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The upcoming West End revival of the Tony Award and Pulitzer Prize winning musical RENT has recently announced its cast.Joining Gaten Matarazzo as Mark will be Travis Ross as Roger, Bella Brown as Mimi, Billy Nevers as Collins, Lazy Violet as Maureen, Olivier Award nominee Danielle Fiamanya as Joanne, Jeevan Braich as Angel and Joaquin Pedro Valdes as Benny.Find out why this news is so exciting and why Mickey-Jo thinks this production could become the most important staging of RENT since it premiered...•00:00 | introduction01:25 | the history08:14 | the cast16:44 | further details About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

This week marked the arrival of one of the most anticipated shows of 2026 when the revival of the musical JESUS CHRIST SUPERSTAR opened at the London Palladium.The production, first seen in an earlier iteration at Regent's Park Open Air Theatre, stars Sam Ryder and Tyrone Huntley alongside Desmonda Cathabel.Check out this full review to find out what Mickey-Jo thought of this latest staging of the rock opera from Sir Tim Rice and Sir Andrew Lloyd Webber...•00:00 | introduction02:08 | history / context08:37 | creative choices19:01 | performances27:00 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Currently two things seem to be true: there are ever more stage musicals based on films, and there is ever more debate about whether there are too many of them.Today Mickey-Jo is glancing back at the history of the film-to-stage adaptations, the major examples that shifted how audiences engage with such shows including Disney's arrival on Broadway as well as musicals including Monty Python's Spamalot and Legally Blonde, and the potentially growing disinterest in recent movie based narratives.He is also considering whether musicals based on movies have a brand image problem, the shows that are already trying to circumvent that, what the future might look like for the contemporary Broadway musical, and whether original shows are inherently better...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction03:04 | the history13:41 | the popularity23:52 | is originality better?30:28 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Summer in London brings a slew of new limited runs, and in the past few weeks Mickey-Jo has seen a handful of play revivals which he's been eager to tell you about.• A Midsummer Night's Dream at Shakespeare's Globe• The Truth at the Apollo Theatre• Cyrano de Bergerac at the Noel Coward Theatre• The Misanthrope at the National Theatre Check out what Mickey-Jo thought of each of these productions, their new interpretations, and their creative choices...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction01:59 | A Midsummer Night's Dream10:50 | The Truth17:23 | Cyrano de Bergerac25:52 | The Misanthrope34:48 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo recently had the chance to meet the cast of DEATH NOTE: THE MUSICAL, which arrives in London later this Summer with a fully staged limited run at the Barbican Centre.The newly announced cast includes Xander Pang, Colin Ryan, Telly Leung, Stephanie Zaharis, Grace Mouat, Paolo Montalban, Chloe Saracco, and more.Check out what they have to say about their characters, the story's huge following, and building this epic, brand new production.check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.comAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, Mickey-Jo saw EVERY BRILLIANT THING on Broadway starring Daniel Radcliffe.The play heavily incorporates audience participation, and during this visit Mickey-Jo was very nearly a part of the show in a key role.As well as telling the story of how that almost happened and why it didn't, Mickey-Jo is letting you know how well he thought the production transferred from an intimate London venue to the larger Hudson Theatre...•00:00 | introduction01:53 | synopsis / overview 06:34 | when I saw the show...15:46 | Broadway review24:23 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

In the last few weeks, two more musicals have cancelled forthcoming dates of their Australian tour, citing low ticket sales and economic challenges.Waitress and Beetlejuice will close early, with Back to the Future the Musical and Dear Evan Hansen having shuttered similarly in the last couple of years.In this conversation, Mickey-Jo is trying to figure out what's going wrong in the Australian theatre industry and whether there is hope for improvement for commercial musicals...•00:00 | introduction02:48 | Dear Evan Hansen / Back to the Future12:29 | Beetlejuice / Waitress20:13 | the problem / the solution29:53 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Yesterday, the West End production of PHANTOM OF THE OPERA announced the cast for their upcoming 40th Anniversary Celebrations.Broadway breakout star Jordan Donica will return to the musical, this time as the Phantom, with Beatrice Penny-Touré also returning as Christine Daaé and Rhys Whitfield as Raoul.They will be joined by new and familiar faces, including Joseph Millson and Sierra Boggess who were both among the principal cast of Love Never Dies and will each play new supporting roles.Check out why this cast is so exciting as well as Mickey-Jo's thoughts on how the show is approaching this milestone...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:53 | the announced plans09:23 | the new principals17:26 | further casting23:19 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

This week, the United Kingdom has once again been experiencing soaring temperatures, and theatres around the country have had to adapt.Today, Mickey-Jo is reporting from his own heatwave-hit home to let you know what to expect when theatregoing during high temperatures, as well as sharing some recent stories of how shows have adapted both on and offstage.•00:00 | introduction02:11 | audience advice10:29 | onstage measures16:03 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Mickey-Jo saw his most anticipated new show of the year - a musical adaptation of the film PRIDE.The show, which is set in the 1980s, tells the true story of LGSM, a group of Lesbians and Gay men from London who supported a community of miners during Thatcher era strikes.Check out what Mickey-Jo thought of the show, its material, and the extent to which it measured up to the extraordinary film upon which it is based...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:08 | synopsis / themes07:21 | the material19:20 | creative choices29:36 | performances37:14 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.