45 Minutes of Not A Goddamn Thing: Motherf*ckin Mini Episode

Summary

Detailed Summary of "45 Minutes of Not A Goddamn Thing: Motherf*ckin Mini Episode" from "My Momma Told Me"

Podcast Information:

• Title: My Momma Told Me
• Hosts/Authors: Langston Kerman and Matt Rogers (Big Money Players Network and iHeartPodcasts)
• Description: Comedians Langston Kerman and Matt Rogers delve into various topics, including Black conspiracy theories, cultural critiques, and personal anecdotes, all infused with humor and candid conversation.
• Episode: 45 Minutes of Not A Goddamn Thing: Motherf*ckin Mini Episode
• Release Date: January 16, 2025

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1. Introduction to the Mini Episode [02:10 – 02:38]

The episode kicks off with Langston Kerman introducing the "Motherf*ckin Mini Episode," setting expectations for a relaxed and conversational format where they explore diverse topics without a strict agenda.

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2. LaVar Ball and the Ball Family [03:00 – 11:17]

Discussion Points:

• LaVar Ball's Influence: The hosts discuss LaVar Ball's unconventional parenting and business strategies in elevating his sons—LaMelo, LiAngelo, and LaVar Jr.—into prominent basketball figures.

Notable Quotes:

• Langston Kerman ([03:00]): “I hated it at first. I'm not even gonna be one of those people that was, like, from the beginning, I knew that LiAngelo Ball was sitting on a hit.”
• Matt Rogers ([09:17]): “He did fucking fantastic by them boys.”

Insights: Langston initially expresses skepticism about LaVar Ball's methods but acknowledges over time that LaVar's vision effectively propelled his sons into success. They commend LaVar for focusing on his children’s growth without overstepping into personal fame, highlighting his strategic withdrawal once his goals were met.

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3. Charity and Donations [11:17 – 16:41]

Discussion Points:

• Philosophy of Giving: The conversation shifts to the ethics and personal feelings surrounding charitable donations, especially via platforms like GoFundMe.
• Trust and Skepticism: They debate the balance between the desire to help others and the uncertainty about the legitimacy of donation requests.

Notable Quotes:

• Langston Kerman ([13:42]): “Our responsibility as human beings is to just care about each other. It is not to care about each other with proof.”
• Matt Rogers ([12:32]): “I have got on there pretty fucked up, to be honest. But, like, you go on there and you try to find, like, the real ones.”

Insights: The hosts advocate for altruism without excessive verification, emphasizing empathy over proof. They acknowledge the challenges of discerning genuine needs but ultimately support the idea of helping others based on trust and goodwill.

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4. Hypothetical Confrontations: 50 Cent vs. Trump [24:27 – 28:21]

Discussion Points:

• Imagined Match-Up: Langston and Matt humorously speculate on how a hypothetical confrontation between rapper 50 Cent and former President Donald Trump would play out.

Notable Quotes:

• Langston Kerman ([24:27]): “How do you think Trump would hold up?”
• Matt Rogers ([27:36]): “I think he just doesn't. I don't think he could maintain it for that long, but I think it would be a battle.”

Insights: They envision 50 Cent leveraging his charisma and relentless nature to outmaneuver Trump in a public showdown. The discussion highlights both personalities' distinct styles—Trump's combative approach versus 50 Cent's street-smart tactics—creating a humorous clash of titans.

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5. Music and Artistic Expression [22:19 – 48:09]

Discussion Points:

• Emotional Authenticity: Langston and Matt delve into the emotional depth and cultural significance of Black music compared to White music genres.
• Genre Blending: They discuss how music genres have merged over time, blurring regional and cultural distinctions.
• Personal Tastes: The hosts share their own preferences and biases in music, reflecting on how personal experiences shape artistic appreciation.

Notable Quotes:

• Langston Kerman ([32:03]): “I'm being reductive. But, like, there's a part of me that feels like white pop music has the same type of ghost riders and general waves that get written.”
• Matt Rogers ([35:47]): “I think to me, it's the more amazing thing because then sometimes I feel like the amount of research you have to do to even understand pop, not just hip hop, but like pop, pop culture, it's just like I don't have to know about 30 other things that happen to enjoy this piece of classical music.”

Insights: The hosts emphasize that Black music often conveys raw emotion and personal narratives more effectively, attributing this to cultural coding and the genre's historical roots. They critique modern White music for sometimes lacking this depth, although they acknowledge the blending of genres has made distinctions less clear. Both agree that artistic appreciation is highly subjective, influenced by personal experiences and cultural backgrounds.

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6. Closing Thoughts and Conclusion [49:46 – 50:45]

Discussion Points:

• Subjectivity in Art: Reflecting on their earlier discussions, Langston and Matt underscore the idea that art's value is subjective and personal.
• Embracing Diverse Perspectives: They encourage listeners to appreciate diverse tastes and viewpoints, even when they disagree.

Notable Quotes:

• Matt Rogers ([47:45]): “I think that there is no good or bad art.”
• Langston Kerman ([50:45]): “You have to give it all a chance. You gotta at least listen to it.”

Insights: The episode wraps up with the realization that while their conversations may have meandered without concrete conclusions, the exchange of differing perspectives enriches their understanding. They advocate for openness and acceptance of varied artistic expressions, reinforcing the notion that subjective experiences shape our appreciation of art.

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Notable Quotes with Timestamps:

• Langston Kerman ([13:42]): “Our responsibility as human beings is to just care about each other. It is not to care about each other with proof.”
• Matt Rogers ([09:17]): “He did fucking fantastic by them boys.”
• Matt Rogers ([07:49]): “I did never like, though tall T's. I always felt stupid if a T shirt went near my knees, though. That's too far.”
• Langston Kerman ([16:26]): “There's no two XLs in here. It's all three tees. Three XL tees.”
• Matt Rogers ([35:47]): “I think to me, it's the more amazing thing because then sometimes I feel like the amount of research you have to do to even understand pop...”
• Langston Kerman ([50:45]): “You have to give it all a chance. You gotta at least listen to it.”

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Key Insights and Themes:

1. Influence of Public Figures: The discussion on LaVar Ball highlights how unconventional methods can lead to significant success, emphasizing strategic focus on empowering one's children.

2. Charitable Giving: The conversation around donations underscores the tension between wanting to help and the anxiety over verifying recipients, advocating for a more trust-based approach.

3. Hypothetical Scenarios for Humor: Imagining a showdown between 50 Cent and Trump serves as a comedic exploration of contrasting personalities and their potential interactions.

4. Artistic Depth and Cultural Coding: The deep dive into music reflects on how Black music often embodies greater emotional and cultural resonance, while also acknowledging the evolving landscape where genres intertwine.

5. Subjectivity and Diversity in Art: Both hosts recognize that artistic appreciation is personal and encourage embracing diverse tastes, fostering a more inclusive understanding of art.

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Conclusion

This mini episode of "My Momma Told Me" offers a mix of humor, critical analysis, and personal reflection. Langston Kerman and Matt Rogers engage in lively discussions, balancing between playful banter and meaningful insights. From dissecting the impact of LaVar Ball to contemplating the emotional depths of music, the hosts provide listeners with a rich and engaging experience that is both entertaining and thought-provoking. The episode ultimately celebrates diverse perspectives and the subjective nature of art, encouraging an open-minded approach to both conversations and creative expressions.

Transcript

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[Matt Rogers]

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[Langston Kerman]

What the rest of my life looks like. So a couple of days.

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I love it when his daughter moves back in.

[Langston Kerman]

The last time you walked out that door, you looked back at me and gave me a double bird. I was 18.

[Matt Rogers]

The double bird was how I ended all our conversations.

[Tim Allen]

The wheels come off.

[Matt Rogers]

Can we try to talk to each other like rational adults?

[Langston Kerman]

Have you watched the news lately? That's not a thing anymore.

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[Langston Kerman]

Booked on the same weekend at the same venue. Uh oh.

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[Matt Rogers]

Of the other bride. And they go head to head to.

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Make sure the ones they love get.

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Their special day together on screen. For the first time ever, it' Ferrell vs. Witherspoon. Chaos, comedy and alligator wrestling await you, and you're cordially invited.

[Tim Allen]

Watch January 30th on Prime Video.

[Matt Rogers]

Motherfucking MINI episode. Mini Episode. Mini Episode. I might swerve in that corner who welcome little mamas and gentiles alike to another phenomenal episode of My Mama Told.

[Langston Kerman]

Me, the podcast where we dive deep, deep into the pockets of black conspiracies Whoa.

[Matt Rogers]

And we finally work to prove the conspiracies of. Yo, that shit does go, though. It does go.

[Langston Kerman]

You know what? I hated it at first. I'm not even gonna be one of those people that was, like, from the beginning, I knew that LiAngelo Ball was sitting on a hit. I really hated it. And I think the Internet has kind of forced my hand into seeing the vision that he had.

[Matt Rogers]

I think it just sounds like a time that I was listening to a lot of music. You know what I'm saying? It's like. It's not. It's not as good of a version of that song as the cash money millionaires would have made, but it does sound like a song that the cash money millionaires would have.

[Langston Kerman]

It's a real. It's like a early Flo Rider. Do you know what I mean? Where that's just like. I think you're thinking of Flow Rider as he is now, as this sort of, like, clownish version of. You know what I mean? He makes Miami songs now. Whatever, right? But there was an era of Flo Rida where he was, like, closer to Rick Ross than he was to what he is.

[Matt Rogers]

What was the first Flo Rida song?

[Langston Kerman]

I don't remember. To be honest with you. There's a. There's a part of me that feels like Flo Rider has always been here, and it scares me.

[Matt Rogers]

No. No way. No way. No way.

[Langston Kerman]

There's a part of me that feels like time. There has never been a time without Flo Ridder.

[Matt Rogers]

Cause I don't. I believe you. I don't remember a Flow Rider era where I was like, you know what? That shit is actually okay.

[Langston Kerman]

I don't think it was okay, but I think it hits with a type of nostalgia that we all yearn for, Right?

[Matt Rogers]

I mean, it is fun that my coolest era is now the era that kids are obsessed with. Like, damn, we're about to wear two T shirts again. Let's go, bro.

[Langston Kerman]

I used to. There was no way I would walk out the house with one T shirt at one point in my life.

[Matt Rogers]

Come on. Am I homeless? One T shirt?

[Langston Kerman]

Yeah, Come on, man. You put a T shirt on, and then you put another T shirt on, and you show a little bit of that T shirt underneath.

[Matt Rogers]

It's usually a white T shirt. White T shirts are for underneath. Academic T shirts are for on top.

[Langston Kerman]

I used to wear a white T shirt on top of a white T shirt.

[Matt Rogers]

I've seen that. I've seen it done.

[Langston Kerman]

This is my bummy shirt. But I got to put on a nice shirt.

[Matt Rogers]

I gotta have a double white on. I used to. I used to be, like, working out for football in two T shirts, like, in the weight room. Two T shirts, dawg.

[Langston Kerman]

It makes no sense. It's how I protect my shirt on top is I wear this shirt underneath. That way, my skin never touches the shirt. It's still a clean shirt.

[Matt Rogers]

But then if you ever got the ratio off, you also looked like a crazy person.

[Langston Kerman]

Oh, you look nuts.

[Matt Rogers]

Like, if the undershirt was, like, a little too big in my.

[Langston Kerman]

Had that sloppy ass collar. You know what I mean? Where it was like, oh, man, you look like. You look like an animal. You look.

[Matt Rogers]

Undershirt has to have the tight collar. Overshirt can have a loose collar.

[Langston Kerman]

You let white to the neck, you let undershirt. You let overshirt be whatever the fuck the overshirt wants to be.

[Matt Rogers]

Yeah.

[Langston Kerman]

Yeah. That undershirt better be clean.

[Matt Rogers]

Cause they know you got another shirt on.

[Langston Kerman]

Mm. Mm.

[Matt Rogers]

I remember for years after that era, it being very difficult to go out. Just we one T shirt, like, to untrain. That was like, it never felt. You're like, oh, no, but where's my other shirt at?

[Langston Kerman]

It took a minute in my brain for sure.

[Matt Rogers]

And honestly, if I'll be truly honest, I'm still programmed. I still want that other shirt.

[Langston Kerman]

You have moments where you're like, yeah, I would never wear. And I've seen people do this. I would never wear a hoodie without a shirt.

[Matt Rogers]

No, I want. I. Even now, I'm kind of upset. I want you to see a little bit of the shirt underneath the hoodie.

[Langston Kerman]

I like when there's this part show. I'm like, yeah, this is nasty.

[Matt Rogers]

I like it on the bottom a little bit.

[Langston Kerman]

Oh, just a little bit. Okay.

[Matt Rogers]

Cause it used to be I needed you to know that I had a shirt as large as my hoodie, and that's how I'm covered. You know what I'm saying?

[Langston Kerman]

I like that it was a size issue for you, you know?

[Matt Rogers]

Yeah. Shirt might be bigger than the hoodie. Fuck you.

[Langston Kerman]

I got. I got huge news, y'all. All my shit big. I ain't got a small thing in my closet, motherfucker. The numbers.

[Matt Rogers]

There's no two XLs in here. It's all three tees. Three XL tees. I did never like, though tall T's. I always felt stupid if a T shirt went near my knees, though. That's too far.

[Langston Kerman]

Yeah, I didn't. I didn't care for that I. I thought tall tees had to be tasteful. Tall.

[Matt Rogers]

Yeah, you had to be. The 3xt is for tasteful. You had to be really tall.

[Langston Kerman]

Yeah. Or at least it had to be creating the illusion that you were. It couldn't be that thing. I didn't want to look like Soulja Boy. That shit looked crazy.

[Matt Rogers]

No, he looked stupid or fat. It's like. Cause then it's just draping off of a bad build.

[Langston Kerman]

The Talksy era was not for y'all. And that's fucked up.

[Matt Rogers]

No, not at all. It's crazy that our era with the baggiest clothes did not suit us at all.

[Langston Kerman]

No. We really made it still like a skinny interpretation of big clothes.

[Matt Rogers]

Yeah, yeah, yeah, yeah.

[Langston Kerman]

Because it's meant to elongate. Like, CeeLo was wearing tall tees, and he looked fucking nuts.

[Matt Rogers]

He looked bad. Especially if you got, like, a real solid belly. It just high. You get that tall tee on, and you look like you got a basketball.

[Langston Kerman]

All right. We all wearing tall tees. And this nigga got a muumu on.

[Matt Rogers]

Yeah. Hanging. It's draped all weird.

[Langston Kerman]

Yeah.

[Matt Rogers]

You know what I mean? Like. Yeah.

[Langston Kerman]

It's crazy.

[Matt Rogers]

Well, anyways, I'm glad it's coming back. Thanks, Cello.

[Langston Kerman]

Thank you. Liangelo. You have proven once again the strength of lavar Ball and his family.

[Matt Rogers]

You've proven the man can't miss.

[Langston Kerman]

The man can't miss. We all do.

[Matt Rogers]

They have a daughter.

[Langston Kerman]

No, it's just some. Three boys. Yeah. And their mom is sick. And so lavar, in some ways, has been doing this all by himself. Baby.

[Matt Rogers]

He didn't even fix his teeth. He got front facing. That was always crazy to me because I think he had the money to do it, but it was like, maybe like Nas with the chipped tooth or he's like, nah, that's just me.

[Langston Kerman]

No, I, I really think. And this is what I'm gonna. I'm gonna go out on a limb here. I really think he's just a good fucking guy.

[Matt Rogers]

Yeah. I, I, I, I, I think that's.

[Langston Kerman]

Fair because he's not psychopath. But I don't think that his. His goal in this was to legit, like, become like, this big body Benz ass dude.

[Matt Rogers]

Oh, you think? It was really just, my boys are big ballers.

[Langston Kerman]

I think he really just wanted to turn those boys into kings.

[Matt Rogers]

I mean, to be fair, he has stepped away. It's not like he. It's not like he, like. He, like, took the platform and launched it. Now we see Levar Ball content All the time. He really fell back once they kind of went and did what they were going to do.

[Langston Kerman]

He got everything he wanted and he chilled.

[Matt Rogers]

Yeah. Yeah.

[Langston Kerman]

He didn't start dressing like Steve Harvey. He didn't. He didn't segue this into, like, big baller tv. He was like, I'm going to get shoes so that I can help pay for these boys to keep getting more famous and more successful. And then at the point that I've got it where it needs to be, I'm going to get the fuck out the way.

[Matt Rogers]

Yeah. I'm pretty okay with it. You can't say he didn't do right by them boys.

[Langston Kerman]

He did fucking fantastic by them boys.

[Matt Rogers]

We had some fun along the way.

[Langston Kerman]

Yeah. Now, do I think he's a, you know, a hero? No, I don't. But I do think, God damn, he's fucking. He's just a decent man who got on everybody's nerves for a little bit.

[Matt Rogers]

And who still owes me $38 for a month.

[Langston Kerman]

Sweet tea. I don't think he does. I'm gonna be honest with you. I think what you did was as close to a GoFundMe for LaMelo Ball.

[Matt Rogers]

No, I wanted the shirt, though.

[Langston Kerman]

Yeah, yeah, yeah. No, I understand. But you also wanted Lamelo. Do you know what I mean? Like, in the back of your mind?

[Matt Rogers]

I mean, at the time, we wanted Lonzo.

[Langston Kerman]

You didn't see the vision, Mama. He did.

[Matt Rogers]

Well, yeah. Fair, because they were. He's the coldest one, even back then.

[Langston Kerman]

But no, I'm saying beyond that, what. What the assessment was. I'm saying that Lavar knew from the beginning that he was going to turn three boys into emperors. And even when none of us could see it, but he proved everyone wrong. And if we had to give him a little bit of money, a little seed money with no results for. I think that's just what you have to. You have to chop it up to the game, baby.

[Matt Rogers]

That's fair. I've donated more to GoFundMes that I weren't sure were all that real.

[Langston Kerman]

There's a few people I know who fully faked an illness that I gave money to.

[Matt Rogers]

Damn that.

[Langston Kerman]

You know, personally, I don't get that money back. You know what I mean?

[Matt Rogers]

Yeah, I. Man, I've got on there. Cause do you ever go on there and then you try to, like. I got on there pretty fucked up, to be honest. But, like, you go on there and you try to find, like, the real ones, and then now you're, like, buying Thanksgiving dinner For someone who maybe or maybe doesn't have a family.

[Langston Kerman]

No, I've never done it like. Like a guy going to the pound.

[Matt Rogers]

That's not what it's like. That's not what it's like. It's that you first got money. You have a little bit of a. You have a little bit of a survivor's guilt. You have a little bit of remorse for all this extra income you have. You're on a plane drinking, and you feel like you have to do some good in the world because it's Thanksgiving.

[Langston Kerman]

I hear you.

[Matt Rogers]

Yeah, I hear you. But then I don't know where that went, you know?

[Langston Kerman]

No, and you never will.

[Matt Rogers]

And I think, did that Native American family have a Thanksgiving dinner? I don't know. It was weird for me to donate.

[Langston Kerman]

Here's what I'll say. And I feel this way about all forms of charity, both in person, online, whatever it is. I think that our responsibility as human beings is to just care about each other. It is not to care about each other with proof. Do you know what I mean?

[Matt Rogers]

So, like, that's fair, because what am I? I'm a cop now. Prove to me that you're going to lose your house. That's crazy.

[Langston Kerman]

You just let people go, be people. And unfortunately, people don't always do what we hope they're going to do. But that is the human experience as much as anything. I think that's fair. I give money. I don't think about it. If I have it, then. Then it is yours. And if I don't have it, then I also don't have to burden myself with being like, but why didn't I. It's just like, nah, that's just. I'm a participant in the human experience.

[Matt Rogers]

You do it anonymously.

[Langston Kerman]

No niggas need to know. No, no, no. Niggas need to know.

[Matt Rogers]

This niggas diabolical. That's.

[Langston Kerman]

Lady, you gotta see my name.

[Matt Rogers]

Oh, okay, man. That's where. I'm a fucking idiot. I don't re. Put my name on it sometimes. And then I. This is a stupid conversation, but sometimes you put it. You don't put your name on it, and you'll be like, this fucking loser. Didn't go anonymous. I know he's richer than me and he getting 20 bucks.

[Langston Kerman]

Yeah, nah, I mean, it does get you in trouble when you start. And I feel like I'm just sort of hedging into that space where people start to think you have money. And I don't have to be clear. It's not like I'm sitting on some insane amount of money. But you start property, you start to build up the image. See how nasty people talk to you when you.

[Matt Rogers]

That's not nasty. That's not nasty. I think you have a beautiful home. That's not nasty. Don't do that. That's not nasty.

[Langston Kerman]

And I think with that, you then become aware. I remember when Virgil. Wasn't it Virgil that got in trouble because he gave, like, 50 bucks to somebody who was like, dying.

[Matt Rogers]

That's hilarious.

[Langston Kerman]

It was like, crazy. I can't remember what it was that he was giving charity to, but he gave. It was like $50. And he was like the head of Louis Vuitton at the time, and people were eating him.

[Matt Rogers]

Digital panhandling is crazy. Crazy.

[Langston Kerman]

It's very.

[Matt Rogers]

Because you can't expect. You can't expect famous people. You can't expect rich people to give you their money. That's just not how it works, man. I can't expect anybody to give you money. Really?

[Langston Kerman]

No. Every once in a while, there'll be somebody who will post like, Elon Musk has $50 billion. If he gave just a billion dollars to 80 people, we'd all be. And it's like, bro, what are you.

[Matt Rogers]

When has that ever happened? What game are we playing in a believable setting?

[Langston Kerman]

You're right. He's not doing.

[Matt Rogers]

You think he got a billion dollars to give it to you? Are you? Come on.

[Langston Kerman]

It's not.

[Matt Rogers]

That's not the mentality that gets you a billion dollars.

[Langston Kerman]

And it's not how the game works. He can't give it to you because if he gives it to you now he's got a new competitor. You know what I mean? Right now he's got a problem because you're going to sit there and figure out what to do with a billion dollars, and it's like, oh, shut up. Shut up.

[Matt Rogers]

I would love it. And, like, I would love it if you did. And listen, if you gave me a billion dollars, I'd probably give most of it away, too. But that's because I'm not a guy who could earn a billion dollars. You know what I'm saying? So listen, really, go fund me. Y'all want to give it back. You want to give somebody an amount of money that he feels bad about, so much so that he gives it back to boys and girls clubs and whatnot. Give it to me. Give it to me. Trying to give this shit away. And I'm not even rich.

[Langston Kerman]

I've seen the type of people who know how to like flip money into millions of dollars. In fact, we have people in our community that like, are real, like savvy in that way. Yeah, we're like, not just, oh, you've earned a million dollars because of your talent. Where they go, like, I've earned this much, but I could flip this shit into way, way more because I understand business and strategy and all these different things. Those are not insane people. They are specific people, but they're not fucking crazy. They're just specific and strategic people who can flip money into a billion dollars. You have to be a psychopath.

[Matt Rogers]

Yeah, it's already, it's like a different. Because you have to view the. You have to view it on that level. And that level is all imagined, it's all perceived.

[Langston Kerman]

You know, I'm saying we're not dealing with people anymore.

[Matt Rogers]

No, it's like a whole other thing. You're dealing, you're dealing with ideas. Like money at that scale is more of an idea than it is. It is a resource in that you can mobilize it and stuff like that. But it's like it's imaginary numbers. And that's like, come on, baby. That's not, that's not, that's not what we're doing. The people who are gonna give that, what money away. I work for everything I got probably always gonna. I don't even know if I'm gonna figure out how to make any money, make money for me.

[Langston Kerman]

All my dollars are in the bank.

[Matt Rogers]

It is not a portfolio. And I thought about it. I've been like, damn, I should figure out. I should probably put this somewhere. Make it, make it, make it shake. I don't know how. I don't know how. What am I gonna do? I'll buy a bunch of weed and send it to people. That's really the only. That's really the only come up I know about.

[Langston Kerman]

Nah, people really know how to flip their money and be strategic. And some people then are able to do something way scarier and flip humans, like flip the human experience. And I think that's how you make a billion dollars.

[Matt Rogers]

And that's why I keep the moral high ground over here. Because I'm like, I don't respect money. It's not real.

[Langston Kerman]

Yeah. And then you respect it. You just can't get it.

[Matt Rogers]

So no, no, no, I don't respect it. It's a joke. What if there were no countries? Borders are real.

[Langston Kerman]

What if God was one of us?

[Matt Rogers]

Yeah, come on. Who made these oligarchs anyways? I Don't respect your system. Therefore, I do not play. Do I have more money than I ever have? Yes. And am I trying to go back? Hell no. I'll kill you. But also, I don't respect the system.

[Langston Kerman]

No. It's crazy, man.

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[Unknown]

This week we discuss and celebrate savings. I know it's usually a master detective or a super sleuth who loves true crime as much as we do. But today it's better.

[Matt Rogers]

It's cheap.

[Unknown]

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[Tim Allen]

We know it's more than just a car or a house. It's the four wheels that get you where you're going and the four walls that welcome you home. When you combine auto and home insurance, insurance with Amica will help protect it all. And the more you cover, the more you can save Amica. Empathy is our best policy.

[Cindy Crawford]

Hi, I'm Cindy Crawford and I'm the founder of meaningful beauty. When Dr. Sabah and I decided to do a skincare line together, he said to me, we are going to give women meaningful beauty. And I said, that's exactly right. We want to give women meaningful beauty. Which means each and every product is meaningful. It has a reason to exist. It's efficacious. You're going to get results, and then you just go out and live your life. Meaningful beauty. Confidence is beautiful. Learn [e-mail].

[Matt Rogers]

I had to. Did I tell you I had to go through that? I had a real epiphany about 50 Cent the other day.

[Langston Kerman]

Oh, no, you love 50.

[Matt Rogers]

No, I still love 50 Cent. But I was just watching it and I was just like, I Don't know, man. That's just what that guy's built for. He likes that I'm kind of doing exact. I like my life that I made. There's no. There's. You could have put me in the same exact life as 50 Cent. Day to day, completely different outcomes. I don't want to do that. I don't. I don't want to be a shark.

[Langston Kerman]

He always thought it was gonna be funny to be mean to his son. You know what I mean? Right? That's who he is. We all have that dude in our lives where you're like, he thinks it's funny to be, like, fucking mean to a. A little kid.

[Matt Rogers]

Yeah. And it's like, God bless. I respect skill. You're the best at what you're trying to do, and I appreciate that, bro.

[Langston Kerman]

As far as being mean to your son and making it funny, 50 Cent's the king.

[Matt Rogers]

And just like in being a business shark who's not really shark coated anymore.

[Langston Kerman]

I think that's the same mentality. Do you know what I mean? Like, I think all of that cooks together to make this shark of a human being in all forms. And I think he was always going to be a shark. And for a while, it was on the streets, and then after a while, it became just being a bully to other celebrities and his children, which is.

[Matt Rogers]

Ultimately great, but not the children part, but the other celebrities think it's funny. Give me my money. That's great. It's great to see celebrities scared of a bully.

[Langston Kerman]

It's nice.

[Matt Rogers]

He's really the best bully.

[Langston Kerman]

I can't think of a better bully.

[Matt Rogers]

It's really the greatest bully. And he's not really a bully because he's like, I don't know. It's complicated.

[Langston Kerman]

You know what's crazy? And I've never thought about this until this moment, but I'm curious to hear your thoughts. How do you think Trump would fare against 50?

[Matt Rogers]

Is this like a queens get the money type of thing? Is that what you're asking me?

[Langston Kerman]

Yeah. Like, if 50 decided to, like, fully troll Trump, like, fully go at him online, how do you think Trump would hold up? Because he would come back. Trump is not a.

[Matt Rogers]

He's a fighter for sure.

[Langston Kerman]

He's a fighter and he likes trolling. He likes being on the Internet, talking nasty with people. That's a game he lives in, too.

[Matt Rogers]

How.

[Langston Kerman]

Who's coming out on top in that? And obviously the public will respond the way the public responds. I'm not suggesting that MAGA would turn on Him. And suddenly Trump is no longer, you know, what he is. But I'm saying, like, pound for pound, who do you think we're gonna walk away and be like, the winner is.

[Matt Rogers]

That's tough. Because, like, in that. In a.

[Langston Kerman]

Fully.

[Matt Rogers]

In what. What we're talking about is a fight with no stakes, like no political implications and stuff like that. Just like that kind of thing. They're both kind of unfatable. You know what I mean?

[Langston Kerman]

It's tough.

[Matt Rogers]

It's like, that is a difficult. Cause Trump, man, I mean, 50 Cent has a lot of moments. I don't think he has a fist up after he got shot type moment.

[Langston Kerman]

But he got shot nine times. That's how we got to know him.

[Matt Rogers]

Yeah. Nobody was there.

[Langston Kerman]

Oh, man, I hate that we've reached that era of.

[Matt Rogers]

That's what it is, though, that 50. He got shot in a car.

[Langston Kerman]

50 Cent getting shot is now the Wilt Chamberlain 100 point game is crazy. Do you know what I mean? That is the same. While we ain't got footage of 50 Cent getting shot, Trump's stronger. It sucks that. That's. And I'm not judging you. It's just.

[Matt Rogers]

But what I'm saying is that's the game Trump is playing.

[Langston Kerman]

That's the era.

[Matt Rogers]

That's why there were cameras there. That's why he had his fist up. Trump's on point, pound for pound.

[Langston Kerman]

And that would be such a funny moment when Trump goes, I don't even believe he got shot. There's footage of me getting shot. 50 Cent, where's your footage? Where's your tape?

[Matt Rogers]

That's, I think, the angle. I think he also, the way that he called little pump lil pimp, I think he would diminish that in that way. Who's this man dying? Who's this man dying? Like, I think because Trump does that shit where it doesn't even have to be funny. It just has to be, like, bold.

[Langston Kerman]

Yeah. He's going to call him 50 pesos and we're going to go nuts. The Internet is going to eat that up. It is amazing.

[Matt Rogers]

Oh, man. But I think if it came down to it, 50 versus Trump, this is the most success. This is better than Nas versus Jay Z to me.

[Langston Kerman]

Yeah.

[Matt Rogers]

If we're talking about hypothetical, who could win? Oh, man. 50 versus Trump, I think I got to give it to 50. But I think that's because 50 is willing to play the long game in a way that I don't think Trump will be. 50 will be. How long has he been talking about Diddy parties and he'll play with your butt. 50 will. 50 will go for a long time. Trump's 70 something, right?

[Langston Kerman]

Yeah.

[Matt Rogers]

Like, I think he just doesn't. I don't think he could maintain it for that long, but I think it would be a battle.

[Langston Kerman]

Yeah. 50 is going to hit him at weird hours in the night that Trump can't. Can't handle.

[Matt Rogers]

And 50 is going to go at angles that maybe. Maybe Trump's just not looking for, because 50, 50. 50 will get your man. 50. 50 is going to be. 50 is going to pull up to a Bellator fight with Don Jr. Yeah.

[Langston Kerman]

He's going to go kid for kid. He's going to try to fuck Tiffany.

[Matt Rogers]

Yeah. It's going to go.

[Langston Kerman]

It's going to be nuts.

[Matt Rogers]

He's going to have Melania on tape like he did Rick Ross. It was going to be crazy.

[Langston Kerman]

Trump just ain't got the. The stomach for trying to fuck one of 50 cents, you know, wives or girlfriends or some shit. You know what I mean?

[Matt Rogers]

Like, yeah, yeah.

[Langston Kerman]

He just ain't got it the way 50 would.

[Matt Rogers]

But I think it would be. I think that would be a battle, man. That would be exciting.

[Langston Kerman]

I can't think of a better face off.

[Matt Rogers]

No.

[Langston Kerman]

In terms of powerhouses and just, like.

[Matt Rogers]

People at their disposal. I want. Because I've been thinking about, like, rap beats and stuff like that, then like, I would like a rap style beef that doesn't affect black people. Like, that doesn't. That mobilizes completely different parts of the culture. Does that make sense? Like, I would want to see. I want to see like a Taylor Swift, Garth Brooks beef, but for real and mobilize them and let's all sit back and watch and we could say snarky shit. Like, I don't think it's great because Garth Brooks didn't say he was going to kill Taylor Swift. Whatever dumb white people commentary there is on that.

[Langston Kerman]

Yeah, they never they that. And you know, you're really speaking to something that I think we've never talked about before on this podcast is white people never take it to their art.

[Matt Rogers]

No. Because they don't want to lose their shit.

[Langston Kerman]

Our shit is disposable, but it almost makes me feel. And I don't think they're making art then, do you what I mean, like, like part of what the artistic experience is, is to be present in the world around you. And it's not that they're not making art. I'm being reductive. But, like, there's a part of me that feels like, well, then y'all ain't doing what you claim art is supposed to be in all these textbooks and all these sort of, like, technical interpretations of art. You. You aren't taking the beef or your actual feelings in a real place. You're just like, oh, I'm arguing with Selena Gomez. But then I sing songs about being 16 and dating a prince or whatever the fuck it is.

[Matt Rogers]

I think it's just. It's a thin line, though, because it's like. It's not like beef records are the only art either. You know what I'm saying? I think they're not making a spectacle of it. I do think that, like. Because it seems to be like, I don't listen to that shit, but it seems to be like, Taylor has her lemonade, right? Like, it seems to be still, like, reflecting on life and putting that out despite.

[Langston Kerman]

Yeah, it's very coded. Sort of like people who are big swifties claim that there are, like, all these messages regarding her present life that are sort of deeply embedded in the music, which is why. Hence her popularity. But I think my point is less. And I think Taylor Swift maybe is a great example of it, where she actively is writing about the things that she's experiencing. But I think for the vast majority of white artists, that's not really what's happening. It seems to me like what they're doing is just making this sort of, like, canned version of the thing, but not necessarily giving us the sort of active reflection. And maybe that, again, I'm being so reductive. There are so many great examples of white artists that. That are doing it.

[Matt Rogers]

But I think that's the population general, though. I think you could make the same case for rap music. You know what I mean?

[Langston Kerman]

No. Migos was talking about what the Migos was doing the whole time.

[Matt Rogers]

Cooking 34 ounces of broccoli.

[Langston Kerman]

Broccoli?

[Matt Rogers]

Broccoli. Yeah. I really.

[Langston Kerman]

I don't think them dudes had other going on. You know what I mean, in there?

[Matt Rogers]

I don't know. It's an interesting thing, though. I wonder. That's interesting, the idea that they're not making art.

[Langston Kerman]

I'm being so redundant.

[Matt Rogers]

I don't think I know enough about it to talk. You know what I mean, Man, People have gotten on me about this even shit. Like, I think that we came up in such a heavy rap and R and B era that at the time, I should have been learning about other musics. I really wasn't. I mean, I've talked to you about this about music and how I feel about it in the way that, like, I listen to Beatles. I don't feel nothing.

[Langston Kerman]

Nah, same.

[Matt Rogers]

Yeah. I just don't. It just doesn't.

[Langston Kerman]

They got a couple songs that I'm.

[Matt Rogers]

Like, yeah, yeah, yeah. I mean, I like the songs that sound like black people sang them.

[Langston Kerman]

Yep. Those are the ones I'm into. I like Yesterday. Cause Boys to Men did it better.

[Matt Rogers]

I like, come together because Michael Jackson sang it at the end of Moonwalker. But yeah, I don't know. That's interesting. I would like to. I wonder. I wonder, because if we're looking at, like, generic. Do you think generic black music is still more connected than generic white music? I truly can't tell.

[Langston Kerman]

When you say connected, what do you.

[Matt Rogers]

Mean to our community, to audience experience as opposed to being like. Because, I mean, it seems like white pop music has the same type of ghost riders and general waves that get written. And it does seem to be pretty, Pretty, pretty similar. You know, I don't be believing these rappers for nothing.

[Langston Kerman]

No. Yeah. I think. I think it were less likely than ever to have, like, these massive distinctions between white and black music. I think all think more likely than ever. Less likely than ever.

[Matt Rogers]

Oh, okay.

[Langston Kerman]

I think where the genres have bled into each other so much that there isn't even really a distinction in regional music anymore. Do you know what I mean?

[Matt Rogers]

Not in the way that there was before. Yeah.

[Langston Kerman]

When that Chicago era hit, you knew what a Chicago rapper sounded like. Atlanta rappers used to sound like Atlanta rappers. New York, for the longest, was the only thing that we associated with hip hop. And it wasn't. You know what I mean? Like that Wu Tang era, where it was just like, if you didn't sound like a New Yorker, you weren't even really rapping like that. You know what I mean?

[Matt Rogers]

Yeah, yeah. The west coast was not getting love.

[Langston Kerman]

No. Yeah. I think. Nah, I 100% agree that the blending has happened. I think I'm more speaking just to the. The emotional presence in the art form less than an actual assessment of quality of art, or so I got you.

[Matt Rogers]

Because the emotional presence. That is one good thing about. I feel like black art in general is that it usually it's present more often than not. Right. It feels. It feels that way even if he's lying, man. Some of these rappers are rapping, though. Even if it's lies. You feel that shit. And I don't. I don't necessarily know that I feel that way when I listen to other types of music, but maybe that might Be like. Because I think about it, even with rap and shit like that, it's like so culturally coded. Like you have to know so much to know so much, you know what I'm saying? And I wonder if maybe there's a level of that to rock and roll music or some shit that I'm just not getting. I don't think so, by the way. I don't. I don't think so, but maybe I think so.

[Langston Kerman]

I just don't think it's as interesting as our shit is, you know what I mean? Like, I actually think there's a lot of stuff that I'm never going to be able to understand inside of, like fucking Rolling Stone songs that. That obviously gives people feeling and meaning that. You know what I mean? Like, I. I just would have to be unpacking to unpack.

[Matt Rogers]

See, but that's the shit I identify more to their old shit. I like their old shit. Like white music in general. I like their older shit. You know What I like is old sad ass cowboy songs. I like that shit. I think there's a ton of emotion in it, you know what I mean? Cause it all feels like it comes from a similar place of just working class struggle type music that I like that shit. So I get. I could actually get down with that shit, you know? Like, I like because like the way. The way the rap music cosplays is like gangsters or whatever, they cosplay as cowboys. That's their shit. They like boys love being cowboys. Love that shit, you know, can't get enough of it. Like I think about that song Seven Spanish Angels with Ray Charles and Willie Nelson.

[Langston Kerman]

That's a great.

[Matt Rogers]

It's just. They're just pretending to be cowboys. Yeah.

[Langston Kerman]

You ever heard that song Ain't no Way Ray Rode a Horse.

[Matt Rogers]

Come on. Ray had country albums. Ray loved country music. But like that shit kind of to me is more interesting. And because of that shit Mike Judge did with Tales from a Tour Bus, where you watch these country music artists from like the 70s, 60s, and you realize you're like, oh, they were thugging though. They're shooting people and doing all kinds of shits.

[Langston Kerman]

A lot of. Yeah, I think I venture far more into white music than you do, which is odd.

[Matt Rogers]

I don't mean to not, but I think you do too.

[Langston Kerman]

Yeah.

[Matt Rogers]

Modern white music. Because you don't. I don't think you don't seem. Do you listen to a lot of older white music too?

[Langston Kerman]

It depends what we call older. I think there are certain eras for sure. I Love hall of Notes. You know what I mean?

[Matt Rogers]

Yeah. That doesn't even count. Like, so that's not like the Bee Gees.

[Langston Kerman]

I fuck with them super hard.

[Matt Rogers]

Okay. Yeah, that's pretty good.

[Langston Kerman]

Like, you know what I mean? Like, there's. There's some groups that I'm, like, truly tapped into their whole discography.

[Matt Rogers]

Oh, you know who I like is? When Old Boy came out drinking the apple juice, I did the deep dive on Fleetwood Mac. I like that shit.

[Langston Kerman]

Fleetwood Mac is. Is dope. That's just a bunch of motherfuckers that hated each other. And that's what I'm saying. They were really making art because they were. They hated each other's guts. They were having these weird, like, fairs and sort of, like, relationship splits and shit. And they wrote about that, and it was present in the music and the people that track. And that's the kind of stuff where, like, if it weren't for white people explaining to me that there's, like, more underneath these lyrics, I wouldn't understand it.

[Matt Rogers]

That's fair.

[Langston Kerman]

I would just be like, oh, it sounds like a weird sort of, like, breakup song. And they're like, nah, nah, nah. You don't understand. When she's saying this, she's talking about this dude, and he's sitting there playing the drums while it's happening, like.

[Matt Rogers]

And it's like. It is the same shit we do where you're like, no, actually, the song's about Jerry Heller and how he used to fight. You know what I mean?

[Langston Kerman]

That's what I mean is they have it. It's just not the same as.

[Matt Rogers]

No homo shot 57 and now he's dead. Many men. Like, whatever. When you get on your nerd shit. I was in Many Men with my girl. And you just really. You're just like, oh, this is not cool.

[Langston Kerman]

No. The amount of. The amount of school library hours I spent trying to figure out who UN was from Jay Z songs.

[Matt Rogers]

Oh, man. God damn, UN Rivera. That's some shit. That is some time I will never get back, bro.

[Langston Kerman]

I was learning everything I could to understand Volume two.

[Matt Rogers]

Bro. Cause that was back when you had to. You had to figure it out. Like, it wasn't like. I feel like I don't think New Yorkers understand how much access they had to that information.

[Langston Kerman]

Yeah.

[Matt Rogers]

And how we had to. If we were not. If you were not in New York at that time. You're on weird websites, angel fire websites, bro.

[Langston Kerman]

You really had to study to feel like you were connected to this music. And y'all. Were learning about it on the train. Yeah, you're just gossiping and you knew.

[Matt Rogers]

A guy who knew a guy.

[Langston Kerman]

Yeah. Very different connection to the whole experience.

[Matt Rogers]

Yeah, yeah, yeah, yeah. That's. That's interesting. I never. I never thought about that. I guess all music is probably that. And it's just whatever you're paying attention to. Cause it's the same with people who don't listen to rap are like, this shit all sounds the same. Which I used to think it was crazy. And then I got older to where I don't listen to as much new rap. And when I tap in, sometimes I'll be like, that's awesome.

[Langston Kerman]

Yeah. No, I.

[Matt Rogers]

That's what a genre is.

[Langston Kerman]

Yeah. You have to kind of make it. You have to give it an energy. It's. It's Afrobeat. Sounds the same to me for all their music. But I bet if I'm really diving into it, then it's unique and sort of specific and each person has their own sound and shit.

[Matt Rogers]

And I don't have to dive into it. That's the fun part. I used to get mad about people, which is like, nah, that's some shit I don't pay attention to. I don't know. I don't know what the equivalent is. But that's all hippity hop over there. That's all boobity scoop and whatever. I don't give a fuck.

[Langston Kerman]

Whatever.

[Matt Rogers]

There's a bunch of music out there. You don't have to pay attention to my shit.

[Langston Kerman]

We should take a break. We haven't done anything for this episode. We've been talking for a long time, mostly about nothing. But we're gonna take a quick break and we're gonna. With more David Moore links than more. My mama told me.

[Tim Allen]

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[Matt Rogers]

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[Tim Allen]

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[Cindy Crawford]

Hi, I'm Cindy Crawford and I'm the founder of meaningful beauty. When Dr. Sabah and I decided to do a skincare line together, he said to me, we are going to give women meaningful beauty. And I said, that's exactly right. We want to give women meaningful beauty. Which means each and every product is meaningful. It has a reason to exist. It's efficacious. You're going to get results and then you just go out and live your life. Meaningful beauty. Confidence is beautiful. Learn more@meaningful beauty.com.

[Matt Rogers]

Now who sent you, nigga? Who sent me? The record company. I'm trying to take some steps. This is interesting. Let's wrap. I feel like we could wrap it up on this. Here's one thing about music that I always feel weird is like to enjoy music so much and not know anything about actual music.

[Langston Kerman]

Oh that.

[Matt Rogers]

It kind of bothers me because I told you, I told you about it. I went to the. I went to the symphony on mushrooms. Yes, it is like a transformative experience. Changed the idea of what I even thought music is or was or could be and the type of emotion that it could convey outside of lyrics. Right? Like truly like a wow, I didn't even understand. But I still listen to gunplay when I walk the dog.

[Langston Kerman]

Here's what I'll say. And I am now I'm regretting my earlier comments about them not having them not making art. I do think that art is. And again, I didn't mean it sincerely. I was being nanny nanny boo boo type boy.

[Matt Rogers]

But also I do want to say we talk shit on here. Sometimes we think Sean Paul is Chinese, sometimes we don't. You just gotta deal with that.

[Langston Kerman]

I will say though, that I do think it speaks to the ability to convey emotion without words and how powerful that can be. Right? That like, there is, like, the ability to make a breakup song and not say, hey, we're breaking up out loud is fucking crazy. To make someone feel that emotional journey of like, damn, I was in love and now that heart is broken. That's fucking crazy. To be able to put on a violin and not also have lyrics with it.

[Matt Rogers]

Yeah, I think that's. I think to me, it's the more amazing thing because then sometimes I feel like the amount of research you have to do to even understand pop, not just hip hop, but like pop, pop culture, it's just like I don't have to know about 30 other things that happen to enjoy this piece of classical music. You know what I mean? I don't have to. I don't even have to understand music particularly. And I think in that the idea that you could use that to cut across to all groups is like, pretty. Pretty amazing.

[Langston Kerman]

Yeah. No, it speaks to the talent of what musicianship is. And I think if I can defend Gunplay for a moment.

[Matt Rogers]

No, I'm on Gunplay, though. I listen to him.

[Langston Kerman]

No, I don't mean to defend him for you, but more for the grander conversation that we're having. I think what that also offers is a type of emotionality and a type of journey from your own experience that is so necessary for artistry as well. That part of what you turn to musicians for is to feel less present in your own body for a moment and just get to be lost in the fantasy of someone else's life and experience. And I think, you know, music can be both masterful, like an orchestra, and it can be just some fun ass hood rat shit like gunplay.

[Matt Rogers]

That's true, man. And it doesn't have to be. I mean, at the end of the day, it's kind of just synthesizing emotion. Right. And however you do that. So I guess ultimately what we're landing on here is there is no good or bad art.

[Langston Kerman]

There's no good or bad art.

[Matt Rogers]

Nothing matters.

[Langston Kerman]

Yeah.

[Matt Rogers]

Go to hallelujah. Watch a comedy show. Who gives a fuck? I think.

[Langston Kerman]

I think it's all subjective and unfortunately, we don't all agree with us.

[Matt Rogers]

Yeah. And that's fine.

[Langston Kerman]

Yeah. I really wish. And let me make this clear. I really wish y'all niggas had better taste.

[Matt Rogers]

See, but what does that mean? Cause you love Bruno Mars and a lot of people hate that.

[Langston Kerman]

And I think they're wrong. And I think. I think history will come to prove that they are wrong. I accept them as they are. I will continue to love Y'all niggas the way you are, but you are wrong.

[Matt Rogers]

Uptown Gon funk you up. That's it. That's the top tier.

[Langston Kerman]

I just don't know how else to explain this. You're wrong. Your taste is bad, but I love you anyway.

[Matt Rogers]

And that's the fun of it, right? Exactly what you just said. That's the fun of it. I'm right, you're wrong in this thing that ultimately doesn't matter. And we can. And maybe that's all we need. You know what I mean? Sometimes I get mad at myself for not having crazy because as a creator, you want to be able to have as much. Have as many inputs so that your output is as interesting as possible. So sometimes I get mad at myself for not having eclectic taste. But maybe the fact that I don't like the Beatles is my eclectic taste. Right? And the group war doesn't speak to me is part of my input and output.

[Langston Kerman]

Mm.

[Matt Rogers]

But you gotta give it all a chance. You gotta at least listen to it.

[Langston Kerman]

Things can only be great with. With something opposing it.

[Matt Rogers]

Yeah.

[Langston Kerman]

And we are the opposition. We are part of that wall that allows something else to thrive, even if I don't agree with it.

[Matt Rogers]

Yeah, man. We are good at bullshit, boy. It's about 45 minutes of not a goddamn thing being said.

[Langston Kerman]

We wasted a lot of time here. We had other plans. None of it happened. But, man, good conversation, I feel.

[Matt Rogers]

Yeah, I had a great time. I think we, you know, we're probably gonna listen to some cowboy songs later.

[Langston Kerman]

You want to tell the people where they can find you what cool shit you got going on?

[Matt Rogers]

Cool guy jokes. 87 on Instagram patreon.com davidbory Buy my special. It's so good. You've never seen. That's the great art you're looking for. Where all the great art is. That's it. It's on patreon.com davidborry Birth of a nation with a G. That's the high art you'll find.

[Langston Kerman]

Think about it.

[Matt Rogers]

Think about it, what you've been looking for. And you don't even have to get any references. You just have to know. You know, my reference is easy. My show's easy to watch.

[Langston Kerman]

I would say Birth of a Nation, probably. You have to know something right up top from the title.

[Matt Rogers]

You don't have to know what that is, though, to enjoy the special.

[Langston Kerman]

But then why with the G? Oh.

[Matt Rogers]

Cause I think it's funny, Right?

[Langston Kerman]

Well, that's the. I have to go like, okay, but why would he name it this with the G. And then you have to know the original. There's layers to it.

[Matt Rogers]

It's also like. Because to me, it was in my shitty artist brain in the way that Birth of a Nation was a moonshot and ultimately a monumental push forward in what the genre was. I like to think of my own thing as that. It was very narcissistic. It was very, very evil, where it's like. And not necessarily in the whole game of comedy, but in what I do. It seemed like a moonshot and a huge leap forward to what I was doing a few years ago.

[Langston Kerman]

Yeah, I get it. We're all egomaniacs. And I felt the same way where I was like, yeah, this is gonna probably change the whole landscape, I think.

[Matt Rogers]

And you have to. You have to feel. Even if it doesn't, who cares, right?

[Langston Kerman]

Yeah.

[Matt Rogers]

But you do have to feel that way because it's like a high bar. It's difficult to put something out in an oversaturated market and still feel like you're doing something artistically relevant. So it's like you gotta have that. You gotta feel like nobody's ever going to do some shit like you did. And to be honest, I've never, ever seen anybody do the top shot that I used in my special. So maybe I am. Maybe I am as great as I think I am. Spend the $12 and find out.

[Langston Kerman]

Hey, man, nobody's. Nobody's flirting with old men on the Internet the way I do it.

[Matt Rogers]

I never seen it happen once.

[Langston Kerman]

And I dare y'all niggas to try. You can follow me at Langston Kerman on all social media platforms. You can watch my special. It's called Bad Poetry. It's on Netflix. You can see me live. I'll be in Vancouver for the JFL Vancouver edition in February. You can see me at Burlington, Vermont in March. I'll get those specific dates soon so that I can say them more appropriately. But. But figure it out. I don't know. My fuckers ain't that hard. The Internet is fast and pretty navigable at this point. And if you want to send us your own drops, your own conspiracy theories, if you want to tell us what is the best music and what is the worst music, send it all to my mama pot. Gmail.com Give us a call at 844-little moms. We want to talk to you. Buy the merchant. Call your senators just to chat. Stop calling them with your problems. Yeah, just call them just to check.

[Matt Rogers]

In, maybe see how he's doing. How about that?

[Langston Kerman]

Hey hey Joe Manchin.

[Matt Rogers]

I was thinking about you. How about that? Start with that.

[Langston Kerman]

I'm not here to yell at you man. I know you're a secret Republican and you're truly tanking the party you claim to represent. But hey, how are the kids? Love on each other. Put the fires out. Bye bye. Trust me Daddy.

[Matt Rogers]

Mini episode Mini episode Mini episode Mini episodes Motherfucking mini episodes.

[Tim Allen]

Are you still quoting 30 year old movies? Have you said cool beans in the past 90 days? Do you think Discover isn't widely accepted? If this sounds like you, you're stuck in the past. Discover is accepted at 99% of places that take credit cards nationwide and every time you make a purchase with your card, you automatically earn cash back. Welcome to the now it pays to Discover. Learn [e-mail] credit card based on the February 2024 Nielsen report at David's Bridal.

[Matt Rogers]

Love is in every stitch.

[Unknown]

From the initial sketch to the final details.

[Matt Rogers]

Each style is designed with exquisite craftsmanship.

[Langston Kerman]

Every wedding gown, bridesmaid look, prom dress.

[Matt Rogers]

And special occasion style in between features.

[Langston Kerman]

Handcrafted details filled with love.

[Unknown]

Come see the magic in person. Book an appointment and sign up for diamond loyalty.

[Matt Rogers]

To save 15% on your first purchase, earn points towards special rewards and [e-mail].

[Unknown]

This week we discuss and celebrate savings. I know it's usually a master detective or a super sleuth who loves true crime as much as we do, but today it's better. It's cheap Caribbean's 25th anniversary sale. That means 25 good reasons to put up your Oasis Message now until February 3rd. You can unlock up to 250 off all inclusive vacation packages site wide. You're definitely going to need a portable charger for all these vacation picks. Visit CheapCaribbean.com for up to 250 off. Offer ends February 3rd.

[Matt Rogers]

Amazon One Medical presents Painful Thoughts I could catch anything sitting in this doctor's waiting room. Okay, just wiped his runny nose on my jacket and the guy next to me sitting in a pool of perspiration insists on sharing my armrest.

[Langston Kerman]

Next time, make an appointment with an.

[Matt Rogers]

Amazon One medical provider. There's no waiting and no sweaty guy. Amazon One Medical healthcare just got less painful.