"Yes, Mama" (w/ Rosebud Baker)

Summary

Podcast Summary: "Yes, Mama" Featuring Rosebud Baker on Las Culturistas with Matt Rogers and Bowen Yang

Episode Release Date: April 9, 2025
Produced by: Big Money Players Network and iHeartPodcasts
Title: Las Culturistas with Matt Rogers and Bowen Yang
Guest: Rosebud Baker

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1. Introduction to Rosebud Baker’s Special

The episode kicks off with Matt Rogers and Bowen Yang warmly welcoming Rosebud Baker, a seasoned stand-up comedian, to discuss her latest special titled "Yes, Mama." From the outset, Rosebud shares her excitement about the project, highlighting the personal and professional journey that led to its creation.

Notable Quote:
[05:30] Rosebud Baker: "I was like, hey, sad news for you. Yeah, I want to get married. So if you don't want to get married, we should just start fucking other people."

2. The Making of "Yes, Mama"

Rosebud delves into the intricacies of her special, explaining that it was filmed in two parts—one during her pregnancy and another post-birth. This unique approach allowed her to intertwine her experiences before and after motherhood, providing a comprehensive narrative.

Notable Quote:
[05:30] Rosebud Baker: "So I shot two separate hours. Right. It was like I shot the first hour when I was eight months pregnant... and then shot a second half of it a year after having the baby and combined the two into one special."

3. Navigating Motherhood Through Comedy

A significant portion of the discussion centers around balancing motherhood with a career in comedy. Rosebud candidly shares her anxieties, such as performing on stage while dealing with the inherent vulnerabilities of motherhood. She emphasizes the importance of authenticity in her humor, aiming to resonate with both mothers and non-mothers alike.

Notable Quote:
[07:30] Rosebud Baker: "I have panic attacks while I'm on stage about what? If I had a seizure right now, they'd all think I was doing an act out."

4. Parenting Styles and Personal Anecdotes

The trio explores their different parenting styles, reflecting on how their upbringing influences their current approaches. Rosebud discusses the impact of her father’s unique comedic style and her mother's artistic background on her own humor and parenting.

Notable Quote:
[12:56] Rosebud Baker: "Because even fully aware they do, but fully aware they exist, your parent jumps out."

5. The Writing Process and Collaboration

Matt and Bowen provide insights into their writing processes for Las Culturistas and their roles on Saturday Night Live (SNL), particularly focusing on the challenges of writing for a dynamic platform like Weekend Update. Rosebud adds her perspective on joke development and the importance of a supportive creative environment.

Notable Quote:
[43:15] Bowen Yang: "Yeah. And keep both hosts happy, making sure that they're getting the jokes that they want off."

6. Reflections on Cultural Phenomena

The conversation shifts to broader cultural topics, such as the portrayal of comedy in media and the evolution of television shows like Severance and White Lotus. The hosts critique the pacing and authenticity of these shows, juxtaposing them with their comedic endeavors.

Notable Quote:
[51:24] Rosebud Baker: "I think we've gotten too invested in the villain running the story."

7. One Minute Segment: Railing Against Cultural Elements

In their signature "One Minute Segment," Matt Rogers and Rosebud Baker express their critiques on contemporary cultural issues. Matt focuses on condemning Portia Williams from The Real Housewives of Potomac, challenging the stigma around labeling her as a "homewrecker."

Notable Quote:
[83:01] Rosebud Baker: "I don't think so, honey. Condemning her for this thing, which obviously didn't work out."

8. Closing Remarks and Farewell to Donnie

As the episode wraps up, the hosts bid farewell to Donnie, their camera operator, who is moving on to another job. They conclude with a light-hearted song, celebrating Donnie’s contributions to the podcast.

Notable Quote:
[98:38] Rosebud Baker: "Yeah. I love you guys. Thank you so much for having me. This fun."

Key Takeaways

• Authenticity in Comedy: Rosebud Baker emphasizes the necessity of being genuine in her stand-up routines, especially when intertwining personal experiences like motherhood.

• Balancing Personal Life and Career: The episode highlights the challenges and triumphs of maintaining a career in comedy while navigating the responsibilities of parenthood.

• Cultural Critique: The hosts provide thoughtful critiques on modern television shows, reflecting on the state of comedy and storytelling in current media.

• Supportive Creative Environment: Effective collaboration and mutual support are crucial in the creative processes of Matt, Bowen, and Rosebud.

Notable Quotes with Timestamps

• "We need to ask you about this. She's on the Harmless lady tour..."
  [05:04] Rosebud Baker

• "I've had panic attacks while I'm on stage about what? If I had a seizure right now, they'd all think I was doing an act out."
  [07:30] Rosebud Baker

• "It's like, you can build your own fan base..."
  [10:54] Rosebud Baker

• "Man versus the algorithm."
  [52:55] Rosebud Baker

• "The premise has to be true."
  [38:37] Rosebud Baker

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This episode of Las Culturistas offers an insightful blend of personal anecdotes, cultural critiques, and comedic banter, providing listeners with both laughter and thoughtful commentary on the intersection of culture and personal growth.

Transcript

[Matt Rogers]

This episode is supported by FX's Dying for Sex, starring Michelle Williams and Jenny Slate. Inspired by a true story, this series follows Molly who after receiving a terminal cancer diagnosis, decides to leave her husband and explore the full breadth of her sexual desires. She gets the courage and support to go on this sex quest from her best friend Nikki, who stays by her side through it all. FX is dying for sex. All episodes now streaming on Hulu. We love la. What do you love about Los Angeles? How about the food and drink options? Los Angeles chefs and mixologists draw inspiration from their varied cultural backgrounds in the city's diverse neighborhoods, making for exciting food scene. Did you know Los Angeles has more museums and theaters than New York? From trailblazing street art to world class museums, art is everywhere in la. Wherever you are in the city, you're never far from the next Only in LA moment. Don't forget to stop in your tracks and look up. Soak in our legendary blue sky. What's your favorite day in LA? Find more ways to love Los Angeles at discoverla.com have you ever felt that uneasy anxiety when the 4pm hour strikes? That creeping meal related distress that happens when you don't quite feel prepared? You know, dinner dread.

[Bowen Yang]

Let's get rid of that unpleasant feeling forever with one word. Stouffers. No matter what happens, you'll have a dinner plan that everyone loves.

[Matt Rogers]

With Stouffers, some chicken enchiladas or a cheesy chicken and broccoli pasta Bake is always welcome whether it is plan A or plan delicious.

[Bowen Yang]

Not going to lie. I eat the lasagna once a week and that's a fact. When the clock strikes dinner, think Stouffer. Shop now for family favorites. Look, man.

[Matt Rogers]

Where?

[Bowen Yang]

Oh, I see my eye.

[Matt Rogers]

Oh my. Bowen. Look over there.

[Bowen Yang]

Wow. Is that the culture?

[Matt Rogers]

Yes.

[Bowen Yang]

Goodness.

[Matt Rogers]

Wow. Las Culturistas Ding dong. Las Culturistas calling. This is a brand new space and I really had to orient myself. This is. It's. It's very Sunset Boulevard. Those people out there in the dark. Yeah, it's very.

[Bowen Yang]

I love that for you too. When Vanessa's character is auditioning for.

[Matt Rogers]

For to be a qvc.

[Bowen Yang]

Qvc. QVC host.

[Matt Rogers]

You know what I just realized about you? They'd be so lucky to have you. Go to qvc.

[Bowen Yang]

No, don't even.

[Matt Rogers]

Why do you. Why are you offended?

[Bowen Yang]

No, I. I said you could sell.

[Matt Rogers]

Products on television live.

[Bowen Yang]

It is a hard job and it is kind of too. It's like encased in amber. That kind of television, you know. It's like time. Like seeing Stacy Rush do it from the Real Housewives of Potomac. Be a QVC legend. I go, this is so comforting. These women are selling some of the ugliest jeggings you've ever seen in your life.

[Matt Rogers]

It's like a jewel tone jegging that comes with a bracelet and it's like a Christ bracelet. It's like, what I love about these jewel tone jeggings is I can feel confident and sexy while also staying a Christian woman.

[Bowen Yang]

Yes.

[Matt Rogers]

And I'm a Christian woman. While I also. You'd know I'm fun. And that's one thing at home that I think a lot of people are thinking. And I know there's a lot of good Christians out there is. Could I still be fun?

[Bowen Yang]

Wow. Now these are flying off the shelves. We've already sold 12. These are really selling.

[Matt Rogers]

And we only have 15. And so that's why I'm saying this is. And that's how I know there's a lot of great Christians out there.

[Rosebud Baker]

And this isn't a.

[Matt Rogers]

But this is. And can I just say, we were just doing it. You know, we were just doing it.

[Bowen Yang]

You were doing it.

[Matt Rogers]

No, you.

[Bowen Yang]

I was.

[Matt Rogers]

I'm sorry, am I blind with someone?

[Rosebud Baker]

No, you guys were doing it. Really? We were both doing it.

[Matt Rogers]

Yeah, you were doing it.

[Bowen Yang]

I like, threw a penny in the fountain, girl. You know what I mean? I didn't. I didn't fully.

[Rosebud Baker]

You threw a rhinestone.

[Matt Rogers]

Wow. A jewel tone.

[Rosebud Baker]

A jewel toned rhinestone.

[Bowen Yang]

So speaking of writer, I mean writer.

[Matt Rogers]

Performer, stand up legend, by the way, like, we're sitting here, we're just thrilled because this has been a long time coming.

[Bowen Yang]

It's been a long time coming. This is someone who has seen us bomb and grovel and just be among.

[Rosebud Baker]

Not bomb.

[Bowen Yang]

We've.

[Matt Rogers]

We've bombed.

[Rosebud Baker]

I've never seen you bomb.

[Matt Rogers]

I don't know if. I don't know if, like, when have.

[Rosebud Baker]

We never seen you guys?

[Bowen Yang]

But that's not true.

[Rosebud Baker]

No, I truly. I would not say that. I would honestly say.

[Bowen Yang]

I'm sure I. I had union hall sweats in front of you at some point while you were in the back.

[Matt Rogers]

Being like, union hall sweats? Is that something we'd call it?

[Bowen Yang]

It's a uni. Oh, I felt many union hall sweats.

[Matt Rogers]

Yes. I crushed at union hall every time. You've never, never had the whole sweats. Only felt the union shoulder shake one off stage. Killed them one time. Those people.

[Bowen Yang]

I was bombing so hard. I turned around to the lady who's Hanging on the wall. And I, I said she was Mary Todd Lincoln, but that's not who that lady is.

[Matt Rogers]

Yeah, but you know what? I don't know.

[Rosebud Baker]

Who is that lady?

[Bowen Yang]

I don't know. It's just some lady.

[Rosebud Baker]

She might as well be married.

[Matt Rogers]

Ms. Hall.

[Bowen Yang]

Ms. Hall.

[Matt Rogers]

And the way Todd Hall.

[Rosebud Baker]

Mary Todd Hall.

[Matt Rogers]

Mary Todd, of course. But listen, this voice that you're hearing, if you're listening to this at home is one of our pals. It's been a long time coming. The Mother load is the special. Honestly, it is funny every single second. Which, dare I say, you can't say even about stand up specials. Most of them.

[Bowen Yang]

This is about any piece of comedy.

[Matt Rogers]

Any piece of comedy. Like come see us at Union hall ten years ago.

[Rosebud Baker]

Yeah.

[Matt Rogers]

You get a few chuckles and get.

[Bowen Yang]

A few chuckles and that's it. She self directed it. Which we need to talk about.

[Matt Rogers]

Love.

[Bowen Yang]

That's fucking.

[Rosebud Baker]

So fun.

[Bowen Yang]

So cool of you.

[Rosebud Baker]

So fun.

[Bowen Yang]

I need to. We need to ask you about this. She's on the Harmless lady tour. By the time this comes out, she will have Edmonton. I'm sorry, Baltimore, then Edmonton, then Sacramento.

[Rosebud Baker]

Shut up.

[Matt Rogers]

I can't believe it.

[Rosebud Baker]

You know, you know my tour date.

[Bowen Yang]

I know your dates. I don't know the dates. Well, it's from England.

[Rosebud Baker]

I mean, you know the cities.

[Bowen Yang]

I know the cities.

[Rosebud Baker]

I think Cleveland is in there.

[Bowen Yang]

Cleveland's in there. I think by the time this comes out. But Cleveland from the future, go see.

[Matt Rogers]

Yeah.

[Bowen Yang]

And if Cleveland.

[Matt Rogers]

You just really, really feel shame about this because the fact is this is one of the greats. Please welcome into your ears Rosebud Baker.

[Rosebud Baker]

H. I'm so excited.

[Matt Rogers]

When I saw you at SNL the other night, the overwhelming joy I felt. And it wasn't just because Lady Gaga was in the building. It was because Rosebud was there.

[Rosebud Baker]

Shut the fuck up.

[Matt Rogers]

No, it was.

[Rosebud Baker]

Every time I see you at snl, I get like, I get excited. And it's not just because somebody from outside of the building is in the building.

[Matt Rogers]

Yeah, the SNL sweats.

[Rosebud Baker]

You know SNL sweats, where you're like, oh my God, somebody, somebody, humanity.

[Bowen Yang]

Does it feel. Have we talked about this? It feels a little bit both violatory and exhilarating when, like people from the outside world, like, permeate.

[Rosebud Baker]

Yes, yes. And it's, it, it's odd because obviously, love my husband, hate bringing him to the party.

[Matt Rogers]

Really hate.

[Rosebud Baker]

But I feel like I'm babysitting. He doesn't operate with. This is the problem. He doesn't Operate with the same level of paranoia that I have to operate at. So I walk around after him just being like, what'd you say to them?

[Matt Rogers]

Right then it's like knowing where the landmines are in the battle.

[Rosebud Baker]

Yes. And he'll be like, they were fine. And I'm like, yeah, but what face did they make?

[Bowen Yang]

Right.

[Matt Rogers]

I now just pictured Andy just walking into a battlefield, and it was. It made me laugh. He's a funny guy.

[Bowen Yang]

Funny guy.

[Rosebud Baker]

He is. He's. He is a redwood.

[Matt Rogers]

Yeah.

[Bowen Yang]

Honestly, he's a redwood.

[Matt Rogers]

Bts, for people that. That. That had. That were not here for the conversation prior to us recording. I saw Redwood last night. The Adina Menzel tree musical. We're calling it Tre. Here's what I'll say. I loved watching her in the tree and I loved how much joy she was feeling doing the musical. And that is where I will end.

[Bowen Yang]

That's what people say to me every week after an SNL show.

[Rosebud Baker]

I like, you're having so much fun.

[Matt Rogers]

So much fun in the sketch, and.

[Bowen Yang]

That'S what a comedy show should be.

[Rosebud Baker]

Yeah. And that's what's important.

[Matt Rogers]

You bring us joy.

[Rosebud Baker]

Yeah. And you're happy.

[Matt Rogers]

Yeah. You have no idea what I've been through.

[Rosebud Baker]

Yeah.

[Bowen Yang]

But anyway, the special is so good.

[Matt Rogers]

It's so good.

[Rosebud Baker]

Thank you. Thank you for watching it. I truly. Whenever. When I started doing it, when I was like, okay, I'm going to do a special about, like, becoming a mom and what that feels like, I was like, this feels a little bit like walking into an open grave.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Because everybody. No one cares. No one cares. Whenever I bring up motherhood, I feel like I just was like, are you guys into rollerblading? Everybody just looks at me like, if you are, I guess, you know. So I tried to make it a special that felt like whether you had had kids, didn't have kids, it was funny and you could enjoy it. And so I feel like I succeeded.

[Matt Rogers]

It just feels like you the entire time. It doesn't feel like this is my special on motherhood or becoming a mother. It feels like this is Rosebud's special. Right. And I love that about.

[Rosebud Baker]

Thank you.

[Matt Rogers]

Like, it's. It's great. You really are one of the best joke writers out there. No, I'm. It's. It's for real. I mean, like, it's just great to see people, like, actually put jokes in.

[Bowen Yang]

A comedy piece, period, which feels less than a comedy.

[Rosebud Baker]

And what's important is that you're happy and you had fun.

[Matt Rogers]

Yes.

[Bowen Yang]

You were having fun up there, and.

[Rosebud Baker]

You'Re having fun up there.

[Matt Rogers]

Wait, what was the choice to shoot? I guess. Was it. You shot it twice?

[Rosebud Baker]

Yes, once.

[Matt Rogers]

Eight months.

[Rosebud Baker]

So I shot two separate hours. Right. It was like I shot the first hour when I was eight months pregnant. I waited a year. I took the jokes from that hour and I kind of like built on them based on my experience after having had the baby, and then shot a second half of it a year after having the baby and combined the two into one special. It was really fun to do, honestly. I mean, it was terrifying and crazy. When I look back at it, I'm like, that was insane of me. Only somebody who's like, living with the fear of being kicked out of the industry would do something like this. No, truly. I like, that is what. I look at it and I'm like, that was what was motivating me. I was like, I have to keep working, you know, like, this is gonna feed her, you know.

[Matt Rogers]

Oh, I hear you.

[Rosebud Baker]

Yeah. So I was like, I was working my ass off. But it was really. When I look back at it, I'm like, it's so. I do feel like. And I feel like a loser saying it.

[Bowen Yang]

Say it.

[Rosebud Baker]

No, I'm like, it does feel like it's so me. And so when I look at it, I'm like, I'm proud of it. It doesn't feel like something where I was trying to impress, you know, middle aged men, Right. Which when I watched my first special, I'm like, okay, I see what you were doing there. You were trying get the respect of the comics and get that, you know, and now I watch this and I go, that was like 100% me. And just trying to, like, make something that I was proud of.

[Matt Rogers]

Yeah.

[Bowen Yang]

And like, you shouldn't even, like, rate yourself retroactively on the first special because we went through that phase. We're probably still going through that phase of like, I guess it should appeal to a general audience, which means inevitably.

[Rosebud Baker]

Like, people that aren't like me.

[Bowen Yang]

Exactly.

[Rosebud Baker]

Yes. Yes.

[Matt Rogers]

Let me sort of traffic in this thing that I don't necessarily believe in and also am not so that I can get across this thing that may do better as a result.

[Rosebud Baker]

Right.

[Matt Rogers]

But then you find out it's a complicated thing, but it's like, no, just be yourself. That's what's going to connect you with people. And yes, that connects you with your fans. But it still doesn't really work in the industry. Yeah, there still will.

[Rosebud Baker]

It's like, you can build your Own fan base. And it's like the industry still like, well, what about the men in Ohio?

[Bowen Yang]

Right?

[Matt Rogers]

And you're like, I forgot about them. Because I don't think.

[Rosebud Baker]

Because I don't care. Yes. I don't want them. I don't even care. Like, it surprised me that men did like, the special, like, straight guys did. Like, it was a little disappointing, but I was like, okay, I'll take the win. I was like, okay. But it did feel like, I guess that's just what happens, like, when you are you. It doesn't. Then that's all you want. You just want to get on stage and not have to just get over that hump of, like, explaining who you are in the context of the rest of the world for the joke to land.

[Matt Rogers]

Totally.

[Rosebud Baker]

Do you know what I mean?

[Bowen Yang]

Well, and because it's. It's that thing, and I'm rolling my eyes as I say this out loud. It's like you're being so specific that it. That it feels universal.

[Rosebud Baker]

Right.

[Bowen Yang]

Like, the guy in Ohio can appreciate, like, as a husband, getting postpartum anxiety. Like Andy did or something.

[Rosebud Baker]

Yeah.

[Bowen Yang]

I mean.

[Rosebud Baker]

Yeah.

[Matt Rogers]

I didn't even know could happen either.

[Rosebud Baker]

I didn't know it could happen.

[Matt Rogers]

But then obviously it made sense. Like, it is his child. And it's like if you. If you're someone who can ruminate on the idea of, like, this is a thing that wasn't alive a little bit ago.

[Rosebud Baker]

Right.

[Matt Rogers]

You know what I mean?

[Rosebud Baker]

Yes. And you're like. And the whole time, it's funny because I have, like, a traumatic reaction to, like, sickness. I'll be like, she's not sick. She's not sick. And then Andy will be like, but she is. But she is. And it actually turns out to really be perfect because he'll call the doctor on stuff where I'm like, I don't think we need to be concerned about that because that could be a nightmare for me emotionally and terrifying and for her. And sometimes I'm like, thank God you're paranoid, because.

[Bowen Yang]

Sure. You know, it's a Checks and balances.

[Rosebud Baker]

Well, yeah.

[Matt Rogers]

Do you think that that. Because also in the special, you talk about how you guys were raised very differently. Like, you, like, you'd make a joke about, like, your dad throwing you, like, a football into, like, a lake and being like, that's how you swim, and then jumping in and saving you and being like, see looked your life. What a guy.

[Rosebud Baker]

Yeah. And whereas, like, you know, gaslit into loving your father.

[Matt Rogers]

Yeah. Right.

[Rosebud Baker]

Yeah.

[Matt Rogers]

He's from Seattle. From a more like, I guess, liberal, progressive.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Situation.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Do you think that that has informed you as parents, even if you're like, growing up being like that? There's no way. There's no way. I'm not going to throw my kid in.

[Rosebud Baker]

Right? Yes, 100%.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Because I'll be like, I remember him coming home with minhow and. And he was like, I think she has a dairy allergy. And I remember my reaction going, no, she doesn't.

[Matt Rogers]

That's not. Those don't exist. Even though even fully aware they do, but fully aware they exist, your parent jumps out.

[Rosebud Baker]

I literally was like, no.

[Bowen Yang]

Right.

[Rosebud Baker]

Not an option. And I didn't. I didn't look into it. I didn't ask him why he thought that even. I just went, nah, it's not. No. Brand new gut.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Brand new gut. Can't have a dairy allergy.

[Matt Rogers]

And we found out. Yes.

[Rosebud Baker]

We did not find out. I think I actually, on that one, he was like, you might be right about this.

[Bowen Yang]

You won.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Complacency won.

[Rosebud Baker]

Yes. But we will. Hopefully. We should just get it checked out. Honestly, looking at it now, I'm like, we probably should just take a look.

[Matt Rogers]

The gunkles say.

[Bowen Yang]

The guncles say, check it out. Then it reminds me of this other joke you have about your mom, like, talking about, like, you getting a blood transfusion when you were an infant at a time when kids were getting aids from.

[Rosebud Baker]

Yes, the transfusion. Yes.

[Bowen Yang]

And you being like, well, did I have it? And then she's like, well, we never got a check because it would have ruined your social life.

[Rosebud Baker]

Right. In first grade, I'm like, literally, first grade. I think she was like, you could have. You could have. We just never found out. And the doctor said it would be bad for your social life. I was like, no, he didn't.

[Matt Rogers]

The waspy doctor.

[Rosebud Baker]

Yeah. I was like, absolutely not.

[Matt Rogers]

No. I don't know.

[Rosebud Baker]

And it's funny too, because my mom, like the Pokemon evolution of my mother is like going from like Republican wife to like, liberal divorcee who, like, paints in Maine.

[Matt Rogers]

Love.

[Rosebud Baker]

You know what I mean?

[Matt Rogers]

She moved to Maine.

[Rosebud Baker]

Yes. And she is now very liberal in a way that you're kind of like, okay, right.

[Bowen Yang]

You're overshooting.

[Rosebud Baker]

She's overshooting. You know, she's painting a Ukrainian flag in her garage and she's like, look at this. Look at what I did with a big sunflower in the middle of it.

[Matt Rogers]

Like, cool. You are discover. You're having a rediscovery.

[Rosebud Baker]

That's Good. Yeah. No, that's good for you, you know.

[Matt Rogers]

No, that's true.

[Bowen Yang]

But then does. Do you feel her brain in your head in this moment of parenthood?

[Rosebud Baker]

I do. I. You know, that's a really good question. I feel like my dad's parenting had more of an effect, even though I was with my mom more. So, I mean, I think the artistic side of me is all. My mother, like, she's a painter. Her whole side of the family is like, all, like, writers, painters, you know, photographers.

[Bowen Yang]

Your sister, too.

[Rosebud Baker]

And my sister is in the art gallery world. She works in art. And so I. And my other sister's a musician, so it's all like, we're all very much that. Yeah. But my dad, maybe it was like, the absence of him, right. That made his presence, like, more of a. Or maybe just genetically. I. That's where it comes from.

[Matt Rogers]

Do you think maybe, like, the absence of him made you think. Fixate on him more and therefore, like, his parenting, like, was. It's. It's the searching for that or the wanting that. That makes it, like.

[Rosebud Baker]

I don't know. I'm just like. I look at it and I go, he was. He was like a fucked up guy. And when I think about it, I'm like, he's kind of the reason I'm funny. You know, I like, when I think about my dad making fun of people jogging, I'm like, that's like. That's my sense of humor.

[Matt Rogers]

He was your comedic influence.

[Rosebud Baker]

Yes.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Yeah.

[Matt Rogers]

They do tend to be that. Yeah, my dad would. I don't know my dad. I feel like we probably had similar dads. My dad plays a Long Island.

[Rosebud Baker]

Long is.

[Matt Rogers]

But it's kind of like I was.

[Rosebud Baker]

Listening to the episode with Sarah when you were talking about how you drew him asking for a beer.

[Matt Rogers]

Yeah, yeah, yeah. Peanut, get me a bear from the frames.

[Bowen Yang]

I mean, yeah, literally.

[Matt Rogers]

And all my mom could say was, I love you. It's not funny.

[Rosebud Baker]

Did he make him. Did he make you walk on his back when his back hurt?

[Matt Rogers]

You know what, dad?

[Rosebud Baker]

That.

[Matt Rogers]

You know what's crazy? I used to make people do that. I used to make Sudi do that.

[Bowen Yang]

Yes, you did.

[Matt Rogers]

Judy was walking on my back all of college, and now I'm like, did I get that from my dad? I don't think so. My dad would do the thing of, like, get on my biceps. I can lift you to heaven.

[Rosebud Baker]

Oh, yeah.

[Matt Rogers]

Like, I did that. So it was a. It was a lot of other physical stuff. And he used to. We used to Play a game called Crocodile, where he was a crocodile in the bed, and I was like, try. I was like a muskrat, and he would take me into. Throw me off the bed. Oh, that's.

[Rosebud Baker]

Yeah, that's the best. That's what we do with Minnow.

[Bowen Yang]

She loves that, I bet. Oh, that's fun.

[Rosebud Baker]

Yeah.

[Bowen Yang]

I want to get thrown.

[Rosebud Baker]

Yeah, it's really fun. She really loves it. She does it to herself now, where we'll, like, grab her and we'll throw her into the bed, and then we'll say, boom. While she does it. So then she'll climb up on the bed, and she'll just fall into the pillows and go, boom, Boom. It's very lonely to see. To see her do it to herself.

[Matt Rogers]

You know what, though? Sense of humor for me.

[Bowen Yang]

Sense of humor.

[Matt Rogers]

She's pratfall.

[Rosebud Baker]

Oh, yeah.

[Matt Rogers]

Pratfall Queen.

[Rosebud Baker]

Big time. Big time.

[Bowen Yang]

You've been asked this a million times, but with two comedian parents, what is. What do you, like, you expect her. How is she going to, like, spit that out when she grows up?

[Rosebud Baker]

You know? I have no idea. I genuinely hope for her sake that she's not a comic, but I also am. Like, I understand it's my job as.

[Bowen Yang]

A parent to nurture whatever.

[Rosebud Baker]

To nurture whatever she wants to do, and that is, like, what I intend to do. And if she wants to do comedy, I'm gonna be like, great.

[Matt Rogers]

That's awesome. Then also, you guys are gonna be there as comics one day watching her.

[Rosebud Baker]

Sets and be like, it's gonna be really tough.

[Matt Rogers]

Oh, yeah. Because you're gonna have to go through a developmental period.

[Rosebud Baker]

Yeah. You know what I think is I just. Just based off of her personality so far, I do think that when she. If she doesn't like it right away, she's gonna be like. And I don't want to.

[Bowen Yang]

Yeah.

[Rosebud Baker]

So it's like, great.

[Matt Rogers]

Let's.

[Rosebud Baker]

Gemini Moon.

[Matt Rogers]

You know, okay.

[Rosebud Baker]

Try whatever. Try a lot of different things and then see what you like.

[Matt Rogers]

By the way, I remember one of the. One of the times that we hung out at SNL in Bowen's dressing room. You came in and you were crowdsourcing names. Yes.

[Bowen Yang]

I remember this.

[Matt Rogers]

There was an era where you were, like, really looking to people to. Because I remember you had, like, narrowed it down.

[Rosebud Baker]

Yes. Yeah.

[Matt Rogers]

And Minnow rocks.

[Bowen Yang]

Minnow rocks.

[Rosebud Baker]

I love Minnow. It's like my aunt's name.

[Bowen Yang]

I love that.

[Rosebud Baker]

I feel like it's just, like, a cute little homage to her. And, yeah.

[Matt Rogers]

It's fun to say when I heard we landed there. I was like, I don't know if that was even in the ether at that time.

[Rosebud Baker]

I think I said it to you.

[Matt Rogers]

And Greta, you may have. And I think we. We did have a very positive response.

[Rosebud Baker]

Yeah. Because we were. But we were going back and forth about the middle name. If you have Minnow, then what's the middle name? Because I was like, what about like, Penelope? And then we were like, that's a little Wes Anderson.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You know, like.

[Matt Rogers]

Veers on too much.

[Rosebud Baker]

Yes.

[Bowen Yang]

Wait, what is the middle name?

[Rosebud Baker]

It's Baker.

[Matt Rogers]

Oh, great.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Oh, my God.

[Rosebud Baker]

So I just made it Baker.

[Matt Rogers]

Oh, that rocks.

[Rosebud Baker]

Yeah. Right? It feels.

[Matt Rogers]

It kind of feels like a darling.

[Rosebud Baker]

It feels a little bit like. It could be that or it's like a welterweight from, like the 1950s, you.

[Bowen Yang]

Know, not heavy, not light.

[Rosebud Baker]

Minnow. B. Haynes.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Is the welterweight.

[Matt Rogers]

Incredible author, I feel.

[Rosebud Baker]

Right.

[Matt Rogers]

Of important feminist work.

[Bowen Yang]

Yes.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Music producer.

[Bowen Yang]

Music producer.

[Matt Rogers]

One word. Minnow. Like willow.

[Rosebud Baker]

Minnow.

[Bowen Yang]

Welcome back. Quincy Jones.

[Rosebud Baker]

Yes.

[Bowen Yang]

Yes.

[Rosebud Baker]

Minnow. Behanes.

[Matt Rogers]

Minnow. Beh. I love it.

[Rosebud Baker]

It's fun.

[Bowen Yang]

You have my fate. I think my favorite. There's a lot of. It's hard to pick a favorite, but I think my favorite currently joke in the special is being a mother in New York is like being a gay man in the 50s. You have to hang out with people who are like you. And it has to be in the park. It's like, I don't know how anyone does it here. I really don't.

[Rosebud Baker]

Yeah, yeah.

[Bowen Yang]

You can't go to fucking restaurants.

[Rosebud Baker]

You can't go to restaurants. And people talk to you differently. Like people that you've known your whole life, they talk to you differently.

[Matt Rogers]

I was dying at mama, hey, mama. You doing mama. And it's not even. And that you are like a gay guy too. Cause. Cause we're all calling each other mama out, right?

[Rosebud Baker]

Mama, hey, Mama, hey, Mama, hey, Mama, hey, mama. Yeah. And the whole time. And you're judging each other. You're totally judging each other. How do you do it?

[Matt Rogers]

Have you made, like, mom friends explicitly that you actually like? So.

[Bowen Yang]

Yeah. So, like, what are the challenges?

[Rosebud Baker]

I haven't. I have not made a single mom friend.

[Bowen Yang]

Yeah.

[Rosebud Baker]

I mean, I have friends who are moms that do comedy.

[Matt Rogers]

Sure.

[Bowen Yang]

Yep.

[Rosebud Baker]

So like comic moms I do get along with really well because I'm like. They get it. They understand.

[Matt Rogers]

Yeah.

[Rosebud Baker]

But it's weird to be a stand up who's a mom because you don't really fit in with the other moms.

[Matt Rogers]

Right.

[Rosebud Baker]

And you don't fit in with the stand ups and you're just kind of like, so stand up comics who are moms or parents. You kind of understand.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Because you really are living like a severed life.

[Bowen Yang]

It's a weird double isolation.

[Rosebud Baker]

Yes.

[Bowen Yang]

You know?

[Rosebud Baker]

Yeah.

[Bowen Yang]

And you've got a crazy job and.

[Rosebud Baker]

It'S like, I know. Andy went to a party last night for the first time. He, like, went to paintball with, like, a bunch of his friends.

[Bowen Yang]

That's fun.

[Rosebud Baker]

And he came home and it felt like something like awoke in him. He was like. He goes, I don't. I don't think I realized how isolating this is.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And I was like, yeah. He goes, that was the most fun I've had in years. I was like, paintball, you know. Okay, whatever. Whatever floats your boat, babe.

[Bowen Yang]

Should we go? Should we go bowling or something?

[Matt Rogers]

Like, I think we should go now.

[Rosebud Baker]

Because now paint and sip.

[Matt Rogers]

Now I'm going to get. Literally. Now. I'm an actually fixate on paintballing. I went paintballing once, and it was for a straight guy's bachelor party.

[Bowen Yang]

And you had a blast.

[Matt Rogers]

And I had the best time.

[Rosebud Baker]

That was a straight guy's bachelorette.

[Matt Rogers]

Yeah, literally. And it was. It was like a lot of gay guys. Who was one of those New York theater straight guys who, like, has a lot of gay friends.

[Rosebud Baker]

Yes.

[Matt Rogers]

So it was like, me, Dave, our friend Ryan, etc. Like, all getting.

[Bowen Yang]

Was this Luke's?

[Matt Rogers]

Yes, it was Luke.

[Bowen Yang]

I love that.

[Matt Rogers]

And it was. We were all getting shot at by straight men. But it was like, I've dated so.

[Rosebud Baker]

Many of those, like, theater straight guys. It's actually embarrassing, isn't it? The personality of like, a New York cop.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You're like, what?

[Matt Rogers]

Wait, elaborate on that.

[Rosebud Baker]

Well, me and Andy were talking about it, like, every, like, New York actor who's like, a straight man.

[Bowen Yang]

Okay, I think I know where you're going with. Yeah.

[Rosebud Baker]

You know what I mean? They all have like a bandana as a bracelet and they'll be like, yeah, I'm an actor. And they've got like a fucking leather jacket on. And it. They have this energy, like they throw a cigarette and they fucking spin on it.

[Matt Rogers]

Yeah. They like, you know what it is?

[Bowen Yang]

I completely know what it is. I can name like three people.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Damn, you're right.

[Rosebud Baker]

All like that. And you, you just want to be like, you know you're not actually a cop.

[Matt Rogers]

Yeah. You know, you're in order. Yeah.

[Rosebud Baker]

Yes, I know. You're living like a Blue collar life as an actor. Kind of. But like, your hands are soft.

[Bowen Yang]

Right, Right.

[Matt Rogers]

I also think, like, those guys go through phases too, because in college that's when they're the worst because they get so much action.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Like, these girls are so starved because it's mostly gay guys and like other. Other girls. And also they're in these programs where they're competing with each other anyway.

[Rosebud Baker]

Yeah.

[Matt Rogers]

So there's already. They're in the mindset of, like, only so many of us can get a roles and be fudged.

[Rosebud Baker]

Yes.

[Matt Rogers]

So it's. And those guys are absolutely spoiled for choice.

[Rosebud Baker]

Yes.

[Matt Rogers]

And they. It's a different kind of thing. They. They do grow up. And everyone we've talked about has grown up. Yes.

[Bowen Yang]

But they do in college have to send out those signals among their classmates to be like, I'm not gay, by the way, like that.

[Rosebud Baker]

It's just a subtle signal. Sort of walk down the street yelling, I'm not gay, by the way.

[Bowen Yang]

Did it work?

[Rosebud Baker]

Yeah. I can't. The number of guys that I've dated with like fedoras and, you know, it was really a rough time where I wanted. I wanted to be in a relationship with another artist because I feel like they get it.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You know, they get the life that you're living.

[Matt Rogers]

Yeah.

[Rosebud Baker]

But the actors, honey, I just.

[Matt Rogers]

It's a little too. The only word is emo.

[Bowen Yang]

Picture yourself going for a drive. What comes to mind? Potholes, lane splitting bikers, sleepy truckers, red light runners, and distracted pedestrians crossing where they shouldn't.

[Matt Rogers]

The truth is the road can feel unpredictable, like it's out to get you at every turn. But it doesn't have to be that way.

[Bowen Yang]

Hyundai's available advanced safety technology is designed to help keep you protected against them. Many challenges the road throws your way.

[Matt Rogers]

From forward collision avoidance assistant to Blind Spot View Monitor, our vehicles offer available features designed to help safeguard you and your loved ones.

[Bowen Yang]

You can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots.

[Matt Rogers]

The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't.

[Bowen Yang]

Hyundai vehicles are equipped with the standard driver attention warning system, which constantly monitors your attention levels. Once detected, it sounds alerts and visual cues to help bring you back to focus on the road.

[Matt Rogers]

With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the Road from getting.

[Bowen Yang]

You Learn more about hyundai@hyundai USA.com. call 562-314-4603 for complete details. How did you and Andy meet?

[Rosebud Baker]

We met at Matchless Bar. Matchless, like, years ago.

[Matt Rogers]

And were you ever thinking, like, it'll be another comedian, like, straight up stand up comedian, or were you kind of.

[Rosebud Baker]

Like, I did not know who it would be. I was just, like. I had gotten out of a relationship with a comic.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And when I met Andy, I was, like, still with this other comic, by the way. And then, like, never really even saw Andy until, like, after that. And I remember, like, meeting Andy and seeing him and him being, like, a very awkward human being. And he told me, like, we had talked for the first time in the day to each other, and he was like. I just. I pretend. He goes. Sometimes I, like. I feel like I'm pretending to be a human being.

[Matt Rogers]

Oh, you've said this.

[Rosebud Baker]

Yeah, yeah. And he was like. He said the whole thing about how he, like, talks to himself. He'll be like, good blinking Andy, you know, while he's talking to someone. And so I immediately liked him, but not in a way where I was like, oh, I gotta get fucked. You know what I mean? I gotta get dicked down.

[Matt Rogers]

This guy who thinks about blinking is gonna absolutely give it to me in every witchcraft.

[Rosebud Baker]

He's going to split me in half. Not. No. But also, you know, not, like, not.

[Bowen Yang]

Not the top of my head.

[Rosebud Baker]

Yes, Mama.

[Bowen Yang]

Yeah.

[Matt Rogers]

Yes, Mama. So Yes, Mama might be titled on this.

[Bowen Yang]

Mama. It's so on the nose.

[Rosebud Baker]

It is on the nose. Yes, Mama. Yes, Ma. I guess I just thought, like, no, it's not gonna be him. And I did. I called up Sidney Washington after I realized I had a crush on Andy.

[Matt Rogers]

To vet him.

[Rosebud Baker]

No. To be like, do you think I'm okay? Do you think I'm doing all right? And. Cause it was so outside of. He's so outside of, like, my type and my. What? I was, like, looking for sure that I was like, do you think I'm. Everything okay up here right now? How have I sounded to you? You know? And she was like, oh, this is really out of left field. But she goes, but it makes sense in a weird way. And I was like, that's how I feel. And so we went on a few dates, and then I knew I wanted to get married. So I said to him, you know, not necessarily to him. I just knew I wanted to get married. So I was like, hey, sad news for you. Yeah, I want to get married. So if you don't want to get married, we should just start fucking other people.

[Bowen Yang]

Right? Right.

[Rosebud Baker]

And he was like, well, I don't want to do that. I don't want to. I don't want to fuck other people. And so he was like, I'll get married. You know? And I was like, you know, not to me necessarily. It was a weird conversation to have because you're not telling someone, like, you gotta marry me.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You just have to be like, this is what I want.

[Matt Rogers]

My cards on the table. Here's what I see and not even see for my future. This is what I'm, like, planning for. Yeah, yeah, yeah.

[Rosebud Baker]

So. And at the time, did not want kids. Just really wanted to be, like, married and fun. I just love, like, a fun married couple that travel.

[Matt Rogers]

That travel unburdened, etc.

[Rosebud Baker]

And they're like. They make each other laugh. I really wanted that life. I was like, that looks so fun.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And so it was literally nine months later that he proposed. So, you know we're both drug addicts.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Yeah.

[Matt Rogers]

We remember when we met him in Montreal. Yes.

[Bowen Yang]

He was the same flight back.

[Matt Rogers]

Did you know who we were the.

[Rosebud Baker]

Entire time about geography?

[Bowen Yang]

No. But yes. He's a map guy.

[Rosebud Baker]

Yeah, he's a real map guy.

[Bowen Yang]

He's a real.

[Matt Rogers]

Wait, what?

[Rosebud Baker]

He loves. He loves to talk about. Tell him where you're from. He will bring up at least three landmarks in your hometown.

[Bowen Yang]

Wow.

[Rosebud Baker]

He's like. He really is autistic.

[Matt Rogers]

I was gonna say. Is that. Is that an autism?

[Rosebud Baker]

We've never gotten him tested, but I'm. I'm pretty positive, like, based on everything that I have read and know about autism, that my husband for sure has it on some. You know, he's on that spectrum.

[Bowen Yang]

Yeah, totally.

[Rosebud Baker]

For sure. Because it's crazy. I mean, the way just watching Jeopardy. Next to him, I'm like, well, why aren't you on that?

[Matt Rogers]

He should go on it.

[Rosebud Baker]

He should. I know.

[Matt Rogers]

Let me tell you, like, the. The. I've been on the. The celebrity Jeopardy. And did well once I figured out. What. How do you do it? Like the. The clicking of the buzzer. That's the hardest part.

[Rosebud Baker]

Oh, really?

[Matt Rogers]

Yes. As long as you get that down, he could win.

[Rosebud Baker]

Okay.

[Matt Rogers]

He could win you. I played with other idiots like me. I just think it's a cool thing.

[Rosebud Baker]

Even if we watch. Even. I swear to God, even if you put him on celebrity Jeopardy, he knows every, like, side character actor's name.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And you know, where you're like, how do you even Know this. And he's like, he's one of the most famous actors in Britain. And you're like, no, he's not. No, he's not.

[Matt Rogers]

I wonder who it is now.

[Bowen Yang]

I wonder who it is.

[Rosebud Baker]

It could be. He says it about everyone.

[Matt Rogers]

Yeah.

[Bowen Yang]

How much of it do you absorb? Do you find that you learn things from him or are you like, I absorb her?

[Rosebud Baker]

None of it. Like, I wish I absorbed some of it. It would be amazing if I absorbed some of it. But it all just goes like.

[Matt Rogers]

There are people that are just like that.

[Rosebud Baker]

I'm. I can't. Yeah. I don't know about you. You work at snl, so you can't remember anything, right?

[Bowen Yang]

My brain is, is fucking.

[Rosebud Baker]

Yeah. And you're in entertainment, so. And also a Pisces, so I assume your memory is kind of shitty.

[Matt Rogers]

My memory is. Well, pretty good, actually. No, no, no, it's. Well, okay. My long term memory is excellent. My short term memory is getting worse all the time. I think it's. I actually started to freak myself out because I think it's about marijuana. I also, like, all my grandparents have, have, you know, dementia, struggled and met their demise to some sort of like, that type of thing. So I'm now, I just turned 35. I'm now in that phase of like. Okay, so at what point is something coming for me?

[Rosebud Baker]

Right, right.

[Matt Rogers]

We were saying it's like algorithmically, death really decides at like 34, 35, that you're seeing like panicky, like middle aged stuff. Yes, it's, it's. Yes, it happens. Yeah. I was thinking about you the other day, like, oh, no, because you're 34 still. But just wait. Things change on the day.

[Rosebud Baker]

It gets way worse. In your late 30s, just FYI.

[Bowen Yang]

What, what's coming up in the.

[Rosebud Baker]

I'm getting just pajamas.

[Bowen Yang]

Yeah, just, just pajamas.

[Rosebud Baker]

No, it's like, well, you don't work. Right. They're like, you're retired. It's pajamas.

[Bowen Yang]

Well then, so then that's. That makes me feel great because the algorithm is still stupid and it doesn't know who you are.

[Rosebud Baker]

But that's also given the number of things I've filtered out, because they were literally offensive.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You know, so it's like pajamas and.

[Matt Rogers]

Memory care facilities in all caps.

[Rosebud Baker]

Yeah, yeah. They're like a place for mom.

[Matt Rogers]

You're like, what a place for Mom?

[Rosebud Baker]

I'm not even 40.

[Bowen Yang]

You know, it's going to get even.

[Matt Rogers]

Worse even now as we sit here with our phones on the table because they're currently listening this is the most up thing that ever happened. Last night I met dinner after the show and I literally said, what do you guys think about deviled eggs? Like, getting them for the table to share? No, I. I flip open my phone, it's like, deviled eggs. It's like the algorithm was like, just wanted to talk about deviled eggs.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And I'm like, this is too specific to not be you literally monitoring me at all times when my phone is, like, not in active use. It's. Yeah, well, order.

[Rosebud Baker]

Deviled eggs is. I thought it was going to be for a senior home. I thought it was going to be.

[Matt Rogers]

That your interest changing, so might your circumstances.

[Rosebud Baker]

Deviled eggs for the table.

[Matt Rogers]

A place for dad. A place for gunkle.

[Rosebud Baker]

Place for gunk.

[Bowen Yang]

Honestly, I do we, like, start this now and plan out, like, an assisted living facility for, like, Brooklyn comedians or something?

[Rosebud Baker]

I mean, we should. There should be something. But I'm scared because I'm like, what could be worse than a nursing home? A nursing home for comedians.

[Matt Rogers]

Oh, God.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Just desperately trying out your, like, new stuff.

[Rosebud Baker]

Yes. Just. Or, like, doing bits like people are on when they're in their 80s.

[Matt Rogers]

Like doing a bit that you're choking but you are. Or like, doing a bit that you forget, like, something but you Wait.

[Rosebud Baker]

That is my biggest fear when I'm on stage. I've had panic attacks about that.

[Bowen Yang]

Of choking.

[Rosebud Baker]

I have panic attacks while I'm on stage about what? If I had a seizure right now, they'd all think I was doing an act out.

[Matt Rogers]

They'd be like, she's amazing. She's so physical.

[Rosebud Baker]

And I'm like, I've never been physical in my act in my whole life. I don't know why I think this, but for some reason in my mind, they are all gonna think I'm like Pablo Francisco and I'm just doing a full like, like. And I've had full panic attacks where I don't remember the entire set because I'm just, like, by rote, memorizing, saying it out loud.

[Matt Rogers]

Yeah.

[Rosebud Baker]

But in my mind going, if I had a seizure right now, they'd all laugh. They'd all be laughing that I.

[Matt Rogers]

That's crossed my mind before, everybody.

[Bowen Yang]

If you see Rosebud Baker live and she seizes on stage, it's not an act out.

[Rosebud Baker]

It's not real at all.

[Matt Rogers]

The hospital, she's suddenly a physical comedian.

[Rosebud Baker]

Something's wrong.

[Matt Rogers]

She's having a seizure. Something is wrong. Hold on. Andy will be there. He'll call the police. If it was up to you. You'd be like, I'm fine.

[Rosebud Baker]

And he's calling the pediatrician first.

[Bowen Yang]

You have to come down.

[Rosebud Baker]

He's like, this is actually about my wife, but I don't have the doctor's number. Yeah. It's a terrifying thing to imagine.

[Matt Rogers]

Yeah. I mean, but the great thing, though, is, like. I mean, as I was watching the special, I was thinking about it. I was like, to have, like, that family unit in place does kind of like, this is like, weird to say, but it does. You have people that are gonna look after you forever. And sometimes I think about that, like, it sounds weird to say and, like, we all have it in some regard because, like, community has been so important in how we develop and stuff. But, like, for, like, queer people, like, that is really important to have, like, your chosen family, etc. Because, like, I need to know who's gonna check me into the facility.

[Bowen Yang]

Yeah, me, me, me.

[Matt Rogers]

Or just, like, end it, girl.

[Bowen Yang]

No, no.

[Matt Rogers]

Bring me out of my segment.

[Rosebud Baker]

I would say the same thing to myself.

[Matt Rogers]

Literally.

[Rosebud Baker]

Yeah. I'd be like, please, just unplug it. I don't want to do it.

[Matt Rogers]

Once we get bad news. Let's commit to that.

[Bowen Yang]

Yeah.

[Matt Rogers]

I'm telling you of Mice and Men.

[Bowen Yang]

That's interesting.

[Rosebud Baker]

Like, you want to be hugged to death.

[Matt Rogers]

Yeah, yeah. Kill me like he killed her. Not like, not. Not the shooting mother.

[Bowen Yang]

Me.

[Rosebud Baker]

No, just kill me like the little mouse.

[Matt Rogers]

Yes.

[Rosebud Baker]

I was thinking of hold me till you crush me.

[Matt Rogers]

Yes, yes, yes, yes, yes. I was thinking of his mama that he shakes. Not me. Remembering of mice and men. My long term. I'm telling you, crack.

[Rosebud Baker]

That is good.

[Matt Rogers]

It's a crack memory.

[Bowen Yang]

It's a crack memory. I think if you make it to the finish line, which is check me into an assisted living facility. I've made it to, like 78 or whatever.

[Matt Rogers]

God willing.

[Bowen Yang]

Yeah, like, that's. That's the prize.

[Rosebud Baker]

Yeah, I hope not.

[Bowen Yang]

That sucks. That's the last tile on the game of life. You know what I mean? Literally.

[Rosebud Baker]

Yeah, but that being the prize, does that has to bum you out.

[Matt Rogers]

It's such a bummer.

[Bowen Yang]

But I'm saying it's nice. Like, I don't totally disagree with what you guys are saying, which is like, just end it there.

[Matt Rogers]

Yeah.

[Bowen Yang]

Picture yourself going for a drive. What comes to mind? Potholes, lane splitting bikers, sleepy truckers, red light runners, and distracted pedestrians crossing where they shouldn't.

[Matt Rogers]

The truth is the road can feel unpredictable. Like it's out to get you at every turn. But it doesn't have to be that way.

[Bowen Yang]

Hyundai's available advanced safety technology is designed to help keep you protected against the many challenges the road throws your way.

[Matt Rogers]

From Forward Collision Avoidance Assistant to Blind Spot View View Monitor Our vehicles offer available features designed to help safeguard you and your loved ones.

[Bowen Yang]

You can change lanes with much more confidence thanks to the available Blind Spot View monitor, which actually shows you a live video feed of your blind spots.

[Matt Rogers]

The standard Forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't.

[Bowen Yang]

Hyundai vehicles are equipped with the standard Driver Attention Warning system which constantly monitors your attention levels. Once detected, it sounds alerts and visual cues to help bring you back to focus on the road.

[Matt Rogers]

With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting you.

[Bowen Yang]

Learn more about Hyundai@Hyundai USA.com, call 562-314-4603 for complete details.

[Matt Rogers]

You know what is like absolutely. You could go crazy watching it is Gutfeld on Fox, which is like the Fox late night show. It is the absence of comedy. There is nothing funny happening on it.

[Rosebud Baker]

No.

[Matt Rogers]

It's like the ratings are so through the roof that you almost have to wonder. It's like are people watching it because it's like they feel it's like their political homework or just because they don't trust anything on anyone else?

[Rosebud Baker]

It's the thinnest premises you have ever seen. Like, it's hard to. Here's the problem. To write a good joke, a premise has to be true.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You have to write a true premise to write a true punchline. Not that the punchline is supposed to be like true in the sense factual, but like what we would consider a punchline.

[Bowen Yang]

Yeah.

[Rosebud Baker]

I. You cannot. It's. That job is going to be harder and harder to do because you're trying to write jokes about premises that are not true.

[Matt Rogers]

Right.

[Bowen Yang]

Exactly.

[Rosebud Baker]

So I mean as long as everyone in that world is considering it to be true, I guess it works.

[Matt Rogers]

It must work because his ratings are so big. They're so much bigger than any of.

[Bowen Yang]

Right. And I was. But I was telling you that the ratings is more of a function of like it being embedded in other news programming on Fox. Right.

[Matt Rogers]

I hear you.

[Bowen Yang]

Where like Daily show could never get those numbers because it's on Comedy Central and no one's like keeping Comedy Central on all day.

[Matt Rogers]

Yeah.

[Bowen Yang]

And leaving it on at night.

[Matt Rogers]

And I Completely get that. But my thing is, like, I mean, it's on, they're hearing it. And if there's nothing to challenge the idea that it's A, not comedy and B, also not true, then it's just on and they start to believe it. I think I'm just like, like really realizing more and more that we're just in two completely different silos and there's really nothing to be done about it. Yeah, there's nothing you can do.

[Rosebud Baker]

If you do care about, like, what is true. There are still journalists. They do exist.

[Bowen Yang]

Yes.

[Matt Rogers]

Right.

[Rosebud Baker]

You know, like, I have found that even just at update, right, we. We get a setup. I have to turn around so often and be like, hey, is this something I should be freaked out about or is this a headline that is. Sounds a lot scarier than it actually is?

[Matt Rogers]

Uh huh.

[Rosebud Baker]

And most, most often the answer is like, you don't need to worry about this until this and this and this happen.

[Matt Rogers]

Right.

[Bowen Yang]

And who's telling you that? Like, who?

[Matt Rogers]

Che Chimagic.

[Rosebud Baker]

I go. The beacon of truth.

[Bowen Yang]

Che's in the office.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Che came to work.

[Bowen Yang]

Che came to work.

[Matt Rogers]

What?

[Bowen Yang]

We love you, Che.

[Rosebud Baker]

Just Josh Patton who studied political science and gets, you know.

[Matt Rogers]

I didn't know that about Josh.

[Rosebud Baker]

Yes.

[Bowen Yang]

Yeah, we love Josh.

[Rosebud Baker]

He's so smart. And oftentimes whenever I'm about to, like, freak out and it's hard for me to write a joke when I'm like, emotionally, of course, like, this is crazy. Yeah, he'll be like, ah, it's not crazy for another three months. You know what I mean? And I'm like, okay, all right. So I can budget the amount of, like, fear that I have, but more often than not, you can, like, look this stuff up. You can find out, like, if it's true and if it's not.

[Bowen Yang]

Right. But I love that Patton's telling you, oh, worry about bird flu in June.

[Rosebud Baker]

Yes. Yes. Yeah. He'll be like, it's not a problem until this happens.

[Matt Rogers]

Yeah. Once a million birds are dead. Phone.

[Bowen Yang]

Okay, we're here.

[Matt Rogers]

When I said June.

[Bowen Yang]

Yes.

[Matt Rogers]

We're thinking more April 15th.

[Rosebud Baker]

Yeah. Like, I was so freaked out about the flu. The flu. Meeting getting canceled. And like, I was like, oh, no, no, no. And he was like, if it gets canceled in six months, then we're really in trouble.

[Bowen Yang]

How do you know this?

[Rosebud Baker]

Because.

[Bowen Yang]

Because of the major.

[Rosebud Baker]

Because of the major. I guess he just reads a lot. I literally just realized that. I just went, because of his major.

[Bowen Yang]

Yeah, but that, but that's, that's that's an answer.

[Rosebud Baker]

Yeah.

[Bowen Yang]

He is a very smart, funny guy.

[Rosebud Baker]

Well, he's also like.

[Matt Rogers]

I mean, it is like, he's. He's engaged in it constantly to. To do. I'm actually fascinated by how Weekend Update works. Like, is it. Do you guys work the same, like.

[Rosebud Baker]

Yeah, we work the same week. Like, we go in Monday, Tuesday, Wednesday, Thursday, Friday. Yeah, we go in and we do, like, three to five pages of jokes a day. So we just get, like, all these setups, and that goes out to everyone. I don't know really why. I don't know if anybody.

[Bowen Yang]

I know it's on the setups. There's a setups file in the server. And, like, I'm like, we should. I'm like, cast doesn't need access to this necessarily.

[Rosebud Baker]

Not really, but everyone does sometimes. People use it. So I. I guess I truly speculation, but we just write three to five pages of jokes a day by ourselves and then turn them in. And then on Friday and Saturday, we go through all of them once, like, Jost and Che have made their picks, we go through all of them. We tag each other's jokes up. We listen to them. We listen to the jokes that were picked back, and based off of the reaction or the way that they feel saying them, it's like they kind of narrow it down from that for Saturday. And then Pete has, like, such a hard job because Pete has to make sure that the show has different topics, that it's covering a widespread and that things haven't been just blasted out already, that they're not telling jokes that have already been told, unlike Colbert or Alan or. His job is so hard.

[Bowen Yang]

Yeah. I always think about his job. Pete Schultz, also one of the kings of Update. Yes. Has to really keep his ear to the ground in a way that is hard.

[Rosebud Baker]

Yeah. And keep both hosts happy, making sure that they're getting the jokes that they want off.

[Matt Rogers]

And then what's the interaction between. I feel like I'm, like, asking questions. I'm learning, too, because Bowen is such a star on Update. Like, what is the interaction between people writing their updates and, like, the Weekend Update writing team is there so.

[Rosebud Baker]

Well, like, when Bowen comes in, he'll pitch something that's like, hey, I'm thinking about doing the hippo, but, like, kind of making it off of, like, mapping it off of Chapel roan. And we're like, great. Sounds done.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Like, that's just such a finished piece.

[Bowen Yang]

You check in on Tuesday or Monday or Tuesday with, like, the premise.

[Rosebud Baker]

Yeah.

[Bowen Yang]

With the update team.

[Rosebud Baker]

Yeah. And you come in and you're like, this is the thing. And then you go write it. Right. Other times, someone will come in and they're like, I want to do something that's kind of about this. And then we'll pitch on it and we'll help them and, like, write. And this is something that I actually didn't understand as a sketch writer. On the sketch writing side is if you go into Update and you're like, I have this idea for. For a feature. It's not completely done. You can sit down and pitch with them. They will give you a full, like, we'll give you, like, two to three pages of jokes. And I don't see it often. Get into the thing. Well, sometimes it does, but it's hard for people to understand that we're there for that.

[Bowen Yang]

Yeah.

[Rosebud Baker]

You know what I mean? Because you just. In your brain, it's two different things. Staff. So you feel like you're just kind of chucking it, like, just going back and forth. I've never said chucking it.

[Bowen Yang]

No, you're chucking.

[Rosebud Baker]

You're done chucking it.

[Matt Rogers]

Chucking it. Really work.

[Rosebud Baker]

You're chucking it.

[Matt Rogers]

Yeah, I'm sitting here chucking it.

[Rosebud Baker]

We were just checking it. And I feel like when I say things about snl, I forget. I lose my grasp on the same language.

[Bowen Yang]

I have no idea what words are.

[Rosebud Baker]

Yeah.

[Bowen Yang]

When people ask.

[Rosebud Baker]

And I also don't know what's safe to say. Like, I'll say things and then I'll immediately be like, well, that's it. You want to walk into the ocean cooked. Yeah, it's over. But. So we're chucking it. We're back to chucking it. And. And you just think, oh, that's not really. They're not really pitching. But we're totally pitching.

[Bowen Yang]

Yeah, you are.

[Rosebud Baker]

So there's that.

[Bowen Yang]

I. I honestly need to take advantage of that more.

[Rosebud Baker]

Whenever you want. Chuck it. Come chuck it.

[Matt Rogers]

Go chuck it. Just so everyone's clear, Bowen is wearing a jewel tone legging and a beautiful Christian bracelet. So I know he's a Christian. And when he talks about his Lent piece, that he was gonna.

[Bowen Yang]

Yes, I had a Lent piece.

[Rosebud Baker]

You can wear rhinestones on your vagina.

[Bowen Yang]

On her vagina.

[Rosebud Baker]

So angel serve Jesus.

[Bowen Yang]

I sold two, so these are flying off shelves.

[Matt Rogers]

There's only three.

[Rosebud Baker]

There's only three on Angel's wing.

[Bowen Yang]

Wait a minute. That's a tattoo.

[Matt Rogers]

I thought you were about to push it up. I thought you were gonna go on Update as, like, a QVC person.

[Bowen Yang]

Oh, that's fun.

[Rosebud Baker]

Oh, yeah.

[Matt Rogers]

Has anyone ever done that?

[Rosebud Baker]

Probably.

[Matt Rogers]

I mean. Yeah, probably in the 50 year history of SNL, me thinking no one's ever done it.

[Bowen Yang]

Kings David Ortiz will go and sell, like, his fake. His fake products.

[Matt Rogers]

I do love that.

[Bowen Yang]

Always a blast.

[Rosebud Baker]

Yes.

[Bowen Yang]

No. Basically, the character was a lent mascot named Lenny. He was in a friar's outfit, and he was, like, there to, like, whisper sweet nothings about giving up swearing and alcohol and then got up to sing a song. And then when he stood up, like, titty mags and cocaine and titty mags. And then. And then he would just be like, I. Like, I'm a monk who loves. Loves boobs.

[Rosebud Baker]

Okay. I love it.

[Bowen Yang]

It was very much in my voice as a boob lover.

[Rosebud Baker]

Yeah. Yeah. But anyway, did anyone pitch that you stand up and there is no robe on the road?

[Matt Rogers]

Yes.

[Bowen Yang]

Wait, someone did.

[Matt Rogers]

Picture.

[Rosebud Baker]

Okay.

[Bowen Yang]

See, I gotta chuck it with y'all.

[Rosebud Baker]

We gotta come chuck it.

[Matt Rogers]

We gotta go in there and chuck it. Okay, I'm gonna chuck it in a different way now. We're gonna ask you the central question of our podcast. This is the question. What was the culture that made you say culture was for you, Rosebud Baker? This is that thing, that hint that culturally it hinged. You.

[Rosebud Baker]

Okay. So I did think about this before I got here.

[Bowen Yang]

Thank you for that.

[Rosebud Baker]

Yeah, I did. I thought about it and. Because a lot of culture. I don't remember because I have blocked out most of my life. However, I believe that dance movies.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Center stage being the main one.

[Matt Rogers]

And congrats, Zoe Saldana on the Oscar.

[Rosebud Baker]

Yes. Because. Because Zoe Saldana putting a cigarette out with her pointe shoe sent shivers down my spine in a way where I was like, I can be cool and a girl.

[Bowen Yang]

Yeah.

[Rosebud Baker]

And like, I don't know. She's the one that got on the motorcycle, but she was in my mind.

[Matt Rogers]

Yeah, yeah, yeah.

[Rosebud Baker]

She was the one that got on the motorcycle with the. With the ballerina that. That drove the motorcycle.

[Matt Rogers]

Yes.

[Rosebud Baker]

And they had sex in his apartment with, like, floor to ceiling windows.

[Matt Rogers]

Oh, wow.

[Rosebud Baker]

They had the same windows as the friend's apartment.

[Matt Rogers]

Yeah. They did that, like, completely unattainable thing that some people in New York were living in film and television at that time.

[Bowen Yang]

Floor to ceiling windows. Yeah, totally.

[Rosebud Baker]

And I think that just made. That sort of turned me on in a way that, in a theater kid kind of a way, which I have been, I would say, closeted about for most of my life that I was a theater kid now, is that this.

[Bowen Yang]

Is why you and, like, Greta get along? Cause you can both meet each other.

[Rosebud Baker]

Theater kids from D.C. yeah.

[Matt Rogers]

Yeah.

[Bowen Yang]

Damn. That's the common thread.

[Rosebud Baker]

Yes.

[Bowen Yang]

Two of our greats.

[Rosebud Baker]

Mm.

[Matt Rogers]

Two of our greats that grew up.

[Rosebud Baker]

So it was like anything that was, like, based in New York City. Like, Rent, obviously. Musical. The Zoe Saldana putting out the cigarette with her point shot.

[Matt Rogers]

That image is very. It's formative.

[Rosebud Baker]

It's so. But I'm like, that was it.

[Matt Rogers]

Yeah.

[Rosebud Baker]

That was the moment where I was like, I'm fucking cool.

[Matt Rogers]

Yeah, yeah, yeah.

[Rosebud Baker]

I'm gonna go. I'm gonna go to New York, and I'm gonna be an artist in New York. Yeah. Oh, that's fun. And I was like.

[Matt Rogers]

And have edge, but also, like, be driven.

[Rosebud Baker]

Yes. I'm gonna have edge, but I'm gonna, like, eat cotton balls for punch to.

[Matt Rogers]

Starve myself or whatever soup would be too.

[Rosebud Baker]

Yes. Oh, I can't.

[Matt Rogers]

Yeah. No.

[Bowen Yang]

Dance movies as a genre have really fallen off. I just like, well, we need more of them. Like, the last big ones were like, step Up.

[Matt Rogers]

Do you want to know what I think? They sequelized them all too much. I think step up, 2, 3, 4, 5, 10. Not 1628. Once you dil, it just feels like.

[Rosebud Baker]

It'S a toy story.

[Matt Rogers]

Exactly. I mean, unless you're actually gonna, like, really make them different and change them. I feel like, honestly, they got over.

[Rosebud Baker]

Franchise also, I think that if you follow the arc of any dancer and their career is going to end way before five movies. You got it. You can't. Nobody wants to see a dancer after retirement.

[Matt Rogers]

Not only just because, I guess your body changes and gives, not gives up, but, like, is. Is not able to do that.

[Rosebud Baker]

Your body's washed.

[Matt Rogers]

Your body's washed.

[Rosebud Baker]

Your body's washed.

[Matt Rogers]

After two years in Vegas, hoofing it for Jay to the low, chucking it with JLo. And also, like, the lifestyle. Chucking with JLo. The lifestyle, I guess, also is like, we can't keep doing this.

[Rosebud Baker]

Yeah.

[Matt Rogers]

I can't. Wearing a flat rim hat and doing get right.

[Rosebud Baker]

No, you can't, you know.

[Matt Rogers]

Kill yourself.

[Rosebud Baker]

Yeah.

[Bowen Yang]

But I mean, like, where is our generation? This generation's like, flash dance, Showgirls, Dirty Dancing. Like, what Dance. Is that what you're talking about when you're talking.

[Rosebud Baker]

Yes, I'm talking about those dance. Where people were having, like, they were in high school and they were dancing up against each other. They were like. They were on teams. They were fighting each other with dance. It was like. It was our west side Story.

[Matt Rogers]

They Literally did West side Story. But I don't know what it was that it just didn't hit the culture because it was good. But the thing is, you know where those dance moments popped out, which they haven't really done in a few years, are those live musicals that they did, like the Grease live musical that they did on Fox. That was exactly what like Julianne Hough was like made to do. And I'm like, why isn't she the huge like old Hollywood star of these types of movies is? Cause they don't make them anymore.

[Rosebud Baker]

Yeah. I think that people have gotten to. This is just a theory, but I think we've gotten too invested in the villain running the story.

[Bowen Yang]

Like the antihero, the dark other side.

[Rosebud Baker]

Yeah, we all love the anti hero, you know, and I think we all sort of leaned into the anti hero with Tony Soprano and Breaking Bad and all these. And all of a sudden we were like a dancer who wants to make something of herself, you know, it just didn't. I think we all have just leaned too far into that. So much so that we. Oops. Made one. The President.

[Matt Rogers]

Right, right, right, right.

[Rosebud Baker]

I'm like, let's just get back to like fun dance movies.

[Matt Rogers]

Fun dance movies. I think that it actually speaks to like my. I don't think so, honey. From the other week, which was I need to see animated movies. Disney, whatever for kids. Where the villains die really bad deaths.

[Rosebud Baker]

Yes.

[Matt Rogers]

Because they used to do it all the time and they got afraid. Cause it's not just anti heroes that we're obsessed with. Also protagonists who are complicated. And the actual. The villain is what's inside. It's her insecurity. It's the fact that she has a weird identity she hasn't come to grips with. That's the villain of the story. It's like, no, give me a fucking one eyed total bitch coming in here. Who wants to kill tktk? It was puppies for Cruella de Vil. They would never do that.

[Bowen Yang]

They would never do that.

[Matt Rogers]

There would never be a woman dressed in the animal she killed anymore.

[Rosebud Baker]

Not for kids.

[Bowen Yang]

We've had too much. Like these are. If these are the three stories. Man versus nature, man versus man, man versus himself.

[Rosebud Baker]

Right.

[Bowen Yang]

We've had too much man versus himself.

[Rosebud Baker]

I'm over it with man versus himself.

[Matt Rogers]

No, we need to fear the villains of the world because they're out there.

[Rosebud Baker]

Man versus the algorithm.

[Matt Rogers]

That is the fourth one.

[Bowen Yang]

Yep. Picture yourself going for a drive. What comes to mind? Potholes, Lane splitting bikers, Sleepy truckers, Red Light run distracted pedestrians crossing where they shouldn't.

[Matt Rogers]

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[Bowen Yang]

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[Matt Rogers]

From forward collision avoidance assistant to blind spot view monitor, Our vehicles offer available features designed to help safeguard you and your loved ones.

[Bowen Yang]

You can change lanes with much more confidence thanks to the available blind spot view monitor which actually shows you a live video feed of your blind spot spots.

[Matt Rogers]

The standard forward collision avoidance assist can help prevent or mitigate accidents by alerting you of an imminent collision and automatically applying the brakes if you don't.

[Bowen Yang]

Hyundai vehicles are equipped with the standard driver attention warning system which constantly monitors your attention levels. Once detected, it sounds alerts and visual cues to help bring you back to focus on the road.

[Matt Rogers]

With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting you.

[Bowen Yang]

You learn more about hyundai@hyundai USA.com Call 562-314-4603 for complete details. This is the, this is the new dance movie that we're all gonna write.

[Matt Rogers]

It's.

[Bowen Yang]

It's the TikTok dance movie. It's people at a high school, they're all competing for TikTok dances or something, some bullshit like that. And then they find out the real villain is the algorithm or something.

[Matt Rogers]

Oh, I love that.

[Rosebud Baker]

Or the guy running the TikTok cult that they're in.

[Matt Rogers]

Yeah, but here's the thing. We need to reveal it. The movie that the algorithm actually is a person with one eye dressed in all dogs. He's a killer. Like, and we have to watch him be pushed into lava, get pushed into lava. But it's not enough. He's like coming out of the lava and like crocodiles who can swim in lava rip him apart. And we watch it.

[Rosebud Baker]

He. But first he comes out of the lava with the dog, with the dog costume. He's wearing a crocodile.

[Matt Rogers]

Exactly.

[Rosebud Baker]

He's got he's gaze in the mouth and he's like, guess what? I'm wearing this too.

[Matt Rogers]

It needs to be a 4 minute death scene like what we did to Mikey Madison and once upon a time in Hollywood. Like that. She didn't deserve that. Some of these villains deserve not. Well, actually she was in the Manson family. She did deserve, she did deserve that.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And she was, she was also a ghost face.

[Bowen Yang]

She Got stabbed in the eye and once.

[Matt Rogers]

Mikey Madison has burnt to death in two out of, I guess her three films.

[Bowen Yang]

Ghost Face and Once Upon a Time.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Can I be honest? Have. I did not watch all of Once Upon a Time. I do like certain scenes from it, but mainly I just remember Brad Pitt on a roof.

[Bowen Yang]

Right.

[Matt Rogers]

So.

[Rosebud Baker]

Because I take a photo of the screen in the movie theater, which was insane.

[Matt Rogers]

Yeah. The man looks good in a lot of positions.

[Rosebud Baker]

But I was alone in the movie theater. It's not okay. I was literally like, the movie theater.

[Matt Rogers]

My phone is out. I'm not watching. I should have come. Like, I'm telling you, like, it's for sure. Like, it's really bad. Sometimes I'll pick a movie that I know no one is going to be there for just so I can go to text and dark room.

[Rosebud Baker]

That's.

[Matt Rogers]

I don't know what that.

[Rosebud Baker]

You know, I used to do that when I was having a really bad day. I would get a kara karaoke room by myself.

[Matt Rogers]

Oh.

[Rosebud Baker]

And sang by myself.

[Bowen Yang]

That's amazing.

[Matt Rogers]

What were you chucking it on?

[Rosebud Baker]

Just chucking it to, like, the hardest ones, you know, just like trying to belt out a Whitney Houston.

[Matt Rogers]

Good.

[Rosebud Baker]

Just give it a shot.

[Matt Rogers]

So totally vocally push yourself. It wasn't a place where you could, like, you know, rap hard. It wasn't a place for like, whatever. It was about pushing yourself vocally.

[Rosebud Baker]

Yeah. Yes. It was like, I just want to. I don't feel my. My. My sponsor, my therapist. I'm like, there's a lot of. There's a team.

[Bowen Yang]

The Care team. There's a care team.

[Rosebud Baker]

Yeah. There's the Village. My. My therapist sponsor.

[Matt Rogers]

Yeah.

[Rosebud Baker]

He was like, you need to like, yell in a pillow every once in a while. That's good because I was telling him how much I related to Walton Goggins in this white lotus. And he was like, yeah, you should probably like, yell into a pillow about that. And. But like, I don't feel comfortable yelling into a pillow. Cause that's insane. So if I go into a karaoke booth by myself, myself. Also insane, but fun.

[Bowen Yang]

But no.

[Matt Rogers]

And also so much of why it exists.

[Bowen Yang]

Yeah. Have you ever booked one of those rooms? I think they still have them in New York where it's just like old printers and TVs. And then you have. You take a jackhammer and you just like. It's like you office space. It.

[Rosebud Baker]

I. Yeah. I've seen a lot of people do that and I wanted to do it so badly, but I was pregnant at the Time. And I was like, this is when I actually need this. And it's not safe.

[Bowen Yang]

And it's not safe now. If you would, like, let's all go.

[Rosebud Baker]

Let's do it.

[Bowen Yang]

I think all of SNL should go.

[Rosebud Baker]

Yes, yes.

[Bowen Yang]

That would be amazing. So much.

[Rosebud Baker]

Oh, my God, yes.

[Bowen Yang]

You know what I mean?

[Matt Rogers]

Maybe, like, while they go to the host dinner or something. Yeah, like, you guys just go skip out on a Tuesday. Just take an hour and a half to go, like, yes.

[Bowen Yang]

Like, truly hammer down on these things. It helps. It really does.

[Rosebud Baker]

It would almost like, I'll watch that story about Larry David, like, yelling at Dick Ebersol. I'll just watch that when I'm in a.

[Bowen Yang]

Just the story.

[Rosebud Baker]

Just the story. And I'll just, you know, of him just yelling and saying this and everybody watching, and then him storming out. And then I just like, stop it. I don't even watch the. How he showed back up on Monday. I'll just be like, yeah, good for you. You know, when I'm in a mood.

[Matt Rogers]

Totally. But it actually is a thing. I've never really thought about channeling my anger in that way. I know those rooms exist. It was, like, a couple weeks ago, I was working out, and the guy who trains me, we were doing this thing where, like, he would throw a ball to me and I would twist and throw the ball back, and I had to throw it as hard as I could.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And all of a sudden I was like, wow, this is, like, the best and most alive I felt. So literally yesterday in the shower. Do you know what I thought I was like, what if I just went and tried, like, boxing.

[Bowen Yang]

Oh.

[Matt Rogers]

Not with another person, just literally just, like, hitting a bag. Like, I actually think I could get into that because I didn't understand. And one of the things I've actually realized in my own therapy over the past few years, and I think we share this, is, like, actually how much anger I have about some things.

[Rosebud Baker]

Oh, my God.

[Matt Rogers]

And it's really very useful in, like, a. In, like a.

[Rosebud Baker]

The way what happened with your voice when you said. Really?

[Matt Rogers]

No.

[Rosebud Baker]

Really, really?

[Matt Rogers]

No, no, I'm telling you. Like, he even said something about it at the trainer. He was like, oh, wow, like, you have some aggression. And I was like, yeah, I think it's really becoming apparent right now. But I thought to myself, like, what if I could just go punch something in a productive way?

[Rosebud Baker]

But I do think it's a slippery slope. Boxing to MMA to Rogan.

[Matt Rogers]

You don't. You don't see me Going MMA Rogan, though.

[Rosebud Baker]

No, but I sometimes I wonder if they. If the two literally are. If it's unavoidable.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Like, no matter who you are starting out, I worry.

[Matt Rogers]

Yeah.

[Bowen Yang]

Yeah.

[Matt Rogers]

If one day we'll all end up at just different. Different eras at mma.

[Rosebud Baker]

It'd be so funny if you started boxing and within a year, you were, like, straight.

[Matt Rogers]

Was like, living in. Living in Austin. Twirling as a slur. Twirling it. It went from hey, mama in the park to you're a faggot in a real way. Living in Austin.

[Bowen Yang]

Listen, anything possible spinning on his head?

[Rosebud Baker]

Why is that the way that I think that's the most masculine thing, which it is.

[Bowen Yang]

We're not disagreeing with you.

[Rosebud Baker]

What is wrong with me? Spin on it.

[Matt Rogers]

Yeah.

[Rosebud Baker]

I'm really into, like. I think it's Zoe Saldana that did it. Yeah.

[Bowen Yang]

So then when you move to New York, did that feeling wash over you of, like, I'm Zoe?

[Rosebud Baker]

It definitely washed.

[Matt Rogers]

Like it does for all of us.

[Rosebud Baker]

At some point, obviously. At some point, I was like, I am Zoe.

[Matt Rogers]

Yeah.

[Rosebud Baker]

But more so than I was like, an amalgamation of these characters where it's like. Which is hilarious because I was just, like, 20 with a drinking problem, but I did feel like I was like, I'm a little bit rent. I'm a little bit center Stage. I'm a little bit Sex in the City. I'm a little bit friends. I thought it was all of those things.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And truth be told, I was none of those things. I lived in a railroad in Greenpoint, the worst part of Greenpoint with my ex and his metal band.

[Matt Rogers]

Oh, boy. So they were actually living there.

[Rosebud Baker]

They were living there rehearsing.

[Matt Rogers]

There.

[Rosebud Baker]

They were rehearsing. They were. Yeah. It was. It was tough. I. Because I do hate. I hated their music, but I do hate metal in general, but I hated their music.

[Matt Rogers]

And were you honest about that?

[Rosebud Baker]

I. I wasn't. Because I. Truth be told, it was that or rehab. So I was like, I have to. I'm like, he. He, like, promised my family he would take care of me because I. I was supposed to go to rehab, and I sort of like, did I Bamboozled.

[Bowen Yang]

Wow.

[Rosebud Baker]

And worth it? Yeah. No, I. I definitely took my parents money, and I was. I told them I would buy a ticket to D.C. to go to rehab, and instead I stopped off in New York and I got off the plane and I moved. I moved it. And his metal.

[Bowen Yang]

I didn't know this about you. That is. That is the Rosebud. Baker story.

[Rosebud Baker]

So insane.

[Matt Rogers]

Very Zoe.

[Bowen Yang]

Very Zoey.

[Rosebud Baker]

Very Zoe.

[Matt Rogers]

Literally the energy of ballerina. Slippery, Very Zoe.

[Rosebud Baker]

But bloated and alcoholic and had not moved a muscle in terms of dance.

[Matt Rogers]

Oh, my God.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Everybody who moves to New York, it doesn't matter who you are. There's some piece of media and whatever. I'm not saying anything new, but that, like, you just are fantasizing about and.

[Matt Rogers]

You think you're living. Yeah.

[Bowen Yang]

For guys, it's like, I don't know, Taxi Driver or something. Maybe. I don't know.

[Rosebud Baker]

I will say that is. That is a theater guy. That is a theater, straight guys version of a New York City life.

[Bowen Yang]

Right. And then for, like, women and gay guys, it's sex in the city.

[Matt Rogers]

Sex in the city.

[Rosebud Baker]

Yes.

[Matt Rogers]

But then, so girls hit when we were, like, at the end of college, like, slash. Getting out of college, and we were like, oh, wow. This is like the literal version of what it is.

[Rosebud Baker]

Yes.

[Bowen Yang]

The Green Point Metal band is very girls.

[Matt Rogers]

Very girls.

[Rosebud Baker]

I was actually Hannah.

[Bowen Yang]

You were?

[Matt Rogers]

Yeah.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Wow.

[Rosebud Baker]

I was Hannah. Having terrible sex in an apartment with a boyfriend that was building things. Things.

[Matt Rogers]

Yeah.

[Rosebud Baker]

For no reason. I'm like, there's nothing to be built. It's a rental.

[Matt Rogers]

I can't get over that Adam Driver went from playing the weirdest boy in Brooklyn to Kylo Ren.

[Rosebud Baker]

And you know what's even weirder is that he was hotter to me as the weirdest one. Sure.

[Bowen Yang]

Of course.

[Matt Rogers]

Thousand percent. I think that that was the. That was honestly one of the top three things that made that show successful.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Was the debate. Yeah. Yes. Just how reasonable it was that this was the hottest guy all around.

[Rosebud Baker]

All you wanted was for them to end up together.

[Matt Rogers]

Weird.

[Rosebud Baker]

Do I have, like, lipstick, like, caking?

[Bowen Yang]

Nope.

[Rosebud Baker]

Okay.

[Bowen Yang]

You look perfect.

[Matt Rogers]

But what is it lately about I feel the same way. My lips have been, like. I'm so conscious of my lips lately.

[Rosebud Baker]

I know. Cause if gross lip is really something that you live with, like, there's not worse. It's bad worse.

[Matt Rogers]

No, gross lip is worse than bad breath. It's rule of culture number 19.

[Bowen Yang]

Gross lip is worse than a bad breath. Yeah, I guess so. Mine just chaps the same spot, and I peel from the same spot constantly.

[Matt Rogers]

Mine gets mealy in the corners. I'm really sorry. That was, like, so disgusting. I. I feel the need to, like, turn to everyone here and say, I'm so sorry.

[Rosebud Baker]

No, I'm glad you said it because that's what I'm worried about right now.

[Matt Rogers]

I wasn't thinking about it until you said it, and now I'm self conscious about it. But let's just live in this together.

[Rosebud Baker]

And if you have Matt, like, Matt Mac lipstick is like, it's great for stage or whatever, but it does. It just cakes.

[Bowen Yang]

It clumps.

[Rosebud Baker]

You're like, oh, damn, I don't want to have a cake on my lip. Anyway, we were talking about Adam Driver being hot.

[Matt Rogers]

Well, I mean. And also, it's funny that you say they were having bad sex, because I remember this must have just been my. My experience at the time. But I was like, is what they're doing really hot? Because remember when he. Because he dated, started dating Sherry Appleby in the show, and then he, like, made her crawl around on the floor and he, like, came on her tits and she was like, I don't like this.

[Rosebud Baker]

Yes.

[Matt Rogers]

And I was like, oh, he has that weird sex that he loves with Hannah.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And I hadn't even. I guess that was like, why the show was so weird.

[Bowen Yang]

You needed the character to point out that it was. Label it as weird.

[Matt Rogers]

No, it was just like, it was. I guess what I was latching onto was I was like, there's really different modes of this. There's no such thing as, like, good sex and bad sex. It's like your sex is your sex. And this guy, his weird stuff, like, works for her. Like, I was never worried for her.

[Rosebud Baker]

Right.

[Matt Rogers]

It just seemed like she was in position where they were figuring it out sexually. But I was never worried for Hannah.

[Rosebud Baker]

Right. No. Ever. I felt like it was. It was odd to me because I was like, oh, this is a guy who genuinely loves her, wants to care for her, want, like, just loves her.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And for some reason, it's like, sexually, he's like, into this shit, you know? And she kind of always seemed a little bit like. I guess.

[Matt Rogers]

Yeah, you're right. And that was very early twenties of it. Yeah.

[Rosebud Baker]

Because I always felt like Hannah was going, like, sure. I. You know, it was always. She literally would, like, shrug her shoulders as consent, and then they'd be like, yeah, cool. But it was that. I mean, that's why I. I gotta say, like, when I was watching Girls, and then I think it was like, me too. A few years after that.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And I was, like, rewatching it and I was like, well, this is half of my sexual experience.

[Matt Rogers]

Right.

[Rosebud Baker]

As, like. Like, as just a person that grew up when I did.

[Matt Rogers]

Yeah.

[Rosebud Baker]

So I'm like, so does everything. I literally called my therapist. I was like, I actually just don't have the bandwidth for this.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Said that, or you said, no, I said that. I was like, I don't have the bandwidth to break all this down. I'm just going to kind of push this down. And he was like, okay, wow.

[Matt Rogers]

It's like, what were we okay with? And what were we just like, oh, I guess this is what sex is. Like, I'll. I'll submit to whatever this is, despite the fact that, like. Because I guess what it was for me is it was. I was like, well, this person that I'm having sex with can't have, like. Like, a real relationship with sex in a way. I don't like a proclivity towards this thing he wants to do. I guess we're just both figuring out, and it must be fine.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And then. Yeah. Wow.

[Rosebud Baker]

I'm like, sometimes you meet somebody and you're like, well, I was never into this before, but I guess I kind of am with you. Like, you don't. You never know. And then you're like, it's just. It's sort of a mystery that I'm gonna leave unsolved. Yeah.

[Matt Rogers]

Yeah.

[Bowen Yang]

You know, but, like, that show kind of portrayed it in a way that I. I think we probably hadn't seen before.

[Rosebud Baker]

Absolutely.

[Bowen Yang]

You know what I mean?

[Rosebud Baker]

Absolutely.

[Bowen Yang]

In a serialized way. Like, oh, you can track, like, the sex that Adam was having with this character is not the same as the sex he was having with Hannah. And therefore, that is. Yes, this weird.

[Rosebud Baker]

Sort of questionable. Yeah, whatever.

[Bowen Yang]

They definitely didn't do that in Sex in the City. It was always, like, fun.

[Rosebud Baker]

I know. The sex scenes in Sex and City, when you rewatch them back, you're like, no, it's like, that's.

[Matt Rogers]

That he. That's not even that. It doesn't even look right. No, it wasn't even staged. Like, all this Samantha stuff is just like.

[Rosebud Baker]

Yeah.

[Matt Rogers]

I don't know. What I loved about girls was, like, it never made an attempt almost ever.

[Bowen Yang]

To make it look.

[Matt Rogers]

To make sex look hot or good.

[Rosebud Baker]

Yes.

[Matt Rogers]

It was always weird.

[Rosebud Baker]

It was always absurd, odd, and clanky.

[Bowen Yang]

Yeah.

[Matt Rogers]

And like. And, like, that was the whole thing with Adam and Jessa, too. Right. Like, the first time they fucked, it was terrible. And they were so positive it would be good.

[Rosebud Baker]

Right.

[Matt Rogers]

And then it eventually does get good and they get on the same page. But, like, those two characters having bad sex was so. It was such a moment in that show.

[Rosebud Baker]

Yeah.

[Bowen Yang]

They were chucking it.

[Rosebud Baker]

Yeah, they were really chucking it back at the time.

[Matt Rogers]

Chucking it is title event. That's What? It is chucking it. It's not. Hey, mama.

[Bowen Yang]

Chucking it.

[Matt Rogers]

It could be chucking it with mama.

[Rosebud Baker]

Chucking it with mama.

[Matt Rogers]

Chucking it with Mama might.

[Bowen Yang]

That's the winner.

[Rosebud Baker]

Yeah.

[Matt Rogers]

People are gonna be like, what's this gonna be?

[Rosebud Baker]

They're chucking it.

[Matt Rogers]

They're chucking it.

[Rosebud Baker]

We're gonna find out. We're chucking it. We're clanking it. I think I said clanking a second ago. Yeah.

[Matt Rogers]

Yeah.

[Rosebud Baker]

When I was talking about the sex in girls, I said clanking.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Which it does actually work.

[Bowen Yang]

It's clanking.

[Matt Rogers]

Yeah.

[Bowen Yang]

It's very Judy Garland. Meet me in St. Louis.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Clang, clang, clang, clang, clang, clang.

[Matt Rogers]

Wait.

[Rosebud Baker]

Scarecrow meets Tin Man. Yeah.

[Matt Rogers]

Imagine if they. It'd be terrible.

[Bowen Yang]

I would watch.

[Matt Rogers]

I would watch the Scarecrow and the Tin Man.

[Rosebud Baker]

I Google it. It.

[Matt Rogers]

Yeah. I want to click the link. I'll click. I'd click the link.

[Bowen Yang]

Whenever.

[Matt Rogers]

Whenever he sees two hot guys in a picture together, he goes. I'd click the link.

[Bowen Yang]

Actually, that's really.

[Matt Rogers]

That is so this. Oh, God.

[Rosebud Baker]

I click the link.

[Matt Rogers]

I click the link. He said, it's about me. A picture of me and someone else. The other day, I was like, not you clicking my link.

[Rosebud Baker]

Not me. Responding to a picture of the baby with that later today.

[Matt Rogers]

Click the link. Oh, my God.

[Rosebud Baker]

No, that's not how you do it.

[Matt Rogers]

I was watching Denise Richards has a new reality show on Bravo. It's like, Denise Richards, like, not on Housewives, but. And she was talking about, like, her daughter joined only fans.

[Rosebud Baker]

Yeah.

[Matt Rogers]

She kind of couldn't really say anything because, like, she had Hollywood and was doing, like, wild things, etc.

[Rosebud Baker]

And they have brought it up.

[Matt Rogers]

Right. And so. Yes. And so. But now on the show, it's like, they're explaining it more. And the daughter, Sammy, was like, well, it would have been fine had you not joined right after. Because Denise was like, well, then I joined OnlyFans because I didn't want my daughter doing it alone. Like, I wanted her to feel, like, empowered.

[Rosebud Baker]

Denise. Okay.

[Matt Rogers]

And then. And then the daughter was like, do you know how embarrassing it is for me to have to explain to my friends, like, why you're on OnlyFans? And it's just so funny that culturally that's where we're at. Like, mom, I do porn. Porn is my thing.

[Rosebud Baker]

Let me do porn by myself.

[Matt Rogers]

Mom, why do you always have to do porn after me?

[Rosebud Baker]

I know I was doing porn for.

[Matt Rogers]

Years before you, but I understand why you're Upset. Honey.

[Rosebud Baker]

Okay, I do need to watch this show.

[Matt Rogers]

It's. I actually, I texted all of them.

[Bowen Yang]

I was like, you told me you.

[Matt Rogers]

Just want to say, clink, clink, clink. I just want to knock on the door and say, denise Richards is giving something on the show. You click the link. You click the link on Peacock.

[Rosebud Baker]

I click the link.

[Matt Rogers]

Yeah.

[Bowen Yang]

Rosemat. Any housewives thoughts you want to get off your chest?

[Matt Rogers]

Yeah. What's up?

[Rosebud Baker]

I have so many. I have so many. I feel like I'm really. I've never loved Sutton. I'll be honest.

[Matt Rogers]

We're having a hard time.

[Bowen Yang]

We're having. But you're loving her.

[Rosebud Baker]

I've. No, no, no. I've never loved her.

[Bowen Yang]

Yeah.

[Rosebud Baker]

But now I am like, you are an evil, evil person.

[Matt Rogers]

She's the villain.

[Bowen Yang]

At the very least, she's just broken. You know what I mean?

[Rosebud Baker]

Okay.

[Bowen Yang]

Generous, but, yes, I've said evil, too, in the past.

[Rosebud Baker]

Yes. I just. Watching her sit across from Dorit and do this.

[Matt Rogers]

Oh, the wallet thing really bothered me.

[Rosebud Baker]

Like, with the eyes, I was like, calm down. You look like Ramona.

[Matt Rogers]

Yeah, it was. It was giving Ramona face. Also, if the insult was about, like, wealth in a way that was, like, trackable or actually funny, that would be one thing. But it's like, you need to fight with someone whose wallet fits. It's like, well, a wallet doesn't fit.

[Bowen Yang]

The premise has to be true.

[Rosebud Baker]

Yeah, the premise has to be true.

[Matt Rogers]

And I'm just like. And then, like, it was so easy to dunk on her because the rest of the women were just like. Like Kyle said in the after show, she was like, well, then we have to talk about where you actually got your money, which is from a divorce.

[Rosebud Baker]

Right.

[Matt Rogers]

Period.

[Rosebud Baker]

Thank you.

[Matt Rogers]

Like, so that's just it. And I was like, do you feel this backed into a corner, or are you just that mean?

[Rosebud Baker]

Because I think she is that mean. Yeah, I think she is that mean because she's never been backed into a corner once that I've seen. I'm like, except somebody maybe said something about her drinking, but it's like, hello, that's the job.

[Bowen Yang]

Yeah.

[Matt Rogers]

But also, she. She. There. There were things to say about her drinking.

[Rosebud Baker]

Yeah.

[Matt Rogers]

I remember the show one time, like, they saw. They showed her pouring, like, a huge cocktail in the middle of the day, and on the bottom handle of the corner, bottom thing, it said 11:45am yeah, it was like the show was it out.

[Rosebud Baker]

You're like, okay, well, maybe don't do that on camera. Yeah.

[Matt Rogers]

Or. Or if you're going. Yeah, exactly. If you're going to do it on camera, expect that one of your castmates, whose job it is to say something like this.

[Rosebud Baker]

Right.

[Matt Rogers]

May say something like.

[Rosebud Baker]

And the whole show, the whole premise of the show and the lot. And this is why the logic of it gets so depressing, if you really, like, start to think about it.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Is like, you are putting your life out there.

[Bowen Yang]

Yes.

[Rosebud Baker]

And you're going to get torn apart. And that's kind of what we do with Housewives. It's fun to do. We feel better about ourselves.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And it's fudged up, but, yeah. It's sort of the last, like, dark, disgusting habit, I think, of, like, this part of culture where it's like. It's. Listen, let's enjoy it while it lasts.

[Matt Rogers]

It's WWF for women and gays.

[Bowen Yang]

Yes, absolutely.

[Rosebud Baker]

100%.

[Bowen Yang]

And I will say when I did, because I have publicly spoken against Bronwyn on Salt Lake. And I met her finally at the SAG Awards, and then we had this lovely moment and I explained myself and I apologized for all these terrible things that I had said.

[Rosebud Baker]

Yeah.

[Bowen Yang]

I said, you are ultimately a fantastic mother. She, like, shows up to all these rallies where she's supporting her trans kids, and then. And then she goes, bowen, I can take it. This is what I signed up for. I love you no matter what you say. And I'm like, oh, that's actually such a transcendent attitude about it.

[Rosebud Baker]

That's what I love about Bronwyn. That is what I love about her. I kind of. That was the vibe, at least. I was like. I feel like it's the same vibe off camera.

[Matt Rogers]

Yeah.

[Rosebud Baker]

You know, whereas Sutton, it's. I'm getting. It's Dr. Jekyll.

[Bowen Yang]

I was just gonna say yes.

[Rosebud Baker]

You know, Jekyll Hyde, for sure. I feel like Dorit. I'm really loving Dorit this season. I'm. I'm loving her kind of, like snapping back and getting mad and just. I'm just enjoying that.

[Matt Rogers]

Yeah. It's because it's real. It's real. That's ultimately what it is, is like the authenticity is kind of. It's like she does. She has no more fucks to give because it's kind of like, you know, this. This job now, the Housewives, is now, like, you know, she doesn't have to, like, think about, like, what her husband's gonna think or, like, pretend at all. She's like, oh, this is the place where I can be my most authentic now. It's not. But I don't have to wait to fight with my husband behind closed doors. Okay, great. Then I'll just say what I feel.

[Rosebud Baker]

Yeah. And she'll be like, hey, little peanut. Anyway, she's a cunt.

[Bowen Yang]

Yes.

[Rosebud Baker]

Like, I love that she's, like. She's, like a good mom. She's sweet to her kids. I love the way she talks to her children. I was never talked to like that. I mean, my mom was, like, very sweet and loving and kind, but she didn't call us, like, little peanuts and, like, the little nicknames that. Jackie. Yes. Yes, Jackie. Yes. He just has, like, the cutest little Nick nicknames for them. And I just think that's really sweet. But, I mean, who knows? They'll probably grow up to a resenter for it. It's a.

[Matt Rogers]

Well, I mean, if it's not that, it's definitely the show at large. Oh, you. Oh, I was a television star at what age? And I didn't know.

[Rosebud Baker]

Yeah.

[Matt Rogers]

That.

[Rosebud Baker]

Did you guys watch Potomac?

[Bowen Yang]

Yes.

[Matt Rogers]

Stacy rushes his everything.

[Bowen Yang]

Rushes my.

[Rosebud Baker]

Everything's so funny.

[Bowen Yang]

And I want to say I believe her.

[Rosebud Baker]

I believe her, too.

[Bowen Yang]

Really?

[Rosebud Baker]

Yes.

[Bowen Yang]

Thank you for saying this.

[Rosebud Baker]

I believe her because I.

[Bowen Yang]

Because TJ has clearly shown himself to be, like, a bad.

[Rosebud Baker]

Yeah. Why would I believe this man?

[Bowen Yang]

Why would you believe him?

[Rosebud Baker]

What. What about him even read as even a teensy bit believable.

[Matt Rogers]

Right.

[Bowen Yang]

And I believe that she's, like, heartbroken over the fact that, like, this guy who, whatever it means to her or to us. Her best friend.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Would then betray her and go on and, like. And, like, tell the man, like, oh, she was paying me to be her boyfriend the whole time. Like, that would be a heartbreaking thing. And she would not know how to. She. She was probably in shock in that moment and did not know how to, like, explain that because it's such a hurtful thing.

[Rosebud Baker]

No. I feel like the way that she handled it, I was like, you guys are just making her look more innocent.

[Bowen Yang]

Yeah. And still I rise.

[Matt Rogers]

And still I rise was a moment in culture history. But I will also say I think it's somewhere in the middle. I think she did not offer to pay him, but it was fake and arranged.

[Bowen Yang]

Sure.

[Matt Rogers]

I think the whole thing was fake and staged. Whether or not, like, they made an agreement that money would change hands, I can understand why you guys think that's definitely didn't happen. But I do think that they either did not know each other. I don't even believe that they were best friends. I believe that he was Flown in because he was wanting to do it. He probably was two faced to her as well. I just don't believe it was real.

[Bowen Yang]

I just think once the show was out, he could not handle the humiliation of people being like, well, he's clearly forgot the others, whatever.

[Matt Rogers]

Just for the streets and for the guys.

[Bowen Yang]

And so he probably needed to retaliate in some way, which is to embarrass her.

[Rosebud Baker]

Right. And. And he did it in a very. May I say, please. Homosexual way.

[Matt Rogers]

Yes. By calling into the reunion.

[Rosebud Baker]

By calling into the reunion and being like, run me my money.

[Matt Rogers]

Yeah, yeah, yeah, yeah.

[Rosebud Baker]

It's like, okay, now you're just stirring the pot, right?

[Matt Rogers]

It felt like a flavor I recognized.

[Rosebud Baker]

Yeah. He was dropping tea. He's dropping more tea.

[Bowen Yang]

Exactly.

[Matt Rogers]

He was. He was chucking it.

[Rosebud Baker]

Yeah, he was chucking it.

[Matt Rogers]

He actually chucked it into the reunion. And then when Eddie. Eddie got first chair, I was like, thank God.

[Bowen Yang]

Thank God. I love Eddie.

[Matt Rogers]

Eddie's hot. And Wendy had an amazing reunion.

[Bowen Yang]

Yes.

[Matt Rogers]

Yeah. Yeah.

[Rosebud Baker]

Oh, yes. Yes, she did. What do you guys think of. I don't know why. Her name's Mia. Thank you.

[Matt Rogers]

Gotta go.

[Rosebud Baker]

Right.

[Matt Rogers]

It's time.

[Bowen Yang]

It's curtains.

[Rosebud Baker]

It's gotta go. It's. We're done.

[Matt Rogers]

I think she probably is because the thing is, like, you can't really just. I mean, she literally just left. And I know Andy hates that.

[Bowen Yang]

Yeah, right. Like in. In a. In a punitive, like, way, like, I think so.

[Matt Rogers]

I also think if. If it wasn't that that storyline is like circulatory now and has run its course. And also I do think we've seen all of her tricks in terms of, like, funny things she can say, do, et cetera.

[Rosebud Baker]

Yeah.

[Matt Rogers]

I think we can lose Mia. And. And also I think.

[Rosebud Baker]

I think she's just like a straight up villain.

[Bowen Yang]

Yeah.

[Rosebud Baker]

Like, I think it's. You see the good sides of every housewife and you love the good sides of them as well. With Mia, it's just getting harder and harder to understand. Like, where's the.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Where's the side of you that's really. I mean, walking off for her kids? If. If I were to believe that that was. I think it was partly why she walked off. I believe that. But like, walking off was like maybe the most redeemable thing she did where I'm like, okay, yeah, stand up for. Get out of there if you're not. But the problem is I've seen so much of her behavior is like, sort of mean spirited or manipulative that now it's hard for me to believe that when she does something redeemable, it actually is for the right reasons. Sorry to use ABC language.

[Bowen Yang]

No, no, no. But bachelor language. She. Yeah, her walking off is a redeemable thing, but she still walks off. At the end of the day, she still is pulling away from the whole thing in a way that you're like, well, then you don't. Then you can't. Then you shouldn't be here.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And you're in that position because you did this to your children.

[Rosebud Baker]

Right.

[Matt Rogers]

Like, it's like, yeah, sure, you're walking off because. Not my kids, but. But it's like, we wouldn't have a not my kid situation had you not broken the news of the divorce to.

[Bowen Yang]

The kids on the. On camera.

[Matt Rogers]

Yeah. It just doesn't really math for that to be the thing that's like. Like as if Giselle had crossed the line. And trust me, like, I don't have love for Gisele Bryant, but my thing is, like, she's. She's expressing her. Her views on it, which were a lot of the viewers, you know, positions, which was. We can't really believe you went.

[Rosebud Baker]

I'm gonna say I kind of do. Like Giselle.

[Bowen Yang]

That's okay.

[Matt Rogers]

And that's a. That's an opinion.

[Bowen Yang]

Please.

[Rosebud Baker]

She's such. And that. And that. And that's an opinion. And we're just chucking it.

[Bowen Yang]

We're just chucking it.

[Matt Rogers]

Chucking it around.

[Rosebud Baker]

I'll chuck it. With Giselle, I would. Here's the thing. I think she is. She's a Debbie Downer for sure, But I do relate.

[Bowen Yang]

Yeah, Giselle.

[Rosebud Baker]

Yes. As a Debbie Downer, I. I do relate. My problem with Giselle is when she stirs the pot for no reason. And that's.

[Matt Rogers]

No, that's the thing is, I don't think. She's not a compelling person. Like, I actually think she soars when she's, like, dealing with something personal or with her family, et cetera. Like that. Or when she, like. Like, I thought that.

[Rosebud Baker]

So psychotic to throw them out of that.

[Matt Rogers]

Oh, so crazy. Yeah.

[Bowen Yang]

I mean, they got there.

[Matt Rogers]

I feel like when she seemed genuinely concerned for Karen, I was like, this is the kind of thing that, like, you know, not everyone can do on television. Like, I do think, think, like. And she wouldn't be on television for the song if there wasn't a lot there. It's the very transparent producing that I don't like, and I don't like it when anyone does.

[Rosebud Baker]

Yeah, she does do that. She does do that a lot.

[Bowen Yang]

And the Karen stuff, I do feel.

[Rosebud Baker]

Like Giselle probably produces a lot in her own life, though.

[Matt Rogers]

Like, that's interesting.

[Rosebud Baker]

I'm like, you're a producer in general.

[Matt Rogers]

Yeah.

[Bowen Yang]

Because her life is kind of like a reality show anyway. Like. Yeah, with what's his face.

[Matt Rogers]

Oh, Jamal.

[Bowen Yang]

Bryan.

[Rosebud Baker]

Yeah, yeah, the guy.

[Bowen Yang]

The guy. Soapy, soapy, soapy.

[Rosebud Baker]

Yeah. I don't know. I'm. I've gotten really into Beverly Hills this year and I. And I did enjoy Potomac. I kind of dipped off at the end, but I didn't tune in for the reunion.

[Bowen Yang]

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[Matt Rogers]

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[Matt Rogers]

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[Bowen Yang]

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[Matt Rogers]

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[Bowen Yang]

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[Matt Rogers]

With available class exclusive safety features, Hyundai lets you enjoy the journey with confidence, knowing that your car is working hard to help avoid the dangers of the road from getting you.

[Bowen Yang]

Learn more about [e-mail] Call 562-314-4603 for complete details.

[Matt Rogers]

Atlanta had a really good premiere episode.

[Rosebud Baker]

I heard.

[Matt Rogers]

I know. I gotta watch it. I will say this. You know what I'll do it for. I don't think so, honey. Okay. Yeah, yeah, yeah.

[Bowen Yang]

Perfect.

[Matt Rogers]

It might be time.

[Bowen Yang]

Yeah, it's time for. I don't think so, Honey. This is our one minute segment where we rail against something in culture. Yes, Rose pets, a vet.

[Matt Rogers]

Wait, mine is gonna be controversial.

[Bowen Yang]

Okay, Controversial. You dropped mine.

[Rosebud Baker]

Wait, so is mine.

[Matt Rogers]

Yeah. Because mine is housewives related and it's gonna be controversial because I don't.

[Rosebud Baker]

I'm so excited.

[Matt Rogers]

And it might get me a little bit in trouble, but I'm gonna do it anyway.

[Bowen Yang]

Okay.

[Matt Rogers]

Yeah. Okay.

[Bowen Yang]

This is Matt Rogers. I don't think so, honey. His time starts now.

[Matt Rogers]

I don't think so, honey. Hating on Portia Williams for the. For the stealing the man thing. I feel like we don't know what happened. And I feel like the thing with Portia is I believe that she is a bleeding heart, and I believe that she is really susceptible to men and their manipulation. And that is not. It's. Sure, it's a character flaw, but it's not an evil thing about her. I think when they. When people are like, she's a homewrecker, fuck her. I don't I the homewrecker label because I think it. It sort of gets across like an evil person that wants to ruin lives. I do not think that's who Portia Williams is. I think that she was in a situation where, sure, she had met a woman's husband on television and then they got divorced. I think a lot can actually happen in 18 days. Maybe you're not a manic Pisces at home, but I can tell you a lot can happen in two or three days. I've been in situations I didn't want to be in, but my feelings in my heart were telling me one thing, and I think it can help happen when you are Portia Williams or Matt Rogers. And if you are, give us our identities back. But I don't think so, honey. Condemning her for this thing, which obviously didn't work out. She's also paying for it now. I don't think so, honey. This attitude.

[Bowen Yang]

And that's one minute lovely.

[Matt Rogers]

That's how I feel like. I feel like. Of course, when I heard that Portia had gotten with Simon Gobadia, who's fallen Gobaria's ex husband, like that, soon after, I was like, wow, that sounds like a really weird situation, but I just don't like it when people are like, fuck her. Homewrecker, et cetera. There must have been cheating, et cetera. It's like, you don't know. A lot could have happened in that two and a half weeks afterwards. And matters of the heart are complicated.

[Rosebud Baker]

I got engaged in three days during the pandemic.

[Matt Rogers]

There you go. That's what I'm saying.

[Rosebud Baker]

That I. Some of us cannot sit home alone. Yes, yes.

[Bowen Yang]

Love that.

[Matt Rogers]

It was really that. That short.

[Rosebud Baker]

It was three days.

[Bowen Yang]

The engagement was three days.

[Rosebud Baker]

No, no, no. We got engaged within three days.

[Matt Rogers]

Wow.

[Rosebud Baker]

Like, pandemic lockdown started three days later.

[Matt Rogers]

That's just what I'm saying.

[Bowen Yang]

That's great. Know she's a villain if she shows up on the show with one eye and she wears a cape made of dogs and someone pushes her into the lava.

[Matt Rogers]

Yeah. In this world where villains look like villains from now on.

[Rosebud Baker]

Please, please, One eyed.

[Matt Rogers]

My thing is, like, there's real villains out there. One of them is president. Let's not. Let's not waste energy on Portia Williams. Let her ruin her own life. She's gonna do it.

[Rosebud Baker]

It's episode one, too.

[Matt Rogers]

I am saying it had an amazing premiere, and Shamina Morton is now, like, the center of show. And I didn't know that she really could carry that center, but I said kudos to them for making that swing because it paid off. It's. She's. I didn't realize that she had all.

[Bowen Yang]

Of that going on.

[Rosebud Baker]

Yeah.

[Matt Rogers]

But she's gonna be really fun to watch.

[Bowen Yang]

I can't wait. I need to watch it too. You're doing a Housewives one too?

[Rosebud Baker]

Yes. No, I'm not doing Housewives.

[Matt Rogers]

Okay, so you'll go next?

[Bowen Yang]

I'll do. I'll do one anyway, because I actually, I have an idea now.

[Matt Rogers]

Okay, good. This is Bowen Yang's. I don't think so, honey. Is time starts now.

[Bowen Yang]

I don't think so, honey. Ashley Darby. Because you know who might have also paid for her significant other? Ashley Darby. Who is that guy? Who is that guy? And she can't even take a joke about how he does look like Jack Harlow. And even if he doesn't, Wendy still made a fun joke. The premise has to be true. The premise is he looks like Jack. Jack. What's a Jack Harlow? And I mean, Ashley Darby. The nonsense you pulled this season.

[Matt Rogers]

You.

[Bowen Yang]

You receded so far into the background this season that I forgot you were even on the damn show. You didn't deserve to sit that close to Andy at the reunion. And you should have owned up to the lies you did spread about Eddie, because even though you did not come from you, you helped bring it to a national platform on the show, and you need to take some accountability for that. I've never found you funny. Never found you cute. You look good in drag, I guess.

[Matt Rogers]

As a man, but otherwise.

[Bowen Yang]

Guys, I don't care for your antics anymore, if you can even call it that. Congratulations on your divorce being finalized. But even that situation is very telling about the kind of person you are.

[Matt Rogers]

And that's one minute. Also, the one thing you missed, the kissing with Jacqueline. Kill me.

[Rosebud Baker]

Oh, my God. Kill me.

[Matt Rogers]

It was so stupid. It was so dumb and fake and staged. I was like Tell me the best desperate people in the world without telling me.

[Rosebud Baker]

Yes. The way she walks and she's like, so. Like, I've never seen you two talk.

[Matt Rogers]

No, never. And I also. The absence of attraction to each other.

[Bowen Yang]

Truly.

[Matt Rogers]

You know what?

[Bowen Yang]

That.

[Matt Rogers]

What that was giving was Ashley knowing she had no storyline and that the Jack Harlow thing is, like, not real.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And also Jacqueline being, like, something that's not mia. Yes, I'll do it.

[Rosebud Baker]

What do you want to do? Kiss? We should.

[Matt Rogers]

And then Ashley being like, no, we don't need a flop. Like. Yeah, totally, totally, totally.

[Rosebud Baker]

Yeah, totally. I was. Anyway, I'm busy getting ready.

[Matt Rogers]

Yeah. Just think about being a human and, like, walking into that thing with the camera on you and having that stupid interaction. I was.

[Bowen Yang]

I was like, they called the camera guys into the. Into that bathroom.

[Rosebud Baker]

I've done student films that were actually less sad.

[Matt Rogers]

And we're going to show them right.

[Rosebud Baker]

After this tune in.

[Bowen Yang]

Okay. This is Rosebud Bakers. I don't think so, honey. Her time starts now.

[Rosebud Baker]

Okay. I don't think so, honey. Severance season two's pacing. You guys have the audacity to keep us waiting two years only to drop one episode like, this IS Network Television 1997? I don't think so, honey. We are not on the severed floor, okay? We remember what you did to us last time. I don't think so, honey. We are five episodes in, and what do we have to show for it? A little espionage? A little cryptic workplace dread. That is a Tuesday for us.

[Bowen Yang]

Yes.

[Rosebud Baker]

Okay, where is the momentum? What happened? Where's the what the hell just happened energy that we just signed up for? Because right now, honey, it feels like I'm sitting through a corporate training video. And the pacing. I've had actual miscarriages. Move faster, okay? The whole show. Show is just walking, staring, whispering cryptic nonsense like the baby goats. What about the goats? And I swear, if one more character just stares at something for a full 15 seconds instead of saying something, I'm gonna throw my Apple TV remote into the ocean. Okay. I don't. There's so much more. I just. I don't think so.

[Matt Rogers]

And that's what. Continue on with your thoughts. Yes. Because literally what you have.

[Rosebud Baker]

I have so much more. I literally am like, I have a lot of feelings things about this because I've stuck with it until last episode where there was, like, four bottle episodes in a row. Are you kidding me?

[Matt Rogers]

It feels like people are starting to bail.

[Rosebud Baker]

I'm. I'm getting upset.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And I. Listen, if they can land the plane. God bless them. I will be blown away.

[Matt Rogers]

I trust them to land the plane. Just because it feels like it's moments of greatness are so great. But I would agree. I. I had a really hard time with the first season because sometimes that was also.

[Bowen Yang]

Yeah.

[Rosebud Baker]

Patricia Arquette literally went to an old, old friend turned enemy who did not want anything to do with her.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Was like, please, I need to borrow your truck. He's like, no, why would I give you my truck? He. She gets in the truck. He's like, okay, yeah, we. I'll drive you somewhere. Then she gets out. She's like, looking for something that she literally contacted a past friend turned enemy for. Walks into the house to go look for it and takes a six hour nap.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Looks for it for two minutes. Take six. Six hour nap. I was like, what? So what is.

[Matt Rogers]

What are you looking for?

[Bowen Yang]

I mean, what should I be paying attention?

[Matt Rogers]

We'll have to hope it pays off. For me, the second season just needs a lot more Patricia Arquette.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Like, that was one of the great things about the first season.

[Rosebud Baker]

I agree. They needed a lot more Patricia. I mean, what they gave us of Patricia is I. I'm not happy because she's amazing.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And she was so good when she was like, like just female rage behind the wheel of car. I love that. I love a woman on the verge.

[Matt Rogers]

Yes.

[Rosebud Baker]

You know, and then this whole episode, this whole thing where she's. They're trying to explain what her whole deal is with Lumen.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And also why the. Why does everybody talk so fucking stupid? What is this?

[Bowen Yang]

They're severely.

[Rosebud Baker]

One sentence like a human being. I mean, that's part of why I love that the character's.

[Bowen Yang]

Character.

[Rosebud Baker]

Yes.

[Bowen Yang]

Yeah.

[Rosebud Baker]

Where the normal guy, he's just like, what's up, guys?

[Matt Rogers]

Yeah.

[Rosebud Baker]

Instead they're like, we're going to tend the garden. What garden?

[Bowen Yang]

What garden?

[Rosebud Baker]

What even. Where even is that?

[Matt Rogers]

Yeah.

[Rosebud Baker]

And what about the baby goats? And what about. About the trapdoor or whatever? I don't care.

[Bowen Yang]

Is it feeling losty for some?

[Matt Rogers]

Well, I think, I think. Well, it's interesting. Like, I've actually heard that a lot of people that are watching Severance and absolutely loving it are really not liking White Lotus. And I think that you've heard a lot of the same things about them both being slow. So. And then my friend said, Whitaker said this the other day. He went to go watch White Lotus with a bunch of our friends who love severance. And he said they were watching White Lotus. Lotus. Like That's a clue. That's a clue. That's a clue. And I'm like, oh. So I get it. It's like, some people want to watch this, like, it's like a puzzle, and other people want to watch it like, it's like a satirical comedy.

[Rosebud Baker]

Like, it's gossip.

[Matt Rogers]

Exactly. And so I am. Give me gossip. Give me my. Like, delicious.

[Rosebud Baker]

It's so funny because I literally thought when Helena came in, I was, like, good on her. Because the way that I would have been fired for sexual misconduct on day two at that office just to try to make something happen in that drab ass, I'm like, God bless. She's the only person that's made anything happen.

[Matt Rogers]

But I just think it's, like, it's funny that these two shows are on at the same time and, like, the water cooler shows of the moment, and they obviously come out week to week, which, you know, forbids people from binging them.

[Rosebud Baker]

Yeah.

[Matt Rogers]

And I think it has something to do with our attention spans that we're saying slow. But also the fact is, like, I guess when there's a lack of prestige elsewhere, we'll. We'll just sit and have to wait. I just think two of them are offering two different. Different things. Severance is a puzzle, and White Lotus is like prestige soap.

[Rosebud Baker]

Well, Severance needs to release all three of the last episodes together, because, honestly, I need to be able to, like, speed it up myself. Because if it's appointment television.

[Matt Rogers]

Yeah.

[Rosebud Baker]

And I'm falling asleep in the middle of every episode.

[Matt Rogers]

Right. That's a problem.

[Rosebud Baker]

I mean, I will say I'll take 50% of the. That's my life.

[Matt Rogers]

Yeah. Right, right, right.

[Rosebud Baker]

But, like, come on, come on, come on.

[Matt Rogers]

Yeah. Whiz, bang. Something, something.

[Rosebud Baker]

Yeah.

[Matt Rogers]

It's a lot of stuff lately. We just watched a movie that was. It promised more action, and it delivered, and I'm like, well, then, I don't know. I think people would sign up for something that was like, a slow burn thing. But, yeah, it is nice to say.

[Rosebud Baker]

I am a White Lotus girl, though. I love that you said that, because I didn't realize.

[Matt Rogers]

I was like, I don't even think it's moving slow. It's just. It's funny. The people that are saying it's moving too slow are the puzzle people who.

[Bowen Yang]

Are watching it who love a show that is moving, that is, in fact, moving too slow. Yes. I'm gonna say something. And this is just the next extrapolation of what I've been saying for years. Chuck, it and chuck it, Netflix has been doing this. I would encourage other streaming platforms to do this. 1.5 speed. 1.5, 1.5, 1.75 speed.

[Matt Rogers]

Even 1.25.

[Rosebud Baker]

Wait, no, no.

[Matt Rogers]

You're anti this.

[Rosebud Baker]

No, of course I understand.

[Bowen Yang]

I understand if you're anti.

[Matt Rogers]

I used to be anti this. Why is it a bridge too far for you?

[Rosebud Baker]

That makes me so sad.

[Bowen Yang]

I know, I know, but because we are watching television.

[Rosebud Baker]

We are not reading.

[Bowen Yang]

Fine, fine. You're right. Actually, that's a great, great argument.

[Rosebud Baker]

You know what it reminds me of? Okay. It reminds me of, like when I was drinking, right? I would. If a friend was like, concerned with my drinking, I would adjust my. I would adjust my life to. To make way for my drinking. If we start that with tv, if we start adjusting our lives, make up for our short attention spans. Yeah, that's very slippery.

[Matt Rogers]

Okay, you're right.

[Bowen Yang]

I take it back.

[Matt Rogers]

You know what, though? I will say it's scary. What about for the mind? So. So, yes, for something like prestige, like these shows we're talking about. Yes, that's art. It is paced, it's edited. It's like specifically made for whatever.

[Bowen Yang]

The pace is relative. And that's why, like, I think 1.5 is fine anyway, initially, but now I take it back.

[Matt Rogers]

Okay, but I used to really get upset when people said they listened to this podcast at like 1.5, 1 point sometimes. 1.75 a. How are you doing that with how that must sound, really? Like, I'm in my brain all the time and I don't want to be in your brain all the time like mice. I am running that fast all the time. If you can listen to us at 1.75 clinical.

[Rosebud Baker]

I've been sitting here for an hour looking at you guys going, wow, they're so good at just getting it out. Nine years in the game, talking, just getting it out quickly and quick witted.

[Matt Rogers]

I have been asked by people I'm on dates with, like, so how. How much dead air do you have to cut out? And I'm like, we don't do that. And they're like, what? And I'm like, yeah, we just pick it up.

[Bowen Yang]

Yeah, we'll pick it up and we'll keep going.

[Rosebud Baker]

It's amazing. I was literally talking to Sarah about it this morning. I was like, I don't know. They're so quick. They're so good. I was like, I don't have. It takes me so long to form a thought.

[Matt Rogers]

That has proven to not be true here today.

[Rosebud Baker]

Well, because I honestly.

[Matt Rogers]

You've been chucking it hard and chucking it.

[Rosebud Baker]

You've been chucking it. But that's because I drink. I was chucking back coffees.

[Matt Rogers]

You over caffeinated for last couple. Was that something that's less than Sarah told you to do?

[Rosebud Baker]

No, but I did do it. I did it. When I talked to Sydney, she was like. Because I talked to Sydney last night and she was. She had just come from an espresso and I was like, you're like a different person right now. I love what this is doing for you. Yeah, yeah, yeah. And she was like, I just. I feel like I'd really had a good set or whatever. And I was like doing that tomorrow.

[Matt Rogers]

Oh yeah.

[Bowen Yang]

He's a Celsius, I'm a Celsius king. I mean the whole office is.

[Rosebud Baker]

I love Celsius. It's so good.

[Bowen Yang]

We love it.

[Rosebud Baker]

It's so good. And it's so much better than coffee because I do just feel like I am on a steady stream of crack cocaine.

[Bowen Yang]

Yes.

[Rosebud Baker]

Yeah.

[Bowen Yang]

It's just XR extended release.

[Rosebud Baker]

Yes. Yeah. No, real like. Whoo. Like it just sort of slow up and then.

[Bowen Yang]

And then you're not.

[Rosebud Baker]

And you're landing upside down. But it doesn't matter.

[Bowen Yang]

It doesn't matter on Celsius.

[Rosebud Baker]

Yeah.

[Bowen Yang]

And I find that even the upside down landing is not as bad as like a full on crash. No, it's just like you're upside down but you're kind of still aligned the ground.

[Rosebud Baker]

Yeah.

[Bowen Yang]

Feather.

[Matt Rogers]

Did you hear Dakota Johnson say she thought it was like a healthy fruit drink?

[Bowen Yang]

She had 10 of them.

[Matt Rogers]

She had like six or seven of them. And when. And she was like actually like having a conniption on the set. And she was just like.

[Bowen Yang]

Cuz.

[Rosebud Baker]

Cuz no one told her.

[Matt Rogers]

It's like. No, that's like. It's a lot of caffeine. Even one is like you're gonna be zoom in.

[Rosebud Baker]

Oh my God. That's my nightmare.

[Bowen Yang]

Yeah.

[Rosebud Baker]

My. The first time I had five hour energy, I had like a full on breakdown in the street.

[Matt Rogers]

No, I was like five hour was like. That was an over correct feature before we landed. No.

[Rosebud Baker]

Yes. It was crazy. That was.

[Matt Rogers]

It's too much.

[Rosebud Baker]

It was way too much. It should not have been legal. I think it still is.

[Matt Rogers]

You definitely can still get it.

[Rosebud Baker]

I remember like it's a 711 purchase for a reason.

[Matt Rogers]

And they look like poppers too.

[Rosebud Baker]

They do, they do. They put them right next.

[Matt Rogers]

Can I get that little bottle and that little bottle I want to get absolutely amped and dilated.

[Rosebud Baker]

Oh, God. You hold them both up and you're like.

[Matt Rogers]

You're like, which one?

[Rosebud Baker]

Tonight?

[Matt Rogers]

This has been so fun.

[Rosebud Baker]

This has been so fun.

[Bowen Yang]

So fun. The Motherlode. It's on Netflix now. Harmless lady tour. Baltimore. Edmonton, Sacramento.

[Matt Rogers]

Cleveland. Somewhere in there.

[Rosebud Baker]

You do have a better memory than you think.

[Matt Rogers]

No, he's great.

[Bowen Yang]

That's short term. Short term.

[Rosebud Baker]

I literally was like, is there a teleprompter?

[Bowen Yang]

There's no prompter. Oh, and you're going at Heather McMahon's cruise. The absolutely not cruise.

[Rosebud Baker]

Yes. So many white women with, like, Adele vacation braids. It's going to be a problem. Blum.

[Bowen Yang]

Oh, you should get them too.

[Matt Rogers]

You should. Should be like, hey, ladies.

[Bowen Yang]

No.

[Matt Rogers]

Is everyone feeling like Adele tonight?

[Rosebud Baker]

I just like my. Imagine I go in there with, like, full extensions, like, actual wefts of extensions. Trying to braid those.

[Matt Rogers]

Absolutely. I want them to be really visible.

[Rosebud Baker]

Yes, really visible.

[Matt Rogers]

Chunky, visible extension. My favorite thing is, like. Like this someone who. Yes. Someone who either doesn't care or doesn't know that their extensions are wildly out.

[Rosebud Baker]

Yes. That was me on my wedding.

[Bowen Yang]

And it's a look. Oh, I bet you looked amazing.

[Rosebud Baker]

They show up in the pictures.

[Matt Rogers]

Yeah.

[Rosebud Baker]

Yes. I look like Heather on the beach. Heather on the beach.

[Bowen Yang]

I need to. I need to tell you.

[Matt Rogers]

I need to tell you. Oh, my God.

[Rosebud Baker]

Yeah.

[Matt Rogers]

Wow. That made it. Made it even better.

[Bowen Yang]

Even better.

[Matt Rogers]

We love you so much. Amazing.

[Rosebud Baker]

I love you guys. Thank you so much for having me. This fun.

[Matt Rogers]

This is a joy. While we end every episode with a song.

[Bowen Yang]

That's right.

[Matt Rogers]

There's a fire. Wait, hold on. It's Donnie's last day with us. It's Donnie who operates our cameras. It's our last day for us. He's literally the cutest person in the world, so we just want to say he's moving on to another job. And actually, the. The song that we want to sing is what's a goodbye song? I hope you dance. I hope you dance, T. We hope you dance. We hope you do well in finance.

[Bowen Yang]

Do well in finance.

[Rosebud Baker]

Yay, Donnie.

[Bowen Yang]

Lost Culture east is a production by Will Ferrell's Big Money Players and iHeartRadio podcast podcasts created and hosted.

[Matt Rogers]

By Matt Rogers and Bowen Yang, executive produced by Anna Hosnier and produced by.

[Bowen Yang]

Becca Ramos, edited and mixed by Doug Babe and Monique Laborde.

[Matt Rogers]

And our music is by Henry Kabirsky. We love la. What do you love about Los Angeles? How about the food and drink options? Los Angeles chefs and mixologists draw inspiration from their varied cultural backgrounds in the city's diverse neighborhoods, making for exciting Food Food Scene did you know Los Angeles has more museums and theaters than New York? From trailblazing street art to world class museums, art is everywhere in la. Wherever you are in the city, you're never far from the next Only in LA moment. Don't forget to stop in your tracks and look up. Soak in our legendary blue sky. What's your favorite day in LA? Find more ways to love Los Angeles at discoverla.com Coffee lovers to the front. We're about to change your coffee loving world. Coffee Made Cold Foam is here to shake you out of a boring coffee routine. Seriously, all you need to do is shake and top your drink of choice. Matcha People, we see ya. With three new delicious flavors, your cold foam options are endless and boy do we have a treat for you right now. You can get three whole dollars off your next cold foam purchase when you go to coffeemate.com coldfoammydrink but it's only available while supplies last. Coffee Mate A little foam. A lot of fun.