Da'Vine Joy Randolph: Elevates Everything

Summary

Podcast Summary: Da'Vine Joy Randolph – Elevates Everything

Let's Talk Off Camera with Kelly Ripa
Host: Kelly Ripa
Guest: Da'Vine Joy Randolph
Release Date: March 12, 2025

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Introduction

In this engaging episode of Let's Talk Off Camera with Kelly Ripa, host Kelly Ripa sits down with the multifaceted actress Da'Vine Joy Randolph. Celebrated for her award-winning performance in The Holdovers, Da'Vine shares her journey in the entertainment industry, her aspirations to break new ground, and a harrowing personal experience that shaped her resilience.

Da'Vine Joy Randolph: A Stellar Career

Da'Vine Joy Randolph, an Academy Award winner for her standout role in The Holdovers, discusses her extensive career trajectory. Mark Consuelos highlights her prior accolades, including a Tony nomination for Ghost the Musical and notable roles in popular TV series like This Is Us, Empire, and Only Murders in the Building.

Da'Vine Joy Randolph [03:15]: "I'm so grateful for [the industry] because it has allowed me to grow and take on roles that challenge me in ways I never imagined."

Breaking the "Overnight Success" Myth

The conversation delves into the misconception of Da'Vine as an "overnight sensation." Contrary to popular belief, Da'Vine emphasizes her years of dedication and the gradual accumulation of roles that have showcased her versatility.

Mark Consuelos [11:22]: "It's very funny when people refer to you as an overnight sensation. You've been at this for a minute."

Da'Vine Joy Randolph [11:42]: "My publicist pointed out that being seen as new and fresh is one of the highest compliments in this industry."

Aspirations and Breaking Stereotypes

Da'Vine articulates her ambition to take on roles that defy traditional stereotypes, especially as a woman of color. She expresses a desire to influence the industry by creating opportunities that reflect her unique perspective and talents.

Da'Vine Joy Randolph [13:47]: "I want to change the course of the industry and show that someone who looks like me can take on roles they've never seen before."

Navigating Hollywood: Writing and Producing

Discussing the challenges within Hollywood, Da'Vine shares her foray into writing and producing. The pandemic served as a catalyst for her to explore these avenues, allowing her to have greater ownership over her projects and ensuring the authenticity of her work.

Da'Vine Joy Randolph [16:21]: "I started writing and producing to show people what I'm truly capable of, rather than just talking about it."

A Harrowing Experience: Surviving a Mall Incident

In a gripping narrative, Da'Vine recounts a terrifying experience during a robbery at a mall. She details her split-second decision to arm herself to protect others, highlighting her instinctual bravery and quick thinking in a life-threatening situation.

Da'Vine Joy Randolph [45:15]: "I grabbed the knives and Wolverine-ed them between my knuckles. I was just standing there like a mama bear protecting her cubs."

Mark Consuelos and the co-hosts respond with empathy and awe, visualizing the intensity of the moment.

Mark Consuelos [47:00]: "That is the line. That is the preeminent line."

Lessons Learned and Personal Growth

Reflecting on the incident, Da'Vine shares the profound impact it had on her perception of self and safety. The encounter reinforced her understanding of her own resilience and the importance of being prepared to protect oneself and others.

Da'Vine Joy Randolph [52:25]: "I realized that I am a fighter. That moment taught me so much about my strength and what I'm capable of."

The Balance Between Art and Personal Life

The discussion also touches upon the demanding nature of an actor’s life, balancing intense work schedules with personal well-being. Da'Vine emphasizes the necessity of maintaining one’s authenticity and passion amidst the pressures of fame and industry expectations.

Da'Vine Joy Randolph [24:11]: "I never want anyone to be able to put a nose on me. I want to take people on a ride and have fun."

Conclusion

The episode concludes with heartfelt acknowledgments of Da'Vine Joy Randolph’s contributions to the arts and her unwavering commitment to elevating her craft. Her stories serve as an inspiration, showcasing the blend of talent, perseverance, and courage required to thrive in the entertainment industry.

Da'Vine Joy Randolph [57:08]: "Thank you, guys. Bye."

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Notable Quotes

• Da'Vine Joy Randolph [03:15]: "I'm so grateful for [the industry] because it has allowed me to grow and take on roles that challenge me in ways I never imagined."
• Mark Consuelos [11:22]: "It's very funny when people refer to you as an overnight sensation. You've been at this for a minute."
• Da'Vine Joy Randolph [16:21]: "I started writing and producing to show people what I'm truly capable of, rather than just talking about it."
• Da'Vine Joy Randolph [45:15]: "I grabbed the knives and Wolverine-ed them between my knuckles. I was just standing there like a mama bear protecting her cubs."
• Da'Vine Joy Randolph [52:25]: "I realized that I am a fighter. That moment taught me so much about my strength and what I'm capable of."

Key Takeaways

• Dedication Pays Off: Da'Vine’s career underscores the importance of perseverance and continuous growth in the arts.
• Breaking Barriers: Her desire to take on unconventional roles as a woman of color highlights the ongoing need for diversity in the entertainment industry.
• Personal Resilience: Surviving a traumatic event showcases her innate strength and ability to stay calm under pressure.
• Self-Driven Projects: Transitioning into writing and producing reflects her commitment to maintaining creative control and authenticity in her work.

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This episode offers listeners an intimate glimpse into Da'Vine Joy Randolph's professional journey and personal experiences, providing valuable insights into the life of a dedicated and dynamic actress striving to make meaningful changes within her industry.

Transcript

[Kelly Ripa]

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[Mark Consuelos]

It blocks 97% of burning UV rays.

[Kelly Ripa]

And is water resistant for up to 80 minutes.

[Mark Consuelos]

Lightweight, effective, and perfect for sunny days.

[Kelly Ripa]

It's just what your summer needs. Neutrogena Ultra Sheer Sunscreen. You can't feel. Shop now at Target.

[Divine Joy Randolph]

I go on the barn doors and I'm seeing like waiters and stuff like crying and hiding in the corner. I see the knives, I grab the knives, I Wolverine it.

[Mark Consuelos]

Unbelievable.

[Divine Joy Randolph]

In between my knuckles.

[Mark Consuelos]

Yep.

[Divine Joy Randolph]

And I'm just standing there like Mama bear breathing like.

[Mark Consuelos]

Somebody gotta cue me or do I cue myself? Cue yourself. Okay. Hey everybody, we're back with another episode of let's Talk off camera. So let's get talking. Woo hoo. Jan Albert, put your big boy pants on because we are going to be graced by an Academy Award winner.

[Jan Albert]

Wow.

[Mark Consuelos]

Can you say that very often around here? No, no, no, we cannot.

[Jan Albert]

No.

[Mark Consuelos]

Academy Award winner, Divine Joy Randolph. Last year we all watched her win every award possible for her amazing performance in the Holdovers. She was the best part of that movie and I love that movie. But she was like in a sequel of standout performances. She slayed it. And she so convincingly convinced me that she was going to win that Academy Award, that I was perfectly fine with my selection on the Office Pool. But did you know, by the way, did you know this? She's no overnight success. Over a decade ago, she earned a Tony nomination for her role in Ghost the Musical. Since then, she's racked up several more memorable on screen parts in everything from this is Us, High Fidelity, Empire, Dolemite is my name. The United States versus Billie Holiday. Yes, I. Oh my gosh, yes. Yep. Rustin. And her Emmy nominated performance in Only Murders in the Building. Yeah, I mean, and do you think she'll be nominated for an Emmy. For a Daytime Emmy for her performance and only live in the building.

[Willow Bay]

She was in our Halloween show today.

[Jan Albert]

It was pretty amazing when she showed up.

[Mark Consuelos]

She is very divine. I love the play on the name Jan. Good. But while we wait for her to join. Jan, Albert. Albert. Jan, what's going on?

[Jan Albert]

What's going on with you, Jan?

[Willow Bay]

Well, wait a second. I didn't hear about this today at work, but were you with my boyfriend last night? Were you with Bob?

[Mark Consuelos]

Oh, yeah.

[Jan Albert]

Were you with Bob?

[Mark Consuelos]

I spent a lot of quality time with Bob.

[Willow Bay]

Tell me about it so I can live vicariously. I did not hear about this.

[Mark Consuelos]

Jan, his real life wife, was there. Jan, Willow Bay, his real life wife. Willow Bay, his real life wife, was there, who is a version of Jan. I will say we didn't talk about the podcast. We talked about Mark's Stuart Weitzman ad.

[Jan Albert]

Oh, hello.

[Mark Consuelos]

His son graduated Columbia Business School and just bought an apartment. I thought he said he bought an apartment in the building because we had this board member's dinner in the new Disney building, the Robert Iger building. It's named after the Robert Iger Building and it's this giant. It's really very glamorous.

[Jan Albert]

Wow.

[Mark Consuelos]

The building is very state of the art. It's gorgeous. It's high tech. It's glisteny. So as we come down this gleaming staircase and the Walt Disney embossment is on the wall and they've got beautiful holiday lights up everywhere. There's a Christmas tree, there's a menorah. It's all very lovely. We come down the stairs and Bob starts talking to Mark about the Stuart Weitzman ad and his diet and exercise routine and the whole thing. And then we asked about the kids. His youngest is also a senior in college, as is Joaquin, talking about what their future plans are. And his son just got a big job with a big agency. And he's the one that graduated business school. Anyway. And he said in what I heard, because it was loud and it's cavernous, what he said was he just got an apartment in the building. And I said, you're selling apartments in this building? Because I was like, perfect for us. That's a great commute. That's a commute I can get behind.

[Jan Albert]

That's hilarious.

[Mark Consuelos]

So, yes, I saw your boyfriend.

[Willow Bay]

Did he look presidential to you?

[Mark Consuelos]

He looked very presidential.

[Willow Bay]

I'm still voting for him.

[Mark Consuelos]

Yeah, he looks very presidential. He looked, you know, he's Bob Iger. There's nothing like he. If they were to make the movie Ver. Like the movie Disney. The movie. Bob Iger would play Bob Iger, of course, because who else are you gonna get?

[Jan Albert]

My favorite thing about the youe and Bob Iger is Glenn is Liz Cho, right?

[Willow Bay]

Yes.

[Mark Consuelos]

When you told that story well, Liz Cho. Everybody's hall passes Liz Cho.

[Jan Albert]

I had a funny, like, Kyle moment that I. The two of you, I was, like, waiting to tell you this story.

[Mark Consuelos]

Okay.

[Jan Albert]

We were sitting at home, and he's sitting on the couch. There's not a conversation being had. It is not a television on, not a speaker playing music. And I thought, oh, I'm going to update him that we bought a gift for. Blah, blah, blah, something that he had told me to do. So I wait and I tell. And he's on his phone, he's looking. I tell the entire story, and dead silence. And I look at him and I said, did you hear what I just said? And he said, no. What you have to do is you have to say, I'm about to say something.

[Willow Bay]

You have to announce that you're.

[Jan Albert]

All you did was just say it.

[Mark Consuelos]

So you have to preamble to your.

[Jan Albert]

Announcement for now on. Any time. I. So the entire weekend when I was with him, I was like, kyle, I'm about to say something. And he would put down his phone and he would say, that's so perfect. Thank you for doing that.

[Mark Consuelos]

This is what it's come to. We have to announce that we're about to have a conversation.

[Jan Albert]

Now, you didn't say you were about to say something. You just said it.

[Willow Bay]

Okay, she's ready.

[Kelly Ripa]

Hello?

[Mark Consuelos]

I think I lost her. Davine.

[Divine Joy Randolph]

Hi, Kelly.

[Mark Consuelos]

Hi.

[Divine Joy Randolph]

I am so sorry. Somebody, My agency called me, and I don't know why, because they know I'm in this.

[Mark Consuelos]

Wait, is that good, though? Wait, wait, wait.

[Divine Joy Randolph]

No, Kelly.

[Mark Consuelos]

Second. Is it a. Is it a job?

[Divine Joy Randolph]

Is it a J O, B, like in negotiation phase?

[Mark Consuelos]

So, you know, that's like, well, get all the money. Get all the money.

[Divine Joy Randolph]

Yes. But I'm sorry. And I guess when you get a phone call, when you're on the phone, this app just cancels itself. So.

[Mark Consuelos]

I understand. Listen, no worries. Now. Is it. Is it from the Marvel Universe?

[Divine Joy Randolph]

It's not. It's not.

[Mark Consuelos]

Is it a comedy?

[Divine Joy Randolph]

Kind of.

[Kelly Ripa]

Okay, kind of.

[Mark Consuelos]

Is it for a major studio or streaming service?

[Divine Joy Randolph]

They have not told us that part yet. In negotiations, it's an independent, so, you know, sometimes with independence, they're like, let's shoot it first and see where it lands. But it has a Lot of really great people in it.

[Mark Consuelos]

I understand that. But I want to make sure that the premier. Great person, you Academy Award winner, and I don't want to hear them hide behind there. It's an independent film. Favored nations and everybody's. I know, but I.

[Divine Joy Randolph]

So did you read my contract? Because that's exactly what it is.

[Mark Consuelos]

No, but can I be your agent? Because I will. I will explain to everyone the net net value of you. I often think that I missed my. My calling as an agent. Cause I am like a dog with a bone. And I'm like, yes, I'm glad that. You know, I'm glad that Ben Affleck has decided to Favorite nations. This after he made his $12 trillion.

[Jan Albert]

Well, if they call back in, you can conference in and negotiate.

[Mark Consuelos]

Yeah, exactly. Yes, exactly. Conference me in and I'll talk to them. About what?

[Divine Joy Randolph]

That Allie has something to say.

[Mark Consuelos]

And I'm remembering back. I'm remembering back. But it wasn't so long ago that you won that Academy Award. And we were backstage watching this all unfold, and it was singularly very exciting for us because. Thank you. You know. You know, early on in the awards season, when you call something and you feel, like, really special about it and you feel like, oh, my gosh, we called it. We called it way back then, you know, so as you were up there on stage.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

Did you look at anybody in the eye and think, oh, I'm gonna work with you next, or, I wanna make a film with you next. Was there a moment or a person that you locked onto?

[Divine Joy Randolph]

No.

[Paul Scheer]

Mm.

[Divine Joy Randolph]

Mm. Actually, I was like, wow, this theater is way smaller than I thought.

[Mark Consuelos]

Really?

[Divine Joy Randolph]

Yeah, it's way smaller on tv. You think that. What is it? Kodak Theater is huge. And then you're up there and you're like, this is it. This is as big as it is.

[Mark Consuelos]

But I think it's enormous. I think it's so big. I think it seems scary.

[Divine Joy Randolph]

No, see, it felt more warm to me. I don't know why it didn't. It didn't feel. I mean, like, because, you know, the seats on the side hug you in nicely. It didn't feel like. I don't know, I guess it's the angles that they shoot. It felt massive, but it just. You know, honestly, I felt like I was more so. Talking to the people watching than the people in the room. That's what I felt like. And I just felt more so of, like, extreme gratitude. And like I said, I really did feel like this is just the beginning. And it was really exciting. I was more so excited of like, okay, I know this is gonna sound crazy, but, like, okay, check. That's off the list. Now let's get to work. Does that make sense?

[Mark Consuelos]

Yeah, that makes total sense.

[Divine Joy Randolph]

That I felt like, okay, great, hopefully this will now open up more doors, and now I get to really do the stuff that I, you know, I mean, that I want to do. And, like, I don't not, like, paid my dues, but in a sense of like, okay, now we can really get into it.

[Kelly Ripa]

Well, by the way, you have paid your dues.

[Mark Consuelos]

I mean, it's so funny that. It's very funny when people. We talked about this sort of before you logged on, about how, you know, people refer to you as, like, an overnight sensation. And I'm like, as I recall, she's been at this for a minute, and you really have pages.

[Divine Joy Randolph]

I find that flattering. It was my publicist, because I remember, I think it was the beginning of a war season last year where it was like, maybe it was like a Palm Springs award something, and it was like breakout award or something. And to be honest, at first I was like, oh, did I do something wrong? Are they still. And she made a really good point that I've kind of carried with me. She was like, honestly, I think it's one of the best compliments. She goes. Because youth and age and newness is one of the hardest things to capture in this industry. And so for people to feel like they keep seeing you, if not for the first time or you still feel very fresh to them is great. It's way better.

[Kelly Ripa]

It's true.

[Mark Consuelos]

You're the ingenue. That's true.

[Divine Joy Randolph]

Yeah. So it's like. It's a positive thing. And in regards to, like, breakthrough, you're continuing to make an impact with what you're doing that's standing out amongst, you know, the rest. Which is. Which is a huge compliment.

[Mark Consuelos]

And so the next day. Take me through the next day. I'm assuming you stay up all night partying. You go to the party. The party. The party. The party. Right. Yeah. And the next day, you wake up. I'm gonna say you wake up at 3pm no, early.

[Divine Joy Randolph]

I had two photo shoots that day.

[Mark Consuelos]

No, you didn't.

[Divine Joy Randolph]

I had two photo shoots.

[Mark Consuelos]

Yeah. You should have come to our show. Why didn't you come live on the show?

[Divine Joy Randolph]

I know.

[Willow Bay]

On the same stage.

[Mark Consuelos]

Yeah, exactly. You could have rolled out of Madonna's party right onto our set.

[Divine Joy Randolph]

No. Yeah. I had two photo shoots and interviews all that day. So I Did not. I had to get up really early. I don't think I ever really went to sleep, to be honest.

[Mark Consuelos]

But could you imagine, like, imagine if you didn't win, which would have been improbable and impossible because you had won everything, but imagine not winning, and then you have two photo shoots and two interviews.

[Divine Joy Randolph]

Yeah, exactly.

[Mark Consuelos]

The difference that the tenor of those interviews take.

[Divine Joy Randolph]

Exactly, exactly.

[Mark Consuelos]

So what is your dream project? Give me your dream project.

[Divine Joy Randolph]

I think, you know, to be really honest, and I think it's because, you know, to be completely transparent, it's a little bit different for women, and it's a bit different for women of color. It's kind of like, of course, it's more of a movement or a moment for myself, and it's that I really want to start doing things that people haven't seen someone like me do before. Does that make sense? But I want, like, of course. That's the thing. When I think of the Oscar and what that meant for me, that I was like, oh, I now don't want to be told no, Right. Of, like, certain things, whether that is action that they may not have seen and, like, it not be a joke. You know what I mean? Of, like, oh, the comedic relief. But that, like, no, I'm really kicking butt in an action movie, or do you know what I mean? Whether it's due to, like, me being a woman, a woman of color, me being a curvy girl, whatever it is, that really was the thing that made me so excited that day because I was like, I really hope that this hunk of metal will now allow for those things to come to pass. Right? So, like, yeah, there's things. I'm like, oh, yeah, that would be cool. That would be cool. But I really feel more driven, if anything, truthfully, of, like, I want to change. I want to use my influence and accolades to change the course of the industry as we know it and how someone that looks like me know the kind of opportunities that they usually get. That truthfully, more so than, like, specifically a role or a director or actors, like, I mean, like, I can give you the generic thing that everybody else says, like, oh, I would love to work with Meryl Streep and Bradley Cooper and da, da, da, da. But truthfully, it's more so of, like, I want to shake things up a bit, and I hope that that moment will allow for me to do that.

[Mark Consuelos]

I'm a woman in this industry. I'm not a woman of color, but I know I've been in this industry for 35 years, and I've had to deal with my fair share of bullshit.

[Divine Joy Randolph]

Oh, yeah.

[Mark Consuelos]

So I'm assuming that you've had to deal with double the amount of bullshit.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

And so. So my question is, would you get into writing and producing your own project?

[Divine Joy Randolph]

Yes. So during the pandemic, I'm. And I feel like you're this type of person, too. I can't sit still. And so, like, the pandemic, it was like, it divided us up in two types of people. It was either the people who were very focused and, like, you know, I mean, creating new avenues and trying new things as a way to keep themselves busy slash lucrative and trying to figure it out. And then there was those that, like, you know, just kind of succumb to it. Yeah, yeah.

[Mark Consuelos]

There were the bread, the people that were like, I made 35 loaves of sourdough today. And I'm like, you live in a house alone. What are you going to do with that?

[Divine Joy Randolph]

Exactly. And so, like, for me, shockingly it. Because I know. And I think it's because I have trained classically, both in, like, music as well as acting, that I take education very seriously. So I will never call myself a writer unless I enrolled in a whole program, you know what I mean, and got formal training. But I started writing, it was like, I can't do the one thing I love to do. So this other thing presented itself, which I know if it wasn't something as bizarre and intense like a pandemic, that never would have happened. And I'm so grateful for it. And so, yeah, I started writing, and funny enough, and it was so funny because I just had a meeting with my team yesterday. It's been that those things have started to become the most fruitful and passionate for myself. And so I am producing my own things, writing my own things, because also, I think. And of course, I know you know this. When you want to do things differently, sometimes you got to just show people and not just talk about it, you know? And so I started to realize I was like, oh, okay, I'm gonna have to write it and break it down to them and produce this thing so they get a better understanding of what it is that I'm. That I'm looking for, as opposed to, you know, being like, oh, I wish there was, you know, a rom com about this. Just do it. Just do it. So that's been really rewarding and really exciting for me. And also, as you know, that's having a real seat at the table. And ownership.

[Mark Consuelos]

Ownership, exactly. Having ownership yeah. And do you find that it's still like, are there in Hollywood? There is, and I have to say it's in New York, too. But in Hollywood, it's a whole different level. These insufferable studio heads where you are sort of mesmerized by how uncreative they are, and you have to sort of play this game with them where you have to, like, concoct this to be their idea almost just to get it done.

[Divine Joy Randolph]

Yes. So I will say I haven't done that. Meaning I don't do the concocting to make it think theirs idea. I'm very much. So this is mine and this is what I'm thinking of. Right. And so I think. But what I will say is, as an actor, I've definitely, you know, been strategic in regards of like, you know, they say like, one for them, one for me, and in their. One for them. I've always tried to make sure that my gift and the quality that I bring. Right. No matter how commercial it is, is still there. So that even if I'm doing something a bit more broader, that there's still a specificity with it that makes it high quality. I would say one could say that that was only murders that on paper, people could see it as, you know, the show being a very commercial thing. But every single one of those actors brings such a level of specificity to it that it's like, oh, no, no, no. This is high quality work. You know what I mean? So I try to, even if I end up doing those kind of things, make sure that my gift still shines through so that it's not like, oh, I'm doing, you know what I mean, studio movie. Now I'm gonna, quote, unquote, dumb down my acting. No, no, no, no, no.

[Mark Consuelos]

I try to maintain you, elevate everything else around you. I try.

[Divine Joy Randolph]

I try so that.

[Mark Consuelos]

No, I can tell you because you were on our Halloween show. And as you know, first of all, we couldn't believe, you know, we were like, wait, are you saying Daevine is actually going to. She's agreed to do this. Yes.

[Kelly Ripa]

Okay.

[Mark Consuelos]

So we can't believe that. Second of all, we can't believe that we now have to perform in front of you because as you can tell, we do things a bit differently.

[Divine Joy Randolph]

It's beautiful.

[Mark Consuelos]

And so what was so funny was how in character you were and how you understood the assignment and how you elevated it was Jan. It was an elevation of our Halloween show.

[Jan Albert]

It was amazing. I had no idea.

[Mark Consuelos]

I know. It was amazing. Right. It was amazing to watch and I wish you could have been there to see the reaction of our in studio audience when we rolled that clip. You could tell it was like, it was a moment where they suddenly, you know, everybody's sort of like half paying attention and all of a sudden the audience really paid attention. It was amazing.

[Divine Joy Randolph]

I love that. That's so kind. Thank you.

[Mark Consuelos]

Yeah, thank you.

[Divine Joy Randolph]

I think it's the key, you know, like as you do, it's like, just bring your A game. No matter whether you know it's what you may consider something less important or less higher status than you'd hope. It's like always bring your best to it because you just never know. You never know. And also I just feel like everyone deserves to experience that. I never judge anything or belittle anything of, like, oh, well, this isn't as big of a higher profile job, so I'm gonna just phone it in. No, just do your best. Because I found a lot of times those jobs, because what makes it general is that it's more public. Right. It's not that it intends to be lesser value, it's just it has to be more broad to reach more people. And so I've ironically found that sometimes jobs and opportunities come more so from those things than let's say like the niche art house, you know, cool things that we may like to do.

[Kelly Ripa]

Right.

[Mark Consuelos]

The critically acclaimed never seen projects. Right?

[Paul Scheer]

Yes.

[Divine Joy Randolph]

And so I think there's a balance then, right? You gotta, when you want, do all of it. Yes, I think so. If you can try to do it all so that you hit it from all angles so that you're not just actually. Meryl Streep gave me that advice that she was like, early on in her career she was lauded. I mean, she still lives, but Right. Of this like consummate actor that just did these amazing, like, heaviest.

[Mark Consuelos]

The most serious. Yep.

[Divine Joy Randolph]

And she was like, Mamma Mia was one of the best things I ever did. I never had more fun on a set. And because I asked, I was like, why are you doing only murders? And she's like, are you kidding me? Like, I love it and I just want to have fun and play great characters and I love to sing. And right now I'm just having a good time. And that really stood stuck with me that she was like, I love Mamma Mia. And I'm so glad that my team encouraged me of like, you know, let's not get stuck or pigeonholed in this one thing. We know you're this person. Let's show them you have all these other gifts. And I think that's then for anyone in any lane that they are in their career of like diversify your profile if you can try it and go for it and learn other ways so that I never want anyone to like be able to put a nose on me. Does that make sense? Like, like whether that's pigeonholing or like can predict, like, okay, like if I don't want people to be like, oh, this is a Dave Andre Randolph movie. Oh, okay, yeah, yeah, I know what this is going to be.

[Mark Consuelos]

This is going to be this.

[Divine Joy Randolph]

Never want that. And I want, because I want to take people on a ride and have fun. And also we're playing different characters. So why would I be the same version of myself and every single thing I do? I'm not the same person.

[Mark Consuelos]

Tell me about the advice Al Pacino gave you.

[Kelly Ripa]

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[Mark Consuelos]

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[Kelly Ripa]

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[Mark Consuelos]

Time I eat a Hershey's bar.

[Kelly Ripa]

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[Willow Bay]

Keep that in.

[Kelly Ripa]

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[Mark Consuelos]

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[Kelly Ripa]

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[Mark Consuelos]

Tell me about the advice Al Pacino gave you.

[Divine Joy Randolph]

So it was really interesting because it was a very hard time. Just because I will say this, I have the utmost respect for theater artists. It is by far one of the hardest things I have ever done in my life because the hours and the amount of energy that you give to one performance a night does not even come close to a 16 hour performance workday on set. I don't know why, but there's something about it. And then I always get to play these like full, lively characters. And so with Ghost, you know, I remember it's really funny, actually, there was one, it happened twice. Both because I started it on the West End and then I did it on Broadway. And I remember it was like a Wednesday matinee, you know, and it's like predominantly people that came on a bus from like, Wisconsin or like older people. And so it's Ghost. And so, you know, she has to say the Molly, you're in danger line. And I didn't know this, but I guess everybody's waiting for that line to come.

[Mark Consuelos]

That is the line. That is the line. That is the preeminent line.

[Divine Joy Randolph]

Yes. So I remember it was like a long week. I think it was the winter time. I'm tired, but, you know, I'm still doing my best. And I remember I was like, molly, you're in danger, girl. I literally got booed.

[Mark Consuelos]

Literally.

[Divine Joy Randolph]

No, no. And then I remember after the end of Act 1, the stage manager was like, what happened? Why don't you just deliver it like that? They hated it. And I was like, why was I booed? And they were like, because you didn't give it the same kind of energy and pep like you normally do. And it was a really valuable lesson to me that I was like, whoa. People are really expecting you to give a fortified, you know what I mean.

[Mark Consuelos]

Performance 110% every single time.

[Divine Joy Randolph]

Yeah. So that show really drained me. And so at the time, like, I was constantly losing my voice. And I don't remember if the Tony nomination had happened already or not. I'm not quite sure. But it was interesting because I just remember feeling really drained, like, and it was hard because I was like, I don't want to feel that about the thing that I love. And so in between shows, on a matinee, I went to, like, this little. I think it's like 47th and 6. There's, like this little. There's like a theater over there, but it's this little, unknown little. It's beautiful, though. Like, French bistro style restaurant.

[Mark Consuelos]

Is it. Is it Le Bon Soup?

[Divine Joy Randolph]

I think so. But it's, like, hidden, right? Like, it's unassuming. And then you go in and you're like, oh, my God, it's beautiful.

[Mark Consuelos]

Yeah, I know that. I know that place.

[Divine Joy Randolph]

And so I was just walking. It wasn't a recommendation or anything. I saw it. I went in for lunch in between, and it was empty. And it was just him there. And I was like, oh, my God, this is insane. I think he was doing Merchant of Venice on Broadway at that time, because I think it started at the Public, and then he was doing it on Broadway. And, like, I just was like, act cool. Don't say anything. Relax. Chill out.

[Mark Consuelos]

Right?

[Divine Joy Randolph]

But, like, I kept, like, looking over, and then every once in a while, our eyes would connect, and I thought I was gonna throw up. And so then he was on his way, leaving, and we just had this chat, and I was like, I cannot believe this is real life. And so he just was like, you know, are you an actor? And I was like, yeah. And he was like, what are you doing? And I was like, oh, I'm on Broadway doing this musical. And he was like, oh, yeah, I'm doing. I think it was Merchant of Venice. And I was like, I know, duh, you're Al Pacino. And yeah. He just was like, well, how are things going? And I told him. I was like, this is hard. And I said, and it's. My life is consumed in this. I was like, I don't get to spend time, really, with my friends. Especially musicals is a whole nother thing.

[Mark Consuelos]

You never.

[Kelly Ripa]

You have no life.

[Divine Joy Randolph]

You have no life. You're not talking. You're constantly. You know, to this day, I can't eat throat. I can't Drink, throat, coat. Because I get PTSD and I start gagging. So it's like your whole life is catered to, like, almost like preserving your voice.

[Mark Consuelos]

Yeah.

[Divine Joy Randolph]

It's crazy.

[Mark Consuelos]

I remember when Kristin Chenoweth us starred in Wicked, when that was in rehearsals. A friend of mine was dating Kristen at the time.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

We worked on the soap opera All My Children together.

[Divine Joy Randolph]

Sure.

[Mark Consuelos]

I was doing the talk show and I was doing the soap. And he's like, I really wanna introduce you to Kristen. But she's in. You know, she's getting ready to open in Wicked, and she doesn't speak unless she's on the stage. And I was like, she doesn't speak. And he's like, right. And now, you know. And of course, Mark has, you know, since then. Since that time, Mark has gone on to do many plays. And Albert's boyfriend Kyle has been in Phantom. Phantom of the Opera. And so now I am fully aware.

[Paul Scheer]

He'S in Phantom of the.

[Divine Joy Randolph]

He has no life. Yeah, yeah.

[Mark Consuelos]

The silence. The silence of the theater performer. Like, I get it now. Now I'm like, oh, of course they don't speak. You don't even have to. Even when we have performers come on our show on a Monday to promote their show, I'm like, you shouldn't be here. You should be resting your voice.

[Divine Joy Randolph]

You shouldn't be doing a talk show when, because it's the day off, they want to cram in all the press. And because they don't. You don't really have any other time. So. Yes. And also, it's like, who wants to be around somebody that's like that? Right. So it was very lonely. And I was like, I don't. I don't know about this.

[Mark Consuelos]

What did Al Pacino say to you?

[Divine Joy Randolph]

He basically was like, this is. This is the mark of the life of an artist. And he was like, I can tell you're special. And I was like, you don't know I'm special. You haven't seen the show. You don't know what I can do. And he was like, no, because of your dedication to the craft. And then he gave this analogy, and he was like, when you. He was like, you know, when you fly private. And I was like, no, I definitely drive the Amtrak train and Greyhound.

[Mark Consuelos]

I know about Amtrak Pro Philadelphia.

[Divine Joy Randolph]

No, sir, I don't know about private planes. And he was like, but you know how with a private jet, like, you can't really carry that much luggage and you can't really take that many people on it, but it's A really special thing as you continue to ascend and become what people consider successful. And he was like, that's the life of an artist. And he was like, as you continue to climb up this ladder, everybody's not going to be able to come along for the ride, and you're going to have to lighten the load in order to go to the top. And he was like, but when you do get there, he was like, I'll be there. And other people will be there that understand what that is, and you'll build a community from that. It'll be a small community, but you'll build a community for that. So it was like, I was like, what? It was so over my head. And then, like, that was 2014. So, like, four years later.

[Mark Consuelos]

Wow.

[Divine Joy Randolph]

I was doing Dolomite. It was a Netflix project. They had the Irishman. Netflix had just created their, like, it's called, like, Q or something. And they just created their own magazine. It was going to be their first cover. And my publicist was like, so you're going to be on the COVID of this magazine, and it's going to be you and a couple other people, and we're going to all be promoting your prospective movies. And I was like, oh, okay, cool. And I get there and the we're like, you know, doing final touch ups. And I forget it was this infamous photographer. So it already started with like, oh, my God, we get lucky enough to be shot by this guy, and they put a ladder on the set. And then you could tell they were like, you know what I mean, Trying to figure out what the tableau was going to be.

[Mark Consuelos]

Who's gonna stand where?

[Divine Joy Randolph]

Yes. And so we're doing final things. And so people start coming in, and I'm like, whoa, that's De Niro. That's crazy. That's Scarlett Johansson. And then Al Pacino comes in and I'm like, crazy, okay. And so they're getting us all together, and I was the last person that they put in place. And if you look at the picture, Al Pacino is standing next to the ladder, and they told me to get on the lad. And they were at halfway while we were shooting, he was looking up at me at the ladder, and I'm on the ladder, and I just got deeply emotional. I don't know if he remembers this, but it was a full circle moment that this man is talking about as you're climbing up a ladder. And now I'm doing a photo shoot and I'm on a ladder. Like, it just.

[Mark Consuelos]

It hit me that all means something, though.

[Divine Joy Randolph]

That all, like, it was too kismet. Yeah. And I was gonna, like, okay. Cause I don't. I mean, I don't know how it is for you, but maybe you're right. It is very different from New York to la, but still, it's like. Right. Like, whether it's like, family, friends, or people you grew up with, or like, when you're in this industry and, like, the schedule and the demands of the job, certain other people in your life, it's like that doesn't gel for them anymore. It doesn't. You know what I mean? And so there's that transition. And now I get it, why a lot of people, like, marry or date people in the industry. Because it's like. It's a lot of demand.

[Mark Consuelos]

Yeah. Also, it's very hard to meet other people all the time.

[Divine Joy Randolph]

Exactly.

[Mark Consuelos]

When you spend your life on a set 18 hours a day, who are you gonna meet? I mean, honestly, who are you meeting? At one point, when you're on the ladder and Al Pacino is down there looking up at you, did you want to break into the Michelle Pfeiffer solo in Grease 2 where she's the cool writer? And did you. Was there a moment where you wanted to sing that?

[Divine Joy Randolph]

No. That's so crazy. That wasn't.

[Mark Consuelos]

That would have been amazing, though, if you had done that.

[Divine Joy Randolph]

That was a missed opportunity for sure.

[Mark Consuelos]

Missed opportunity. Next time. The next time, just think about it, put it in your back pocket and just sing Cool Rider as Michelle Pfeiffer from Grease Tube. So, you know, I'm curious because you and I grew up, like, I'm in South. I grew up in South Jersey, which is, you know, it's basically Philadelphia. We looked at Philadelphia in our backyards. So what were your touchstones and TV shows that you watched growing up?

[Divine Joy Randolph]

Okay, this is. I wonder if you guys got it in Jersey. This is so random. And it wasn't. It wasn't a touch that. But do you remember when it was, like, it came on Saturday mornings and it was this guy that was, like, on a harbor and he had, like, a sea captain's hat on.

[Mark Consuelos]

It was what Captain Kangaroo was it?

[Divine Joy Randolph]

And, like, you could call in, there'd be kids on there.

[Mark Consuelos]

Yes. Captain Kangaroo local.

[Divine Joy Randolph]

Ish. And I always remember being Captain Kangaroo. Oh, my God, I hope this man picks me. And he'll be like, it's Davine's birthday today. And it only came on Saturday mornings. I was obsessed. I wanted to be on it so bad. But was it a Local thing. Like, it was.

[Mark Consuelos]

It was local. It was just their local affiliate. I think it was either ABC or cbs.

[Divine Joy Randolph]

Yeah. And it was Saturday mornings. And I remember I felt like that man was talking directly to me. I used to love that show. But, I mean, Sesame street, obviously, when I was younger, I do remember, like, there was kind of this surge of, like, performing arts schools growing up. Like, shows about performing arts schools. And I remember being like, oh, that. That's really cool. The idea to go to school and, like, learn about the thing that you want. And so it was like, yes, there was fame. There was this, like, Nickelodeon show, I think, called, like, Tyena, and she went to this performing arts. And I remember there was a lot of shows growing up or even, like, in Sesame street, being like, I just came from music school that I remember growing up, I was like, oh, I really, really want to go to a performing arts school.

[Mark Consuelos]

Do you know.

[Kelly Ripa]

Okay.

[Mark Consuelos]

Do you know Holly Robinson, Pete?

[Divine Joy Randolph]

Yes, I know of her. Yes. I don't know her.

[Mark Consuelos]

Like, so I know her well, and I love her, and you guys should know each other, but her dad was the original Gordon on Sesame street, which. It's the craziest. Like, when she says things to me, I'm like, you shut your mouth.

[Divine Joy Randolph]

I know, it's insane. Sesame street was my life.

[Mark Consuelos]

My life, too. And my parents, like. Like once. Like once a year, they take us to the Philadelphia Zoo or something. You know, there'd be some trip, and my dad would always point to Liberty One. Liberty One, Yeah, yeah, yeah, yeah, yeah. So my dad would point to it, and he'd be like, that's where the kids on Sesame street live. I don't know where he got this. No, but he was like. He would tell us that, and we were like, oh, my God, that's where Sesame street is.

[Divine Joy Randolph]

No, that's really funny you say that. I really believe Sesame street was us. It was, yes. But you know why I think so, too? Because of Sesame Place. Remember?

[Mark Consuelos]

Of course I remember. When it opened, I think I was in sixth grade or something, and I was, like, way too old to be there. But I insisted on going and accompanying my sister as, like, her chaperone. But all I wanted to do was jump in that ball pit. I wanted to buy Sesame street sale. Like, I just wanted to. To me, it was like, this is the premier luxury.

[Divine Joy Randolph]

Yes. So in my mind as a kid, especially after going there, I was like, oh, no, they're talking about us. This is Philadelphia, right?

[Mark Consuelos]

Yes.

[Divine Joy Randolph]

Sesame Place. Or street is. It's somewhere here. In Philadelphia. Yep.

[Mark Consuelos]

Well, my dad had told us. He's like, that's where Sesame street is. And I was like, oh, my God. And I was like, God, it looks so different on tv. But like in my child brain, that's. That was the house where Sesame Street.

[Willow Bay]

Maybe we should get her on Sesame Street.

[Mark Consuelos]

Have you done Sesame Street?

[Divine Joy Randolph]

You're going to make me cry now.

[Mark Consuelos]

No, we've done that. We've done that before.

[Divine Joy Randolph]

No, I will actually cry.

[Mark Consuelos]

No, Jan has a connect. Jan has a connect.

[Willow Bay]

I love our Oscar show the morning.

[Mark Consuelos]

Yes, Jan.

[Divine Joy Randolph]

Okay, sorry, Jan.

[Willow Bay]

I'll get you on Sesame Street.

[Mark Consuelos]

So Jan is making a deal right now. If you come on our. If you come on our live Oscar show, which I don't Recommend, it's at 6 in the morning, 6am on the Oscar stage. The day after the Oscars, she will get you on Sesame Street. Which, by the way, just call your agent, they'll get you on Sesame Street.

[Willow Bay]

Only Jan can make.

[Divine Joy Randolph]

Only Jan. You guys make drinks?

[Jan Albert]

Your agents, Kelly and Jan.

[Mark Consuelos]

Yes, we're your agents now, David.

[Divine Joy Randolph]

Thank you. Thank you.

[Mark Consuelos]

So, you know, it's so funny because you talked, I think it was on our talk show about being potentially like you would do an action movie in a second.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

But Jan tells me you were in a real life situation with a man who had a gun.

[Divine Joy Randolph]

Oh, yeah.

[Paul Scheer]

Hey, I'm Paul Scheer.

[Divine Joy Randolph]

I'm June Diane Rayfield.

[Paul Scheer]

And I'm Jason Mantzoukas. And we're the hosts of how did this Get Made? A comedy podcast where we deconstruct, make fun of and celebrate the best worst movies ever made. Have you ever seen a movie that's so bad that it's actually good? That's what we're talking about.

[Divine Joy Randolph]

From blockbuster franchises and made for TV.

[Paul Scheer]

Romances to bonkers 80s action flicks and obscure sci fi musicals, we cover it all you can find. How did this get made? Wherever you get your podcasts and don't forget to follow the show so you never miss an episode. Idiot.

[Divine Joy Randolph]

Summer is coming right to your door with Target Circle360. Get all the season go tos delivered.

[Kelly Ripa]

Just when you want them.

[Divine Joy Randolph]

Snacks, towels and even pillows. Get it all delivered. Delivered the same day with target circle 360. Restrictions apply.

[Mark Consuelos]

Jan tells me you were in a real life situation with a man who had a gun in the mall.

[Divine Joy Randolph]

I haven't been there since and it sucks because I really love dim sum a lot.

[Mark Consuelos]

Where was it?

[Divine Joy Randolph]

What do they call it? Din Tai Fung.

[Mark Consuelos]

Where was. Where Was this lady. So.

[Divine Joy Randolph]

So they have a couple of locations. So there. There's one in Century City Mall, the Westfield in Century City. And then there's one in Glendale Galleria. I think it's called like Americana Mall or American Mall, something like that. And so I knew it was a sign because at the time I was vegan and my friend was like, oh, let's get dim sum. And I was like, yeah, but a lot of that is like, me, like, I can't eat most of that stuff. She's like, oh, it's fine. It's really, really good. And I shouldn't ate the meat. And that I feel like was the beginning of a bad omen and she was a curse. Yeah, like, you messed up. You're breaking your rules. You're not sticking to what you know is good for you. And so what. So you know how like, okay, like, so you know, like King of pressure, right? There's like the mall. And then you know how like on the outskirts of these big malls, there's like dine. Like there's restaurants outside.

[Mark Consuelos]

Yeah, of course there's always like places around like.

[Divine Joy Randolph]

Yeah, like Cheesecake Factory, but like, kinda connected to the mall, like if you took a tunnel or whatever. So I guess there was a jewelry store like a block or two away that Zale.

[Mark Consuelos]

Like Zales.

[Divine Joy Randolph]

Yes, exactly. That was like the off site outside, like two blocks away from it. And so I guess they decided they were gonna rob it and have a smash and grab. But I guess what they didn't know was that their security that they hired was private security. I found out a lot this day. Private security can carry guns. I didn't know that. And so the security guard was ready, you know, to go ablaze. And so they run out of the jewelry store and they're running through the streets and they decide to come into my restaurant of all the places. And so I was. I remember that the restaurant where I was seated, my friend was facing. So she could see the door, like the front, the front entrance.

[Mark Consuelos]

She can see the gunmen entering.

[Divine Joy Randolph]

Yes. So we're chatting and I remember that I heard like, it sounding like tables all of a sudden starting to move. Like, you know how in school when they're like, okay, move your tables to this side of the wall. She's like. And I remember like being like, okay, there's movement. And then I'm hearing people like making noise, but it's nothing that I'm making out of. Like, they're screaming, they're in danger.

[Mark Consuelos]

They're not going he's got a gun. It's not like in the TV series.

[Divine Joy Randolph]

But there's like, murmur, murmur, gurgle, gurgle. Voices are starting to get loud. So for whatever reason, my brain went, oh, it's about to be a mob flash. Because I'm thinking, right, they're moving, right? We're moving tables out the way. Cause they're about to go do a whole musical number. And people are like, you know what I mean? We're getting 5, 6, 7, 8. They're getting into places. And so. But then I'm looking at my friend, and her eyes are getting really big. So I turn around, and when I turn back, she's gone.

[Mark Consuelos]

And so I'm like, wait, she has left the building.

[Divine Joy Randolph]

She's left the building. And I've. Since then, I've chosen to forgive her because I understand that there's, you know, it's fight or flight. And she's a fleer.

[Kelly Ripa]

Fight or flight.

[Divine Joy Randolph]

And now I know that she flew, and I'm a fighter. And now I know that about myself. And so people are actually pushing people out the way to leave. And so I remember there was like a. You know how, like, a lot of times at. There's. When you, like, go in the little hallway for the bathrooms, that's also a place where you can exit. There's like an exit sign.

[Mark Consuelos]

Yes.

[Divine Joy Randolph]

So I saw that a lot of people were going there, and that line was starting to get backed up and people were pushing and stuff like that. So I thought to myself, you're not going to make it out of here. So you're going to have to fight because you're not going to. There's a line of people. Everyone's running. You know what I mean? It's too congested. You're gonna have to hide and fight. And so my brain was like, they serve sushi here. They've got good knives. I've never fought in my life. I don't know why my brain. But it was so slow that I distinctly remember my thought process. And so I go on the barn doors, and I'm seeing, like, waiters and stuff, like, crying and hiding in the corner. I see the knives. I grab the knives, I wolverine it in between my knuckles. And I'm just standing there like mama bear breathing, like, through it.

[Mark Consuelos]

Yeah, I am on this. I am, like, visualizing every second of this. I just want you to know I am there.

[Divine Joy Randolph]

I get this thing. And so then the waitresses, like, go behind me. And now I guess I'm protecting them. And so I'm just like. My whole body is, like, tremoring on the inside, and I'm just deep, gutturally breathing, like, basically mentally preparing myself. Like, game on. We gonna fight. I don't know who.

[Mark Consuelos]

And at this point, are you saying to yourself, this is why I went to Yale?

[Divine Joy Randolph]

No. I really thought, like, you could die today, so.

[Mark Consuelos]

Right. Wow.

[Divine Joy Randolph]

Fight as hard as you can.

[Mark Consuelos]

Yeah.

[Divine Joy Randolph]

I didn't know they had a gun. But at this point, like, I'm assuming. Right. Like, there. I didn't hear. There was no gunshots fired, Shots fired. Right, Right. But it's, like, eerily quiet. It's crazy because I could, you know how, like, remember how Spielberg was, like, the way Jaws was so amazing, it's that you never saw it, but you.

[Mark Consuelos]

Never saw the shots filled in the blanks.

[Divine Joy Randolph]

This is why I can't watch scary movies, because I will out scary movie any scary movie that ever has been written.

[Mark Consuelos]

Right.

[Kelly Ripa]

Right.

[Divine Joy Randolph]

My imagination is insane. And so I. So it's quiet. But then I'm hearing, like. Then it's like. It feels like somebody's running. And they. In my mind, I was like, okay, they are prowling around, turning over tables. They find someone, and then there's, like, a man, like, running. Like, running and screaming then.

[Mark Consuelos]

And you're just waiting for them to open the barn doors.

[Divine Joy Randolph]

Yes, I'm just waiting.

[Mark Consuelos]

And you're gonna come at them with the Wolverine.

[Divine Joy Randolph]

Right. And I'm hearing it all. And so then I'm hearing. Which killed me, this lady starts screaming, and she's like, no, not my baby. And I was like, jesus, I can't take this. This is a lie.

[Kelly Ripa]

There's a baby.

[Divine Joy Randolph]

There's a baby, and she's a baby. And she's screaming and pleading, no. And, you know, a mother's cry, pleading for their child. It is one of the worst sounds you could ever imagine. So now I'm really, like, adrenaline is going.

[Mark Consuelos]

And you're conflicted. Like, do I open the barn door myself and cut them?

[Divine Joy Randolph]

No, I'm not that. I was not conflicted to the bell. I'm not getting out that door in your door. I'm not. I got the knives. You come to me.

[Mark Consuelos]

It's not your baby. It's her baby. And that's her journey. She's on her journey.

[Divine Joy Randolph]

It's Stab, Stab, slice and dice. That's it. I'm not coming to save anybody. And I'm hoping you don't even know I'm back here. But if you do, you're gonna Get a surprise. And so I. Then. So I'm ready. This man. This lady then comes in, and I'm like. And she's like, I don't know what to do. And I'm like, shut up and go on the other side of the barn door. It's too crowded over here. I got you. And so. Because, you know, she's freaking out, so she's like, you know, in the horror movies, they're the ones, like, talking too much, and they're like.

[Mark Consuelos]

They're always the one that kill. They get everyone else killed, right?

[Divine Joy Randolph]

Yeah. And I was like, not today. Shut up and go on that side. So then she's quiet. So then this man comes. So I'm ready. Because I'm like, this is him. But this man comes and he's like, hey, hey, hey. I'm Marines. I said, we're good. This is it. Me and the Marines. I'm saved. He said, I'm. I'm retired Marines or something. All I heard was Marines. And I was like, the word Marines.

[Mark Consuelos]

Is the prominent word.

[Divine Joy Randolph]

Yeah. And so then I was like, do you want some of my knives? And he was like, no, you hold on to that. And he was like, I'm good. And I was like, okay, we got it. So then I'm feeling cocky and confident because it's me and Marines. And so we were there for maybe, like, 40 minutes, because we could. We're only listening, right. To hear, like, had they left? But he was in the restaurant, too. I don't know what he was doing that he got in, like, four or five minutes later. But he. So we waited, because he said, we're not leaving out of here until I really think that they're gone.

[Mark Consuelos]

And so then at any point, did the police come?

[Divine Joy Randolph]

No. No. And so. Because I think what happened is they were essentially running. I don't know why you would run through a mall if you just left Zales. Why are you running through a mall? That makes no sense to me. Why not run. You know what I mean? Through the parking lot or away from.

[Mark Consuelos]

Yeah, it doesn't make any sense. But they. But criminals don't make sense. I mean, there's that show. Dumb Criminals is a show for a reason.

[Divine Joy Randolph]

Yeah. And so we were there for. At least. I might be exaggerating, but it's probably 20 minutes.

[Mark Consuelos]

And so did they ever. Did they ever catch the guys?

[Divine Joy Randolph]

Yeah, later. But it was crazy. So then I felt actually more scared was when he was like, come on, they're gone. And I was like, no, because I Feel safe here. And he's like, no, we need to get out of here, because we don't know. You don't mean if they're on, like, a shooting?

[Mark Consuelos]

Yeah, you don't know anything. You have no idea.

[Divine Joy Randolph]

So he's like, come on. And I was like, I valeted. So what are we gonna do? And so we're walking to the parking garage. He was like, I wanna escort you to your car. And I said, but I valeted. And he was like, okay. And so what was scary was the mall was empty, Completely empty. So now you feel like you're on manhunt, right? Because we're walking around. He did tell me, put down the knife. So I didn't walk out of the restaurant with a knife still in my hand. So now I'm walking around.

[Mark Consuelos]

Can you imagine? Can you imagine the police run and tackle you because you're standing there with knives?

[Divine Joy Randolph]

I know. And I just thought I was protecting myself. And so he was like, put them down. So now I feel vulnerable. I mean, he is Marines. But now we're in a parking garage. Now, this is another thing. I can't stand watching movies where they have to go into the parking garage. It's never good when you go into the parking garage. So I'm losing it. Like, my God. They hid underneath a car. And because he was trying to get his wife into their car, it was insane. The moment I said, sir, I, I, I gotta go. I just gotta go. And that man literally told me, run. Like it was an actual action movie. And he just was like, run. And I'm like, run where? And he said, run blocks away and then call an Uber and then get them to take you home. You'll just have to get your car another time. So I just start sprinting in a completely different direction for, like, 10 blocks, where I'm like, okay, Davon, I think you're safe. At this point, I call my dad, and I'm like, dad, this is what happened. I then. Oh, let's also keep in mind, my friend left her wallet, her umbrella, because it was raining.

[Mark Consuelos]

Oh, my God.

[Divine Joy Randolph]

So I'm carrying her wallet, her umbrella, and my things, and I call an Uber. And I was like, but meet me over here. Whatever. But I didn't want to tell him that there was, like, activity going on because I didn't want him being like, I'm not gonna come and pick you up. So I was like, meet me at. I think it was, like, a nearby hotel or something. I was like, meet me here. He meets at the Other hotel. Then my friend who fleed calls me and is like, hey, where are you? And I was like, meet me at this spot right now. She gets in the car, and we're just quiet. I don't say anything to her because I'm pissed.

[Mark Consuelos]

Yeah, I don't blame you. My God.

[Divine Joy Randolph]

We get in the car, we drop her off. We then drop me off. And then the next day.

[Kelly Ripa]

Where was she hiding?

[Mark Consuelos]

Where was she hiding?

[Divine Joy Randolph]

To a nearby restaurant. Because I guess she followed a group of people, and that's what. That's dangerous. But she did.

[Mark Consuelos]

She.

[Divine Joy Randolph]

So, like, those people that were running through that small out, like, she followed.

[Mark Consuelos]

She followed the herd?

[Divine Joy Randolph]

Yes, she followed the herd. They went to a nearby, like, ramen spot. And she told me that the restaurant owners put them in the basement. Now, that's crazy. Why would you put them in the basement? Like, they're like, refugees. Why wouldn't you just.

[Mark Consuelos]

That is shady as it gets. I'd be like, our lives are now. Our lives are really over.

[Divine Joy Randolph]

I thought that was so odd that I was like, if you went to a restaurant and escaped, I don't know. But then maybe they thought, like, oh, they're shooters and there's a shooting spree, but not the whole restaurant. I said, so did everybody get in the basement? She was like, no, just us. I thought that was very odd.

[Mark Consuelos]

Divine, I think that you and Jordan Peele need to write this movie.

[Divine Joy Randolph]

Oh, my God, it's intense. It's so intense.

[Mark Consuelos]

I'm telling you, you need to write this movie because. And then when you go into the basement, that's when the real shit goes down. I don't know what goes down. That's for you guys to figure out. But when everybody thinks they're safe by hiding in the basement, that's when you figure out that it's the owners of the ramen shop.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

That's really wild.

[Divine Joy Randolph]

That did it all along. Yeah. I love Ramen.

[Jan Albert]

Mall has a sushi restaurant and a ramen shop.

[Mark Consuelos]

Yeah. These are the riches of California. We get. Like, if we want. If we want ramen, we gotta go downtown. If we want sushi, we've gotta go to the Upper east side.

[Jan Albert]

We all said Wendy's and, like, there was no.

[Mark Consuelos]

No, this is California.

[Divine Joy Randolph]

Yeah.

[Mark Consuelos]

Divine. This has been Divine talking to you, Seriously. Thank you. I just loved every second of it. Will you come back on our podcast and our show frequently and often? I would love to so much.

[Divine Joy Randolph]

You're the best.

[Willow Bay]

We'll see you backstage at the Oscars.

[Mark Consuelos]

When you present yes. Jan, we'll see you backstage. Oh, yeah. Yes. You're presenting. That's.

[Divine Joy Randolph]

Am I.

[Mark Consuelos]

You are backstage and say, let us present. You're presenting. You won. So the winner presents the following year.

[Kelly Ripa]

So you'll be presenting.

[Divine Joy Randolph]

Exciting.

[Mark Consuelos]

Make sure you come backstage and talk to us.

[Divine Joy Randolph]

No, I promise. I promise. Absolutely.

[Mark Consuelos]

Okay, honey. Thanks so much.

[Divine Joy Randolph]

Thank you, guys. Bye.

[Mark Consuelos]

Yeah. Bye, honey. What'd you think of that? Don't you think that Daevine needs to get Jordan Peele on board and they need to make that into. Call it mall heist. Call it what? Call it. Call it. You know, he always has like a one word. You know, it's like. Right. So call it like this way.

[Kelly Ripa]

Right. Right.

[Willow Bay]

Oh, my God. The image of her having the knives between her knuckles is so crazy.

[Mark Consuelos]

And heavy breathing and people hiding behind her.

[Willow Bay]

Oh, my God. She has to write.

[Jan Albert]

It is. That was frightening.

[Mark Consuelos]

But I'm that way. And I think you're that way, too. Everything slows down in a crisis. Everything becomes hyper slow.

[Willow Bay]

I. It's funny. I don't think I would be able to run. I think I would have to be in the.

[Mark Consuelos]

I would have to be in the middle.

[Jan Albert]

Oh, the two of you for. I'd be standing behind the both of you.

[Willow Bay]

You'd be eating in the kitchen.

[Jan Albert]

I'd be eating in the kitchen. You'd be there with the night knives. But 45 minutes, that's like in that moment. To be in that situation for four, that's crazy.

[Mark Consuelos]

I definitely would have at a certain point because my adrenaline would have spiked.

[Kelly Ripa]

Then crash.

[Mark Consuelos]

Then my kidneys would have hurt. And then I get hungry. Like, I would have gotten hungry at a certain point. I'd be like, is there an egg roll? Do you have a singular spring roll that I can just nosh on? I'm exhausted. My hands hurt.

[Jan Albert]

I love that her head went to. This place serves sushi, so they must have great knives.

[Divine Joy Randolph]

That's the best thought.

[Jan Albert]

We're right to it.

[Willow Bay]

I'm glad that she's finally getting all the she's choosing.

[Mark Consuelos]

She deserves it.

[Willow Bay]

That's amazing.

[Mark Consuelos]

You know, she deserves it.

[Divine Joy Randolph]

Really? Cool.

[Mark Consuelos]

Yeah. Well, that's it. That's all we got. Follow us wherever you get your podcasts and don't forget to give it a five star review because Jan gets very excited. She may even show your podcast post on our social media platform, because apparently we have a social media platform. I noticed that. I must follow it. Or you must have followed it for me, because I would never follow myself by myself.

[Jan Albert]

But It's a good social media account.

[Mark Consuelos]

It is a good account.

[Jan Albert]

Jan's all over them. Jan's got a lot, Jen. They're pumping it out.

[Willow Bay]

People are sending us pictures of them in the T shirts. So buy the T shirt.

[Mark Consuelos]

We should make some socks or something.

[Willow Bay]

You can make a hat.

[Mark Consuelos]

Cue yourself, hat. Cue yourself hat.

[Jan Albert]

I did like when Roz did the cue yourself in the seductive voice.

[Mark Consuelos]

Yeah, she did it. She was like.

[Kelly Ripa]

Cue yourself.

[Mark Consuelos]

She really wanted to take over Jan. Roz was like, I want you to cue yourself.

[Willow Bay]

You want me out of this job. Rise. You want me out.

[Mark Consuelos]

It's okay.

[Willow Bay]

My voice is not as sexy.

[Mark Consuelos]

I heard nobody has a voice as sexy as Roz's. It's so nutty.

[Jan Albert]

Oh, it's between my laugh. It's like all they want is Roz at this point.

[Mark Consuelos]

Oh, please. Between my laugh. Your laugh, Jan's voice. Roz is all they've got.

[Jan Albert]

That's it.

[Willow Bay]

Bye, everybody.

[Mark Consuelos]

Bye. Talk to you next week.

[Kelly Ripa]

Let's talk off camera with Kelly Rapp.

[Mark Consuelos]

Ripa is a production of Malo Jo.

[Kelly Ripa]

Productions with help from Goat Rodeo. Our theme song is Follow me from.

[Mark Consuelos]

Apm, Music from Malojo. Our team is Kelly Ripa, Mark Consuelos, Albert Bianchini, Jan Chalet, Devin Schneider, Michael Halpern, Jacob Small, Roz Therian, Seth Gronquist and Julia Desch. From Goat Rodeo, our team is Kara Schillin, Megan Nadolsky, Max Johnston, Isabel Kirby McGowan and Rebecca Seidel.

[Kelly Ripa]

Additional sound design by Terence Bernardo.

[Mark Consuelos]

This show is powered by stitcher.

[Paul Scheer]

Hey, I'm Paul Scheer.

[Divine Joy Randolph]

I'm June Diane Rayfield.

[Paul Scheer]

And I'm Jason Mantzoukis. And we're the hosts of how did this Get Made? A comedy podcast where we deconstruct, make fun of and celebrate the best of worst movies ever made. Have you ever seen a movie that's so bad that it's actually good? That's what we're talking about.

[Divine Joy Randolph]

From blockbuster franchises and made for TV.

[Paul Scheer]

Romances to bonkers 80s action flicks and obscure sci fi musicals, we cover it all. You can find. How did this get made? Wherever you get your podcasts and don't forget to follow the show so you never miss an episode. Idiot.

[Divine Joy Randolph]

How many discounts does USAA auto insurance offer?

[Willow Bay]

Too many to say here.

[Divine Joy Randolph]

Multi vehicle discount, Safe driver discount, New.

[Jan Albert]

Vehicle discount, Storage discount.

[Divine Joy Randolph]

How many discounts will you stack up?

[Paul Scheer]

Tap the banner or visit usaa.com autodiscounts restrictions apply.