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Andrew Durbin’s The Wonderful World That Almost Was unravels, for the first time, the intertwined stories and work of two boundary burning, paradigm-tilting, never more relevant American artists, Peter Hujar and Paul Thek. Weaving together deft art criticism with moving portraits of both men's inner lives, and assembled with exhaustive research, Durbin’s book is an ode to a lost but still-living world—and two men who defined it. You can buy a copy of The Wonderful World That Almost Was from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michelle Tea’s queer autofictional classic Valencia, which Torrey Peters described as ‘one of the few truly life changing books I've encountered’, is a quarter of a century old; to celebrate, her UK publisher Serpent’s Tail have released a 25-year anniversary special edition, with a new introduction by Maggie Nelson. Tea was in conversation with Lamorna Ash, author of Dark, Salt, Clear and Don’t Forget We’re Here Forever. You can buy a copy of Valencia from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

While recuperating in hospital in Mexico, Flora meets Wilhelmina, an elderly German woman with pneumonia, who collects pre-cinema toys and instruments. The two of them embark on a series of dream-like conversations in the hospital corridors. Wilhelmina puts on a magic lantern show for Flora, leaving her spellbound. Then things take an unexpected turn… Ardijis was reading from The Shadow of the Object and in conversation with Jennifer Higgie, editor of Frieze magazine, whose most recent book was The Other Side: A Journey into Women, Art and the Spirit World. You can buy a copy of The Shadow of the Object from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the publication of their respective new books, So Mayer (Bad Language) and Sarah Schulman (The Fantasy and Necessity of Solidarity) discussed the radical affinities between their work in exposing the power structures underpinning both the ways in which we communicate, and the language we use to do so. You can buy Bad Language and The Fantasy and Necessity of Solidarity from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

Margaret Drabble’s new collection, The Great Good Places, is an omnium gatherum of essays, stories and memoir, drawing on a lifetime’s worth of insight and wisdom. ‘Generous, perceptive, and good-humoured, Margaret Drabble is always a delight to read’, wrote Joan Bakewell; The Great Good Places has all these qualities in evidence. Drabble was in conversation with Tessa Hadley, whose most recent novel is The Party (Vintage). You can buy a copy of The Great Good Places from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

What Am I, A Deer?, Polly Barton’s debut novel, takes on the vagaries of translation – linguistic translation, self-translation, and reinvention – which she’s previously explored in the much-loved Fifty Sounds, also published by Fitzcarraldo. ‘The protagonist of What Am I, A Deer? finds herself both Schrödinger and his cat on entering the Frankfurt tram, the office, and the ‘black box’ of the karaoke booth; inside and outside simultaneously, trying to figure out whether she exists and in a state of tingling oscillation’, writes Jen Calleja. ‘Polly Barton is the maestra of controlled dissolution.’ You can buy a copy of What Am I, A Deer? from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an audacious new take on the campus novel Luke Kennard’s protagonist, a penniless out-of-work actor, takes on a job unlike any other. He is hired to sit silently at the back of a lecture hall, concealed within a black bag. Black Bag (John Murray) examines, hilariously, modern masculinity, romance, identity and much else besides. ‘Such a smart and philosophical novel really has no business being this entertaining’ writes Anna Metcalfe. ‘Black Bag is hilarious, profound, tender and deranged. A deeply cathartic read for anyone seeking the funny side of the total decimation of the arts.’ Luke Kennard was in conversation with fellow poet and novelist Will Eaves. You can buy a copy of Black Bag from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Magic and Mechanics, the latest in Scratch Books’ ‘Reverse Engineering’ series, six writers – George Saunders, Claire-Louise Bennett, Mark Haddon, Camilla Grudova, Amber Medland and Colin Barrett – present and disassemble one of their recent short stories. To celebrate its launch, join Claire-Louise Bennett in conversation with novelist Ben Pester as they discuss their work, exploring the ways that their backgrounds in theatre have led them to create exhilarating and innovative prose writing. You can buy a copy of Magic & Mechanics from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Analogue Africa, (Verso) essayist and LRB contributing editor Jeremy Harding explores the anti-colonial imagination through the works of African artists and film-makers, including Seydou Keïta, Sanlé Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. ‘In Analogue Africa, [Harding] is writing at the peak of his powers’, writes Adam Shatz, ‘eloquent, perceptive, attentive at once to questions of form and to the moral and political stakes involved in the creation of postcolonial culture.’ Harding was in conversation with Kevin Okoth, author of Red Africa and regular contributor to the LRB. You can buy a copy of Analogue Africa from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

When a steamy Netflix show called ‘Cheating’ becomes the much-talked-about megahit of the moment, baby-boomer Kate is alarmed to find it contains secrets from her marriage to architect husband Jack that only she should know. John Lanchester, LRB contributing editor and author of The Debt to Pleasure and Capital, explores popular culture, the dynamics of marriage and intergenerational conflict in his latest novel Look What You Made Me Do (Faber). Lanchester was in conversation with Hattie Crisell, author of In Writing (Granta). You can buy a copy of Look What You Made Me Do from the London Review Bookshop. Learn more about your ad choices. Visit megaphone.fm/adchoices