a creative type, I was like, why even bring Sean Connery here? Because the action, if you track Sean Connery's story, it's like he interrupts a play, he gets a suit, he meets Christopher Lambert, and then he kills himself. Like, he doesn't do. He doesn't do anything.

[Sam Richardson]

Well, he helps get Christopher Lambert into the jail by having the both of them get shot 200 times.

[Virginia Madsen]

But by the way, Virginia legends in the trunk and somehow makes it out alive.

[Sam Richardson]

She would be so dead. How did he get that door open?

[Paul Scheer]

And where did that come from?

[Jason Mantzoukas]

The door they got out of.

[Sam Richardson]

The magic is the answer.

[Paul Scheer]

Well, you're asking a lot of great questions, so I'm gonna give you this pamphlet of what happened to Lumpy from the Star Wars Christmas Special. So I left some gifts. There's actually for you three. There's one that relates to the Star Wars Christmas special.

[Sam Richardson]

I don't like it.

[Paul Scheer]

He wants to know what a Wookiee cookie is.

[Sam Richardson]

So, I'm sorry, we're allowing random bags to just be put on stage. I'm sorry, Largos, what's going on? Are we just cool with Randos leaving bags on stage? What world are we living in, guys? Come on.

[Jason Mantzoukas]

Also, where's my gift?

[Paul Scheer]

All right, ma' am, your name? Well, you would subtitle the Highlander 2.

[Sam Richardson]

Movie, and can you point out anything that you've left on stage?

[Paul Scheer]

So, first of all, what's your name?

[Virginia Madsen]

Jennifer.

[Paul Scheer]

Jennifer Highlander. Two, the sex.

[Virginia Madsen]

Too fast.

[Paul Scheer]

All right, you're too fast.

[Virginia Madsen]

I was just wondering in the scene where Sean Connery goes to the shop to get his clothes, if anybody thought.

[Sam Richardson]

Of Pretty Woman at that point.

[Jason Mantzoukas]

1,000%.

[Sam Richardson]

Yes, but only because I'm always thinking about Pretty Woman.

[Jason Mantzoukas]

Also, like, why was.

[Virginia Madsen]

I thought Sean Connery might say, big mistake.

[Jason Mantzoukas]

It's not in the renegade version, but it's in one of the others. Also, why was the main guy being such a dick about that tart, that Scottish print? He was like, no, but like.

[Sam Richardson]

Well, you don't know if he likes it or not. You know why? Because the other guy kept trying to put Scottish stuff on him. And he knew that he was a Spaniard and he was in that back.

[Paul Scheer]

But why does that bag Piper follow him around all the time? Here's something for you. This is a little graphic design from someone called Hanksy. He's like Banksy, but with pop culture. Hanksy. All right. Yes. Yes. Your name, your title, and your question. Here we go. What's your name? My name is Shane. Shane Highlander 2. The. There should have only been one. Okay, great. Your question. Okay, so did you guys notice that when he goes to the bar and the bartender knows him, they cheers to a drink?

[June Diane Raphael]

He's drinking whiskey.

[Paul Scheer]

The bartender, for some reason, is drinking a tall glass of milk.

[Virginia Madsen]

Ew.

[Paul Scheer]

And they live in a world where. I don't know if they said it in the movie, but it read that it's 99 degrees outside at all times. So he's drinking a tall glass of milk on a hot day.

[Virginia Madsen]

Gross.

[Sam Richardson]

And what's even crazier is, I heard it was breast milk. Cause that's what everybody is into in 2024. Boob juice.

[Paul Scheer]

And they weren't. I had a terrible joke. I'm not gonna say anything. This is. That's a great observation. A lot of research went into that. And you get this notebook that is using the VHS cover of Masters of the Universe done by this guy on Facebook called facebook.com. piece of work. W E R K. Yes. Your name, sir? Your. Your subtitle and your question. What's your name?

[Sam Richardson]

Kevin.

[Paul Scheer]

And it's Highlander 2. Who writes this shit. Great. Love it. Apparently, by the way, an Argentinian financial company who, when the movie started going over budget, they started giving script notes. Anyway, here.

[Sam Richardson]

That's amazing.

[Paul Scheer]

Now there's really only one Highlander.

[Sam Richardson]

That's Connor McLeod.

[Paul Scheer]

Everybody else is just immortal. He's the Highlander because he's from the Scottish Highlands. Right?

[Sam Richardson]

You tell Me, bro, Like.

[Jason Mantzoukas]

Like a Dracula.

[Sam Richardson]

You're speaking more authoritatively than I am.

[Virginia Madsen]

If you say so.

[Paul Scheer]

I. No, but, you know, when Sam was describing it, I assumed that they're all Highlanders and they just battle until there's one left.

[Sam Richardson]

But then why does Sean Connory call him Highlander?

[Paul Scheer]

But what was Sean Connory?

[Sam Richardson]

What? Sean Connory was actually Egyptian by way of Spain.

[Paul Scheer]

Wait, did you hear this? Yeah, yeah.

[Sam Richardson]

This is crazy, because the only Scottish. Everybody shut up at. That guy played a Spaniard.

[Paul Scheer]

So the only Scottish person in the movie played a Spaniard by. Or an Egyptian, by the way of Spain. So he's a Highlander. So what makes Christopher Lambert special?

[Jason Mantzoukas]

Not his acting.

[Paul Scheer]

I'll tell you what.

[Sam Richardson]

Whoa.

[Paul Scheer]

Wow.

[Sam Richardson]

Ladies and gentlemen, please welcome Christopher Lambert.

[Jason Mantzoukas]

He's over there crying. He's not coming out.

[Sam Richardson]

He's so upset at you.

[Jason Mantzoukas]

He's hurt.

[Sam Richardson]

Oh, he's not coming out. Really sad. Wow, you guys, you would have had with Christopher Lambert if it hadn't been for that guy.

[Paul Scheer]

There you go.

[Sam Richardson]

Wow. Chris. Chris.

[Jason Mantzoukas]

Oh, Chris.

[Paul Scheer]

Chris, no.

[Sam Richardson]

Yes. Chris.

[Jason Mantzoukas]

No, don't.

[Sam Richardson]

No. Boy, he's taking his shit.

[Paul Scheer]

Not backstage.

[June Diane Raphael]

Aw.

[Jason Mantzoukas]

It doesn't hurt him. It just hurts us.

[Paul Scheer]

All right, does anyone understand the Highlander a little bit more that we could kind of pick your brain? You do. Okay, that was a very authoritative hand raise. Because I do want to understand, by.

[Virginia Madsen]

The way, is it Highlander or Highlander And.

[Sam Richardson]

And. And.

[Paul Scheer]

And is it Toyota based on that?

[Sam Richardson]

Toyota, yes.

[Paul Scheer]

So are you driving. When you drive a Highlander, is it impenetrable?

[Sam Richardson]

Like, I'm immortal.

[Paul Scheer]

It goes 700 miles an hour.

[Sam Richardson]

Hey, was that just another Highlander? Shit. There can be only one.

[Jason Mantzoukas]

Remove the engine.

[Paul Scheer]

They never went for that tie in.

[Sam Richardson]

Yet another nerd battle of Highlanders on the 101.

[Paul Scheer]

All right, so you. You have some Highlander knowledge.

[Sam Richardson]

Yeah, I'm gonna go back and. And kind of finish what the prize is. So not only is it because mortals.

[Paul Scheer]

Are sterile, so he's not gonna be sterile anymore, but he's also gonna.

[Sam Richardson]

Wait, wait. Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. I'm gonna ask you to not gloss over that. Fellow sterile mortals are sterile. He's upset.

[Virginia Madsen]

Cause immortals are immortal.

[Sam Richardson]

Immortals are.

[Paul Scheer]

Immortals are. And he's upset in the first one.

[Sam Richardson]

Because he has a wife and she can't get pregnant.

[Paul Scheer]

It's his fault because he's immortal.

[Sam Richardson]

So anyway, the prize, he becomes mortal.

[Paul Scheer]

But also he gets to hear the.

[Sam Richardson]

Thoughts and become one with nature and.

[Paul Scheer]

Hear the thoughts of everybody.

[Sam Richardson]

So my Whole problem with the second.

[Paul Scheer]

Movie is how does he not know that people are, you know, misusing what he's trying to do?

[Sam Richardson]

And anyway, so that just bothers me the whole time. Yeah, so. So upon gaining mortality, he can just get his wife pregnant.

[Paul Scheer]

Well, he can become fertile, but he can also hear everything.

[Sam Richardson]

Yeah, got it. At the end of the movie, the prize is he's going to know everything going on.

[Paul Scheer]

Like he can hear the thoughts and everybody. And he's supposed to help bring humanity together.

[Sam Richardson]

Got it. So he's like Professor X. Yes.

[Paul Scheer]

Without the room. Without Cerebro.

[Sam Richardson]

Yeah, yeah, yeah. Okay.

[Paul Scheer]

And he can walk, as was pointed out here.

[Jason Mantzoukas]

But then he doesn't have a baby and can walk.

[Sam Richardson]

Hey, dick move, bro. Thanks for the explainer, but you don't have to take Professor X to task for being in a wheelchair, bro.

[Paul Scheer]

Yes. You have a good question. Come here. And I always like when someone pimps out one of their friends. Here we go. Your name, your subtitle and your question. My name is Jenny. It is Highlander 2 the confusing.

[June Diane Raphael]

Ooh, I like that.

[Paul Scheer]

And I want to know where Sean Connery gets his Wham. His walking around money. Because I know that he traded it.

[Sam Richardson]

Was his earrings shopping, right? No, but that earring is definitely not.

[Paul Scheer]

Worth, at best 500 bucks.

[Sam Richardson]

Right?

[Paul Scheer]

Whoa. Not nearly as much as that suit. And then he gets on a plane. How did he get to the plane? How did he get that ticket?

[Sam Richardson]

Ticket? How's Michael Ironside doing? All the same stuff.

[Jason Mantzoukas]

I agree. That is a 400 or 500 year old earring though.

[Paul Scheer]

How much?

[Jason Mantzoukas]

They go up in value every hundred years.

[Paul Scheer]

So is it a cash, Is it a cash back thing? Does he give that earring to the suit place? Like. Well, I guess we'll pay you 2x thousand dollars extra.

[Jason Mantzoukas]

Does he take the earring and put it in the cash register?

[Paul Scheer]

Yeah, like.

[Sam Richardson]

And they seem like you. Yeah. You already changed him in 2024 needs for suits.

[Paul Scheer]

Yeah, but then he'd have to get like a cash back at a certain point because it would cut that earring up in half.

[Sam Richardson]

Right.

[Paul Scheer]

This is a tough question. This is a tough question. You know what?

[Sam Richardson]

This is the part of the movie that makes no sense. And that's a bummer because up until now everything has added up for me. But that's a hole that I feel like they didn't address, by the way.

[Paul Scheer]

Yeah. Where did Sean Connery get his Wham?

[Sam Richardson]

Yeah.

[Paul Scheer]

We didn't even think about that.

[Virginia Madsen]

And it sucks. Cause you loved it. And now your Mind's gonna go there.

[Sam Richardson]

Yeah. Now this movie's kind of ruined for me. Thanks a lot, lot. Wait, is Wham a thing?

[Virginia Madsen]

I never. I love it.

[Jason Mantzoukas]

Yeah.

[Sam Richardson]

Raise your hand if you've heard Wham before. For walking around money, everybody in her.

[Paul Scheer]

Row, small group friends, her three friends raised their hand.

[Sam Richardson]

I was just. I was just making sure I'm not insane.

[Jason Mantzoukas]

Yeah.

[Sam Richardson]

So I thought it was a new thing. Wham is not a thing. You should stop saying it.

[Paul Scheer]

She's trying to get it out there. Trying to get it out. I want. I want to come to you guys. You both are wearing the same sweatshirt, right? Oh, my gosh. This is great there. It's a. The room. Not the Brie Larson movie, but the Tommy Wiseau movie. And it's a Christmas sweater that says, you're tearing me apart, Lisa. But it's a Christmas. Like a Christmas decorated room sweater. It's awesome. Let's talk to both of you, Your name, your subtitle, and your question.

[Virginia Madsen]

My name is Brie Highlander 2. Let's get Zeisty.

[Paul Scheer]

Like it.

[Virginia Madsen]

So there's this part where Christopher Lambert.

[Paul Scheer]

Goes to see his former partner at.

[June Diane Raphael]

The shield office, where there's a lot.

[Virginia Madsen]

Of industrial fans happening.

[Paul Scheer]

And this computer screen is like this see through thing.

[Virginia Madsen]

And John McKinley walks in the room.

[Paul Scheer]

And they're acting like super secret.

[Virginia Madsen]

Like he can't actually just see what's on the screen. And Also, John C. McKinley doesn't say.

[Paul Scheer]

A word about the fact that fucking.

[Virginia Madsen]

Christopher Lambert, who started this company, is young.

[Sam Richardson]

Yeah. And not, nope, barely is a partner. His partner is like, you look great. What did you do? A facelift? He's like, something like that. If by a facelift, you mean I murdered two immortals. I, through the quickening, gained my immortality back raw dogged this lady.

[Paul Scheer]

Well, now at least we know he can do that without the fear of immortal impregnating her. And I. Yeah. It makes that part of the movie a lot more palatable to me.

[Sam Richardson]

Now I'm here talking to you, old dude.

[Paul Scheer]

I'm also gonna give you a little piece of work for that. And now your. Your name, your title and your question. Name's Jim Highlander 2. The free men of Zeist. The what? The free people of Zeist. Okay, got it. Love it. So this movie with Michael Ironside, his henchmen actually tell him what the plot hole of the whole fucking movie is before he starts anything in the Renegade cut. And he's just like, no, no, it's fine. Like they. The porcupine Men literally say, if you send us back in time, he's going to be in Malta again. You could just wait a couple years and he can die.

[June Diane Raphael]

Yes.

[Sam Richardson]

So the whole movie doesn't feel like that. The priests say that he could still choose to come back to Zion. Oh, God. Yeah, you're right. You're right.

[Virginia Madsen]

But I guess what I took away from that. And again, I don't know a ton about Highlanders, but.

[Sam Richardson]

Wait, what I. June. You don't even having now watched it.

[Virginia Madsen]

But what I took away from that was this idea of there can only be one, and if he were to die, he would be the one. Right?

[Jason Mantzoukas]

Yeah.

[Virginia Madsen]

So that's why he went.

[Paul Scheer]

But wouldn't there be another one?

[Sam Richardson]

How many? Yeah, so they don't get replaced.

[Virginia Madsen]

I don't know if they keep on popping up.

[Sam Richardson]

Is Highland okay. Now I have a question. Is Highlander a thing that throughout time there is always a Highlander, or is he the Highlander because he's from the Highlands and as a result became the Highlander? Was. Yes.

[Jason Mantzoukas]

Yeah, that was like his.

[Sam Richardson]

Okay, okay. Hey, guy.

[Paul Scheer]

Wow. Hey, bud.

[Virginia Madsen]

Whoa.

[Paul Scheer]

Hey, bud.

[Sam Richardson]

Hey, Fell.

[Paul Scheer]

What? The producer of the movie is here and he.

[Sam Richardson]

Christopher Lambert. Okay, hold on one second.

[Paul Scheer]

I'm done taking a. And now everybody shut up.

[Sam Richardson]

Except for the loudmouth. Loudmouth. Explain it very concisely.

[Paul Scheer]

Wait, wait. But I gotta go, too.

[Virginia Madsen]

I also think we've asked this question like 10 times, but I'm curious to hear it again.

[Sam Richardson]

Okay, he's over there. Paul. He's on the other. He's that asshole.

[Paul Scheer]

I'm going to go around, going around, going around. Most exercise I've gotten in weeks.

[June Diane Raphael]

There we go.

[Paul Scheer]

All right, here we go. I'll hold the mic. So he's the Highlander because he's from the Highlands. Everyone talk to us like we're idiots.

[Jason Mantzoukas]

Yeah, man.

[Virginia Madsen]

You. I fucking watch this fucking movie, bro.

[Sam Richardson]

Hey, hey. No, no, no, no, no, no, no, no, no, no, no, no. Here's. Here's what's not happening. Here's what's not happening. We don't come bring the mic to you after you scream from the audience for you to condescend to me. I'm sorry. Wow. I'm sorry.

[Paul Scheer]

June threw down her notebook in disgust.

[Sam Richardson]

Wow.

[Paul Scheer]

Every member of the stage just got up to fight you.

[Sam Richardson]

I want everybody to get a look at this guy so that we know who the is.

[Paul Scheer]

All right? So watch. Watch your tone and explain this movie to us. All right? Here we go. So the. The immortals are like capacitors. They contain Energy from the universe. And when they kill each other by beheading each other, they gain the energy of the person they beheaded until there's only one. And he contains all of the leftover.

[Sam Richardson]

Energy, which is the prize which he.

[Paul Scheer]

Gave gets to die. Wait, so the immortals, though, are not highlanders, but the Highlander is immortal?

[Sam Richardson]

Yes, Is. Okay, so can I ask you this? If in the first movie, and I don't know the first movie, obviously I didn't see it, if Sean Connery had killed everybody, would the movie be called the Spaniard because he's from Spanish? It would be called the Egyptian because he was from Egypt and then went to Japan and then went. And then went to Scotland. I. I legitimately hate you, but.

[Paul Scheer]

June.

[Sam Richardson]

But I thank you for your service.

[Paul Scheer]

So it all comes down to this for me.

[Sam Richardson]

Now. Give me a howdy.

[Paul Scheer]

Never. June. Now it all comes down. This is what I'll say to you. And I want to ask you, in all honesty, do you have a better idea of what a street fighter is or what a Highlander is?

[Virginia Madsen]

You know what I think? Highlander.

[Paul Scheer]

So you know what a Highlander is?

[Virginia Madsen]

I think so. I think I have a pretty good idea.

[Paul Scheer]

Want to hit it back?

[Virginia Madsen]

No, No, I don't. I don't. But I think I have a good idea.

[Paul Scheer]

Oh, my God.

[Virginia Madsen]

I'm gonna leave it at that.

[Sam Richardson]

So there can be only one. Refers to only one immortal, not only one Highlander.

[Paul Scheer]

That's. That makes a lot more sense.

[Sam Richardson]

That's huge.

[Paul Scheer]

Cause the movie is a. I think. Yeah. The idea that there could be a movie called the Spaniard is helpful. Yeah, I think that makes sense.

[Sam Richardson]

And I wish it hadn't been delivered how it was delivered.

[Virginia Madsen]

Yeah, me too. Yeah, me too.

[Jason Mantzoukas]

Residual.

[Sam Richardson]

Residual. But I am grateful for the information.

[Paul Scheer]

Well, we can talk about the Highlander all day and we can talk about the Spaniard all night, but there are some people out there that have a different opinion about it than we do. It is now time for second opinions.

[Sam Richardson]

The movie was a piece of shit, yet this person recommends it. Tell me, what is the message? Maybe that art is subjective. I need a second opinion.

[Paul Scheer]

That is John Lajoie. The best, the very funny, the very talented John Lajoie.

[Sam Richardson]

If you have not checked out fantastic record, Go buy it on itunes.

[Paul Scheer]

It's really, really great. So, John, Lois, thank you so much for your second opinions theme. And these are five star reviews called from Amazon. Not many. Not even many. One star reviews. Seem like people passed this one in the reviewing matrix. They were like, not gonna Even spend the time. But I do have a few. This one is from Kevin Gandy, written on January 31, my birthday, 2015. Wrote simply, Just what my child wanted. Five stars.

[Sam Richardson]

To be disappointed. This one, just what my child wants. I am a divorced dad.

[Paul Scheer]

I don't understand my son. This is written by Lon Sugara. And this is a tough one to make sense of. So it's not me, it's Lon. My fantasies get tickles by the dream. The truth about physics is revealed just by watching movies and playing games and eating good food and experiencing different things and hanging around girls. It's really just an oxymoron for just about everyone's coverup of shit. Five stars.

[Sam Richardson]

Wow.

[Jason Mantzoukas]

Wow.

[Sam Richardson]

Like that's either. That's either really, really profound or it's a bot.

[Paul Scheer]

I don't know. We now go deeper into the pit. We go into third opinions. These are where we just see what people gave it. The one star review. This one is titled what a horrible movie. And it says, I am just confused by this plot. Did anyone read this and say, hey, this makes no sense? One star. So that is the second opinions there. Blake J. Harris will probably go deep with someone to talk about this film. You can find his articles on slashfilm.com I love doing this show. I love finding out different things. And this is something that I thought was well worth it. I have two things before we kind of wrap up. One is, well, I'll do this. First one is how the movie could have been. These are the three different endings on the three different things. The fairy tale ending. Louise and Connor return magically to Zeiss embrace in front of a field of stars. They transform into light and fly into space. That is one ending. Okay, the. Okay, this.

[Sam Richardson]

Like all fairy tales, there's a British.

[Paul Scheer]

Version which is 10 minutes long and it's closer to the original script and it includes flashbacks and an alternate ending. They don't get more of that. And then the renegade version, which is one that we've watched, is all references to the planet Zeist and them being aliens are removed. And a lot of people think this is the best one because it doesn't severely change the canon. It doesn't like alike because basically when they become aliens, it basically takes away everything that people have done.

[Sam Richardson]

I see.

[Paul Scheer]

And then they tried to make a Highlander TV show. And so Lambert declined to reprise his role. So they created a new character called Duncan McLeod who was also the Highlander. But then Lambert came back in and was in the show. So that kind of Confused the mythology again to have two Highlanders. And then another Highlander movie called Highlander 3, the Sorcerer came in. And I don't know what happened there, but this is kind of my favorite part of the entire thing. This is Roger Ebert trying to explain the plot of this movie. And let's just. I'll just start it about here because he talks some shit at the top, but. All right, here we go. Under 2. The Quickening. Plot of Highlander 2, the Quickening is one of the most hilariously incomprehensible experiences I've had in a long time. The immortals from the planet Zeiss who are caught in a time warp of their own involving the fact that they got oriented in Scotland 500 years ago. Plus events in the year 19, 1999, and more events in the year 2025. Plus the cartel, plus the ozone shield, plus the mysterious killer, plus the beautiful independent scientist who exposes the secret of the ozone. Him trying to put together the movie. And I think he does the best version of it. And that version, he said, mysterious killer. Is there a mysterious killer?

[Sam Richardson]

Wait, is that Michael Ironside?

[Paul Scheer]

I guess he's not that mysterious. All right, well, going around the horn. Does anyone recommend this movie? Would you say watch it? I mean, obviously not for quality. You know, this is not the. This is not the la la land of the season or, you know, but it's like. Would you. Would you say it's enjoyable enough?

[Virginia Madsen]

No.

[Sam Richardson]

No.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

I'm gonna say no. It fucked me up.

[Virginia Madsen]

It fucked me up.

[Jason Mantzoukas]

I'm still, like. I can't, like, think.

[Paul Scheer]

I feel the same. I felt like. I feel like the way maybe someone that was coming over to the New World would feel and when they saw the Statue of Liberty. But when they got off the boat, it was like, now, and it was like they came from the 1920s. Like, what? It's so much information. It broke me. This movie broke me.

[Sam Richardson]

It also is so convoluted that it's hard to enjoy on a, like, stupid level.

[Paul Scheer]

Yeah.

[Sam Richardson]

You know, like, because I find myself continuously just trying to be like, wait, what's actually happening?

[Paul Scheer]

We're a group.

[Sam Richardson]

I'm not enjoying the nonsense.

[Paul Scheer]

We're in a room of 200 people, and we're just about cracking some elements up.

[Sam Richardson]

Right.

[Paul Scheer]

Yeah. Right.

[Sam Richardson]

But we're also, like. We do this a lot. And I was still confounded by. Anyway, so it wasn't as fun as I wanted it to. To be. But there's some, like, true nonsense that's pretty enjoyable.

[Paul Scheer]

But, yeah, not worth it. Not worth it. All right, let's talk about this. So, Sam, you have a new show coming out on Comedy Central. It's called the Detroiters. Tell us a little bit about.

[Jason Mantzoukas]

Comes out on Comedy Central February 7th. It's about two ad men who make local, cheap, local commercials in Detroit. Stars, me and a buddy named Tim Robinson.

[June Diane Raphael]

And.

[Jason Mantzoukas]

Watch it. It's on. It'll be on tv.

[Paul Scheer]

Yeah, it's great. Everything I've seen from it so far looks really, really awesome. June, what do you want to talk about?

[Virginia Madsen]

Nothing. I'll just plug two podcasts that I really love. Bitch Sesh and omfg. Also an Earwolf.

[June Diane Raphael]

All right, thanks, Jason.

[Paul Scheer]

Um.

[Sam Richardson]

I'll just say, you know, we're. It's January now, where it's 2017. We're living in a new world. Yeah, but, like, if you haven't caught up with it, like, why not watch the Gilmore Girls revival on Netflix? Don't worry about it.

[Paul Scheer]

June and I have just started the Gilmore Girls, and we're powering through season one right now.

[Sam Richardson]

Ooh. It's a good. It's great.

[Virginia Madsen]

Loving it.

[Paul Scheer]

It's really good.

[Sam Richardson]

It's only gonna get better, and then it's gonna get real bad for a minute, and then it's gonna get real good.

[Paul Scheer]

Kinda like the. That moment when. Like in Friday Night Lights when. Like when.

[Sam Richardson]

When they kill.

[Paul Scheer]

When?

[Sam Richardson]

Oh, yeah, yeah. When they killed that guy.

[Paul Scheer]

Yeah. I was like, wait a second.

[Sam Richardson]

Everybody was like, jk, jk. That didn't happen. Sorry.

[Paul Scheer]

Sorry.

[Jason Mantzoukas]

Football, Football, football, football.

[Sam Richardson]

Well, just full hearts. Can't lose. Except we murdered someone, right? Do we. Are we murderers?

[Paul Scheer]

And the tornado wipes it all away. She's having sex with a teacher. Not cool. So you can sign up for the how to Get Made mailing list. You can find out about shows in your area because we'll have all sorts of cool mailing lists. A big thank you to everybody who makes this show possible. Marissa Zeitz, who helps us put this live show together. Everybody at Earwolf, Avery Halle for cutting together these amazing clips, watching a Highlander 2 documentary. Not only did she sit through Highlander 2 the Quickening, she sat through a documentary about the Quickening. So thank you to her, thank you to Nate, Kylie, for doing this amazing research, and thank you to all these people here at Largo. We appreciate you, we thank you, and we'll see you next time.

[Jason Mantzoukas]

Let's take a look at today's confidence. Market freshness is on the rise with the addition of Dove Men plus Care, Whole Body deal to daily routines everywhere. And speaking of everywhere, Dove Men defends.

[Paul Scheer]

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[Jason Mantzoukas]

We're talking pits, we're talking privates, and.

[Paul Scheer]

We'Re definitely Talking about those FE with.

[Jason Mantzoukas]

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[Paul Scheer]

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[Jason Mantzoukas]

Everywhere care even down there. Find it at Walmart today.