Podcast Summary: MickeyJoTheatre Reviews "The Frogs" at Southwark Playhouse

Episode: The Frogs (Southwark Playhouse Borough, London) - ★★★ REVIEW
Release Date: May 29, 2025
Host: MickeyJoTheatre

1. Introduction

Mickey Jo, a dedicated theatre critic and the voice behind the largest YouTube channel focused on theatre criticism, delves into his review of the latest production of Stephen Sondheim's The Frogs at Southwark Playhouse in London. With over 60,000 subscribers, Mickey Jo brings a blend of passion and expertise to his analysis, aiming to provide both insightful and engaging content for theatre enthusiasts.

2. Background of "The Frogs" Musical

The Frogs is a Stephen Sondheim musical with an original book by Bert Shevlov, later revised by Nathan Lane in the early 2000s. Initially premiered at Yale University’s Drama Program, the musical was uniquely staged around a swimming pool, reflecting its unconventional origins. Mickey Jo highlights the rarity of The Frogs being staged compared to other Sondheim works.

"The Frogs is one of the more infrequently staged musicals featuring a score by Stephen Sondheim." (00:30)

He notes that the current production is produced by the same company that previously staged Anyone Can Whistle at the Venue, indicating a continued interest in reviving seldom-seen Sondheim pieces.

3. Plot Synopsis and Comparisons

Mickey Jo provides a comprehensive overview of The Frogs, tracing its roots back to Aristophanes' ancient play. The narrative follows Dionysus, the God of wine and theater, who ventures into the underworld with his slave Xanthius to retrieve playwright George Bernard Shaw, believing that Shaw's work can inspire societal change.

"Dionysus must choose between Shakespeare and Shaw, reflecting on the power of art to affect change." (12:45)

He draws parallels between the plot of The Frogs and Nathan Lane's successful Broadway hit, The Producers, noting similar character dynamics and comedic elements.

"There's a lot of Mel Brooks and Monty Python-esque humor interwoven into the storyline." (18:30)

This comparison underscores the comedic and satirical tone Mickey Jo perceives in the production.

4. Analysis of the Musical's Material and Lyrics

Mickey Jo praises Sondheim’s lyricism, highlighting the clever wordplay and memorable lines that define the musical. He discusses the thematic dichotomy between intellectual and poetic approaches to art, a central theme in the rivalry between Shaw and Shakespeare within the play.

"The Frogs explores the value of intellectual thought-provoking art versus poetic and romantic expression." (25:10)

He appreciates the intricate rhymes and witty lyrics, such as:

"Where men are men and sheep are nervous." (35:20)

Mickey Jo also references specific songs like "Instructions and Invocations to the Audience," noting its humorous modernization with lines like:

"Please don't fart there' air. And this is art." (40:50)

These elements showcase Sondheim's signature style, blending humor with profound commentary.

5. Production Review at Southwark Playhouse

The production by Grey Area Theatre Company under director Georgie Rancombe receives a mixed review. While Mickey Jo acknowledges the structural soundness and the thoughtful re-examination of Sondheim’s work, he critiques the execution of comedic elements and tonal consistency.

"There's a lot of punch lines that just aren't landing for whatever reason." (50:15)

He points out instances where the humor, such as references to contemporary culture and internet trends, felt forced or out of place, detracting from the overall impact.

"The reference to Crawley was incredibly out of pocket." (55:40)

However, he commends the choreography, particularly the frog sequence, describing it as a "brilliant mixture between contemporary dance and Michael Bennett-esque chorus line parody."

Mickey Jo also notes technical aspects, such as sound design and lighting, suggesting improvements for clarity and visual storytelling.

"Clarity of Sondheim lyrics is essential; whispering Sondheim undermines the musical's impact." (1:05:30)

6. Performances and Standout Actors

The cast receives varied feedback. Dan Buckley’s portrayal of Dionysus is praised for its sincerity, though Mickey Jo wishes for more exuberance to match the character's larger-than-life persona.

"Dan delivers the heartfelt moments meaningfully and with tremendous care." (1:15:00)

Kevin McHale as Xanthius is lauded for his comedic timing and natural stage presence, drawing parallels to his role in Glee.

"Kevin McHale is immediately very, very funny on stage." (1:20:45)

Victoria Scone’s performance as Pluto stands out for her dynamic presence and ability to infuse the role with both charisma and humor.

"Victoria Scone is great in this, with a tremendous sense of presence and confidence." (1:30:10)

Other notable performances include Joaquin Pedro Valdez as Heracles and Karl Patrick as the Duke/Sharon, both bringing unique energy and comedic flair to their roles.

"Karl Patrick's dual roles were hysterical, straight out of a Monty Python sketch." (1:40:50)

The ensemble is commended for their dedication and versatility, effectively navigating the complex material and contributing to the show's overall vibrancy.

7. Conclusion and Recommendations

Mickey Jo concludes that while The Frogs at Southwark Playhouse has its strengths—particularly in performances and certain comedic sequences—it falls short in fully realizing the potential of Sondheim's material due to inconsistent comedic execution and tonal imbalance.

"Despite the near miss on the show's tone, it goes into it with exactly the right kind of energy." (1:50:25)

He encourages theatre lovers, especially Sondheim aficionados, to experience the production firsthand to form their own opinions.

"If you have any kind of interest in Sondheim, then I think you have to go and at least see this production." (2:00:10)

Mickey Jo wraps up by inviting listeners to share their experiences and thoughts on the production, fostering a community discussion around this rare Sondheim revival.

Key Quotes with Timestamps

• "The Frogs is one of the more infrequently staged musicals featuring a score by Stephen Sondheim." (00:30)
• "Dionysus must choose between Shakespeare and Shaw, reflecting on the power of art to affect change." (12:45)
• "There's a lot of Mel Brooks and Monty Python-esque humor interwoven into the storyline." (18:30)
• "Where men are men and sheep are nervous." (35:20)
• "Please don't fart there' air. And this is art." (40:50)
• "There's a lot of punch lines that just aren't landing for whatever reason." (50:15)
• "Dan delivers the heartfelt moments meaningfully and with tremendous care." (1:15:00)
• "Kevin McHale is immediately very, very funny on stage." (1:20:45)
• "Victoria Scone is great in this, with a tremendous sense of presence and confidence." (1:30:10)
• "Karl Patrick's dual roles were hysterical, straight out of a Monty Python sketch." (1:40:50)
• "Despite the near miss on the show's tone, it goes into it with exactly the right kind of energy." (1:50:25)
• "If you have any kind of interest in Sondheim, then I think you have to go and at least see this production." (2:00:10)

Mickey Jo’s review of The Frogs offers a balanced perspective, appreciating the revival's dedication to Sondheim's legacy while critiquing areas where the production could enhance its execution. Whether you're a long-time fan or new to Sondheim's works, this review provides valuable insights into the nuances of this unique theatrical experience.