The X-Files is, technically, a show about two FBI agents investigating extraterrestrial activity, government conspiracy, and the unexplained — which is why it's mildly hilarious that filmmaker Chelsea Stardust's curated onramp for Mandy contains, by Mandy's own count, exactly zero alien episodes. What it does contain: a man who hibernates in a nest every thirty years and squeezes through air ducts; a parasitic humanoid Flukeman swimming around the sewer system (related, somehow, to Chernobyl); a gentle psychic played by Peter Boyle who can see exactly how everyone is going to die; an inbred Pennsylvania family hiding their quadruple-amputee mother under the bed; and Bryan Cranston's head, which will explode unless he keeps driving west. Mandy was, against every instinct she possesses, completely charmed.What emerges across the conversation is a love letter to a show whose secret weapon turns out not to be the monsters at all. It's the writing (Vince Gilligan, pre-Breaking Bad, was already writing Vince Gilligan episodes). It's the sparing use of special effects, which means the few times you actually see the Flukeman, you really see him. It's a theme song Mark Snow created by smashing his forearm onto a keyboard in frustration, which is the most rock-and-roll origin story in television scoring. And it's the Mulder-Scully dynamic, which Chelsea makes a passionate case is the actual core of the entire enterprise — the relationships first, the body horror second, the Cigarette Smoking Man a distant third.By the end, Mandy has watched five episodes, formed strong opinions about Scully's footwear ergonomics, identified Roseanne's Dan Conner's best friend Chuck in a guest spot decades later, and developed genuine sympathy for a sewer-dwelling parasite. Chelsea has confessed that she's never gotten to talk about The X-Files on a podcast before, which feels like a crime against nerd culture and is hereby corrected.GUEST SPOTLIGHTChelsea Stardust is a writer, director, and producer with a deep bench of horror credentials. She made her directorial debut with the sci-fi thriller All That We Destroy (Hulu, part of Blumhouse's Into the Dark series); directed the horror-comedy Satanic Panic (written by novelist Grady Hendrix, available on VOD); and most recently co-directed Grind, a horror anthology about the gig economy that premiered at SXSW 2026. She co-hosts the horror movie podcast Sitting in the Dark with Tommy Metz III on TruStory FM, runs the Losers Book Club in Los Angeles, and is generally the kind of person who treats nerdiness as a vocation. Find her on Instagram at @chelseastardust and her book club at @losersbookclubla.

Chelsea’s Films

The X-Files Episodes Discussed

People Mentioned

Grady Hendrix — novelist; wrote Satanic Panic
Dave Grusin — composer of The Firm score
Tommy Metz III on Instagram — Sitting in the Dark co-host

Referenced Books

The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix
It (Stephen King novel) — referenced for thematic parallels with “Squeeze”

Referenced Films & Series

Scanners (1981) — Cronenberg; cited for the “Drive” cold open
Speed (1994) — the spiritual cousin to “Drive”
The Goonies (1985) — Mandy’s prior episode reference
The Firm (1993) — for Mandy’s Dave Grusin score reference
It (1990 miniseries) — Tim Curry as Pennywise
Disclosure Day (2026) — the Spielberg UFO film Chelsea referenced

Past Make Me a Nerd Episodes

It’s Our Time Down Here: A Goonies Comfort Rewatch with Krissy Lenz — series hub (specific episode page)

Make Me a Nerd

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