Andrew Huberman (15:43)
So science points to the fact that there's a particular sequencing of learning sessions that will Allow you to learn faster and to retain the skill learning. And it involves doing exactly as I just described, which is getting as many repetitions as you can in the learning session, paying attention to the errors that you make, and then the rewards that will be generated. Again, these are neurochemical rewards from the successful performance of a movement. And then after the session, you need to do something very specific, which is nothing. That's right. After a skill learning session, there's a replay of the motor sequence that you performed correctly, and there's an elimination of the motor sequences that you performed incorrectly. Okay, so to be very clear about this, after I finish the training session, if I do nothing, if I just sit there and close my eyes for five to ten minutes, even one minute, the brain starts to replay the motor sequence in a way that appears important for the more rapid consolidation of the motor sequence of the pattern and to accelerated learning. So you have this basic learning session and then a period of time afterwards in which the brain can rehearse what it just did at the beginning of learning any skill. And as we approach from uncertain to skill to mastery, we want to reduce uncertainty. And that's really what the nervous system is doing. It's trying to eliminate errors and hone in on the correct trajectories. If you perform a lot of repetitions and then you use a period immediately after. We don't really have a name for this post. Learning kind of idle time for the brain. The brain isn't idle at all. It's actually scripting all these things in reverse that allow for deeper learning and more quick. More quick learning. But if we fill that time with other things, if we are focused on our phones or we're focused on learning something else, we're focusing on our performance, that's not going to serve us well. It's at least it's not going to serve the skill learning well. So, please, if you're interested in more rapid skill learning, try introducing these sessions. They can be quite powerful. But once you're familiar with something and you're performing it well, every once in a while, you're accomplishing it better. Every once in a while, then you can start to cue your attention in very deliberate ways. And so we hear a lot about chunking, about breaking things down into their component parts. But one of the biggest challenges for skill learning is knowing where to place your attention. So to dial out again, we're building a product protocol across this episode. Early sessions, maybe it's the first one, maybe it's the first 10. But during those initial sessions, the key is to make many errors, to let the reward process govern the plasticity, let the errors open the plasticity, and then after the learning sessions, to let the brain go idle, at least for a short period of time, and of course, to maximize sleep. As you start incorporating more sessions, you start to gain some skill level learning to harness and focus your attention on particular features of the movement independent of the rewards and the feedback. Right? So the reward is no longer whether or not you struck the target correctly, but simply the motor movement focusing your, for instance, in a dart throw on the action of your arm. That is embedding the plasticity in the motor pattern most deeply. That's what's been shown by the scientific literature. So we're breaking the learning process down into its component parts as we get more and more skilled, meaning as we make fewer and fewer errors per a given session, per unit time. That's when attention can start to migrate from one feature, such as the motor sequence, to another feature, which is perhaps one's stance, and another sequence component of the sequence, which would be the result. That's one getting on a trial to trial basis. Some of you may be wondering about speed of movement. There are some data, meaning some decent papers out there, showing that ultra slow movements, performing a movement essentially in slow motion can be beneficial for enhancing the rate of skill learning. However, at least from my read of the literature, it appears that ultra slow movements should be performed after some degree of proficiency has already been gained in that particular movement. Now, that's not the way I would have thought about it. I would have thought, well, you know, if you're learning how to do a proper kick or a punch in martial arts or something, that ultra slow movements at first are going to be the way that one can, you know, best, learn how to perform a movement, and then you just gradually increase the speed. And it turns out that's not the case. And I probably should have known that. And you should probably know that, because it turns out that when you do ultra slow movements, two things aren't available to you. One is the proprioceptive feedback is not accurate because fast movements of limbs are very different than slow movements of limbs. So you don't get the opportunity to build in the proprioceptive feedback. But the other reason why it doesn't work is that it's too accurate. You don't generate errors. And so the data that I was able to find showed that very slow movements can be beneficial if one is already proficient in a practice. When should you start to introduce Slow learning. Well, it appears that once you're hitting success rates of about 25 or 30%, that's where the super slow movements can start to be beneficial. But if you're still performing things at a rate of, you know, 5 or 10% correct, and the rest are error, then the super slow movements are probably not going to benefit you that much. Also, super slow movements are not really applicable to a lot of things. For instance, you could imagine throwing a dart, super slow motion, but if you actually try and throw an actual dart, the dart's just going to fall to the floor. Obviously, some of you already have a fair degree of proficiency of skill in a given practice or sport or instrument. And if you're in the sort of advanced, intermediate, or advanced levels of proficiency for something, there is a practice that you can find interesting data for in the literature, which involves metronoming. So this, you'll realize, relates to generating repetitions. You can use a metronome to set the cadence of your repetitions. And if you do that, what athletes find is they can perform more repetitions, they can generate more output, you can increase speed. A number of really interesting things are being done with auditory metronome. There are actually some wild experiments out there. You know, there's a world championship of cup stacking. There's a young lady who I saw could take all these cups spread out on a table and basically just stack them into the perfect pyramid. And the least amount of times, all the kids go wild. This is something I've never thought to pursue and frankly, never will pursue unless my life depends on it for some reason. But it's really impressive. And if you look at the sequence, because these have been recorded, you can look this up on, on YouTube. What you'll find is that these expert cup stackers, it's just all about error elimination. But there, too, metronoming and auditory cues can actually cue them to pick up the cups faster than they would ordinarily. And to learn to do that. Now, what's interesting about this, and is cool, is that your attention is now harnessed to the tone, to the metronome, not necessarily to what you're doing in terms of the motor movement. And so, really, you need a bit of proficiency. Again, this is for people who are intermediate or advanced, intermediate or advanced. But what you're essentially doing is you're creating an outside pressure, a contingency, so that you generate again, more errors. So it's all about the errors that you get. And if you harness your attention to this outside contingency, this metronome that's firing off and saying, now go. Now go. Now go. Not only can you increase the number of repetitions, errors and successes, but for some reason, and we don't know why, the regular cadence of the tone of the metronome and the fact that you are anchoring your movements to some external force, to some external pressure or cue seems to accelerate the plasticity and the changes and the acquisition of skills beyond what it would be if you just did the same number of repetitions without that outside pressure.