"Candor" (w/ Sarah Jessica Parker)

Summary

Podcast Summary: Las Culturistas with Matt Rogers and Bowen Yang

Episode Title: "Candor" (w/ Sarah Jessica Parker)
Release Date: July 16, 2025
Hosts: Matt Rogers and Bowen Yang
Guest: Sarah Jessica Parker
Produced by: Big Money Players Network and iHeartPodcasts

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Introduction to the Episode

In this engaging episode of Las Culturistas, hosts Matt Rogers and Bowen Yang welcome acclaimed actress Sarah Jessica Parker to delve deep into the realms of culture, theater, and her iconic role as Carrie Bradshaw. The conversation weaves through Parker's early life, her Broadway experiences, and the profound impact of pivotal theatrical productions on her career and personal growth.

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Early Life and Broadway Beginnings

Sarah Jessica Parker opens up about her formative years, detailing the family's move to New York City in 1977. She recounts the challenges of relocating with a large family and the anticipation of settling into Roosevelt Island. Parker shares:

"So in 1976, when we came to New York... we moved to Roosevelt Island, and we lived there for a year." ([12:30])

Her initial exposure to Broadway came early, as she was part of the original cast of Once Upon a Mattress. Reflecting on her audition, Parker admits:

"I had a really good audition song, and it was kind of controversial and no one else was doing it." ([16:36])

This role marked the beginning of her enduring relationship with theater, setting the stage for future successes.

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Impact of A Chorus Line and Once Upon a Mattress

A pivotal moment in Parker's life was witnessing A Chorus Line before it officially opened on Broadway. She describes the experience as transformative:

"A Chorus Line was so intimate and people were talking about their lives on stage... it completely changed my life." ([18:21])

Similarly, her involvement in Once Upon a Mattress solidified her passion for musicals. She fondly recalls rehearsing with dedicated cast members and the magical influence of the show's cast album:

"That cast album, it's magical." ([15:06])

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Transition to Television: Becoming Carrie Bradshaw

Parker discusses her transition from Broadway to television, particularly her iconic role in Sex and the City. She elaborates on the show's groundbreaking nature and its candid portrayal of women's lives:

"I thought I'd never read even in pilot form, but it was very compelling... it was like, this is different." ([30:04])

She emphasizes the importance of honesty and candor in her performances, both on stage and on screen, highlighting how Sex and the City resonated with audiences through its truthful dialogue and relatable characters.

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Reflections on Acting and Personal Growth

Throughout the episode, Parker shares insights into her acting philosophy, emphasizing the balance between preparation and spontaneity. She reflects on her experiences working on diverse projects and the challenges of embodying complex characters:

"It's about the honesty that you just don't need to know what Kris is gonna do..." ([89:09])

Parker also touches upon the personal impact of her roles, discussing how playing Carrie Bradshaw has influenced her perception of love, relationships, and self-expression.

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Anecdotes and Personal Stories

Adding depth to the conversation, Parker recounts memorable moments from her career, including interactions with fellow actors and experiences on iconic sets:

"We became friends and we took the subway home together every day and we shared a dressing room." ([61:10])

She also shares a heartfelt story about the emotional significance of New York City in her life, describing it as her true home despite the challenges it presents:

"I was emotional because memories everywhere. And you're only really ever gonna have one home like that." ([58:51])

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Conclusion and Final Thoughts

The episode concludes with Parker expressing gratitude for the opportunity to discuss her journey and the cultural milestones that have shaped her. She highlights the importance of staying true to oneself and embracing the complexities of both personal and professional life.

"Thank you so much for having me. I really, really appreciate it. It's so special." ([112:57])

Matt Rogers and Bowen Yang wrap up the episode by acknowledging Parker's contributions to culture and expressing their admiration for her work.

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Notable Quotes

• Sarah Jessica Parker ([12:30]): "So in 1976, when we came to New York... we moved to Roosevelt Island, and we lived there for a year."

• Sarah Jessica Parker ([16:36]): "I had a really good audition song, and it was kind of controversial and no one else was doing it."

• Sarah Jessica Parker ([18:21]): "A Chorus Line was so intimate and people were talking about their lives on stage... it completely changed my life."

• Sarah Jessica Parker ([30:04]): "I thought I'd never read even in pilot form, but it was very compelling... it was like, this is different."

• Sarah Jessica Parker ([89:09]): "It's about the honesty that you just don't need to know what Kris is gonna do..."

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Final Remarks

This episode of Las Culturistas offers a profound exploration of Sarah Jessica Parker's artistic journey and her enduring influence on contemporary culture. Through candid conversations and personal anecdotes, listeners gain valuable insights into the interplay between life experiences and creative expression.

Transcript

[Sarah Jessica Parker]

This is an iHeart podcast.

[Bowen Yang]

This episode of Las Culturistas is brought to you by Malibu5o.

[Matt Rogers]

One shouldn't just mean the end of work. It should mean the beginning of fun.

[Bowen Yang]

Yes, with a Malibu cocktail, it's like a mini vacation without ever getting on a plane.

[Matt Rogers]

Because you deserve to unplug, disconnect, and live in the moment.

[Bowen Yang]

I love to enjoy a cocktail with my friends at a local watering hole, a classier bar, or at home.

[Matt Rogers]

I'm going to say it the beach could be an amazing place to drink.

[Bowen Yang]

Clock off with Malibu because life's too short not to do whatever tastes good. Sip easy. Enjoy Malibu responsibly.

[Matt Rogers]

Copyright 2025 imported by Pernod Ricard USA New York, NY the Girlfriends is back.

[Sarah Jessica Parker]

With a new season, and this time.

[Bowen Yang]

I'm telling you the story of Kelly Harnett.

[Sarah Jessica Parker]

Kelly spent over a decade in prison for a murder she says she didn't commit. As she fought for her freedom, she taught herself the law. He goes, oh God. Harnett Jailhouse Lawyer and became a beacon of hope for the women locked up alongside her.

[Matt Rogers]

You're supposed to have your faith in God, but I had nothing but faith in her.

[Sarah Jessica Parker]

I think I was put here to save souls by getting people out of prison. The Girlfriends Jailhouse Lawyer listen on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. Just like great shoes, great books take you places through unforgettable love stories and into conversations with characters you'll never forget.

[Matt Rogers]

I think any good romance, it gives me this feeling of like butterflies.

[Sarah Jessica Parker]

I'm Danielle Roubais and this is bookmarked by Reese's Book Club. The new podcast from hello Sunshine and I Heart Podcasts, where we dive into the stories that shape us on the page and off. Each week I'm joined by authors, celebs, book talk stars, and more for conversations that will make you laugh, cry, and add way too many books to your TBR pile. Listen to Bookmarked by Reese's Book Club on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Matt Rogers]

So what happened at Chappaquiddick? Well, it really depends on who you talk to.

[Bowen Yang]

There are many versions of what happened in 1969 when a young Ted Kennedy drove a car into a pond and.

[Sarah Jessica Parker]

Left a woman behind to drown.

[Bowen Yang]

Chappaquiddick is a story of a tragic.

[Matt Rogers]

Death and how the Kennedy machine took control.

[Bowen Yang]

Every week we go behind the headline.

[Matt Rogers]

And beyond the drama of America's royal.

[Sarah Jessica Parker]

Family, listen to United States of Kennedy on the iHeartRadio app, Apple Podcast, or wherever you get your podcast.

[Matt Rogers]

Look, man.

[Bowen Yang]

Where?

[Matt Rogers]

Oh, I see my eye. Oh, my. Bowen, look over there. Wow. Is that culture?

[Bowen Yang]

Yes.

[Sarah Jessica Parker]

Goodness.

[Matt Rogers]

Wow. Las culturistas. Ding dong. Las culturistas calling and like Carrie Bradshaw. We have returned from Paris.

[Bowen Yang]

We have returned from Paris, returned to.

[Matt Rogers]

New York and hitting the streets.

[Bowen Yang]

I mean, and we were in an expensive suite in this lovely hotel and.

[Matt Rogers]

We did not find love there.

[Bowen Yang]

We did not find love there. Thank you to Bianca Mila of BC.

[Matt Rogers]

Travel at BC Travel. We didn't really try to find love though. We didn't make earnest attempts. We made half assed attempts.

[Bowen Yang]

No, I think even first staying in the Marais, it was still a pretty, I would say, and I say this with all love during Pride Month, it was a pretty hetero sort of romance being sort of bandied about and then even sort of, I don't know, like at an allegedly gay club that we were supposed to go to that we did end up going to.

[Matt Rogers]

Oh, that didn't feel gay at all.

[Bowen Yang]

The energy was kind of more Black Swan straight sort of biomass than it was like an explicitly queer space. And that's okay.

[Matt Rogers]

You just took me back to. We were in NYU and I walked on. It was 4th Avenue and they were filming a movie. And I said, what are you guys filming? And. And they said, we are filming a movie called Black Swan. And years later I'd not. Years later, a year later I'd find out it was the iconic scene with Mila Kunis and Natalie Portman where Mila goes, you've never rolled. And then they do Molly and have a lesbian encounter. Much more successful homosexual than we were in Paris.

[Bowen Yang]

Absolutely.

[Matt Rogers]

But you guys rock. Natalie and Mila and come on the pod together.

[Bowen Yang]

Together.

[Matt Rogers]

I hope that they're still connected.

[Bowen Yang]

I'm sure they are.

[Sarah Jessica Parker]

Aw.

[Matt Rogers]

Well, anyway, we're sort of doing that thing where it's like.

[Bowen Yang]

It's a big guess.

[Matt Rogers]

We really can't believe it.

[Bowen Yang]

Yeah.

[Matt Rogers]

And so no more of our bullshit, because this is a no bullshit moment in lost cult history. It's one of those days. We were passing back and forth a little phone sort of going shot for shot on iconic moments, moments in certain television series history. And really just like sitting in not just the impact but the talent of our guest. Just an incredible actor as well as being a true pop culture icon. One of pop culture icons on our iconic 400, I believe. Number five.

[Bowen Yang]

Number five. And she was my first sort of pop cultural winifred I was like, sure, sure, sure. Carol Burnett, we love. She would then play Agravaine in her version. Once Upon a Mattress was like the big first freshman year musical for me. Huge window into the entire. This is. Could be an answer for me, for the culture that made me say Culture Versus Me was the Broadway revival of Once Upon a Mattress. That our guest was the star of the.

[Matt Rogers]

For me, outside of the big one. I think I knew a little bit who I was when I watched Hocus Pocus. And I said, well, I'm that one. Yeah, that's the one.

[Bowen Yang]

I am in a dark lip.

[Matt Rogers]

100%. A dark lip and a distracted, bedazzled energy. I said, I want to be that. Unbothered. Of course, I strive for that. They won't expect anything of me.

[Bowen Yang]

No, of course not.

[Matt Rogers]

You're dancing idiotically in the background. You can never forget Bette. Come on the pod.

[Bowen Yang]

Come on the pod.

[Matt Rogers]

Anyway, of course, Kathy. Well, of course, Kathy.

[Bowen Yang]

I hope they keep it.

[Matt Rogers]

But first.

[Bowen Yang]

But first, our guest. Well, it's the mayoral primary in New York. I think she's our mayor. Everyone, please welcome into your.

[Matt Rogers]

Sir Jessica Parker.

[Sarah Jessica Parker]

Oh, my gosh. Well, I feel it'd be best if I just left now. Like, be all those things. Like, one day, perhaps I will actually be one or two of those. Or that person you described. But perhaps we just leave Bess best left alone.

[Matt Rogers]

I hear that.

[Sarah Jessica Parker]

Thank you so much for having me. Have a great day, and I'll see you next time.

[Matt Rogers]

This has been great. Honestly, though, it does have to be. I was thinking about this, like, this idea of you as the woman who represents New York women. Like, when you are you and you're not Carrie Bradshaw, that's a little bit of a burden. But also. I guess not.

[Sarah Jessica Parker]

It's really not. None of it's a burden.

[Matt Rogers]

Sure.

[Sarah Jessica Parker]

I mean, relative to burdens.

[Matt Rogers]

Do you know what I mean?

[Sarah Jessica Parker]

Like, relative to, like, actual crosses to bear. It's really one of the great privileges of a lifetime.

[Matt Rogers]

My question for you is, and I've always wondered this, so, Carrie Bradshaw, famous Shoe Game. Was your shoe game always on point, or did you have to kind of up the shoe game as SJP because people see CB oh, interesting.

[Sarah Jessica Parker]

I think there was a tandem relationship, but one. One went mad and the other stayed as, like, a civilian.

[Matt Rogers]

You know?

[Sarah Jessica Parker]

Like, I really actually have always loved shoes. And I will try to tell this story quickly, but I'm one of eight kids. There was a period of time in which I was one of six kids, but Nonetheless, that's a lot of kids to shoe every year.

[Matt Rogers]

That's a lot of feet.

[Sarah Jessica Parker]

And so at the top of the school year, my mother would take us. And this was not an unusual experience for people in this country at a specific time. You'd go to a shoe store before school started. You would be sized, and we didn't have a lot of money, so we weren't, like, just shopping for shoes. It was like a utilitarian act in a way. It was just necessary. And we went. And I'm the fourth of the six and now eight or that, you know, soon after eight. And so I would just, like, walk around the shoe store smelling shoes and what I loved about a shoe store, and I'm much older than you, so I don't know if you had this experience, but when you walk into the shoe store in August, it's air conditioned, first of all. Like, I don't know if you guys grew up as an air conditioner in your house, but we did not. Like, that is a privilege. We got there in the Ohio summer, August. So we walk, you know, drive a good distance to our shoe store that is a distributor of, like, Buster Brown, you know, walk in. And as my siblings were getting fitted, I would, like, pick up shoes and smell them and then turn them over and, like, really look at the stitching on the bottom of the sole of a Buster Brown shoe. So I really came to this experience of playing someone who has a far more fevered relationship with shoes with some, like, real affection. I just don't. I didn't have the access or the money or the. The constitution to, like, be buying. Like, it would not have. I would not have considered that kind of indulgence.

[Bowen Yang]

Yeah, it seems like I'm relating this idea to you talking in interviews about having access to books in kind of a similar way. I mean, is that. I mean, obviously different functions. But, like, I find it interesting that you think that. I think I'm gonna guess that you are the one who's gone mad and Carrie's the one who stayed a civilian. And yet it seems like.

[Sarah Jessica Parker]

No, it's the reverse.

[Matt Rogers]

Okay?

[Sarah Jessica Parker]

Carrie went crazy with shoes, and I stayed.

[Bowen Yang]

Got it.

[Sarah Jessica Parker]

More real now, granted. Perhaps not.

[Bowen Yang]

Sure, sure, sure real too.

[Sarah Jessica Parker]

If you might work in an office in Omaha, you might not. Of course, our versions of being civilians are not right.

[Bowen Yang]

Totally, totally.

[Sarah Jessica Parker]

I don't have the closet that she has. I don't have the shoes she has. I don't have the amount, nor would I ever like that kind of indulgence. And decadence for maximalism with you. Yeah, Maximalist. I wouldn't. But I love shoes.

[Bowen Yang]

Yes.

[Sarah Jessica Parker]

But books were different in my house because we had a public library, so we always had books. So we could always have books. But you can't always have shoes.

[Bowen Yang]

Right.

[Sarah Jessica Parker]

And so when you grow up, I think having a pair for the fall and a pair for the spring and then hand me downs and you have a different. Like the thing you're reaching for remains like a far away distance, you know?

[Bowen Yang]

Of course.

[Sarah Jessica Parker]

And books were much more at our. Like, we thought of them, went to the library, like fulfilled, you know, so they kind of are different. I love books. Yes, yes, we can talk about that. But I've had a different. It's been different. Cause those have been more within my reach. When I was younger, I mean, I.

[Bowen Yang]

Am always so curious about the sort of transitional time in your life where you were in Ohio to sort of working and probably being in New York for, I guess, many months out of the year. Or was that like a sudden, quick, like, okay, like, everyone pick up your bags. We're going to New York.

[Sarah Jessica Parker]

We moved to New York. I lived in Cincinnati until I was 12. My brother and I, the previous summer, in the summer of 76, we'd worked in New York in a play on Broadway. It had gone out of town for out of town tryouts first. And that was my only experience working in New York. My real father is born and raised in Brooklyn, but he wasn't living in Brooklyn by the time he became a parent. So we spent time in Brooklyn with his parents. So we had that experience. And on January 1st of 1977, my parents put everything we owned into our Volkswagen bus and we moved to New York City, the entire family. And at that point, there were six of us. My mother was pregnant with my sister Allegra. She was born. She came later. Cause she couldn't. It wasn't a great idea for her to travel 12 miles in a car. But there was literally. I remember at one point my father kind of stopped suddenly and there was a cast iron skillet behind my. And I just remember just like knowing that it was there, like, putting my hand back to hold it so that it wouldn't hit us all in the head. So then we moved to New York City and we didn't have a home yet. We were gonna be the first families that moved to Roosevelt Island.

[Matt Rogers]

Oh, wow.

[Sarah Jessica Parker]

Then we came to New York to move to Roosevelt island because they had subsidized housing so we could afford to live in New York City.

[Bowen Yang]

Right.

[Sarah Jessica Parker]

But they weren't ready yet. So we moved to the Holiday Inn in Yonkers, and we lived there. And then my mom came, and so my sister was born in Yonkers, and then Roosevelt island was finally ready, I think in the spring of 77, maybe. So then we moved to Roosevelt island, and we lived there.

[Bowen Yang]

Was the train.

[Matt Rogers]

This is such a.

[Sarah Jessica Parker]

The tram was there.

[Bowen Yang]

Yeah, the tram was there.

[Sarah Jessica Parker]

So there was no. There was a park. There was no subway service yet. It hadn't been built. It may have even just been like a dream. I don't think they had started digging that subway line yet.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

And we only knew about Roosevelt island because there was an article in New York Magazine about it. And my mom read the article, and we applied through the Housing Urban Development Corporation and got one of the apartments. So we lived there for a year. So we all moved, the entire family. My father started a trucking business. He was a truck driver. And some of my other siblings were actors and auditioning.

[Matt Rogers]

And thus began.

[Sarah Jessica Parker]

And thus began our time in the city. And I don't think I ever imagined at that point that anyone would ever say, yeah, no, you're a New Yorker. I was, like, keeping track the entire time. Like, at what point do I get to say, yeah, yeah, I'm a New Yorker? I mean, I have. I love Cincinnati so much, and it's an incredible city. Like, it's a really special city, and it's cultured and interesting and such smart people, and it's beautiful, but I love it.

[Matt Rogers]

Yeah. You ended up where you belong.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

What year was Annie's been so on the brain for me recently? Because they just did that beautiful rendition of Tomorrow at the Tony Awards.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

Sara Bareilles and Cynthia Erivo, In Memoriam. And I was just. I've now fallen into this wormhole of those songs. Oh, my Gosh and Baby and Tomorrow and just really everything. Not even just Annie's songs. I mean, across the board. What age was that?

[Sarah Jessica Parker]

So that was. I joined the cast. I was like, I guess one of the first replacements. So what happened is Kathy Jo Kelly was. She left to do the first national tour and play Annie. So I was her replacement. So I came in in January of 1978.

[Matt Rogers]

Wow.

[Sarah Jessica Parker]

Pretty soon after having seen the show. Yeah. Like, I was like, you were obsessed. I don't even know if, like, there's a word to describe the way I felt about seeing that show. We saw it, I think, before it opened on Broadway.

[Bowen Yang]

Wow.

[Sarah Jessica Parker]

And I've been working in an industrial with A bunch of the kids that were in that cast and the. One of the original orphans was my understudy in the Innocents on Broadway that I had done the year before. So all of us were very, like. We were like devotees of Annie. And that cast album, it's magical. So I came in as an orphan as July as well. I was cast as the understudy to Annie, which is mystifying. Cause I didn't. I'd never really sang professionally.

[Matt Rogers]

Really?

[Sarah Jessica Parker]

No.

[Matt Rogers]

So what was that? Is it just like, loving it at that age? And so you're pretending or like, what do you think made little you able to do that? Cause it's not easy song.

[Sarah Jessica Parker]

I don't really know. Yeah. And I still left thinking, well, I'm not really a singer. I don't know. I think, you know, we grew up listening to records. We didn't have a television. And we listen to cast albums all the time. And, you know, I think, like, a lot of people in my family, we don't know why we have a musical ear. Like, we have good. You know, we have musicality or we have good pitch. Like. And I'm an interpreter. You know what I mean? Like, I'm an interpreter. And I had a really good audition song, I Will say what was it? And it was kind of controversial and no one else was doing it.

[Matt Rogers]

Those are always the best ones.

[Sarah Jessica Parker]

So we're gonna. Is the path. Like, it's not linear?

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

Cause it's gonna might hit.

[Matt Rogers]

I love it.

[Bowen Yang]

I think we can dovetail into the question.

[Matt Rogers]

But I do wanna know your audition for it.

[Bowen Yang]

I think it's about to crack open. The straight line.

[Sarah Jessica Parker]

Yeah, it's about to crack open.

[Bowen Yang]

Okay, this is the question, Sarah Jessica Parker, what was the culture that made you say culture is for you?

[Sarah Jessica Parker]

So my answer to that question, and I was delighted to have one versus Sarah, you know, hemming and hawing and trying to come up with something. I have a very clear and specific. And the easiest. Like, it took like 20 seconds to spit that around.

[Bowen Yang]

I was the best.

[Sarah Jessica Parker]

Okay. So in 1976, when we came to New York, or 1975, I can't remember, we came to New York to audition for the Innocents on Broadway. And that's another kind of amazing, crazy long story. But as Bridget Everett, who I call Ginger, says short story long, we came to New York. And while we were in New York City one night, we were spending time with my paternal grandparents in Brooklyn. And my mother and father went to see a show that was in previews called A Chorus Line on Broadway at the Shubert Theater. And they actually summoned the dollars together in order to stay an extra day because they thought our children have to see the show, like they have to see the show. So they stood back in line and we got standing room and we got two seats and we flipped.

[Matt Rogers]

Wow.

[Sarah Jessica Parker]

Like, some of us stood for a while and some of us sat. And so I saw in previews at the Shubert Theater, I can't say that I saw it down at the Public Theater. I saw A Chorus Line on Broadway before it opened. And I can say without hesitation that it completely changed my life.

[Bowen Yang]

Wow.

[Sarah Jessica Parker]

And I think what's interesting about good theater or a good book, a musical or a straight play or a movie is that it is not necessarily. I don't have to have been a 24 year old chorus line is famous for calling all of them boys and girls.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

But I was like 9 or 10 years old and I was from Ohio and I. I felt like the plates of the earth had just shifted and they shouldn't have, really, except that they were so good. That cast and that show was so clearly about love. That show was so clearly about a dream. And I think, you know, obviously what I did for love is. It's so gorgeous because it just says everything. And it applies to people in a broad range of industries. It applies to. But there is something uniquely special about this desire to be on stage. And it's hard to articulate because it's not necessary. It's not even rational. If you don't have yet. The language, like, why Sarah Jessica? Why do you want to be on stage? You're 8, you're 9, you're 10. And I wasn't like a showbiz kid. It wasn't like I was tap dancing for my parents and like putting on shows, put on shows. But that show, Priscilla Lopez singing nothing.

[Bowen Yang]

And Music in the Mirror.

[Matt Rogers]

I was gonna say, I saw the Jimmy Awards last night and one of the girls did Music in the Mirror and she, of course, went to the finals because it's so winning, it is so sweeping. It is such a journey and you're just. You're taken away. I remember, I've told you this a million times. Jane Krakowski did it on Ally McBeal years ago. She's a monster.

[Sarah Jessica Parker]

She's.

[Matt Rogers]

She is so talented.

[Sarah Jessica Parker]

It's just crazy freaking tastic.

[Matt Rogers]

I remember, even back in the. I remember I was little, watching over my aunt's shoulder.

[Sarah Jessica Parker]

Have you ever watched, have you ever pulled up on YouTube? Any clips in the original production.

[Matt Rogers]

Oh, of course.

[Bowen Yang]

There's some shaky bootlegs. Right.

[Sarah Jessica Parker]

I know when you thank God for all the bitching and you're like, put your camera down. There's someone up in the balcony. And you're like, why did all of us make such a fuss?

[Matt Rogers]

You know what? We need at least one we just won. I remember that song. Music in the Mirror is such a winning song because. And I think that probably what I can relate to and what you're saying, and I'm sure Bowen can as well, is it's like, you're right. What is the question that I'm trying to answer within myself? That because I feel a certain emotion doing this, I think what I experienced was I want to express myself like that.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

Do you think that that's maybe what it is?

[Sarah Jessica Parker]

I don't know if I understood that I wanted to express myself. I guess I wanted to care. What I understood in the simplest terms was this kind of unmatched necessity to care. To be completely devoted to filet yourself. And without any. With total understanding of the very possible disappointment and heartbreak. But that without the attempt, without the, like, the exercise, like the real endeavor, then you would be at a deficit. Like, you would be worse off for not having been heartbroken. Absolutely. Than you would have been for a path more common.

[Matt Rogers]

What I did for love, I mean, it's all about putting yourself out there 100% and saying, this is what I'm offering.

[Bowen Yang]

What I did for love and the show are about not to get sort of college meta about things like get it. It's about having a passion for a passion. It's about being passionate about passion.

[Matt Rogers]

Go and see a Broadway show. It's one of my favorite things to do. And I have to say, we are spoiled for choice this season. I mean, you saw the Tony Awards, and if you want to get a piece of any of that action, you gotta log on to Today Tix and get to it. I mean, picture this. You're in the city. You got a free night. You're craving a night out at the theater. You want something exciting, something fresh, but you don't want to spend hours in line or pay an arm and a leg for tickets. So what do you do?

[Bowen Yang]

You pull out your phone, open the Today Ticks app, and just like that, you're booking tickets to a Broadway show or Off Broadway gem. No stress, no hassle, just instant access to the best live theater in town. I just used Today Ticks for today. I'm seeing John Proctor is the villain. I'M so excited.

[Matt Rogers]

Oh, exciting. And other shows are available as well. Gypsy Sunset Boulevard of them. Well, that's the magic of Today Ticks. With exclusive deals and a super easy to use app, getting your hands on tickets has never been easier.

[Bowen Yang]

And whether you're planning ahead or making a spontaneous decision to catch a show tonight, today Tix has got you covered. You can grab tickets for all kinds of performances, from the hottest Broadway hits to the hidden gems you might not have discovered yet.

[Matt Rogers]

I love getting on that app. I can't wait to get on again. It's worked every time like a charm. So go to todaytix.com dingdong and use promo code Ding Dong to get $20 off your first Today Ticks purchase.

[Bowen Yang]

That's promotional code ding [e-mail] Ding dong todaytix.com Ding dong life's messy.

[Danielle Roubais]

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[Bowen Yang]

Matt There are fees everywhere. These days I feel like I'm in the sky with the giants because they say fee, fee, fee. Fum.

[Matt Rogers]

There are fees up in the sky. That's a Sondheim reference. You know, I was gonna say it's raining fees, which it would have also worked because it would have been a weather girls reference. But what I'm saying, like there's so many references you can make because there's fees everywhere.

[Bowen Yang]

Ubiquitous even.

[Matt Rogers]

Fees are everywhere and they hurt the most when you're down. That's why Chime offers fee free banking.

[Bowen Yang]

Which means no monthly fees, no overdraft fees, and no minimum balance fees. Sign up [e-mail] culturistas oh my gosh, the stress.

[Matt Rogers]

When I once realized I overdrafted, I said oh my God the shame is building up. And that's why I'm so happy that I have Chime, because it takes my shame away. Beautiful. It really does. I don't overdraft anymore because I'm more conscientious. But the thing is, if I did overdraft, they would have my back.

[Bowen Yang]

Banking shouldn't cost you money. With Chime, there are no monthly fees, no overdraft fees, and no minimum balance requirements.

[Matt Rogers]

Open your account in two [e-mail] culturistas that's chime.com culturistas Chime feels like progress.

[Danielle Roubais]

Chime is a financial technology company, not a bank. Banking services and debit card provided by the Bancorp Bank NA or Stride Bank NA members, FDIC spot and eligibility requirements and overdraft limits apply.

[Matt Rogers]

Timing depends on submission of payment file.

[Danielle Roubais]

Fees apply at out of network ATMs, bank ranking and number of each ATMs according to U.S. news and World Report 2023 Chime checking account required.

[Matt Rogers]

Listen to your elders, honey. You might know them from their viral videos, but now the old gays pull back the curtain on their brand new podcast, Silver Linings with the Old Gays, brought to you in partnership with iHeart's Ruby Studio and Viv Healthcare. With over 300 years of experience between them, hosts Robert, Mick, Bill and Jesse serve four lifetimes of wisdoms when it comes to love, sex, community and whatever else they got on their gay agenda. Listen in to these fabulous friends swap stories exploring how queer life has evolved over the decades and the sil silver linings they've collected along the way. Each episode dives into hot topics from safe sex and online dating to untangling Gen Z lingo, as well as insights on how music, art and fashion show up in queer culture. So check out Silver Linings, a show about how pride ages like fine wine available on the iHeartRadio app or wherever you get your podcasts.

[Bowen Yang]

Were you watching A Chorus Line? Thinking in the context of how you had watched musicals before that moment, or was that just like completely, completely like a first impression of what the form could be would be? Cause it felt pretty. It was very groundbreaking at the time.

[Sarah Jessica Parker]

To see it was groundbreaking cause it was so modern and it was without a fourth wall and it was a person in the house talking to the cast and they were dressed like nobody had ever dressed. No one had ever been costumed like that on Broadway. No one was wearing rehearsal. Yeah, and it was such a kind of candor about the language and the way they were talking. And it was like ribald and dirty. Sometimes there were inferences that were meant to be funny and sexual. And there was homosexuality. And, you know, Paul, I think, is, you know. God, it would be amazing to play that part. Oh, that's a beautiful. You know, that part. Right. That story of his parents coming and seeing him still dressed as a young woman. He's like, in a. You know. What do you call it? Shows. Burlesque and Times Square. You know, every single story was a. So well thought out. The book was the cleanest, most perfect un. Everything not necessary was gone.

[Bowen Yang]

Unembellished. Yeah.

[Sarah Jessica Parker]

And so I think it was just, like, perfect.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

And the singing and, you know, what's Maggie's song?

[Bowen Yang]

Oh, oh, oh.

[Sarah Jessica Parker]

The greatest of all, you know, every day was beautiful. At the ballet. At the ballet.

[Matt Rogers]

At the ballet.

[Sarah Jessica Parker]

Everyone's happy at the ballet. I mean, that. Her singing.

[Matt Rogers]

Yes, you did.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

Yes. I mean.

[Matt Rogers]

And I loved when you did that.

[Sarah Jessica Parker]

Whatever. Whatever. Whatever.

[Matt Rogers]

No, no, no. That was.

[Sarah Jessica Parker]

We talk about her. Cause her was. I mean.

[Matt Rogers]

But, you know, that was actually my first experience, actually, when I was watching Glee and you doing it.

[Sarah Jessica Parker]

Oh, really?

[Bowen Yang]

Yeah.

[Matt Rogers]

I loved it. I was a little late.

[Sarah Jessica Parker]

I course corrected that.

[Matt Rogers]

Whatever. I mean, give yourself credit. It affected me. I was gonna ask you this. Do you find. Cause I'm finding a link here between you pointing out in the book for the Chorus Line that there's candor and that there's honesty and that there's. And then famously, you know, you become synonymous with candor on television for the first time. Is that something you're attracted to? Is that something that you feel like you're seeking? Candor?

[Sarah Jessica Parker]

I mean, not. I don't think so. I don't think it's, like, a criteria. I think that I like that as a child, because all the musicals, all the musicals that I had heard before that were really traditional, like big musicals like Rogers and Hammerstein and Learnin Low and Oklahoma. And Showboat. And so I think what struck me so much in the rest of the world was that A Chorus Line was so intimate and people were talking about their lives on stage that were very different than Shogun even.

[Matt Rogers]

Like, you know what I mean? Yes, yes, yes, yes.

[Sarah Jessica Parker]

Which I loved. So when I received the script, the pilot script for Sex and City, I wasn't looking to play, like, you know, a sort of a rebel woman. Yes. Who was curious about sexual politics and wanted to have intimate conversation. Like, I didn't even realize that was a thing that could be told or said, but I certainly was, like, found it really compelling. I thought I'd never read even in pilot form. Cause it's just so minimal really. When you look back, you're like, it was just this. But it was really in plenty to convince me very easily without like any persuasion that it was like, this is different. This is. I haven't heard anyone, I haven't heard people have these kinds of conversations. And there were plenty of women on television before Mary Richards, of course.

[Bowen Yang]

Of course.

[Sarah Jessica Parker]

And others. And Marla Thomas and many others who. Forgive me, I'm not remembering. It's not like women hadn't. We weren't like the first women. But, but because I think of the, because of our studio, it was hbo. Like the rules were very. Or didn't apply at all.

[Bowen Yang]

Yeah.

[Matt Rogers]

I used to do, I used to wait till my parents would leave the house and I would go to my. We had HBO on Demand and I would just mainline.

[Sarah Jessica Parker]

Wait. Where are you from? Where are you from?

[Matt Rogers]

Long Island.

[Sarah Jessica Parker]

Oh, you, oh, you're from Long Island.

[Matt Rogers]

Yeah, from Suffolk County.

[Sarah Jessica Parker]

Your dream wasn't even that far away, but it could have felt far away.

[Matt Rogers]

I guess one of my answers to our own question is we went to go see Hairspray. And I just remember the three part harmony on the, the, the, the trio. And they hit this insane three, three part harmony belt when the girls, the.

[Sarah Jessica Parker]

Ladies were singing welcome to the 60s. Yeah. Yeah.

[Matt Rogers]

And I, I believe it was the mama song. I just remember hearing those harmonies belted and how joyfully it was and the response from the audience. And I burst into tears. And my mom was like, what is wrong? And I was like, nothing.

[Sarah Jessica Parker]

I don't know exactly.

[Matt Rogers]

But it was, it's, it's nothing.

[Sarah Jessica Parker]

I don't know. That would be a really good name for your memoir.

[Matt Rogers]

You know what I'm gonna call it, not for Nothing. Are you being serious? No, I'm serious.

[Sarah Jessica Parker]

Oh, interesting. So then your second book is called. So the first one's called not for Nothing, and the second one's called Nothing. I don't know. Because also nothing. I don't know. Could be nothing. I don't know.

[Matt Rogers]

Right. You know, it was very nothing. I don't know. Because it was, it was because you.

[Sarah Jessica Parker]

Couldn'T, you didn't know there was.

[Matt Rogers]

No, that's why I asked you, was it about expression? Because the tables are turning. I asked you, was it about expression? Because certainly for me it was. I think I was like, I, I, I remember I saw those women and everyone up there dancing and singing and giving it everything. And I Think they knew they were a part of something special. And I. All I wanted to do was ex. I think, honestly, I want. When I talk about that belted harmony, it's because of the volume. I wanted to express myself loudly. And I think there's something about looking at people on a stage and expressing, especially in the show, that you. That you point out how it makes me emotional, like. Like the freedom to express. And that is what you get on stage. And at the Jimmy Awards last night, it's just so emotional because.

[Sarah Jessica Parker]

Can you tell me about the Jimmy Awards?

[Matt Rogers]

So it's High School Musical Theater Awards.

[Sarah Jessica Parker]

Oh, is it a G Y N.

[Matt Rogers]

Named after James Nederlander?

[Bowen Yang]

Oh, the Jimmy Awards is at the Nederlander.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

Oh, wow.

[Matt Rogers]

So it's at the Minskoff.

[Bowen Yang]

The Minskoff.

[Matt Rogers]

I'm sorry, but I saw you at the Nederlander in Plaza Suite.

[Sarah Jessica Parker]

Oh, oh, oh.

[Matt Rogers]

And I went to.

[Sarah Jessica Parker]

Wait, was it the Nederlander? No, we were at the Hudson.

[Matt Rogers]

Oh, at the Hudson.

[Sarah Jessica Parker]

Yeah. That's okay. That's okay, that's okay.

[Matt Rogers]

But I. That was the last time, I guess I. Well, I guess we ran into you at SNL50, but the last time I had physically seen you.

[Sarah Jessica Parker]

What's another, Did I see it smash? Where did I cost you guys? Was it at SNL 50?

[Matt Rogers]

That was in SNL 50. And it was the moment for our life, the highlight of our night descending. And all I could say to Matthew was, I just watched Election because I had.

[Sarah Jessica Parker]

That's a perfectly fine thing to say to him. That's really nice. That's not unusual.

[Matt Rogers]

I said it twice in a night. So the second time, by the way, what a great movie. What a tight.

[Sarah Jessica Parker]

I want to ask you a question in a second, but I do want to talk about SNL50, because actually, I was moving past Lauren more recently, and I tried to tell him we were at a party and another party, a different party. And I tried to say, you know, that was like, a perfect night. That was like a perfect night. And I've been trying to figure out a way of writing him a note to say thank you for including us in that night. And it started the weekend with the show and the concert, and it was so much fun, and, like, we don't even go out anywhere, like. No, no, it's okay.

[Bowen Yang]

I'm so glad you did.

[Sarah Jessica Parker]

But I tried to tell Lauren how perfect it was, and I can't imagine.

[Matt Rogers]

The feat of production. My God.

[Sarah Jessica Parker]

And what went into deciding which ones you were gonna do and how bad, how hard it would be to be clear eyed enough to focus and everybody kind of already who rise all the time anyway at 11:00 or 11:30, like already. That's so something you guys are all accustomed to. So you were like taking the most well oiled machine and somehow making it like elevating like a speed train and Toyota or you know what I mean? Like a bullet train.

[Matt Rogers]

A bullet train.

[Sarah Jessica Parker]

So did you guys know that this was like, oh, this is solid. Like were you like, it was all.

[Matt Rogers]

For sure.

[Bowen Yang]

In Lauren's mind up until like the two weeks before. So Lauren, I think was doing his kind of amazing, Beautiful mind esque. Like the numbers are sort of like floating around his head. But like for the better part of the fall, I think for all of the first half of the season of 50, it was like, okay, like what's the show gonna be? Like, who should we be out to? Like, can we need to do like a veil check?

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

As if somebody would not cross with decline, you know, like anywhere to get there.

[Matt Rogers]

And then people posted it that you think would be amazing, but there it is. It's also very nerve wracking, but it's.

[Sarah Jessica Parker]

Also like a night for legends. Like it's a night where you want to repeat, you want to dip back in. Like it's such a deep. Of course. So I thought however you came to these decisions, whatever the collective is. First of all, the opening with Paul Simon and Sabrina Carpenter, which is like perfect and so sentimental.

[Matt Rogers]

Like already then and now.

[Sarah Jessica Parker]

They already hit like a triple total.

[Matt Rogers]

Oh yeah.

[Sarah Jessica Parker]

You know, like she was perfect and she like held back just the right. Like it was so elegant and he was so touching and it's so sentimental and it's so nostalgic. And you know, my brothers grew up watching that show the very first episode, like your show, like that show. But anyway, so already you could tell, like it was, you know, when you get off to a start like that, you're like, sure, you're so right.

[Bowen Yang]

It's like, I think probably that was the thought that went into it from Lauren's end. It was just like, let's just make sure this is cozy and comfortable for everyone in the room, everyone at home. We're in good hands all the way through. And then you come out with, you know, Steve Martin coming out so good, Mulaney Martin short. It's like all these heavy hitters and then it's just, it was to me this like four dimensional photo mosaic of like everyone who's had the same shared experience of being on that show, and it meant everything that, like, my closest friends were there, Matt was there, Sudi was there, our best friend Sudi, Celeste, our co writer, who we're working with now. I mean, it was just this complete tapestry of the human experience and how all of it has this optimistic sort of encasing around it, which is like, it's gonna be okay for all the slings and errors that people suffer in the system and outside of it. It's like everyone's here and they're telling you about the kids that are. That they have, the families that they've grown, like, the lives that they've had since they've been at the show. You know, it was really hard in the 70s, the 80s, the 90s, the aughts, whatever. Like, every era of the show is, like, not totally unique because it's like, oh, it's all been set against the backdrop of whatever political chaos was happening at the time. And, like, it's our job to, like, bring some levity in whatever way we can in whatever media environment that is out there. I mean, I was like, no one's gonna watch this. Everyone's attentions are pulled in a million different directions.

[Sarah Jessica Parker]

But every so often, there's a cultural event that is able to sit everybody down.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

And you want it to be in real time. Like, all of the new and the ways in which I, like, have, like, an allergy to watching television. Like, that, too, was the thing. It's like, no, it's going. You don't want to watch it tomorrow.

[Matt Rogers]

Zeitgeist moment. That is literally not a sports event.

[Sarah Jessica Parker]

Not a sports event.

[Matt Rogers]

No. Yeah, right. But I remember, like, this is odd, but, like, I remember when we were little, I remember watching who Wants to Be Millionaire when the first person won a million dollars, and it was like the world exploded. Like, I remember when Richard Hatch won Survivor.

[Bowen Yang]

Not me. Talking about only Kelly Clarkson winning command my girl.

[Matt Rogers]

But, like, you know, all these things are. That's what SNL50 was recreating. And I think such a good job. It makes you proud to be a New Yorker, too, because obviously it's so synonymous. And I think that must. That must also give you a sense.

[Sarah Jessica Parker]

Of pride as well.

[Matt Rogers]

Synonymous.

[Sarah Jessica Parker]

There are great musicals that are about New York and important choreography, but I think because this is this contemporary thing keeps giving us this experience every weekend. And it is only could be home in New York and, you know, a show can go on the road and touch people all over the country and the globe, frankly. But New York continues to be like this export. Like, we don't get to send art as far in the ways we used to. Like, it was such a crisscrossing of the ocean. It was such an effort. And now we. We're tossing stuff. But this is a New York show. It employs thousands and thousands and thousands of thousands of New Yorkers. I'm sure generations have gone through that studio of people on the crew side. You know, there's endless stories of the way in which it is a New York show.

[Bowen Yang]

Yes.

[Matt Rogers]

So you're guys at that show, are you? Like a Saturday Night Live dyed in the wool?

[Sarah Jessica Parker]

There's a period when I started having children that I didn't. That I tapped out of baseball, and I tapped out of anything that was late, because I just didn't. Especially if I was shooting and being a parent, all of a sudden, it didn't factor. Like, I couldn't carve the time out. But it's really interesting when you have children, after a while, what their interests are and what they're talking about can bring you back home.

[Matt Rogers]

Right.

[Sarah Jessica Parker]

Oh, once the time that happened, my son, baseball fan. And so it came back into our life because he became much more. You know, he was dictating conversation at the table. And then, of course, they're all watching SNL and they're talking about it and telling us and re. You know, and pulling stuff up on their phones of scenes and instances and whatever. So the way in which it kind of disappeared. Not entirely, but I wasn't able to stay up. Of course, you know, that's not so much the case anymore.

[Matt Rogers]

Sure, yeah.

[Bowen Yang]

But for you to give the imprimatur of New Yorkness onto that show is meaningful. Just coming from another New York show. I'm just so happy to hear that you guys had a great time. Cause you're right. The people in the room were you, Matthew, Lady Gaga, Cher, for God's sake.

[Matt Rogers]

You know what I mean?

[Bowen Yang]

It was like. And, like, you know, we couldn't believe.

[Sarah Jessica Parker]

We were like.

[Matt Rogers]

We were like, oh, my God.

[Bowen Yang]

Like, everyone was rubbernecking.

[Sarah Jessica Parker]

It was so crazy. And then, like, even the entrance and, you know, getting your ticket and, you know, Matthew was convinced we weren't gonna watch it in the room because they ushered us to this really lovely, like, cocktail area.

[Bowen Yang]

The lounge.

[Sarah Jessica Parker]

Yeah, the lounge. And then I felt Matthew's spirit. It slightly. He's like, I think we're in the lounge to watch it. And I was like, that's okay. We're all. It's. We're on this floor, right? We're on the eighth floor, right? The eighth floor, the eighth floor and.

[Matt Rogers]

They moved you in and then the.

[Sarah Jessica Parker]

Woman was like no, you come right this way.

[Danielle Roubais]

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[Matt Rogers]

Listen to your elders, honey. You might know them from their viral videos, but now the old gays pull back the curtain on their brand new podcast Silver Linings, with the old gaze brought to you in partnership with iHeart's Ruby Studio and Vive Healthcare. Hundred years of experience between them, hosts Robert, Mick, Bill and Jesse serve four lifetimes of wisdoms when it comes to love, sex, community and whatever else they got on their gay agenda. Listen in to these fabulous friends swap stories exploring how queer life has evolved over the decades and the silver linings they've collected along the way. Each episode dives into hot topics from safe sex and online dating to untangling Gen Z lingo, as well as insights on how music, art and fashion show up in queer culture. So check out Silver Linings, a show about how pride ages like fine wine, available on the iHeartRadio app or wherever you get your podcasts. High Key Listen to High Key, a new weekly podcast. You better listen. That's literally the definition of being an Aries moon. Just one little spicy off comment, that's all it takes. Everyone loves me at the Cancer and then the Aries comes out and they say who the is that? No you're gonna come for me being an Aries and you have a Sag moon. Get out of here. But I'm a Capricorn rising so that honestly balances it out and makes me more likable. Okay, that is Capricorn talking. Listen to High key on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. This episode of Las Cultereses is brought to you by Malibu.

[Bowen Yang]

When the clock hits 5:01, it's not just the end of your day, it's the beginning of your time.

[Matt Rogers]

Time to kick back, turn off the work brain, and turn up the good vibes.

[Bowen Yang]

Malibu is here to turn your after hours into island hours where the only thing on your to do list is fun.

[Matt Rogers]

Okay, sometimes when I want to clock off, I just call the girls up. I we're going to happy hour and you know, I'm getting a Malibu and diet, which is the same cocktail favored by Jennifer Pedranti from the Real Housewives of Orange county, who is what? The person I see when I look in the mirror.

[Bowen Yang]

You deserve to unplug, unwind, and feel like you're on vacation, even if you're just in your backyard.

[Matt Rogers]

And a great way to do that is with a delicious Malibu pina colada. Yum, yum, yum. Whether it's on the patio with friends at a front porch hang or just catching that sunset with someone special, make the moment matter.

[Bowen Yang]

Clock off with Malibu because life's too short not to do whatever tastes good. Sip easy.

[Matt Rogers]

Enjoy Malibu responsibly. Copyright 2025, imported by Pernod Ricard USA New York, NY. By the way, you know where I just saw Matthew at the Mets game. He was there.

[Sarah Jessica Parker]

Of course he was.

[Matt Rogers]

Was he. Is he there all the time?

[Sarah Jessica Parker]

Yes, there's.

[Matt Rogers]

Do you ride hard for the Mets or are you Yankees? And is it a torn up household?

[Sarah Jessica Parker]

Oh, it's such a complicated thing because we like, our whole courtship was like the late 90s Yankees because everybody, everybody, everybody was. Everybody was.

[Matt Rogers]

Tough time to be a Mets fan then because the Yankees, you guys would not sh.

[Sarah Jessica Parker]

But we weren't that kind of Yankees fan. Cause that's always been objectionable to me. But we did. We were in a couple ticker tape parades, so. Yeah. And we didn't have kids then, so like, you know, we could. Our dream was we were gonna travel. We didn't get to go on a honeymoon cause we were both working. But our travel dream was we were either gonna go to Vietnam or we were gonna go to all the baseball stadiums across the country before they were torn down. Like so many of them been torn down.

[Matt Rogers]

Oh, God. I know.

[Sarah Jessica Parker]

I miss shit. Yeah. I miss the charm of Shay.

[Matt Rogers]

Right? My dad used to ride his bike from Long island and hop the fence and he would just watch games at Shea, like riding in from Lindenhurst.

[Sarah Jessica Parker]

I mean, Matthew was sort of taught that you hopped fence. Like he was raised as a Met fan. His father took him to Mets games. So it was always hard. And then when they would have subway series, it was really hard. It's just that this late 90s Yankee team was just heavenly and we, you know, it was hard, but we love the Mets too. And there's been many times when it's been really hard.

[Bowen Yang]

Sure.

[Sarah Jessica Parker]

Oh.

[Matt Rogers]

Cause the thing with the Mets is they're either really good or really bad.

[Sarah Jessica Parker]

I know, but man, watching the Mets fan like our house, like, I'm like, we believe. Oh my God, you gotta believe. What is the temperature gonna be like when Matthew. I walked in the room the other day and I was like, what? What, what? Like I was scared of like some horrible news that had just arrived over the wire. And he's like, they just blew a, you know, they just blew a seven run blow up.

[Matt Rogers]

And that's part of being a Mets family.

[Sarah Jessica Parker]

I know, I know. It's just really sad.

[Matt Rogers]

The tragedy and the glory.

[Sarah Jessica Parker]

No, I know, I know. But you gotta be true blue. I go, gentlemen. Come on, boys.

[Bowen Yang]

Sure.

[Matt Rogers]

Oh, no, you have to be true blue.

[Bowen Yang]

But you're saying it divides the house. Along what line?

[Sarah Jessica Parker]

Well, meaning it doesn't really divide the house. Except that there are times when there were times when both were playing that we. I was like, I felt kind of bad about. I didn't know where to put my. I didn't know where to align because I love both teams. It's very hard to have to choose to have two great hometown teams. Now, Matthew wouldn't be quite as equivocating.

[Matt Rogers]

Right. So is it because you think of like the Yankees, you think of the New York grander. And then there's also the Mets. What's that? Underdog, like union spirit almost. I think that's what connected my dad.

[Sarah Jessica Parker]

To them whole attitude is like the Met. Well, in the old days the Yankees had all the money to hire players and the Mets were a scrappy. That was the feeling that was kind of like the color of the tone of the sentiment around. And you know, Yankee fans were wealthy. This was the. Not necessarily true. This was kind of, you know, I painted my nails white for you guys. Just want you to know that I've never had white nails in my whole life and they're gonna come off the second I get.

[Matt Rogers]

I love the white nails and I.

[Sarah Jessica Parker]

Already talked into it like butter. Anyway. I just saw them flash and I was like, I Better explain why these nails are white. But I feel like that was always the feeling. I don't know if that's true or if that's based.

[Matt Rogers]

I think it is anesthesia with baseball team.

[Sarah Jessica Parker]

And I know a lot of his regional. I know that Queens tends to, obviously are Mets fans and Upper New Yorker Yankees fans. All the geography makes sense. But I don't know how you pick a team.

[Matt Rogers]

Well, I think it's like. It really is. Like, your spirit can be very broken when you are the underdog team again and again and again. But I also think it's more fun. Of course it is.

[Sarah Jessica Parker]

I think it's always what they mean.

[Matt Rogers]

You know, it's fun to win all the time, but not.

[Sarah Jessica Parker]

But.

[Matt Rogers]

But you can. It can do something to you when you. When you come to expect glory and victory in this way and almost give an entitlement. And I think that's what I resented about Yankee fans that were around me is that they.

[Sarah Jessica Parker]

They were entitled.

[Matt Rogers]

They felt they were better than me.

[Sarah Jessica Parker]

Yes, yes.

[Matt Rogers]

You know what I mean?

[Sarah Jessica Parker]

100%.

[Matt Rogers]

And that's what it was. And I remember maybe this happened in your family at some point, but one day I think I was just, like, wanting to test the waters, and I walked into my dad and I was like, I'm a Yankees fan, and I bought all this Jeter merch. I think I thought maybe you really.

[Sarah Jessica Parker]

Were a Yankees fan, if you know what I'm saying.

[Matt Rogers]

You know who I was a big fan of was Mariah Carey, and they were dating, who was a Jeter.

[Sarah Jessica Parker]

Did you like Tino Martinez, too?

[Matt Rogers]

Oh, my God, I love Tino Martinez. First base. When he. So he would wear a. He would wear a batter's helmet while he played in the field. Oh, fuck. And he was one of the only ones. So this is like, like deep in my.

[Sarah Jessica Parker]

And remember what did your father. What was his. Was he just like my dad? It.

[Matt Rogers]

You know what's funny is he reacts now to the TV when Trump is on the way he used to react when things would go down with the team. And I thought over the years he had calmed down, but then left. But now it's politics. But last year when the Mets were really in it again, he was yelling at the TV again. And I was like, you know what? It kind of is nice. It kind of took me back a little bit, you know.

[Sarah Jessica Parker]

Oh, it's great.

[Matt Rogers]

But I remember, like. Yeah, that was before theater for me.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

Like sports and.

[Sarah Jessica Parker]

Well, sports is theater. I mean, my God, the drama.

[Matt Rogers]

Absolutely.

[Sarah Jessica Parker]

In our house and we can move on. Honestly, in our house, you'll hear, like, through the house. I don't know. If you guys do this. There's a thing about clapping when you get runs. Like, it's not like golf clapping. It's like the spirited clap. Yeah. It's like this kind of clap that I'm like, ah. Like, oh. Oh, that's better for all of us. Whatever happens is good. Yeah, we did skip over. So you talked about Hairspray, but what was your question about your hairspray experience? But I don't know. And maybe I should. Sorry, but I mean.

[Bowen Yang]

No, no, no. Why should. You know? I mean, what was. As it relates to theater?

[Matt Rogers]

No.

[Sarah Jessica Parker]

That cultural.

[Bowen Yang]

Oh, it's a lot of different answers every day.

[Sarah Jessica Parker]

That's okay.

[Bowen Yang]

I will say today, probably apropos of you being here, you are at the top of the show. I was kind of unlocking all these Once Upon a Mattress memories for myself. And it was going to the library and picking up your recording of Once Upon a Mattress, as well as. Because this was 2003, as well as the Wicked soundtrack, the Wicked recording, and both of those figure very heavily into my life. Yeah, but. But. But just. It was hearing you sing.

[Matt Rogers]

Shy.

[Bowen Yang]

I was hearing you sing, you know, like Spanish Panic or doing, like, the. You know, all those songs.

[Sarah Jessica Parker]

Can't remember all those songs.

[Bowen Yang]

But, I mean, it's a musical that I love.

[Sarah Jessica Parker]

So funny. Not everybody loves that musical. It's like.

[Bowen Yang]

It's jazzy and fun and funny and cheeky.

[Matt Rogers]

It actually is way funny. I took my aunt to go see the new.

[Sarah Jessica Parker]

It's like a skit almost. It's like a sketch.

[Matt Rogers]

It's a hard comedy. And the new one that Amy Sherman Palladino did the new book for Talking.

[Sarah Jessica Parker]

About with a Sutton.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

Yeah. I didn't get to see that.

[Matt Rogers]

It was really much funnier than I thought it was gonna be because, you know, it had been modernized and it had been punched up for a modern audience. But I left with a big smile. It really. It really was great. And it actually made me excited about reviving stuff like that, because there's a little part of me that really is excited about where theater is going. I'm sure you've seen everything but Sunset Boulevard and, I mean, you know, whatever happening with Evita right now with Rachel Zegler on the West End. I love the choice.

[Sarah Jessica Parker]

So, Jamie Lloyd, that's what you like?

[Matt Rogers]

Well, you know where we're going?

[Bowen Yang]

We're going to Gypsy tomorrow.

[Matt Rogers]

Tomorrow we're going to see Gypsy it's my second time. Oh, you must go.

[Sarah Jessica Parker]

I'm going to try. I'm going to try.

[Matt Rogers]

Audra is. She's just giving everything. And I don't think.

[Sarah Jessica Parker]

As usual.

[Matt Rogers]

Well, yes. I don't think I had really understood and appreciated the choice to take Rose's turn up, which took it out of her comfort zone purposefully to show the anguish. Because I really feel like this gypsy is exploring Rose as mentally ill, and I think that's such an interesting and fascinating way to go about it. And so I guess that's what I mean about, like, this stuff coming back, and you're kind of like, you know, you hear about something's going on stage or some person being a part of some revival, and you're like, why?

[Bowen Yang]

And then you see.

[Matt Rogers]

You give the opportunity and you see why.

[Sarah Jessica Parker]

Right.

[Matt Rogers]

And Once Upon a Mattress is just. It's a fun breeze and it's a blast. The jokes were hard.

[Sarah Jessica Parker]

Yeah, yeah, yeah.

[Matt Rogers]

Which is I find rare.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

But, you know, it was. It was great.

[Bowen Yang]

I mean, it just opened my eyes to. Because. Because growing up Colorado, in the suburbs.

[Sarah Jessica Parker]

So funny that you grew up in Colorado with this stuff. It's like, I. I don't. Why is that weird? Why is that? Like, why not?

[Bowen Yang]

But why not?

[Sarah Jessica Parker]

Why not?

[Matt Rogers]

I just.

[Sarah Jessica Parker]

I think because I feel like you are such a urban person.

[Matt Rogers]

Thank you.

[Sarah Jessica Parker]

Yeah. And urbane and. No, because I think, you know, I didn't get to see you as you arrived.

[Bowen Yang]

Of course.

[Sarah Jessica Parker]

Sure, sure, sure. Unfortunately, I bet you were. But, you know, you take on a little bit of something else. I. I just. It's so funny because I. That's just silly and small of me.

[Matt Rogers]

No, not at all.

[Sarah Jessica Parker]

I'm not suggesting that that won't exist in other parts of the. I just think of you very citified.

[Bowen Yang]

Between the three of us. It's like our essences have kind of, like, merged with the city. You know what I mean? It's like we're all like.

[Sarah Jessica Parker]

Which probably happens wherever you go and stay.

[Matt Rogers]

Yeah, absolutely.

[Bowen Yang]

But I've hit a milestone recently that I'm still not totally sure how I feel about, which is 34 years old, officially hitting 17 years in the city. Wow.

[Sarah Jessica Parker]

So it's half my life. Wow. Yes.

[Bowen Yang]

So I'm like, oh, yeah. This is. And you know what? This is like a conversation that, like, Josh Sharp and I, our friend Josh and Cole Escola and I have had, like, a few years ago where we're just like, gosh, are we just. Cause our friends. There's this Big exodus to la.

[Sarah Jessica Parker]

I was gonna ask you guys next. Like, how is it that we've kept you in New York? Like, is that.

[Bowen Yang]

It's been work for me.

[Sarah Jessica Parker]

But then.

[Bowen Yang]

But then. But then, like, our friends are just like. Are we just like the lifers here? Are we just like the welcoming committee for any new people who come and we're there with the greeting package or something? And now Matt's fully a New Yorker again, which I'm very, very happy about.

[Sarah Jessica Parker]

Can I ask you, what neighborhood do you live in?

[Matt Rogers]

Yeah, I'm in Nolita.

[Sarah Jessica Parker]

Oh, you are? Oh, interesting. You don't hear that as much lately.

[Matt Rogers]

You know what?

[Sarah Jessica Parker]

That's nice to hear. So you're on the receiving end of the Elizabeth Gardens being saved.

[Matt Rogers]

I just found out about it today. And I just have to tell you, I did get a little emotional. Cause I thought, like, it's a little Carrie Bradshaw. Like, I kind of lived because I'm single. And I'm feeling good about that again.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

And I'm good.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

And I feel like I'm.

[Sarah Jessica Parker]

Do you have a. I think I'm a probably pretty apartment. Is it pretty?

[Matt Rogers]

You know what? It's like Carrie's. Was it really?

[Sarah Jessica Parker]

I love those apartments.

[Matt Rogers]

It's charming and it's comfortable and I am.

[Sarah Jessica Parker]

Are you walking up? You're walking up?

[Matt Rogers]

No, I'm not walking up because it's.

[Sarah Jessica Parker]

Do you have an elevator?

[Matt Rogers]

There is one elevator.

[Sarah Jessica Parker]

That's amazing. On those streets.

[Matt Rogers]

Yeah. Yeah. See.

[Sarah Jessica Parker]

Cause those are smaller buildings.

[Matt Rogers]

It is my dream come true. So I'm still exploring.

[Sarah Jessica Parker]

Okay.

[Matt Rogers]

So you might need to write some things down for me that would make my life.

[Sarah Jessica Parker]

I'll frame it if I'm correct. Cause I know it is on the one that goes east, west. I know it's on that street. The cross street I feel less confident about. But if I'm right, that is a sandwich shop. Ooh. The best place is it just says blah, blah, deli. Like it's not. It's a nothing. Well, that's not true. Everything is. But it's not like I don't think people are lining up with their cameras and shooting it. I think it's just the real deal.

[Matt Rogers]

It's a breeze. You know what I mean? Like, it feels exciting. And I think, honestly, I got chased out of New York for a lot of reasons in here. And then all of a sudden, I felt like I was called home. And I will say it is harder day to day, but it is so worth it. I find that New York, it does Toss those challenges your way. They're just like, well, I asked for this. It's hot as hell.

[Sarah Jessica Parker]

I know. There's no swimming pool. There's no. Yeah.

[Matt Rogers]

There is no easy way to get places. But I will say you're compelled.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

And, like, that's all I ever really. It's like, when I was little, watching that show, I was compelled. New York compels.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

And I. During the pandemic.

[Sarah Jessica Parker]

Oh, sorry.

[Matt Rogers]

I keep going, like, being forced to be away. I remember I came back and, like, I walked the streets even though it was raining. And I literally was having, like, an as if we said goodbye moment. And I was just like, God. And I was emotional because memories everywhere. And you're only really ever gonna have one home like that.

[Sarah Jessica Parker]

Yeah. No, it's. It's pretty. It's pretty special. I wish it were more hospitable to those who feel that kind of dream because it's just right now, it's just. It's very. Just prohibitive financially. And I would love for others to be able to try to make it their home and have it be a real possibility. And maybe we will. Maybe we will find more affordable housing for our communities.

[Matt Rogers]

Our fingers are crossed.

[Sarah Jessica Parker]

Maybe that is not insane. Because I think so again. I guess I feel like I wanna go back for a second and just say it's amazing that people are moving back to New York. So somebody else I know just is moving back to New York. I feel like it's such a. That is such a prodigal return.

[Bowen Yang]

It's a return.

[Sarah Jessica Parker]

An unusual thing to be hearing. So I feel as if we're not losing people in the same way. I think. Well, I felt we were. That there is a kind of buoyancy. Maybe again, if we're not 100%, at least we don't seem like this forbidding place.

[Bowen Yang]

Sure.

[Sarah Jessica Parker]

So somewhere people are still thinking you can maybe make it happen there.

[Bowen Yang]

And I'm sure just to go back to what we were talking about at the beginning of this episode, I'm sure what a lot of the projection that people throw at people must. When they see you. When they get excited, they must. Must dump a lot of that ambition and that, like, just that the way that they wish the city was hostile.

[Matt Rogers]

You are a landmark.

[Bowen Yang]

You know what I mean?

[Sarah Jessica Parker]

I'm happy to be on, like, the repository for the dumping. That's all right. That's all right.

[Bowen Yang]

That's a huge role. But speaking of New York, how. And you brought Bridget Everett earlier. How did you get to Know those people like Bridget, like Amy Sedaris, like Nicole, like Andy. Like, that is such a fun downtown crowd. And like, like, I've always been one been curious about, like, how you got in with them.

[Sarah Jessica Parker]

Okay. I'm trying to remember the order Amy and I met. Matthew and I worshiped Amy Sedaris. We saw her, you know, on Letterman, basically, which is she was like a regular. You know, anytime someone would cancel, she'd quick run. She was the greatest. So this was in the late 90s and then so we really like together, it was like the things we loved were the Yankees, A.B. fab and Amy Sedaris. And of course, David. But he wasn't making as many appearances on commercial television as Amy was. But she was still Nichy. Like, it wasn't like you could walk the streets and talk about Amy Sedaris. It was much more valued, like, thing.

[Matt Rogers]

You could find your people in that reference.

[Bowen Yang]

Yeah, yeah, totally.

[Sarah Jessica Parker]

Kind of like Cole for a bit.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

So then Amy and I came to know each other because I was gonna do a play off Broadway at MTC Main Stage. I was gonna do a play that David Lindsay a bear play. And it was his follow up to Fuddy Mears, which was one of my most favorite shows ever plays ever. And we were supposed to start rehearsals on September 11, 2001. Wow. And we had made contact. You know, I basically did couple a. Cause Amy and I love David Lindsay Bear. And so that morning, I was up early to be on time for rehearsal and get to the subway and I was downstairs. Matthew and I lived low, low Manhattan, so we live south of Houston. And I was watching the Today show getting ready for my first day of school. And I was screaming at him. And then I said, I have to go. I'm gonna be late for rehearsal. And he said, I don't think there is gonna be rehearsal today. So I called Amy, who I didn't really yet know, and I said, I'm worried about being late. And she said, I don't think there's gonna be rehearsal today. So anyway, we became friends and we took the subway home together every day and we shared a dressing room. And she very graciously just allowed us to infiltrate. And she became a big part of our lives. And I always said, and I'll repeat it, you know, that I always thought like, she always says that she's a wedge in our marriage. But I was like, but they really have great chemistry. And he really loves her so much. Like, he admires her so much. And then Scotty Whitman used to do a bunch of plays he directed at La Mama. And Cole was always in them.

[Bowen Yang]

Yes.

[Sarah Jessica Parker]

And Bridget was. Or Ginger, as I call her. And. And so then. And then Ginger would come out east all the time and stay. And then she ended up just staying at our house for. I think she lived at our house for. And, you know, the world is. The social circles are tiny, tiny, tiny, and you just keep bumping into people. If you're lucky and if you are behaving basically as a decent person, you can stick around.

[Bowen Yang]

Yeah, right.

[Matt Rogers]

Did you ever, like.

[Sarah Jessica Parker]

Like, it's pretty amazing, Cole. I mean, like, is there a better story in the world? Can you think of one?

[Matt Rogers]

Probably not. I mean, like, it's. It's one of those things, too, where I got to say, it's always been like that. We've always said that they were our hero. Like, I remember that goes all the way back. I mean, that's why people don't really know. And I think they're knowing it now because there's a lot of press about Cole, but, you know, truly always thinking, like, no one else.

[Bowen Yang]

Yes.

[Matt Rogers]

And that was what was so inspiring. And, you know, it's funny, like, we had to answer some interview questions earlier, and it was like, who was your mentor? And I was like, I just got to say, I don't really have mentors, but I do have these, like, influences. And he was one of them. And I just wonder for you, like, when you come to New York, were you seeing a lot of experimental stuff? Like, were you seeing all of it? Like, did you know Liz Suedos?

[Sarah Jessica Parker]

My brother was in the. My brother was in Runaways, the first original.

[Matt Rogers]

She was my mentor.

[Sarah Jessica Parker]

No way.

[Matt Rogers]

At nyu. Yeah.

[Sarah Jessica Parker]

Oh, that's right. The. Because so she taught there. Okay. So when I was doing Annie on Broadway, my brother was in Runaways down about four blocks down south. Not even four blocks with Diane Lano. He was an original company. He was a public. And on Broadway.

[Matt Rogers]

Wow.

[Sarah Jessica Parker]

I auditioned for Runaways, too. Did not get it, nor should I have gotten it, but so we met at 49th Street. Cause we had to take the N and the R to the tram every night. So I loved Liv Suedos.

[Matt Rogers]

Oh, wow.

[Sarah Jessica Parker]

I love that show. Make sure your listeners pull up that cast album. That cast album is incredible.

[Matt Rogers]

You know, there was an episode.

[Sarah Jessica Parker]

Do you know it?

[Bowen Yang]

I don't know Runaways.

[Matt Rogers]

He almost worked with Liz.

[Bowen Yang]

I almost worked with Liz.

[Matt Rogers]

So I worked with Liz, like, many, many times. I was very close.

[Bowen Yang]

Oh, yeah, yeah, yeah.

[Matt Rogers]

No, it's fine. I honestly Like, I love honoring her on this podcast. And she actually came up earlier today. We had our honor.

[Sarah Jessica Parker]

Did she really?

[Matt Rogers]

Well, just because we were answering those questions and they asked me that mentor question and I was like, like, you know, trying to find it and I was a little frustrated with myself. And then I realized that's who it was. It was Liz. Cuz she just explored all these sides of me and like, like the way she let me see myself and I think that's what like great.

[Sarah Jessica Parker]

I think she was uniquely good at that though.

[Matt Rogers]

She had a real energy and she. I remember she just when I first auditioned for her.

[Sarah Jessica Parker]

Were you at Tish?

[Matt Rogers]

I was, but I wasn't an acting student. I was a. I don't want to make this about me at all.

[Sarah Jessica Parker]

Yeah, no, go, go, go.

[Matt Rogers]

I want all of that very, very close, closeted, but like I said, very passionate kid that wanted to do this. And I think that she, more than anyone else in my life, like allowed me to see myself as limitless. And I do think that that's such a gift to give someone who's a young performer is to like the knowledge that you can be anything.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

And she really took away my fear and emboldened creativity in me and like made me aware of my stage presence. And it was a way. It was like she would look you in the eyes and gave you a gift even in just doing that and gave you fearlessness. And that is like. That's why I ask is because we're talking about these people that energetically really have her spirit. And so I felt compelled to ask.

[Sarah Jessica Parker]

You if you knew her. Yeah, it's funny. Cause I probably wouldn't otherwise. She was really talented. She was really, really talented. And very, you know, if anyone can find their way to Runaways and just really watch that show, it's a pretty freaking extraordinary show. And it's brutal. And what Josie de Guzman. Diane. Diane was young Toby. My brother Toby, who went on to do the original. He was in the original Rent as well. He did all of Jonathan's shows from like Naked Angels and Tick Tick Boom.

[Matt Rogers]

See, that's what I'm talking about. And I loved the Tick Tick Boom movie that Lin Manuel did so much too. Cause it got that spirit. I remember when he showed those rehearsal rooms, I felt like I could smell them, like the light coming in the window on those third floor studios.

[Sarah Jessica Parker]

You know what I'm saying?

[Matt Rogers]

It just brought me so back and it's hard. And I wonder how do you remind yourself to be fearless when you're when.

[Sarah Jessica Parker]

You need to be.

[Matt Rogers]

When you're so established, I suppose, because I think that's something that we're running into is it's like. It's harder to be fearless as you become more established.

[Sarah Jessica Parker]

Yeah. I don't know. You just try to make interesting choices and, you know, doing Plaza Suite was really terrifying. It's just absolutely terrifying. And playing each of us. You know, we're playing three parts, and they're not anything like us. They're not. It's a different generation, and politics were different, and women were different, and sexual politics was different, and people sounded like where they were from. There were regional accents and manner and behavior, and it was absolutely terrifying. But I couldn't not do it. So there are lots of ways in which you can stay. Well, feel like you've always felt like, what is the job? How will it. I mean, the only difference now is, you know, how long has it taken me away from my family at this point. That's the. That's the only new part of the math of making decisions. It's pretty much all the same. It's.

[Matt Rogers]

The two of you were just glowing together. I remember I talked. She went with James Gully.

[Bowen Yang]

Oh, great.

[Matt Rogers]

And we were watching it, and just there's a moment. I believe it's the top of Act 2, where you come out in the blue dress.

[Sarah Jessica Parker]

Oh, yeah.

[Matt Rogers]

And the audience is just euphoric.

[Bowen Yang]

We're seeing you in this outfit.

[Matt Rogers]

And we looked at each other like, well, come on. And I mean, like. But. And then just, like, the kinetic energy that you guys have together. You really are incredible scene partners. And I wonder.

[Sarah Jessica Parker]

We never really worked together, though.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

I was gonna ask. So nervous making.

[Matt Rogers]

But that opportunity is brave in and of itself. I would imagine there's something courageous and like. Okay, I'm gonna, like, yeah, it was.

[Sarah Jessica Parker]

Kind of scary just. Cause, I mean, it was scary for all the reasons that I'm always nervous every time I get a job or do a job or start a job. I'm always, like, basically not really functioning as a calm person. Like, the first two or three weeks of every job are just awful. They're really incredibly unpleasant.

[Bowen Yang]

Well, is like, really?

[Sarah Jessica Parker]

Yeah. Just nervous and sick and, like, not sick, but, like.

[Matt Rogers]

Well, yeah, you're in your nerves.

[Bowen Yang]

Yeah.

[Matt Rogers]

There's something in your body that's like, ugh. Is it like that even when you.

[Sarah Jessica Parker]

Revisit Carrie every single season?

[Matt Rogers]

Really?

[Bowen Yang]

Really? Because I was gonna ask. I'm always sort of struck by the idea.

[Sarah Jessica Parker]

Do you feel that every season of SNL.

[Bowen Yang]

No, not at all. I mean, I'm just, like, perpetually nervous. And that just hasn't changed.

[Sarah Jessica Parker]

Maybe you do. No, no, no.

[Bowen Yang]

I asked Cynthia this. I was like, was it. What was the re. Acclimation to Miranda? And she was like, nope, she's kind of in me. I was like, that's incredible. But I'm always struck by the idea that you never watched dailies. Most of Sex and the City you haven't seen back is part of the answer to the question that Matt's asking. Is it to eliminate the things that would engender fear? Because, yeah, to watch yourself back is.

[Sarah Jessica Parker]

It's not productive for me. It makes. And it is for Cynthia. Like, Cynthia's a perfect example of someone who can watch dailies and have it be helpful, useful. And for me, it's paying attention. I just want to be. I just want the work to be good. Like, I don't need to see a playback on the set ever. I don't need to see dailies. If there's something radically wrong, I'm gonna have known about it long before that work comes back from the studio the next day. I will have felt it on the set. I have. So I have. Like. I'm like a whippet, you know? I'm like, so like this. I want so much for the work to be good that anything that feels peripheral isn't helpful to me.

[Matt Rogers]

It's not candor.

[Bowen Yang]

It's not candor.

[Matt Rogers]

I think it's. Honestly, I think you are. I think you really do seek honesty. I really couldn't say.

[Sarah Jessica Parker]

Well. Cause Cynthia would say that she can seek honesty from those dailies. But I just. We're just made differently.

[Matt Rogers]

It's a different process.

[Sarah Jessica Parker]

Right, right.

[Bowen Yang]

But in the absence of that sort of reflection. Like, what is your way of tracking.

[Sarah Jessica Parker]

Carrie through all the years, talking to Michael all the time, asking a lot of not asking questions. Cause I'm not a trained actor, so I'm not asking questions. I'm not asking subtext questions which I keep to myself. I'm asking questions sort of like a for instance of. But if she's saying that, or she's behaving this way, or she makes this gesture or she wears that, then don't we want to be thoughtful about that? Or if you're asking, if it's written this way, is there a landmine on the way to the next thing? And sometimes Michael Patrick will say to me, you don't know what I know. And I'll say, I don't. And I don't want to. I don't like to read the script until the night before the table read because I have so much work to do in this present moment that if I start knowing what Carrie's gonna do next, then I'm like, not here. Or he'll say to me, wow, that's a. I didn't see that. You're right. That's a good point. Wait a minute. Let me think about that. Maybe we should back off that. Or maybe you're right to pay attention to the kind of language here because maybe we don't. Like. I'm always on them about language. I'm like, she's a writer. She's a writer. She's a writer. So she'd be thoughtful about the way she's expressing things. Like, does she use the F word a lot? Maybe not. Because she's always considering thinking and considering. And her observational life has been like her meal ticket. So I want to be thoughtful about language because it's the only way she's in the world.

[Matt Rogers]

Thoughtful. Literally. Full of thoughts, right?

[Sarah Jessica Parker]

Yes.

[Matt Rogers]

And that's really interesting, especially because you're talking about how, like.

[Sarah Jessica Parker]

So that's how I track it. Sorry.

[Bowen Yang]

I love it. I love that.

[Matt Rogers]

But you're in speaking about, like, literally, the character of Carrie Bradshaw. One of the things that I think is so incredible about Carrie is that she is far from perfect. She'd be very easy to judge. And I wonder, apparently, people do. Well, I wonder how many times. But that's a good thing, though.

[Bowen Yang]

But I'm saying that that's the point.

[Matt Rogers]

I mean, but literally, she made, I think, one of the most famous mistakes in television history.

[Sarah Jessica Parker]

What are you talking about?

[Matt Rogers]

Well, when she cheated. You know what I mean?

[Sarah Jessica Parker]

Like men have been doing forever. Well, yes, but I mean, as leads on shows and in movies and people were like, I love him.

[Matt Rogers]

This is the actual question I'm asking is how much do. And how much are you like Carrie when she does something that you don't like?

[Sarah Jessica Parker]

I mean, she's a fictional character.

[Matt Rogers]

Well, yes.

[Sarah Jessica Parker]

I think people make mistakes and smart people do silly, stupid things and they use poor judgment and they fall really short often. Yeah, the best of us are. Fall short. And, you know, we forgive us our. Forgive us our trespasses if we forgive those who trespass. I mean, I kind of think if Carrie Bradshaw were somebody who was absolutely reliable to resist, in that instance, the temptation of Big, and Big, who followed her around, who orbited in a solar system that seemed to only include the two of them, narcissistic abuse. You know, maybe. Apparently that's a new. Those are new words for me. But then I'm not entirely sure. What is the show? Like, who is this person if she is only making really solid, predictable choices and choosing. And it's not a recipe for all of us to live by. That's what makes it. It's like there's an altered state to Sex in the City. It's not entirely the emotional life is rooted in truth, but its existence has always felt to me, like, slightly technical.

[Matt Rogers]

Yeah.

[Bowen Yang]

On a higher vibration.

[Sarah Jessica Parker]

Altered. Yeah. Like the city looks like this.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

And the clothes look like this. And there's like a time warp of like, time suspends. And you can be with people you love for long periods of time, which does not exist for all of us, no matter how much we love our friends. And love has this sort of like, extra dose of some kind of. Of adrenaline fueled, ridiculous, consuming love.

[Matt Rogers]

Consuming. Yeah. We were just.

[Sarah Jessica Parker]

What does she say to him? I want love. I want.

[Matt Rogers]

I am someone who is looking for love. And that. We were so ridiculous.

[Sarah Jessica Parker]

Love. And if you want, it's great, mama. You can't have. I mean, you don't spend time on HBO being perfect.

[Matt Rogers]

No.

[Sarah Jessica Parker]

And one of my favorite characters in the world is Tony Soprano forever and. But that is not a man who made great joy. I'm curious how many people did not interrogate those same things about him. Nor should they have, because it was just beautiful writing and brought us into the life of somebody who we wouldn't normally feel such compassion for. So I'm not comparing. I'm just saying it's curious.

[Bowen Yang]

No, no.

[Sarah Jessica Parker]

How little tolerance we have for a woman.

[Matt Rogers]

Well, my take, too, is falling short. Of course, it's that. But also it's like we project onto Carrie because we want to be her. Whereas, like, we really don't want to be Tony Soprano. So there's.

[Sarah Jessica Parker]

Maybe we want to be Jimmy. Like there was something really.

[Matt Rogers]

Well, yeah. How do you describe that swagger? And you want, like, the.

[Sarah Jessica Parker]

The, I guess, the intensity and the complexity.

[Matt Rogers]

Yes. But it's almost like I feel like when people can expect something of you, like, you can fail them. And I think that Carrie Bradshaw is an aspirational. This is why I asked the initial question of, like, that must feel sometimes a little intense because she is the woman who took over New York and started, you know, smoking her cigarettes, taking off her shoes on the street. And now, you know, we've seen her all these years and we've been with her, yet we didn't need to see all her growth to from the beginning know that we wanted to be her. Be one of her friends. Are you a Carrie or Miranda or Charlotte or a Samantha? You know what I mean? That's a question for a reason. And so when. When that is true, my opinion is that is why we're often hard on people. Because. But I wouldn't do that. And I'm Carrie.

[Bowen Yang]

I am sure.

[Sarah Jessica Parker]

Sure.

[Matt Rogers]

You know what I mean?

[Sarah Jessica Parker]

Yeah. That's so interesting. I wouldn't do that. But I'm Carrie. Yeah.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

I've never heard that. That's really great. And I'm not privy to all of the chatter, so I'm just. Kristen Davis always keeps me posted in ways that sometimes I'm like, don't. You don't have to tell me. They. I don't want to hear what anyone has to say.

[Bowen Yang]

Right, right.

[Sarah Jessica Parker]

Plus, which is not. It doesn't help me.

[Matt Rogers]

No. You're sorry.

[Sarah Jessica Parker]

But I'm like, how great.

[Matt Rogers]

Of course.

[Sarah Jessica Parker]

Right.

[Bowen Yang]

The treat of watching Carrie now is just that you're like. And this is just a testament to your acting which I can't really quite still can't square with the fact that you don't want anything back. It's just that like this is Carrie. This is Carrie like decades in. In this beautiful way. You know, it's like. It's still like. I mean this last episode with Carrie and Aiden, it was the perfect extrapolation of what I watched as a non New Yorker now thinking, oh, but that's Sarah Jessica. That's Sarah Jessica shepherding this person into across time in a way that I think I don't know.

[Matt Rogers]

And we should say when we were talking about the scene with Aiden Wiyar. This will come out in a few weeks.

[Bowen Yang]

Yeah.

[Matt Rogers]

So we are a little bit behind. Something may have happened with Aidan. Since we're talking about. About Carrie again. I didn't love that she did this, but gave him the goddamn key. I was like, you really are giving these men the access. And then. I don't think so, honey. To be honest, I know she has to believe, but she has to want more for herself too.

[Bowen Yang]

No, but then. And then we did watch on the way here. I knew you would do this. I'm humiliated. I'm humiliated.

[Matt Rogers]

What an amazing sequence.

[Bowen Yang]

Incredible sequence.

[Danielle Roubais]

Tired of spills and stains on your sofa? WashablesOfAs.com has your back. Featuring the Annabe Collection. The only designer sofa that's machine washable inside and out. Where designer quality meets budget friendly prices. That's right. Sofas start at just $699. Enjoy a no risk experience with pet friendly, stain resistant and changeable slipcovers made with performance fabrics. Experience cloud like comfort with high resilience foam that's hypoallergenic and never needs fluffing. The sturdy steel frame ensures longevity and the modular pieces can be rearranged anytime. Check out washablesofas.com and get up to 60% off your annabe sofa backed by a 30 day satisfaction guarantee. If you're not absolutely in love, send it back for a full refund. No return, shipping or restocking fees. Every penny back Upgrade [e-mail] Offers are subject to change and certain restrictions may apply.

[Matt Rogers]

Listen to your elders, honey. You might know them from their viral videos, but now the Old Gays pull back the curtain on their brand new podcast Silver Linings with the Old Gays, brought to you in partnership with iHeart's Ruby Studio and Viv Healthcare. With over 300 years of experience between them, hosts Robert, Mick, Bill and Jesse serve four lifetimes of wisdoms when it comes to love, sex, community and and whatever else they got on their gay agenda. Listen in to these fabulous friends swap stories exploring how queer life has evolved over the decades and the silver linings they've collected along the way. Each episode dives into hot topics from safe sex and online dating to untangling Gen Z lingo, as well as insights on how music, art and fashion show up in queer culture. So check out Silver Linings, a show about how pride ages like fine wine. Available on the iHeartRadio app or wherever you get your podcast. High Key Listen to High Key, a new weekly podcast. You better listen. That's literally the definition of being an Aries moon. Just one little spicy off comment, that's all it takes. Everyone loves me at the Cancer and then the Aries comes out and they said who the is that? No you're gonna come for me being an Aries and you have a sag Moon. Get out of here. But I'm a Capricorn rising so that honestly balances it out and makes me more likable. Okay, that is your Capricorn talking. Listen to High key on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. This episode of Las Clotaresas is brought to you by Malibu when the clock.

[Bowen Yang]

Hits 5:01, it's not just the end of your day, it's the beginning of your time.

[Matt Rogers]

Time to kick back, turn off the Work brain and turn up the good vibes.

[Bowen Yang]

Malibu is here to turn your after hours into island hours, where the only thing on your to do list is fun.

[Matt Rogers]

Okay, sometimes when I want a cl, I just call the girls up. I say, girls, we're going to happy hour. And, you know, I'm getting a Malibu and diet, which is the same cocktail favored by Jennifer Pedranti from the Real Housewives of Orange county, who is, what? The person I see when I look in the mirror.

[Bowen Yang]

You deserve to unplug, unwind, and feel like you're on vacation, even if you're just in your backyard.

[Matt Rogers]

And a great way to do that is with a delicious Malibu pina colada. Yum, yum, yum. Whether it's on the patio with friends at a front porch hang or just catching that sunset with somewhat special make the moment matter.

[Bowen Yang]

Clock off with Malibu because life's too short not to do whatever tastes like good. Sip easy.

[Matt Rogers]

Enjoy Malibu responsibly. Copyright 2025, imported by Pernod Ricard USA New York, NY. Can we just talk about filming that? Like the. This. The wedding sequence.

[Bowen Yang]

The library.

[Matt Rogers]

The library, which obviously had to have a meaning for you as well, because you're so close to it. And then here you are creating this iconic thing. But, like, you don't watch that back. That sequence, because you really killed it, girl.

[Sarah Jessica Parker]

I really remember. I remember, you know. You know, we had to. Michael really wanted us to go to the premiere and sit through it and done. So.

[Bowen Yang]

So you did see that?

[Sarah Jessica Parker]

I did. I wasn't, like, pleasant, but meaning, like, I don't want to watch it.

[Matt Rogers]

And also, is it that scene I.

[Sarah Jessica Parker]

Remember really shooting because we were trying to. I'll have this piece of tape off by the time we finish. We were trying to protect the plot, like, which was crazy. Thought that we could do it on 43rd street between 6th and 5th. And we were all. They had us in a hotel room, as you know, they do. They gotta put you somewhere while they're setting up the shot. And so we were all in a hotel room together waiting to shoot that scene. And I didn't know how. You know, there's so much. And you both are. You're actors, so, you know, there's. There's like a huge amount of thinking you can do about something. And some people prepare, really prepare. And I think about things a lot and I learn my lines, but I don't really have a set plan because it's so much about the other party. Like, I can have all the plans in the world. But that means that it's potentially. It's likely I'm not here a goddarn thing you're saying or doing.

[Bowen Yang]

Totally.

[Sarah Jessica Parker]

So I had no idea how we were gonna do this scene. I had no idea how I was going to be.

[Matt Rogers]

Yeah. Not a lot on the page either at all.

[Sarah Jessica Parker]

No. And it's just. I think that's a really great example of Michael Patrick, like, really setting the table and teeing it all up really, really well and just calling action and not getting in anybody's way. There was no right or wrong way. I didn't hear him in my head saying, I knew it. Whatever those lines were, I knew you were gonna do this or whatever. But there was so much truth. I think the entire time in my head, now that I'm recalling this, was this probably this fear that he actually was capable of that not gonna show, like there was gonna be a part of him, even a psychic part of him that didn't show up. So anyway, that scene and just people around and us trying not to have anyone take pictures of the flowers and the petals. And those were real, real flowers with thorns and everything on the stems. I mean, those were real roses for all their beauty and all their danger.

[Matt Rogers]

Wow. It's so brilliantly directed. We were just watching it, and I was like, cynthia, here. Oh, my God, Kim, what? Do you see what Kristen's doing? And just the.

[Sarah Jessica Parker]

How about when Kristen just says, no, no, no, she does it?

[Matt Rogers]

I was like, no, it was primal, primal, primal. And I wanted to know, do you remember? This is an insane. Were there two noes in the script or was.

[Sarah Jessica Parker]

I think there was one.

[Bowen Yang]

The second one is so cute.

[Matt Rogers]

It's reality.

[Sarah Jessica Parker]

I'll ask Chris. And I'll call you guys later and ask Chris to remember. Exactly.

[Matt Rogers]

It's just iconic. And also.

[Sarah Jessica Parker]

And that dress that she can barely walk in, It's. What's his name? Zach. It's Zach Posen's dress.

[Bowen Yang]

Yeah, that black one.

[Matt Rogers]

And I love the little comedic beat at the end of her.

[Sarah Jessica Parker]

Tip, tip, tip, tip. And she doesn't have any movement.

[Matt Rogers]

I love it. And that's also. That's so specific.

[Sarah Jessica Parker]

That's Kristen, though, I have to say. Like, that's how Kristen is about us.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

Like, don't mess with us. Meaning she will not let anyone hurt us. She will jump in front of a bear, a train, a bull. She is. That is her.

[Matt Rogers]

It was a mission statement for that character. Like, that protection. And also just, you know, the way that every character was, like, immediately Filling into a utility to protect one another.

[Sarah Jessica Parker]

Yeah. Everybody had their job. It was just. Yeah, I remember that about it.

[Matt Rogers]

Yeah. Just the way that Cynthia looks at him afterwards, like, so deeply. Cause I always thought that the relationship between Miranda and Big was always fascinating.

[Bowen Yang]

Yes.

[Matt Rogers]

Because they're like. I feel like Miranda always sobbed, always knew something that everyone didn't. And of course, it was informed by, like, you know, sort of like the.

[Bowen Yang]

Version that Carrie would tell either of them about. Oh, Miranda said this today? Or Big said this today? Yeah, yeah, yeah.

[Sarah Jessica Parker]

I think that's why. And maybe I have this wrong. We don't have to spend more time on this, but I think that's why it's so. I don't expect you guys to know the answer to this, but it's possible that Miranda says, go get our girl. When Carrie's in Paris with Petrovsky, I think she's the one that says to Big, go get our girl. Which is interesting that she is basically endorsing Carrie and Big totally, but also.

[Bowen Yang]

Including herself in that arrangement of our.

[Sarah Jessica Parker]

Yeah, yeah, yeah.

[Matt Rogers]

It's one of the best.

[Bowen Yang]

And what you're describing on the day is, even though you're saying there's no process, the process is led by a candor, you know, by this honesty that you just don't. You need to know what Kris is gonna do or not to know what he's gonna do, but you just. You just play off of what he's gonna do or what. You know.

[Sarah Jessica Parker]

The best thing you can do as an actor, it's the best thing, is to not be too prepared. Be prepared.

[Matt Rogers]

I feel that way too.

[Sarah Jessica Parker]

Be on time. Be on time.

[Matt Rogers]

On time.

[Sarah Jessica Parker]

Be on time. Learn your lines. Know your lines. I don't care what genre of filmmaking you're at unless you're doing. Unless it's entirely improvised.

[Bowen Yang]

Sure, sure.

[Sarah Jessica Parker]

Other than that. No, you're lying.

[Matt Rogers]

Well, you know what?

[Sarah Jessica Parker]

And then just listen. See what happens. It's the best.

[Matt Rogers]

Another show I loved. I loved Divorce, but I worked with Molly Shannon on a show called I love that for you. And I remember we were in the makeup trailer one day, and she looked at me and she goes, how much do you look at the line? And I go, don't throw her under the bus. No, no, no, no. It's.

[Sarah Jessica Parker]

I'm guessing Molly knows.

[Bowen Yang]

Molly knows her line.

[Sarah Jessica Parker]

She does have her notes in her script. When she's walking around with the script, and she's got all of her.

[Matt Rogers]

Oh, I love the way she loves to orient herself.

[Sarah Jessica Parker]

I learned a lot I learned so much from her.

[Matt Rogers]

Right. Isn't she great? Well, obviously Bowen's worked with her now several times because she's gone back.

[Sarah Jessica Parker]

But, you know, when she said. What was your answer when she asked that?

[Matt Rogers]

I was like, you know what I'm getting? Because I. Again, I tend to drive my. I'm very hard on myself. And I tend. I would leave. It was my first series regular job, and I wanted to do. I wanted to do a good job. And I think that, you know, again, I don't want to myself, but Jennifer.

[Sarah Jessica Parker]

Do better than a good job. Of course. Of course.

[Matt Rogers]

So basically, like Jennifer Lewis. There was a day when Jennifer Lewis.

[Sarah Jessica Parker]

We say Jennifer Lewis.

[Matt Rogers]

Yes, Jennifer Lewis.

[Sarah Jessica Parker]

That's the only way we say her name.

[Matt Rogers]

One of my biggest bummers is that the episode that she came on this podcast, you were out. And so. But I want them to meet so bad because I just want to see that interaction.

[Sarah Jessica Parker]

Jennifer Lewis.

[Matt Rogers]

But she said to me one day, she was like, you're two too hard on yourself.

[Bowen Yang]

Jennifer.

[Matt Rogers]

This is Jennifer too hard on yourself. And you. She just, like, was like. She was like. And people like, you know, just. You have to know you have it. And so Molly asked me that question, and I was like, you know what? I'm learning to drive myself less crazy about it because I find you do know it.

[Sarah Jessica Parker]

Yeah.

[Matt Rogers]

You know what I mean? If you're the kind of person who wants to show up and do a good job to begin with, you're gonna do a job. You do know it. And so sometimes I think it's important to preserve that freshness.

[Sarah Jessica Parker]

A little bit of tingle.

[Matt Rogers]

Yeah.

[Sarah Jessica Parker]

Because, like, the characters. Did you say Frison?

[Matt Rogers]

Fresh from the level.

[Sarah Jessica Parker]

Right.

[Matt Rogers]

But. No, but it does feel like. Like the character doesn't know what they're about to say.

[Sarah Jessica Parker]

Right. I know. So it's that fine line of being prepared and being completely spontaneous. Yeah. Like a raw nerve.

[Matt Rogers]

But. But Molly was. It was just interesting. Like, I made that connection that you guys had worked together in a show.

[Sarah Jessica Parker]

Yeah, she's really great. I tell young actors. And this was before I'd listened to Barbra Streisand's book on tape, the only book I've ever listened to. Not on tape, but audio version.

[Matt Rogers]

Yeah.

[Bowen Yang]

It's pretty great.

[Sarah Jessica Parker]

But I think Molly's memoir is the greatest. Like, if you can't get to an acting class and you can't get to an acting school, that is not a possibility for you. You read her book. It is a handbook for young actors. I think it's first of all, I mean, not surprisingly, it's brilliantly written. It's so funny and so clearly her voice, but her scrappiness and her persistence. Not actually unlike Barbra Streisand, who was like, I'm just. I'm gonna get in that class. I don't care. I will get in that class. If I have to lie about my age, if I don't lie about my age, if I do this, if I babysit the acting teacher. All the ways in which she worked toward Molly had the same kind of grit and the same kind of endless gumption. Yeah, it's amazing.

[Matt Rogers]

Yeah. Anyway, literally throwing herself into it.

[Bowen Yang]

Literally.

[Sarah Jessica Parker]

Yeah. Yeah.

[Matt Rogers]

Okay. We're gonna throw ourselves into. I don't think so, honey.

[Sarah Jessica Parker]

Oh, my God.

[Matt Rogers]

This is.

[Sarah Jessica Parker]

Anytime I've seen this, the studio seems so big and I didn't realize the studio was so small. And I guess the way you guys shoot it, which is so funny to say for a podcast, but. But like the separation. Because often. Wait, are you more separated from each other Sometimes? Are you ever separated?

[Bowen Yang]

Sometimes we're on this side to the other side.

[Sarah Jessica Parker]

Yeah, yeah, yeah. Because sometimes they're shooting. I guess it's your right.

[Matt Rogers]

So it's pretty random.

[Sarah Jessica Parker]

It's funny to see you together sometimes.

[Matt Rogers]

I do like being over there.

[Bowen Yang]

I do like being over there sometimes. But this feels right. This feels like.

[Sarah Jessica Parker]

You heard that today.

[Matt Rogers]

No, I like this. I was changing today.

[Sarah Jessica Parker]

We can start over again.

[Matt Rogers]

You want to take them from the.

[Sarah Jessica Parker]

All right, so what do you want me. You want me to.

[Matt Rogers]

Oh, so we're gonna go first and then.

[Sarah Jessica Parker]

Oh, you have one.

[Matt Rogers]

Oh, yes. We all do it.

[Sarah Jessica Parker]

So excited. I'm also. That makes me really scared because yours are no doubt likely going to be very funny, snarky.

[Matt Rogers]

Oh, come on. Well, now you're sitting a bar. We're trying to meet.

[Bowen Yang]

Exactly.

[Danielle Roubais]

There's nothing like sinking into luxury. @washablesofas.com you'll find the Anabe sofa sofa, which combines ultimate comfort and design at an affordable price. And get this, it's the only sofa that's fully machine washable from top to bottom. Starting at only $699. The stain resistant performance fabric slipcovers and cloud like frame duvet can go straight into your wash. Perfect for anyone with kids, pets, or anyone who loves an easy to clean spotless sofa. With a modular design and change slipcovers, you can customize your sofa to fit any space and style, whether you need a single chair, loveseat or a luxuriously large sectional. Annabe has you covered, visit washablesofas.com to upgrade your home. Right now you can shop up to 60% off store wide with a 30 day money back guarantee. Shop [e-mail] Add a little to your life. Offers are subject to change. Change and certain restrictions may apply.

[Matt Rogers]

Listen to your elders, honey. You might know them from their viral videos, but now the Old Gays Pull back the curtain on their brand new podcast Silver Linings with the Old Gays, brought to you in partnership with iHeart's Ruby Studio and Viv Healthcare. With over 300 years of experience between them, hosts Robert, Mick, Bill and Jesse serve four lifetimes of wisdoms when it comes to love, sex, community and whatever else they got on their gay agenda. Listen in to these fabulous friends swap stories exploring how queer life has evolved over the decades and the silver linings they've collected along the way. Each episode dives into hot topics from safe sex and online dating to untangling Gen Z lingo, as well as insights on how music, art and fashion show up in queer culture. So check out Silver Linings, a show about how pride ages like fine wine. Available on the iHeartRadio app or wherever you get your podcasts. Listen to High Key, a new weekly podcast. You better listen. That's literally the definition of being an Aries moon. Just one little spicy off comment, that's all. Everyone loves me at the cancer and then the Aries comes out and they said who the is that? No you're gonna come for me being an Aries and you have a sag moon. Get outta here. But I'm a Capricorn rising so that honestly balances it out and makes me more likable. Okay, that is your Capricorn talking. Listen to High key on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast podcasts. This episode of Los Co is brought to you by Malibu when the clock.

[Bowen Yang]

Hits 5:01, it's not just the end of your day, it's the beginning of your time.

[Matt Rogers]

Time to kick back, turn off the work brain and turn up the good vibes.

[Bowen Yang]

Malibu is here to turn your after hours into island hours where the only thing on your to do list is fun.

[Matt Rogers]

Okay, sometimes when I want to clock off, I just call the girls up. I say, girls, we're going to happy hour and you know I'm getting a Malibu and diet, which is the same cocktail favored by Jennifer Pedranti from the Real Housewives of Orange county, who is the person I see when I look in the mirror.

[Bowen Yang]

You deserve to unplug, unwind and feel like you're on vacation, even if you're just in your backyard.

[Matt Rogers]

And a great way to do that is with a delicious Malibu pina colada. Yum, yum, yum. Whether it's on the patio with friends at a front porch hang or just catching that sunset with somewhat special make the moment matter.

[Bowen Yang]

Clock off with Malibu because life's too short not to do whatever tastes good. Sip easy.

[Matt Rogers]

Enjoy malibu responsibly. Copyright 2025 imported by Pernod Ricard USA New York, New York, York. So we're. This is our 60 second segment. For those just joining us, fast JP fans that are. That are just coming by lost cults because the icon herself is here. But 60 seconds to ran rail against something in pop culture that's getting. It's going to be pop culture. It's a whole thing. It can be anything.

[Sarah Jessica Parker]

Please, you'll tell me if I've. I can't wait to hear yours.

[Matt Rogers]

Yeah, I have takes because I'm a fan. Here we go.

[Bowen Yang]

Oh, this is Matt Rogers. I don't think so. And his time starts now.

[Matt Rogers]

I don't think so. Hunter, honey. Carrie Bradshaw. I think you needed to give Paris a few more weeks. Back in the day, I have to say. Because I don't think so, honey. Big. I never did. I like Miranda, saw you from the beginning, sir. And I do have the words for it now. It was narcissistic abuse. Rest in peace.

[Bowen Yang]

Darn it.

[Matt Rogers]

But still. I also don't think so, honey. Aiden, wait for me.

[Bowen Yang]

Five years, sir.

[Matt Rogers]

Carrie sjp. I know you're not her, but you have a direct line to her. Carrie, you are a target for narcissists. No. And let me tell you something about who Carrie Bradshaw is.

[Bowen Yang]

There's no.

[Matt Rogers]

Carrie Bradshaw is someone who is looking for love. And I don't think that it's here in this beautiful city in that townhouse infested with rats.

[Bowen Yang]

15 seconds.

[Matt Rogers]

In Manhattan. I think you gotta go back to Paris. And I gotta say yeah, now. Like you gonna give me some New York recommendations in my new area.

[Bowen Yang]

Five seconds.

[Matt Rogers]

I think I could give you some Parisian recommendations. Silencio. It says it's a gay club. It's not. You're gonna do great. Lots of wonderful straight guys there, Carrie. And they're not big in Aiden, which is perfect for me. I don't think so, honey.

[Bowen Yang]

And that's one minute.

[Sarah Jessica Parker]

Wow. Okay. I don't wanna go.

[Matt Rogers]

No, you gotta go.

[Bowen Yang]

I'll Go and I'm gonna bring us down.

[Sarah Jessica Parker]

That's bad. Can I tell you something that's funny?

[Matt Rogers]

No. Who cares? All it has to be is spirited artist.

[Sarah Jessica Parker]

You can cut it out. Out.

[Matt Rogers]

No, we chop it up.

[Sarah Jessica Parker]

Chop it up, make it better.

[Matt Rogers]

They're gonna.

[Bowen Yang]

They're gonna see the timestamps. They're gonna know that we. That we with it.

[Matt Rogers]

First of all, you guys are.

[Sarah Jessica Parker]

You're. You're.

[Bowen Yang]

I'm gonna take a left turn.

[Sarah Jessica Parker]

Oh, you're. You go.

[Bowen Yang]

This is. Yeah, this is. This is gonna be a whole nothing.

[Matt Rogers]

This is Bowen. I know. He's at a. Isn't that the cutest pop socket?

[Bowen Yang]

It's a very little.

[Matt Rogers]

He was dragging.

[Bowen Yang]

Soft socket, so.

[Matt Rogers]

But this is also a fidget spinner.

[Bowen Yang]

That's a fidget spinner.

[Sarah Jessica Parker]

It's Jigglypuff.

[Matt Rogers]

It's a fidget spinner on a pop socket. Let's show the girls. Look at that, y'. All. Isn't that just.

[Sarah Jessica Parker]

That's really pretty.

[Matt Rogers]

Well, he's a Pokemon fanatic.

[Sarah Jessica Parker]

That's really, really pretty fun.

[Matt Rogers]

All right.

[Bowen Yang]

Oh, it's my baseball. It's my. It's my Yankees.

[Matt Rogers]

I mean, look down at the text, and there's a lot.

[Sarah Jessica Parker]

Are you serious?

[Bowen Yang]

It's okay.

[Matt Rogers]

Mean from the world, just CNN breaking some news. Anyways, it won't be topical now, but just know there's more bullshit breaking some news. Okay. This is Bowen Yang's. I don't think so, honey. And his time starts now.

[Bowen Yang]

I don't think so, honey. When someone asks if you're free on a certain night without telling you what they are inviting you to or pressuring.

[Matt Rogers]

You to do, narcissistic abuse. That is a form of entrapment.

[Bowen Yang]

Legally, that is a form of entrapment. You are not allowed to do that. I need to know what you are asking me to commit to before I tell you whether or not I'm free. Because I might need the knight to myself to stay in. I mean it. But I think we.

[Matt Rogers]

I.

[Bowen Yang]

In the royal. I sense 30 minutes. And we just have to moratorium on that for a little bit before we. Before we know a way forward. I think there should be legislation behind this. I mean, you're allowed to cancel in.

[Sarah Jessica Parker]

All their free time.

[Bowen Yang]

No.

[Sarah Jessica Parker]

Please. No. You get three seconds.

[Matt Rogers]

Yes, yes, yes.

[Bowen Yang]

You get your free time back.

[Matt Rogers]

And it's like. But that's.

[Bowen Yang]

But then the person feels like they. They're giving you your time back, which is also kind of a weird directional sort of way of framing It. And I just think we need to be more transparent about what the proposal is when we're inviting our friends out.

[Matt Rogers]

And that's one minute. And also.

[Sarah Jessica Parker]

That was really good, guys. That was both. Both of those were great. Thank you.

[Matt Rogers]

Thank you.

[Sarah Jessica Parker]

Those are great.

[Bowen Yang]

But it can be anything but.

[Matt Rogers]

But listen, what I'm saying about this is. And when I say to you in response to what are you doing this night? And you don't qualify it with any information, and my response to response is, well, what's going on? Or why? I'm not rude.

[Sarah Jessica Parker]

No, I'm investigating. I think it's perfectly fair question. Yes, but it's a perfectly fair response. Why? Hey, why? I'm not sure yet. Why?

[Matt Rogers]

Yeah, they won't let me.

[Sarah Jessica Parker]

Oh, I'm not sure. Yeah, they won't.

[Matt Rogers]

They won't. They won't.

[Sarah Jessica Parker]

The government.

[Matt Rogers]

I still think we're going to use it.

[Sarah Jessica Parker]

Yeah, do it.

[Bowen Yang]

Well, I know you said on Stern, like, you can't really use that anymore.

[Sarah Jessica Parker]

But I just kind of.

[Matt Rogers]

You blew your cover.

[Sarah Jessica Parker]

I was, like, working on some other stuff. Trying out some other stuff. I went to Carolyn's comedy over there and I went to the Cellar. No, I was just working. I try to work on some other. Sometimes I just say the government, which is also equally as, like, disorienting.

[Matt Rogers]

It's like, what is true for the.

[Sarah Jessica Parker]

Person that asks government, Especially now when it's like, maybe it's true.

[Bowen Yang]

It might be.

[Sarah Jessica Parker]

It might be.

[Matt Rogers]

You know, we were at the Beyonce concert in Paris and.

[Sarah Jessica Parker]

Wow. That's why you guys.

[Matt Rogers]

No, well, we were there to do the Cannes Lion.

[Sarah Jessica Parker]

Oh, got it.

[Matt Rogers]

And so for our culture Awards, and we had a wonderful experience there. It was very exhausting and a lot. We had never been. Well, he had been to Cannes a couple years ago, but I had never been. It was intense. A lot. It was intense and.

[Sarah Jessica Parker]

Well, intense. Yeah.

[Matt Rogers]

And then we had. We took a little, I guess, a sojourn to.

[Sarah Jessica Parker]

How did you choose. How did you know to choose a Marais?

[Matt Rogers]

Oh, we just had a BC Travel.

[Sarah Jessica Parker]

Oh, that's right. You say BC Travel.

[Matt Rogers]

Yeah, BC Travel. B, E, C, B, S, E, E. And let us in a lovely area. And we were like, well, if we're gonna be there the same time as Beyonce, we're gonna go see Beyonce. And we didn't get the Miley Cyrus night, but we did get the Jay Z night, which was special in its own right, to be certain. But some people were coming up and Boem was trying out. Can we do it? At the end, I said, let's do.

[Bowen Yang]

It on the way out.

[Matt Rogers]

Let's do it on the way out.

[Sarah Jessica Parker]

Oh, yeah, no, that's great. I've done that.

[Bowen Yang]

I saved.

[Sarah Jessica Parker]

On your way out, make sure you stop following. Or I do. I say, on my way out, I'll stop by. And I always do stop by and say hello. But I dissuade them that a picture has any. I'm like, let me disavow you of that idea.

[Bowen Yang]

Exactly.

[Sarah Jessica Parker]

There's no value at all. This is valuable.

[Matt Rogers]

That's.

[Sarah Jessica Parker]

This is good.

[Matt Rogers]

That's the thing you want to be able to say, oh, I had this special bespoke interaction instead of. I have this like, picture that's kind of flopped.

[Sarah Jessica Parker]

Yeah, it's not a very great picture.

[Matt Rogers]

They're never going to be that great of picture.

[Sarah Jessica Parker]

I know everyone's tense. Yeah, yeah, everyone's tense.

[Bowen Yang]

No one's comfortable. But, you know, everyone's comfortable and not tense for what we're about to do and witness, which is Sarah dusted.

[Sarah Jessica Parker]

Okay. I just want to say you that a couple things.

[Matt Rogers]

Okay.

[Sarah Jessica Parker]

The first thing I'm going to say is that I have been preoccupied with family stuff. So as much as I've wanted to realize think about this and have it be the sole focus of getting this right, I have not had the kind of time I typically devote to something I care about. That's number one. Number two, I don't wanna have a beef with anybody.

[Matt Rogers]

That's okay.

[Sarah Jessica Parker]

I'm somebody that is just. Nothing chaps my ass. Nothing rubs me the wrong way. I don't really carry around grudge. So this was like. To try to find something that really bothers me is so anathema.

[Matt Rogers]

And here you are complaining me. And here you are.

[Bowen Yang]

This is anathema to you. And I think it'll be an interesting.

[Sarah Jessica Parker]

Guys, I don't even know if it's even close to a minute long. And I'm gonna. If it's.

[Matt Rogers]

Whatever it is, is gonna be perfect.

[Sarah Jessica Parker]

It's really bad.

[Matt Rogers]

By the way. You've just plussed it so much with these glasses. They're incredible. You've plussed it with the glasses. These are amazing.

[Sarah Jessica Parker]

Pay attention to the glasses and not to the words. No. Now, I saw Tina Fey, the great reading off.

[Matt Rogers]

So listen, don't hit it against us. That puts so many people at ease.

[Sarah Jessica Parker]

I don't think so, honey.

[Matt Rogers]

Yes. And then.

[Sarah Jessica Parker]

And you bookend it with I don't think so, honey.

[Bowen Yang]

You don't have to end on it.

[Matt Rogers]

But no, no, no. You should.

[Bowen Yang]

You should.

[Matt Rogers]

I don't think so, honey. Should begin the piece and it should end the piece. And if it can come checkered throughout the piece.

[Sarah Jessica Parker]

I'm gonna try.

[Bowen Yang]

We'll set you up.

[Sarah Jessica Parker]

If you ever have me back for no reason at all, because I think we've basically. Basically covering.

[Matt Rogers]

Excuse me. We can talk to you about a litany of subjects.

[Sarah Jessica Parker]

I will do better.

[Matt Rogers]

No, Sarah. Deserts.

[Bowen Yang]

We haven't even heard it. We haven't even heard it. This is.

[Sarah Jessica Parker]

And I'm afraid everyone's covered this topic. But it's the only thing in the whole world that bothers me.

[Matt Rogers]

It doesn't matter.

[Sarah Jessica Parker]

Nothing bothers me.

[Matt Rogers]

Title of F. Title of F. This.

[Bowen Yang]

Is Sarah Jessica Parkers. I don't think so any. Your time starts now.

[Sarah Jessica Parker]

I don't think so, honey. Talking everywhere too loud on your phone. We in fact don't want to hear your very important business call regarding upcoming merger potential buyout. The internecine workplace battles with Doug or Stacy or Kate. I don't think so, honey. We don't actually care whether we learn the inner workings of your psyche as you scream into your air sticks.

[Bowen Yang]

Air sticks.

[Sarah Jessica Parker]

Or into your speakerphone or with the phone pressed to your ears, nonetheless, both parties back and forth, amplified for all to hear. I don't think so, honey. We know you are no doubt a very important person, man. And though you may think your baritone dulcet tones are a gift to your fellow citizen on the train, bus or Terminal D, gate 27. Or your abuse of the quiet car or even the unsuspecting pedestrian you share a corner with as we wait for the walk sign. Who is on the receiving end of your screaming instructions to a co worker, family member or hotel receptionist. Or hotel receptionist as you bully for the room with the ocean view. No, Bradley, I don't think so, honey. What you might consider a gift for those whose unfortunate path you cross is more so a punishment. I don't think so. Public spaces don't qualify as working from home, Teddy. We are not inspired, motivated, impressed or swooning. So, bro. Bro. With all due. Nothing cooler or hotter than a guy who knows when to use his indoor crushing it. I don't think so, honey.

[Matt Rogers]

Yes. One minute. And that's to all you Mr. Biggs out there.

[Bowen Yang]

What are you talking about?

[Sarah Jessica Parker]

That was.

[Matt Rogers]

It felt like I was hearing. It was euphoric for us.

[Bowen Yang]

A euphoric.

[Matt Rogers]

It was too long.

[Sarah Jessica Parker]

I was gonna talk about how everyone has to walk from A to B with a Big 12 ouncer of liquid constantly. But now it's so hot. I felt like that would be a criticism of people being properly dyed.

[Matt Rogers]

They're just trying to stay hydrated. But you know what?

[Bowen Yang]

It is grotesque. It is too big. And all these little positive affirmations on the bottle. We don't need that. You. You're a grown person. You know, you don't need that. What was the audition song, by the way?

[Sarah Jessica Parker]

Nothing. Nothing from a chorus line.

[Bowen Yang]

Nothing.

[Sarah Jessica Parker]

Yeah.

[Bowen Yang]

Oh, my God.

[Matt Rogers]

Really good. I do think.

[Bowen Yang]

I think a chorus line ending on one is actually quite iconic. I love that number. God, so good.

[Matt Rogers]

But can I.

[Sarah Jessica Parker]

Do you have that experience where everybody. Yes, not everybody. Specific types, typically speaking, are on their phone too loud.

[Matt Rogers]

Oh, 100%. And I would say that there is something. I just wonder what's happening in private that's so boring that they need to perform. Cause that's really what it is. They never had their little chorus line hairspray moment. They didn't ever. They just. You know what I mean? That's their stage.

[Sarah Jessica Parker]

Have you ever seen the fellow that sits in the old days, probably before there was security issues in the gate area and answers the person on the. Who's talking. I do that now.

[Bowen Yang]

That's funny.

[Sarah Jessica Parker]

I wish I could pull up a tape. I do it now. And my children are like, please, mama, don't do that, please. So if someone's on the phone saying, well, Bob, you know, can you make it in seven days? I'm like, I'll try to make it. And I answer, oh, that's great. And after a minute, it's so confusing to the person who is loudly having this important call at gate D27. Anyway, watch that guy. He's. I don't know if you were a fan of what's the show? Candid Camera. I love Candid Camera. Okay. That's basically my. This zis. I love it. That's that. This is that.

[Bowen Yang]

This is that. The kids these days don't know about Candid Camera.

[Sarah Jessica Parker]

Before TikTok.

[Bowen Yang]

Candid Camera.

[Sarah Jessica Parker]

Oh, so good.

[Bowen Yang]

And I will say that in Paris, there was a woman in our. You know, my room wasn't quite ready, so I was killing. I was killing about an hour. And it really sticks out when there's a clearly American person. Wasn't a man, but this American American was screaming on the phone. And I was like, it.

[Matt Rogers]

Really?

[Bowen Yang]

And all these French people just turning their nails.

[Sarah Jessica Parker]

Oh, it's so awful. It's so awful.

[Bowen Yang]

It's especially, like, egregious.

[Matt Rogers]

It's really something when you are with someone too, who's doing it and you can't. I remember I was on a. I was on a date one time, and we were in a very crowded place going home, and he was loudly explaining to me when he learned the difference between a hard no and a soft no over email. And I'm going to. I'm going to use it for vanity, but forgive me, but the woman in front of us turned around and made eye contact with me like this. And all she was saying with her eyes was, you cannot.

[Sarah Jessica Parker]

I don't think so, honey.

[Bowen Yang]

I don't think so.

[Matt Rogers]

She found things out, honey.

[Sarah Jessica Parker]

I look back and I go, don't worry.

[Matt Rogers]

I was like, this is a one arm tug and a sayonara at the end of this. I don't think so, honey. That's loudly going on about her. And I'm like, oh, my God, where am I? Am I in the Matrix right now?

[Sarah Jessica Parker]

Or something.

[Matt Rogers]

Like, it was. She was. She was.

[Bowen Yang]

She was helpful in that moment.

[Matt Rogers]

She was huge. I'll never forget her.

[Sarah Jessica Parker]

That's great.

[Matt Rogers]

She's a cultural icon.

[Sarah Jessica Parker]

That's very sweet.

[Matt Rogers]

You know, and only in New York.

[Bowen Yang]

Only New York. And we are so lucky that you.

[Matt Rogers]

Came and joined us today.

[Sarah Jessica Parker]

Thank you for having me.

[Bowen Yang]

Thank you for coming on.

[Sarah Jessica Parker]

I said so many, many, many, many, many, many, many months ago, literally, I think last, whenever we wrapped, I said, you know, I was trying to figure out, like, how do you talk about a show today? Like, what makes sense, what matters, what. There's just so much. But I was like, this is what I want to do. I wanted to do this show so much. Cause I really. I love what you're both doing together and separately. And it's, you know, there's always the thing that feels fresh and people are figuring out ways of, like, giving us information and stuff. But so I just, I'm, you know, I was hoping that it would be something that you guys would be hospitable to. So thank you so much for having me. I really, really appreciate it. It's so special.

[Matt Rogers]

Special to get to talk to you.

[Sarah Jessica Parker]

Thank you.

[Matt Rogers]

It really is.

[Bowen Yang]

It's a boon when you embrace. Yes, it's a boon when you're. When you embrace these things. Like, you going on all these shows is. Is very, very affirming for people who podcast.

[Matt Rogers]

Yeah.

[Bowen Yang]

In the podcasting space, where we're like, oh, we get to talk to someone as compelling and wonderful and we do.

[Matt Rogers]

Have a lot of mutual friends.

[Bowen Yang]

We do.

[Sarah Jessica Parker]

Yeah, we do. So our paths have to cross. With more vigor or more intention?

[Matt Rogers]

Yeah.

[Bowen Yang]

Yes, yes, yes.

[Sarah Jessica Parker]

And they will.

[Matt Rogers]

Yeah. And, you know, next time I see Matthew at a med school, I just saw. I was gonna say I didn't bother him this time because he was like, next to Steve and everything. And I was just like, you know, there. But I did just watch Election and we've just such a good movie. So good. And Reese is such an icon in it.

[Sarah Jessica Parker]

He's so good in it.

[Matt Rogers]

He's so good.

[Sarah Jessica Parker]

He's so, so still.

[Matt Rogers]

Did you have a crush on Ferris Bueller?

[Sarah Jessica Parker]

I thought he was great. Very quickly, I went to see Ferris Bueller with a young Martha Plimpton. Oh, my God. She was staying with me. And we got to the theater at the Gulf and Western building, which is just, you know, at Columbus Circle. You know what that building's called?

[Matt Rogers]

Of course. Yeah.

[Sarah Jessica Parker]

Yeah. It was Gulf and Western building my whole childhood and into young adulthood. And there was a theater, a movie theater underneath it was a Paramount movie theater. And we went to see it. I was with a fellow at the time, and Martha was sleeping over a bunch. And we got to the theater and I remember she told me she forgot her wallet and I was like, dang. So we all saw Ferris Buell together, which was amazing. And then I was shooting Footloose when a movie. When I think Project X came out and another movie of his. And on my day off, I had rented a bike and I rode up to whatever in Provo to the movie theater and saw. So I was seeing all his movies, but not because I was.

[Matt Rogers]

Was like, enamored.

[Sarah Jessica Parker]

No, I loved his work, but. And I thought Ferris Bueller was, like, otherworldly.

[Bowen Yang]

Yeah.

[Sarah Jessica Parker]

Like I'd never seen someone talk to the climb.

[Matt Rogers]

Do you have a kiss for Daddy? He's so good.

[Sarah Jessica Parker]

He's really great.

[Matt Rogers]

Hey, if you're watching. But you're probably watching the Mets, and I don't blame you. And let's go Mets.

[Bowen Yang]

And let's go Mets.

[Sarah Jessica Parker]

Let's go Mets. What is that?

[Bowen Yang]

Meet the Mets.

[Matt Rogers]

Meet the Mets.

[Sarah Jessica Parker]

Get to the park and greet the Mets.

[Matt Rogers]

Wow. Kind of interesting.

[Bowen Yang]

A lot of melody.

[Sarah Jessica Parker]

I think I'm listening. The one I was humming was the one from 660.

[Matt Rogers]

Oh, Radio 66 New York.

[Sarah Jessica Parker]

You have all the other songs that I don't have.

[Matt Rogers]

Wait, which one are you thinking?

[Sarah Jessica Parker]

I don't know. It's the mezza that. I don't know, something with the metal.

[Matt Rogers]

Am 660, right?

[Sarah Jessica Parker]

I don't know. Maybe. Yeah, 660 on your AMD.

[Bowen Yang]

You'll find it.

[Matt Rogers]

You know, we end every episode with a song.

[Bowen Yang]

Do we?

[Matt Rogers]

We do. Bowen and I shred it.

[Bowen Yang]

We shred it.

[Matt Rogers]

It's different every day.

[Sarah Jessica Parker]

Of course you shred it. That's who I shred.

[Matt Rogers]

It was the music and the mirror and the chance to dance. And for more of that, you can maybe catch it at the Jimmy Awards or just, you know, get up to the library line, stream a chorus you guys know.

[Sarah Jessica Parker]

Oh.

[Bowen Yang]

Las Culturistas is a production by Will Ferrell's Big Money Players and iHeartRadio podcasts.

[Matt Rogers]

Created and hosted by Matt Rogers and Bowen Yang, executive produced by Anna Hosnier.

[Bowen Yang]

And produced by Becca Ramos, edited and mixed by Doug Baime and Monique Laborde.

[Matt Rogers]

And our music is by Henry Kabirsky.

[Sarah Jessica Parker]

The Girlfriends is back with a new.

[Bowen Yang]

Season, and this time I'm telling you.

[Sarah Jessica Parker]

The story of Kelly. Hannah. Kelly spent over a decade in prison for a murder she says she didn't commit. As she fought for her freedom, she taught herself the law. He goes, oh, God. Harnett jailhouse lawyer and became a beacon of hope for the women locked up alongside her.

[Matt Rogers]

You're supposed to have your faith in God, but I had nothing but faith in her.

[Sarah Jessica Parker]

I think I was put here to save souls by getting people out of prison. The Girlfriends jailhouse lawyer listened to on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. Just like great shoes, great books take you places through unforgettable love stories and into conversations with characters you'll never forget.

[Matt Rogers]

I think any good romance, it gives me this feeling of like butterflies.

[Sarah Jessica Parker]

I'm Danielle Robaix and this is bookmarked by Reese's Book Club. The new podcast from hello Sunshine and iheart podcast where we dive into the stories that shape us on the page and off. Each week I'm joined by authors, celebs, book talk stars, and more for conversations that will make you laugh, cry, and add way too many books to your TBR pile. Listen to Bookmarked by Reese's Book Club on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. So what happened at Chappaquiddick?

[Matt Rogers]

Well, it really depends on who you talk to.

[Bowen Yang]

There are many versions of what happened in 1969 when a young Ted Kennedy drove a car into a pond and.

[Sarah Jessica Parker]

Left a woman behind to drown.

[Bowen Yang]

Capaquiddick is a story of a tragic.

[Matt Rogers]

Death and how the Kennedy machine took control.

[Bowen Yang]

Every week we go behind the headlines.

[Matt Rogers]

And beyond the drama of America's royal family.

[Danielle Roubais]

Listen to United States of Kennedy on.

[Sarah Jessica Parker]

The iHeartRadio app, Apple Podcast, or wherever you get your podcast.

[Bowen Yang]

I knew I wanted to obey and.

[Matt Rogers]

Submit, but I. I didn't fully grasp.

[Danielle Roubais]

For the rest of my life what that meant for my heart. Podcasts and Rococo Punch this is the Turning River Road. In the woods of Minnesota, a cult leader married himself to 10 girls and forced them into a secret life of abuse. But in 2014, the youngest escaped. Listen to the Turning river road on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Sarah Jessica Parker]

This is an iHeart podcast.