The Murder of Olga Kupczyk

Mon Mar 02 2026

In November 1958, Frank Duncan’s pregnant wife, Olga Kupczyk, disappeared without a trace from their Santa Barbara home after enduring months of abusive treatment from her mother-in-law. A short time later, Frank’s marriage was inexplicably annulled after his mother, posing as Olga, showed up at the local courthouse with a man she’d hired to pose as her son, Frank. One month later, in mid-December, investigators in the small coastal town of Carpinteria, California, were directed to the location of Olga’s body in a shallow grave, after one of her killers confessed to kidnapping and murdering her the previous month. The arrest of Augustine Baldonado and his accomplice, Luis Moya, solved the mystery of what happened to Olga, but when it came to the motive for the murder, the truth was more shocking than anyone had expected.

Transcript

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Alaina (2:02)

I'm Ash. I'm Alaina and this is morbid.

Ash (2:18)

This is morbid.

Alaina (2:19)

Guys, I love doing this podcast but I am a little upset right now because I was eating some dill pickle pretzels that were really good and I can't eat those on air so I had to stop and it was upsetting

Ash (2:29)

for me and she said that's your fault so I never said that.

Alaina (2:34)

I never said that. You guys this crazy over here.

Summary

Morbid Podcast - Episode Summary

The Murder of Olga Kupczyk

Hosts: Ash Kelley & Alaina Urquhart
Date: March 2, 2026

Episode Overview

In this chilling and darkly comedic episode, Ash and Alaina dive into the true-crime story of Olga Kupczyk, a Canadian nurse whose marriage to Frank Duncan set off tragic events thanks to her obsessive and dangerous mother-in-law, Elizabeth Duncan. Set in the late 1950s, the episode details Olga’s disappearance and the increasingly disturbing actions of Elizabeth, exploring issues of codependency, maternal possessiveness, and the devastating consequences of unchecked obsession.

Key Discussion Points & Insights

Opening Banter and Tone Setting

The episode opens with Ash recovering from a lengthy dental procedure, leading to playful banter about post-sedation antics and the perils of on-air snacking.
- [03:47] Ash: “I had a lengthy dental procedure done… Probably the last of them, which is fun.”
- [04:11] Alaina: “I got you a strawberry shake, and you would have thought that I handed you a million dollars.”

Introduction to the Case

Alaina introduces the “crazy case” of Olga Kupczyk, likening it in its twisted dynamic to “Monster-in-Law” with Jane Fonda and J.Lo, but warns it’s more horrific and true.
- [08:24] Alaina: “This is the murder, unfortunately, of Olga [Kupczyk]… Reminiscent of [Monster-in-Law], but like real that it was deeply upsetting.”

Olga’s Background and Entry into Frank’s Life

Olga, described as bright, friendly, and natural caretaker, moved from Vancouver to Santa Barbara to complete nursing school and began working at St. Francis Hospital in 1957.
There, she meets Frank Duncan while he is caring for his mother, Elizabeth, after her suicide attempt following a family dispute.
- [11:17] Frank to a detective: “My mother’s terrified of being alone and she’s afraid of losing me.” (Quoted by Alaina)

Frank and Elizabeth: The Troubled Mother-Son Dynamic

Elizabeth’s obsessively close, codependent relationship with Frank goes well beyond the 'mama’s boy' trope.
- [13:14] Alaina: “Frank’s relationship with his mother was, quote, very intimate, such as a man and wife should be.” – Emma Short (Elizabeth’s friend)
Rumors abound about their inappropriate closeness—with courthouse workers mocking Frank as the “wicked wascal wabbit.”
Elizabeth becomes aggressive, possessive, and abusive—ostracized for her behavior, even banned from the Salvation Army.

Elizabeth’s Harassment of Olga

Once Frank and Olga begin dating, Elizabeth aggressively intervenes: harassing phone calls, threats (“I could easily get rid of her by pushing her down some stairs”), and attempts to slander Olga’s reputation.
- [16:15] Alaina: “Elizabeth made an offhand comment about Olga not being good enough for her son and how she could easily get rid of her by pushing her down some stairs.”
- [17:24] Alaina: “At first, the calls were chiller… but she was pleading for Olga to, quote, leave her son alone.”

Escalation: Pregnancy and Marriage

Olga becomes pregnant. Elizabeth explodes upon learning the news, vowing to never let Frank and Olga be together.
- [22:32] Alaina: “Elizabeth responded by telling Olga, ‘You’ll never marry my son. I’ll kill you first.’”
Despite Elizabeth making Frank promise not to marry, Frank and Olga wed in secret. Elizabeth tracks them down to their motel wedding night, banging on the door until Frank, in a shocking display of filial loyalty, agrees to go home with his mother.
- [24:10] Alaina: “Frank agreed to go home with his mommy rather than let the scene go on any further.”
Alaina and Ash dissect these red flags, incredulous at the levels of dysfunction and possessiveness.
- [24:26] Alaina: “If your mother-in-law shows up at your place of consummation on the night of your marriage and starts banging on your door and your husband is like, ‘I have to go home with her’… you annul the [expletive] out of that marriage.”

Elizabeth’s Manipulations Intensify

Elizabeth discovers their new address within days and continues her campaign of intimidation—abusing, slandering, and threatening Olga, including attempts to offer money for an acid attack and murder.
- [27:08] Alaina: “Elizabeth went to a friend, Barbara Reed, and offered her $1500 to, quote, throw acid in the face of a girl who was framing her son and then toss her over a cliff.”
- Ash: “My pregnant daughter-in-law. And I’ll give you $1500?” (27:20)
When Elizabeth can’t break them up through fear alone, she concocts a fraudulent annulment by hiring an ex-con to impersonate Frank, while she pretends to be Olga, tricking a judge into ending the marriage.
- [30:22] Alaina: “She hired someone from the Salvation Army to pose as her son, she poses as her son’s wife, and goes to the courthouse and asks for a fucking annulment.”

Olga’s Vulnerability and Disappearance

By late fall, Frank moves back in with his mother; Olga, humiliated and harassed, is left alone while pregnant.
Despite ongoing, widely shared threats from Elizabeth (“I’ll kill her if it’s the last thing I do.” [35:07]), no one intervenes.
- Ash: “This bitch is walking around literally being like, hi, my name's Elizabeth. I'm literally going to murder my daughter-in-law.” (35:15)
Olga’s final letter to her family is dated November 12, 1958. A week later, Frank reports her missing—prompted by concern from Olga’s coworkers.
Her apartment is found undisturbed, belongings and baby clothes left behind—clear she hadn’t intended to leave on her own.

Police Investigation and Shifting Narratives

The landlady and coworkers are adamant Olga would never have run away, pointing police firmly toward Elizabeth’s harassment.
Frank gives conflicting statements to police, minimizing Elizabeth’s relationship with Olga and deflecting suspicion.
- [46:59] Alaina: “When it came to the matter of Elizabeth’s relationship with Olga, Frank quickly rejected the stories that investigators had heard. He said, that’s just gossip.”
Elizabeth tries to further cloud the investigation by claiming she’s the real target of an extortion ring, shifting suspicion onto petty criminals and a local cafe owner.
Detectives grow suspicious as none of Elizabeth’s claims check out, and she refuses to cooperate when suspects are found and lineups organized.

Memorable Quotes & Moments

Alaina [16:13]: “Bitch, you were in a coma and now you’re not. Thanks, Olga.”
Ash [24:15]: “If your mother-in-law shows up at your place of consummation… starts banging on the door and your husband is like, I have to go home with her, you annul the [expletive] out of that marriage.”
Alaina [31:14]: “Attorney Hal Hammonds, who had no other choice but to be an attorney. Hal Hammonds is such a good [name].”
Ash [35:15]: “This bitch is walking around literally being like, hi, my name’s Elizabeth. I’m literally going to murder my daughter-in-law.”
Ash [55:33]: “Frank is the poussoir of the century. Of the century.”

Notable Segment Timestamps

| Timestamp | Segment/Topic | |-----------|---------------------------------------------------------------------| | 08:24 | Alaina introduces the murder of Olga Kupczyk | | 11:19 | Frank’s codependent relationship with Elizabeth described | | 13:14 | Emma Short comments on Frank & Elizabeth’s inappropriate closeness | | 16:15 | Elizabeth threatens Olga during early meeting | | 22:32 | Elizabeth explicitly threatens Olga when pregnancy is revealed | | 24:10 | Wedding night—Elizabeth interrupts, Frank leaves wife for mother | | 27:08 | Elizabeth tries to hire someone for an acid attack/murder | | 30:22 | Elizabeth and ex-con fraudulently annul the marriage | | 35:07 | Elizabeth tells landlady she’ll kill Olga if it’s the last thing she does | | 38:25 | Frank reports Olga missing after coworkers raise alarm | | 41:08 | Landlady Dorothy dismisses notion that Olga harmed herself | | 46:59 | Frank minimizes mother’s animosity to police | | 55:33 | Hosts label Frank “poussoir of the century” | | 56:02 | Fun fact: “You’re taller in the morning than you are at night.” |

Unfolding Questions & Cliffhanger (End of Part One)

Despite repeated, public threats and increasingly erratic criminal activity by Elizabeth, people in authority and Frank himself repeatedly fail to intervene in any meaningful way.
The episode ends with police catching Elizabeth in lies and non-cooperation, setting the stage for new breakthroughs.
Part one closes on the chilling realization that Olga’s fears were justified, and with the case about to break, listeners are left in suspense.

Tone and Takeaways

The hosts maintain their signature blend of morbid humor, incredulity, and empathy—balancing snark (especially toward Frank and Elizabeth) with genuine respect for Olga’s plight.
The case is treated with seriousness despite the comedic asides, highlighting systemic failures and the dangers of maternal possessiveness gone unchecked.
- Alaina [57:00]: “But not so weird that you are this kind of mother-in-law. No, because that is crazy on top of your head.”

Final Thoughts

This episode is gripping, infuriating, and a powerful illustration of how toxic family dynamics, when ignored or enabled, can become catastrophic. Ash and Alaina combine thorough research with hard-hitting commentary and relatable humor, ensuring listeners leave invested and ready for part two.

To be continued in Part Two!