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Paul Scheer (0:00)
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Jason Mantzoukas (0:28)
August 2024 this episode is brought to you by FX's Alien Earth, the official Podcast. Each week, host Adam Rogers is joined by guests, including the show's creator, cast and crew. In this exclusive companion podcast, they will explore the story elements, deep dive into character motivations, and offer an episode by episode behind the scenes breakdown of each terrifying chapter in this new series. Search FX's alien Earth wherever you listen to podcasts for years everyone thought Verizon had the best network because they did. But now the best mobile network in the US is T Mobile. T Mobile's network has the most advanced 5G with more towers and their signal reaches further than ever. So you can text an insta talk and say, you won't believe where I am. T Mobile has the best mobile network in the US based on analysis by Ookla of speed test intelligence data 1H2025CT mobile.com network Seagal on a plane, Reynolds in a chair and Stallone is just your average Joe. All this and more on today's how did this Get Made? Last Looks hit the theme. How did this get made? What were they thinking? Where is this going? I'm so confused. I'm so upset. Did someone lose a joke in bed? Did someone really read the script and think to themselves, I could put my kids through college, but may I have a date with destiny? Got a million dollars on Mannequin too. Ooh. In the immortal words of Tommy Lee Jones to Jim Carrey, I can't sanction this misfoldery and so could Paul today. So please explain to me exactly how did this get made? Hello all you 55 year old listeners pretending to be 37. I am Paul the Hummer Shear and welcome to how did this Get Made Last Looks where you, the listener, get to voice your issues on Driven, a movie that discord user Steve Buscemi Eyes thinks should have had the tagline Driven where the stakes are served a la carte. I love it. Thank you Steve Buscemi Eyes for that alt movie tagline. A big shout out to Matthew Fountain for that opening song. Wow, that kicked ass. I love it. Now, if you have a alt movie tagline, I maybe an alt title, submit it to us on our Discord. It's simple. Just go to Discord GG hdtgm, and you could actually even upload songs there, too. How about that? Yeah, you can write your own songs for the show. Very simple, very easy. You hit the submit a song button and then you upload it. We put it in a Dropbox and we don't listen to it if it's more than 45 seconds. That's the rule. All right, coming up on today's episode, we'll be hearing about all your corrections and omissions on Driven. But wait, we also have some amazing phone calls today. Yes, Steven Seagal stories are pouring in and we need to get to them. Plus, we'll be playing the thrilling conclusion of my lost Sylvester Stallone podcast featuring another appearance from June and maybe Sly himself. You know, Jack McBrayer called me up this week and he was like, buddy, was I on a podcast with you? And he forgot and I forgot that Jack was on it. So anyway, that's been a real fun trip down memory lane. As always. At the end of the show, I will reveal the movie for next week's episode. And people, I hope you're listening to this while you're online to go see June in Weapons and Freakier Friday. That's right. Two movies. Number one, number two at the box office, both with very high cinema scores. I think they're both a cinema scores. That's a like a business thing. Yeah. Means people like it and they want to recommend it. I've seen them both in theaters and I got to tell you, weapons needs to be seen with a crowd. It is fantastic. And I enjoyed the Heck out of Freakier Friday. I thought it was fun. Made me cry. And you know what I'm going to say, let's get Chad Michael Murray back in the mix. I want Chad Michael Murray back in the mix. I love the kids in that movie, too. That's, I think, where these movies often go wrong. I, I was talking to my friend Wes, a producer of the Dark Web, every Monday, dark web on YouTube, and he was saying, yeah, when they do the reboots, the kids suck in this movie. The kids don't suck. And you know who else doesn't suck in Weapons and Freak Gear Friday? June Diane Rayfield. She is fantastic. Again, just a shout out to everybody who has been sending Avril all these great well wishes. You can continue to email her through her partner at Movie Bitches. Andrew, you can email Andrew V. Bitches XYZ or just send some to a P.O. box. Averell Halley, P.O. box 641, Agoura Hills, CA 91376. Now, if you are a fan of the Dark Web, you know that Tonight is our PowerPoint presentation night. If you're listening on Friday. If you're not listening on Friday, you can watch it anytime. When you're a member of our Patreon, you have a seven day free trial on the Dark Web Patreon. $3 is the starting tier. We got so much stuff. The show has been growing so much. And I just want to say thank you to everybody who's been watching it. We've heard like 65% of you are watching it on TV. That blows my mind. Anyway, thank you for all that support. Let's get into it about Driven. You had questions, we might have answers. Or we might just let you take a lap about how smart you are. Anyway, we're gonna get into it all with a little something I like to call corrections and omissions. Thought we knew it, I thought we had it and everyone else was living on another planet. Now we come to you, hats in our hand, you all about how we up corrections. And thank you, Cool Skull for that theme song. It rocks. Let's go to the discord. Dr. Guts 1003. Dr. Guts, how are you? I'm not sure how common this is in filmmaking, especially today, but Estella Warren said in an interview with the Guardian that Rennie Harlan berated her in front of the whole crew in order to make her cry for the scene where she has to break up with Bo. Here's a little excerpt. Didn't Harlan also chew you out one day in front of the whole crew to get you to cry for a breakup scene? Oh, yeah. Rennie wasn't really a nice person to me that day. Let's just say there was a lot of champagne and caviar involved in making up for it. But I ultimately thanked him for making me cry because it worked out so well for the scene. I really wanted that emotion to come out. Mmm. Don't like what I'm reading. Yeah, Renny Harlan is a notorious dick. And look, and that's fine. He was at a time when directors could do that. I think it's, you know, there's some great Renny Harlan movies I love. But I think that if you do a quick Google of Renny Harlan, you will see he's an asshole. And even his ex wife will tell you that. Geena Davis, who Has some amazing stories about the torture that he put her through. In one of my favorites, the Long Kiss Good Night or the Last Kiss Good Night, whatever. It's one Sam Jackson. All right, so don't approve of that. Don't approve of. Of Estella Warren being like, it's cool. It ain't. George Glass writes, I just want to state how joyed I was at seeing Robert Shawn Leonard in this. He was my big teen crush and I watched my best friend as a vampire. Dead Poet Society Swing Kits and Much Ado About Nothing. Far too much. That being said, I thought his character in Driven was right. Homegirl. Sofia was using his brother Jimmy as a rebound at best and to make her ex boyfriend jealous at worst. He had every right to tell his brother not to get mixed up in that dynamic. And Sophia was wrong to punch him. There, I said it. Well, George Glass, you're damn right. You are right. I agree with you. I am on Team Robert Sean Leonard. Where is he? I'm sure he's acting. I'm sure he's doing a great series that I have not seen. And not even like a series on Britbox, just like a series that might be like, buried on Paramount. I'm sure that at one point, you know, he'll be in the Tulsa King universe. Anyway, Sean McBee writes, I can't find any reference to it in my research, but this movie really felt like it was being filmed for 3D. There are so many instances of things flying straight to camera, from raindrops to manhole covers and even one of the quarters Stallone flipped before that dumb coin pickup thing. Sean, excellent point. And guess what? An audience member at our live show actually brought up this same point. So rather than respond to you now, I will play our response in this deleted scene. Yes. We didn't talk about this. A lot of the static two person scenes are zooming in and out as if someone's finding focus. Yeah, like, whoa, whoa, whoa. It's like, I don't know why they needed to make the off race moments. Like they were being shot like a race. I think that's why they did it. I think they were trying to make everything kinetic and full of energy, which is what kinetic means. All right, people, let's go to the phones. Larry from Florida, what do you got?
