Matinee Monday: The Lawnmower Man LIVE! (w/ Neil Casey & Emily Heller)

Summary

Podcast Summary: "Matinee Monday: The Lawnmower Man LIVE!"

Podcast Information:

• Title: How Did This Get Made?
• Hosts: Paul Scheer, June Diane Raphael, Jason Mantzoukas
• Guests: Neil Casey, Emily Heller
• Release Date: October 28, 2024
• Description: In this episode, the hosts of the comedic podcast "How Did This Get Made?" delve into the complexities and quirks of the cult classic film "The Lawnmower Man." Joined by guest stars Neil Casey and Emily Heller, the discussion uncovers the film’s plot, character dynamics, production mishaps, and its place within the genre of bad movies.

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1. Introduction and Setup (00:00 - 03:34)

The episode kicks off with a humorous advertising segment parodying car service ads, quickly transitioning to the show's main content. Paul Scheer, Jason Mantzoukas, and June Diane Raphael set the stage for an in-depth analysis of "The Lawnmower Man," a film notorious for its dated special effects and convoluted plot.

Jason Mantzoukas [00:35]: "Max is back with a new season."

Paul Scheer [03:34]: "What's up, jerks?"

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2. Hosts' Initial Thoughts and Theme Song Discussion (03:34 - 05:04)

The hosts engage in witty banter about updating the show's theme song, reflecting their playful dynamic. They express a desire for fans to contribute creative versions, emphasizing the show's interactive and inclusive nature.

Paul Scheer [04:13]: "The gauntlet has been thrown. Anybody can record a theme song, 100%."

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3. Guest Introduction and Movie Overview (05:04 - 15:46)

Neil Casey and Emily Heller are introduced as guests. The conversation shifts to "The Lawnmower Man," with the hosts attempting to summarize the plot. They highlight the film's central premise: a simple-minded lawnmower man undergoing a virtual reality experiment that grants him superintelligence, ultimately leading to chaotic consequences.

Paul Scheer [15:02]: "This movie is bonkers from start to finish. To sum up the plot, if you've not seen the movie..."

Jason Mantzoukas [15:18]: "He becomes the Internet."

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4. Detailed Plot Breakdown and Critique (15:46 - 74:59)

The hosts and guests dissect various elements of the film, pointing out inconsistencies and questionable creative choices:

• Character Development: They critique Pierce Brosnan's character, Larry Angelo, for his lack of depth and unrealistic transformation from a VR scientist to a villain with superpowers.

  Paul Scheer [20:27]: "He also becomes like an X Man."

• Special Effects and CGI: The outdated graphics and CGI are mocked, with comparisons to other poorly executed special effects in cinema.

  June Diane Raphael [34:07]: "It's like that nonsense."

• Plot and Logic Flaws: The group highlights the illogical aspects of the virtual reality experiments, such as their application and the inconsistent portrayal of technological advancements.

  Jason Mantzoukas [32:47]: "Why would you need to be weightless in VR?"

• Thematic Elements: Themes of abuse and power dynamics are examined, particularly how the film intertwines personal abuse with the overarching narrative of technological empowerment gone wrong.

  Paul Scheer [38:42]: "This movie is a molestation allegory. This is all the creepiest stuff."

• Comparisons to Other Works: "The Lawnmower Man" is compared to "Flowers for Algernon" and "Frankenstein," emphasizing its attempt to explore intelligence enhancement but falling short in execution.

  Emily Heller [78:03]: "I thought the movie was kind of like Job's revenge from the book of Job in the Bible."

Notable Quotes:

• June Diane Raphael [45:01]: "He just slaughters these lawns. Did you see, like, he's mowing that lawn? It's this nice, tall grass, and he has it down to just the rag dirt. Just killing this grass."

• Paul Scheer [49:36]: "Because we're not smart enough because we haven't been juiced up with the drug."

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5. Audience Interaction and Naming Characters (74:59 - 83:10)

Listeners' questions are featured, where they suggest alternative names for Pierce Brosnan's character and draw parallels between the movie and literary works. Suggestions like "James," "Rob," "Allison," and "Hewlett Packard" reflect the audience's creative attempts to reimagine the character's identity.

Emily Heller [77:52]: "I think his name should be Hewlett Packard."

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6. Second Opinions and Mock Reviews (83:10 - 91:30)

The podcast humorously presents fabricated five-star reviews of "The Lawnmower Man," satirizing overly positive critiques that ignore the film's flaws. These mocked reviews highlight the dissonance between genuine viewer experiences and exaggerated praise.

June Diane Raphael [84:29]: "Five stars."

Paul Scheer [84:35]: "You can't go wrong with two great actors who are also dreamy to look at and a great script."

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7. Final Thoughts and Recommendations (91:30 - 94:00)

As the episode wraps up, the hosts offer their concluding opinions. Despite acknowledging the movie's numerous shortcomings, they recommend it for a cult classic experience, suggesting that its flawed execution provides ample material for comedic analysis.

Jason Mantzoukas [91:23]: "I would recommend this movie. I found it to be highly enjoyable, even though I didn't understand what was going on."

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8. Conclusion and Closing Remarks (94:00 - End)

The hosts thank their audience and guests, promote upcoming projects, and sign off with customary humor and acknowledgments. Final advertisements are seamlessly integrated, maintaining the episode's comedic tone.

Paul Scheer [93:42]: "Thank you all for coming up, but let's talk making this is on Fox. Starting when?"

Jason Mantzoukas [94:03]: "You can follow us on Twitter @HDTGM..."

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Key Takeaways:

• "The Lawnmower Man" serves as a rich subject for comedic critique due to its notorious production flaws and illogical plot.
• The episode underscores the podcast's hallmark approach: celebrating bad movies by humorously dissecting their shortcomings.
• Audience engagement through creative questions and mock reviews enhances the interactive and entertaining nature of the show.

Notable Quotes with Timestamps:

• Paul Scheer [03:34]: "What's up, jerks?"
• Jason Mantzoukas [15:18]: "He becomes the Internet."
• June Diane Raphael [45:01]: "Just killing this grass."
• Emily Heller [77:52]: "I think his name should be Hewlett Packard."
• Jason Mantzoukas [91:23]: "I would recommend this movie."

---

This comprehensive examination of "The Lawnmower Man" not only highlights the film's myriad issues but also exemplifies the show's commitment to humorously celebrating and critiquing cinematic missteps.

Transcript

[Ben Mankiewicz]

You know, when you go get your car serviced, it feels like everything is wrong, right? Oh, you need to fix this. You need to get that done. And it just feels like, am I getting taken for a ride? Well, with Midas, you don't have to deal with upsells, intimidation, or unnecessary stress from oil changes to tires. Midas provides the services that you need and doesn't pressure you into services that you don't. Midas believes in honest, straightforward auto care that you could Trust. Welcome to AutoCare without bad service. Visit Midas.com for a location near you. Talking Pictures the podcast from TCM and.

[Jason Mantzoukas]

Max is back with a new season.

[Ben Mankiewicz]

Here host Ben Mankiewicz in intimate conversations with the people who live to make us laugh. Carol Burnett, Bill Murray, Paul Scheer, Henry Winkler, and more all join Ben to talk about the movies that made them. Talking Pictures isn't just about film. It's about the powerful role movies play in our lives.

[Jason Mantzoukas]

It's about where you were, who you were with, and what you were feeling.

[Ben Mankiewicz]

Listen to Talking Pictures on Max or.

[Jason Mantzoukas]

Wherever you get your podcasts.

[Ben Mankiewicz]

Every memorable gift starts with a story. And what better gift to give this holiday season than giving something that represents pure power?

[Jason Mantzoukas]

Nature's power.

[Ben Mankiewicz]

I'm talking about Jefferson's Ocean Bourbon and Jefferson's Ocean Rye.

[Jason Mantzoukas]

They are aged at sea.

[Ben Mankiewicz]

They have dealt with elements that you could only dream of. You'll taste the journey in every sip.

[Jason Mantzoukas]

It's darkened by the pound waves, it's kissed by ocean air and it's caramelized by equatorial heat.

[Ben Mankiewicz]

Give the gift of adventure. Give Jefferson's Ocean Bourbon and Jefferson's Ocean Rye. Please sip responsibly.

[Jason Mantzoukas]

Copyright 2023 Jefferson's Bourbon Co. Crestwood, Kentucky. It's like my mama always told me, don't pick on the simple handyman because one day he'll become the Internet and pixelate your ass. We saw the lawnmower man so you know what that remain how did sports a naked grow a baby in his belly Rock a rhinestone vest while ripping just into Kelly or maybe see a burlesque show Wouldn't it crow and take a boat with speed to hit and cruise control J man Big Paul in the beautiful June gonna take you from the goo all the way to the room Random games of street Fighter Hope to blow off steam Just a sucker punch the odd life of Timothy Green shark Niggle the bird Demic how we staying alive they call it in the badass and he's on the line cr 88 minutes cause they cool as ice Cause the bad Jim Barney looking kind of nice. Paul and June getting literal. Jason is getting laid. June is making sure all the monkey shots getting paid. They judge a bunch of movies while they making the grade. Here's a real question for you. How did this get made? Hello, people of Earth. Good luck and hello, people of Largo. We are live here in Los Angeles at the Largo Theater, our home. We love this. We are very excited to talk about a movie that predicted the future. It's a movie that talks about the dangers of VR and what better antidote to what we're going through in this society than this film? I am so excited to talk about it tonight with you, but let me be first joined by my co host. Please welcome Jason Manzoukas.

[Paul Scheer]

What's up, jerks?

[Jason Mantzoukas]

What's up?

[Paul Scheer]

How we doing, Los Angeles? Paul. How are you, Jason?

[Jason Mantzoukas]

I am great. I love hearing that theme song. And when you come see a live show, there's a video that accompanies it.

[Paul Scheer]

Yep.

[Jason Mantzoukas]

And I feel like I catch something from it every time, but I love it. And I want the guy who recorded that Maru to kind of do an updated version.

[Paul Scheer]

I agree. That's so funny. As I was watching it, I was like, so much new has happened. There are so many new verses he could write. And I think everybody would agree this song needs to be longer, longer updated.

[Jason Mantzoukas]

Let's get it going.

[Paul Scheer]

By the way, I'll also say this. The gauntlet has been thrown. Anybody can record a theme song, 100%. We will likely put it on the show.

[Jason Mantzoukas]

90% of the times we're putting the show right away.

[Paul Scheer]

I have no quality control.

[Jason Mantzoukas]

Very little filtering is going on. If you can get it. If I get it, it's going in a file.

[Paul Scheer]

Some of you bands are out there, you're on the road, you're in stupid vans. You're listening to our show. So pull over, write a theme song, send it in.

[Jason Mantzoukas]

Vampire Academy rhymes with so many things.

[Paul Scheer]

Yes. Come on, you guys. Give back.

[Jason Mantzoukas]

And then we need a talented person to cut together a theme song for it that has a video component. Anyway, don't worry about it.

[Paul Scheer]

Free work for us.

[Jason Mantzoukas]

We need more free work. Well, Jason, we are not joined tonight by June Diane Rayfield. Sadly, she is not here, but we have two amazing guests. Two amazing guests that are going to blow your mind.

[Paul Scheer]

Oh, me? I thought you were talking to the audience. I was and I. I know who it is. I promise my mind's not gonna be blown. Only because I was standing over there with the mic.

[Jason Mantzoukas]

Why? Just as I was looking for you to be like, sorry, sorry. I wasn't backing up. You know.

[Paul Scheer]

You know what? Let's do it again. Let's do it again. Take two. Let's take it back. We're gonna edit this part out.

[Jason Mantzoukas]

No, we gotta keep it in for, you know, for reality's sake. I mean.

[Paul Scheer]

Yeah, yeah, yeah, yeah.

[Jason Mantzoukas]

You know. Yeah, exactly.

[June Diane Raphael]

Yeah, yeah, yeah.

[Jason Mantzoukas]

This show is all about keeping the.

[Paul Scheer]

Show is about the truth.

[Jason Mantzoukas]

Amen.

[Paul Scheer]

Transparency.

[Jason Mantzoukas]

Transparent.

[Paul Scheer]

The show, season two.

[Jason Mantzoukas]

Love it. Cast a transparent. Next week on the show, the entire. It's gonna be a very. It's a lot of talking.

[Paul Scheer]

Yep.

[Jason Mantzoukas]

But we will finally do the Phantom Menace. Cast a trans.

[Paul Scheer]

We are not doing the Phantom Menace. Full transparency. It's not gonna happen. Cause I say, as I've said many times before, it's the best Star wars movie that's ever been made. Jk. It's a nightmare. I wept. I saw it on my 30th birthday. Wept openly in front of the woman that I was in love with. I believe that to be the beginning of the end of our relationship. I think she saw true weakness within me.

[Jason Mantzoukas]

I was right there with you. Saw it opening day. Had to see it twice in the same day to admit to myself that it wasn't good.

[Paul Scheer]

Wow. Thought to myself, the pod racing sequence wasn't bad.

[Jason Mantzoukas]

No, that was not bad. That was bad. It looked pretty cool and the opening was cool. I mean, it looked really cool. When I left the theater, I was like, oh, I was too excited to enjoy it. That's why I didn't like it. Then it went, that's adorable. Yeah, that's how I.

[Paul Scheer]

That's adorable that you really, like, lied to yourself.

[Jason Mantzoukas]

That I was.

[Paul Scheer]

I cried at the end of the movie and my girlfriend at the time was like, what's wrong? And I like, it was terrible.

[Jason Mantzoukas]

I remember.

[Paul Scheer]

And it was my birthday.

[Jason Mantzoukas]

That was rough.

[Paul Scheer]

But I was an adult. It's not like it was like my 11th birthday, three hours. I was a grown man.

[Jason Mantzoukas]

I remember that our good friend Rob Riggle was coming back from.

[Paul Scheer]

One of our greatest of friends was.

[Jason Mantzoukas]

Coming back from Iraq at that point or Afghanistan. And we were like. He was like, I can't wait to come back and see Star Wars. Like, ah, maybe we hold off on that. Was he jackass instead?

[Paul Scheer]

Oh.

[Jason Mantzoukas]

All right. So we have two amazing guests tonight. Please welcome our first guest. You can see him in a brand new Fox show called Making History. But you also just saw him as the villain in Ghostbusters. Please welcome Neil Casey.

[Paul Scheer]

Yeah. Hello, Neil. Hi.

[Jason Mantzoukas]

Hello, Neil. When did you see the Phantom Menace and what was your opinion of it?

[June Diane Raphael]

I saw the Phantom Menace. I was a senior in high school.

[Jason Mantzoukas]

Wow.

[June Diane Raphael]

And I went to go see it at midnight when it came out.

[Paul Scheer]

Cool.

[June Diane Raphael]

And the same thing. I needed to see it. I saw it three or four more times to make sure.

[Jason Mantzoukas]

Oh, I definitely saw it four times in the theater. Yeah.

[June Diane Raphael]

Yeah, I saw it a number more times to just make sure that I wasn't missing something good. You know, it was as if it.

[Jason Mantzoukas]

Was like some sort of decoded message that was there that I.

[June Diane Raphael]

It was sort of like, I'm insane. I must be insane.

[Jason Mantzoukas]

There was. Didn't even occur to me that it could be bad. Like, that was never even the thought.

[Paul Scheer]

Yeah, well, that's like. It's like we lived in a different time then. Yeah, we lived in a different time where people didn't betray us like that. We lived in a pretty kingdom of a crystal skull universe.

[Jason Mantzoukas]

I literally went to a movie theater that was playing the Brad Pitt movie Meet Joe Black to watch the trailer.

[Paul Scheer]

Also a movie we should do.

[Jason Mantzoukas]

Oh, yes, they played the Star wars trailer before it. But then to keep you watching the whole movie, they also played it at the end of Meet Joe Black. So I watched Meet Joe Black, which was like two and a half hours.

[June Diane Raphael]

It's over three.

[Jason Mantzoukas]

Yeah, it's over three hours. But this trailer is amazing.

[June Diane Raphael]

And then after the Star wars trailer, at the end, they show the Brad Pitt getting hit by the car again.

[Jason Mantzoukas]

Which made it all worth it.

[June Diane Raphael]

After, after.

[Paul Scheer]

Do you remember when you couldn't just watch trailers?

[Ben Mankiewicz]

Yeah.

[Paul Scheer]

Like, half of my life is spent just on Apple movies. Trailers, my favorite. Just watching them all. Boom.

[Jason Mantzoukas]

I woke up the other morning, watched Rogue One. I was thrilled on my phone. So good.

[Paul Scheer]

Our lives are awesome.

[Jason Mantzoukas]

Really quickly though, before we get into our next guest, Neil. So making history. Brand new show on Fox. It's Lord Mill. It's a Lord Miller show.

[June Diane Raphael]

Yes, Lord Miller Show. Adam Pally is the star with Leighton Meester. And yes, for Lester. It's really funny.

[Jason Mantzoukas]

Yeah. So it's a time travel show. And you are. Are you a person in the past or future? Where are you at?

[June Diane Raphael]

I am a guy from the past. I'm a founding father.

[Jason Mantzoukas]

Oh, very interesting.

[Paul Scheer]

Hamilton. Hamilton, Are you in the room where it happens?

[Jason Mantzoukas]

Do you rap? Rap, rap, rap, rap.

[Paul Scheer]

Hamilton. Hamilton. Hamilton.

[Jason Mantzoukas]

Megan. Hey, Terry.

[Paul Scheer]

Hamilton. Hamilton. Hamilton.

[Jason Mantzoukas]

I'm in there.

[Paul Scheer]

Hamilton. Hamilton. Hamilton.

[Jason Mantzoukas]

Hey, hey, hey. I hate you, George.

[Paul Scheer]

General Washington.

[Jason Mantzoukas]

You disobey me?

[Paul Scheer]

Now get there.

[Jason Mantzoukas]

Over here. Over there.

[Paul Scheer]

It's a duel. Aaron Burr. Aaron Burr. That's right. Lin Manuel Marin. Screw you, pal.

[Jason Mantzoukas]

Not that high.

[Paul Scheer]

We just took him down a peg.

[June Diane Raphael]

Our.

[Jason Mantzoukas]

Our next guest is a super funny comedian, and she has a podcast called Baby Geniuses. Please welcome Emily Heller. Your mic is right there.

[Emily Heller]

Thank you, Emily.

[Jason Mantzoukas]

Any feel about Star Wars Phantom Menace?

[Emily Heller]

I haven't seen Star Wars.

[Jason Mantzoukas]

Really?

[Paul Scheer]

What?

[Emily Heller]

I was hoping to not have that be the first thing I said on your podcast.

[Jason Mantzoukas]

But you know what? You joined the rank of my wife, June, who's a girl.

[Paul Scheer]

Yeah, my wife.

[Jason Mantzoukas]

My wife, who also has not seen it, but she feels like she might have.

[Emily Heller]

Well, okay, I saw her.

[Paul Scheer]

That was a great June. That's a perfect June concept.

[Jason Mantzoukas]

I definitely haven't seen it, but I feel like I might have.

[Emily Heller]

I've seen the first one that was ever made, and it was boring, so I didn't watch anymore.

[Jason Mantzoukas]

Wow.

[Emily Heller]

Should I leave?

[Jason Mantzoukas]

You know what?

[Paul Scheer]

Wrong audience, Emily. Wrong audience.

[Jason Mantzoukas]

It's a room where we can all share an opinion. You know, half of these people are.

[Paul Scheer]

Building Doctor who cosplay copies, and the other half thinks those are the nerds.

[Emily Heller]

I wanted to just backtrack a little and say, Campfire Anatomy rhymes with Vampire Academy.

[Jason Mantzoukas]

Ooh, I like that.

[Emily Heller]

I thought of that, and I've been waiting to come out to say.

[Jason Mantzoukas]

And by the way, Campfire Anatomy would go perfectly with sleepaway camp because it's campfire, and there's a very big anatomy thing in that movie. Oh, yeah, she's got a penis. Cause she does.

[Paul Scheer]

And also, how about this? Take the remix version of the song and remix that. A remix of a remix?

[Jason Mantzoukas]

Guys, we're open to ideas. You have a podcast. It's called Baby Geniuses. Tell us the pitch for Baby Geniuses. What happens on Baby Geniuses?

[Emily Heller]

Baby Geniuses is a podcast where me and my friend Lisa Hanawalt, who is the production designer of BoJack Horseman, she's a cartoonist.

[Paul Scheer]

Yeah, I just watched all of the episodes of BoJack Horseman in, like, two weeks.

[Jason Mantzoukas]

It's funny.

[Emily Heller]

It's so good.

[Paul Scheer]

It's terrific.

[Emily Heller]

It's very terrific. She designs all the characters on that show. She and I talk about, like, dumb Wikipedia pages, and we do a different Wikipedia page every week, and then we have people on and have them talk about something weird that they know too much about. Like, Emily Gordon talked about the Harlem Globetrotters, which she's, like, really into things like that.

[Paul Scheer]

Did she talk about their visit to Gilligan's Island?

[Jason Mantzoukas]

What oh, this is one of the best episodes of Gilligan's island of all time. Yeah, they come, they get stranded, but then they, of course, get rested. But Gilgan's people stay.

[June Diane Raphael]

Exactly. Enough seats for 20 guys.

[Jason Mantzoukas]

But they play a great game of basketball in it. Oh, my God.

[June Diane Raphael]

Generals drown.

[Paul Scheer]

This is a real episode of real television.

[Jason Mantzoukas]

I believe it was a movie. Like a movie event. It wasn't even a half hour.

[Paul Scheer]

It was like a TV movie.

[Jason Mantzoukas]

It was sort of like, you know what? We can't cram this into 22 minutes. We got to give it a full 90.

[Emily Heller]

I just want to know, was there a fight in the writers room of Gilligan's island about whether or not they could do that? Was there someone in the writers room being like, you guys, we can't do this?

[Paul Scheer]

No. You know why there wasn't? Because almost every other week, someone else crashed. Crashed into the island, visited for a while, and then found a way off. Except for the people who arrived on the SS Minnow.

[Jason Mantzoukas]

In a way. In a way, I think the production designers are like, great. We get to build a coconut basketball court. Yeah, I'm in. Well, I am so excited that you're both here to talk about this film, which is. I think you could probably make a lot of fun about the Lawnmower man in the sense that, oh, it's dated and the graphics are dated. But.

[Paul Scheer]

No, I think I am. I am pitching, currently a movie. Lawn Mower Man 2. Oculus Drift.

[Emily Heller]

Wait, but they made a Lawnmower Man.

[Jason Mantzoukas]

They did make a Lawnmower Man 2. What? Yeah.

[Paul Scheer]

The joke didn't land, and it was Illumina. Things are not going well for me.

[Jason Mantzoukas]

I mean, yes, we will talk about the graphics, but this movie is bonkers from start to finish. To sum up the plot, if you've not seen the movie.

[Paul Scheer]

Yes, please, Paul, sum up the plot.

[Emily Heller]

This will be helpful for me.

[Jason Mantzoukas]

Also, I have a hard time doing these, so they never quite come out simple. But here's what I would say. So everyone kind of takes advantage or makes fun of this simple minded lawnmower man. And then a local scientist says, well, why don't you be my VR guinea pig? And the experiment goes too far. And then he becomes the Internet.

[Paul Scheer]

He also becomes like an X Man.

[Jason Mantzoukas]

Yeah, he does.

[Paul Scheer]

He gets like, as all, like, Stephen King kind of people that get powers. He gets, like, telekinesis and telepathy.

[Jason Mantzoukas]

Well, let me.

[Emily Heller]

But it's also like, she's all that. Cause he gets sexy, too.

[Jason Mantzoukas]

Yes, his hair. His hair goes Gets more coif. Yeah, yeah.

[June Diane Raphael]

And he stops wearing his cartoon costume of a simple minded person with a yellow shirt and overalls.

[Paul Scheer]

Starts wearing a tasteful button down beginning. He's basically dressed like Stewie Griffin from Family Guy.

[Jason Mantzoukas]

Well, I'll even. I'll even go one further and go. Is the lawnmower man inspiration for Simple Jack from Tropic Thunder?

[Paul Scheer]

They both, I think, yes.

[Emily Heller]

Oh, my God.

[Jason Mantzoukas]

They both wear the same exact outfit. We're looking at a picture of Simple Jack and Jobe together. And then also they could also just be part of the dumb and dumber family as he looks a little bit like Jeff Daniel.

[Emily Heller]

Oh, my God. They definitely based Jeff Daniel's hair on him. That's definitely the joke job is to.

[Jason Mantzoukas]

Say he's a cartoonish portrayal of a simple minded person is being very kind.

[June Diane Raphael]

To simple minded cartoons.

[Emily Heller]

Well, he's also dressed like a scarecrow who I notorious for wanting brains.

[Ben Mankiewicz]

You know, when you go get your car serviced, it feels like everything is wrong, right? Oh, you need to fix this. You need to get that done. And it just feels like, am I getting taken for a ride? Well, with Midas, you don't have to deal with upsells, intimidation, or unnecessary stress from oil changes to tires. Midas provides the services that you need and doesn't pressure you into services that you don't. Midas believes in honest, straightforward auto care that you can Trust. Welcome to AutoCare without bad service. Visit Midas.com for a location near you. Talking Pictures, the podcast from TCM and.

[Jason Mantzoukas]

Max is back with a new season.

[Ben Mankiewicz]

Here host Ben Mankiewicz in intimate conversations with the people who live to make us laugh. Carol Burnett, Bill Murray, Paul Scheer, Henry Winkler, and more all join Ben to talk about the movies that made them. Talking pictures isn't just about film. It's about the powerful role movies play in our lives.

[Jason Mantzoukas]

It's about where you were, who you were with, and what you were feeling.

[Ben Mankiewicz]

Listen to Talking Pictures on Max or.

[Jason Mantzoukas]

Wherever you get your podcasts.

[Ben Mankiewicz]

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[Jason Mantzoukas]

All right, here it is.

[Ben Mankiewicz]

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[Paul Scheer]

When did, like, there was a point in the movie where, like, too late in the game where I was like, whoa, Pierce Brosnan has an earring in this movie. What is this? That's like when you watch the after videos of Game of Thrones on HBO Go. And DB Weiss has an earring. A cartilage ring up here. One of the showrunners of Game of Thrones, I was like, what's going on right now?

[Jason Mantzoukas]

I also like the trope of Pierce Brosnan. Like, he's a scientist, top of the field, VR scientist. And he's like, super sexy. Like, this is the height of Pierce Brosnan being sexy. So they gotta give him glasses. It's like the thing that they do is throw in these glasses, man, it'll make you look a real nerd.

[Paul Scheer]

But tons of shirtless scenes for him.

[Jason Mantzoukas]

Yeah, he's shirtless and glass. I don't want to see that combo.

[Emily Heller]

Well, there was one shirtless scene. I was counting.

[Paul Scheer]

No, there's more than one.

[Emily Heller]

Is there more than one with. Well, there's more shirtless scenes with Job.

[Paul Scheer]

Job is shirtless.

[Emily Heller]

Job is shirtless. But Pierce Brosnan, I feel like only once.

[Paul Scheer]

No, there's a couple others. Really get in business.

[Emily Heller]

All right.

[Paul Scheer]

Pierce Brosnan in this movie is named Larry. Never felt right. Yeah, never felt right.

[Jason Mantzoukas]

Larry the VR scientist.

[Paul Scheer]

Larry. Larry. Larry. What are you saying, Lar? I was like, who are they talking to? And there's no way that the handsomest man, the man who would be Bond, Remington Steele, is named Larry.

[June Diane Raphael]

And it's clearly written for another actor. All the stuff with his wife. Cause from minute one, she's like, fuck you.

[Paul Scheer]

I'm outta here.

[Jason Mantzoukas]

She's an excuse.

[Paul Scheer]

She never comes back. Yeah, his wife leaves him and he's like, okay.

[Emily Heller]

She.

[Jason Mantzoukas]

Well, by the way, I felt like he would.

[Paul Scheer]

Because he wouldn't take her to the city. The city. What?

[Emily Heller]

Well, it Was. It was like, I feel like they maybe shot more scenes with her and then cut them out because they adr her saying, I give up at the end of that scene.

[Jason Mantzoukas]

You are right. The wife is around in the, in the director's room.

[Paul Scheer]

That's the extra 30 minutes.

[Jason Mantzoukas]

Yes.

[June Diane Raphael]

He has lunch with her in Washington.

[Paul Scheer]

Before he speeds back, he's like, finally, here we are in the city.

[Jason Mantzoukas]

But my question about her. They showed his life with her as if he was a petulant child living with his parents. Is he living with her?

[Paul Scheer]

He's like, I don't want to be around people right now.

[Jason Mantzoukas]

I'm going to the basement to smoke and play video games. Girlfriend.

[Paul Scheer]

She's like, I'm going to put on a tank top and very blousy pleated pants. Tight on top, very large on the bottom.

[Jason Mantzoukas]

I would say. Well, I just want to tell you the tagline of the movie. This is the tagline of the movie. God made him simple. Science made him a God.

[Paul Scheer]

By the way, I'm on board for that.

[Jason Mantzoukas]

God made him simple. Now, how many people here believe this is a Stephen King movie? What with boo? It shouldn't be a boo.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Oh yeah. What the. No one believes it's a Stephen King movie.

[Paul Scheer]

What do you mean? No? It says Stephen King's the Lawnmower Man.

[Jason Mantzoukas]

Well, well, well.

[Paul Scheer]

There's a possessive s on it.

[June Diane Raphael]

What?

[Jason Mantzoukas]

Stephen King sued.

[Paul Scheer]

What?

[Jason Mantzoukas]

To get his name removed from this movie. It is not a Stephen King movie.

[Paul Scheer]

Really? He wanted it to be Alan Smithies. The Lawnmower Man.

[Jason Mantzoukas]

Well, I can kind of give you the idea of what basically happened. So Stephen King wrote a seven page story called the Lawnmower man where as if I understand it correctly and someone maybe can describe it better, a guy's lawnmower is broken. He calls the lawnmower company to come over. They come over. The lawnmower man controls the lawnmower sentiently and kills a weasel in his backyard. The guy sees the weasel get killed. He's like, oh. And he passes out.

[Paul Scheer]

Is the weasel Pauly Shore totally baddie weasel? It's a real episode episode, but it's a short story.

[Emily Heller]

So it's just in parentheses. It's Polly Shore.

[Jason Mantzoukas]

He sees the weasel get killed. He passes out.

[Paul Scheer]

A lawnmower man does.

[Jason Mantzoukas]

Or the homeowner hires a lawnmower man and then he wakes up and the guy's like, hey, my boss teaches me how to control things with my mind. You want to get on board with this? The guy's like, no, and the Lawnmower man kills him. That's the story.

[Paul Scheer]

Oh, in other words, it's the movie we just watched.

[Jason Mantzoukas]

Okay, so to help us unpack the.

[Ben Mankiewicz]

Stephen King short story this movie is.

[Jason Mantzoukas]

Based on, let's go to Tim, our.

[Ben Mankiewicz]

MVP from the audience who sang the.

[Jason Mantzoukas]

Second Opinion theme in the Gamer episode. Tim, take it away.

[Paul Scheer]

So I've got more information about the Larry King. Larry King. The Stephen King short story.

[Jason Mantzoukas]

Yes. So he hires the lawnmower man, and.

[Paul Scheer]

Then the guy loves lawnmowers or something and hears the lawnmower and goes, now that's a lawnmower. So he runs out to see what's going on. The lawnmower is mowing the lawn by itself. The overweight lawnmower man has taken off every stitch of clothing, and he's crawling behind the lawnmower, eating all the grass clippings.

[Jason Mantzoukas]

So then the lawnmower.

[Paul Scheer]

Cool, cool, cool.

[Emily Heller]

Veers off. That tracks.

[Paul Scheer]

The lawnmower veers off and kills a mole. So the guy skitters over there and eats the mole. The mole? Yeah. Earlier I told you it was a weasel.

[Jason Mantzoukas]

Sorry. I was trying to compact it, because I did know some of these facts, but as I hear them, as I read them, it didn't make sense. And as I hear it, I'm like, what the fuck was a seven page story?

[Paul Scheer]

So after he passes out and gets woken up, he notices the naked man, the naked man's feet that appear to be cloven, and he's revealed to be a Seder that worships Pan. And then he ritualistically sacrifices him, and.

[June Diane Raphael]

Then there's six more pages.

[Jason Mantzoukas]

So basically what happened was the studio had the rights to the Lawnmower man, but this movie was written already.

[Paul Scheer]

Oh, wow.

[Jason Mantzoukas]

And the script was already done, and it was called Cyber God had nothing to do with the Stephen King story.

[June Diane Raphael]

Job must have worked at the fucking gas station.

[Jason Mantzoukas]

Yeah, yeah, right.

[June Diane Raphael]

In the original script, I bet you. I bet you in the original script, Job worked at the goddamn gas station.

[Jason Mantzoukas]

Makes way more sense they needed to.

[June Diane Raphael]

Redo the whole thing to have him.

[Jason Mantzoukas]

Mo lost, because I think that's the only connection to. So they said that the early versions of the film claimed to be Stephen King's, but they just put a couple elements in to make it the Lawnmower man, which was a title that they owned. And so Stephen King sued the movie to remove it. And New line's like, nah, we're not gonna do it. And then the court's like, no, you have to. And they're like, no, we're not. And then. And they left his name on it. And the court's like, no, no, seriously, you have to. And they're like, no. And then. And then they finally.

[Paul Scheer]

Of New Line.

[Jason Mantzoukas]

They finally did it.

[Paul Scheer]

It's like, real coquettish because New Line is such a flirt.

[June Diane Raphael]

New Line's picking up her princess phone, ankles up on the bed.

[Paul Scheer]

Who's this?

[Jason Mantzoukas]

The only reason that they got them to take it off is because they said, we'll charge you $10,000 a day for every time that this. That you don't take it off. And then they. All right, we'll take it off. And then when they release it on home video, they're like, Stephen King's a lawnmower. He's like, hey, no. So this is not technically. Not a. It's not even as, like, things that are interpreted for the screen. This is so far away from a Stephen King. This is about a murderous. And I think the Lawnmower man reveals himself to be part animal, part man. And that thing, like, he's a Greek God. Yeah. I mean, the book is crazy, but yeah. So whatever. And then they made a sequel called Beyond Cyberspace. And then they just changed it to Job's War, but I don't think Job was in it. So that's some stuff for you to know as we talk about.

[Paul Scheer]

I wish that had clarified anything. Cause it doesn't.

[Emily Heller]

No.

[Paul Scheer]

Well, one of the major disappointments for me was that none of the monkeys lasted longer in the movie. I was. And I also. The minute we started the movie and there was, like, lab monkeys, I was like, ooh, June's gonna have thoughts on this. So I hope at some future date we get to hear June's thoughts on the chimps that were in this movie. Whether they were paid how much.

[Jason Mantzoukas]

Well. And how to wear that costume, the RoboCop costume. I would like to show you the original. The director's cut of the movie is a little bit worse. The monkey isn't killed in the beginning. The monkey escapes and teams up with Job.

[Paul Scheer]

Fuck. Yeah. And so into this now.

[Jason Mantzoukas]

So this is when the monkey and Job first meet. So just take a look. I got some strawberries. Somebody in that tree. The monkey is scanning him. VR Monkey has a dog.

[June Diane Raphael]

Man, what are you doing here?

[Jason Mantzoukas]

Monkey has a gun in the room.

[Paul Scheer]

Very tense.

[Jason Mantzoukas]

Non threat. Monkey determines he's not a threat, puts on the gun, his VR glasses open.

[Paul Scheer]

What the is happening?

[June Diane Raphael]

It's the priest of the chopper.

[Emily Heller]

What's this?

[Jason Mantzoukas]

You could hide in my shed. Sh.

[Paul Scheer]

Man.

[June Diane Raphael]

Nobody could find you there.

[Jason Mantzoukas]

Yeah. So basically, Job adopts the monkey.

[Paul Scheer]

Whoa. The monkey is wearing way more stuff in this.

[Jason Mantzoukas]

The monkey is in full RoboCop costume. And then from. I guess what happens is as the scientists break into Job's little apartment and murder the monkey in front of Job's. Murder him in front of.

[Emily Heller]

Oh, my God.

[Paul Scheer]

That's amazing.

[Jason Mantzoukas]

That happened.

[Emily Heller]

I would have such a hard time isolating that as the problem with the movie that you need to cut out. Like, which executive was like, cut that part. And then the rest of it is fine.

[Jason Mantzoukas]

Just make the monkey. We'll make the monkey get killed in his dream, by the way. When they reveal that the monkey is escaping and shooting the security guard. Then they cut to, like, Pierce Brosnan waking up from a nightmare. Yes. And you're like, oh, was that a dream? And it wasn't.

[Emily Heller]

It wasn't. Then they call him to tell him. Him that that happened.

[Paul Scheer]

So is he psychic?

[Emily Heller]

Is he psychic?

[Jason Mantzoukas]

Or is he having another nightmare and it just happens?

[Emily Heller]

Another nightmare we don't get to know about?

[Jason Mantzoukas]

I'm naked, and I don't know the lines of the school play. What? What the monkeys did. Oh, what a bummer.

[Paul Scheer]

We also get the monkey in these shots in the beginning. We get monkey point of view. The movie begins inside the cave. Like, the monkey looking back and forth between Pierce Brosnan and his other guy.

[Emily Heller]

Cause they didn't want to have to shoot a monkey.

[Paul Scheer]

Yeah. Oh, for sure.

[Emily Heller]

There's a bunch of parts where it's just, like, the top of the monkey helmet. Just, like, where it's like.

[Paul Scheer]

Or fake monkey hands on the bars.

[June Diane Raphael]

The camera's too high.

[Jason Mantzoukas]

Brian. It's a monkey. The first thing that we're understanding is they're testing VR on monkeys. Okay, sure. It was a long time ago. Okay. Like, I remember that movie with Matthew Broderick, Project X where they were, like, teaching monkeys to be, like, pilots, and there's nuclear radiation and stuff like that. Makes more sense. VR a little confused about why you'd need to test it on a monkey.

[Paul Scheer]

How would you know what was happening?

[Emily Heller]

You would get no feedback.

[Paul Scheer]

Like, the virtual world that they've created means nothing to a monkey. And how would you measure what the monkey's reaction was?

[Jason Mantzoukas]

And I guess they were training the monkey to be a soldier. But when you see the virtual world, it looks nothing like anything that a soldier would encounter.

[June Diane Raphael]

And even in the monkey's point of view, it's telling the monkey facts. In English. Threat.

[Paul Scheer]

Yes.

[June Diane Raphael]

Not a threat, Mother.

[Paul Scheer]

But also. Also the monkey's antagonists are animated monkeys.

[June Diane Raphael]

To make it make sense to the monkeys.

[Paul Scheer]

So the monkeys shooting other monkeys. But, like, I don't think that this VR is preparing the monkey for a impending monkey war. Now, I don't think that's what's happening.

[June Diane Raphael]

But neither is the Windows 95 tile magic game.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Oh, my God. Well, let's just add one other level to the VR here. And all of this is happening while the monkey's in a centrifuge of some kind. The monkey is in arms.

[Paul Scheer]

One of those circular.

[Emily Heller]

Circular like Westworld gyroscopes.

[Paul Scheer]

Shadow Da Vinci.

[Jason Mantzoukas]

No reason for anyone in VR to be in a full gyroscope.

[Paul Scheer]

Nope.

[Jason Mantzoukas]

Like they. They are splayed out. Like David. Or not David with the man.

[Emily Heller]

Origin of man.

[Paul Scheer]

It's like that nonsense. What? Shut the fuck up. You fell for it, dummies. Who cares?

[Jason Mantzoukas]

But yeah, it's like, why would you ever need to be weightless in VR?

[Paul Scheer]

Why would you need to be moved around, like, in chaos? Like that?

[Jason Mantzoukas]

But I gotta tell you, four minutes in, the monkey was murdering somebody. I was like, I'm in.

[Paul Scheer]

Before the monkey murders someone, the monkey picks a lock. They were like, click, click, click, click. And I was like, what?

[Jason Mantzoukas]

How.

[Paul Scheer]

How does a monkey know how to pick a lock?

[Ben Mankiewicz]

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[Jason Mantzoukas]

Mode.

[Ben Mankiewicz]

I've used this for a long time. Right now my son and I are watching the Steph Curry masterclass where we are learning. Well, he is learning. I'm watching how to be a better shooter. There are so many great deep dives in here. David Sedaris Before I wrote my book, I listened to his Masterclass and watched how he edited and worked through all of his pieces. I love it. I have given it to people and they have thanked me. Masterclass always has great offers during the holidays and sometimes up to as much as 50% off. So head over to masterclass.com hdtgm for the current offer that's up to 50% off at masterclass.com hdtgmmasterclass.com hdtgm I want.

[Jason Mantzoukas]

To talk about the way that people treat Jobe, the simple lawnmower man. Now, there are two types of reactions to Job. Well, three maybe. One, he's simple. Let's treat him sweetly. Probably the normal one. Two, I want to fuck that guy. Yeah, a little off center. And then the. And then the third and the most upsetting is fuck you simple man. You piece of shit garbage pumping gas.

[June Diane Raphael]

At my gas station. Fuck you.

[Paul Scheer]

But what's interesting is one of the people that shares that last view is a priest. Yeah, no, like that's another. Like everybody in this everybody in the movie is either abused or being abused in all in a myriad ways. Like there's the priest is abusing Job. There's the father is abusing the son and the wife The Next Door Neighbors. This movie exists at a time when, like, Abuse was, like, cool.

[Emily Heller]

Yeah.

[Paul Scheer]

Where people would see the guy. They're all watching Pierce Brosnan.

[Emily Heller]

That's the first thing we see of Pierce Brosnan is he's looking out the window. He sees that guy beating his wife and his child. And he just goes, yep.

[Paul Scheer]

He's like, wait. And he's like, guess I'll light a cigarette and try and fuck my wife.

[Jason Mantzoukas]

Wait.

[June Diane Raphael]

Yeah.

[Paul Scheer]

And then later, they're all outside and they see the guy I pull up, smack the kid around some more and be like, get in the house. And they're all like, all right.

[Jason Mantzoukas]

But they need to talk about, oh.

[Paul Scheer]

I guess it's 1992, when this is cool.

[June Diane Raphael]

They needed the real beating at the top because you'd be on the dad's side if he just pulled up. He's like, did I tell you not to put the fucking bike here? Don't hang out with that asshole. It's dinner time. Like, I'm on that dad's side if I didn't see him smacking him around before.

[Jason Mantzoukas]

My favorite part of the dad coming home getting mad is that he was still wearing his construction hard hat, a yellow construction hard hat out of the fucking Village People. Like, oh, God, if I'm gonna work.

[Paul Scheer]

12 hours on the site.

[Emily Heller]

He drove home wearing it.

[Jason Mantzoukas]

It's not a comfortable hat. I was saying, like, that, like the determining thing so far that we've noticed in the Stephen King films that we've done Monkey pov, that was in Monkey Shines, everybody's an asshole. That's a big thing. And I said sentient lawnmowers. And we'll get to that in a little bit. But so far, these are three things that have been in Stephen King movies in the past. Maximum Overdrive also had a sentient lawnmower. Really?

[Paul Scheer]

Oh, all the machines were sentient, sure.

[Jason Mantzoukas]

But I'm saying a lawnmower is in there, so. Yeah. I don't understand why they're so mean to this guy who can't even buckle his overalls. He seems to be really productive.

[Emily Heller]

Always off of his overalls. He also, like, walks funny. Like, he was like. That was a character choice that he was like, well, this guy also doesn't know how to walk.

[Jason Mantzoukas]

Jeff Fahey made some choices.

[Emily Heller]

He made a lot of choices.

[Paul Scheer]

Like, the billing is Jeff Fahey and Pierce Brosnan, like, together.

[Jason Mantzoukas]

Finally.

[Paul Scheer]

Wait, what was Jeff Fahey's character on Lost? Frank?

[Jason Mantzoukas]

Oh, yeah, the pilot.

[Paul Scheer]

Thank you.

[Jason Mantzoukas]

But that's it. What do you think the relationship between like, okay, like the Irish guy, the priest, Harry. Yeah, the Irish guy, the priest and jobar and anything.

[Emily Heller]

So there's the priest. He lives in the. In the church, I guess, in like the attic of the church. And the priest beats him and then.

[June Diane Raphael]

But he does pay rent.

[Paul Scheer]

But he pays rent to live in the shed.

[Emily Heller]

And then also the shed seems to.

[Jason Mantzoukas]

Be in the woods sometimes too.

[Emily Heller]

And then there's another Irish guy who. His main relationship is like, I guess he drives him to moans and then tries to tell him to fuck ladies.

[June Diane Raphael]

He's always hovered around saying, go for.

[Emily Heller]

It, go for it.

[Jason Mantzoukas]

You eat the priest, you walk.

[Paul Scheer]

The priest also comes around and beats Job with a belt. It's like, take your shirt off so I can beat you with a belt, you animal.

[Jason Mantzoukas]

And then Terry too sees it.

[June Diane Raphael]

He's like, oh, is father making you do penance last night? Yeah, well.

[Paul Scheer]

And then Terry's like, go on, talk to that lady. And the lady's like, I guess we have sex now. I don't know what's up in this.

[Jason Mantzoukas]

That lady raped him, by the way. I want to talk about that. But just to clarify this, the priest and the lawnmower boss. Brothers. What brothers?

[Emily Heller]

Wait, did the priest also have an Irish accent?

[Jason Mantzoukas]

Nope. What? Here, I'll play a scene. Another. Another scene with the brothers.

[Paul Scheer]

This is blowing my mind.

[Jason Mantzoukas]

So this is the three of them. Out, out and about.

[June Diane Raphael]

A picture of Mom.

[Jason Mantzoukas]

Dr. Angelo, that you're here to work and not to read books. No wonder you've been so difficult, Lady. Let the boy have his book, Francis. It's not going to hurt anything. You're such a pious. Great effort has kept him on the straight and narrow. I'll not have it undone.

[Paul Scheer]

Well, at least he's trying to use his mind.

[Jason Mantzoukas]

Let him be a man.

[Paul Scheer]

He is one.

[Jason Mantzoukas]

You know, first of all, the accents. Insane. You could not be brothers and have. Unless you didn't live together ever.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

And one was taken to America. The other one was left in Ireland in a stereotypical Ireland that. Where leprechauns are also running around.

[Emily Heller]

It's also like, they clearly don't like each other. Why would they move to the same town in America from Ireland?

[Jason Mantzoukas]

And also why would the brother. Why would Job need to have two jobs? I think just cleaning the church would be enough to keep this guy pretty busy.

[Paul Scheer]

I feel like Job and I don't know if Job's getting paid by either of the brothers, but like, both of them seem to just be like using him for like, whatever.

[Jason Mantzoukas]

They both have their own little slave that they can, like, enact, kind of. Cause I never saw that other guy, the Irish guy mow any lawns.

[Paul Scheer]

Nope.

[June Diane Raphael]

He just. He gets out of his car to drink. Like, he's driven a long way that he gets out of the car. He's like, you know what? I just have a nip here.

[Jason Mantzoukas]

Then let him mow along with that giant exhaust with. With a. With a lawnmower that looks like it could have come out of Fast and Furious. It has, like, dual exhaust, and the kid loves it.

[June Diane Raphael]

The kid goes crazy.

[Jason Mantzoukas]

Lawnmower.

[June Diane Raphael]

We all remember back in the. He's like, going to your neighbor's house, just, like, drooling over that lawnmower like a hot rod.

[Paul Scheer]

Whoa. What is that?

[June Diane Raphael]

And I should also say, job just slaughters these lawns. Did you see, like, he's mowing that lawn? It's this nice, tall grass, and he has it down to just the rag dirt. Just killing this grass.

[Emily Heller]

I want to say I saw the Irish guy trimming a hedge, but he might have just been sitting in it.

[Jason Mantzoukas]

I think he was hiding behind it, drinking.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Oh, my gosh. So basically, this monkey dies, and now Pierce Brosnan's like, well, I need another monkey, but they won't let me get a monkey. So I guess I'll use this simple guy.

[Paul Scheer]

Well, he has a real crisis, you know, at a certain point because he's not sure what to do.

[Emily Heller]

He got suspended from work.

[Paul Scheer]

He's depressed, and that's what. Why his wife is mad that he won't take her to the city. And then he decides, like, to go rogue and start treating Job on his own in his house because it takes him a while to bring him to the facility.

[Jason Mantzoukas]

Yeah. Well, I feel like he doesn't have an office at the facility.

[Paul Scheer]

No.

[Jason Mantzoukas]

I think he's like, you know, I'll work from home. I'll do all my VR research from my basement. My unsanitary basement, in which we're like a refrigerator kid.

[Paul Scheer]

Peter's like, you've got the best games. I'm like, don't.

[Jason Mantzoukas]

No.

[Paul Scheer]

Like, that little kid shouldn't be, like, going to the basement of the neighbor's house. Whose name is Larry.

[June Diane Raphael]

Yeah, Larry. Who records his journal by leaning against a huge television, shirtless, like, just a blinking red record light.

[Paul Scheer]

Like, this is. Yeah, this is creepo.

[Jason Mantzoukas]

So he's, like, hovering over him. This is. If you just took all the specifics of VR here.

[Paul Scheer]

I have other different games.

[Jason Mantzoukas]

I even have one that could Help make you smarter. I was born dumb. Can you keep a secret?

[Paul Scheer]

Like, I mean, right.

[Jason Mantzoukas]

I'll tell you one.

[Paul Scheer]

My dick makes you smarter.

[Jason Mantzoukas]

I can make you smarter, but only if you want. And you must never tell anyone. You mean a secret for just you and me, too?

[June Diane Raphael]

You see, my wife left.

[Jason Mantzoukas]

That's right.

[Paul Scheer]

This movie is a molestation allegory. This is all the creepiest stuff.

[Emily Heller]

But, like, it's also like a weird religious. Like, his name is Joe.

[Paul Scheer]

Oh, yeah.

[Emily Heller]

And his name is Angelo. Like angel.

[Paul Scheer]

Like an angel.

[June Diane Raphael]

Oh, yeah.

[Emily Heller]

And then also Larry. But okay, I mean, well, you know.

[Paul Scheer]

Larry Angelo.

[Emily Heller]

Larry Angelo.

[Paul Scheer]

Upper crust British guy.

[Jason Mantzoukas]

He don't work in his basement.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Oh, man.

[Paul Scheer]

Great news. We've got Pierce Brosnan starring in a phenomenal movie. It's called Larry Angelo.

[Jason Mantzoukas]

All right, well. Oh, man, there's so much to get into.

[Paul Scheer]

There's so much. There's so many times. I wrote his name is Larry question mark.

[Jason Mantzoukas]

You.

[Paul Scheer]

Every time somebody said it, I was like, what?

[Jason Mantzoukas]

So, Neil, you brought up, like, they're doing tests with Job to kind of see if you can match certain things. Like, can you match the circle with the circle? This is one of the images that came up that Avril saw that I feel like, can you guys match the missing image here, take a look at it. Because I don't think there isn't one that matches. Like, if I'm Job, I'm failing this test. Cause I don't know what goes in that question mark from the bottom row.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

At all. That's the first test he gives.

[Paul Scheer]

Oh, Q or P are my options.

[Jason Mantzoukas]

No, this is what we're looking at. That's the top row.

[Paul Scheer]

Oh, oh, oh, I see. I see. You're choosing from second row.

[Jason Mantzoukas]

That's what he shows. I don't know. There's nothing that matches. All these symbols are different.

[Paul Scheer]

Wait, wait, wait. No, no. Here's the thing. Here's the thing. I feel like we're trying to do something that's impossible. Right. Because we're not smart enough because we haven't been juiced up with the drug.

[Jason Mantzoukas]

This is the first thing that Job did. Really.

[Emily Heller]

This is the first test pre any sort of intelligence in the Director's cut.

[June Diane Raphael]

He just keeps hitting refresh until they're all swastikas.

[Jason Mantzoukas]

Yeah. That is an imposs. The matching game does not match. Oh, man. And talking about mistakes, you can check out this. They spelled millennium wrong in the. In the beginning of the movie, the opening text by the turn of the millennium, a technology known as Virtual reality will be widespread. But they spell millennium wrong.

[Emily Heller]

Wait.

[Jason Mantzoukas]

Oh, wait. Is that right? It looks right or. No, is it wrong?

[Paul Scheer]

Is it right?

[June Diane Raphael]

Vesuvian.

[Jason Mantzoukas]

It's wrong, right? Yeah, it's wrong.

[Emily Heller]

How is it spelled now? I don't know.

[Jason Mantzoukas]

Two ends. Two ends.

[Emily Heller]

Oh, okay.

[Paul Scheer]

Two m's, two n's.

[Jason Mantzoukas]

But, you see, we. But again, that should have been spell checked. Somebody should have spelled check that early on.

[Paul Scheer]

Why? Why? Why? When Job puts on the VR glasses and Pierce Brosnan is making him smarter by showing him images. Are the images, like, what look to me to be, like, occult?

[Emily Heller]

They look like runes.

[Paul Scheer]

They look like runes or, like, random things that are, like, part of, like, the Hellboy comic book series. I feel like they were training him to be, like, almost like Satan or something.

[Jason Mantzoukas]

Well, they kind of. Kind of worked.

[Paul Scheer]

Yeah, it's true. But I couldn't understand why they were treat. Why the images were not, like, scientific images or math or whatever.

[Jason Mantzoukas]

I mean, it's a. It's a real shit science. I mean, like, they're literally shooting images into his brain, and he's making. He's like, oh, it hurts. It's like, here's the thing.

[Emily Heller]

I feel like I was. Here's the problem with the science. Here's one of the problems with the science.

[Paul Scheer]

Here's the one problem.

[Emily Heller]

Here's the one problem with this whole movie.

[Paul Scheer]

Everything else adds up.

[Emily Heller]

Everything else adds up. Am I watching a movie about VR or smartness drugs?

[Paul Scheer]

Because a little bit Limitless or Lucy.

[Jason Mantzoukas]

Yeah.

[Emily Heller]

They also inject him with smartness drugs. And then it's unclear to me which of those things is making him smarter.

[June Diane Raphael]

Well, you're talking just like the guy who doesn't know how to use FaceTime. Because, like, through the whole thing, they're like, can we just keep shooting him up with the drugs and just fuck this VR guy? Just fire Larry and just shoot him up with the drugs.

[Jason Mantzoukas]

By the way, maybe what's crazy about.

[Paul Scheer]

That is you're referencing Larry, and I was genuinely like, who is Larry? That's how much Pierce Brosnan is not a Larry.

[Jason Mantzoukas]

Just so you know, Nate did some research here, and he said that the stimulation of his brain, Those symbols are trying to figure out how to pronounce this. But Kabbalistic mystical symbols with ancient Hebrew.

[Emily Heller]

Writing around, like, Kabbalah, like what Madonna does.

[Jason Mantzoukas]

So he's basically teaching him Kabbalah.

[Paul Scheer]

That explains why he had a thin, red, red bracelet. For the latter part of the movie.

[Jason Mantzoukas]

He'S drinking special bottled water. The guy who doesn't use FaceTime is Dean Norris from Breaking Bad with oddly, a British accent. I think towards when you see him in real life, but when he's face.

[Emily Heller]

Front, he's like Fae. I said to my boyfriend when we were watching it, he was like, it's weird that he's playing this kind of effeminate. And I was like, it's like Hank from Breaking Bad doing an imitation of what he thinks a gay guy sounds like.

[Jason Mantzoukas]

Yeah, like one of these nerds. Hey, I'll do it for you. You got it? Yeah, yeah, Walt, I'll do it.

[Emily Heller]

I'll do your play. I'll do your play.

[Jason Mantzoukas]

We'll do your kids short film. Ooh, I'm sorry, man. All right, well, then also, Pierce Brosnan has to answer. We. We've barely gotten into this movie and we are so deep into this.

[Paul Scheer]

I'll tell you the plot of this movie.

[Emily Heller]

We are in the cold open of this movie.

[Paul Scheer]

I don't know why what was happening happened. I lost interest an hour in. I was like, I don't know what's going on. I couldn't figure out what they were setting up.

[Jason Mantzoukas]

I kept on being obsessed with the fact that the guy, the bald guy that he was answering to look like Ike Barinholtz, but a bald Ike Barinholtz, he really does, like, look at.

[Emily Heller]

There's also the scene where the Baldyke Barinholtz comes in when Pierce Brosnan is shirtless and they start having this tense thing, and I'm like, are they gonna fuck right now.

[Jason Mantzoukas]

He walks into his bedroom. He walks into his bedroom, which is like a hotel, but it's like, how did he get in there? And it was like very.

[Emily Heller]

Yeah, yeah.

[Jason Mantzoukas]

I would have liked that.

[Emily Heller]

Yeah.

[Paul Scheer]

There's something about Jeff Fahey getting smarter. That part of that also makes him more vain.

[Jason Mantzoukas]

Yes.

[Paul Scheer]

He's like, smarter he gets the more he's, like looking at himself in the mirror and then, like, tight jeans.

[Emily Heller]

Yeah. Oh, my God. Can we talk about the scene at the gas station with that widow where. So there's the horny widow, who is my favorite character in the movie.

[Jason Mantzoukas]

She's amazing.

[Emily Heller]

Is Marnie is sitting in her car and she looks in her side view mirror and there's just a round butt in jeans and she's just like, ooh. And she turns and it's Job bending over, doing nothing for no reason.

[Jason Mantzoukas]

He also. I will say this is the second time that she's kind of really turned on by him. The first time he was full early.

[Emily Heller]

Job.

[Jason Mantzoukas]

Like, One suspender job and she's like eating a peach. Like, aw, yeah.

[Paul Scheer]

He's eating like a peanut butter and jelly sandwich. Like having like in the middle of mowing a lawn.

[Emily Heller]

See, I thought she was eating an apple and it was just the most heavy handed thing of all time. Of just like tree of not. He was literally sitting under a tree and she was eating an apple.

[Paul Scheer]

Yep.

[Emily Heller]

Oh, and his name is Job. I don't know the Bible, but this feels like.

[Jason Mantzoukas]

I wish we all knew a job.

[Emily Heller]

It feels like a comedy of something.

[June Diane Raphael]

This was speaking of her, like looking at his ass. This was, this is like a time capsule of that moment in American history in the early 90s when women were really into buns. Remember when like it was like when girl. When women were sort of like coke, personal, don't be great buns.

[Paul Scheer]

Remember that? We've covered buns on this.

[Jason Mantzoukas]

We talk a lot about the buns. But yeah, but I also found that, that like it just, it didn't seem like to me, why do you even have to have the bun scene? She's like, why don't you come on over and mow my lawn?

[Paul Scheer]

Yeah, well, she said to the, to the. What's the guy's name who's the bully at the gas station?

[June Diane Raphael]

My fluids, Jake.

[Paul Scheer]

She said, check my fluids.

[June Diane Raphael]

Check my fluids. And then he defends her.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

Like Terry comes out and sort of like she's fucking a lot of guys in town.

[Jason Mantzoukas]

And he's like, you shut up.

[Emily Heller]

This was like a very progressive scene in a way because the guy called her a whore. And he was like, hey, whores take money. She's got money. She doesn't do it for the money. She does it because she likes it. What's so wrong with that? And I'm like, okay. Yeah.

[Jason Mantzoukas]

By the way, the most open minded guy in the movie, like he is so sweet. He's like, I'll take care of this guy. He's a great guy. And then has the most unceremonious, like the worst death in the whole movie. Like basically Jobe goes around and kills everyone who's wrong him violently.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

And then this guy's like, I'll take you to go get in the Internet. Don't worry, I'll drive you there in my car. And then. And a sniper just takes out Larry. Like, no, like Larry is not even.

[Emily Heller]

Not Larry.

[Jason Mantzoukas]

Oh, sorry.

[Emily Heller]

But he's more of a Larry. Yeah.

[Paul Scheer]

You just proved my point. That guy's a Larry. His name is Terry.

[Jason Mantzoukas]

Terry. Yeah.

[Paul Scheer]

He kills Terry also. Not Right. For him.

[June Diane Raphael]

Yeah.

[Paul Scheer]

He's not a Terry.

[Jason Mantzoukas]

Oh, Terry. It's like, let. Let. I mean, shouldn't the moral be, like, the one guy who treated him nicely like lives or like, you know. Nope, they all die.

[Emily Heller]

Can we also. I know we're jumping around a lot here, but can we talk about. In that scene where Terry goes to drive him to the Internet, Job uses his telepathy to tell Terry to come pick him up. And so we just see Terry sitting in his truck silently. And then he says out loud, okay, Job, I'll come get you. And you're like, if he's using telepathy, why is he talking out loud? I know this is, again, a very small problem to have with this movie that has very big problems, but the.

[Jason Mantzoukas]

Movie does Pop posit a superhero that gets created, and sometimes he's super powerful, and then sometimes he's got to be back in that Internet, like. Like, he's like. He. He's like, yeah, it doesn't make sense. Like, why. Why go back in? You're soup. You can basically do everything.

[Emily Heller]

Yeah. At a certain point, he just starts talking about this, like, weird mythology that we're not let in on about. Like, well, I have to go back to the mainframe. And you're like, what mainframe? What are you talking about?

[Jason Mantzoukas]

Yeah, we weren't. We don't know what you're doing. Yeah, let us in. We just see you straight up, murdering your enemies.

[June Diane Raphael]

The keys to the universe are in this 486 DX 66, top of the line, Packard Bell, 16 megs of RAM.

[Emily Heller]

And I'm just like, can we talk about what it meant when I saw an animated lawnmower going over that guy's brain? Like, what?

[Paul Scheer]

No, an animated. An animated man with. With a lover mouth. That's what I. I was like, what the. Okay, one of the things we. This is a movie that exists in a world in which virtual reality is a world in which we could disappear into.

[Emily Heller]

Yeah.

[Paul Scheer]

Their version of virtual reality is like, might as well be a screensaver. Like flying toasters level screensaver.

[Jason Mantzoukas]

Yeah, well, we. We should. Well, basically, you know, once the. I would argue the best scene in the movie is like, once Joe becomes super powerful, he's like, well, now I only want a fucking virtual reality.

[Paul Scheer]

No, the best scene of the movie is the first sex scene where she teaches him how to kiss.

[June Diane Raphael]

Oh, yeah.

[Emily Heller]

Oh, God.

[Paul Scheer]

And all they do is super rapey. It felt like all they do is Marnie.

[Emily Heller]

It was like, okay. You know how disturbing that scene in Big was. Let's make it work. Let's make it make him less able to consent to what's happening in the room.

[Jason Mantzoukas]

Just felt it was awesome.

[Emily Heller]

And then she's got, like, satin, pink satin sheets where you're like, this is. Yeah. If it was like a. If the genders were reversed in this movie, we would be, like, turning it.

[Jason Mantzoukas]

Off immediately because, like, he's like Simple Jack over there. Just like, all right. But then he figures it out. It seems like he figures it out one, too.

[Paul Scheer]

Yeah, well, he gets. Yeah, he's also getting smarter.

[Jason Mantzoukas]

Well, I would download fucking first, right?

[Paul Scheer]

Well, that's the thing. That's the thing that Larry's wife says. She's, like, flying, floating, falling. What's next? Fucking.

[June Diane Raphael]

I give up.

[Paul Scheer]

You didn't take me to the city.

[Jason Mantzoukas]

I like.

[Paul Scheer]

I know I'm not. Got it. But, like, is that what it's about? You didn't take me to this.

[Jason Mantzoukas]

I gotta. I gotta. I think this all can be summed up with this clip from Pierce Brosnan on the Tonight show, where he tries to describe virtual reality.

[Paul Scheer]

Not that everybody feels bad for him.

[Jason Mantzoukas]

Pierce Brosnan tries to describe virtual reality and some other things. We'll see. And they just took this kind of.

[Paul Scheer]

Short story by Stephen King, which was.

[Jason Mantzoukas]

Only seven pages long and had nothing.

[Paul Scheer]

To do with virtual reality, and they.

[Jason Mantzoukas]

Took this short story by Mr. King.

[Paul Scheer]

And they wrapped it in this, you.

[Jason Mantzoukas]

Know, this film about virtual reality.

[June Diane Raphael]

Now, this virtual reality, see this. I haven't had a chance to see.

[Paul Scheer]

The picture yet, so. And. But I've heard about this virtual reality.

[Jason Mantzoukas]

A game where you're in it, right? Yeah. It's like a computer. You get in, you. You can enter inside the computer. When you play this with a partner, wouldn't sex be just a little easier? Gosh, it seems so complicated. He makes a sex joke. He said, wouldn't sex be so much easier? But I love that and the publicity for it. You get inside a computer. Is the man who's now working. Worked, I would argue, the most closely with virtual reality. Out of anyone probably at that point is still describing virtual reality as getting inside.

[June Diane Raphael]

And it's very dark.

[Emily Heller]

Computer. Oh, my God. Can we also. I mean, on the topic of the sex scenes, too, there's a part where he. So at a certain point, Job learns how to read minds, because I guess that's part of it. And he's at the horny widow's house, and he goes like, ooh, you've got dirty fantasies. Because he's reading her mind. And then he's like, well, let's do something about it or something. And I'm like, oh, cool. He's about to find the clit. And then like, this is about to be the best part of the movie. Cause a dude who can read a woman's mind and then fuck her based up. But then.

[Paul Scheer]

But Emily, hang on. That posits a world. This is science fiction, but, like, that posits a world in which the clit is a real thing. But wait a minute.

[Emily Heller]

And then you think they're about to go have crazy cool sex and then they go somehow break into the lab and get in those gyroscopes and do VR sex. And their genitals aren't hooked up to anything that would make them feel.

[Paul Scheer]

She, like, has, like. She's never the same. Yeah, she like, he.

[Jason Mantzoukas]

She literally he her brains out.

[Emily Heller]

Yeah, like.

[Jason Mantzoukas]

Like, like on a level. Because she is fried. Like, like lsd. Yeah, yeah, yeah. She's just on the bed like, like, just like moaning and ex.

[June Diane Raphael]

That's because he had to put her in the whirly gig. That was for the monkey. There's not two one. There's not two for human. Put her in the monkey one. She's little.

[Jason Mantzoukas]

Oh, my God. And by the way, their virtual reality sex is the most disturbing thing ever. She becomes like a flower. And he becomes this like, monster with a pussy mouth.

[Emily Heller]

The monster has a straight up mouth.

[Paul Scheer]

And she becomes. Becomes like, trapped in, like, the fluids of their lovemaking. She can't. It's like she's stuck.

[Emily Heller]

She gets stuck in like a pile of cum.

[June Diane Raphael]

And he's like. He's like, hold on, it's fine.

[Emily Heller]

And she's like, help, I'm stuck. And he's like, no, you just stay there.

[June Diane Raphael]

Yeah, it's fine. It's fine.

[Emily Heller]

Who are we going to watch?

[Jason Mantzoukas]

You know, we could watch it. But then I was also thinking that maybe we should watch this epk about people discussing about what's so cool about virtual reality sex, which doesn't exist. So this is. This is. And we can watch them both. But here we go. Beautiful as imagined in the film, virtual reality sex is an experience of indescribable passion.

[Paul Scheer]

As a cinematic special effect, it's an indescribable achievement.

[Jason Mantzoukas]

Just what the director was hoping for. It's a little scary because you're going.

[Paul Scheer]

Uncharted ground, but it gives the audience something they've never seen before. And when I go see a science.

[Jason Mantzoukas]

Fiction movie, that's what I want to see. Something I'VE never seen before.

[June Diane Raphael]

And it gives them a new ride.

[Jason Mantzoukas]

It's a new. A new roller coaster ride. So that. And then you get to see them because you want to be a butterfly together.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

And then, Mel, it was all, like, birds and bees level shit in virtual reality.

[Emily Heller]

But the fact that it immediately followed a conversation of, like, you've got some dirty fantasies. I felt like the implications was, this was her fantasy and he made it happen.

[Jason Mantzoukas]

And then, like a pistol. And then it, like. Like to be, like, sucked by a beer. Yeah.

[Emily Heller]

To just twist into a liquid metal dragonfly with my lover.

[Jason Mantzoukas]

To melt like the T2 in Terminator.

[Paul Scheer]

By the way, I'm into all that.

[Jason Mantzoukas]

I know we have a lot more to talk about, but also, we've been talking up here for quite some time, so I want to get to our audience to see what their questions are. So this is one of those movies.

[Paul Scheer]

You guys are going to have to get on board for. We're just not going to get to huge parts of it because there's so, so much insanity.

[Jason Mantzoukas]

Or, you know, I can come to you. Here we go. Your name. Let's see your name. And what would you, like? Who would you like to have seen in this? Oh, what's a better name for Pierce Brosnan's character? Okay, and. And your question. Better name would be James.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Like it.

[Paul Scheer]

What's your name?

[Jason Mantzoukas]

My name's Rob.

[Paul Scheer]

Oh.

[June Diane Raphael]

Or.

[Jason Mantzoukas]

Or as Paul called me last time, Tim Curry guy. All right, look at that. So one thing I have to say, there's a lot of. How did this get made Connections, this movie? Because the job is actually west coast from.

[Paul Scheer]

Yeah, that guy knows.

[Jason Mantzoukas]

But is this a sequel to Monkey Shines?

[Paul Scheer]

No, because they're building.

[Jason Mantzoukas]

They're building smarter monkeys in Monkey Shines. And then the director's cut was the monkeys all get taken off in a vans that get taken to Larry to get them smarter.

[Paul Scheer]

Hmm.

[Jason Mantzoukas]

Interesting.

[Paul Scheer]

I mean, interesting.

[Emily Heller]

Did people, like, just learn about evolution in the 90s? Cause I feel like there were so many make monkeys smarter movies.

[Paul Scheer]

That's very true.

[Emily Heller]

And it felt like a response to them being like, this sounds fake. You know what I mean?

[Jason Mantzoukas]

I feel like this is in the 90s. They were like, did you know they test shampoo on monkeys? And then, like, someone's like, what else do they test? Virtual reality. Click, click, click, click, click. Control. S. Save. Here's the script. See you later. All right, your name for Pierce Brosnan and your question. Come to me. All right, here we go.

[Ben Mankiewicz]

Hold the mic.

[Emily Heller]

Okay, I'm Valerie Lawrence. Let's just give him the full name.

[Jason Mantzoukas]

All right.

[Paul Scheer]

Valerie Lawrence. Nice to meet you.

[Emily Heller]

It's pretty close, actually. So my question is, we were talking about how Pierce Brosnan. Pierce Brosnan sees the family and the dad's abusing them, and he's like, okay. And then he ends up with them at the end, like, that's his new wife.

[Paul Scheer]

And. Oh, yeah. No, he full on. He full on takes on that family as his own. And that's fucking Peter's mom. Like, immediately during the credits.

[Emily Heller]

I didn't even know. Like, they embrace at that one point. Like, after her husband's been murdered violently by the lawnmower, which is direct.

[June Diane Raphael]

He's directly responsible for.

[Emily Heller]

Yeah. And they embraced. I'm like, when did that happen? Well, I think it makes.

[Paul Scheer]

No remorse.

[Emily Heller]

It makes sense because he's like, as long as I don't beat the kid, she'll be fine. I don't have to take her into the city at all.

[Jason Mantzoukas]

Her mom. I want to talk about that mom, too. Because the mom and the kid, they're like, hey, wait here in the car. And then. Then the mom just falls asleep.

[June Diane Raphael]

Yeah.

[Jason Mantzoukas]

It seems. It seems like Larry has been gone for four to five minutes also.

[Paul Scheer]

Stuff is so stressful. Is she just like, I can't take it.

[June Diane Raphael]

Yeah, yeah. That whole scene was lifted from an abused wife's implausible testimony about her husband's mysterious death.

[Jason Mantzoukas]

Then I fell asleep. I didn't see anything. I was asleep. You couldn't. Awake. All right. Yes, sir. Your name? Your name for Pierce Brosnan? Your question? I'm Brandon. I think probably McGonagall. I like that. Thank you. So the thing that I noticed that was the most surprising to me was the way that people died.

[Paul Scheer]

You would give him the first name McGonagall.

[Jason Mantzoukas]

Yeah, McGonagall. Angelo. Because he's supposed to be Irish. He was drinking Bushmills. He had an Irish flag, even though he's very clearly Welsh.

[Paul Scheer]

It's very strange.

[Jason Mantzoukas]

You also had that classic Irish beer Coors lightness for.

[Emily Heller]

Why were there so many Irish people in this town?

[Jason Mantzoukas]

Not actually Irish. Nobody was actually Irish. And they're all just speaking with Irish accents. But it's a bad movie, so who cares?

[Emily Heller]

Yeah, well, shouldn't have pierced.

[Jason Mantzoukas]

Shouldn't Pierce have been, like, the priest's brother? Like, then that would have been a little bit of a connection, too, or just make it simpler. But the thing I was interested. It's like so many of the deaths occurred. Was it actually virtual reality where like, priest burns or something. I don't actually know.

[Paul Scheer]

Or the guy that was like, digital fire.

[Emily Heller]

Yeah. But also his body turned transparent.

[Jason Mantzoukas]

He turns people into, like, that Adam Sandler movie pixels. Like that. Like, he turns people into pixels, and then the end, then they. Yeah, they just, like, bubble up and go away. First time I ever saw After Effects, it seems like, was like this movie. Like, oh, we got all these cool after effects things we're gonna use on these guys dying. And then they just. I mean, they are dead in the real world. They're definitely dead in the real world.

[Paul Scheer]

That's what I couldn't figure out. He's like a. Applying technological kind of, like, traumas to them. He's, like, lighting that guy on fire, but it was, like, digital fire, and the priest turns into, like, a computer character. But they're not in VR at that point.

[Jason Mantzoukas]

No.

[Paul Scheer]

I don't know, man.

[Jason Mantzoukas]

Or are they, like. Are they being, like, sucked?

[Paul Scheer]

Surprisingly, I couldn't crack it in the director's cup.

[June Diane Raphael]

They're all fine. Like, the gas station guy wakes up the next day. He's like, oh, I don't know.

[Paul Scheer]

I'm all right.

[June Diane Raphael]

There's that lawnmower man in my brain.

[Jason Mantzoukas]

He wakes up with that same nightmare that Pierce Brosnan. Oh, okay. Oh, jeez.

[June Diane Raphael]

That's how a monkey escapes.

[Jason Mantzoukas]

The father wakes up, what the hell? And then beats his kid. But the father was killed brutally by a lawnmower. So.

[June Diane Raphael]

I told you to stay out of my dreams.

[Paul Scheer]

Oh, that lawnmower chased him around the house. Nobody woke up.

[Jason Mantzoukas]

Well, didn't he put a spell on them to be asleep?

[Paul Scheer]

That's right.

[Jason Mantzoukas]

Sorry. My bad, everybody. And they put a spell on those cops, too. Real convenient. Yes, sir.

[Paul Scheer]

Remember when the cops were like, hold on, hold on. The cop is just standing out in front of the house where the lawnmower has just killed the guy. Half the guy's in the bird bath, and the guy goes, hell of a hell of a thing. And I was like, okay, cool. Talking to nobody also.

[Emily Heller]

And then. And then Pierce Brosnan is there, and they give him all the details. He is not related to that family at all.

[Paul Scheer]

He's like, I'm the neighbor. And he's like, well, here's everything I got.

[Jason Mantzoukas]

Let's see if you can crack it.

[Paul Scheer]

I'm surprised nobody heard anything.

[Jason Mantzoukas]

All right, so your name. Your name for Pierce Bros. In your question.

[June Diane Raphael]

My name is Tyler. Clearly, Sinjin Smythe would be the only name.

[Paul Scheer]

I like that.

[June Diane Raphael]

One really quick thing.

[Jason Mantzoukas]

Is just that the partner at the Lab. The other mysteriously bold man that's not Dean Norris is just named Tims. And they just keep yelling Tims over and over again. But the main thing is that every way he kills someone, it's with lawnmowers. Or the one time there's a bee.

[June Diane Raphael]

On top of a cocktail, so he.

[Jason Mantzoukas]

Makes CGIBs, and he's just seeing things that he's seen in real life, and.

[June Diane Raphael]

That'S the only thing he can come up with. It's insane.

[Jason Mantzoukas]

So if for a man who can create anything in virtual reality, he is simplistic in how he chooses to kill people. He's like, I got a lawn mower. I'll kill him with a lawnmower. Bees, tires, rocks. But meanwhile, when he gets it on in sex, it's crazy. Yes, sir.

[Paul Scheer]

My name is Brad.

[Jason Mantzoukas]

My name for Larry would be Dr. Nigel Applewhite III. And at the end of the movie, the Oculus Rift sucks up Job's physical being and mummifies him while he goes.

[Paul Scheer]

Into the computer totally normal.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Yeah. It sucks him dry like a vacuum cleaner.

[Paul Scheer]

Like, it's as if, like, by going into the digital world, his corporeal form would be affected.

[Emily Heller]

Yeah. But only like. But, like dehydrated and everything else is still there.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

That is a bizarre moment.

[Emily Heller]

That was so weird.

[Jason Mantzoukas]

Like, why would the computer. Why would the computer need his guts and blood and stuff? Like, because, by the way, there's no direct line to it, so that shit would just fall out on the floor, I think. Yeah. Okay, back. Harry. Yes. Your name. Your name for Pierce. And your question?

[Emily Heller]

My name's Allison. My name for Pierce would be Henry. Solid British. And my question is at the very, very end of the movie, it's all about high tech, futuristic stuff. And then they just kind to get all these calls around the world, and it seems like backtracking.

[Paul Scheer]

You're.

[Jason Mantzoukas]

You're right.

[Paul Scheer]

He says, well, that's because. Yeah, go ahead.

[Jason Mantzoukas]

He wants to make a million phone calls, Right. That was a lie.

[Emily Heller]

He says, like, once he's in the mainframe, that he's going to call people. And I'm like, what?

[June Diane Raphael]

Yeah, but the whole point of phones is you don't have to be in.

[Paul Scheer]

It to do that.

[Emily Heller]

Yeah.

[Paul Scheer]

He says he has.

[Jason Mantzoukas]

I can make a million calls at the same time.

[June Diane Raphael]

You could do it from your house with just a phone?

[Paul Scheer]

Yep. He says, I have things to do, people to see, a billion calls to make.

[Emily Heller]

Yeah, well. Cause he also said that, like, once he's in the computer or something, it's like, then he'll be everywhere, and you'll know it because all the phones will ring at once or something. It's like they just. They were like, what's a way to have a signifier that he's, like, infiltrated the computers that we can do with just a sound effect and some stock footage. And that's what they landed on. Because there are a bunch of other takes of him saying alt versions that they just couldn't figure out how to do.

[June Diane Raphael]

The lights will go on in Chicago.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Too expensive.

[Emily Heller]

We can't get it.

[Jason Mantzoukas]

The sun will rise. But, yeah, there's. So if you humor him and go, all right, well, then I pick up the phone. Are you just hearing that old, like, DSL dial up.

[Paul Scheer]

Kang Klang Klang.

[Jason Mantzoukas]

Or is it just, like, really bad small talk? Like, do you have a lawnmower? Yeah. Yeah. He did. All to get his business going. Yeah.

[Paul Scheer]

He's like, is your lawn overgrown? Why not call me the lawnmower man?

[June Diane Raphael]

Maybe I will.

[Paul Scheer]

I'll send a sentient lawnmower to your house.

[June Diane Raphael]

Okay.

[Emily Heller]

Like, is your refrigerator running?

[Jason Mantzoukas]

Yeah, I like that. All right, so your question, your name and your. Go ahead.

[Emily Heller]

My name is Stephanie, and I think that his name should be Hewlett Packard.

[Jason Mantzoukas]

Ooh, I like that. That's great.

[Emily Heller]

I wanted to know if anybody noticed the connections between this story and Flowers for Algernon, the story that everybody had to read into.

[Jason Mantzoukas]

Yeah, it's like this. And, like, Flowers for Algernon. Also, like, Charlie, was that another one? And, like. And there's a few, like. There's a few of these, like, Frankenstein, I would guess, would be the main one. Yeah, Frankenstein, probably. Frankenstein would probably be the clearest one.

[Emily Heller]

Pinocchio, a little bit.

[Jason Mantzoukas]

Ooh, yeah. All right, well, that's. Good call. Good call. Any other question?

[Paul Scheer]

These folks over here got super psyched for that. There's a real nerds book club going on over here.

[Jason Mantzoukas]

That's our Flowers for Algernon fan club that come to every show. All right. Yeah. So you have a good question. All right, here we go. Come on over here. Your name, your question. Your name for Pierce. And your question. Hi. So my name is Jed, and I would name him to go with the theme of Mr. Director, Mr. Scientist. All right. And so there's a scene when it all kind of culminates and the llama man makes the chair levitate. And then Pierce doesn't lose his shit at all. He just kind of calmly watches this happen, actually.

[Paul Scheer]

Totally normal.

[Jason Mantzoukas]

And then lawnmower man kind of tells this whole thing about the power and what he wants to do. And then the next scene, he's just back at his audio recording, like, leaning against being like, I feel like I should be concerned about, you know, what the lawnmower man said. And then he just starts killing people. Like, how did that conversation end? Did they just kind of, like, shake hands and go part ways? Bad lawnmower man. Bad. All right, I figured it out, like, and he walks away.

[June Diane Raphael]

But my favorite thing with him recording his durdle is the one time where he turns it on. It's like, start recording. And it takes a beat. Then he goes, ah, Jesus Christ.

[Emily Heller]

Yeah, he's like.

[June Diane Raphael]

He's like. He's. Wait. His sigh of sort of relief.

[Emily Heller]

Like, it's like, why did you start recording? You haven't gathered your thoughts yet?

[Jason Mantzoukas]

Who has a really good question? The last one. Last one. Yes. Okay, I'll come to you. I come from behind here. Your name and your name for him and your question.

[Emily Heller]

My name is Nicole. I just thought Isaac would be kind.

[Paul Scheer]

Of a good name.

[Emily Heller]

Philosopher.

[Jason Mantzoukas]

I like it. Good.

[Emily Heller]

So I thought that the movie was.

[Jason Mantzoukas]

Kind of like Job's revenge from the book of Job in the Bible. Because in the book of Job, Satan.

[Emily Heller]

Does a lot of bad stuff to Job. And so Job doesn't do anything. He just still prays to God, which.

[Jason Mantzoukas]

Okay, anyways, so in the beginning, a lot of bad stuff happens to him. And then after he.

[Emily Heller]

When he sees God, that's when he becomes super smart.

[Jason Mantzoukas]

And then he just starts killing everyone that wronged him. So I just kind of saw a big relationship. Well, that's like. That's. You actually knew the one thing that we did not know. That seems like, very. That does seem exactly right. That seems exactly right.

[June Diane Raphael]

My favorite thing about that is that they. For this movie, they needed to make his name spelled J, O, B, E so that people would pronounce it correctly. Otherwise, every piece of paper about it, it would have to say Job. And then in parentheses, like, spelled like in the Bible.

[Emily Heller]

Was that so people would pronounce it correctly or was it. So they were like, this is going to be a really subtle reference that not a lot of people are going to pick up on Job.

[Jason Mantzoukas]

Let's give them a real softball. This audience just adding a vowel. They.

[June Diane Raphael]

They add E to Job. They add O to Angel. They just tack a vowel on to just slip their little subtle.

[Jason Mantzoukas]

My script cyber God's going to be great, actually. He's going to be Stephen King's Law Mormon?

[Paul Scheer]

What?

[Jason Mantzoukas]

No. But Al Pacino will still play the scientist, right? No.

[Paul Scheer]

Brosnan is Remington.

[Jason Mantzoukas]

Quentin Steele playing Angelo playing Larry.

[Paul Scheer]

Not my Larry.

[Jason Mantzoukas]

I wanted we should get into second opinions, but the one thing I also want to talk about was, like, when he invites the lawnmower man over to play the video game for the first time. It is the most complex video game I have ever seen. And the kid, the five year old kid is doing really well. But it's just like jaws opening and closing and like they're flying. There's no rhyme or reason to that game whatsoever.

[Emily Heller]

Not a game. Yeah. And they don't have like players or tools or anything. It's just like razor blades come shooting down.

[Jason Mantzoukas]

It's like Avoid razor Blades, the flying game. Which also just shows you how shitty the VR is. Like, they have to get on a special flying, like, VR thing to get on that. Like, it's like a motorcycle.

[Paul Scheer]

Need to approximate weightlessness in some way, shape or form in order for VR to work.

[Jason Mantzoukas]

Man, we've come so far. When this movie came out.

[Paul Scheer]

Here we are. VR is what we're living in right now.

[Jason Mantzoukas]

Well, obviously we had an opinion about this movie, but there are other people out there with a different opinion. It is now time for second opinions. Second opinion.

[Emily Heller]

What do they do to show a different view? They get a second opinion.

[Paul Scheer]

Amazon review.

[Emily Heller]

It's a five star review. And for someone like you, it's a second opinion.

[Paul Scheer]

Hamilton. Hamilton. Hamilton. All right, hamilton.

[Jason Mantzoukas]

These are five star review views from Amazon.com. all right, so there's a lot of great ones in here. We'll start off with this one from Roxy Gone. This was written recently. May 8, 2015. Wow. The Lawnmower man has two great actors in it. Jeff Fahey. Yum.

[June Diane Raphael]

I fly upside down.

[Jason Mantzoukas]

Pierce Brosnan. Yum. You cannot go wrong with two great actors who are also dreamy to look at and a great script.

[June Diane Raphael]

Yum.

[Jason Mantzoukas]

Five stars.

[Paul Scheer]

Wait, the script was also yum?

[Jason Mantzoukas]

Yes. The script was like kind of a soft yum.

[Emily Heller]

Yeah.

[Jason Mantzoukas]

Okay.

[Emily Heller]

It's so funny when people complain. Compliment the script on a movie like this where I'm like, I'm not sure they used the script when they were filming it.

[Jason Mantzoukas]

The five star reviews here are a little bit tough. This from Laura DiGiorno.

[Paul Scheer]

Are you sure she. It isn't Laura Delivery.

[Jason Mantzoukas]

It's definitely DiGiorno.

[Paul Scheer]

That's great, guys. Don't. Don't reward that.

[June Diane Raphael]

This movie may have let me imagine what the city was like.

[Jason Mantzoukas]

My delight and fascination with this movie revolves around the Elements related to accelerated learning. Yeah, I have a certain fascination with mind stuff, so this movie was right up my alley. Five stars.

[June Diane Raphael]

That is a suicide note.

[Jason Mantzoukas]

And the final one is written by Pavel Peeve. Pavel Peeve?

[Paul Scheer]

Isn't that the guy that came up with the quiz at the end of Inside the Actor's Studio?

[Jason Mantzoukas]

What are your favorite curse words? Okay, so the title of this one is Virtual Reality Empowered the Lawnmower Man. And it can help you as well. The plot is about a guy who's not very smart, but he plugs into virtual reality and becomes intelligent. He tries all possible ways to gain access and finds a back door that allows him to ring all the phones in the world. In a way, you can do the same thing with the Internet. You can find all information about all things in a life that interests you. And you become empowered, more intelligent and successful. I strongly Recommend this movie. 5 stars.

[June Diane Raphael]

Thanks for reading. The priest says we have to leave the library now.

[Jason Mantzoukas]

I am the Lawnmower Man.

[Emily Heller]

That makes it sound like his goal the whole movie was to ring all the telephones in the world.

[Paul Scheer]

Mission accomplished.

[Emily Heller]

And he persevered. It's like an uplifting story about following your dreams.

[Paul Scheer]

It's about a guy who's a landscaper who wants to ring every phone in.

[Emily Heller]

The world.

[Jason Mantzoukas]

To see if he could do it. There must be a back door to ring these phones.

[Emily Heller]

I've tried the front door. It's locked.

[Paul Scheer]

Access denied.

[Emily Heller]

Oh, my God. That access denied scene. What was that?

[Jason Mantzoukas]

I don't even know what he was trying to do.

[Emily Heller]

I don't know.

[Jason Mantzoukas]

If you'd have to guess, how many video games were there made of this movie? Like, this movie was spawned. X amount of video games?

[Emily Heller]

I was hoping for zero.

[Jason Mantzoukas]

That could be a possibility.

[Paul Scheer]

Like, the question being how many video Games means multiple? 4.

[Jason Mantzoukas]

4, 3.

[Emily Heller]

Was this movie a hit? Like, did people. No, no.

[Jason Mantzoukas]

I believe those things are put into production before they realize, oh, my gosh, the first two, it was. Oh, well. Oh, actually it was a hit. Wow. It was a hit. Budget. 10 million opening week weekend. 7 million domestic gross. 32 million.

[Paul Scheer]

Wow.

[Emily Heller]

Does that make it a hit just because it's, like, sort of profitable?

[Jason Mantzoukas]

Yeah, for sure it was.

[Paul Scheer]

I mean, it's not like a hit like Star Wars Mega, but, like, that's successful.

[Emily Heller]

That's like, fine. Okay.

[Jason Mantzoukas]

It was the same year that Aladdin, Home Alone 2, lost in New York, and Batman Returns came out. So those are 1, 2, and 3. This came in number 42.

[June Diane Raphael]

It opened the same weekend as Wayne's World.

[Jason Mantzoukas]

Oh, it did.

[June Diane Raphael]

It opened the same weekend as Wayne's World. I read that today.

[Jason Mantzoukas]

See?

[Emily Heller]

Oh, my God.

[Jason Mantzoukas]

I wonder. That's put the audience.

[Paul Scheer]

Imagine that double feature. If you, like, went to the movies and saw both those movies, you'd be like, wait, what?

[June Diane Raphael]

You get it confused. You think it's just, like, about Garth.

[Emily Heller]

Yeah.

[Paul Scheer]

It'S the continuing saga of Garth.

[Emily Heller]

It's the Garth prequel, the Garth origin story.

[Jason Mantzoukas]

You know, the director of this also directed that Peter Gabriel video. Like the Cyber. The. You know, the one that looks like a virtual reality one.

[June Diane Raphael]

Oh.

[Emily Heller]

Oh, yeah.

[Jason Mantzoukas]

All right. And then. Oh, then what else did I want to tell you guys? Oh, I don't know. That's it. That's all I have for here. I guess my question is, is there anything that we haven't talked about that you guys would like to bring up before we. Before we close up shop here?

[Emily Heller]

Oh, God.

[Paul Scheer]

At 12:11? There's so many things.

[Emily Heller]

Just one thing. The part where he is driving in the car with the kid and he has a boombox sitting next to him, and he keeps putting CDs in and listening to the first five seconds of a song and then taking the CD out and putting another CD and being.

[Paul Scheer]

Like, this is country music. This is classical music.

[Emily Heller]

Yeah.

[June Diane Raphael]

His IQ is off the charts.

[Jason Mantzoukas]

By the way. When did he turn in his truck for that Mercedes? And where did he get that Mercedes from? Did he buy that?

[Paul Scheer]

Great question.

[June Diane Raphael]

It was the widows.

[Jason Mantzoukas]

Drove her in and then took her car. My favorite moment. And it's visual, so you in the theater will see it. It's like, Pierce Brosnan's gonna go in after he's collected all of his bombs, and he's like, running in. He's like, huh. Looks at it, and he's like, all right, I'll take this gun. But it's like the gun is left on the side of the road. Like a video game gun would be left there. He was like, yeah, bullets.

[Paul Scheer]

Oh.

[Jason Mantzoukas]

Oh.

[Paul Scheer]

And it's like, oh, an ammo and a health kit and $100. Who used that to buy body armor?

[Jason Mantzoukas]

Well, let's go around the thing. Would you recommend this movie? I would recommend this movie. I found it to be highly enjoyable, even though I didn't understand what was going on. It was great. And like we said, we didn't even touch upon the final CGI battle scene.

[Paul Scheer]

Turning everybody into bubbles.

[Emily Heller]

Yeah, yeah, yeah. Fuck, yeah. I'd recommend this movie.

[Jason Mantzoukas]

Great, Neil.

[June Diane Raphael]

Yeah, I'd recommend it. I remember seeing, like, ads for it in comics when I was a kid and then, like, seeing it on VHS and being like, yeah, I was satisfied with that.

[Jason Mantzoukas]

Jason.

[Paul Scheer]

I mean, it's as relevant now as it was then. Here we are on the precipice of. Of the advancements of virtual reality. They are at our doorstep. No, I mean, this was terrible. I would watch it. The caveat being fast forward. Like, there's stuff in here that is just garbage, you know, but, like, fast forward. But, yes, I would watch it.

[Jason Mantzoukas]

I would remake it and just be curious what.

[Paul Scheer]

You would? Yeah, because that should be a new question.

[Jason Mantzoukas]

Would you remake this?

[Paul Scheer]

Would you remake. Make this movie?

[Jason Mantzoukas]

All right, well, I would.

[Emily Heller]

Would you, like, as the director or.

[Jason Mantzoukas]

No, no. Like, with the new, like, knowing now we know about VR, would it be more interesting to see it that way?

[June Diane Raphael]

I'd read. I'd reboot it and tell it from the point of view of the wife. Just a real female empowerment story.

[Paul Scheer]

It's really her story.

[Emily Heller]

Yeah.

[Paul Scheer]

Remember when she was like, oh, don't smoke in bed.

[Emily Heller]

Yeah, I'd like to see. It's just like her day out in the city alone.

[Jason Mantzoukas]

Yeah.

[Emily Heller]

Just like a single, like, how Stella got her groove back. And then she comes back and she's like, oh, no, the town is ruined.

[Paul Scheer]

She.

[June Diane Raphael]

She passes that classic wall of TVs of the city, and it's like her husband's place of work blows up.

[Paul Scheer]

She's like, I would like a sequel that's about her only.

[Jason Mantzoukas]

But wouldn't it be great if it was all going on in the background of her movie? Her Stella got the group back. Just seeing, like, little things on the tv. Like, town blew up last night. Like I would.

[Emily Heller]

And she's just having, like, a shopping montage. I'm walking outside.

[June Diane Raphael]

It ends with her just picking up a payphone.

[Jason Mantzoukas]

Hello. All right, well, thank you all for coming up, but let's talk making his is on Fox. Starting when?

[June Diane Raphael]

January.

[Jason Mantzoukas]

January on Fox. And we can follow you on the social media.

[June Diane Raphael]

Please follow me on Twitter. It's otneilCasey.

[Ben Mankiewicz]

All right, great.

[Jason Mantzoukas]

And, Emily, we're baby geniuses. You can get that wherever podcasts are downloaded or streamed, I imagine, right?

[Emily Heller]

Yeah, yeah, yeah.

[Jason Mantzoukas]

And can people follow you? They can follow you too.

[Emily Heller]

R. Emily Heller.

[Jason Mantzoukas]

Ooh, I like that. All right, great. Jason, you want to plug anything?

[Paul Scheer]

Not really.

[Jason Mantzoukas]

All right, great. Well, I will plug this. You can follow us on Twitter @HDTGM. And also, if you have any comments, questions, anything at all, you can call us at 619-Paul-Ask. That's P. A U L A S K619 Paul-Ask and you can leave questions and comments. And a big thank you to everybody who makes this show possible. And I have that. I'm going to do that after the show. But give it up for Avril Halle who puts all of our clips. Nate Kiley does all of our research. Marissa Zeitz, who does everything, organizes the show. July Diaz up in the booth. Everybody here at Earwolf, everybody at Largo, thank you so much. Good night.

[Emily Heller]

Norwegian Cruise Line's Black Friday Preview sale is finally here. Enjoy huge savings with 50% off all cruises and NCL's all new Moritz Sea.

[Jason Mantzoukas]

Package including unlimited open bar, specialty dining and more.

[Emily Heller]

Visit ncl.com, call your travel advisor or 1-888-NCL cruise offer end soon.

[Paul Scheer]

Norwegian Cruise Line ships registry the Bahamas.

[Ben Mankiewicz]

And USA restrictions apply.

[Jason Mantzoukas]

T mobile 5G Internet keeps getting better. Boost your connection to harder to reach places with Home Internet plus and get.

[Ben Mankiewicz]

Internet right where you want it with.

[Emily Heller]

Wifi that reaches the attic.

[Jason Mantzoukas]

I finally have a home. Get a free upgrade to T Mobile Home Internet plus while supplies last. Home Internet plus starts at 50 bucks a month with autopay and any voice line. Check availability@t mobile.com home Internet during congestion. Customers on this plan may notice speeds lower than other customers and further reduction of using greater than 1.2 terabytes per month due to data prioritization. After 20 bill credit plus $5 per month without auto pay debit bank account required regulatory fees included for qualifying accounts. 35 connection charge applies.