Summary of "Why Todrick Hall is Directing BURLESQUE | Thoughts on the Alleged Backstage Drama at West End Show"
Podcast: MickeyJoTheatre
Host: MickeyJoTheatre (Micky Jo)
Episode Release Date: June 12, 2025
In this insightful episode, Micky Jo delves deep into the upcoming West End transfer of the highly anticipated stage musical adaptation of the popular film Burlesque. He explores the significant changes in the production’s creative team and cast, while also addressing the alleged backstage drama that has surfaced during its transition from regional runs to London’s prestigious Savoy Theatre.
1. Introduction to Burlesque’s West End Transfer
Micky Jo opens the discussion by highlighting the journey of Burlesque from its regional premiere in Manchester to its imminent West End debut.
"[...] the show first premiered regionally in Manchester and had several regional runs, all the while presumably eyeing a West End transfer, one that has now been announced and is rapidly approaching." (00:00)
He emphasizes the excitement surrounding the transfer but hints at underlying complications that warrant attention.
2. Overhaul of the Creative Team
A major focus of the episode is the complete restructuring of the creative team. Originally helmed by director and choreographer Nick Winston, the production has undergone a significant shift with Todrick Hall stepping into multiple roles.
"Todrick Hall was originally a cast member and co-composer, but now he's not only directing and choreographing but also continuing his role in the show." (05:30)
Original Creative Team:
- Director & Choreographer: Nick Winston
- Set Designer: Sutra Gilmour
- Costume Designer: Ryan Dawson
- Musical Supervision: Phil Bateman
- (Additional key members were also part of the initial team.)
New Creative Team Under Todrick Hall:
- Director & Choreographer: Todrick Hall
- Set Designer: Nate Bertone
- Costume Designer: Marco (known for his work in fashion and drag musicals)
- Lighting Designer: Rory Beaton
- ...(other new members)
Micky Jo expresses his surprise and concern over the extensive changes:
"If you completely change the creative team, odds are you're going to end up with a pretty different show." (06:15)
3. Cast Changes and New Additions
Significant alterations in the cast have also taken place, with notable replacements and new talent joining the ensemble.
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Cher’s Role: Originally played by Jackie Burns, a younger Broadway actress, this role is now taken over by Paulette Orfeh, a Broadway legend known for her performance in Pippin.
"Christina Aguilera’s role...is now going to be played by Broadway legend and original Paulette Orfeh. What an exciting group of people." (09:30)
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Todrick Hall: In addition to directing, Hall takes on a role similar to the original character Shaun, positioning himself as an emcee within the production.
"Todrick is directing and choreographing while also performing, which is quite a multifaceted role." (14:50)
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Jess Foley: Continues her portrayal of Ali, the lead character, contributing original songs to the production.
"Jess Foley as Ali...she's got a great voice." (13:55)
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New Cast Members:
- Paul Jacob French as Jackson
- Asher Parker Wallace as Nikki
Micky Jo highlights the fresh energy these new cast members bring to the production.
4. Alleged Backstage Drama and Speculations
The episode addresses the swirling rumors of backstage tension, particularly focusing on the departure of Nick Winston.
"Todrick Hall posted about Nick Winston having unfollowed cast members on Instagram, which hints at underlying tensions." (19:45)
Micky Jo speculates on possible reasons for Winston’s exit, ranging from creative differences to personal conflicts, but remains cautious not to jump to conclusions.
"There's no way for us to know because we weren't in those rooms... there's a lot of speculation, but no concrete information." (22:10)
He also draws parallels to similar incidents in other productions, noting the rarity but not impossibility of such changes in UK theatre compared to the US.
5. Thoughts on Todrick Hall’s Directing Role
Micky Jo offers a balanced view on Todrick Hall’s expanded role within Burlesque.
"Todrick is an incredibly gifted creative, particularly for this kind of high-energy, highly choreographed show." (29:30)
However, he raises concerns about Hall juggling multiple responsibilities:
"It's not something that you see in a major new musical where the director is also a principal performer." (29:45)
Despite these concerns, Micky Jo remains optimistic about Hall’s capability to deliver a dynamic and engaging production.
6. Set Design and Production Aesthetic Changes
A significant shift in the visual presentation of the musical is evident with the introduction of a new set design by Nate Bertone.
"The new set design is more akin to Moulin Rouge rather than the original burlesque aesthetic we saw in Manchester." (38:00)
This transformation suggests a move towards a more traditional and vibrant burlesque style, potentially enhancing the show's appeal.
7. Final Thoughts and Anticipation for the West End Run
Closing the episode, Micky Jo expresses hope for a successful launch despite the hurdles.
"This has the ingredients to be really exciting, and I hope everything works out smoothly from here on." (40:50)
He encourages listeners to support the production and stay tuned for further updates, balancing his enthusiasm with a measured caution.
Notable Quotes with Timestamps
- "If you completely change the creative team, odds are you're going to end up with a pretty different show." — Micky Jo (06:15)
- "This is something that we see often and much as I'm making it sound dramatic, I'm not really trying to invite a huge amount of speculation here." — Micky Jo (00:45)
- "Kenneth Branagh loves to direct himself in stuff, but it's not something that you see in, like, a major new musical." — Micky Jo (29:30)
- "The new set design is more akin to Moulin Rouge rather than the burlesque that we were seeing." — Micky Jo (38:00)
Conclusion
Micky Jo provides a comprehensive analysis of Burlesque's transition to the West End, highlighting both the promising developments and the challenges faced. By examining the creative and casting changes, alongside addressing the speculative backstage drama, he equips theatre enthusiasts with a nuanced understanding of what to expect from this vibrant production. His blend of optimism and critical insight underscores the dynamic nature of theatrical productions and the complexities involved in bringing a beloved story to life on the grand stage of London’s West End.
Stay tuned to MickeyJoTheatre for more in-depth reviews and behind-the-scenes insights into the world of theatre.