I spoke with Elizabeth W. Garber the Monday right after Father’s Day, an apt time to be discussing her memoir, Implosion. It’s a story about growing up in Cincinnati in the 1960s and early ’70s in a glass house designed by her architect father—years that were so unsettling to live through that when Garber began speaking to her mother and her two brothers about the abuse they all endured, they initially refused to have anything to do with the topic. Which didn’t exactly surprise her, because it was the last thing she ever intended to write about, either:

“I’d been a poet for years and I wrote about living in Maine, and I wrote about being a mom… and I’d written almost nothing about my childhood. Every now and then, a little something would sort of squeak through, but I had no interest. I didn’t want to go back there, I didn’t want to really talk about or remember that part of my life.

“Then I had heart surgery, and afterwards, it was like this stream of memory that just started coming up, day after day. And I have a commitment, that when ideas or thoughts come up, that I write it. So I just started writing, and it started out with being a little girl in the village and living in an old Victorian house, and every day I wrote, for about an hour a day, for the next two or three years.

“I ended up writing just about every memory I had from my childhood into my twenties. I kept thinking, I don’t want to write about my dad, or all of this, but it just felt like that was what I had to do, so I just kept going. And then i started asking my mother and brothers for stories and details, and they were like, I don’t want to go there…”

During our conversation, Garber and I discussed how she had mentally and emotionally blocked out her father’s most invasive and abusive behavior while it was happening, and about how friends and neighbors, and even her father’s therapist, turned a blind eye to the blatant signs of his mental and emotional condition. We also discussed how her father’s most famous project became a landmark metaphor for all the shortcomings of modernist architecture… along with the more personal meaning it accrued within the family.

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photo courtesy Elizabeth W. Garber

Life Stories #102: Elizabeth W. Garber