Podcast Summary: MickeyJoTheatre – "Hello, Dolly!" Review at Théâtre du Lido, Paris

Episode Title: Hello, Dolly! (Théâtre du Lido / Lido 2 Paris, Paris) - ★★★★ REVIEW
Release Date: December 17, 2024
Host: MickeyJoTheatre

Introduction

In this episode, Mickey-Jo from MickeyJoTheatre dives deep into his review of the classic musical "Hello, Dolly!" as performed at the Théâtre du Lido in Paris. Known for his extensive coverage of theatre from the West End, Broadway, and beyond, Mickey-Jo offers a comprehensive analysis of this particular production, highlighting its unique elements and comparing it to other notable renditions.

Context and Background of "Hello, Dolly!"

Mickey-Jo begins by providing a rich historical context for "Hello, Dolly!" He traces the musical back to its origins in the 1964 Broadway production, featuring a score by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's play. The story centers around Dolly Gallagher Levi, a spirited matchmaker navigating early 20th-century New York society.

“[...] the original opening I put my hand in was changed for the largely similar, but slightly more patter driven, Just leave everything to me...” ([04:30])

Production Details at Théâtre du Lido

The production at Théâtre du Lido is part of the venue’s recent transformation from a former cabaret space into a hub for musical theatre. Mickey-Jo highlights the venue's intimate setting with a thrust stage and multiple seating tiers, enhancing the audience's connection to the performance.

“The stage itself is mostly a thrust, with Cabaret seating extending throughout multiple different tiers in the auditorium. It makes the whole thing feel very intimate and charming.” ([20:15])

Comparison with Other Productions

Mickey-Jo contrasts the Théâtre du Lido's version with the London Palladium revival starring Imelda Staunton. While the Palladium production incorporated changes inspired by the film adaptation, including a different opening number and a more nuanced portrayal of Dolly, the Lido's rendition remains closer to the Broadway script, emphasizing joy and vitality over introspection.

“This Dolly has been directed and choreographed by the exceptional Stephen Meer and, like I said, a more traditional version of the script and of the show.” ([24:50])

Set Design and Choreography

The set design by Peter McIntosh is described as classic early 20th-century America, evoking the charm of Disneyland. Mickey-Jo notes the clever use of the Théâtre du Lido's unique features, such as hydraulic platforms and fountains, although they were primarily utilized during intermissions for a musical water show.

“The choreography was sublime. I love tap. It was so extraordinarily well done in this production. All of the grace and the athleticism of this company...” ([38:40])

Performance Highlights

Caroline O'Connor shines as Dolly Levi, embodying the character with a blend of charm, grit, and vocal prowess reminiscent of Broadway legends like Liza Minnelli and Chita Rivera. Her performance is lauded for its authenticity and energy, making Dolly both lovable and inspiring.

“She is so perfectly cast in this role because she's so winningly charming... She has that quality that you have to be born with.” ([45:10])

Peter Pollycarpu delivers a standout performance as Horace Vandergelder, balancing comedy with a likable portrayal of the miserly millionaire. The quartet of young lovers, portrayed by Carl Oh, Monique Young, Reese McGowan, and Craig Chrissy Beamer, add depth and whimsy to the narrative.

“Carl, particularly delightful in those moments where you could see him falling in love with Irene.” ([52:25])

Challenges: Comedy Timing in a Foreign Language

One significant challenge highlighted is the delivery of comedy in English to a predominantly French-speaking audience. Subtitled translations sometimes led to punchlines appearing before the dialogue, disrupting comedic timing and effectiveness.

“Comedy is about timing. They had the same problem with A Funny Thing Happened on the Way to the Forum.” ([1:05:30])

Overall Assessment and Conclusion

Mickey-Jo concludes with a strong recommendation for the Théâtre du Lido's production of "Hello, Dolly!", praising its emphasis on joy and liveliness. While acknowledging minor shortcomings in comedic execution, the overall experience is described as a "bubbling glass of champagne," perfect for uplifting and entertaining audiences.

“This is exactly what I'm hoping, it's a tonic for challenging times and at its best is a bubbling glass of champagne.” ([1:10:45])

The production's success has led to an extension at the Lido Theater, with hopes of continuing into 2025. Mickey-Jo encourages listeners to experience this rendition firsthand for its unique charm and intimate setting.

“Do yourselves a favor, head on over to France and check out this production at the Lido Theater.” ([1:12:00])

Final Thoughts

Mickey-Jo wraps up by inviting listeners to engage with his content, share their experiences if they've attended the Lido production, and stay tuned for more theatre reviews and insights.

“I hope that you enjoyed this review... Have a stagey day.” ([1:15:00])

Key Takeaways:

• Authentic Performances: Caroline O'Connor's portrayal of Dolly is both charismatic and vocally impressive.
• Intimate Venue: Théâtre du Lido offers a charming and close-knit theatre experience.
• Traditional Yet Fresh: The production stays true to the original script while integrating creative staging elements.
• Cultural Nuances: Delivering comedy in English to a French audience presents unique challenges, affecting comedic timing.
• High Recommendation: Despite minor flaws, the production is highly recommended for its joyful and vibrant presentation.

For those interested in experiencing "Hello, Dolly!" at Théâtre du Lido or exploring more of MickeyJoTheatre’s insightful reviews, subscribing to his YouTube channel or following him on podcast platforms is highly encouraged.