“Treasures Untold” (w/ Matt + Bowen)

Summary

Podcast Summary: Las Culturistas with Matt Rogers and Bowen Yang
Episode: “Treasures Untold”
Release Date: August 6, 2025

---

Introduction

In the episode titled “Treasures Untold,” Matt Rogers and Bowen Yang, the dynamic hosts of Las Culturistas, delve deep into their recent cultural experiences, offering insightful critiques and heartfelt shoutouts. Skipping over the advertisements and promotional segments, the hosts focus primarily on their theatrical adventures, observations on audience behavior, and reflections on the evolution of comedy.

---

Review of the Play "Purpose"

[07:03] Matt Rogers:
“One of my favorite plays I've ever seen. We're talking about Purpose, the Tony-winning best play this year by Brandon Jacob Jenkins.”

Matt and Bowen share their enthusiastic review of the play Purpose, praising its deep exploration of complex themes such as civil rights, religion, sexuality, fertility, and neurodivergence—all confined within the single set of a living room. The hosts commend the playwright Brandon Jacobs Jenkins and director Alicia Rashad for maintaining the play's momentum and emotional depth without getting bogged down.

Bowen Yang adds:
“It’s really painting a gorgeous painting and then watching the painting destroy itself. Each moment is compelling, constantly building without losing its edge.”

They highlight standout performances, particularly lauding Alana Arenas for her portrayal of Morgan, whose character adds critical clarity to the family's dysfunctional dynamics. Carrie Young’s award-winning performance as a reader is also given special mention for her ability to embody the role with both strength and vulnerability.

Notable Quotes:

• Matt Rogers [07:07]: “It covers so much ground... never gets bogged down.”
• Bowen Yang [08:24]: “It just took me back to family, period.”

---

Audience Behavior and Theatre Etiquette

A significant portion of the discussion centers on the hosts' disappointing experiences with the audience during their visit to see Purpose. They express frustration over disruptive behaviors such as incessant coughing and the misuse of cell phones, which detracted from the immersive experience of the play.

Bowen Yang vents:
“There were at least six cell phones going off in our row. It was the most I've ever seen. People need to turn their phones off and respect the performance.”

Matt echoes this sentiment, emphasizing the importance of a respectful and attentive audience to preserve the sanctity of live theatre.

Notable Quotes:

• Matt Rogers [15:00]: “Six cell phones going off. One in our row.”
• Bowen Yang [15:05]: “You need to turn your phone off and turn that shit off. I get that... but this is cuckoo.”

They advocate for stricter enforcement of theater etiquette, suggesting measures like mandatory “Do Not Disturb” modes to ensure performances remain undisturbed.

---

Discussion on "Death Becomes Her" Movie

Transitioning from theatre to film, Matt and Bowen discuss the Searchlight Pictures' new movie Death Becomes Her. They commend the film's stellar cast, including Michelle Williams, who is lauded for her captivating performance.

Matt Rogers praises:
“Michelle Williams’ voice and look are like a muse in every way. She absolutely kills it.”

Bowen reflects on the film's effective use of horror and comedy elements, appreciating how the movie balances intense emotional beats with humorous, over-the-top moments reminiscent of classics like Naked Gun.

Notable Quotes:

• Matt Rogers [44:36]: “She was phenomenal. We’re huge fans.”
• Bowen Yang [46:57]: “It’s a life-affirming show. Hilarious.”

They emphasize the importance of intentional storytelling in both theatre and film, drawing parallels between Death Becomes Her and their appreciation for well-crafted performances in live productions.

---

Comedy's Evolution and Preference for Classic Comedy

A significant theme in this episode is the hosts' critique of the current state of comedy. They express a longing for the straightforward, slapstick humor of earlier films like Naked Gun and lament the shift towards more fragmented, meme-driven comedy prevalent in modern media.

Bowen Yang states:
“Comedy’s moving towards dumb, and Death Becomes Her is a perfect example of why we need to embrace the over-the-top, silly humor again.”

Matt concurs, highlighting how the relentless pursuit of humor in Death Becomes Her mirrors his and Bowen’s preference for comedy that doesn't sacrifice quality for quantity.

Notable Quotes:

• Bowen Yang [30:51]: “We're proud to be part of the movement towards stupid.”
• Matt Rogers [30:35]: “Surprise element of wow. Didn’t see that coming.”

They critique contemporary comedy's reliance on quick, surface-level jokes, advocating for a return to more substantial, laugh-inducing storytelling that challenges audiences while entertaining them.

---

Music Videos and Modern Pop Culture

The hosts briefly touch upon the evolution of music videos, commending artists like Demi Lovato and Conan Gray for their creative and intentional approaches. They discuss the importance of visual storytelling in music and lament the decline of elaborate music videos in the streaming era.

Matt Rogers observes:
“There should be a gay Discovery satellite. We have to do that for gay culture.”

Bowen Yang extends this thought, suggesting that music videos should continue to push boundaries and embrace diverse storytelling to remain relevant and impactful.

Notable Quotes:

• Matt Rogers [68:02]: “Life imitates art.”
• Bowen Yang [69:14]: “Conan’s one to watch.”

---

Plans for Culture Awards Recap

As the episode progresses, Matt and Bowen hint at future content, particularly focusing on the recently released Culture Awards. They express excitement about discussing the awards in an upcoming recap episode, ensuring their audience remains engaged and informed about significant cultural milestones.

Bowen Yang mentions:
“We’re approaching our 500th episode. Let’s plan a Culture Awards recap next week to give everyone time to watch it.”

Notable Quotes:

• Matt Rogers [86:09]: “Treasures Untold. It sounds like a good idea.”
• Bowen Yang [87:02]: “Stay tuned for our recap episode.”

---

Conclusion

“Treasures Untold” serves as a rich tapestry of Matt Rogers and Bowen Yang’s cultural observations and personal reflections. From their in-depth review of the play Purpose to their advocacy for respectful theatre audiences and their critique of modern comedy, the hosts provide listeners with engaging and thoughtful commentary. The episode culminates in teasing future discussions, particularly the upcoming Culture Awards recap, ensuring that Las Culturistas continues to offer valuable insights into the ever-evolving landscape of culture.

Final Notable Quotes:

• Matt Rogers [91:15]: “Treasures Untold. It will be the equivalent to the number one of that.”
• Bowen Yang [93:46]: “This has been a rip-roaring, rollicking one.”

---

Notable Quotes Overview

• [07:07] Matt Rogers: “It covers so much ground... never gets bogged down.”
• [08:24] Bowen Yang: “It just took me back to family, period.”
• [15:00] Matt Rogers: “Six cell phones going off. One in our row.”
• [15:05] Bowen Yang: “You need to turn your phone off and turn that shit off. I get that... but this is cuckoo.”
• [30:51] Bowen Yang: “We're proud to be part of the movement towards stupid.”
• [44:36] Matt Rogers: “She was phenomenal. We’re huge fans.”
• [68:02] Matt Rogers: “Life imitates art.”
• [91:15] Matt Rogers: “Treasures Untold. It will be the equivalent to the number one of that.”

---

Las Culturistas continues to be a beacon for those passionate about deep dives into culture, offering a blend of humor, critique, and heartfelt appreciation for the arts.

Transcript

[Matt Rogers]

This is an iHeart podcast.

[Bowen Yang]

Honey is on the case. Focus Features invites you to Honey Don't. The coolest, sexiest, most scandalous murder mystery of the summer in a small desert town full of odd folks with strange obsessions. A suspicious car crash sets off a series of deadly events. As the body count rises, private detective Honey o' Donohue finds herself at the center of a bizarre conspiracy where everyone has a secret. From Ethan Cohen, a director of no country for Old Men and starring Margaret Qualley, Aubrey Plaza, Charlie Day and Chris Evans. Honeydont. Written by Ethan Cohen and Tricia Cooke. Rated R. Under 17. Not admitted without parent. Only in theaters August 22nd.

[Unnamed Advertiser]

Do you know what the perfect addition is to any party? What? A Casamigos margarita.

[Matt Rogers]

Everyone loves a Casamigos margarita. She really is that girl.

[Unnamed Advertiser]

It's true. Everyone can get behind her.

[Matt Rogers]

She's a little tangy, a little sweet she's good any which way Anything goes with my Casamigos and that's rule of culture number 87. Cause anything goes with my Casamigos Please drink responsibly.

[Unnamed Advertiser]

Imported by Casamigo Spirits Co. White Plains, New York. Casamigos Tequila. 40% alcohol by volume. Ready for your next obsession? From the creators of Outlander comes Blood of My Blood, an epic romantic saga.

[Matt Rogers]

Only on stars travel back in time from the trenches of World War I to the rugged highlands of 18th century Scotland, following two couples caught in a wild will they won't they? Love story.

[Unnamed Advertiser]

No need to be an Outlander expert. This saga stands on its own. Honey, you'll eat it up.

[Matt Rogers]

Blood of My blood series premiere August 8th only on Starz and the Starz app the home of Outlander. We're here to tell you about Searchlight Pictures new movie the Roses.

[Unnamed Advertiser]

Perfect couple. Ivy, played by Olivia Colman, and Theo Rose, played by Benedict Cumberbatch, have it all. Successful careers, a loving marriage, great kids. But when Theo's career comes crashing down, just as Ivy's fame starts to skyrocket, a tinderbox of fierce competition and growing resentment ignites, threatening to destroy everything they've built if they don't destroy each other first.

[Matt Rogers]

Starring Benedict Cumberbatch, Olivia Colman, Andy Samberg, Allison Janney, Belinda Bromilo, Sunita Mani, Tutti Gatwa, Jamie Demetriou, Zoe Chow and Kate McKinnon. From the director of Meet the Parents, Jay Roach and the writer of Poor Things, Tony McNamara.

[Unnamed Advertiser]

In theaters everywhere August 29th. Look, man, there. Oh, I see my, oh, my. Bowen, look over there. Wow, is that culture yes.

[Matt Rogers]

Goodness.

[Unnamed Advertiser]

Wow.

[Matt Rogers]

Las Culturistas Ding Dong Lost Culturistas Call.

[Unnamed Advertiser]

I only just watched your fingers on the countdown.

[Matt Rogers]

And don't you do that every time.

[Unnamed Advertiser]

I was really like intent on watching the finger countdown because, you know, bts everybody. Bowen Yang, famously every single episode counts. Three, two, one. With his fingers. But this time I was just like really focused on it.

[Matt Rogers]

Hypnotic philanthropy.

[Unnamed Advertiser]

The eye of the dog.

[Matt Rogers]

The eye of the dog. Speaking of, we are recording this on Matt's first day back in the hallowed halls of 30 Rock at the today show.

[Unnamed Advertiser]

I was at the Today show today. We're recording this on Monday. And we really didn't get into it last week. We just kind of said there was a thing with dogs. But yeah, this is what's been happening. So bad ass. What are they?

[Matt Rogers]

Badass Animal Rescue.

[Unnamed Advertiser]

Badass Animal Rescue, this amazing company that's like fostering dogs and helping them get fostered, helping them get adopted in Brooklyn, has named two dogs Bowen Yang and Matt Rogers.

[Matt Rogers]

Wow.

[Unnamed Advertiser]

And they are angelic.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And it is truly every, whenever they post I feel I have to repost because we have to get these dogs home. I know.

[Matt Rogers]

No, and they're just angels. They're from Alabama.

[Unnamed Advertiser]

Yeah, they're, they're, they're rescued from Alabama. So this, this company, Badass, they hire dogs from high kill shelters and you know, bad situations. Did I say that? They hire them.

[Matt Rogers]

They I rescue them.

[Unnamed Advertiser]

They I, I, if I said they hire them, what they do is they hire the dogs.

[Matt Rogers]

Aren't working.

[Unnamed Advertiser]

No, no, no. And so there's a Bow and Yang and a Matt Rogers, a husky mix, that's Bowen Yang. Then there's a hound mix, that's Matt Rogers. And they brought Nat Rogers the dog to the Today show today and surprised me.

[Matt Rogers]

He was such a good boy.

[Unnamed Advertiser]

I do think you need to think about it. Not to pressure you on Mike.

[Matt Rogers]

No, I'm thinking about it because then.

[Unnamed Advertiser]

There was another one you loved.

[Matt Rogers]

Gabby Wendy.

[Unnamed Advertiser]

Explain her.

[Matt Rogers]

She is a feist. She has perky little ears, gorgeous wide set eyes. It's giving, it's giving. Dabby, it's giving. Emma Stone. It's giving. You know any Taylor Joy.

[Unnamed Advertiser]

Wow, a beautiful ingenue.

[Matt Rogers]

No, she's an ingenue. And yeah, I mean look, no dibs. Anyone in Brooklyn or who wants to come pick these dogs up from Brooklyn, please just, just, just, just give these dogs forever homes.

[Unnamed Advertiser]

All I want is for them to get adopted. But I will say I told them someone just cracked open their, their, their beverage fridge.

[Matt Rogers]

Cigarette.

[Unnamed Advertiser]

They', as it were, one of the best words for refreshments. Refresco.

[Matt Rogers]

Spanish.

[Unnamed Advertiser]

Yeah. I deeply want these dogs to just be adopted. But I will say I knew it was going to be dangerous. I laid eyes on that dog and I was like, oh, you have to be in my life. You have to be in my life. So I. I'll. I think I would like to be the dog's godfather.

[Matt Rogers]

I would have to rename him.

[Unnamed Advertiser]

You couldn't have a dog named Matt Rogers. You don't.

[Matt Rogers]

I don't think so.

[Unnamed Advertiser]

What about Junior? What about. Hey, Junior.

[Matt Rogers]

Well, speaking of Junior, we have to talk about a play in which this figures heavily into.

[Unnamed Advertiser]

Y'.

[Matt Rogers]

All. Y'.

[Unnamed Advertiser]

All.

[Matt Rogers]

Okay, hold on.

[Unnamed Advertiser]

We maybe saw the best play I.

[Matt Rogers]

One of my favorite plays I've ever seen.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

We're talking about Purpose.

[Unnamed Advertiser]

Purpose. And more to say about lost culture. Figuring into that lore as well.

[Matt Rogers]

Oh, yes, because we got it confirmed. We got it confirmed. See, but I was also. But even, like today, I was talking to someone who had seen and he was like, I mean, that's. You. Like, they're. Whatever. There's a reference to.

[Unnamed Advertiser]

What's the line?

[Matt Rogers]

The line is she was talking about two gay, two intense gay. She was listening to a podcast.

[Unnamed Advertiser]

She listen to 50 hours of two intense. What is it?

[Matt Rogers]

Two really intense gay guys who are really invested in pop culture.

[Unnamed Advertiser]

Yeah. And so, you know, it is us, because our producer went to the show.

[Matt Rogers]

Went backstage and met up, met with Brandon Jacobs Jenkins, the phenomenal playwright of the show. And apparently anecdotally, he has confirmed it.

[Unnamed Advertiser]

He confirmed it. So we knew we had to see the show. And we are so late on this one.

[Matt Rogers]

Oh, we're so.

[Unnamed Advertiser]

By the way, we're sort of burying the lead here. We are going to talk about the Culture Awards, which are now out. Thank you for watching it. If you did. If you haven't, you can stream it right now on Peacock, which feels crazy.

[Matt Rogers]

Crazy.

[Unnamed Advertiser]

But Bowen and I were able to watch it together and we love it. Yeah, you can watch it now. And so we're gonna talk about it at the end. So we're talking about.

[Matt Rogers]

If you haven't watched it, no spoilers. We are respecting that. Backloading so that you guys can tap out and watch if you haven't already.

[Unnamed Advertiser]

We went to go see Purpose finally. Well, I guess the. The Tony winning best play this year by Brandon Jacob Jenkins.

[Matt Rogers]

Yes. Directed by Alicia Rashad.

[Unnamed Advertiser]

Yes.

[Matt Rogers]

And I really didn't know what to expect. I think that was the way to go in Obviously knew about the accolades, but I was like, I. I don't know what this is gonna be, and was really blown away. I mean, it was delighted. It was. It started. It started off with, like, genuine curiosity. And then once everything gets established, there's a lot of really important setup that happens in the first, I would say, hour or so of the show. Right. And then, God, it really all just pays off.

[Unnamed Advertiser]

Yeah. It's just like painting this gorgeous painting and then watching the painting destroy itself. That. It's really. I mean, it's. I think it's loosely based on Reverend Jesse Jackson's family. This family is called the Jaspers. And it's just about, like, this incredibly important prominent black family in politics and religion and the sort of esteem they hold in their community and how that esteem is dealt with on the inside while having to project so much to the outside world. And every member of the family is dealing with some different strife in relation to their role in the family or their, you know, position in their lives. And it. Like you were saying when we left, like, it's doing a lot.

[Matt Rogers]

It's expansive. It all takes place in one. In one sort of set piece.

[Unnamed Advertiser]

Yeah. Just the living room of this home.

[Matt Rogers]

The living room of this home. But it covers so much ground in terms of, as you mentioned, civil rights and religion and, like, sexuality and fertility and, like, neurodivergence and all of these things that, like, somehow it. It never gets bogged down by.

[Unnamed Advertiser]

Yeah. Also, like, misogyny within family structures in many different ways.

[Matt Rogers]

It just took me back to family, period. I was thinking about my family the entire time, which, you know, not. Not to center, like, an Asian experience onto a black one. But it was just like, the way this is nailing family is crazy in a way that even, like, made me think. I said to you. I was like, God, like, when I. When the show first started, I was like, okay, this is, like, the Felicia thing makes total sense. Like, it's. It has that sort of air of, like, that kind of comfort and, like, that family interest that, like, she's. She's obviously known for, but it's like it completely gets flipped on its head in a crazy way.

[Unnamed Advertiser]

Yeah. I mean, it's. It's really one of those things where it's, like, pretty much every moment is compelling, and it's a. It's a constant build, which is hard to do. And it started. It started with a really long monologue by the main character. And I was sitting there, and I was like, okay, is this going to be a Monologue driven show, like to sustain attention. But it was really just a testament to just how thick and how dynamic the situation between these characters are. That like, yes, of course we did have that, you know, monologue set up, but then the scenes just sang like really funny, really smart, really surprising. I didn't think I knew where it was going at any given moment. And there are a number of Chekhov's guns that do literally go off. But it, it's almost like really fascinating to watch a play know that's exactly what it's doing. It's a very smart, very contemporary play. And he also wrote Appropriate with Sarah Paulson, if you guys saw that a couple seasons ago. But I think one of my favorite things about it was I said this to you afterwards. Two shows actually that we've seen in the past weekend, you've seen, but I've seen before use this thing to maximum effect. And that is a staircase.

[Matt Rogers]

Staircase.

[Unnamed Advertiser]

There is a staircase in purpose that several different characters, when they've just had it on the first floor of the scene, sort of ascend the staircase and give it to the rest of the characters. It feels very dramatic. And of course in death becomes her. The staircase scene from the movie is recreated. And I know you just saw that and probably have a ton to say. Yes, but don't sleep on the staircase as a set piece. No, it is drama. And it's actually rule of culture number 10. Don't sleep on a staircase as a set piece.

[Matt Rogers]

It is drama. I remember one of my formatives theater experiences was seeing the Smoky Hill High School production of hello Dolly. The year, the year before I would end up going to that high school. And wouldn't you know, a staircase is used to great effect in many, in many iterations of that show. But just on the ticitular number of hello Dolly. If you have. If Dolly Levi comes out on a staircase, that's all you need to do.

[Unnamed Advertiser]

You're jumping for joy.

[Matt Rogers]

The rest of the show can be dog shit. And I'm happy if I see a woman as Dolly Levi. Doesn't have to be. Doesn't have to look age appropriate. She can, she can be in high school, she can be 95 years old. As you know, Carol Channing was in a production. But God, it's staircases in theater. Huge.

[Unnamed Advertiser]

It is major. And don't think I haven't noticed that staircase over in the West End. Evita.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

At least at the end of the show there's a staircase. And of course we're playing with levels. There Because Zegler is up on the balcony giving what they're saying is one of the best performances in recent memory. Which. This is crazy because they just said that and were right about Jamie Lloyd's last work. So he continues to crush. I am really holding myself down in my chair to not fly to the West End and go see it there first, because I'm just going to pray and hope that they get it together. But I need to see that performance. I need to see that number. I need to see those screens. I need to see that staircase and balcony work. Come to Broadway. Staircases are very important.

[Matt Rogers]

Staircases are very.

[Unnamed Advertiser]

We might have to do something with that.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

What do we do?

[Matt Rogers]

I think tk. Tk. The next Las Coltristas Culture Award should have a staircase. We'll have a staircase.

[Unnamed Advertiser]

We did have stairs.

[Matt Rogers]

We did Great stairs.

[Unnamed Advertiser]

I got to utilize the stairs. And you kind of did for a second.

[Matt Rogers]

I. Yeah, I went down very quickly. I think we should have one on stage.

[Unnamed Advertiser]

Yeah, yeah, yeah.

[Matt Rogers]

That will be a huge expenditure. Yeah. But I feel that it will be worth it.

[Unnamed Advertiser]

I would agree. I would agree. So I just want to. Before we wrap up, talking about purpose.

[Matt Rogers]

I just want to shout out Alana Arenas.

[Unnamed Advertiser]

Alana Arenas. Because we said she played Morgan in the movie, who's the. The wife of this sort of disgraced eldest son. And did you know this? So all of the actors got Tony nominations except for her.

[Matt Rogers]

Really?

[Unnamed Advertiser]

And I said to myself, now, this is why she needs extra mention on Lost. Coach. Because we were living for the whole.

[Matt Rogers]

Cast, but especially for Alana.

[Unnamed Advertiser]

She was ferocious.

[Matt Rogers]

Well, from the first moment. Because they really like the way she's written and revealed. Like there's a slow drip of her and it's a powder keg. Whatever, Whatever. Mixing metaphors. But she really, really pops for us. Popped for us. I guess it was. It was our show. But by the way, we have to talk about that audience.

[Unnamed Advertiser]

Oh, yeah.

[Matt Rogers]

Is this part of your. I don't think so any later.

[Unnamed Advertiser]

See, it's not. But because I. I need a more measured way to pop off about this.

[Matt Rogers]

This is. This is the floor.

[Unnamed Advertiser]

So anyway, like, these actors are tearing it up and what. Yeah, a lot.

[Matt Rogers]

We just had to shout out Lana still before. I'm so sorry.

[Unnamed Advertiser]

100.

[Matt Rogers]

Let me. Let me put a. A little comma on that.

[Unnamed Advertiser]

No, literally shout. Shouting her out to. To the high heavens. And I'll tell you who else was shouting out from the audience. Was the audience.

[Matt Rogers]

Was the audience. A very engaged audience, which we love.

[Unnamed Advertiser]

We loved here's. The thing about the audience. It was a mixture of, like, such an active crowd, people really reacting to everything, really fun to be there, and some of the most disrespectful people. I turn around and at least six cell phones going off.

[Matt Rogers]

Six cell phones going off. One in our row.

[Unnamed Advertiser]

I have to say, you need to turn your phone off and turn that shit off. I get that maybe everyone that we're talking to right now might not be the target audience for this, because I think it was.

[Matt Rogers]

It was elderly people.

[Unnamed Advertiser]

It's older people. You need to reach out to the people in your life that are going to these shows and letting you know they're going, and just make sure they've got their phones off, because it's crazy. They. They had Felicia, Rashad herself getting on the God mike like, like, in a taped VO that was like, please turn off the phones. They weren't even allowing snacks into this theater because of noise concerns. Like, they were really going the extra mile. And these people are so disrespectful. And if you are sick, do not go to a live theatrical event. If you are sick.

[Matt Rogers]

Hacking up coffee, hacking up alveoli. Oh, God. Turning these lungs inside and out.

[Unnamed Advertiser]

I. I. And I said this to you. Mm.

[Matt Rogers]

Really? Really come after me if. Obviously, this is not the right take.

[Bowen Yang]

Let's go.

[Matt Rogers]

But it's like, if you know for a fact that you have a coughing problem on the day.

[Unnamed Advertiser]

Yep.

[Matt Rogers]

I think it's worth considering maybe not going to the theater.

[Unnamed Advertiser]

Retire the side. You do not have to go if you. If you're hacking up coughing. Seriously. I bet. Even if you called. I actually wonder about this. I wonder if you called the theater and you were like, I am infirm.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

I am unable to. To make it to the performance because I will be a distraction, and it's not a safe atmosphere. Can I get my refund and. Or, you know, can I reschedule, et cetera. Would they not do that?

[Matt Rogers]

I feel like they would. Unless we really have, like, had such a crazy amnesia about COVID that, like, that's just. That would be so unconscionable to the theaters. I really hope that there's something in place. Anyway, this is all to say, like, a lot of coughing.

[Unnamed Advertiser]

A lot of coughing so much. And I'm not even being like, no, we were. We were in shock.

[Matt Rogers]

We were. It was like every two seconds, someone was cartoonishly coughing.

[Unnamed Advertiser]

Because the thing about the cough is it's like, okay, I'm a little bit more lenient with that. Because it's like. I mean, the seats are tight. Sometimes you might think it's like you're making a whole fuss trying to get out of the seat, whatever. Like, you know, I have a little bit more grace for that. The cell phones. I have no grace for this.

[Matt Rogers]

There's no. I have zero grace.

[Unnamed Advertiser]

Because these people are on stage giving it everything, like. And you are. And it's. It's always like a ring a ding ding, whack a doodle, whack a doodle time ringtone, too.

[Matt Rogers]

It's a wackadoodle ringtone with a whack a doodle person. I'm sorry.

[Unnamed Advertiser]

Yeah. The people.

[Matt Rogers]

I. I turned. I turned to look at some of these people, and I was like, of course. I'm sorry.

[Unnamed Advertiser]

No. Yeah, it was very, of course, vibes, because it was, what, the oldest, whitest people in America coming to this play and acting disrespectful. It was crazy.

[Matt Rogers]

The irony there is. Is. Is ironic.

[Unnamed Advertiser]

It's just. It was just so uncomfortable and disrespectful. And it happened, I'm telling you, six.

[Matt Rogers]

Six times.

[Unnamed Advertiser]

It was the most I'd ever seen. I was like, but it's the year of our Lord 2025. This is the Tony Award winner for best play. You couldn't even bring a snack in because of the. Because of the concerns.

[Matt Rogers]

And thank you for validating this. Because I felt like I was going crazy.

[Unnamed Advertiser]

It was actually one of those rare moments where I was like, oh, wow, this is something actionable that I can be upset about, and my upset will perhaps affect things for the better. And you were really flustered, and I was like, I just know we're gonna make this part of our whole thing going forward.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

Me at the sign off of everything. Turn off the phones in the theaters.

[Matt Rogers]

Turn off the phones.

[Unnamed Advertiser]

Yeah, this is cuckoo.

[Matt Rogers]

Just do. Do not disturb. Don't even. Airplane mode silent has existed for 18 years on the iPhone.

[Unnamed Advertiser]

It can't be on vibrate even during the show. It has to be. You have to ignore the warning and keep it on the volume.

[Matt Rogers]

Human beings don't deserve technology as we are seeing.

[Unnamed Advertiser]

Right. As. Especially as it gets more advanced. We do need it taken away. What say you about them being like, kids can't have phones until they're 16? I say do it.

[Matt Rogers]

Totally agree.

[Unnamed Advertiser]

Do it.

[Matt Rogers]

I mean, but there's. It's really hard as a parent. I. I must empathize as a parent. I'm sure it's so hard to draw.

[Unnamed Advertiser]

That, to enforce that they did it.

[Matt Rogers]

Before, the parents of today would say, but it's just so part of our world now that, like, for kids to, like, shield and deny kids of that up until they're 16, while, like, from a very, from the age of four, they're, they're, every screen is being shoved in front of their faces. It's like, how do you, how do you deny that?

[Unnamed Advertiser]

Look, I, I, I'm not saying it's going to be an easy thing to do, and then maybe this is bordering on me, you know, you know, performing my least favorite expression, which is devil's advocate, but, like, if the problem is that it's such a fixture in our world, then, like, you, you, you have to start, like, regulating that from an early age so that, like, these, you know, little people, when they become big people don't, like, need it and require it again. I'm on record here being like, I'll never be a parent. I don't see it for myself. I think it would be, it would work for me. So whatever is working for you.

[Matt Rogers]

But, you know, it's another reason.

[Unnamed Advertiser]

It's their attention spans are really zap.

[Matt Rogers]

Right. I can't, like, it's like a chicken or the egg things for me where I'm just like, well, I don't want kids for this reason because it's like I'm, I'm going to bring someone into the world whose brain is going to be liquid by the time they're, they're, they're eight years old because of like, yes. Yeah, yeah, yeah. It's already happening. Happening to people who are fully grown.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

So I'm like, no way. I'm not going to be responsible for an extent for like, an extension of myself out in the world acting that way. And so, and this is a lot.

[Unnamed Advertiser]

About what purpose is about it actually, to be honest with you. It's like, it's like I, because it is about, like, purpose and legacy.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

It's like you create something in your legacy and then you see it when it's become a realized thing and you're like, holy fucking shit. You say, that can't be my fault.

[Matt Rogers]

That can't be my fault. And yet it got me thinking, though. I was like, my purpose, the meaning that I draw from in my life is the thing that I think is the most direct panacea to despair, which is connection and community. I don't think you necessarily have to have a child or, you know, have to, like, check off any boxes besides just like, connecting with someone. And I was like, My best friend is sitting right next to me, and my purpose is just like our friendship and just trying to, like, radiate that outward to people and have them be a part of that. That's my purpose.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

You know what I mean?

[Unnamed Advertiser]

It is kind of interesting to see something that's like, you know, about family and like anyone that is in a family or even a chosen family, I guess, like, not really. This is really about the. The blood ties that bind and how that can be restricting even if it feels elevating to everyone else. But it was interesting to watch a piece that, like, kind of was, like, arguing anti family. And yet they. This is an example of a family that, you know, because of power and influence, like to have each other's backs in this way that, you know, maybe in the short term is helping them, but certainly in the long term is damaging their souls.

[Matt Rogers]

Right on that point. Exactly. Like, I think this is why we're shouting at Alana Arenas specifically because that character does so much of the sort of clarifying work in the show in terms of, like, wow, this family is really, really fucked up in terms of how it deals with outside people.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

And she just has a great scene in the second act in the middle of the night. That's all we'll say. Yeah, she does have. She does have a line where That I think we both loved, which was, I'm about to eat this here cake. Do you know what I'm talking about? She was the lyricist at the same time. Hilarious.

[Unnamed Advertiser]

Devastating.

[Matt Rogers]

Devastating, too. Her first line was, hello, Whatever. It's just. You know what I'm talking about.

[Unnamed Advertiser]

Yeah, she's just. She's got.

[Matt Rogers]

She was phenomenal. We really.

[Unnamed Advertiser]

We're fans.

[Matt Rogers]

We're huge fans.

[Unnamed Advertiser]

We're fans. And also shout out to Carrie Young, who won the Tony Award for this, who is her second Tony Award right in a row. She's been nominated in this category several times and like an icon. And we are very proud that you gave a performance as a reader. Yes. I turned to Matt. I go.

[Matt Rogers]

The fact that this character is a major reader, a finalist, even.

[Unnamed Advertiser]

She's a reader because she.

[Matt Rogers]

Because the character is not a spoiler alert. She's a.

[Unnamed Advertiser]

She's a social.

[Matt Rogers]

She does. She's involved in social work. And she's very. Just, you know, aware of her community and politics and everything. Very much a reader. Yeah.

[Unnamed Advertiser]

I think definitely fits the bill. If people want to know what a reader is, you got to go see purpose. We can't explain it to you anymore.

[Matt Rogers]

It closes.

[Unnamed Advertiser]

End of August.

[Matt Rogers]

So if you're, if you have a chance to see it before then, please.

[Unnamed Advertiser]

Yeah, now's the time. And hopefully, you know, it tours and has a life beyond this. I think it would be really worthwhile for people to read. It's just one of those like really great new works. And now I think that kind of closes, at least for me. The new discovery that brought me.

[Matt Rogers]

This show is sponsored by Liquid Ivy.

[Unnamed Advertiser]

Oh, man. You know, it really is true. Summer in New York, it can weigh you down. I even experience like sluggishness in the morning. I what happens to people like seasonally in the winter, that happens to me in the summer. It can be really hard for me to get going. And that's why I found kind of an alternative to caffeine and coffee. And it's is Liquid iv. It gives me a kick in the glass.

[Matt Rogers]

A kick in the glass. Well, that's what I need. And I love capturing sun drenched memories with the orange vanilla dream hydration multiplier from Liquid iv. This nostalgic vanilla flavor with notes of candied orange can help you and me hydrate better than water alone.

[Unnamed Advertiser]

How does it feel to know that Liquid IV can help boost your hydration? I'm asking you guys. Everyone listening right now should be saying it feels great. Just one stick and 16 ounces of water hydrates better than water alone. This is true. Powered by L I V Hydro science, an optimized ratio of electrolytes, essential vitamins and clinically tested nutrients that turn ordinary water into extraordinary hydration.

[Matt Rogers]

Savor the last bits of summer with Liquid IV Tear Pour live more. Go to liquid IV.com and get 20% off your first order with Code Culture east is at checkout. That's 20% off your first order with code [e-mail] Honey is on the case.

[Bowen Yang]

On August 22nd, Focus Features invites you to Honey. Don't follow the clues to the coolest, sexiest, most scandalous murder mystery of the summer. In a small desert town full of odd folks with strange obsessions, a suspicious car crash sets off a series of deadly events and private eye Honey o' Donohue is at the center of it all. As the body count rises, Honey uncovers an international conspiracy circling around a bizarre new church in town. Now she'll have to figure out who's pulling the strings before it's too late. Starring Margaret Qualley, Aubrey Plaza, Charlie Day and Chris Evans, this thrilling dark comedy is high stakes, high heels and a rollicking good time from Academy Award Winner Ethan Cohen, a director of no country for Old Men. In a town where everyone has a secret and no one can be trusted, the name on everyone's lips is Honey. Honeydon't Written by Ethan Cohen and Tricia Cook. Rated R under 17. Not admitted without parent only in theaters August 22nd.

[Unnamed Advertiser]

The Hyundai Getaway Sales Event Is Going on now. Every now and then you score a deal that's almost too good to be true. Like you feel like you're getting away with something you shouldn't. Well, now is the perfect time to buy the car or SUV you've always wanted at the Hyundai Getaway Sales Event. So get down to your local Hyundai dealer and get away with huge savings. Score a great deal on Hyundai's award winning SUVs like Kona, Tucson, Santa Fe and Palisade. The technology packed Elantra and their most advanced Sonata yet and the all electric Ioniq 5 and Ioniq 6. But getting away with massive savings is just the beginning because every Hyundai is backed by America's best Warranty and Hyundai Complimentary maintenance. Every new Hyundai comes with America's best warranty. With an industry leading 10 year for 100,000 mile powertrain, limited warranty, it's nice to know that a peace of mind comes standard. And there's also three years of 36,000 miles of limited complimentary maintenance on all new 2025 models. These are just a few of the many ways Hyundai has your back after you drive off the dealership lot. Visit Hyundai USA.com or call 5-4603 for more details. Offers End September 2, 2025 this message is brought to you by Apple Card. Does this sound familiar? You're in line at checkout cart full of items. Your toddler is screaming for a treat and you left your wallet in the car. Or was it at home? No need to panic. With your iPhone in hand, you can tap to pay using Apple Card with Apple pay and you'll earn 2% daily cash back when you do so. If your credit card isn't Apple Card, maybe it should be subject to credit approval. Apple Card issued by Goldman Sachs Bank USA Salt Lake City branch terms and.

[Matt Rogers]

[e-mail].

[Unnamed Advertiser]

You finally saw Death becomes her this weekend.

[Matt Rogers]

So long overdue. I mean I'd heard for months and months and months like this is your kind of show. I'm like I know it really now. And I even saw Paul like after the Tonys and I was like Paul, I haven't seen it.

[Unnamed Advertiser]

And saw Tazwell who did the costumes.

[Matt Rogers]

For Wicked and a phenomenal job in both. I mean, every single person on that stage looks amazing. Just like in Wicked. I'm like, oh, same. Same for not a single.

[Unnamed Advertiser]

Like, yeah, very detailed and just gorgeous down to the detail.

[Matt Rogers]

And he, like, he's so good at, like, making people stand out in very character specific ways. But also he's good at, like, he says, like, he's good at peopling, you know, the space, like with odd. With Wicked. Like, he does that in every, like shiz, Emerald City, wherever, Munchkin Land. So good at that. Of like, this is a group of people and how does that look and whatever.

[Unnamed Advertiser]

I wonder if he sits in on auditions for musicals. Because you're kind of like, when someone like Paul is involved, I would imagine that it's almost like you're kind of looking at like, not only dancers, but also models for your creations. And like, I really wonder about that process because he's such a huge part of why these things are as successful. Like, I wonder how creatively and predatorially involved he is.

[Matt Rogers]

I'm sure very. Because I'm, Because I'm. Because I'm like, yeah, like, I'm referencing, like the fact that like everybody on that stage, just. Just everybody in that company.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Looks phenomenal. Micah Graceffa.

[Unnamed Advertiser]

Yeah. Mikey Graceffa, you might know from Fire Island. We've known him for years. He's like one of the Broadway boys. So wonderful. He's fabulous in the show. It looked hot as shit, of course.

[Matt Rogers]

And oh my God, just. There's nothing I love more than comedy.

[Unnamed Advertiser]

Yeah. It's so funny.

[Matt Rogers]

It's just so fun. And when it's. When something is funny in that way, I just go, oh, thank God. Yeah. I feel like I. I've like, gotten cynical over the years. Just like doing the. Being lucky enough to do the jobs that we do where we really have to, like, buckle down and like, think about and pick apart comedy in a way that, like, doesn't take the fun out of it, but just makes you, like, take it seriously, which is like, what you have to sometimes. But sometimes you realize that it's just.

[Unnamed Advertiser]

About like the guttural sensation of ha. That this surprise element of wow. Didn't see that coming. And sometimes it's a lot easier to see things coming when things are relying on playing emotional beats.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And so something like death becomes her or something else that we saw. I want you to keep talking about death becomes her. So this is moving into, I think, a bigger conversation, which is where comedy is at and where maybe it should. And I think we are firmly in camp. Movement towards dumb.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

I mean, if you watch the Culture Awards last night or are going to stream it today, you'll see that we are proud to be part of the movement towards stupid.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And death becomes her. Is that.

[Matt Rogers]

Absolutely. And.

[Unnamed Advertiser]

And I will also being, like, incredibly well done and executed. But it's also like, you know, they take a potion and they, you know, death becomes her.

[Matt Rogers]

But it lives alongside, like, a Paul Tazewell, like, highly elevated department. Yes. Like, it lives alongside Paul Tazewell, lives alongside. Christopher Gattelli directing this. Like, everybody is at the top of their game. Chris Sieber, I thought was amazing.

[Unnamed Advertiser]

He was so good. I loved his number.

[Matt Rogers]

Jennifer Simard, Megan Hilty. Yeah, some, like, our two funniest.

[Unnamed Advertiser]

Yeah, that was crazy. I mean, like, just the duet that's happening on stage between them the whole time to speak, to say nothing of the songs that they actually do share, which are so great, but they are so perfect in this. And I know we've been fans of both of them for such a long time, but, you know, even in that, like, crazy ass, like, best actress in a musical Tony race, like, I was like, you know, part of me is not going to be upset at all if one of them just sneaks from behind and takes it, because, I mean.

[Matt Rogers]

That was a stacked. Is this a stacked.

[Unnamed Advertiser]

It was truly stacked. Truly.

[Matt Rogers]

Like Nicole Audra, Megan and.

[Unnamed Advertiser]

And Jennifer. And then Ms. Jasmine, Amy Rogers, of course, to be honest with you, like, could have been the best. Of course it was.

[Matt Rogers]

Five great nominees.

[Unnamed Advertiser]

Yeah. Simard, like, just, like, how confident you have to be to, like, of course, be performing out on a Broadway stage, but also throwing it away. And in contrast to the bombast that is Megan Hilty, who, by the way, reputation, like, precedes her in many ways and still blows it away.

[Matt Rogers]

I know.

[Unnamed Advertiser]

Still blows it away.

[Matt Rogers]

You know, I wonder how she feels about this because I think it's so fucking cool and I think it's very aspirational and I wish, like, more actors could be identified this way. So many of the things that she's done. Two handers.

[Unnamed Advertiser]

Yep.

[Matt Rogers]

Like between Wicked and Smash and this. And like. And of course, she has a huge array of other work that is singular and it's. It's a. It showcases her. But I. I think that's so amazing that she. She's so comfortable sharing the bill in the space with another actor who's on the, like, horizontal to, like, lateral in terms of that kind of whatever positioning. It's Like, I. I respect the. Out of that.

[Unnamed Advertiser]

Yeah, absolutely. I mean, she. I think I. You probably first became aware of her when I did, which was as like, a young gay boy. YouTubing Glinda.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And then, like, seeing what she was capable of then. And it felt like when she booked Smash when we were, I guess, like in college, it kind of felt like I remember, like, reaching back to my younger gay self and being like, oh, my God, Megan Hilty is on a big television show. Like, we won. We're kicking ass. And then even that show, she was so good, but so underappreciated.

[Matt Rogers]

I know.

[Unnamed Advertiser]

Like, Ivy, like, in terms of, like, giving a performance in a musical show, like, no one was doing it like that. No. And also, not that anyone was getting opportunities to do it like that, but nobody could do it like that. And there was a few numbers that she did on Metro One called let's Be Bad.

[Matt Rogers]

Let's Be Bad, which also was then.

[Unnamed Advertiser]

It was then in Some Like It Hot. The. The Musical.

[Matt Rogers]

Yes, yes, yes.

[Unnamed Advertiser]

She crushed that. All the big musical theater set pieces, she always crushed. And in death becomes her. Like, there's that scene where she first, like, kind of realizes that he's moved on and she's old.

[Matt Rogers]

Right, Right.

[Unnamed Advertiser]

I'm like, just like the way she was tearing it up and belting to God, like, but. But the whole thing was so stupid. I was like, is this what made me want to do comedy in the first place? I think kinda, you know what I mean?

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

Like, that sort of stupid, gay, over the top, very knowing. You know what I mean? Right on the nose. But, like, deliciously so.

[Matt Rogers]

But it hits the same nerve as, like, a Jenna Maroney. Like, there's something. Gay men go crazy for that. You know what I mean? And she absolutely, totally, totally does that. 20th Century Fox Mambo. That's also.

[Unnamed Advertiser]

Yeah, yeah, yeah. 20th Century Fox Mambo. Yep.

[Matt Rogers]

I remember the whole thing so good.

[Unnamed Advertiser]

But then Smash was also so dumb. Sometimes when they sing Cheers, I'll drink to that in Times Square.

[Matt Rogers]

I do.

[Unnamed Advertiser]

Like, it was like the two characters, like, hated each other. Hate it. And they were like, well, I guess we're just out in New York tonight. And then they went and sang Cheers. Drink to that by Rihanna.

[Matt Rogers]

Because this show, lest we forget, was airing at the same time as Glee. And so, like, they were like, it was all over the place, I'm sure, in the ratings, where they're like, what the do we do?

[Unnamed Advertiser]

Yeah, what are we do we just do the.

[Matt Rogers]

Can we just try the Glee Thing and see if that works. Even though. Even though it makes no sound, like, sing. Just like a pop cover.

[Unnamed Advertiser]

Can you imagine getting the scripts? I'm like, they're really working hard. I'm like, we're building our dynamic. It's really tense. We both want this job. And they flip the page, and it's like, oh, in this scene, we get rum drunk in Times Square and we are singing Rihanna. Cheers. Drink to that. Like.

[Matt Rogers]

Like, sure, let's just try. I mean, that's network. That is network tv, baby.

[Unnamed Advertiser]

I love it.

[Matt Rogers]

From a different era. And God bless.

[Unnamed Advertiser]

Bring it back.

[Matt Rogers]

Bring it back. But I went to go see it with Gina Gershon.

[Unnamed Advertiser]

Yes.

[Matt Rogers]

Because we had a long, lovely night together. And then also there that night. We got to go say hi. Backstage, Jenks Monsoon and Jenna Harris this the weekend before their last girls date. Before. This is tonight. Tonight's the first night of their own married. They were like, camille is amazing. Michael Urie's amazing. Of course. Like, it's a great. I can't wait to see this new cast. But it was just so fun. Like, Jinx and Megan go way back. And Megan saw Gina when she did cabaret in the. Early. In the. Early on.

[Unnamed Advertiser]

Had you met Megan Hildy before?

[Matt Rogers]

No, that was my first time, and I. I really fangirled hard. I was like, well, yeah, and I caught myself. I wanted to be like. I want to be like, little gay. Little gay boy. Yep. Like, going on broadway.com every day. Like, that was when I first found out about you. Like, I really had to contain myself. And I wanted to be like, you're the reason why. Like, I started researching, like, Carnegie Mellon when I thought, like, that was, like, a pathway, and I'm like, obviously, I'm like, like, it all worked out. And I would not have done well in. In. In a musical theater program story. But I'm like. But she went like, she open like, her. She opened up the door to all these things for me. And she's just so good.

[Unnamed Advertiser]

She's great.

[Matt Rogers]

Just chill. Good vibe. I could tell. Good vibe. She w. Like, she, like, brought us out the stage. George. She was like, I'll be your cover. Like, you guys run past me. I was like, you're a legend.

[Unnamed Advertiser]

I feel like if I could ever have the opportunity I To, like, be myself now and visit my little gay self as a ghost, what I would just say from the corner of a room is Megan Hilty. And I know that little gay me would be, what? Who said that? Who said that? How do. How do you know I'm gay. How do you know I would know that name? That would be me. Just like Megan Hilty. Yes, I know. It's me from the future. She slays even in 2025. Don't worry.

[Matt Rogers]

There should be a gay Discovery satellite.

[Unnamed Advertiser]

Wow.

[Matt Rogers]

Yeah, there should. Do you know what I mean? Because you know, the Discovery satellite is like. It's just like there's a vinyl on it. There's a golden vinyl on it. There's all these different things from human culture. From like they like sent it up in the 70s.

[Unnamed Advertiser]

Oh, yeah, we gotta do that.

[Matt Rogers]

We have to do that for gay culture.

[Unnamed Advertiser]

All right, that'll be the next. That'll be the next thing we do. Because now the cultural awards are out. We have a little bit more free time.

[Matt Rogers]

And you have reminded the group, the producers and the editors of Las Coltaristas, the award winning podcast on iHeartRadio. Critically acclaimed and big money players. We are approaching 500.

[Unnamed Advertiser]

We are approaching our 500th episode. You guys, I believe this is like 485. It really doesn't feel right. But I have to tell you, remember, we absolutely blew past the 400th. We didn't do our 400th until 440.

[Matt Rogers]

And again, we don't take breaks.

[Unnamed Advertiser]

No, we just took a one week break. Which honestly felt good.

[Matt Rogers]

It feels great.

[Unnamed Advertiser]

But here's the thing. It's like when we do episodes like this, I do kind of feel like we're on a break.

[Matt Rogers]

Totally.

[Unnamed Advertiser]

You know what I'm saying?

[Matt Rogers]

And, and just. Just to let everybody know, Nana are gonna just be sort of like orbiting around each other, not necessarily in the same place all the time. So it will be more just like just. Just culture catch ups.

[Unnamed Advertiser]

Which we're gonna backlog some guest episodes in September. Yes, that's right. You know, but those will be evergreen by design. We're not going to talk about any topical stuff on those.

[Matt Rogers]

Can I maybe pitch something for the 500? What's your pitch in the vein of like gay satellite? The 500 things.

[Unnamed Advertiser]

The 500 things. Las culturistas.

[Matt Rogers]

500 things.

[Unnamed Advertiser]

That's really good.

[Matt Rogers]

It will be.

[Unnamed Advertiser]

Banana is on there.

[Matt Rogers]

Banana.

[Unnamed Advertiser]

Banana might be a huge.

[Matt Rogers]

Banana is top 10.

[Unnamed Advertiser]

Can I sort of fyc for one of the things? Of course it's your podcast with Jenna Bush Hager today. Of course it's your podcast. It's actually roller culture number nine. Of course it's your podcast. Apple cinnamon muffin. Think about it.

[Matt Rogers]

No, I never. I never mind it. I always say yes what do you.

[Unnamed Advertiser]

Mean you don't mind it?

[Matt Rogers]

I'm just saying if I have not. I can't say that I've like, pursued it very much in my life, but anytime it's in front of me, I go, oh, my God, I love apple cinnamon muffins.

[Unnamed Advertiser]

Do you know what I just realized in Houston? Saying, of course it's your podcast. I can kind of use this for anything. Huh. So what I'm going to use it for in this moment is I need my New York and LA readers, Katie's publicist finalists, and Kyle's, which, by the way, congratulations. Kyle's. You remain.

[Matt Rogers]

Congratulations. Really wonderful messages I received.

[Unnamed Advertiser]

I want to know where in where I can find an apple cinnamon muffin, and I want to know if you have favorites. I want to know where they consistently and reliably make apple cinnamon muffins. Not an apple muffin. Not a cinnamon muffin. Apple cinnamon.

[Matt Rogers]

You know, you can make it on your own.

[Unnamed Advertiser]

Don't do this.

[Matt Rogers]

I.

[Unnamed Advertiser]

Because you know what you're doing? Being a. No.

[Matt Rogers]

Because you make the foods that you love, such as buffalo chicken dip.

[Unnamed Advertiser]

Girls, let me get my bag.

[Matt Rogers]

What is that?

[Unnamed Advertiser]

I need my reefer because my girlfriend.

[Matt Rogers]

We should be smoking reefer.

[Unnamed Advertiser]

All right, get the thing. Do you have anything else to say about death becomes her. Because you haven't mentioned two words yet. Michelle Williams.

[Matt Rogers]

Michelle Williams. That voice, that look. I just went that. That is a muse in every way. Do you know what I mean?

[Unnamed Advertiser]

Did you hear about the rumor?

[Matt Rogers]

What's the rumor?

[Unnamed Advertiser]

The rumor is I took one hit and I'm being conspiratorial. The rumor is act three is definitely rock and Destiny's Child is coming.

[Matt Rogers]

That's. That last part feels too good to be true.

[Unnamed Advertiser]

But why would it be too good to be true? You know what I mean? Because it's like, what? What else? Not to say that Kelly and Michelle aren't booked in busy as we're literally talking about Michelle.

[Matt Rogers]

I'm sure there will be Kelly and Michelle features on Act 3. You're saying the rumor is that they're the whole album?

[Unnamed Advertiser]

No. Well, then I believe come on tour with her.

[Matt Rogers]

That's great.

[Unnamed Advertiser]

That. Sorry, I was not specific.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

I think Act 3 is a rock album.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

Per chance the girls are featured on it.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

But that the Act 3 tour is.

[Matt Rogers]

Gonna be all three of them.

[Unnamed Advertiser]

What I had heard, and mind you, we hear so many things about Beyonce. Half end up being true, half end up being not. Like the sphere of it all was not visuals. The visuals I mean, kind of came, kind of didn't. Also, there was that crazy thing about them being stolen from the car.

[Matt Rogers]

That is true.

[Unnamed Advertiser]

That's crazy.

[Matt Rogers]

That is the truth. I still don't. I still haven't. We haven't talked about that.

[Unnamed Advertiser]

That's like the Mona Lisa being stolen. You don't take that. That's actually real culture number 90. That's like the mother. You don't take that. By the way, we should just pause here and say, I know we're going to get to the culture Awards later. But Mary M. Cosby came to. It essentially came to a party that we threw and loved it. And we met her, and this is what she said. Do you remember what she said?

[Matt Rogers]

All I remember is vaguely her saying, who are you guys?

[Unnamed Advertiser]

This is what it was. We came around the corner. Mary Cosby. I turned to ball, and I was like, the look that Mary Cosby pulled for our show. She's in a red clothed gown.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

And with a red bag and a red gloves. And she turned to us and she said, I had the most amazing time. And we said, mary, thank you for being here. You elevated the whole thing. And she goes, my husband said, you better know who they are. And she goes, and I do know Matt and Bowen. And I was like, you are.

[Matt Rogers]

She was amazing.

[Unnamed Advertiser]

She was like, we need to get a picture. And so I think we should just post that picture. There's gonna be a lot of things posted online that needs its place, that needs its own grid stuff.

[Matt Rogers]

That's how I knew us and Mary Cosby. Yeah. The fact that we. She enjoyed her time there. So I do a huge badge of honor well quickly, before death becomes her.

[Unnamed Advertiser]

Yeah. We've been very much a Broadway episode, and there's so much to get to.

[Matt Rogers]

Warren Yang. He's the one who does the tumble down the stairs.

[Unnamed Advertiser]

Yes.

[Matt Rogers]

And spoiler.

[Unnamed Advertiser]

Okay, well, that's a spoiler.

[Matt Rogers]

But it's been many months. Please go see it. I did not ruin anything. Trust me.

[Unnamed Advertiser]

Michelle ate them up.

[Matt Rogers]

The shell ate them up. The singing.

[Unnamed Advertiser]

The. The, like, riff she's doing at the top of her belt.

[Matt Rogers]

I love it.

[Unnamed Advertiser]

Absurd.

[Matt Rogers]

Absurd.

[Unnamed Advertiser]

And she. I love that she kind of comes in sort of laughing the whole time. She's like, I'm having fun doing this. She stands, delivers. Absolutely. Belts these songs like you've never heard. And then leaves being like, I killed it.

[Matt Rogers]

She had exit applause every time.

[Unnamed Advertiser]

Our.

[Matt Rogers]

Our audience. We had a respectful audience.

[Unnamed Advertiser]

See, that's what I'm saying is it's like they showed up and also death becomes her is quite loud.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

So it's like you can't always hear everything going on if it's a play. That's the thing. It was a play. And it was a play where you.

[Matt Rogers]

Really needed to listen. As with most plays, you really gotta engage.

[Unnamed Advertiser]

You can't be coming to the theater. Like, cracking, popping, coughing, like chewing, gnawing, ripping.

[Matt Rogers]

There was. There was a lot of dialing where we're brow beating a lot. But it's. It's just.

[Unnamed Advertiser]

It's. But it's crazy. Does this make us like the old faggots in the chair and basically.

[Matt Rogers]

Basically, no, because they were insulted. No, they're actually the problem.

[Unnamed Advertiser]

No, you're right.

[Matt Rogers]

If Statler and Waldorf were still going to the theater today, their phones would be ringing.

[Unnamed Advertiser]

They'd be canceled.

[Matt Rogers]

That's not what I said.

[Unnamed Advertiser]

To speak more in things that have happened on stages. Have you seen the clips of Cynthia giving what looked to be the performance of a lifetime in Jesus Christ Superstar?

[Matt Rogers]

Yeah. I mean, it looks sacred. It looks religious.

[Unnamed Advertiser]

Remember when she was on and I was like, wow, so you've played Aretha, you've played Harriet Tubman, you've played Elphaba, you've played Celie. Now she's played Jesus Christ. She can't play a normal woman.

[Matt Rogers]

Unlimited.

[Unnamed Advertiser]

Whoa. I hadn't even thought of that.

[Matt Rogers]

Elphaba.

[Unnamed Advertiser]

Oh, my God. Life imitates art.

[Matt Rogers]

Life imitates art.

[Unnamed Advertiser]

Yet again, I saw Josh Sharp. Ta da.

[Matt Rogers]

Oh, my God.

[Unnamed Advertiser]

Have you talked about it yet on the pod?

[Matt Rogers]

Not really.

[Unnamed Advertiser]

I guess. I guess I was waiting for you. I'm so proud of Josh. He's just. He's so great. And honestly, I'm sitting there watching the show and it. The way, like, it was just unraveling. It just. It's. It's one of those. It's like it gets better every second because you realize what the, no pun intended, purpose of the slides are. And, you know, he goes through 2000 slides in the show and is like, perfectly exactly on it and ends up telling, you know, a really beautiful story. And I just love him so much.

[Matt Rogers]

So much. It's just life affirming. Literally. It's a life affirming show. And hilarious. Sam Pinkleton.

[Unnamed Advertiser]

Yeah, heard of him.

[Matt Rogers]

1A Tony wanted Tony. That guy. And yeah. I mean, we wouldn't. We don't want to give anything away.

[Unnamed Advertiser]

That's the thing is, it's like you can't really give it. Like, you gotta go, all right, you know what, guys? Sounds like you're hitting the block. Sounds like you guys have shows to.

[Matt Rogers]

Go see and that's good. Yeah, that's a good thing today ticks.

[Unnamed Advertiser]

And you know what? I'm being really earnest when I say that.

[Matt Rogers]

Oh, yeah.

[Unnamed Advertiser]

And a lot of times on this podcast, when we say today ticks, Peek behind the curtain. It's an ad.

[Matt Rogers]

It's an ad. And we're getting paid for it in some way, in a way that we don't always see.

[Unnamed Advertiser]

You know what? We know that someone is making money.

[Matt Rogers]

Someone is making money somewhere. We hope that's all that matters.

[Unnamed Advertiser]

But, yeah, no. Get on. Get on today. Tixon. I wonder if tada is on today Tick.

[Matt Rogers]

It is on today.

[Unnamed Advertiser]

It is.

[Matt Rogers]

It is definitely on today.

[Unnamed Advertiser]

And use code. Whatever the code is. Just put it just. It might be ding dong song for today.

[Matt Rogers]

Use code ding dong. Or it's called touristas or just do monkeys at a typewriter until you get it.

[Unnamed Advertiser]

The way we were laughing in the theater, not just Broadway varietal, but the cinema varietal when we saw varietal. Naked Gun. Is movies your favorite?

[Matt Rogers]

Actually, theater is always my favorite.

[Unnamed Advertiser]

Theater's always your favorite.

[Matt Rogers]

And I said. I said that to Celestium at Wicked in the West End. I said, theater's my favorite medium. And they were like, well, yeah. And I was saying this to them as a playwright, and they were like, well, yeah. I mean, it's the fact that you're sharing space with them makes it the most immediate thing.

[Unnamed Advertiser]

I was like, that's it. To me, it's like this number three film, okay. Number two, theater theatrical. Re. Yes, theater re.

[Matt Rogers]

And then number one.

[Unnamed Advertiser]

Number one, of course, haunted house escape room.

[Matt Rogers]

That is interesting.

[Unnamed Advertiser]

Is it interesting or is it not? If it's not that, that's okay, too. I don't say it because it's interesting. I just say it because I like to run around and be chased. Are you saying that I want the boys trying to come and get.

[Matt Rogers]

Try to come and get you?

[Unnamed Advertiser]

You don't.

[Matt Rogers]

Well, I guess you do.

[Unnamed Advertiser]

But you no remember that we went to in the Poconos? What? Do you remember the one we went to with the Poconos?

[Matt Rogers]

But that's interesting, though. Like, you want to run around and be chased, but, like, don't you feel. Don't you get that same sensation of running, like, running around and being chased while you're watching a horror film?

[Unnamed Advertiser]

Like, it's the same. Oh, my God. I can't really negate this with you. I would rather do a haunted house than a scary movie. Because in a haunted house, things make sense. It's like, okay, that is flying out of that door. Okay. That beast is coming at me with that knife. In a film, you can edit it to make it crazy, but it gives.

[Matt Rogers]

You that same thrill of like, oh, my God, Like, I'm terrified. I have to just go along for the ride, I suppose, which is what you do in every haunted house.

[Unnamed Advertiser]

Honestly, if we were to actually unpack this.

[Matt Rogers]

I want to know.

[Unnamed Advertiser]

I want to know, too. Should I reach this subject with a therapist?

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And be like, hi. Every time I sit down for, like, a scary movie or even a suspenseful movie, I have dread. What is this? That something happened to me at the theater.

[Matt Rogers]

Right, well.

[Unnamed Advertiser]

Right. Well.

[Matt Rogers]

I'm saying, like, there's something about. Like, I'm learning a lot about my. The reasons for my anxiety.

[Unnamed Advertiser]

Really?

[Matt Rogers]

Yes. I feel like I shared them with you the other night. Like, things. I'm really breaking open. New ground. Mercury is coming out of retrograde.

[Unnamed Advertiser]

It was a rhetorical. Really?

[Matt Rogers]

Really. I think you figuring this out will unlock so many other doors.

[Unnamed Advertiser]

Treasures untold.

[Matt Rogers]

Treasures untold.

[Unnamed Advertiser]

All right, Stacy, I'm coming back to therapy on Friday. Babe. Babe.

[Matt Rogers]

She doesn't listen to this.

[Unnamed Advertiser]

Actually, my therapist did tell me. She's like, I purposefully. If I see you in something, I turn it off.

[Matt Rogers]

Right, Right.

[Bowen Yang]

No, that's.

[Unnamed Advertiser]

I was like, well, that sucks. You can't, like, see some cool stuff.

[Matt Rogers]

That's fair, though, right?

[Unnamed Advertiser]

I guess so. I had. So remember that period of time, like, a couple years ago where I had two therapists?

[Matt Rogers]

Yes.

[Unnamed Advertiser]

One of them was like, I'm a fan of what you do. And the other one was like, I turn off everything I see you in, and I make a point. If you say you're going to be in it, I don't watch it. And I was like, I have to stay with you. I must.

[Matt Rogers]

That's like that. It's like that riddle of. You run into a town where there's only one barber shop and there's two barbers. Randall, you need. You need a haircut. For some reason in this world, you just need a haircut.

[Unnamed Advertiser]

Okay?

[Matt Rogers]

And you go into a barbershop, and there's two barbers.

[Unnamed Advertiser]

Oh, my God. This is my nightmare.

[Matt Rogers]

One of them has an amazing haircut, and one of them has an awful haircut. Which one do you go to?

[Unnamed Advertiser]

Is there a right answer?

[Matt Rogers]

Yes, if you want to. If you want a good haircut, which barber do you pick?

[Unnamed Advertiser]

Okay. In this world, this is simple. I If someone has a good haircut and they're like, I'll cut your hair. Well. And someone has a bad haircut, and they're like, I'll cut your hair. To be honest with you, I would go with the person with the bad haircut.

[Matt Rogers]

That makes sense because they got the haircut from the person with the good haircut.

[Unnamed Advertiser]

No, no, no. Was I supposed to have, like, known that?

[Matt Rogers]

Yeah, that's, like, part of the reasoning. I'm sorry. I maybe didn't set it up correctly because it's like.

[Unnamed Advertiser]

Because I think you said it was a riddle.

[Matt Rogers]

It's a riddle.

[Unnamed Advertiser]

You think that's a riddle? A riddle is like, fiddle me, thee, fiddle me this.

[Matt Rogers]

No, no. That's a riddle that doesn't have to.

[Unnamed Advertiser]

Brittle enigma wrapped in a riddle in cash. Erica.

[Matt Rogers]

Erica, wait. What were we talking about earlier?

[Unnamed Advertiser]

We were talking about.

[Matt Rogers]

Oh, the therapist. It's like, you chose the therapist. You. You picked the therapist who doesn stuff. So you were like. It was like the barber with a bad haircut.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Like, the one who is. Who understands what she does on a. On a more deeper level.

[Unnamed Advertiser]

Honestly, there just on a more deeper. It was weird. It was like. I was like, Well, I. I'm. Because I remember back in the day has me flying back in the day. My therapist was like. We were dealing with stuff around the shooting of Fire island, and I was like, I think I want you to watch the movie because it's relevant to the issues that I.

[Matt Rogers]

So I did the same with my therapist. Yeah.

[Unnamed Advertiser]

I gave them homework.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And she was like, I watched it. I enjoyed it. And I was like, okay. And then we talked about it, like, as it related to.

[Matt Rogers]

Yes. And this is coming up, shooting the movie.

[Unnamed Advertiser]

This is Stacy.

[Matt Rogers]

So I think my therapist is the same. I don't. I think he does not really. You have a gay man, and so it makes it even weirder, I guess. But, like, I. But the only time I've ever told him to watch something that I've done with Spider Hound, I was like. I was like, this is going to explain a lot.

[Unnamed Advertiser]

Yeah, I think it was really important.

[Matt Rogers]

Yes, yes, yes, yes, yes. Agree.

[Unnamed Advertiser]

Also because, like, I think probably a lot of us were talking about each other.

[Matt Rogers]

Girl. Well, no, I think we were just like, like, this movie is like something. This is our first time doing this. Like this. Yeah. This is kind of about us.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Anyway, give me that lighter.

[Bowen Yang]

Honey is on the case. On August 22, Focus Features invites you to. Honey, don't follow the clues to the coolest sexiest most scandalous murder mystery of the summer in a small desert town full of odd folks with strange obsessions. A suspicious car crash sets off a series of deadly events, and private eye Honey o' Donohue is at the center of it all. As the body count rises, Honey uncovers an international conspiracy circling around a bizarre new church in town. Now she'll have to figure out who's pulling the strings before it's too late. Starring Margaret Qualley, Aubrey Plaza, Charlie Day and Chris Evans, this thrilling dark comedy is high stakes, high heels and a rollicking good time from Academy Award winner Ethan Cohen, a director of no country for Old Men. In a town where everyone has a secret and no one can be trusted, the name on everyone's lips is Honey. Honeydont. Written by Ethan Cohen and Tricia Cooke. Rated R under 17. Not admitted without parent only in theaters August 22nd.

[Unnamed Advertiser]

The Hyundai Getaway Sales Event Is Going on now. Every now and then you score a deal that's almost too good to be true. Like you feel like you're getting away with something you shouldn't. Well, now is the perfect time to buy the car or SUV you've always wanted at the Hyundai Getaway sales event. So get down to your local Hyundai dealer and get away with huge savings. Score a great deal on Hyundai's award winning SUVs like Kona, Tucson, Santa Fe and Palisade. The technology packed Elantra and their most advanced Sonata yet and the all electric Ionic 5 and Ionic 6. But getting away with massive savings is just the beginning because every Hyundai is backed by America's best warranty and Hyundai complimentary maintenance, every new Hyundai comes with America's best warranty. With an industry leading ten year for a hundred thousand mile powertrain limited warranty, it's nice to know that a peace of mind comes standard. And there's also three years of 36, 000 miles of limited complimentary maintenance on all new 2025 models. These are just a few of the many ways Hyundai has your back after you drive off the dealership lot. Visit HyundaiUSA.com or call 500-314-4603 for more details. Offers end September 2, 2025 ready for your next obsession? From the creators of Outlander comes Blood of My Blood, an epic romantic saga only on stars.

[Matt Rogers]

Travel back in time to witness the battlefields of World War I to the rugged highlands of 18th century Scotland where two faded couples must defy the forces that seek to tear them apart.

[Unnamed Advertiser]

No need to be an Outlander expert. This Saga stands on its own babe vibe. It's emotional, it's dramatic, it's romantic. With that irresistible will they, won't they energy, everything we love wrapped into one gorgeous new show. You're gonna eat it up.

[Matt Rogers]

Outlander Blood of My blood series premiere August 8th only on Starz and the Starz app, the home of Outlander. We're here to tell you about Searchlight Pictures new film the Roses.

[Unnamed Advertiser]

Perfect couple. Ivy, played by Olivia Colman and Theo Rose, played by Benedict Cumberbatch, have it all. Successful careers, a lot. Loving marriage, great kids. But when Theo's career comes crashing down, just as Ivy's fame starts to skyrocket, a tinderbox of fierce competition and growing resentment ignites, threatening to destroy everything they've built if they don't destroy each other first.

[Matt Rogers]

All's fair when love is war. For anyone who's ever been in a relationship, the Roses is a crowd pleasing.

[Unnamed Advertiser]

Comedy starring Benedict Cumberbatch, Olivia Colman, Andy Samberg, Allison Janney, Belinda Bromello, Sunita Mani, Shruti Gatwa, Jamie Demetriou, Zoe Chow and Kate McKinnon. From the director of Meet the Parents, Jay Roach and the writer of four.

[Matt Rogers]

Things, Tony McNamara in theaters everywhere August 29th.

[Unnamed Advertiser]

Okay, so wait, I have one thing I wanted to say as we move into as because the reason we even started talking about this is because I was bringing up that we saw a movie which is Naked Gun. You have to go see this, everybody. Oh, God, it's so good. It's so stupid.

[Matt Rogers]

I need to see it it three more times because it really is that kind of movie where like the comedy comes at you from every which angle and you're just like, okay, I need to process that joke in about like two weeks because I need to focus on this other joke that's coming up. Do you know what I mean?

[Unnamed Advertiser]

Yeah. There was. There was like, it was you really. It was blink and you miss it in terms of just how many jokes there were. And I love Liam Neeson.

[Matt Rogers]

I love Liam Neeson.

[Unnamed Advertiser]

I have to say I was kind of Liam Neeson agnostic before this because I'm not like a. Take it, girly.

[Matt Rogers]

Right, Right.

[Unnamed Advertiser]

All respect to Maggie Grace always. And she will always be Shannon in Lost, but I cannot make the leap to. To the Maggie Grace vehicle taken just because again, like, didn't seem like a movie I was going to be like be for be pound for pound. I enjoy this, this pace of film and Liam kind of to me is wrapped up in the taken of it all. So to see him in this, he's got a fan for life now.

[Matt Rogers]

I love that.

[Unnamed Advertiser]

I love Pam.

[Matt Rogers]

I love Pam so much. I love the guy who played the villain.

[Unnamed Advertiser]

Oh, we were saying his line reads were everything. There is a run about the Black Eyed Peas in this, which was really, really, really one for the books.

[Matt Rogers]

It's really good.

[Unnamed Advertiser]

And then Fergalicious comes in as a drop at one point.

[Matt Rogers]

That's a great needle drop.

[Unnamed Advertiser]

The movie knew something. Akiva Shaffer, you know something.

[Matt Rogers]

You know something about filmmaking.

[Unnamed Advertiser]

You know something the other girls don't, which is that you. If you can do the Fergalicious drop drop, you do do the Fergalicious drop.

[Matt Rogers]

It is stupid comedy.

[Unnamed Advertiser]

It is really. See, yeah.

[Matt Rogers]

The original.

[Unnamed Advertiser]

We need to go. We need to move in this direction.

[Matt Rogers]

Yes, absolutely. The original movie I rewatched just in the lead up to this new one. And I was just like the original. The first in the original trilogy. And I watched it and I was like, I mean, a lot of this just still holds up.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Like this kind of humor, it's just like.

[Unnamed Advertiser]

I mean, it'll never go out of style.

[Matt Rogers]

Some of it is like, okay, like. Like that's. There's a slight patina on that. But everything else, it's like hilarious site. First one had a lot more psych gags. And just for some reason, like, I love that they kept in this updated version. Like, you know the. Just these two people, like running over everybody, like crashing into things all the time. So a little bit different on 70s cameras or 80s cameras. I mean.

[Unnamed Advertiser]

Yeah, like. Cuz. Yeah, I will say. Because now we know like how.

[Matt Rogers]

I know that's a little bit more intense.

[Unnamed Advertiser]

Like, I don't know how to. How this is what I think it is. Comedy has for a while now actually asked a lot of the audience.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

And I think watching something done that is just literally so much time had to be put into this. But it doesn't feel like it. Like every hard joke is what matters and what's important. And I love the sketch. Way that the scenes are all set up. It obviously made me miss Austin Powers. We were even talking after. Yeah, could there be another Austin Powers now after this? But that is. I think the difference is it's like even when I saw Superman, I was like, yeah, in this superhero movie, like one of the gags is Lois puts sugar in her coffee for like approximately 15 seconds and then just drinks the coffee like it's normal and it's just a joke in the movie. And I'm like, hmm. Even superhero movies took themselves so fucking seriously there for a while. So to see that gag happen, I was like, huh? And then with Naked Gun, it's all just so stupid. And I was like, I'm having a bigger reaction than I've had in a long time. And that's not to say that comedy can't be meaningful or shouldn't be meaningful or isn't meaningful in this new way. I'm, like, exalting. But it is really nice to just drop your shoulders, not take anything too fucking seriously, and just rip 100%.

[Matt Rogers]

Because I don't know what you were thinking in the theater yesterday or two days ago. I was just like, this feeling of laughing in a theater feels so foreign.

[Unnamed Advertiser]

Yeah. And also so good.

[Matt Rogers]

So good. But I'm like, it's been way too long since I've done it, 100%.

[Unnamed Advertiser]

You used to reliably be able to go to the movie theaters and laugh. Like, laugh at something like Bridesmaids.

[Matt Rogers]

Yes, yes.

[Unnamed Advertiser]

Like, you know what I mean? Like, those are formative memories. This. And honestly, this is. This is, I think, a real thing. Like, horrors continued to do fine at the box office. But comedy's not. Actually drives away a whole kind of person that goes to the movies when the only thing you can really reliably go to the movies for is, like, shock or wonder. It's like, a lot of people aren't interested in that. A lot of people are interested in a different kind of reaction and going to the movies. And I get that. Like, you know, because of streaming, you can. It's easier to provide that sort of comfort viewing, or it's more acceptable to get away with it going straight to people's homes. But we're really missing out on putting hard comedies in theaters because those are some of the most formative experiences of my life.

[Matt Rogers]

Of my life.

[Unnamed Advertiser]

And they. We don't have that. And I'm sorry, but that type of human that would enjoy that is still fucking out there. And there's still that age, and there's still. You know, I get that the world has changed, but, like, I just don't believe that there's no desire for people to go see good comedy at the theaters. I just don't.

[Matt Rogers]

Because as you're saying this, it's like, that does drive a whitehole kind of people who goes to the movies. And so the way that we. You and I, and a whole generation of people defines comedies now is that, like, okay, we're still attached to this thing of Going to the theater and laughing with everybody. It's just a different sen. You're just aware of the people around you anyway. Obviously. But I'm just saying like, it then defines what comedy is for a generation of people growing up who all they think comedy is is like some person on TikTok.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Doing a very like refracted kind of memey thing.

[Unnamed Advertiser]

Right. Which. Yeah.

[Matt Rogers]

Which it is. But it's just like that's not all of comedy.

[Unnamed Advertiser]

It's not direct, hard comedy.

[Matt Rogers]

Exactly.

[Unnamed Advertiser]

It is. It is. It is in reference to something where there's almost no like exactly if it.

[Matt Rogers]

Exists anymore or this generation thinks comedy is like someone, a stand up comedian, quote unquote, going up on a mic and just saying whatever slurs they want at like kill Tony. It's like, that's not comedy either. But they think that's comedy.

[Unnamed Advertiser]

And it's like you need movies like.

[Matt Rogers]

This that reach every audience and. And that is what the example should be.

[Unnamed Advertiser]

This is not going to be to everyone's taste. But what I am saying is you can be any kind of person and think this movie is fun.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

You know what I mean? And that's important. You might not love it. Like I even I'm in a group thread where a couple people were like, I thought the movie actually could have been funnier.

[Matt Rogers]

Not everything had landed. No, it doesn't have to.

[Unnamed Advertiser]

That's. There's almost something about that too is it's like, okay, that bit went by and maybe it didn't work for me as much as the last. But the fact is like your batting average can be a little bit lower when you're taking a lot of swings. You know what I mean? This movie is constantly jam packed with the goal of every single fucking thing being funny. So yeah, if it's batting average is like a 760 instead of a 990, that's pretty good.

[Matt Rogers]

Either way it's great.

[Unnamed Advertiser]

Yeah. Because there's some quote unquote comedy out here which are taking no swings at comedy. And I'm sorry, but when you, when everything is comedy, you do dilute things out of that. Like I don't know, moratorium on what is comedy. And I think everyone.

[Matt Rogers]

But I think you and I just figured it out for real.

[Unnamed Advertiser]

The way we. For a second there were number three on the comedy podcast list behind. We said yeah.

[Matt Rogers]

And Rogan.

[Unnamed Advertiser]

Eat it. Alex Cooper. Eat it.

[Matt Rogers]

Eat it.

[Unnamed Advertiser]

We've. We went right below her right away.

[Matt Rogers]

Of course.

[Unnamed Advertiser]

That's okay. We respect all these Girls.

[Matt Rogers]

No, we just think.

[Unnamed Advertiser]

But for a second we had. We had the number three spot and I think we just proved why.

[Matt Rogers]

Absolutely.

[Unnamed Advertiser]

Right now we are wearing all white. We are in an all white room and we're like little angels. And that's how I want you guys to think of us whenever we don't have a visual aid. Just like two little angels in like a white room. Like it's like it's heaven or something. Just talking to each other, floating around like little heads.

[Matt Rogers]

And we're wearing white button downs with like a chiffon. With a chiffon pant.

[Unnamed Advertiser]

Speaking of music and pants. Oh, you know who's wearing the pants? In terms of my Spotify most streamed lately.

[Matt Rogers]

Interesting expression.

[Unnamed Advertiser]

Sometimes I really segues in. Me go great. And then other times it goes like that.

[Matt Rogers]

I love it. Who's wearing the pad?

[Unnamed Advertiser]

Have you been streaming this at BO Way?

[Matt Rogers]

Absolutely.

[Unnamed Advertiser]

So good.

[Matt Rogers]

So good.

[Unnamed Advertiser]

I just.

[Matt Rogers]

And I love that it is so different from what, like the version of song she's been performing at the concerts because it feels like it's more like acoustic and like not quite as lush and like, I don't know, I feel like when she was doing it live only at her concert, before she released it and recorded it, like recorded and released it, it just felt like a different song. And this just feels like it's. It gives it a whole new life.

[Unnamed Advertiser]

Yeah. I mean, my confession is I actually wasn't very familiar with the live version because I just really wanted to to at the time. I remember being like, I really want to wait because I'm sure that this is coming soon.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

And then it just kind of never came. So I didn't really have like much of a vocabulary for it. So I'm kind of experiencing it as a musician.

[Matt Rogers]

Oh, that's great then.

[Unnamed Advertiser]

That's a great experience. Of course I listened to it like when it came out at first and then a couple times when she was coming on. But like it hasn't been in rotation. I love this and just how grand it is and how long it is. I just love that she feels like she can get away with something like this because she can. She doesn't feel emboldened. I mean, she doesn't feel encumbered by any expectation about like what a pop song is. I think because like everything she's done has been on her own terms anyway. I love that like Casual has like this little sister song. I do think ultimately it is the.

[Matt Rogers]

Best song on Casual or something.

[Unnamed Advertiser]

I think Casual is the best song 100. I mean, when you see her do it live and you feel that song live, and it is the. The song that made me first really turn my head to her, there's just something so about it.

[Matt Rogers]

Are you kidding me? Like, that whole thing anyway. Yeah. Subway.

[Unnamed Advertiser]

I mean, this feels like that song.

[Matt Rogers]

I need to give the music video another spin. Just the shot of her of, like, those butterflies, like, flying around her as it pans up. Like, she's a great actor. I'm just like, this is an incredible visual, just period.

[Unnamed Advertiser]

I think it's. I think that the Subway video and the Manchild video, both were feats in pop, girly music video history, recent history. I love the Man Child video. I love that every single shot is different. I love that, like, literally.

[Matt Rogers]

Right.

[Unnamed Advertiser]

I love this choice with the hair in the subway. Like, I. She serrated it.

[Matt Rogers]

She serrated it. These girls are serrating. I think we have to. We all have to serrate.

[Unnamed Advertiser]

We have to serrate better.

[Matt Rogers]

Oh, it's not the butterfly. Sorry. It's the garbage when she's. Yeah. And the intersection. Fuck. I'm just. God, that.

[Unnamed Advertiser]

That's.

[Matt Rogers]

That's amazing.

[Unnamed Advertiser]

Yeah. Yeah. Her being dragged by the car. Oh.

[Matt Rogers]

Like, are you kidding me? You can do that in a music video.

[Unnamed Advertiser]

I'm so happy that they're being intentional about music videos.

[Matt Rogers]

I know, I know.

[Unnamed Advertiser]

I mean, because that's another thing that's gone the way of the dodo is sort of the music video, like, you know, you're right. It's only the girls. The girls feel like Ariana is always really, really good about.

[Matt Rogers]

But I was saying I. Like, Were you gonna say it's always the girls? I'm sorry. Yes, I agree with you. I didn't mean to interrupt you.

[Unnamed Advertiser]

No, you didn't at all.

[Matt Rogers]

Are you saying that it's the girls who, like, have the studio backing?

[Unnamed Advertiser]

Because it's just like, some of these.

[Matt Rogers]

Girls just don't have the money.

[Unnamed Advertiser]

The ones that have, like, the big guns, I think, that can crank out these videos. And then it's the girls who, like.

[Matt Rogers]

Don'T get the money from the label.

[Unnamed Advertiser]

Yeah, but you know what, though?

[Matt Rogers]

Like I said studios, I meant label.

[Unnamed Advertiser]

You don't need that much money to do something, like, cute and interesting.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

And I just don't think you do, like. I think you just pick something that's, like.

[Matt Rogers]

You're being so Michelle Visage right now. I love it.

[Unnamed Advertiser]

You don't need. You don't need a lot of them. I'm refusing to give them a Butt budget. Girls. I'm not giving you a budget. No, make your own videos. I'm not giving you a budget. You're not getting a budget for the season. I also. Speaking of Dan Nigro.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

His other song. That's Conan Gray's. I'm Supporting this young girl, Coden Gray. I am supporting. I think, very bright. We need to really be listening to this one.

[Matt Rogers]

Bright Star.

[Unnamed Advertiser]

I'm only streaming this.

[Matt Rogers]

That's so cute. I love it.

[Unnamed Advertiser]

I love it. I love that we. I love that, like, there's a singer like that. Yeah. I mean, the belt at the end of the bridge.

[Matt Rogers]

I love it.

[Unnamed Advertiser]

It's crazy. And then he put together a cute little video too, where the boyfriend leaves him.

[Matt Rogers]

Sorry.

[Unnamed Advertiser]

No, he. I think he gets to. He gets to put together a saucy little video where he's got, like, his, like, little gay love interest. Then there's like a, you know, errant single tear at the end. When they know it's not working, they break up. Oh, we love it.

[Matt Rogers]

Punch in the gut.

[Unnamed Advertiser]

Little gay singer.

[Matt Rogers]

Little gay singers everywhere. Conan's one to watch.

[Unnamed Advertiser]

Have you listened to Demi Lovato? I wanna go fast. And it's like giving it home. It's, like, locked and loaded for the.

[Matt Rogers]

Gay guys, of course. Demi Lovato, is it, Ah. As the music video, apparently. That I'm sure.

[Unnamed Advertiser]

No. But she's been doing a lot of, like, visual. She's been sort of giving this. Describe to everyone what I'm doing.

[Matt Rogers]

I've seen videos like Walking through a claw.

[Unnamed Advertiser]

I want to go fast.

[Matt Rogers]

Yeah, that's just kind of posing seductively.

[Unnamed Advertiser]

I look like Jinx from Pokemon.

[Matt Rogers]

Yes, yes.

[Unnamed Advertiser]

You know what I mean? Like, you just give them a little reference of a wiggle. I want to go fast. This she. Demi. I. I want. Want a big Demi moment. Cool for the Summer was one of the great peaks of my life.

[Matt Rogers]

It continues to reappear in beautiful ways.

[Unnamed Advertiser]

Cool for the summer. Should we just, like, really? We're going to P Town. Should we make Cool for the Summer a big thing in P Town?

[Matt Rogers]

Yes, absolutely.

[Unnamed Advertiser]

Just like, whenever we, like, get ready, like, it's always cool for the summer. Like, we can't leave any place without playing it as we leave.

[Matt Rogers]

This is how I feel about apple cinnamon muffin, which I was going to say is your beef stew.

[Unnamed Advertiser]

How'd you feel?

[Matt Rogers]

Huh?

[Unnamed Advertiser]

How'd you feel? Good.

[Matt Rogers]

Yeah. But Cool for the summer is like apple cinnamon muffin. I will. Never mind it.

[Unnamed Advertiser]

Yep, you're edged. How about that? You Thought we were actually gonna play it. No, I was ready. You're edged. You're not getting it. See, and this is what we've been saying for a really long time. Our grandparents will have somewhere over the rainbow. Our grandchildren will have Cool for the summer. And we have been saying this. It is number one on the great global songbook. I don't think you're hearing me. I really don't think you're hearing me correctly.

[Matt Rogers]

Cool for the summer.

[Unnamed Advertiser]

Cool for the summer is number one.

[Matt Rogers]

On the great not American global, never American songbook.

[Unnamed Advertiser]

This song stands tall with other winners of our lists. The iconic 400. The number one person on the list is Mariah Carey. The top 200 moments in culture. The number one moment in culture was a delta Zimbabwe. Do you understand?

[Matt Rogers]

It is the song equivalent of those to those.

[Unnamed Advertiser]

Oh, my God. I still don't think they get it is the sick part.

[Matt Rogers]

You will get it even more.

[Unnamed Advertiser]

There are a lot of people that are just like, you know, like Demi Lovato fast comes out and they don't remember what a Demi era can give.

[Matt Rogers]

And that's the part this one is going to get.

[Unnamed Advertiser]

Chokes me up. It chokes me up.

[Matt Rogers]

Cool for the summer. You will understand even more when we release the 500 objects of culture.

[Unnamed Advertiser]

Yeah, you will.

[Matt Rogers]

It'll be the equivalent to the number one of that. How about that?

[Unnamed Advertiser]

Let's just say Demi Lovato's top in that music video is on it. Okay. The top that she wore in that music video is on the list of 500 things of culture. Should we drink, flower boy? Yes. Okay. So happy birthday, Kyle Cook. Happy birthday, Kyle. Is it his birthday today? Yes, actually it is. Mr. Bula, we are so. We're going to have. So did Kyle send you this?

[Matt Rogers]

Yes.

[Unnamed Advertiser]

I'm sorry, Kyle, you're in the doghouse with me because Kyle Cook, I was supposed to get some flower boy and you know, I'm a little stoner. Amanda. Mr. Get Mr. B on the horn.

[Matt Rogers]

Wait, can I say. Can I say something?

[Unnamed Advertiser]

What?

[Matt Rogers]

I texted Amanda B. Happy birthday and I did not get a response. I think she's like that cool 1000%.

[Unnamed Advertiser]

Wait, what do you mean? She loves you.

[Matt Rogers]

She was.

[Unnamed Advertiser]

She's gonna text back happy birthday.

[Matt Rogers]

No, she. No, I'm saying she doesn't have to. And I'm saying the Kyle that. These people, that Kyle and Amanda, while we love them, maybe. Maybe it's not meant to be that we're friends with them. You know what I mean? As much as we would like to. Maybe it's not. Maybe they're not ready for us.

[Unnamed Advertiser]

Do you think. Do you think that our. Our expectations were too high?

[Matt Rogers]

I thought we made a real connection with.

[Unnamed Advertiser]

We thought we made a real connection with you guys. And we're sitting here, we're drinking flower boy, and we're just kind of despondent.

[Matt Rogers]

We're just kind of.

[Unnamed Advertiser]

Because we just miss you guys. We love you.

[Matt Rogers]

We're gonna drink flower boy. Happy birthday, Kyle Cook.

[Unnamed Advertiser]

Watch what happens live. They asked us if we'd rather you or. Who was the other. Oh, Jesse.

[Matt Rogers]

Jesse. And I said you for so many reasons. Yeah.

[Unnamed Advertiser]

No, but your type is Jesse, though. And even on the show, I believe that you said your type was. Oh, no. So there was.

[Matt Rogers]

It wasn't Kyle and Jesse. It was.

[Unnamed Advertiser]

Who was it? It was like, who would you rather bang? Kyle?

[Matt Rogers]

But it was. But Kyle's was with someone else and Jesse was with someone else.

[Unnamed Advertiser]

Well, clearly you ran away with this one, Kyle.

[Matt Rogers]

Anyway, cheers to you.

[Unnamed Advertiser]

Happy 43rd.

[Matt Rogers]

Your skin looks better than ours.

[Unnamed Advertiser]

I literally said to him. I was like. I turned to him at one point, I think, oh, is this grape?

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

Did you give me the grape one?

[Matt Rogers]

Is that okay?

[Unnamed Advertiser]

What one is that?

[Matt Rogers]

Orange.

[Unnamed Advertiser]

I.

[Matt Rogers]

We can trade. I like the grape one.

[Unnamed Advertiser]

Can I at least try the sip?

[Matt Rogers]

Yeah. You don't like a grape.

[Unnamed Advertiser]

Whoa. This is an ad for flower boy.

[Matt Rogers]

I'll take the grape.

[Unnamed Advertiser]

To thin how heartbroken we just were. I know.

[Matt Rogers]

I like the grape. Do you like the orange?

[Unnamed Advertiser]

I want the orange.

[Matt Rogers]

Okay, great.

[Unnamed Advertiser]

Okay. You like the grape?

[Matt Rogers]

Yes. There's something about grape.

[Unnamed Advertiser]

The.

[Matt Rogers]

The kid grape juice. Feeling that, like.

[Unnamed Advertiser]

I gotta tell you something. This is actually really good. I was drinking Lover Boy when I. When I was. Where was I Just. Where was that? I guess it was Memorial Day weekend. Oh, Fourth of July. Fourth of July. And Loverboy was slapped.

[Matt Rogers]

Yeah, I was drinking Flower Boy during fourth of July as well. Or you were doing Lover. I was doing Flower. And I was like.

[Unnamed Advertiser]

You were. You were on your Flower. I was on my Lover.

[Bowen Yang]

Honey is on the case. On August 22, Focus Features invites you to Honey. Don't follow the clues to the coolest, sexiest, most scandalous murder mystery of the summer. In a small desert town full of odd folks with strange obsessions, a suspicious car crash sets off a series of deadly events. And private eye Honey o' Donohue is at the center of it all. As the body count rises, Honey uncovers an international conspiracy circling around a bizarre new church in town. Now she'll have to figure out who's pulling the strings before it's too late. Starring Margaret Qualley, Aubrey Plaza, Charlie Day and Chris Evans, this thrilling dark comedy is high stakes, high heels and a rollicking good time from Academy Award winner Ethan Cohen, a director of no country for Old Men. Men In a town where everyone has a secret and no one can be trusted, the name on everyone's lips is Honey, Honey, don't. Written by Ethan Cohen and Tricia Cook. Rated R under 17. Not admitted without parent only. In theaters August 22nd.

[Unnamed Advertiser]

The Hyundai Getaway Sales Event is going on now. Every now and then you score a deal that's almost too good to be true. Like you feel like you're getting away with something you shouldn't. Well, now is the perfect time to buy the car or SUV you've always wanted at the Hyundai Getaway Sales event. So get down to your local Hyundai dealer and get away with huge savings. Score a great deal on Hyundai's award winning SUVs like Kona, Tucson, Santa Fe and Palisade. The technology packed Elantra and their most advanced Sonata yet and the all electric Ionic 5 and Ionic 6. But getting away with massive savings is just the beginning because every Hyundai is backed by America's best warranty and Hyundai complimentary maintenance. Every new Hyundai comes with America's best warranty. With an industry leading ten year for a hundred thousand mile powertrain limited warranty, it's nice to know that a peace of mind comes standing standard. And there's also three years of 36, 000 miles of limited complimentary maintenance on all new 2025 models. These are just a few of the many ways Hyundai has your back after you drive off the dealership lot. Visit HyundaiUSA.com or call 562-314-4603 for more details. Offers end September 2, 2025 ready for your next obsession? From the creators of Outlander comes Blood of My Blood, an epic romantic saga only on stars.

[Matt Rogers]

Travel back in time to witness the battlefields. The rugged Highlands of 18th century Scotland where two faded couples must defy the forces that seek to tear them apart.

[Unnamed Advertiser]

No need to be an Outlander expert. This saga stands on its own, babe. It's emotional, it's dramatic, it's romantic. With that irresistible will they, won't they energy, everything we love wrapped into one gorgeous new show. You're gonna eat it up.

[Matt Rogers]

Outlander Blood of My blood series premiere August 8th only on Starz and the Starz app. The home of Outlander. We're here to tell you about Searchlight Pictures new film the Roses.

[Unnamed Advertiser]

Perfect couple. Ivy, played by Olivia Col, Theo Rose, played by Benedict Cumberbatch. Have it all. Successful careers, a loving marriage, great kids. But when Theo's career comes crashing down, just as Ivy's fame starts to skyrocket, a tinderbox of fierce competition and growing resentment ignites, threatening to destroy everything they've built if they don't destroy each other first.

[Matt Rogers]

All's fair when love is war. For anyone who's ever been in a relationship, the Roses is a crowd pleasing.

[Unnamed Advertiser]

Comedy starring Benedict Cumberbatch, Olivia Coleman, Andy Samberg, Allison Janney, Belinda Bromello, Sunita Mani, Shuti Gatwa, Jamie Demetriou, Zoe chao and Kate McKinnon. From the director of Meet the Parents, Jay Roach and the writer of four.

[Matt Rogers]

Things, Tony McNamara in theaters everywhere August 29th. Okay, should we finally talk about the culture awards or do we have other things to say?

[Unnamed Advertiser]

Okay, so this is. I just want to. Just because I think it's funny. This is the rest of the stuff that I wrote down as potential topics. And I almost never do this, you guys, but this time I was like, yeah, you know, like, let's have a proper culture, catch up and talk about all the things. Can you imagine if we commented on Katy Perry and Justin Trudeau's date? I was like, I, I. What would. What is there even to be said? Two people connected. Okay. Can people just fall in love? Yeah.

[Matt Rogers]

Leave, leave, leave them alone.

[Unnamed Advertiser]

Can't people just have a fairy tale romance anymore?

[Matt Rogers]

Leave them alone.

[Unnamed Advertiser]

And just like that ended. Yeah, yeah. It's sad. I think that we will always have sex in the city and Carrie Bradshaw and watching Sarah Jessica's Real about. Did you watch this?

[Matt Rogers]

I did. Of course. I was so emotional, so moving.

[Unnamed Advertiser]

I was just like, wow, that's, that's.

[Matt Rogers]

One of the best characters in tv.

[Unnamed Advertiser]

Honestly. Here's what I'll remember about it. Just like that, how hard Sarah Jessica Parker tore. Especially in that first season when she ran in and she discovered big in that first episode. I remember. I remember that gagged me.

[Matt Rogers]

Yep.

[Unnamed Advertiser]

That they did that. So respect on the show's name for that. I will remember Che Diaz. I will remember Miranda as lesbian in this time capsule.

[Matt Rogers]

You will, you, you will not only remember, you will care.

[Unnamed Advertiser]

And I will remember Seema.

[Matt Rogers]

Yeah.

[Unnamed Advertiser]

I will remember her.

[Matt Rogers]

I will remember her.

[Unnamed Advertiser]

Ltw. I won't. But I will remember Sema.

[Matt Rogers]

I'll remember.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

I remember Kristen Davis doing a lot of work opposite Animals.

[Unnamed Advertiser]

Yeah, yeah, yeah, yeah. Remember we Remember, Remember when we were, like, positing, like, okay, if you watch Kristen Davis and LTW seen, like, it's the Muppets.

[Matt Rogers]

Right.

[Unnamed Advertiser]

It's actually really good. But then that just wasn't the same show as the other characters.

[Matt Rogers]

But can I say, like, we. We have not talked enough about Charlotte. And just like that as a culture.

[Unnamed Advertiser]

No.

[Matt Rogers]

To acknowledge.

[Unnamed Advertiser]

I think sometimes it's hard.

[Matt Rogers]

Well, but there's such a reality distortion around Charlotte. And then just like that, specifically where, like, you have. You have ltw, like, forgetting that her dad died or having two separate fathers who passed away or just whatever, like the whole dad. Then.

[Unnamed Advertiser]

Oh, my God.

[Matt Rogers]

Then remember in season one, like, I took a screen grab of, like, ltw, like, holding a phone the wrong way. She was speaking on. Then there's just like a bunch of. There's just something biz.

[Unnamed Advertiser]

I will just.

[Matt Rogers]

I just will just come out and say there's something bizarre in any of the storylines involving her child, her children. Yeah, just something I was like, I.

[Unnamed Advertiser]

Don'T know what's going on. So it happened in another dimension.

[Matt Rogers]

This is what I'm saying. It's in another dimension.

[Unnamed Advertiser]

This is. This is the thing with the lt, when. With ltw, and sometimes when LTW is with Charlotte. And this is my opinion. And. And listen, I'm on the record as saying lots of things about this show, but this is what I want to leave with. The number one best thing that this show could have done when it was revealed that LTW had said her father died twice. The number one thing they should have done absolutely immediately. And I'm disappointed that they didn't, because these are not the third writers that I remember. The third graders that I remember would have made Charlotte wake up in the cold dark of night. She shoots up in bed. She goes, oh, my God. Harry says, what? What's the matter? She goes, I think. I think Lisa Todd has been lying to me. She said her father died two years ago, but she just said he died again. Can't be right, Right? Well, I don't know. Why don't you just talk to her? Okay. She wakes up in the morning. She actually goes over LTW's house. She goes, hey, I just wanted to check in because you said your father died twice. Lisa Todd Wexley goes, oh, did I? Excuse me a second. Leaves the room, comes back with a knife. It's like. Like full LTW Psycho reveal. Kristen Davis goes. And at this point, it's like she is. It's an action film. She does a dive roll because LTW is throwing the knife. She gets a gun, a bazooka. You. You can't expose me. LTW reveals she's a psychopath. This. If. You better not be eating on this mic. You're going to give the misophonia girlies a nightmare and a half. Cover your mouth. And I. And you did get too high. Full psychopath. LTW reveal is the only way that that show. And it's. I'm sorry, it could have kept going, but I'm not seeing the third graders. I remember. Should we literally just have this episode be the cultural catch up and then do another one that we put out, which is the Culture Awards recap? Like, no, literally, like, do it, like, right after this. Like, if. Because I don't have that much on here. We did a whole culture catch up. We could in a couple days do the Lost Culture.

[Matt Rogers]

It was already an hour.

[Unnamed Advertiser]

We're an hour. 17 minutes. Minutes.

[Matt Rogers]

Okay. Yeah, let's. Let's do.

[Unnamed Advertiser]

Maybe.

[Matt Rogers]

Should we do it next week?

[Unnamed Advertiser]

Should we do what?

[Matt Rogers]

The Culture recap.

[Unnamed Advertiser]

Because maybe we should do that. Because it gives more people.

[Matt Rogers]

Exactly.

[Unnamed Advertiser]

More time to watch it.

[Matt Rogers]

Exactly.

[Unnamed Advertiser]

Okay. Yeah. Okay. We're not gonna do the Culture Awards recap this time.

[Matt Rogers]

Guess you'll have to.

[Unnamed Advertiser]

I guess you'll have to really watch it now.

[Matt Rogers]

Ooh.

[Unnamed Advertiser]

This has been a rip roaring, rollicking one.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

All I have left on my list is two things.

[Matt Rogers]

Okay.

[Unnamed Advertiser]

I watched the Hunting Wives on Netflix.

[Matt Rogers]

Perfect.

[Unnamed Advertiser]

It's has the. I've only watched one episode so far. It has the potential to go full crazy town. And so I think I'm going to keep going.

[Matt Rogers]

I think people are. This is what people are saying. I have not watched it. I will get to it at some point.

[Unnamed Advertiser]

Malin Akerman's character, it's.

[Matt Rogers]

What's that in my laundry? I'm sorry.

[Unnamed Advertiser]

Oh, my God, that beautiful song. Yeah, it's really good. Malin Ackerman's character, I can tell, is going to be some sort of femme fatale. Really? Sort of eating and chewing the scenery. You can tell she fucks everybody.

[Matt Rogers]

And what's Britney Snow giving?

[Unnamed Advertiser]

Britney Snow right now is giving. I'm a little bit nervous to be here, and you can tell I have a little bit of an anxiety problem. And it's a little bit like meep, you know what I mean? But I think what's coming is going to be a full opposite of MEEP situation. You guys know what MEEP means, right? Like meep, you know, imagine the face that Bowen and I are making. When we do this like that. You know what I mean? Like, the least horny thing in the world is to be meep. It's actually like there's a. There's like a one through ten scale. And at a zero is meep. And at a ten is horny.

[Matt Rogers]

Right.

[Unnamed Advertiser]

Meep. So that's sort of like Britney Snow's vibe in the first episode. Episode. But she's absolutely licking her chops at Malin Ackerman, who's sort of this like sexy va va voom.

[Matt Rogers]

Like, so they're gonna get together.

[Unnamed Advertiser]

I'm gonna get dressed in front of you. Like, sorry, babe. Like that kind of vibe. And we've already seen Malin Akerman teach Brittany Snow how to drive and how to shoot a gun. So her fingers are basically already inside her. And I can't wait to see this pop off. And I think it's really gonna pop off.

[Matt Rogers]

I didn't realize that's what it was about.

[Unnamed Advertiser]

Oh yeah. It's like it. It's. I think it's about to be giving like psychosexual lesbian cult.

[Matt Rogers]

Great.

[Unnamed Advertiser]

That's at least what the first episode is giving. Because Malin Ackerman has like another female friend that you can tell is like obsessed with her. And so she's like, I'm gonna go hang out with Brini Sonona. See you later. And the other one is like, but wait, I was supposed to go with you tonight. And she's like, whatever, I'm gonna go hang out with Brittany Snow know. But Mallon. Mallon Malin. A. Stop. Stop being so uncool. I'm going to go hang out with Britney Snow and drive and do donuts in a parking lot in my truck. Melon.

[Matt Rogers]

And they're there. And where does the hunting and the wives come in?

[Unnamed Advertiser]

Girl, that has yet to be seen. I. Where. What are they? They're all like. They're like. They're like. It's more politics. Like Dylan McDerm. Not Dylan McDerm is like a. He's like a guy in Texas who might be thinking of running for governor. And like, this is like his wife is Malan and she all her friends. So like, we're the wives.

[Matt Rogers]

I see.

[Unnamed Advertiser]

And Britney Snow is like, me, I'm you, but do not eat on that mic.

[Matt Rogers]

You're expect. I'm sorry, you're expecting a flip. Like, Britney Snow is going to be like, I'm that bitch.

[Unnamed Advertiser]

I think Britney Snow is going to get to be quite frank with you. Her pussy eaten by Malin Ackerman. That and I think that's the thing that shocked me. I think that that is going to unlock Treasures Untold is Treasures Untold.

[Matt Rogers]

It's the second time it's come up. So yes. Treasures Untold. I'm sure, I'm sure we've used that.

[Unnamed Advertiser]

Title in the past. Treasure Suntold.

[Matt Rogers]

We have high potential now of just repeating a title without.

[Unnamed Advertiser]

I don't think Treasures Untold has been a title. I'm, I'm saying it, I think it sounds like one, which means it's a good idea.

[Matt Rogers]

I feel like it sounds so wonderfully non specific to any other time in our life when we were recording podcast.

[Unnamed Advertiser]

I think maybe the word untold I'm.

[Matt Rogers]

Sure untold and the word treasures separately last culturistas. Treasures untold.

[Unnamed Advertiser]

Treasures. Like we really could. Untold.

[Matt Rogers]

Okay, let's see.

[Unnamed Advertiser]

I don't think so. Treasures. No. But there's another podcast called Treasures Untold. Well, it's something to think about. What our title up is going to be, I think Treasures Untold. Maybe exclamation point.

[Matt Rogers]

How about that? I love that.

[Unnamed Advertiser]

Treasures untold.

[Matt Rogers]

Treasures untold. What else is on the list?

[Unnamed Advertiser]

The Valley on Bravo, I said so dark. And this actually does lead into my. I don't think so. Honey.

[Matt Rogers]

That's great because I, I, I knew after season two, episode one, after I, I started this season, I was like, no, this is going to be too much.

[Bowen Yang]

Honey is on the case. On August 22, Focus Features invites you to Honey don't follow the clues to the coolest, sexiest, most scandalous murder mystery of the summer. In a small desert town full of odd folks with strange obsessions, a suspicious car crash sets off a series of deadly events and private eye Honey o' Donohue is at the center of it all. As the body count rises, Honey uncovers an international conspiracy circling around a bizarre new church in town. Now she'll have to figure out who's pulling the strings before it's too late. Starring Margaret Qualley, Aubrey Plaza, Charlie Day and Chris Evans, this thrilling dark comedy is high stakes, high heels and a rollicking good time from Academy Award winner Ethan Cohen, a director of no country for Old Men. In a town where everyone has a secret and no one can be trusted, the name on everyone's lips is Honey. Honey Don't. Written by Ethan Cohen and Trisha Cook. Rated R. Under 17. Not admitted without parent. Only in theaters August 22nd.

[Unnamed Advertiser]

The Hyundai Getaway sales event is going on now. Every now and then you score a deal that's almost too good to be true. Like you feel like you're getting away with something you shouldn't. Well, now is the perfect time to buy the car or SUV you've always wanted at the Hyundai Getaway sales event. So get down to your local Hyundai dealer and get away with huge savings. Score a great deal on Hyundai's award winning SUVs like Kona, Tucson, Santa Fe and Palisade. The technology packed Elantra and their most advanced Sonata yet and the all electric Ionic 5 and Ionic 6. But getting away with massive savings is just the beginning because every Hyundai is backed by America's best warranty and Hyundai complimentary maintenance. Every new Hyundai comes with America's best warranty. With an industry leading ten year for a hundred thousand mile powertrain, limited warranty, it's nice to know that a peace of mind comes standard. And there's also three years of 36,000 miles miles of limited complimentary maintenance on all new 2025 models. These are just a few of the many ways Hyundai has your back after you drive off the dealership lot. Visit Hyundai USA.com or call 562-314-4603 for more details. Offers end September 2, 2025 ready for your next obsession? From the creators of Outlander comes Blood of My Blood, an epic romantic saga.

[Matt Rogers]

Only on stars travel back in time to witness the battlefields of World War I to the rugged highlands of 18th century S.C. fated couples must defy the forces that seek to tear them apart.

[Unnamed Advertiser]

No need to be an Outlander expert. This saga stands on its own, babe. It's emotional, it's dramatic, it's romantic. With that irresistible will they, won't they energy, everything we love wrapped into one gorgeous new show. You're gonna eat it up.

[Matt Rogers]

Outlander Blood of My blood series premiere August 8th only on Starz and the Starz app the home of Outlander we're here to tell you about Searchlight Pictures new film the Roses Perfect couple Ivy.

[Unnamed Advertiser]

Played by Olivia Colman and Theo Rose, played by Benedict Cumberbatch have it all. Successful careers, a loving marriage, great kids. But when Theo's career comes crashing down just as Ivy's fame starts to skyrocket, a tinderbox of fierce competition and growing resentment ignites, threatening to destroy everything they've built if they don't destroy each other first.

[Matt Rogers]

All's fair when love is war. For anyone who's ever been in a relationship, the Roses is a crowd pleasing.

[Unnamed Advertiser]

Comedy starring Benedict Cumberbatch, Olivia Colman, Andy Samberg, Alice and Janney, Belinda Bromilow, Sunita Mani, Shruti Gatwa, Jamie Demetriou, Zoe Chow and Kate McKinnon. From the director of Meet the Parents, Jay Roach and the writer of four.

[Matt Rogers]

Things, Tony McNamara in theaters everywhere August 29th.

[Unnamed Advertiser]

Okay, I have my. I don't think so, honey. And this is I don't think so, honey. It's our segment on the podcast where we take one minute to rant rail and Morgan. Something in culture that's been really bad towards us. Us, its own community. And I think in kind of this case, it's both. I think it's bad for the world. Okay, here we go.

[Matt Rogers]

This is Matt Rogers. I don't think so. When he's 10. Starts down.

[Unnamed Advertiser]

I don't think so, honey. Jax Taylor. Jax Taylor discourse. Jax Taylor on television. It is done. It's a wrap. I know that, like, it's pretty much already out there like that. It is officially a wrap on the Jax Taylor of it all, but my God, I think it's actually like, just hurting our spirits and souls to watch this in this world where we have to really take stock of how we spend every minute of our life. Because nothing is promised. Like, you can't spend it watching the Valley. Jax Taylor is going to be the center of it. Like, I like a lot of those people. I enjoyed the show the first season a lot.

[Matt Rogers]

Me too.

[Unnamed Advertiser]

Just, like, got so dark with Jax. He's really, really, really brutal towards his wife 15 times. And it's just sad because there's kids involved and just like, yikes. And then elsewhere, you look elsewhere and, like, Jesse and Michelle just trying to ruin each other. Like, really. It's Jesse, it seems, but, like, Jesse is awful. It's just the whole thing. Woof. I can't with Jacks anymore.

[Matt Rogers]

One minute. No, there's just secondary. I. I was. I was holding the Jacks thing. Obviously, the Jax thing is, as you are saying, much darker. But the Jesse Michelle thing graded on me in such a crazy way. It was like watching the two of them argue or the way. The way they were acting individually or together. I was like, this is.

[Unnamed Advertiser]

It's just sh. On television. It's like there's nothing. There's no caloric entertainment value there. It only just makes you feel, like, empty and bad. Like, and also it's like, it's a shame because the first season, I don't know what it is sometimes because it's like it might be something with that group in particular because, like, it feels like nothing can be light like, it's like Vanderbump rules had to end the Valley. I don't know how that continues. It's just like, we don't have fun together.

[Matt Rogers]

Something about that group of people. Something I'm gonna keep. I'm gonna, like, excise Kristen Doty in a way. Like, really? Yeah, I. I really missed her when she was not on my tv. Or like, just, like, gone from Vanderpump.

[Unnamed Advertiser]

Yeah, but like, that, like, I don't.

[Matt Rogers]

Know, there's just something about it that's just like. Oh, that's. That's that. That vibration is bringing in. Yeah, it's other.

[Unnamed Advertiser]

Other.

[Matt Rogers]

Other, like, behavior. Like that other bad behavior.

[Unnamed Advertiser]

There's. There's people on the show that feel low vibration. Yes. Like, and Jax, the energy is so dark and evil. I'm just like. And then there are people on the show that I really like individually and, like, you know, like, we love Shina Shay in this house, but also, it's like when. When certain people are mixed together. Like, but we also love, like, arianimatics. And, like, why. It's like, we watch the show and it's just like, maybe this group of people, like, is too triggered by each other because all they know is this reality TV experience of, like, trying to fuck each other up. So it's like, I'm not saying they're not all individually, like, you know, in most cases, certainly not Jax's, but, like, you know, should be on television in some way. But I think just this configuration is feeling like it's done.

[Matt Rogers]

Agree. Yeah, I just. I really gave up a long time ago and I feel bad about it.

[Unnamed Advertiser]

Don't feel bad because you chose you.

[Matt Rogers]

Yes.

[Unnamed Advertiser]

Do you have. I don't think so, honey.

[Matt Rogers]

I do.

[Unnamed Advertiser]

Well, fabulous. Because I know everyone's charming at the bits of. Here. This is bowling. I don't think so, honey. As time starts now.

[Matt Rogers]

I don't think so, honey. Email, there have been no real meaningful advancements in you for many, many years. The language around you has gotten only worse, per my laugh past. I'm not going to, like, rattle off office speaking. I'm just think the way that we as human beings have learned to speak to each other through. Because of the formal limitations of email is actually really scary to me. 30 seconds. Like, why do I have to type two full paragraphs of, like, fluff before I get to the. Me to the. To the meat or the mirror or the bone or whatever of why I'm communicating with you? Like, other forms of. Of communication are so much more Direct. So much faster. There's an expectation of when someone responds to you. There's none of that in email and is. And it is not advanced, as I've said meaningfully. There was a time when Google was trying to do Google Wave and that was their answer to innovating on the way email should work. Threads and docs and all these things. It was a huge failure. But email is the canker in the state and that is one minute. Okay, so I'm bad at it and I can own that.

[Unnamed Advertiser]

Why do you think you're bad at it?

[Matt Rogers]

Because it is a bad, bad medium.

[Unnamed Advertiser]

Okay. But when you Can I ask about your thing that you said about two paragraphs or semi paragraphs of fluff before you get to the marrow or the.

[Matt Rogers]

Meat of your email. That's like a lot of initial emails. Right. Like, especially in our industry, it's like.

[Unnamed Advertiser]

Or you got to get right to the chase. I do you see me emailing and.

[Matt Rogers]

I was saying, why do I have to do that in a way that is actually not something that I do? I'm saying, like, I'm used. I'm swapping myself in as a way to soften the argument because you have to call yourself.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

Like, so many emails that I get are like big chunks of, you know, just like introductory, lovely pleasantries, which I appreciate. And it is a thing that you have to do. But we all feel like it's compulsory because that's. That's what the rules, the quote unquote rules of email are. I'm sick of them. Do you know what I'm talking about?

[Unnamed Advertiser]

Yeah. Yeah. It's like, like you're. You're talking about the pageantry of. Hi, Bowen.

[Matt Rogers]

Hope you're well.

[Unnamed Advertiser]

Hope you're well. And that everything is.

[Matt Rogers]

Yep. Yep.

[Unnamed Advertiser]

Has been amazing this holiday.

[Matt Rogers]

Amidst all this.

[Unnamed Advertiser]

I hope you're holding up okay. Amidst all this is so real loopy.

[Matt Rogers]

Following up, adding this person to visit.

[Unnamed Advertiser]

They're just.

[Matt Rogers]

There's just sentences that float around in our brains now because email is dusty.

[Unnamed Advertiser]

So how would you prefer we act on email? Like if I, if I was to add someone to. We.

[Matt Rogers]

We don't have to do anything about email. There's no getting out. There's no changing it. I'm just saying I prefer text. Matt's asking. Matt's acting like I like raised a hand to slap him. But I'm just. I'm just gesticulating.

[Unnamed Advertiser]

Scares me. He scares me.

[Matt Rogers]

Do you know what I'm saying? Like, text is just so much more direct. There's an expectation, like, within. If I don't respond to you in 24 hours, then something's wrong. Wrong. You know what I mean? Yeah.

[Unnamed Advertiser]

Okay.

[Matt Rogers]

People can hide in the bushes of emails or strike from the bushes, catalyzing these things differently. I feel like if I don't get.

[Unnamed Advertiser]

Back to your text, it's like, easier for me to get away with that than it is for me to not respond to your email. I feel like an email. I feel like an email is like an official correspondence. It's like, I sent you an email. There's like an intention. I'm with you. I'm with you. With text. Maybe this is just the way I am about. About it, but it feels a lot more casual. If I miss your text, if I don't get back to you on your text, a million other things could have happened. If I don't get back to you.

[Matt Rogers]

On email, even more million things could have happened. This is what I'm saying.

[Unnamed Advertiser]

Like, yeah, I don't know why I'm separating these two.

[Matt Rogers]

I kind of. I kind of see where you're going with this.

[Unnamed Advertiser]

Because text is more casual, I guess, more person to person, direct.

[Matt Rogers]

I was saying, I would say text is less casual. It's more emotion, has a different emotional register for people as they communicate through it. Because having someone's number is a different thing than having someone's email.

[Unnamed Advertiser]

That's interesting.

[Matt Rogers]

Do you know what I mean? So, like, if I have someone's. If I have this person's number, then it's like, oh, we're buds.

[Unnamed Advertiser]

This is where. This is where I'm separating from you in the woods, I believe.

[Matt Rogers]

Okay.

[Unnamed Advertiser]

Because for me, email is professional and text is personal. So if you have my phone number.

[Matt Rogers]

I see I'm with you, and you.

[Unnamed Advertiser]

Reach out to me and you text me, text me. That to me does not fall under professional. It's. If you were to be professional with me over text, that. That would be not inappropriate. But, like, I'm not taking things over text as seriously as I am over email. So maybe that's the separation.

[Matt Rogers]

Interesting, because. And I think where the separation is because I. I'm with you the whole. The whole way. I am, like, if you reach out to me over email with an official kind of correspondence, that I have to, like, that, wade through. That I have to wade through, and that is actionable for me in some way where I have to, like, respond. I'm like, I'm just gonna let this sit here because I've got, like, more of these coming from people that I. I don't know from Adam. You know what I mean? And then like, I, like, I'm sure, like, it's the same for you. Like a lot of these official correspondences, if they do have to do with work and our jobs and like other people mediate that for us.

[Unnamed Advertiser]

Yeah.

[Matt Rogers]

You know what I mean? Yeah. So that's why I'm like, email is so, like, low stakes in terms of response.

[Unnamed Advertiser]

Like, you communicate on email in a way you never would.

[Matt Rogers]

Just talk about me.

[Unnamed Advertiser]

No, no, generally.

[Matt Rogers]

Generally, yeah.

[Unnamed Advertiser]

The world. The world acts on email like crazy.

[Matt Rogers]

Like crazy fools.

[Unnamed Advertiser]

Like, this is what I'm saying. Well, the rules of evil to you and said, hope you're. Well, you'd be like, where's the. You'd be. Hey. Where you say, hey, robot. Where does Stepford Watch lives?

[Matt Rogers]

What you do with my best friend?

[Unnamed Advertiser]

What did you do with him? And then you see me in the corner, please. You rip off the. The duct tape. I go, ow. Thank you. That's an important thing. He went that way. Your mouth hurts so bad, but you can't touch it, cuz just still gagged from behind. Not gagged from behind. I guess being tied up is being gagged from behind. It's actually roller culture number 59.

[Matt Rogers]

Being tied up is being gagged from behind.

[Unnamed Advertiser]

Kind of hot and horny. So listen, we both don't. I don't think so. Honeys, we've talked about everything in culture. I think if we missed something, quite honestly, what I would say to you is off. Because we really tried very hard today and you broke ass.

[Matt Rogers]

Ass. We broke ass. Okay, well, stay tuned for our recap episode.

[Unnamed Advertiser]

Stay tuned for that. Because the thing is, like, there was actually too much pop culture to get to. And I do think it's a good idea to encourage people to still stream the show.

[Matt Rogers]

I think so.

[Unnamed Advertiser]

I don't.

[Matt Rogers]

I think let's not. Let's not spoil the soup.

[Unnamed Advertiser]

No, we'll spoil the soup next week. This is a reference to the winner of the Matt Rogers most Matt Rogers coated award and a nominee for record of the year. And one thing I will say is that Remy Wolf absolutely destroyed her performance.

[Matt Rogers]

And I'm sure that's no surprise.

[Unnamed Advertiser]

So we'll talk about this next week when the discourse has settled. For now, just discourse about everything else. Bye. Oh, we don't. We have.

[Matt Rogers]

Oh, my God, you're so right.

[Unnamed Advertiser]

What the fuck?

[Matt Rogers]

It's okay. It's okay.

[Unnamed Advertiser]

Why did you forget?

[Matt Rogers]

I'm sorry.

[Unnamed Advertiser]

Because you're high and I want you to know how many times I've had to stop him from eating on the mic. No, no, don't. I don't. Here we end every episode with a song so delicious. My body stay vicious I be up in the gym just working on my.

[Matt Rogers]

Fitness he's my witness. I put them boys on rock, rock and they be lining down the block just to watch what I got. So delicious. Very delicious. Very delicious.

[Unnamed Advertiser]

That's an insane song. But it's.

[Matt Rogers]

It's amazing.

[Unnamed Advertiser]

It's so good. And remember Glamorous. Glamorous. I miss Glamorous.

[Matt Rogers]

I missed that year 2007.

[Unnamed Advertiser]

Well, did you know how you used to be able to ride the Hollywood rip ride rocket in Universal Studios Florida and play the song Grab Flight?

[Matt Rogers]

Glamorous.

[Unnamed Advertiser]

Glamorous by Fergie. You can't do that anymore. And also they're tearing it down. Have you thought about that?

[Matt Rogers]

No, I can't think about that.

[Unnamed Advertiser]

Bye.

[Matt Rogers]

Las Colduristas is a production by Will Ferrell's Big Money Players and iHeartRadio podcasts.

[Unnamed Advertiser]

Created and hosted by Matt Rogers and Bowen Yang, executive produced by Anna Hosnier.

[Matt Rogers]

And produced by Becca Ramos, edited and mixed by Doug Behm and Monique Laborde.

[Unnamed Advertiser]

And our music is by Henry Komirsky. No more dates to feel like job interviews in 2025, you deserve a space where you can show up just as you are ready to meet others just as they are on field. That's f e e l D you have the breathing room to explore your desires. Think open relationships, cuddling, being a brat. And find communities that share your interests. Think dnd tennis and zine making. Free from ads and completely independent. This is the place that draws curious, playful and open minded people. The ones you've been looking for. Download field, that's f e e l, the app store or Google play. Crispy yet airy. Airy yet crispy. The new digiorno. Wood fired style pizzas really are something. A pillowy sensor encased in a crunch.

[Matt Rogers]

So satisfying I could play it on repeat.

[Unnamed Advertiser]

See, that's the kind of crust crunch you thought you could only get at a restaurant.

[Matt Rogers]

And as the digiorno di Gini, the.

[Unnamed Advertiser]

Authority on all things pizza, I'm here to take call up the friends. Dinner's at your place. Mmm. It's not delivery, it's DiGiorno.

[Matt Rogers]

Hey, big news for all you platonic fans. Season two is officially out on Apple TV. If you missed season one, here's the gist. Seth Rogen and Rose Byrne. Legends play a pair of platonic besties. Just like Matt and I, who are a total disaster together in the funniest way.

[Unnamed Advertiser]

I can't wait to see that Luke McFarlane. Well, now I'm really excited. Luke and Carla Gallo. Okay, get me to the theme theater. I mean, the. The show, the tv. See, the thing is, Apple TV plus is like watching a movie in your own home. Everything on there is so excellent. And you'll spot some familiar faces from SNL, like A.D. bryant.

[Matt Rogers]

I know her.

[Unnamed Advertiser]

Season two of Platonic is now streaming on Apple TV Plus. It's hilarious. Go check it out. Balancing work, family and education is not easy, but American Public University makes it possible with online courses, monthly start dates, and flexible schedules. APU is designed for busy professionals who.

[Matt Rogers]

Need education that fits their lives and affordability matters. APU offers the Opportunity Grant, giving students 10% off undergraduate and master's level tuition, helping you reach your goals without breaking the bank.

[Unnamed Advertiser]

Plus, they provide career services and 24. 7 mental health support at no extra cost. Visit Apu Apus Edu to learn more. That's Apu Apus Edu. This is an iHeart podcast.