Episode 24 - The Bazaar || Hymns for the Road

Summary

Hymns for the Road - Episode 24: The Bazaar Release Date: February 8, 2025
Host/Author: Hodgepodge Audio
Title: The Bazaar
Description: Four survivors of a magical apocalypse navigate a fantastical wasteland, encountering otherworldly creatures and surreal landscapes in their quest for safety and meaning.

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Episode Overview

In Episode 24, titled "The Bazaar," the survivors—Glass, Silver, Copper, and Amber—encounter a mysterious gas station that serves as an entry point to a sprawling, enigmatic marketplace known as The Bazaar. This episode delves deep into the dynamics of the group as they grapple with limited resources, internal tensions, and the lure of magical exchanges within The Bazaar.

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Setting the Scene: Arrival at the Gas Station (02:23 - 05:02)

As the group's vehicle runs critically low on fuel, they spot a glowing gas station up an empty off-ramp. Copper narrates the eerie ambiance:

Copper (02:23): "I want more spell components."

The gas station's exterior is described as vaguely familiar yet unsettling, with garbled signage and pale gray cinder block structures. The atmosphere is tense as Glass questions the necessity of using signals in an empty space, highlighting the group's desperation.

Entering The Bazaar: First Impressions (05:02 - 07:21)

Opting to refuel, the group decides to enter the gas station despite mounting reservations, primarily voiced by Silver:

Silver (03:44): "I got a bad feeling about this place."

Upon entering, they are greeted by a bright yet disorienting interior filled with rows of vendor stalls. Copper describes the surreal environment:

Copper (05:39): "The interior was a maze... It was like a mirrored version of this place somewhere else in the world."

The group encounters half-present figures and a surreal marketplace that feels both vibrant and threatening.

Navigating The Bazaar: Seeking Gas and Supplies (07:21 - 14:24)

The survivors split tasks to maximize efficiency:

• Amber urgently needs to use the bathroom.
• Glass and Silver focus on acquiring gas.
• Copper searches for necessary spell components.

The tension escalates when they interact with various vendors. Notably, the spring attendant requires creative exchanges:

Silver (08:52): "We could pay with drawings or poetry."

However, Glass resists unconventional trade methods, leading to friction within the group.

Encounter with the Tiny Vendor (11:06 - 14:34)

While attempting to trade for gas, the group meets a diminutive vendor whose aggressive demeanor complicates negotiations:

Tiny Vendor (11:16): "You're going to stand there and waste my time or you're going to buy some and hand over the squishy toys."

This exchange forces the group to undertake additional tasks, prolonging their stay in The Bazaar and heightening the stakes.

Deeper Into The Bazaar: Mysteries Unfold (14:34 - 17:11)

Copper discovers a massive spell components stall, hinting at deeper magic within The Bazaar:

Copper (15:34): "They said, 'You can make magic no human has seen since the rise.'"

This revelation suggests that The Bazaar holds powerful secrets and resources essential for their survival.

The Tempting Offer: Mystery Vendor Encounter (16:45 - 18:23)

A pivotal moment occurs when Copper engages with a mysterious vendor offering to restore lost memories and reunite the group:

Mystery Vendor (16:57): "I could put back all your memories. All you have to do is take my place."

This supernatural proposition tests Copper's resolve and loyalty, leading to emotional turmoil within the group.

Climactic Decision: Rejecting the Offer (17:20 - 19:08)

Faced with the offer, Copper vehemently declines, prioritizing the group's unity over personal gains:

Copper (17:42): "I want to reach the somewhere better. I'm not sitting in your chair no matter what you have in stock."

This decision reinforces the group's commitment to their journey despite the alluring dangers of The Bazaar.

Group Dynamics and Revelations (19:14 - 20:33)

Post-negotiation, underlying tensions surface. Copper questions the reality of their group size:

Copper (20:12): "Did we used to have five people in the car?"

Silver reassures him, highlighting the fragile trust among the survivors:

Silver (20:35): "Of course I promise. No folks ever gonna take you away from me."

These interactions deepen the characters' backstories and hint at unresolved mysteries within their past.

Closing the Bazaar: Gathering Resources (20:41 - 21:12)

With the gas secured and resources obtained, the group prepares to leave The Bazaar. Glass expresses concern over missed opportunities:

Glass (20:52): "You really should have grabbed something from that divination stall."

However, the pressing need to continue their journey outweighs the temptation to explore further, setting the stage for future challenges.

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Notable Quotes with Timestamps

• Glass (02:13): "Really cool that you guys didn't finish the song with me."
• Silver (03:24): "Trades first, then gas. I want us all staying together."
• Glass (07:20): "Welcome to the regular gas station."
• Mystery Vendor (16:57): "You can make magic no human has seen since the rise."
• Copper (17:42): "I want to reach the somewhere better. I'm not sitting in your chair no matter what you have in stock."
• Silver (20:35): "Of course I promise. No folks ever gonna take you away from me."

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Character Insights

• Copper: Exhibits skepticism and a strong sense of responsibility, particularly when confronted with the Mystery Vendor's offer. His reluctance to trust easily underscores his protective nature towards the group.

• Silver: Acts as the mediator, striving to maintain group cohesion amidst external pressures. Her interactions reveal a deep-seated desire to keep the group intact.

• Glass: Demonstrates curiosity and a penchant for exploration, sometimes clashing with others' cautious approaches. His reflective nature is evident in his interactions with Amber.

• Amber: Displays vulnerability, balancing the practical needs (like using the bathroom) with emotional support for the group. Her relationship with Glass hints at unresolved personal tensions.

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Themes and Motifs

• Survival vs. Morality: The group's decisions reflect the constant tension between ensuring survival and maintaining ethical standards in a post-apocalyptic world.

• Memory and Identity: The promise of restoring memories by the Mystery Vendor underscores the importance of the past in shaping their identities and decisions.

• Trust and Unity: The interactions highlight the fragile trust within the group, essential for navigating the unpredictable dangers of The Bazaar.

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Conclusion and Future Directions

Episode 24, "The Bazaar," intricately weaves together themes of trust, survival, and the allure of power within a fantastical setting. The survivors' experiences within The Bazaar not only test their unity but also set the groundwork for deeper explorations into their personal histories and the enigmatic world they inhabit. As the group moves forward, the choices they make here will undoubtedly influence their path toward the elusive "somewhere better."

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Credits:

• Voice Cast:
  • Maurice Thomas as Silver
  • Pao Pong and Iban as Glass
  • Grizz Sibonek as Amber
  • Tabitha Bardal as Copper
  • Autumn Toler as the Spring Attendant
  • Joe Walker as Tiny Vendor
  • Mason Brzezinski as Mystery Vendor
  • Anna McGuire as Butter Vendor
  • Tom Schalk as Unfortunate
• Original Music: Joshua David Mitchell
• Written and Produced by: Anna McGuire

Featured Hymn: "God's Gonna Cut You Down" by Odetta

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Stay Connected:

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• Support Us on Patreon: Patreon.com/Hodgepodgeaudio

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Transcript

[Narrator]

Fall in love with low prices all in the Fred Meyer app. Buy two, get three free on delicious 12 packs of Coca Cola, Pepsi or 7Up, then find low prices on thousands of items like sparkling ice water, Kroger brand chips and more, all with your card. Shop these deals at your local Kroger today or click the screen now to download the Fred Meyer app to save big today. Fred Meyer Fresh for everyone. Prices and product availability subject to change restrictions apply. See site for details.

[Podcast Announcer]

Hymns for the Road is a fiction podcast that often takes place inside a moving vehicle. Listener discretion is advised while driving. General content warnings are listed in the show Notes.

[Glass]

You may run home for a long time Run home for a long time you may run home for a long time but let me tell you God Almighty's gonna cut you down Go tell that long tongue liar Go tell that.

[Copper]

Midnight rider Tell the gambler back but.

[Glass]

Tell them God Almighty's gonna cut him.

[Amber]

Down I gotta be soon yeah.

[Glass]

My God spoke He spoke so sweet I thought I heard the shuffle of angels.

[Silver]

Feet he put one head on my head Great God Almighty let me tell.

[Copper]

You Everybody keep your eyes peeled for dark walls.

[Silver]

I don't think we're gonna pass somewhere better, Copper.

[Copper]

I don't think there's any harm in looking for it.

[Silver]

Suppose not.

[Glass]

Even if we see dark walls, we'd have to go in to see if it's bright on the inside.

[Copper]

Not always amber. We've seen places with windows before.

[Glass]

Did any of them turn out to be the somewhere better?

[Copper]

No.

[Amber]

If we do see somewhere with any kind of walls, we should make a pit stop because I have to go to the bathroom.

[Glass]

Really cool that you guys didn't finish the song with me.

[Silver]

We're running low on gas.

[Glass]

Silver station up there. See the sign?

[Silver]

Wonderful.

[Copper]

We pulled off the highway onto an empty off ramp toward the sickly glow of a gas station sign. The words on the sign looked like words until you tried to read them. Nothing but a garbled imitation of language and a symbol for a brand that didn't exist but felt familiar somehow. Even from our distance, I could see the pale gray of the cinder blocks that built the outside covered windows.

[Glass]

Why do we even use the blinker? There aren't any other cars. It's polite, I guess.

[Silver]

Start making a list y'all. What do we need?

[Glass]

We're really low on gas.

[Copper]

I want more spell components.

[Glass]

I don't want anything, not even a divination thing to replace that dumb Magic 8 ball. Tough crowd today.

[Silver]

Whose turn is it if they ask for Blood.

[Amber]

Mine.

[Glass]

No, it's mine. I got it.

[Silver]

Thank you, Amber.

[Copper]

Everybody ready?

[Amber]

Yeah.

[Glass]

Always.

[Silver]

Trades first, then gas. I want us all staying together.

[Amber]

Yeah.

[Silver]

I got a bad feeling about this place.

[Glass]

Why? Gas station folk are always so friendly and accommodating.

[Copper]

I agree with what Silver had said. The outside had the same grading fluorescent and neon lights that every gas station had. The type that hardened the shadows on your face and grayed the color of your skin. The large, garish advertisements plastered over every window prevented any interior light from reaching us. It was hard to tell who they were advertising to. Nobody I knew would have been interested in buying extra tendons. Careful, Amber.

[Glass]

What? It's not like it's going to be any different in there than it usually is.

[Copper]

Whoa.

[Glass]

Oh, hell.

[Amber]

Still certain it's gonna be like all the others.

[Glass]

I didn't do this, did I?

[Copper]

The gas station was empty. The dirty linoleum floor sloped downward, every corner of the store's interior ramping toward a black door way farther away than the exterior of the station should have allowed. A single flickering bulb was set into the low ceiling right above it.

[Amber]

I don't like that we're out of gas, Silver. If I try to find another station, we might get stuck.

[Copper]

I don't want to go in there.

[Glass]

We should get a flashlight at least.

[Silver]

And maybe a couple spells.

[Copper]

I have supplies for fire and light with me.

[Amber]

Well, we need gas. And I need to go to the bathroom. So come with me. Or don't. I don't care either way.

[Silver]

Whatever we do, we gotta stay together.

[Glass]

I'm going with Glass.

[Copper]

I'm waiting out here.

[Silver]

Like hell you are, Copper. Come on. We'll just take a look. If it seems too bad, we can just leave.

[Copper]

Why does it go down so far?

[Glass]

Big door.

[Silver]

I don't think this is the kind of place we should be knocking at, y'all.

[Copper]

The door had a strange air about it, but it wasn't as large as it looked from the front of the station. Heavy and square. It had no handle or knob, just a surface carved into impossible shapes that made less sense the longer you looked at them.

[Amber]

It's either that or we run out of gas in the desert and die of dehydration.

[Copper]

I'm not knocking on that door.

[Glass]

I'll do it, you big baby. Holy.

[Copper]

It was bright on the inside. Bright in that impossible ambient way. As though everything in the space was giving off its own light. Like when the clouds cover up the sun and all the shadows disappear. The whole place was a maze. Rows and rows of vendor Stalls and tables, some stacked on top of one another, some in corridors rising vertically over and around. It was noisy and crowded, full of humans and folk alike, but somehow all only half there. Like we were seeing reflections of them in another place. A mirrored version of this place somewhere else in the world. I saw a semi transparent mirage of a person. A human, not much older than Amber, step through the door, behind and through me. They didn't even notice right away.

[Glass]

Ouch. Big magic in there.

[Silver]

You all right?

[Glass]

I'm fine.

[Amber]

Gas station counter over there.

[Copper]

Are you sure?

[Amber]

Yes.

[Copper]

Copper all the way over on the other side of the market.

[Silver]

Good eyeglass. We can make a beeline for that stall and be on our way soon as we can.

[Glass]

Okay. Wait a moment, though.

[Silver]

What?

[Glass]

Look at how much different stuff is here. We could trade for all kinds of things.

[Amber]

Can we just get our stuff and go?

[Glass]

Oh, hell. Is that a musical instrument stall?

[Silver]

Y'all, I don't think we should.

[Glass]

I'll be right back.

[Silver]

No, we're staying together. This place is huge. Ain't losing anybody in here.

[Copper]

Fine.

[Glass]

All right, fine.

[Silver]

If we see something on our way back, maybe we can look.

[Copper]

Then we probably shouldn't stay here longer than we have to.

[Silver]

I agree. Come on, y'all.

[Copper]

I watched Amber struggle not to run off as we made our way through the alleys. Everything seemed familiar at first glance, but at times I would see a shelf of what I thought were bolts of fabric, but upon closer inspection were actually parts of one enormous dead creature. And things looked out at us from behind tables and racks. Things with inhuman faces. Human faces. Or far too many human faces. The attendant at the gas station counter, like an island of normalcy in this other world, wore two faces at once.

[Glass]

Welcome to the regular gas station.

[Narrator]

Please let me know what I can get for you.

[Amber]

We'll have specifics for you soon.

[Silver]

Summer.

[Amber]

I'm thinking spring. I'm a try again to see if they rhyme. I'd like to know if you control the pump outside.

[Copper]

I sure do.

[Glass]

I'd be happy to get you gassed up.

[Silver]

We could pay with drawings or poetry.

[Glass]

Oh, I don't want drawings or poetry.

[Copper]

I want that.

[Amber]

I don't know what you.

[Glass]

That we can't see where you're pointing.

[Amber]

That you're talking about that kite at a different stall.

[Copper]

Yes.

[Glass]

Give me that and I'll get you some gas.

[Copper]

The spring attendant gestured across the market to a stall. We could only half see the kite they wanted. A large red Betta fish suspended in the air, was visible behind another display. It Took me a moment to realize it was a betta fish. At first glance, it looked like an open wound hovering over the market.

[Silver]

All right, we'll go get that kite for you.

[Copper]

Back in a sec.

[Glass]

Why do they want something from a vendor that's barely 50ft away?

[Silver]

I don't know, but there's definitely something to it.

[Copper]

Let's just hurry so we can get back on the road.

[Glass]

What's the hurry, cop? You got somewhere to be?

[Copper]

I. I've got somewhere better to be.

[Glass]

Good one.

[Copper]

There were too many smells in the air to even begin picking them out individually. I smelled meat, grass, something sour and bitter, something smoky.

[Glass]

It was this one they wanted, right?

[Copper]

The kite stall didn't have a single shelf. Every one of their pieces was suspended in the air somehow. It was deeply upsetting that in spite of the soft air currents inside the cave like maze, not a single one was moving. And the only thing that made it resemble a stall at all and not a cloud of kites flash frozen in time, was a small table upon which sat what I could only assume was the vendor, who was no more than 2ft tall, obscured in a robe that shadowed their face completely, but showed what looked like huge cat ears beneath the fabric.

[Glass]

Greetings. You're selling kites?

[Tiny Vendor]

Just tell me what the you want. Well, what kind of you want?

[Copper]

I won't answer any questions unless.

[Tiny Vendor]

Damn spring.

[Glass]

My apologies. I thought none of your kind ever swore.

[Tiny Vendor]

Yeah, well, this one does. You're going to stand there and waste my time or you're going to buy some and hand over the squishy toys.

[Silver]

The squishy toys?

[Tiny Vendor]

Listen, I only deal in squishy toys from the stand over there. See them cute little squishy things over there? You squish them in your hands, they get hair all over. You know what I'm talking about. Anyways, you bring me my shit, I'll give you your shit. Bada bing, bada boom.

[Silver]

Oh, just a minute, darling. Found a catch, y'all.

[Copper]

They're gonna make us run around this place all day, aren't they?

[Silver]

Seems that way. Yep.

[Glass]

Sweet. I love it here.

[Copper]

What do we do now?

[Silver]

There's only one thing we can do.

[Amber]

Follow the chain.

[Silver]

We're following the chain. Stay focused, y'all. I know everybody wants something out of this place, but we'll be here forever if we don't keep our heads on straight.

[Copper]

So we followed the chain first to a saccharine pastel toy stall being manned by someone who could be best described as surprising. They sent us to a Stall selling butter sculptures.

[Podcast Announcer]

And for our special customers who like to eat themselves.

[Narrator]

This one is a sculpture of you.

[Glass]

It does look like me. It's true.

[Copper]

Who sent us to? We have a truth open, Sandalman, and if you're interested.

[Silver]

No. No, thank you.

[Copper]

Who sent us to.

[Silver]

I. I don't know what to do about this one, y'all.

[Glass]

Are they selling the baby? Of course not, Copper. The baby's the vendor. Show some respect. Hey, Glass, Look. Divination stuff that stall over there. Hmm.

[Amber]

Oh, cool.

[Glass]

I wish you'd actually tell me what's going on. I know something's up.

[Amber]

There's nothing. I'll get over it.

[Glass]

If I were the one acting like this, you wouldn't let it go.

[Amber]

Yeah, but you will let it go. And I'd be happier if you did.

[Glass]

It isn't me, is it?

[Amber]

No, it's not you. It's my fault.

[Glass]

Fine.

[Silver]

Hell.

[Glass]

What? You talked to the baby?

[Silver]

The baby wants stuff we have. The baby ain't sending us off to hell knows where.

[Copper]

Amber, the backpack.

[Glass]

Yep. What do they need?

[Silver]

Two drawings in both the white cans.

[Copper]

Oh, I was going to use those.

[Silver]

We'll get some new ones somewhere cheaper.

[Copper]

You. Huh?

[Glass]

What?

[Copper]

Did you say something?

[Glass]

No.

[Copper]

Oh, I thought I heard.

[Silver]

All right, we got our. What are these?

[Amber]

Thumb screws.

[Glass]

What? No, they're not. Thumb screws are the big screws with the thing on the end so you can take them out with your hands.

[Amber]

Thumb screws. The torture device.

[Silver]

Oh, come on, y'all. You don't got all day.

[Copper]

Why was a baby selling a torture device?

[Glass]

A better question. Why was that baby willing to trade a whole torture device for two of Silver's drawings of trees?

[Silver]

My tree drawings are worth a hundred torture devices, thank you very much.

[Mystery Vendor]

Hey, I have what you're looking for.

[Copper]

I have everything I need, thank you.

[Mystery Vendor]

I have spell components. You need candles, right?

[Copper]

Silver.

[Mystery Vendor]

I have everything you need.

[Copper]

I don't know how I didn't notice it before. It must have been the largest booth in the entire labyrinth. Shelves upon shelves, layered miles back. But I knew that was impossible. I had been behind this exact stall in the alley on the other side. So I knew it didn't extend back into infinity. But there it was. And there it did. Are you. You seem very human.

[Mystery Vendor]

There are plenty of humans in here, just like you.

[Copper]

Okay.

[Mystery Vendor]

You said you. You said you need spell components. I have spell components. What do you need specifically? I have anything you need.

[Copper]

Besides the white candles. I guess I could use some more salt.

[Mystery Vendor]

Let me check. Here. I Have those. I have all of those. You're in luck. We have a lot of that in stock.

[Copper]

Great. But I. I need to find my party, and I don't want to get sent around all over again.

[Mystery Vendor]

Sit in my chair.

[Copper]

What?

[Mystery Vendor]

You can have whatever you want if you just sit in my chair for a couple of minutes. I'll throw in these along with your spell components.

[Copper]

I wasn't watching closely enough. It was like sleight of hand magic as they pulled a handful of objects off one of the shelves. Looking directly at the multitude of items stacked on every surface was overwhelming. But as I concentrated, I saw spell components. The exact ones I used the most. Art supplies, musical instruments, divination tools, maps. Are those. Those look like seashells.

[Mystery Vendor]

They are real ones. Right off the edge of the ocean.

[Copper]

I didn't know the ocean was still there.

[Mystery Vendor]

It's hard to reach. You may never see these again. You can make magic no human has seen since the rise.

[Copper]

Since the what?

[Mystery Vendor]

You know, since. Since the.

[Glass]

Oh, yeah.

[Copper]

I call it something different, I guess.

[Mystery Vendor]

Offer stands. Might be your last shot to ever lay your hands on one.

[Copper]

I don't want seashells.

[Mystery Vendor]

What do you want? I have everything you want.

[Copper]

I want to reach the somewhere better. I'm not sitting in your chair no matter what you have in stock.

[Mystery Vendor]

Only for a second. Only. Only for a second. Just a second. I've been here for so long. Please.

[Copper]

No. Thank you.

[Mystery Vendor]

No, no. Wait, wait, wait, wait. Please don't.

[Copper]

Thanks for your time.

[Mystery Vendor]

I have your memories. All of them. I could give them all back. Even the memories about the fifth one.

[Copper]

What fifth one?

[Mystery Vendor]

The other one in your party.

[Copper]

What do you. I don't know what you mean. That's.

[Mystery Vendor]

That's a photograph of you. All five of you.

[Copper]

There are only four of us.

[Mystery Vendor]

Look at the photograph. One, two, three. There's you.

[Copper]

Five. That person looks like me.

[Mystery Vendor]

But different and older.

[Copper]

Why do they look so much like me? Who is that?

[Mystery Vendor]

I could give it back.

[Glass]

What?

[Mystery Vendor]

Every memory that was taken away from you. I could put it all back. I could put it back right now. All you have to do is take my place.

[Copper]

No. I'm sorry, but there's somewhere I need to be.

[Mystery Vendor]

Wait, wait, wait. You need to know. You need to know what happened.

[Silver]

Please. Please don't leave me here.

[Copper]

I can't keep doing this.

[Silver]

I can't. Copper. There you are.

[Amber]

We've been looking for who? Squeaker.

[Copper]

I got distracted. Did we pay for the gas yet?

[Glass]

Are you good, Copper?

[Copper]

I'm fine. We should go.

[Silver]

You sure. You look a little shook up.

[Copper]

Yeah, Silver, I got separated from the group and it was a little upsetting, that's all.

[Silver]

All right.

[Amber]

Well, Copper, we're glad to have you back.

[Glass]

And, yeah, we paid for the gas and they're gonna let us fill up our water, too.

[Copper]

Good. Let's go.

[Glass]

You really should have grabbed something from that divination stand. What did Aster decide they like? Like the Magic 8 Ball now? You've been really quiet for a while.

[Amber]

I'm okay. Just. Just start.

[Glass]

Would you tell me if you weren't. Oh, Okay.

[Copper]

I don't understand. And you could seem so comfortable in a place like this.

[Silver]

Really? You don't feel like it's getting a little easier?

[Copper]

No, I don't, H. I think we're.

[Silver]

Getting used to it, that's all. Bound to happen over time.

[Copper]

We shouldn't be getting used to it. We should be looking for the somewhere better.

[Silver]

The somewhere better ain't going to fix all our problems. Car.

[Copper]

Did we used to have five people?

[Silver]

What?

[Copper]

Did we used to have five people in the car?

[Silver]

No, I don't think so. I think I'd remember a whole other person being with us.

[Copper]

Just like you think you'll remember summer every year and then we never do.

[Silver]

Summer's different, Copper. It's always been the four of us. Probably always will be, too.

[Copper]

You promise?

[Silver]

Of course I promise. No folks ever gonna take you away from me.

[Glass]

How do I get this dang door open?

[Amber]

You push on it. It bolts from the other side.

[Glass]

Okay. Sure. Thanks. Come on, guys. We're burning daylight.

[Silver]

We're coming. We're coming.

[Podcast Announcer]

Hymns for the Road is a podcast written and Produced by Anna McGuire, starring Maurice Thomas as Silver, Pao Pong and Iban as Glass. Grizz Sibonek as Amber, Tabitha Bardal as Copper, and featuring Autumn Toler as the spring attendant. Joe Walker as tiny vendor, Mason Brzezinski as mystery vendor, Anna McGuire as butter vendor, and Tom Schalk as unfortunate. Original music by Joshua David Mitchell. This episode's hymn is God's Gonna Cut yout Down by Odetta. Sign up for our [e-mail] or support our work on Patreon.com Hodgepodgeaudio thank you for listening.

[Narrator]

Fall in love with low prices. All in the Fred Meyer app. Buy two, get three free on delicious 12 packs of Coca Cola, Pepsi or seven. Find low prices on thousands of items like sparkling ice water, Kroger brand chips and more, all with your card. Shop these deals at your local Kroger today or click the screen now to download the Fred Meyer app to save big today. Fred Meyer Fresh for everyone. Prices and product availability subject to change restrictions apply. See site for details.