Beverly D'Angelo & Reza Farahan

Summary

Podcast Summary: "Beverly D'Angelo & Reza Farahan" on Jeff Lewis Has Issues

Released: January 24, 2025
Host: Jeff Lewis
Guests: Beverly D'Angelo & Reza Farahan

---

Introduction to Guests

In this compelling episode of Jeff Lewis Has Issues, host Jeff Lewis welcomes two distinguished guests: Beverly D'Angelo, renowned actress known for her role in the National Lampoon's Vacation series, and Reza Farahan, a prominent figure from the reality TV show Shahs of Sunset. The conversation quickly establishes a candid and humorous atmosphere, setting the stage for deep dives into personal lives and professional experiences.

Aging and Independence

Beverly D'Angelo opens the discussion by addressing concerns about independence and self-reliance as one ages. She emphasizes the importance of maintaining responsibility for oneself to age well, stating:

"The key to aging well is to do as much as you can for yourself. If you don't use it, you lose it."
[01:35]

Jeff initially misconstrues her comments as a critique of his independence, leading to a humorous exchange that underscores the episode's lighthearted yet honest tone.

Handling Personal Crises: Evacuation Story

A significant portion of the conversation centers around Beverly's harrowing experience during the LA fires, where she had to evacuate her home. She recounts the emotional and logistical challenges she faced:

"When the mandatory evacuation warning came, I had to quickly decide what was meaningful to me."
[03:29]

Beverly details what she chose to take with her, highlighting items of personal and sentimental value, such as jewelry and family photos. This story not only showcases her resilience but also serves as a poignant reminder of the importance of preparedness during crises.

Career Highlights and Upcoming Projects

Beverly shares exciting news about her latest film project, a psychological thriller where she plays the mother of a character portrayed by Hayden Pantieri. She discusses the depth and complexity of her role:

"It's a psychological thriller where you don't know if what's happening is real or a haunting from her husband in a coma."
[06:34]

The conversation reveals Beverly's dedication to authentic performances, free from distractions like heavy makeup or elaborate costumes, aiming to deliver a genuine portrayal of her character's inner turmoil.

Health and Well-being: Smoking and Fitness

The dialogue shifts to personal health habits, with Beverly confessing her struggle with smoking despite having recently quit:

"Smoking is the whole experience for me—the pause, the inhale, the smoke. It's a holistic experience."
[12:24]

Reza engages in a playful back-and-forth about Beverly's relationship with cigarettes, leading to a heartfelt discussion about mental health and the impact of PTSD on daily habits. The topic seamlessly transitions into the importance of maintaining fitness, where Beverly and Reza debate the value of personal trainers versus self-discipline.

Building and Maintaining Relationships

Jeff and Beverly explore the dynamics of friendships and relationships, particularly in the context of blending personal and professional lives. Beverly expresses her longing for companionship and support, acknowledging the challenges of maintaining long-term friendships:

"I have been so staunchly independent all my life that every day I just see if I could have some companionship, I'd be more consistent because I know all this stuff."
[19:50]

Reza shares his own experiences with relocating and the emotional toll of leaving behind a life abruptly, fostering a sense of empathy and connection among the trio.

Insights on Resilience and Compassion

Towards the end of the episode, Beverly and Reza offer profound insights into resilience and compassion derived from their personal adversities. They discuss choosing to remain compassionate rather than bitter in the face of loss and upheaval:

"You have a choice to either become bitter and messed up or compassionate."
[14:25]

This segment serves as an inspirational takeaway for listeners, emphasizing the power of mindset in overcoming life's challenges.

Notable Quotes

• Beverly D'Angelo on Aging:
  "The key to aging well is to do as much as you can for yourself. If you don't use it, you lose it."
  [01:35]

• Beverly D'Angelo on Evacuation:
  "When the mandatory evacuation warning came, I had to quickly decide what was meaningful to me."
  [03:29]

• Beverly D'Angelo on Smoking:
  "Smoking is the whole experience for me—the pause, the inhale, the smoke. It's a holistic experience."
  [12:24]

• Beverly D'Angelo on Resilience:
  "You have a choice to either become bitter and messed up or compassionate."
  [14:25]

Conclusion

This episode of Jeff Lewis Has Issues offers an unfiltered and heartfelt exploration of personal struggles, resilience, and the pursuit of authenticity. Beverly D'Angelo and Reza Farahan bring their unique perspectives, enriching the conversation with stories of overcoming adversity, maintaining independence, and fostering meaningful relationships. Whether discussing the chaos of natural disasters, the intricacies of personal health habits, or the nuances of acting in a psychological thriller, the trio provides listeners with valuable insights and relatable experiences.

For those seeking a blend of humor, honesty, and inspiration, this episode delivers a comprehensive look into the lives of individuals navigating the complexities of modern existence with grace and grit.

Transcript

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[Jeff Lewis]

The drama never stops.

[Beverly D'Angelo]

I mean, I'm doing charity right now.

[Reza Farahan]

I think that twice in one year you're doing charity.

[Beverly D'Angelo]

I already asked twice. What was the first one?

You went to dinner with me.

Do people want to be in your circle? Buy your way into friendship with Jeff Lewis? I think people are trying to get out.

[Caller]

When I first started coming here, I.

[Beverly D'Angelo]

Was like, Jeff Lewis.

[Jeff Lewis]

Jeff Lewis has issues.

[Beverly D'Angelo]

Hey, welcome to Jeff Lewis has Issues. In Today's episode, Beverly D'Angelo and Reza Farahan join the show. We talk about bumming cigarettes, personal trainers, and the LA fires. Now, Bev was just criticizing me and saying that I am too. I'm not independent enough. Is that correct?

I was saying watch out for it. Because what I was saying is the key to aging well is to not, you know, like, somebody wanted to carry my eggs. I've got some hard boiled eggs. Or let me push the chair up or let me do. No, no, no. Do as much as you can for yourself, period. End of story. Because if you don't use it, you lose it. And I just. It's a. It's a warning.

You're worried about me.

Well, I'm worried about yes. Because what I have, Lear, is just that, that I was relegating a lot of responsibility for myself to other people. And that's not good. You got to do everything you can for yourself.

Oh, God.

[Reza Farahan]

Pomodoro style. You need to start doing pomodoro style.

[Beverly D'Angelo]

Oh, don't start the pomodoro.

[Reza Farahan]

Why not?

[Beverly D'Angelo]

Reza understands Me. He understands.

[Reza Farahan]

First of all, I need to just say that I am in the presence of Hollywood royalty. I just want to put that out there right now. This is a big treat for me. This is a big.

[Beverly D'Angelo]

It's a big treat for me to be around human beings. I was evacuated. I've been isolated for days.

[Reza Farahan]

I'm so sorry.

[Beverly D'Angelo]

Also, I.

You were in a house full of other people.

What?

Bev, you were in a house full of people?

No.

You weren't isolated.

Well, it's a different kind of isolation.

So let me ask you, how many people were in this home that you evacuated to?

I. Okay. I was in my house that was. Right. You know, in Runyon Canyon area. And I was telling everybody, get to my house. Get to my house. I'm in safe place. Everybody else is in danger because my son was in Northrid, daughter is in Santa Clarita, and their father is in Beverly Hills. My house is a safe place. Everybody's got to come here. Everybody's come here. And the irony is, is that my son went to his father's house. Al. He's there. And then all of a sudden, I get the mandatory evacuation warning. So I go over to Al's house in disbelief. And it's really a good exercise when you have 10 minutes to take what is meaningful to you.

What'd you take?

I emptied out my safe, which had jewelry from when I was a duchess, and.

[Reza Farahan]

Wait, you were a duchess?

[Beverly D'Angelo]

Yeah, I was. But Reza does. Stop. We're gonna go have a look.

[Reza Farahan]

It gets better.

[Beverly D'Angelo]

I'll tell you all this stuff. I want your jacket, though. But anyway, he has on the. Everybody should know. He has on the most beautiful jacket. So I took the. The. The. The cash that I had there, a little teeny bit of gold that I bought in 2013, and a little.

[Reza Farahan]

Just.

[Beverly D'Angelo]

In case, I took mascara and a brow pencil.

Oh, good.

A little bit of base and then moisturizer.

Any lip gloss or lipstick.

I took Aquaphor for my lips, and I have one lipstick in my purse. I took articles of incorporation. I took my kid's birth certificates.

Okay, good.

And a couple of baby spoons I had in the safe came with me, too. And some pictures of them as children. And the port. The oil portrait of my mother.

[Reza Farahan]

How big is it?

[Beverly D'Angelo]

What?

[Reza Farahan]

How big is it?

[Beverly D'Angelo]

It's big. It's like that big. So I put everything in the backseat. It was like that scene in that movie the Jerk. Like, I don't need anything. I just need this chair. But it didn't take up Much. It took up half of the backseat. And so I go over there and that's. I was all ready to go. Keep going. And take everybody down to my friend Dwight's house when we did the Christmas show. When I glommed onto your Christmas show and. But then that got. So we were all just there until I got back to my house.

So the point is, you weren't isolated because you were a house full of people. Your kids.

Yeah, but those are people.

Your ex. Why do you have a white dot on your nose?

I have a white. You know why I do? Because I have a pimple there.

Why don't you just cover it up? Why'd you put white dot? White.

Pink, actually. Thank you. It's pink and it's Marie. It's Mario Badescu. Anti pimple stuff. And I have to do a movie in a week and I want to get rid of the pimple. And so it's a balancing act. Do I cover it with toxic makeup? Yes.

Yes. And then when you get home, you wash it off and put that shit on.

No, I, I.

And then are you wearing trays?

Like, I took the tray out. I have my retainers in. Yes.

Okay, but why do you wear the retainer during the day, Bev?

Because I forget to put it in at night.

[Reza Farahan]

Oh, my God. I'm obsessed with you already. It just. It happened. It happened.

[Beverly D'Angelo]

Bev. What? So you're gonna go do a movie? Where? Where? When?

Rhode Island.

Okay.

I leave on Friday. It's a really cool script and so many coincidences, you can't believe it. But anyway, who's in the movie? Hayden Pantieri.

Nice.

Who I met when she was 8 years old because I was living in Sneden's Landing with aforementioned father of the kids that I have and that we have.

Who else is in the movie besides Hayden?

Misha Barton.

Oh, nice. Okay.

And I'm going to have to go. I just got this film, so I'm not really conversing.

What's your character?

It's fascinating. It's like layers and layers and layers. Like you don't know what's real and what's not real. I played Hayden's mother, and she's. It's a psychological thriller where you don't know if what she's experiencing is a haunting from her husband that's in a coma.

It's like Jeff Lewis live a psychological thriller.

Yes, I am. Or if it's really happening. And so it's kind of layer upon layer, dream within dream within dream. How long I'll be gone. I'll be gone from the 17th of January until February 8th. And then. I know it's too long.

You're gonna be gone a long time.

I know, honey.

What are we gonna do?

I don't know what I'm gonna do without you. Without the chumps. What am I gonna do without the chumps?

Now, I do have to rewind here a little bit. So Chumpmas, which we did in December in Brea, which very successful. And, I mean, you had an epic performance at the end. I do want to just mention that it was supposed to be a surprise, like your appearance was.

I was nervous, though.

Supposed to be a surprise. Now, you know that everyone figured out you were there, because I know. What did you do, Bev?

Well, daddy, I was nervous.

Yes.

And I had my little machine on for lubricating my cords. And I was not talking. I was on bulk arrest. But I really wanted a cigarette. And as you know, I have quit smoking. So the cigarettes that I smoke have to be bummed.

Yes.

So I went outside and asked a line around the block.

[Reza Farahan]

Of chumps?

[Beverly D'Angelo]

Yes, of chumps. Does anybody have a cigarette? And Aaron, my new best friend from Santa Barbara. Aaron, please, please tell me you're listening. Erin gave me a cigarette, and that became the beginning of a beautiful friendship. She's totally my new best friend. Oh, you guys talking, talking. She comes into town, she's got my ornaments. I signed a whole bunch of ornaments for her that are in her store, the yes. Store in Santa Barbara. And the thing is, what I need to do is make a video for her where I say, yeah, this is really me. And I did really sign them, and we really are best friends, but I haven't had time to because of the evacuation and the PTSD and the exposure to my soaks.

But you understand, we went to great lengths to sneak you in the back.

I know.

To bring you in. We immediately put you in the green room.

It didn't occur to me, though, that the people outside were the same people who were gonna be surprised inside. I thought, they have to be here for something else. I mean, I didn't convict it.

Yeah. So when you walked out front and then you started bumming cigarettes off the chumps. They all knew that.

They knew.

Yeah. So then, you know, it spoiled the spot.

I don't know what I was thinking. Like, were they there for the restaurant? I just didn't put it together. I didn't put it together.

Yeah. We had 600 people waiting to get into the yard house.

But by the way, do you know your show there was unprecedented? It was sold out to the max. They want you back. They want to set you up there to do your whole show there.

How do you know this, Bev?

Because my dearest friend, Dwight Manley, who is a. Just a dear, dear, dear friend who was responsible about. He's a real estate developer who kind of who brought Brea to life. He's the one who engineered the building of the. I don't mean. Well, he fomented the building. He said, I want Jeff Lewis back here. We'll. We'll do a deal. We'll get him four days every year. We'll set up a studio here. He can broadcast live from here. Nobody has ever had that kind of traffic on a Thursday night, period. The enthusiasm for you is so great, and it's a wonderful location for you. It's a beautiful theater. They'll do anything you want there. Jeff, I tried to tell you that.

Okay, we're telling me now.

Okay.

Okay. Now let me ask you this. When you were backstage.

Yes.

You were attached to a nebulizer, and no one could speak to you because you were on vocal rest.

That's right.

So does it negate all of the hard work when you go out and start smoking?

That's an interesting question, Jeff.

[Reza Farahan]

Oh, my God.

[Beverly D'Angelo]

I kind of think of it as a balancing act. It's like, well, I'm.

[Reza Farahan]

One cancels out the other.

[Beverly D'Angelo]

Yeah, it's a balance kind of thing, like, you know, extension, contraction kind of thing. But it was just one cigarette.

What I love is that also you were kind of, like, on vocal rest, but it was very selective. So if someone that you wanted to talk to, I would hear you just fairly. And then if someone else. I'm on vocal rest.

But when I talk to. I also talk to other people in a relaxed way. I was very conscious of keeping my voice relaxed because I have a tendency to pressurize, and that's really bad.

Well, you sounded amazing.

Well, that's very kind of you.

And you threw that together last minute, and you sounded great.

The thing is, it's very hard for me to accept that compliment because my standards are based on the way I sang 50 years ago, literally. And so I'll never. Well, I have a lot of soul, but I don't have the range that I had or things like that.

[Reza Farahan]

I have a question. As a former smoker, when you're bumming a smoke, Bev, can you do a menthol? Are you selective?

[Beverly D'Angelo]

Or.

[Reza Farahan]

Any cigarette will do.

[Beverly D'Angelo]

Because for Me a cigarette? Because, like, for example, as soon as I. I mean, I haven't. I just. I. Every time I've stopped smoking, I just have stopped. You know, maybe I took some Nicorette with me when I evacuated, just in case. Cause of the nerves. But for me, smoking is a whole experience. It's the. It's the pause.

[Reza Farahan]

Totally.

[Beverly D'Angelo]

It's the inhale. It's the smoke.

[Reza Farahan]

Yeah.

[Beverly D'Angelo]

It's the thing. You know what I mean? It's like a holistic experience. It's not just getting the nicotine.

Bev, can you please be honest, though? When is the last time. Honest. Last time you had a cigarette?

Monday night. It's Tuesday night. No, no, no, no. A week ago. A week ago. Monday night. A week ago. Monday night. A week ago. See, I don't even know what time it is. As I said. I was saying this to you before. I have so many layers of PTSD at this point. That was the capper, the evacuation and thinking, now my house is gone. I have so many. I need a therapeutic companion. I really. I need someone to live with me.

But can I just say something, please? I am impressed.

It's a talk show.

You're home by yourself.

Yes.

You get this.

Yeah, go ahead.

You get this Evacuation.

I'm home by myself. Wanting every saying, come to me.

But I will say, like, to be able to think clearly, to stay calm, to take all of the necessary things within 10 minutes, pack your car and get out of there. That's impressive. Some people panic. They just. They become paralyzed. They don't know what to do. They don't know what to take. They just. I've watched them. They just stand there.

Well, this is what you take. All the cash you have, anything that. That you know, that you can get your hands on, if you've got a safe, you know, get whatever you keep in there that's valuable and something that is the most meaningful and get out of there.

[Reza Farahan]

Live as a refugee. I can speak to what Bev is saying for someone who had to flee the country.

[Beverly D'Angelo]

Did you flee in the 80s?

[Reza Farahan]

We fled right before the revolution. We came on a little vacation.

[Beverly D'Angelo]

And did you have to use coyotes and stuff like that?

[Reza Farahan]

We never went back. No, we flew first class. It was.

[Beverly D'Angelo]

No, but I mean. But did you fake it like you were going on a vacation?

[Reza Farahan]

No, we literally came on a vacation, and then the revolution started.

[Beverly D'Angelo]

Did you have political people in your family?

[Reza Farahan]

We did.

[Beverly D'Angelo]

Oh, babe.

[Reza Farahan]

Yeah. We never went back. Lost everything.

[Beverly D'Angelo]

It's big, right?

[Reza Farahan]

Yeah. You start all over.

[Beverly D'Angelo]

Yeah, It's It's a whole thing and makes you compassionate. You have a choice to either become, like, bitter and messed up or compassionate.

[Reza Farahan]

And you always feel like a guest a little bit, Bev. Because if you had to pack up and leave the place you were from. Yeah, you stay a little bit, like with an overnight bag in your closet just in case.

[Beverly D'Angelo]

I think you're very well educated because you have zero accent. Where did you go to school?

[Reza Farahan]

Beverly Hills High School and then San Francisco State.

[Beverly D'Angelo]

So where were you born?

[Reza Farahan]

In Tehran, Iran.

[Beverly D'Angelo]

Is everybody as handsome as you there? Is that the guy I knew I.

[Reza Farahan]

Loved you from before I met him.

[Beverly D'Angelo]

No, but seriously, have you noticed that?

But see, he had a glow up. He had a glow up recently.

They're like a handsome factory over there.

Oh, you're right.

[Reza Farahan]

In the old days.

[Beverly D'Angelo]

You were handsome in the old days.

But everybody. Are you fat? Well, where are you fat? I don't think you're fat.

[Reza Farahan]

No, I was fat. Fat.

[Beverly D'Angelo]

Oh, like a fat boy. I was fat because your mommy loved you so much, she made you.

No, I think it was later.

[Reza Farahan]

Yeah, you got fat.

[Beverly D'Angelo]

I was like, eating disorder fat.

[Reza Farahan]

Yes, like PTSD fat.

[Beverly D'Angelo]

That's what. Whenever I get. I get fat out of nerves.

[Reza Farahan]

Yeah, it was. Bravo made me fat after season one of Shots.

[Beverly D'Angelo]

It did.

[Reza Farahan]

Yeah.

[Beverly D'Angelo]

Bravo made you fat.

[Reza Farahan]

They made me fat.

[Beverly D'Angelo]

I wonder if you could, like, Sue.

Oh, by the way, your trainer, was he able to make it out?

[Reza Farahan]

He texted me that you are interrupting our workout schedule.

[Beverly D'Angelo]

Me?

[Reza Farahan]

You. I was. He hit me up and said, this show is.

[Beverly D'Angelo]

This show is like LA is burning.

[Reza Farahan]

To the ground and Ryan is pissed at you. He hit me up and said, 8:30 today. Let's go.

[Beverly D'Angelo]

And here I was concerned about him and his. All of his brand new towels. I wanted to make sure he got them out.

[Reza Farahan]

We live on the same street.

[Beverly D'Angelo]

Okay.

[Reza Farahan]

So if he's going, like, we're going together.

[Beverly D'Angelo]

I also think it's interesting.

So, Bev, you haven't been evacuated?

[Reza Farahan]

No.

[Beverly D'Angelo]

How many seasons of Shah's?

[Reza Farahan]

Nine.

[Beverly D'Angelo]

Okay, so he's a real estate agent. He has a regular job.

He invests the reality of the fires in real estate.

He's an investor and he has Airbnbs and all of that, but, you know, when you lose the TV show. He was. He's very prudent. He said, you know what? I've got to cut my expenses. Sells the Porsche. He starts to put himself on a budget.

Nice. Right?

But hold on. Most people, when they are trying to, you know, cost cut, right, The Reason I know this is. Designers are the first people to go, okay, then personal trainers. Okay, but you, you managed to figure it out in the budget to keep that.

But can I. But can I say something? It depends on your priorities. Because, for example, he's very handsome. No, but prioritizing your self care is what's going to sustain you through any kind of loss. Because if you. If you are messed up and dependent and unhealthy and you face an outside catastrophic loss, you're not gonna make it. So I can see prioritizing healthcare. And if the only way that you're gonna stay fit is to have a trainer, I think that is.

I think he's just horny. And the trainer is handsome. Very handsome.

[Reza Farahan]

The trainer's very handsome.

[Beverly D'Angelo]

But what about Adam?

[Reza Farahan]

Adam is even more.

[Beverly D'Angelo]

How did you remember Adam?

[Reza Farahan]

Because I'm wearing.

[Beverly D'Angelo]

Examined his jewelry.

Oh, okay. I was gonna. How do you know Adam?

He's got Adam on one side, EZ on the other side.

[Reza Farahan]

Do you want me to, like, rock your world? I don't even pay for the training. We work.

[Beverly D'Angelo]

Yeah, something's up, Something's going on.

No, I think that's just nice.

[Reza Farahan]

He's married with a wife and a kid. He's straight. He's straight.

[Beverly D'Angelo]

He wants to know more, let's put it that way.

[Reza Farahan]

I'm gonna introduce you guys. His name is Ryan Gentry. He's very nice. Hey, Ry.

[Beverly D'Angelo]

Yeah, that's weird. Okay, so you have a trainer that trains you for free.

[Reza Farahan]

Correct. Because we work out together and I work out.

[Beverly D'Angelo]

So he has a workout buddy.

[Reza Farahan]

Correct. Buddy.

[Beverly D'Angelo]

What's with that face? Did you ever used to employ him and then somehow.

[Reza Farahan]

Yes, totally. Yeah.

[Beverly D'Angelo]

Well, yeah.

[Reza Farahan]

And wait, Bev, when I was in my 20s, he and I were trainers at the same gym. Oh, you were a trainer in my 20s?

[Beverly D'Angelo]

You know, I should be a trainer. Then I could stay in shape. Cause I have a Gyrotonics tower and Gyrotonics coaches charge like 150 an hour.

What's a Gyrotonics tonight?

Oh, it's the best exercise system there is.

Tell me about it.

Not that I do it. It's eight feet away from my bed. If Pilates is running in place, you know, Pilates is up and down. Gyrotonics is swimming. It's all based on a spiral. You can go on YouTube.

And he can't swim, so he wouldn't be able to do the Gyroton.

No, no, no. As far as the movements.

Yeah, he can't do it, you know.

Well, you don't have. It has nothing to do with water.

He would drown.

No, it has nothing to do with water. It was originally called yoga for dancing.

[Reza Farahan]

I'm so happy when you said drown.

[Beverly D'Angelo]

And there are movements that are all against weights and pulleys and stuff. It's fabulous. 10 hours in your. It's like pilates. 10 hours and you're in shape. I have this PTSD. That tower is literally 10ft from my bed. And I just look at it.

When's the last time you've used it?

Well, that's the problem. Ages ago.

Okay.

I mean, I did my arms a few days ago.

Okay, good. They look good.

No, they don't. I'm fine. But naked. It's not happening.

[Reza Farahan]

Well, you're eating healthy. You've got the eggs.

[Beverly D'Angelo]

I've got the eggs. Yeah, well, the protein thing. But see, if I had a companion. This is my whole thing. I have been so staunchly independent all my life that every day I just. See if I just had some companionship, I'd be more consistent because I know all this stuff.

Like an assistant.

Take shame. I would like. I can't afford shame.

No. Yes. He recently got very expensive.

Just recently?

[Reza Farahan]

Yeah, just recently. Accent came out.

[Beverly D'Angelo]

Right. Now I have a question. But you remember I had that date and it was.

[Reza Farahan]

I could hook you up with a very rich Persian man. That's age appropriate. And I don't know what age.

[Beverly D'Angelo]

So he's in the hospital.

[Reza Farahan]

No, I'm thinking like 60. Right? Like a. Like a nice 60 or 65 year old Persian man with money.

[Beverly D'Angelo]

Bev looks really good for.

[Reza Farahan]

Very good.

[Beverly D'Angelo]

But only in clothes, though.

[Reza Farahan]

No, I saw you.

[Beverly D'Angelo]

That's a really good bra you have on, Bev.

It's a bodysuit.

Yeah, it's really good, but I think.

It makes them too big.

[Reza Farahan]

They're perky. I know they're perky. They're not. They don't look.

[Beverly D'Angelo]

They do look big, but that's good.

[Reza Farahan]

But they're up.

[Beverly D'Angelo]

They're too big.

[Reza Farahan]

They're up.

[Beverly D'Angelo]

Well, it's the bodysuit. They wouldn't go down that much more.

You did what?

[Reza Farahan]

They're dope.

[Beverly D'Angelo]

A little bit.

You had what you had.

I had a breast reduction.

Oh, so you had a lift?

No, I didn't get the lift part.

You didn't need it?

I didn't need it, no.

Wow. Okay. I missed that.

I just needed to get rid of some of them. You try breastfeeding at 49, baby, and.

See how I have.

And they got. Oh, my God. They either Go. They either get really, they get used up and flat and saggy or they just get really big. And they were a little bit too big. And I had some stuff in there.

[Reza Farahan]

You got it going on, Bev. The teeth are good, the lips are.

[Beverly D'Angelo]

Good, the legs are good.

Bev, can I ask you this movie real quick?

Yes.

Are they gonna make you sleepwalkers? Okay. Because you looked so hot in that other movie you just did with Diane Keaton. Oh, yeah, you look so beautiful. Are they gonna make you look bad in this movie? Like, do you, are you, are you poor in the film? Do you know what I'm saying? Like, you look better as a rich mom.

Oh, that's interesting. He did the. I love the director, Brandon. Love him. We had, we talked at great length yesterday about the background of the character and he said that she was married to a wealthy man. But it's not about, you know, this is a woman who, I mean, I'm still formulating it, but this is someone who, you know, there's kind of a hippie background there and she has enough awareness to, you know.

But they're gonna make you look pretty is what I'm saying. Like with lighting, makeup, how can they not?

No, no, no, What I mean is, I don't mean that, but I mean, I think that that's, that's like, you know, one of the attributes. Physically I am photo. And physically I do have features that people would call pretty. That's not the greatest news of all, by the way, for an actress, you know what I mean? But sometimes they make gorgeous actors look ugly.

That's my question.

It isn't that kind of a role. It's not, it's, that's not necessary for the role. It's a psychological thriller. You know, my, my thing is that in fact what we were talking, what Brandon and I were talking about yesterday is, you know, you don't really want any one factor of, of yourself as an actor to do the role. Like, you don't want the clothes to do the performance, you don't want the makeup to do the performance. You know what I mean? You want to get your performance authentic enough and emanating from you enough that you're not distracting with prosthetics or costumes or big hairstyles or big makeup. That's kind of my thing.

Will you end up rehearsing with Hayden or do you just walk on set and you guys do it?

We're going to be able to do a read through, but in general, you know, in general, rehearsals are really A luxury of the past, you know. But here's the thing. I met Aiden when she was 8 years old because I was based in New York with Al. This was before kids, this is like 97. And I was redoing his house in Sneden's Landing a bit. And the local contractor was Skip Pantieri. Oh, lovely man. Who also was volunteer fireman, lived just down the street. So he said, oh, you know, my daughter wants to be an actress. And there was this lovely, lovely, lovely, little, bright shining star of a girl. And here we are, 20, what is that, 26 years later, and I'm playing her mother. Wow, is that fabulous? And there's more because one of my best friends and oldest friends in life moved to Rhode island years ago. And I've wanted to see her again and again and again, but never been able to. And, you know, the older you get, the fewer friends you have that you've known for a long time. So it's always been, Maggie, how are we gonna get together? Can you come here? Can I come here? Could never get it together for years. And don't you know I'm gonna be able to stay with her.

You're staying with her?

[Reza Farahan]

Amazing.

[Beverly D'Angelo]

I love that for all those weeks.

It's not that many weeks, Jeff. It's three weeks.

That's a long time to be staying with someone. They didn't put you in a hotel?

Oh, no, they offered me the hotel. But that's part of the beauty part, is that I'll be able to see my best friend. Okay, you wanna be my best friend.

But you wanna be living there under the same roof. I mean, wouldn't you rather kind of control it like, I'll see you tomorrow for breakfast versus living there?

It's a big house. It's actually a house that's divided into two houses because she's also living in a house with her ex husband who's in one house.

You haven't seen her in a while. I don't know if you should just go and stay with her for three weeks.

[Reza Farahan]

Her owl is going to be.

[Beverly D'Angelo]

What are you nuts? This is what life is about.

Okay, well, life is about hotel and you're nearby and I don't know, you could kind of control it a little better.

Why do I want to. I want to live life. I don't. I'm going to.

I'm going to be shooting questions.

I'm going to be. Shoot. I don't know why I wouldn't want to be.

Especially now with Maggie.

Well, in close Proximity. Because you get up at 5 o'clock in the morning, you go to work, you're gonna wake her up. You're in this. That's right. And you in this fantasy land all day long. You come home, you're depleted emotionally. What's better than to have somebody there.

And wake her up when you go?

Service. And she'll love it. Yeah.

All right.

What's nice in an atmosphere of love.

[Reza Farahan]

All these years, they've been trying to make it happen for how many years?

[Beverly D'Angelo]

We met in 85.

Wow. So you haven't seen her since 85?

No, I haven't seen her probably since, I don't know, 10. 10 years.

It's a long time.

Yeah, a long time.

I wonder what she's like.

You are so. Oh, my God.

I'm just asking.

Oh, my God, Jeff. Oh, now you're making me paranoid.

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[Beverly D'Angelo]

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I do. I want to make something very clear. Nobody here is just being totally superficial and ignorant of the absolute tragedy that has befallen our beloved county of Los Angeles. What has happened in this state? You have to understand these are larger than the entire island of Manhattan. It's a historical event. We have never been faced with this. It has been. There's lies disseminating about causes. It's been politicized. None of us here are ignorant of the Travesty that has befallen our community. Okay, but, you know, if you don't laugh, you cry. And again, not trying to be superficial, but we're here this morning to offer everybody, you know, let's. Let's float a little bit. Let's have some fun. Let's laugh, you know? And I should.

Well said.

And there are things that I shouldn't have done. I shouldn't have grabbed my boobs. I shouldn't have made offhand comments.

When did you grab your boobs?

Well, when we were talking about. You said my bodysuit looked good.

Well, it does look good.

And Raza said they were good. Boobs should be grabbed. Okay. Yeah. All right. Well, I know. Well, I just.

I would touch them all day if I had those.

Oh, okay. That's my statement. So I don't want anybody to think that we don't know. Know what's going on. It's just. Let us entertain you. You know, we want to make you feel a little good.

Well said.

Yeah.

Andrea in Long beach saw you smoking a chunk.

Yes, Andrea, hi. I know. Yeah, it's true. Hey, Jeff.

[Caller]

You're a rat.

[Beverly D'Angelo]

It's because he's. He's been victimized by my vocal rest. Lies. But anyway.

[Caller]

Oh, please. Your voice is so sexy. It's turning me on. Oh, and I'm married to a man.

[Beverly D'Angelo]

Well, everything is up for grabs at this point in life. You know, love is where you find it.

[Caller]

Remember? It's his show.

[Beverly D'Angelo]

That's his show.

[Caller]

I wanted to let you know you were. You were still a surprise to me because I loved every minute of it, even though you snuck out like a little chomp right after. But you are. And you were on vocal rest. And I did. Jeff, guess what? I did pay the dang 600. And the face value on my ticket was 125.

[Beverly D'Angelo]

Oh, my God. You didn't.

Scalpers.

Scalpers.

[Caller]

Because I'm a dummy.

[Beverly D'Angelo]

Those.

Wow, that's terrible.

[Caller]

I went through. I went through that damn stub hub, which. I'll never do that again.

[Beverly D'Angelo]

Never.

[Caller]

Because I didn't realize that they were, like, a third. It's my fault.

[Beverly D'Angelo]

I know. Jeff, you should sell those tickets directly or something.

Well, Andrea, this makes me very, very angry, because I realize now I could have sold those tickets for a lot more.

[Caller]

You actually could have, Jeff, and I'd have bought it. It was the best. I'll have to admit, I did drive, which I probably shouldn't have, only because I did want to go alone. And I'm in long it's not even that far from Brad, but it would have been like 100 bucks each way and. But I had three martinis. They were the bomb. The girl really watered down.

[Beverly D'Angelo]

You were fine.

[Caller]

They were watered down. Honest to God, they were half the size.

[Beverly D'Angelo]

Yes, I agree.

[Caller]

There would have been no way I could have walked with three. There was no way.

[Beverly D'Angelo]

Right? Right.

[Caller]

I was fine. I looked. The pictures of us are kind of janky because I look very hammered. You guys. You looked great. Jeff, actually, you were almost too thin.

[Beverly D'Angelo]

Oh, thank you. Thanks. Andrea.

Yes.

[Caller]

You saw more often say you got. On the next day you got. I know. No, the next day you had said you. You felt fat and no way.

[Beverly D'Angelo]

You did not.

[Caller]

You couldn't have. You looked great.

[Beverly D'Angelo]

I was bloated from the alcohol, but thank you. Do you want to make some sort of statement about drinking and driving, Bev?

I don't drink. I just don't like the taste of it. It wasn't like a conscious thing.

Okay, we don't have.

But drinking and driving. God, no.

But they were watered down. In your defense, Andrea, they were very watered down. Probably didn't even affect you.

But you should probably take an Uber to the next show.

Yeah. Thanks for listening. If you want more of this, listen to Jeff Lewis Live every weekday on SiriusXM as well as the Jeff Lewis Channel exclusively on the SiriusXM app.

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