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Foreign. Before noon on Saturday, June 13, Charles M. Floca, whom Trump installed at the head of the John F. Kennedy center for the Performing Arts, certified to the court that the center and its board have complied with the court's order. They had, he wrote, removed all physical signage on the Kennedy center buildings and grounds, including the front portico that purports to rename the Kennedy center after President Trump or any other individual besides President Kennedy, updated the website, removed references to Trump from letterhead, promotional materials and so on, and and withdrawn any trademark application officially referring to the Kennedy center as the Trump Kennedy center or any similar formulation. What they did not do was take down the tarp workers installed last night around the scaffolding they erected yesterday, hiding the portico wall. Through a crack between the tarp and the wall, photographers caught a few images of letters coming down. Shortly after 3am Cliff Owen of the Associated Press got an iconic shot of a worker loosening the pee from the wall, but so far the public has not seen the restored facade. The portico remains shrouded all day. In a statement, Kennedy center spokesperson Roma Duravi said that the center was fully compliant with the court's directive and that the board was evaluating legal options. Tonight, workers were back at the Kennedy center, where they created passageways in the tarp to make the center's doors accessible while keeping the wall where Trump had put his name covered. Last night, while workers were putting up scaffolding at the Kennedy Center, Ultimate Fighting Championship, or ufc, fighters held a press conference at the Lincoln Memorial in advance of the UFC cage matches to be held at the White house on Trump's 80th birthday. On Sunday, Trump sent the United States Army Herald trumpets, the US army ensemble chiefly responsible for playing the entrance and exit fanfares for the president of the United States. To open the event, the fighters walked from Lincoln's statue down the steps of the memorial through the Armed Forces Full Honor Cordon, a pathway formed between two groups made up of 16 service members in dress uniforms. This is the US military's highest ceremonial formation, usually reserved for heads of state, foreign dignitaries, senior officials and funerals for military heroes. This morning, the weigh in for the UFC fights at the White House also took place at the Lincoln Memorial. Heavyweight fighter Josh Hokut seemed to pretend to throw up, dribbling colored liquid from his mouth. So what? Maybe I was drinking last night, hokut told the media there. Who wouldn't be? I've got a giant man who wants to knock me out, he said, referring to his scheduled opponent, Derrick Lewis, whom Alex Paddle of Yahoo. Sports identifies as Trump's favorite fighter. He has the most knockouts in UFC history. Today, stunt performer Travis Pastrana performed a backflip on his dirt bike over the UFC Octagon fight Arena on the South Lawn of the White House. Other riders performed stunts as well. They were filmed on their bikes flying across the facade of the White House. On the eve of his 80th birthday, the President posted an image of the Obama Presidential center as a garbage can surrounded by a homeless encampment. Then he posted an image of himself leaving his trial in Manhattan criminal court in 2024, when a jury found him guilty of 34 felony counts under the caption Only Trump. Then he posted an image from 2018 of himself walking with North Korean dictator Kim Jong Un. Then he posted a picture of himself speaking at a lectern in front of Air Force One while he was campaigning for reelection in August20. Then he posted an AI image of himself on a ship looking out at battleships from different eras, including a wooden sailing vessel flying the American flag with fighter jets in formation overhead. The back of his jacket is emblazoned with Commander in Chief and the caption reads, you're getting discombobulated. Then he posted an image of himself on the COVID of Fortune magazine from December 8, 1986. And then he posted a black and white image of himself as a younger man in the same era, looking pensive, seated in a chair on an ice rink with the caption, years ago, after saving the Wolman's skating rink in Central park, long before I fix the Reflecting pool and everything else in Washington, D.C. including, most importantly, crime President Donald J. Trump. Tomorrow night, the fighters will enter the ring from the Oval Office. The fight will be carried live on Paramount plus, for a fee of $8.99 and up.
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Letters from an American was written and read by Heather Cox Richardson. It was produced at Soundscape Productions, Dedham, MA. Recorded with music composed by Michael Moss.
Podcast: Letters from an American
Host: Heather Cox Richardson
Episode Date: June 14, 2026
Episode Title: "A Trump Stunt"
In this episode, historian Heather Cox Richardson narrates a striking and surreal week of political spectacle centered on former President Donald Trump. Richardson dissects how Trump's orchestrated events—ranging from renaming the Kennedy Center to staging UFC cage matches at the White House—reflect the intertwining of showmanship, conflict, and American political history. The episode spotlights the controversial repurposing of national symbols and institutions for personal aggrandizement and public spectacle.
[00:00 - 03:00]
Certification of Compliance with Court Order:
Charles M. Floca, Trump’s appointee at the Kennedy Center, certified to a court that the center had complied with an order to remove all signage, references, and trademark applications linking the Kennedy Center with Trump.
Iconic Press Image:
Kennedy Center Statement:
Spokesperson Roma Duravi insisted the Center was fully compliant and that "the board was evaluating legal options."
"Through a crack between the tarp and the wall, photographers caught a few images of letters coming down... the portico remains shrouded all day."
— Heather Cox Richardson ([~01:00])
[03:00 - 05:00]
UFC at the Lincoln Memorial and White House:
Trump arranged for UFC fighters to hold a press conference at the Lincoln Memorial as part of an elaborate event series culminating in televised cage fights on the White House South Lawn for his 80th birthday.
Use of Military Ceremony:
Trump sent the U.S. Army Herald Trumpets and arranged for an "Armed Forces Full Honor Cordon"—the highest ceremonial formation, typically reserved for state occasions, which underscores the gravity and spectacle engineered for the event.
"The fighters walked from Lincoln's statue down the steps of the memorial through the Armed Forces Full Honor Cordon... usually reserved for heads of state, foreign dignitaries, senior officials, and funerals for military heroes."
— Heather Cox Richardson ([~03:40])
Weigh-In Theatrics:
At the Lincoln Memorial, UFC heavyweight Josh Hokut staged a moment pretending to vomit, then quipped:
"Maybe I was drinking last night... Who wouldn't be? I've got a giant man who wants to knock me out."
— Josh Hokut ([~04:20])
Trump’s Favorite Fighter:
Derrick Lewis noted as his favorite, described as having "the most knockouts in UFC history."
[~05:00]
"They were filmed on their bikes flying across the facade of the White House."
— Heather Cox Richardson ([~05:20])
[05:20 - 05:55]
Barrage of Images:
On the eve of his 80th birthday, Trump posted a series of provocative images including:
"Long before I fix the Reflecting pool and everything else in Washington, D.C. including, most importantly, crime President Donald J. Trump."
Blurring Reality and Self-Promotion:
The selection and presentation of images illustrate a mix of nostalgia, bravado, and personal mythmaking, culminating in the announcement that the White House UFC matches would be streamed live via pay-per-view.
"Then he posted an AI image... with the caption reads, 'you're getting discombobulated.'"
— Heather Cox Richardson ([~05:45])
[05:55 - 06:10]
Heather Cox Richardson weaves recent happenings into a narrative about spectacle, symbolism, and the redefinition of American institutions under Trump. From legal battles over public spaces to using military and national landmarks for entertainment, the episode reveals how political power and personal branding can merge into a brash display—leaving questions about history, democracy, and the American landscape.
For further reading, visit heathercoxrichardson.substack.com.