Podcast Summary: MickeyJoTheatre Episode on "Burlesque" at Savoy Theatre
Introduction
In the July 23, 2025 episode of MickeyJoTheatre, host Mickey Jo delves into his review of the West End's latest production, "Burlesque" at the Savoy Theatre. Known for his extensive coverage of theatre across global platforms, Mickey Jo offers a comprehensive analysis of this highly anticipated stage adaptation of the popular film.
Overview of "Burlesque: The Musical"
Mickey introduces "Burlesque" as a musical adaptation of the film starring Christina Aguilera and Cher. Notably, Christina Aguilera not only reprises her role as a performer but also serves as a producer, while Cher maintains a more hands-off role. Mickey sets the stage by highlighting the ongoing backstage drama surrounding the production but focuses his review purely on the performance aspects.
Adaptation from Film: Changes and Comparisons
One of the central themes Mickey explores is the adaptation's departure from the original film. He notes that Stephen Antin, the writer and director of the original screenplay, has taken the helm in adapting it for the stage. This dual role raises a potential red flag, as Mickey remarks:
"Having the same person adapt the screenplay for the stage is usually a little bit of a red flag in the world of musical theatre." [05:30]
Mickey points out significant changes, particularly in the relationship dynamics between the main characters. Unlike the surrogate mother-daughter relationship in the film, the musical introduces a literal mother-daughter revelation:
"Unbeknownst to Tess, Ali discovers she is her long-lost daughter shortly after her adoptive mother's death." [12:15]
Narrative and Storyline Analysis
Mickey critiques the narrative structure, emphasizing that the emotional depth of the mother-daughter relationship is underdeveloped. He expresses disappointment in how the revelation is handled:
"The realization is prolonged and ultimately squandered, leaving the emotional core of the story feeling thin." [27:45]
He also highlights inconsistencies in the financial subplot, which deviates from the film without adding meaningful depth:
"The financial subplot doesn't make sense and introduces confusing inconsistencies." [37:00]
Musical Numbers and Performances
The musical retains many songs from the film, with some reimagined for the stage. Mickey praises Jess Foley’s performance as Ali Rose:
"Jess Foley sings phenomenally, handling Christina Aguilera's demanding vocal riffs with unmistakable uniqueness." [17:50]
However, he critiques the handling of certain songs, particularly the reduced version of "You Haven't Seen the Last of Me":
"It's like being served only dessert when you're expecting a full meal – the song feels incomplete." [20:10]
Mickey also lauds the burlesque production numbers, especially the historical sequence about burlesque’s evolution:
"Todrick Hall delivers a spectacular production number teaching Ali about the history of burlesque, a standout moment in the show." [24:30]
Direction and Production Design
Directed and choreographed by Todrick Hall, the production exudes high energy and stylish presentation. Mickey draws parallels to Jerry Mitchell’s direction in other musicals, noting:
"The direction feels familiar to Jerry Mitchell’s style – light-hearted, entertainment-focused, and characterful." [30:45]
He compliments the set design by Nate Bertone and the costumes by Marco Marco, though he wishes for a more pronounced evolution in costuming from Act 1 to Act 2 to reflect the narrative shift.
Cast Performances
Jess Foley as Ali Rose: Praised for her vocal prowess and ability to emulate Christina Aguilera while bringing her unique flair.
Orfeh as Tess: Mickey is impressed with Orfeh’s performance, likening her to a "theatrical legend" with a powerful vocal presence:
"Orfeh sounds phenomenal, her voice full and smoky, delivering vulnerable and revealing moments with sweetness." [36:10]
Todrick Hall as Sean: While some speculate Todrick is overly present, Mickey appreciates his comedic timing and dance skills:
"Todrick’s characterization is charming, with great comedy one-liners and mesmerizing dancing." [35:20]
Paul Jacobs French as Jackson: Highlighted as the unexpected MVP, Paul brings a unique charm and star power to the love interest role:
"Paul Jacobs French has legitimate star power and an inherent sensuality, combined with mesmerizing dancing." [44:00]
Strengths of the Production
Mickey acknowledges several strengths that make "Burlesque" an entertaining spectacle:
- Vocal Performances: The cast delivers strong vocal performances, especially Jess Foley and Orfeh.
- Dance and Choreography: High-energy dance numbers and choreography that captivate audiences.
- Set and Costume Design: Stylish and eye-catching designs that enhance the visual appeal.
"The show is hugely entertaining when the numbers come together, creating an organic standing ovation moment." [42:15]
Shortcomings and Criticisms
Despite its strengths, Mickey identifies several areas where the production falls short:
- Narrative Depth: The emotional core, particularly the mother-daughter relationship, is underexplored and feels thin.
- Set Sight Lines: Poor sight lines for audiences seated at the edges due to stage design choices.
- Inconsistent Character Development: Characters like Tess and Jackson lack depth and consistent motivation.
- Superficial Representation: Limited and tokenistic representation of diversity within the ensemble.
"The story lacks substance, feeling more like a shiny exterior without a robust shape." [25:00]
Conclusion
Mickey concludes that while "Burlesque: The Musical" boasts high entertainment value with its strong performances, dance numbers, and visual appeal, it struggles with narrative depth and character development. He suggests that the show will likely be a crowd-pleaser for audiences seeking a stylish and energetic night out but falls short for purists and those longing for a more emotionally resonant adaptation.
"It's possible to go to this show and have a fantastic time, even if it isn't the best version of a burlesque stage musical ever." [47:00]
Mickey encourages listeners to experience the show for themselves, highlighting its strengths while acknowledging its limitations.
Final Thoughts
"MickeyJoTheatre" provides a balanced and insightful review of "Burlesque: The Musical," offering theatre enthusiasts a detailed breakdown of what to expect. Whether you're drawn by the promise of dazzling performances or concerned about narrative fidelity, Mickey’s review equips you with the knowledge to make an informed decision.
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