The C**n Landing (with Vincent Bryant)

Summary

My Momma Told Me: "The C**n Landing" (w/ Vincent Bryant)

Date: October 7, 2025
Hosts: Langston Kerman & David Gborie
Guest: Vincent Bryant

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Episode Overview

In this episode of "My Momma Told Me," comedians Langston Kerman and David Gborie welcome fellow comic Vincent Bryant for a witty, freewheeling exploration of the classic conspiracy theory: “Was the moon landing faked?” The trio weaves in personal stories, Black cultural perspective, and a healthy dose of skepticism, while riffing on everything from Atlantis, to Black family dynamics, and, inexplicably, crispy wigs and crunchy cereals. As always, the conversation marries sharp, irreverent humor with pointed cultural critique.

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Main Discussion Points and Insights

Introducing Vincent Bryant & Table-Setting Banter

• [03:55] - Langston shares an encounter with Jesse Lee Peterson, sparking jokes about “coon legs” and the dynamic of Black public figures who "sell out."
  • Quote: “He had on shorts. You could see his little coon legs.” — Langston Kerman [05:03]
  • The hosts riff on aging, "acting a fool," and generational shifts in masculinity and responsibility at home.
  • Running gag about parental roles, home repairs, and not living up to fatherly stereotypes.

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TV Nostalgia and Cultural Commentary

• [10:10] - Joking about theme song-writing: Would you rather have written "Thriller" or the "Fresh Prince" theme?
  • Group unpacks how sitcom intros used to be full songs, which inspired more connection than modern themes.
• [13:27] - Transition to how TV, stand-up, and social media have shifted audience expectations—audiences now expect interaction and personalization, often wanting to be part of the show.
  • Quote: “But you see that audiences are being trained now to talk back to the comedian because that's what they seen on social media.” — Vincent Bryant [13:27]
  • Quote: “You should just witness the magic that I'm able to spin in front of you... no, bro, you're a fly. Be a fly on the wall.” — Langston Kerman [14:49]
  • The group laments crowdsourcing in art: “Nothing good gets made by crowdsourcing.” — David Gborie [14:10]

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The Moon Landing Conspiracy

Setup

• [17:11] - Vincent brings his mother’s claim: The moon landing was faked.
  • They retrace the space race context, huge costs, and political motivations (“Niggas asked for segregation. They was like, we’ll go to the moon on y’all bitch-ass.” — Vincent Bryant [18:18])
  • Discussion on how Black women mathematicians (“Hidden Figures”) made the landing possible—Black genius saves the day but Black people are never the face of progress.

Motives & Alternative Theories

• [19:16-21:34] - Joking hypothetical: the moon as a place to "segregate" Black folks or as an escape for the rich.
  • Segue into the theory that humans are the actual “aliens” who landed and destroyed Earth (killed the dinosaurs, buffalo)—absurd but satirical.
• [23:24] - The “Black people can’t swim” trope as coded messaging for an Atlantis/Black underwater civilization.

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Blackness and Cultural Transmission

• [29:03] - Discussion on wanting better emotional health for their kids than they had: “I want, like, an actual version of happiness for her.” — Langston Kerman [28:42]
• [30:22] - The value and complexity of “cool” in Black culture: hard to attain, can drive people crazy, desirable even for suburban kids with resources.

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The Moon Landing Conspiracy—In-Depth

• [41:00] - Langston shares that the modern conspiracy theory originated with Bill Kaysing’s petty pamphlet, not with a coordinated anti-government movement.
• [42:14] - Possible true/false compromise: the US may have landed, but faked the broadcast due to poor camera tech.
  • Quote: “We might have landed, we might not have, but if you prove that we did or didn't, it don’t help you none.” — Vincent Bryant [42:06]
• [43:32] - Was it all just about spending money? “It's a waste of money. Unless … where is this money really going?” — Vincent Bryant [43:03]
• [45:38] - Satirical tangent: What if crack came from the moon? (“Crack came like a meteor.” — Vincent Bryant [45:29])

Dissecting Common Arguments (Debunked)

• [51:21–54:38] - They review classic "proofs" of a fake landing:
  • No stars in moon photos: It's daytime, so the stars are washed out.
  • Flag waving: “They don’t like wavy people... man, breathe a wave.” — Vincent Bryant [52:01]
  • No crater beneath lander, shadow direction, and suspicious technical leaps by NASA.
  • Recruiting Nazi scientists for NASA (Operation Paperclip): evil intelligence often gets repurposed for power.

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Media, Propaganda, and Believability

• [59:38] - The myth that “20% of Americans think the moon landing was faked” originated from Fox News, but true stats are 4-5%.
  • Mass media and misinformation: massaged statistics can create a sense of community for fringe beliefs.
  • “4-5%... that's extreme outliers.” — Vincent Bryant [60:14]
• [61:26] - The abundance of streaming/content choices now feels overwhelming: “We gotta cut back on them channels, man.” — Vincent Bryant [60:55]

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Voicemail Segment: “Hard Wigs, Soft Lives”

• [70:49] - Caller posits: Black women who wear “hard wigs” (stiff, "wiggish" weaves) attract rich men and thus end up with “soft lives.”
  • Panel analyzes: is it about self-hate/predation? Is it a coded marker to non-Black men that they will assimilate more easily?
    • “That self-love ain’t there always.” — Vincent Bryant [72:41]
  • Parallels with Black men: unkempt hair is favored by “others.” “Unkept black people are favored by the others.” — Vincent Bryant [74:48]
  • Obama’s hairline and social politics (the “C-cups” joke about not keeping a sharp edge to avoid threatening white Americans).

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Closing Banter: Black Legends & Legacy

• [66:46–70:41] - Entertaining stories about James Brown and Little Richard, the contradiction of being a musical innovator and a social outcast.
• Discussion on Al Sharpton and media attention in Black tragedy: “When I see him or Benjamin Crump show up, somebody ain’t getting no justice.” — Vincent Bryant [78:18]
  • Danger of “awareness” as substitute for action—just “seeing” injustice doesn’t guarantee change.

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Notable Quotes & Memorable Moments

• [05:03] Langston (on Jesse Lee Peterson): "He had on shorts. You could see his little coon legs."
• [13:27] Vincent: "Audiences are being trained now to talk back to the comedian because that's what they seen on social media."
• [14:49] Langston: "You should just witness the magic that I'm able to spin in front of you... you're a fly. Be a fly on the wall."
• [18:18] Vincent (on US race priorities): "Niggas asked for segregation. They was like, we’ll go to the moon on y’ all bitch-ass."
• [23:24] Vincent: "Atlantis is real. Cause n live down there. And we say we can't swim so we don't get the white people down there fucking with us."
• [29:03] Langston: "I want, like, an actual version of, like, happiness as it has been defined for me. For her."
• [42:06] Vincent: "We might have landed, we might not have, but if you prove that we did or didn't, it don’t help you none."
• [45:29] Vincent: "Crack came like a meteor, destroyed the community. Come on, man. Walk with me."
• [60:14] Vincent (on fake moon landing stats): "That's extreme outliers. 95 to 96 on their phone, I'm leaving. It's not a factor."
• [74:48] Vincent: "Unkept black people are favored by the others."

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Timestamps for Key Segments

• 03:55 – Spotting Jesse Lee Peterson at LA Fitness; Black public figures and "coon" stereotypes
• 10:10 – Fresh Prince vs Thriller: TV theme songs and Black pop culture
• 13:27 – Social media’s impact on live comedy & crowd work
• 17:11 – Vincent’s moon-landing conspiracy theory
• 18:18 - 19:29 – Race, government priorities, and “Hidden Figures”
• 21:34 – "We the aliens" theory and animal comparisons
• 23:24 – Swimming & Atlantis: Black coded secrets
• 29:03 – Generational happiness and avoiding inherited trauma
• 41:00 – Bill Kaysing and the pamphlet origin of moon hoax theory
• 43:32 – Crack came from the moon (satirical bit)
• 51:21 – Debunking moon landing hoax “evidence”
• 59:38 – Fox News inflates conspiracy numbers; making stats believable
• 70:49 – Voicemail: "Hard wigs make soft lives" and cross-cultural dating
• 74:48 – Hair, class, and identity for Black men and women
• 66:46 – Music bio: James Brown, Little Richard, and Chuck Berry anecdotes

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Tone & Language Notes

• Highly irreverent, quick-witted, and full of roasts—especially on Black cultural stereotypes and political cynicism.
• Warm, conversational, and generous in personal stories.
• Absurdist humor sits alongside genuine moments of vulnerability and critique.

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Takeaways

• The moon landing conspiracy, like many others, is examined as both a social phenomenon and as comic material: less about what’s true, more about why people need to believe it.
• The conversation always circles back to Black resilience, culture, and the ways Black people shape and are shaped by American society.
• Silliness aside, "My Momma Told Me" finds space for serious reflections on family, self-perception, and surviving societal nonsense.

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If you love sharp, Black-centric comedy and rich, layered discussion of how history, rumor, and culture intersect—this is an episode not to miss.

Transcript

[Vincent Bryant]

This is an I Heart podcast. What kind of man would let this happen to his family?

[Podcast Advertiser]

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[Andrea Gunning]

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[Langston Kerman]

It's only cheating if you get caught.

[Podcast Advertiser]

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[Ryan Seacrest]

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[Vincent Bryant]

Is still $15 a month for premium wireless. And if you haven't made the switch yet, here are 15 reasons why you should 1. It's $15 a month. 2. Seriously, it's $15 a month. 3. No big contracts. 4. I use it.

[Ryan Seacrest]

5.

[Vincent Bryant]

My mom uses it. Are you. Are you playing me off? That's what's happening, right? Okay, give it a [e-mail] Switch upfront payment of $45 for three month plan.

[Andrea Gunning]

$15 per month equivalent required. New customer offer first three months only, then full price plan options available.

[Vincent Bryant]

Extra Seaman mobile.com I ain't never been a good Bill. Cosby, Bill Clinton bills themselves Billy D. Williams. Billy D. But he went by Billy. I said I ain't never met a good Billy Bill. Yeah, just a straight bill. I ain't.

[Langston Kerman]

If you ain't trying to be silly about it, this is you trying to be a serious bill.

[Vincent Bryant]

Hey man, you. You scared of William?

[Langston Kerman]

You're scared of William.

[David Bore]

That is it. You're running for government, growing babies. Microchips in your 80s all koala bears are racist. The ozone layer owes me money Marching t vent and turkey stuff Y' all can't tell me nothing.

[Langston Kerman]

Booty, booty, booty, booty rocking everywhere. There it is. There it is. Ladies and gentlemen, welcome to another phenomenal episode of My Mama Told Me, the.

[David Bore]

Podcast, where we dive deep into the pocket the black conspiracy theories, and we.

[Langston Kerman]

Finally work to prove it. Don't goddamn matter what we proving.

[David Bore]

Who cares?

[Langston Kerman]

None of this even this is made up. This ain't real.

[David Bore]

Yeah.

[Langston Kerman]

This is all a fiction.

[David Bore]

That's what I like about it. Turn off the news. Turn us on. Yeah.

[Langston Kerman]

I realize we don't introduce ourselves anymore. I'm Langston.

[David Bore]

I'm David. Do we need you?

[Langston Kerman]

I don't know.

[David Bore]

At this point, they came, some people.

[Langston Kerman]

Show up, and maybe they don't know which is which. Maybe they're like, I. I don't.

[David Bore]

Honestly, that works to my benefit because you work more than me. So, like, I'm Langston Kerman. You see me on Everybody's Live. The Mulaney Show.

[Vincent Bryant]

Got a special.

[David Bore]

Yeah. Got a special on Netflix. Integral part of the bus down that show with Ashton Kutcher. Yeah, why not?

[Vincent Bryant]

Why not make it happen?

[Langston Kerman]

This is something I feel I have to share, and I'll share it with both of you right now. Jesse Lee Peterson. We're familiar with Jesse Lee Peterson. No, the gentleman that. I'm gonna show you his face and you'll immediately know who he is. But this guy, you've seen him?

[Vincent Bryant]

Ah, yeah, I seen this dude.

[Langston Kerman]

This dude.

[David Bore]

Oh, yeah.

[Langston Kerman]

Jesse Lee Peterson.

[David Bore]

Cause he looks like he's in makeup.

[Vincent Bryant]

He just popped out of nowhere to me.

[Langston Kerman]

I saw him at LA Fitness.

[David Bore]

That's fucked up.

[Vincent Bryant]

Wait, wait, wait, wait, wait. Look how everybody balls if there's different parts of LA Fitness. Where did you see him? In what part?

[Langston Kerman]

Here's what's crazy. I wasn't in LA Fitness. I was walking out of a, like, mall area where an LA Fitness is. And Jesse Lee Peterson, sometimes God sends.

[Vincent Bryant]

You places to explore. You was supposed to go sign up to see what he was in there doing.

[David Bore]

That's a good man.

[Langston Kerman]

It was truly one of the most wild things I've ever seen in my life.

[Vincent Bryant]

You caught him out in a while.

[David Bore]

He was wearing shorts.

[Langston Kerman]

He had on shorts. You could see his little coon legs.

[David Bore]

He does not look like a shorts guy.

[Langston Kerman]

He had a little coon bag that he was carrying.

[Vincent Bryant]

It was the Diane or no. Cause I can tell that's dye.

[David Bore]

Oh, it has to be.

[Vincent Bryant]

Nah, he was just using a wild.

[Langston Kerman]

I mean, it was, but it wasn't at its richest. You know what I mean? Like, this is when he's like, that's an event, right?

[Vincent Bryant]

That's like he's 6 5. For real, though?

[David Bore]

Nuh. No.

[Vincent Bryant]

So is that. That's a lie.

[Langston Kerman]

He's tall. He's tallish.

[Vincent Bryant]

Maybe he used to be 6:5. You know, you lose an inch every year. You begin to comb. He was eight feet that ever was.

[David Bore]

That's why he decided to coon. He was like, I could take off the top.

[Langston Kerman]

He was big as hell.

[David Bore]

He had a future.

[Vincent Bryant]

He thought white people was that he was the white people. The reason he lasted that long. How old is he? 76.

[Langston Kerman]

He's 76 years old. According to.

[Vincent Bryant]

See, when they get up in age, they be like, oh, I survived. I made it. All them niggas that was fighting for y' all rights ain't here no more. He's like, I did right.

[Langston Kerman]

I can act how I want to act.

[Vincent Bryant]

I can act a fool. People gave him a microphone and said.

[Langston Kerman]

Go ahead, let's see what happened.

[Vincent Bryant]

He probably used to be a smart guy. And then he was like, this shit ain't getting me nowhere.

[David Bore]

No money.

[Langston Kerman]

He really, whatever he was, he did not like how that felt.

[David Bore]

Yeah.

[Langston Kerman]

He was like, I'm getting up.

[Vincent Bryant]

This shit ain't working. This shit ain't working. Yeah, and that sucks. Cause he's probably fighting a good fight till it wasn't fighting back no more. It's all good.

[Langston Kerman]

Nah, he.

[Vincent Bryant]

What you think was the leg there? Back there? That's the shit.

[Langston Kerman]

That's a good question.

[David Bore]

Was he coming in or going out?

[Langston Kerman]

He was coming in.

[Vincent Bryant]

Ooh, what time? What time? What time?

[David Bore]

That's a good question. That's a good question.

[Langston Kerman]

He was coming in and it was 3ish PM.

[David Bore]

That's weird. That's a weird time.

[Vincent Bryant]

He ain't getting no real money. Cause he at LA Fitness at 3pm he ain't getting no real money. He ain't getting no Equinox money.

[Langston Kerman]

And that was my real takeaway from this. Because this is such an exposing moment for that individual.

[Vincent Bryant]

You should have went interviewed his ass right there. Really?

[Langston Kerman]

There was so much in me that.

[Vincent Bryant]

Wanted to know more than 2 cents of nigga. What.

[Langston Kerman]

I had my daughter and my niece with me, and that was the main reason.

[Vincent Bryant]

You can't expose him to no shit like that.

[Langston Kerman]

I couldn't do it.

[Vincent Bryant]

You couldn't expose him, but you have to.

[Langston Kerman]

That's why? It's weighing on me.

[Vincent Bryant]

You could have called your wife and be like, well, we know what time he be there now.

[David Bore]

Exactly. Exactly.

[Vincent Bryant]

You should have called your wife and said, hey, I gotta save the world. Come get these babies.

[Langston Kerman]

I got something important to do.

[Vincent Bryant]

I got something to do right now.

[Langston Kerman]

You have to pay us.

[Vincent Bryant]

I know it's my day. I know it's my day, but I'll pay you back. I get him another eye, I swear to God. I need to go explore this a little bit more. This might get us a house.

[David Bore]

I'm doing this for house.

[Vincent Bryant]

This interview might get us out. You know how? You remember Shannon Sharp and Cat Williams? This is gonna break the Internet.

[Langston Kerman]

You keep saying you want the front porch fixed. I think I just figured it out.

[Vincent Bryant]

Are you at that stage? You a real dad?

[Langston Kerman]

Yeah, man.

[Vincent Bryant]

Ooh, you gotta fix shit.

[Langston Kerman]

Yeah, I gotta fix it.

[Vincent Bryant]

You ever had to fix some shit?

[Langston Kerman]

You couldn't fix almost all of it.

[Vincent Bryant]

Ooh. How it make you feel? I think sometimes, you know what if y' all get into an argument and she lose, she just tell you to go fix some shit, and she like, yeah, you not a man.

[Langston Kerman]

You know what's crazy. That wouldn't hurt is we've set up such a clear situation where she fixes shit around the house. I don't do that.

[David Bore]

Lanx is going crazy. My voice.

[Vincent Bryant]

Ah. No, it's good and bad because it's.

[Langston Kerman]

Both of those things at once.

[Vincent Bryant]

Yes.

[Langston Kerman]

This isn't a championship. This is not a flex. This is survival, where I've attempted to be a man enough in front of her.

[David Bore]

I failed.

[Vincent Bryant]

And did she tap your shoulder? It's okay.

[Langston Kerman]

And her dad is, like, a construction ass dude, and she grew up around it, and so she just knows how to do it, and I don't know how to do it.

[David Bore]

Is she putting stuff together? Yeah, she put, like, bookshelves and stuff?

[Langston Kerman]

Preferably, yeah.

[David Bore]

Damn, that is tough.

[Vincent Bryant]

Don't ever let her daddy see her fix stuff.

[Langston Kerman]

He ain't around that much, so I'm all right.

[Vincent Bryant]

Okay, okay. She's back. He's back. All right. Cause if the daddy. He gonna stop, he gonna, like. He just gonna look at you.

[Langston Kerman]

He don't get to talk to me like that.

[Vincent Bryant]

See what I'm saying? I've met a girl's father, and he was trying to, like, do the daddy thing, and I was just like, nigga, you don't even be around like that. I do more of her than you do.

[Langston Kerman]

Yeah.

[Vincent Bryant]

So it's like, you can't do this to me. She told me all about you and how you ain't been there. I've been here longer than you have.

[Langston Kerman]

It's the craziest thing when you get to a situation where you don't just treat every dad the same. Do you know what I mean? Like, as a kid, you're just like, that's her dad. So I gotta.

[Vincent Bryant]

It's respect.

[David Bore]

I gotta.

[Langston Kerman]

Yes, sir. No, sir.

[Vincent Bryant]

But then you start to be a man. You be like, you wasn't around. That's why she act like this.

[David Bore]

Yeah, yeah, yeah.

[Vincent Bryant]

You know what I'm saying?

[Langston Kerman]

You can't talk to me like that, big dog.

[Vincent Bryant]

Not today.

[Langston Kerman]

I don't know you.

[David Bore]

No, it's on my broken porch.

[Langston Kerman]

I guess today we've already been talking shit. We're so happy he's here. He's in town.

[Vincent Bryant]

We made it happen.

[Langston Kerman]

Doing all kinds of cool shit. But you know him best from Comedy Central. You know him best from the Ms. Pat show. He is one of the funniest motherfuckers I know. I've seen. You love him. I love him. Give it up for Vincent Bryant, everybody.

[Vincent Bryant]

What's happening? This is my camera. That's right. Going anywhere?

[David Bore]

Suck my dick.

[Vincent Bryant]

Okay. I didn't see that coming. I got excited about something else. Yeah. And now it's tanky. I tainted that memory for me. Wonderful song. It was a good song. That's a good. Like, if you come into the crib and you ain't have cable and you cut pbs. Come on. You sit in front of that tv. I was a TV kid.

[David Bore]

Just take a look. You know what I remember about Reading Rainbow? I didn't. Like, they would tell you about a book and then. But at the end, they'd be like, but you have to go read it for yourself.

[Langston Kerman]

Yep.

[Vincent Bryant]

I take this.

[Langston Kerman]

Homework.

[Vincent Bryant]

Hated that. I asked y' all this. Would y' all rather have written, like a. What's a hit song? Thriller or the Fresh Prince intro?

[David Bore]

Oh, okay.

[Langston Kerman]

That's a good question.

[David Bore]

Is it just the Fresh Prince intro? Cause I would take Family Matters intro. I would rather have written that for real, man.

[Vincent Bryant]

I don't know. I don't know that.

[David Bore]

You don't know that song.

[Vincent Bryant]

If I hear it, I can probably.

[David Bore]

It's a rare condition.

[Vincent Bryant]

Man. I don't know Fresh Prince. Is that the first rapping intro on television?

[David Bore]

Yes, it probably is. Yeah.

[Langston Kerman]

There were hip hop intros.

[Vincent Bryant]

Yeah. But now that's the first Westfield. Come on now.

[Langston Kerman]

He did three verses.

[David Bore]

Oh, yeah. Oh, yeah. Versus the one on the plane.

[Langston Kerman]

Yeah, that. They don't play on first class.

[David Bore]

Yo, this is bad. Drinking orange juice out of a champagne glass.

[Langston Kerman]

Is this what the people in Bel Air live like?

[David Bore]

I might be all right, but then.

[Langston Kerman]

I hear the prissy bourgeois and all that. Is this the type of place they cool cat?

[Vincent Bryant]

Did they film holidays?

[Langston Kerman]

I'll see when I get there. I hope you're prepared. I gotta go watch Prince of Bel Air.

[David Bore]

And then. Because. Yeah, there's a part on the plane, and then he gets off the plane, and that's when he whistles for the cat.

[Langston Kerman]

Yeah.

[Vincent Bryant]

And. Okay.

[David Bore]

I whistled when it came near. Eliza said fucking mirror. Yeah.

[Vincent Bryant]

Okay.

[Langston Kerman]

They skipped over how he went from Philly to Bel Air, but also his.

[David Bore]

Mom kicking him out. Cause it's also. I begged and plead with her Day after day but she packed my suitcase and sent me on my way she gave me a kiss and she gave.

[Vincent Bryant]

Me my kiss Put my wolf man.

[David Bore]

On and said I might as well kick it and then first class.

[Vincent Bryant]

Y' all see the excitement? They would rather write this song than Thriller. Damn.

[David Bore]

Yeah. Thriller never did that to me. Thriller never did that to me.

[Langston Kerman]

I think what I want and what I dream of is living in an era where television mattered so much that you could write a whole song about a show, bro.

[David Bore]

They used to put resources to it. They used to put real resources. You know who fucked it up with music video Once the office came around and they were like, oh, we don't even have to do this anymore.

[Vincent Bryant]

They made a billion dollars off of millions of dollars off of us. I just talked to somebody. It's like they used the warehouse in a small space in an office. I don't know if it's true or not, but it was like, if that's the only sets they had to use. For real, they cleaned up, bro.

[David Bore]

The whole show was, like, not cheap. But that compared to multicams that we grew up on, there's not as much to. You just had to have some white people be like, yeah, they just stand in front.

[Vincent Bryant]

You know what it is?

[David Bore]

That's all that. And it's funny. It's a funny show, but that's what a lot of it is when art.

[Vincent Bryant]

Connects with, like, an act. Like, sometimes we watch tv, and we just watch tv, but when they break the fourth wall and they start talking to us, that's when it. Now translate that over to stand up. I love stand up. We all do this shit. But you see that audiences are being trained now to talk back to the comedian because that's what they seen on social media. And it's not really that they love the crowd work. It's not amazing. They all saying the same thing. They all asking the same shit. But it's a conversation that the audience gets to have with the artist as to why. It's like, oh, I love this now. It's like, no, motherfucker, go talk to somebody before you come to the show. So you don't gotta talk to me.

[David Bore]

I've been saying that. I think in general, the audience has way too much control over art now. I think people started crowdsourcing art, and I don't think any of your favorite shit. Jay didn't make the blueprint because he listened to what I think.

[Langston Kerman]

Yeah.

[David Bore]

You know what I'm saying? Nothing good gets made.

[Vincent Bryant]

That's why you can't test shit. You can't ask. Don't ask, as artists never ask permission.

[David Bore]

Exactly.

[Vincent Bryant]

You make the shit, they fuck with it. They fuck with it if they not go make some more shit.

[David Bore]

Exactly.

[Langston Kerman]

I think it's the reason why this podcast can only work when we are talking to other funny motherfuckers.

[David Bore]

Yeah, we've had some not funny people.

[Langston Kerman]

You know what I mean?

[Vincent Bryant]

It's kind of been blank.

[David Bore]

Yeah. It just doesn't.

[Vincent Bryant]

Like, it'd be flat. You'd be like, I'm trying to rev you up. It ain't. Yeah, yeah.

[David Bore]

And you're like, oh, I'm putting up shots.

[Langston Kerman]

But I just mean that, like, we allowed the audience to be like, I just want to socialize. And that's cool. If you want to socialize, go socialize. But what you're coming here to do is experience a show.

[Vincent Bryant]

Be a flat noir.

[Langston Kerman]

Yeah. You should just witness the magic that I'm able to spin in front of you. And instead, you're like, I could also make this spiderweb. And it's like, no, bro, you're a fly. Be a fly on the wall.

[David Bore]

We're spiders.

[Vincent Bryant]

We're spider. And I'm not better. I just know how to do this thing. That's it. I can't prepare. I had somebody come up to me. He's like, hey, man, you know what you should do? You should talk to the audience for 10 minutes. I was like, you know what you should do? Get the fuck out my face. And I'm talking to you right now. It's like, because I came prepared, I had some things I wanted to get off. And, you know, it's selfish to me that my thoughts should be heard, but it's like, shit, that's what y' all paying for.

[Langston Kerman]

That's what you do.

[David Bore]

That's what the game is, though. That's the whole. That's what this is.

[Langston Kerman]

You know, I did not come to talk to you.

[Vincent Bryant]

Nope. And I will. But I didn't come here for that.

[David Bore]

I truly, honestly, I truly won't. If you catch me in line or some shit afterwards, you might be able to.

[Vincent Bryant]

I'm a chop it up with people. Cause, you know, it's that thing. I understand that they the reason that we don't have to go to clock in. For real. For real. So I' ma always have those interactions. But, you know, I want to build my fan base to where they, like, man, don't go bother them. Like, if people see Vince Staples out, they be like, they'll throw him a head knot because they know what kind of nigga he is.

[David Bore]

Right.

[Vincent Bryant]

I want my people to be like this and go. It's like, I don't ever want you to feel so comfortable to where we can just sit and you hold me hostage in a conversation.

[Langston Kerman]

And I think more and more that's becoming a complicated spot to find because audiences, to your point, are being fed the illusion that, like, we are at their service. Like, our entire existence is pleasing them. And it is a partnership. But your pleasure is the result of what I care about most. It's not what I'm like, seeking the way that you think it is.

[Vincent Bryant]

Because if I stop and talk to everybody, my entertainment to you will be about that. And it's not very entertaining. So don't make me do that. Yeah, that's it.

[David Bore]

And you don't wanna talk to me. That's what I got. You saw what I got.

[Langston Kerman]

You saw that. All my thoughts.

[David Bore]

You saw the best.

[Vincent Bryant]

You saw me working and best of me up there.

[David Bore]

It doesn't get any more entertaining than that.

[Langston Kerman]

I put it all out.

[Vincent Bryant]

You don't wanna know the shit I wanna say. But I can't. Yeah.

[David Bore]

Cause that's bad. That's why I'm haunted.

[Vincent Bryant]

So get away from me.

[Langston Kerman]

Some of these stories aren't filtered.

[Vincent Bryant]

Ain't no punchline to them. It's just sadness. It's all set up. Nothing else. That's it. No fluff, no flim.

[David Bore]

That being said, buy tickets.

[Langston Kerman]

Buy some tickets.

[David Bore]

Please come see me.

[Langston Kerman]

We all out on the road.

[Vincent Bryant]

Come on, baby. Pull up in droves.

[Langston Kerman]

Vincent, you came to us with a conspiracy theory.

[Vincent Bryant]

Yes.

[Langston Kerman]

That I wouldn't even necessarily call specifically black. I would say this is a conspiracy Theory that touches maybe all communities. Yes, white people probably led the charge in this. But I think everybody sort of takes it on. My mama told me the moon landing was fake.

[Vincent Bryant]

She did tell me that.

[David Bore]

Okay.

[Vincent Bryant]

She told me that. And I agree and disagree.

[Langston Kerman]

Let's go.

[Vincent Bryant]

Right, okay, so check this out. The moon landed 1969. Right. We were first, and we was in the Soviet. Or we was in a race to get to the. Whatever the fuck the name was. We say we landed, and we may have, and that's cool. But we ain't been back since. That's the other part that gets me. It's like we've done a couple missions, but since the 70s, we ain't really been back up and forth. So it's like we spent an estimated $7 billion to get up there. $20 billion? No, it was estimated to be 7 billion. They ended up spending 20 billion. JFK promised something that he couldn't even see all the way through. This motherfucker was gone by the time it happened, so. But also, all this stuff that was going on in the background was like, hey, bro, y' all spending money on the wrong shit. Niggas asked for segregation. They was like, we'll go to the moon on y' all bitch ass. And that was like.

[David Bore]

They were more worried about the Russians than they were the black people.

[Vincent Bryant]

Yeah, what about your front? Y' all not across the street. Yeah. You know what I'm saying?

[David Bore]

They thought that that was the bigger threat.

[Vincent Bryant]

The most interesting part about that is we all seen hidden figures, right?

[Langston Kerman]

Of course.

[Vincent Bryant]

So that movie was based. They hired some brilliant black women to do the math, run the numbers, and it makes sense to. Cause who put two and two better together than a black woman?

[David Bore]

That's one of their great skills.

[Langston Kerman]

Yeah.

[Vincent Bryant]

Who do it better than them? You know what I'm saying? So that's how they got them niggas to the moon. So black women always been saving us. They ain't gonna give us our segregation, but we can send all them motherfuckers up to the moon. And that was the motivation behind cracking the code to get them to the moon. Cause they was like, they ain't gonna send no niggas up there. Cause they don't want us to be first. But if they go up there, maybe they can inhabit this moon and leave some bus the fuck along. And we gonna get the segregation that we want all off the brains of the black women.

[Langston Kerman]

The plan was to send black people to the moon eventually, but not give them the title so that it Just becomes a shitty place for black people to leave.

[Vincent Bryant]

And we just gonna make it do what it do. Yeah, we gonna make it do what it do. Yeah.

[David Bore]

See here's what I think though. I do think it's them who are gonna leave. I feel like the richest people are always trying to find a way to leave. So I think if anything they'd be.

[Vincent Bryant]

Trying to find a way to leave. It's like, you know how they be a bunkers in their house. The moon is just another bunker.

[David Bore]

That's what I feel like. That's what I feel like for sure.

[Langston Kerman]

I've long thought about them being the ones to leave. And the more I think about it, the less it makes sense to me.

[David Bore]

You think so?

[Langston Kerman]

Yeah, I just think that they are very aware, I was reading this not too long ago, that there's a dude who spent four months in space because they were studying twins and there's this astronaut who has a twin. And they're able to detect differences in their bodies now because of how long his brother spent in space. But one of the things that they talk about is the bone deterioration, like organ deterioration that happens from being in space. I think there's a bunch of things they can't account for that they actually don't want to have to figure out the science for. And they can just send us up there to melt faster than we would if we were here. I think when they start weighing the, the benefits versus the, the takeaway. You spend 30 years on a fucking flight to whatever is the next. You know, I mean, you could inhabit.

[David Bore]

I also think who are we talking about though? Because it's like you can't send all the poor black people all.

[Vincent Bryant]

You can't ship all you say, you.

[David Bore]

Know what I'm saying? It becomes like if we're talking about the ultra, ultra elite, who would be the people those are going to. It's going to be a small group of people to escape.

[Langston Kerman]

I certainly think it's like a last resort ass plan for them. I think their first resort is figure out a way to get us up.

[Vincent Bryant]

Out of here and inhabit and build and construct and seeing. That's the whole thing. But I don't know. Here's the verse on that. We ain't looking. We've been there before. I think we the aliens. So if you look at every end of the world movie, worry about alien coming here and destroying the earth, right? We came here and we destroyed Earth. If the dinosaurs are real, we got rid of them, right?

[David Bore]

Got them out of here, got them out of here.

[Vincent Bryant]

We landed.

[Langston Kerman]

I don't know if we did that.

[Vincent Bryant]

No, no, I'm telling you. Look, hold on. This is the story we told. We got rid of the dinosaurs and then niggas evolved. No, motherfuckers. We came here. It's like, this is a habitable planet. We came. This. All right, cool. So this further leads to me. It's like what we did to the buffalo. Yeah, we got rid of them.

[David Bore]

And I bet brontosaurus tastes better than buffalo.

[Langston Kerman]

Damn.

[Vincent Bryant]

A pterodactyl wing. You ever had a turkey wing? 10 times that. You know what I'm saying? 10 times that.

[David Bore]

You're in my dreams.

[Vincent Bryant]

It's a turkey leg hug.

[David Bore]

You're in my dreams. I wake up.

[Ryan Seacrest]

A turkey leg hut.

[Vincent Bryant]

A pterodactyl hug.

[David Bore]

Nigga, that would go crazy.

[Langston Kerman]

The daiquiris would be this big.

[Vincent Bryant]

Come on, gang. Come on, man. Come on. Come on. We the aliens. Here we go. The aliens. And we fucking up the earth.

[David Bore]

We also do seem to be the least suited animals for this, right?

[Langston Kerman]

We can't handle nothing outside.

[David Bore]

Like, even. Even.

[Vincent Bryant]

Come on, man.

[David Bore]

Like, we just.

[Vincent Bryant]

We can't handle inconvenience.

[David Bore]

Yeah. And like, it doesn't even. I was reading something a long time ago where it doesn't even make sense that we're bipedal. It's like, not nearly as efficient way to move. Like, standing up, walk. Like, we don't even move. The most efficient way for our bodies. Whoa. Yeah.

[Langston Kerman]

That being on our hands would actually work better.

[Vincent Bryant]

Increase. Better for us. But we stood up. See, See, Thinking back, I know why we stood up.

[David Bore]

And then there's like a lot of other shit about, like, I know how long it takes our young to mature.

[Vincent Bryant]

They know why. Come on.

[David Bore]

But like, how long it takes our young to mature. Like, other animals come out and they could just walk and do shit. It take. You had to take care of a kid for at least six, seven years before it could really do anything. You know what I'm saying? It's like, there's a lot of stuff.

[Vincent Bryant]

You know what? Babies come out, right? Crawling.

[David Bore]

Yeah.

[Vincent Bryant]

So you might be right. Then they make them stand up. They're like, brother, I just.

[David Bore]

No, you gotta stand.

[Vincent Bryant]

I was showing you how to do this.

[David Bore]

Yeah, yeah.

[Vincent Bryant]

I was showing you how to do it.

[Langston Kerman]

Get out with me.

[David Bore]

Get down here. Pee, pee, poo poo on the floor. Yeah, it's nasty.

[Langston Kerman]

What you're doing is.

[Vincent Bryant]

All I gotta do is lift his leg. And if you on your fours, right, you in a squatty Potty position. That shit coming right out. That's why they can shit up their back.

[David Bore]

I think also you're faster. I think you're faster on four than you are on two.

[Langston Kerman]

Yeah, my son is fast as fuck.

[David Bore]

Come on. But. And we were talking about that. And. But when he learns it slows it down.

[Langston Kerman]

He's walking now and like, he still prefers to crawl. And like he is way slower trying to.

[Vincent Bryant]

Yeah, it's like a little drunk, man. You gotta wait. Come on, man. Come on. Go and get down on the crawl. You haven't just wanted to crawl, but it's in public. You're like, damn, if this thing could move a little fast.

[Langston Kerman]

I don't. I actually would love for him to slow down almost always. Because he's just. He's at a stage where everything is. And goes into the mouth. So I don't need that stroke.

[Vincent Bryant]

Real foodie.

[Langston Kerman]

Be where you are. Some people say they a foodie, but then they don't eat rocks.

[David Bore]

Yeah, you don't like food. Like, my boy, he wants to eat.

[Vincent Bryant]

A candle and he like mud.

[David Bore]

Cotton ball.

[Langston Kerman]

He don't care.

[Vincent Bryant]

Whatever it is he getting down. This further leads to my theory. What they say black people can't swim. That's a trick that we put out there black people, right? Cause in Atlantis is where niggas is really from underwater, bro. Atlantis is real.

[David Bore]

Okay? Let's go there.

[Vincent Bryant]

Atlantis is real. Cause n live down there. And we say we can't swim so we don't get the white people down there fucking with us. Whoa, bro, we can swim. How come we can do everything else physically, very well. And we say we can't swim.

[David Bore]

It doesn't make sense that we don't even have. Do we even have breakout athletes in swimming?

[Vincent Bryant]

In the way that it's coming, it's coming.

[David Bore]

It must be. But like, in the way that everybody.

[Vincent Bryant]

But they better stop.

[David Bore]

There was only a few in golf, but the one managed to be the best at. You know what I mean? Like, shouldn't we have that for swimming?

[Vincent Bryant]

We stayed away. Cause we know. It's like if we reveal the truth, we gonna show why people are for real. For real.

[Langston Kerman]

Well, you think there's something like. Because not every. I don't think every black person knows your theory about us being from Atlanta.

[Vincent Bryant]

No, it's coded in us. It's in us. They send out a signal every three to four years.

[Langston Kerman]

And they're like, don't get too dizzy.

[Vincent Bryant]

Don't tell, don't tell, don't tell, don't tell, don't tell.

[David Bore]

I remember. I think I told you about this. I remember because my mom can't swim and nobody can swim. So she was like, I had to go to swimming lessons. Right?

[Vincent Bryant]

Right.

[David Bore]

I remember going in the Boys and Girls Club and we went to the pool, but I was the only kid.

[Podcast Advertiser]

Who could be in the deep den.

[David Bore]

And it was lonely. We got to the pool, I was.

[Vincent Bryant]

Like, you wanted to go home?

[David Bore]

I felt bad. Everybody was in the shallow end and I ran back there. And then I'm the only kid in 12 foot.

[Vincent Bryant]

Wow.

[David Bore]

Yeah. All black kids.

[Langston Kerman]

You didn't feel alone, embarrassed? You felt alone, sad for them that they couldn't take part?

[David Bore]

No, I wanted to go have fun. It was like.

[Vincent Bryant]

I thought 12 foot wasn't fun. That's what I'm saying.

[David Bore]

It was my good time.

[Vincent Bryant]

In a pool, that's the worst. In a pool full of people, you would probably drown faster because everybody else is not paying attention. They just splashing around. I'm on the ledge, right? And I'm like, you can't really guesstimate as a kid how far something is. And I let the ledge go and it wasn't in reaching distance no more. And I'm just kicking, right? And.

[Langston Kerman]

And you can't swim at all.

[Vincent Bryant]

You know, I can't swim at all. I can float a little bit.

[David Bore]

How deep is it? Cause if it's 12, you can't even.

[Vincent Bryant]

If it's like 8, you can't even bounce.

[David Bore]

Yeah, exactly.

[Vincent Bryant]

You can't even bounce up. So if I'm like nine, I'm probably like four foot, so five foot, so it barely break net. If I'm like eight or nine and you know, you about drown when you throw the head and you just. And you start to take.

[David Bore]

Oh, yeah, it gets in your mouth.

[Vincent Bryant]

Oh, yeah, you done. So luckily somebody. It was like I got sandwiched and bumped in between somebody and they was like, what the fuck is you doing? They was like, oh, he's almost dying. Cause kind of threw me onto the ledge of the thing. I was like, oh, I was closer than I thought. I just started to panic.

[David Bore]

Yeah, yeah, yeah.

[Vincent Bryant]

You ever almost drowned? But then I learned how to swim at the boys and Girls Club. That's what I thought you was gonna say.

[David Bore]

You learned how to do it.

[Vincent Bryant]

That's why I learned how.

[David Bore]

I had taken swimming lessons even more before that. I took them like, probably like first grade. So this was probably like.

[Langston Kerman]

Yeah, I took them pretty early.

[Vincent Bryant]

You ever see the babies do the swimming lessons? You Doing that.

[Langston Kerman]

My babies do swimming lessons.

[Vincent Bryant]

See what I'm saying? They just throw them in the pool.

[Langston Kerman]

Yeah, well, yeah, yeah. We don't do it as quickly as some of those videos.

[Vincent Bryant]

You see what I'm talking about, though?

[Langston Kerman]

The videos make you believe, like the second they come out, they just throw them in and then the baby instinctually has that. That's not always the case. There are, I think, schools where you could take your 6 month old and get them very quickly to learn how to float and shit.

[Vincent Bryant]

Yeah.

[Langston Kerman]

We don't do it that way. We're doing it slow.

[David Bore]

Okay. Are you in there with them?

[Langston Kerman]

Yeah, for. For my son. I'm in there with him now. My daughter is old enough. She's three, and she can swim like, she can actively.

[Vincent Bryant]

She better than you already? Yeah.

[David Bore]

Can you swim?

[Langston Kerman]

I can swim, but not in a. Not in a way that I'm like, comfortable in the water. She's very comfortable in the water. You know what I mean?

[David Bore]

Okay. Yeah, yeah, yeah.

[Vincent Bryant]

Is that scary for you that you know your daughter better than you already?

[Langston Kerman]

Uh, no.

[Vincent Bryant]

Okay.

[Langston Kerman]

I hope that she becomes better than me in a multitude of ways.

[Vincent Bryant]

Yeah.

[Langston Kerman]

I really want her to be.

[David Bore]

I like that.

[Langston Kerman]

Better than whatever this is.

[Vincent Bryant]

I mean, telling people, the kids better than us, they just don't know it yet. The small ones, like, they got more access to stuff than we do at a faster rate and they can kind of process and they seem to be nicer.

[Langston Kerman]

I genuinely.

[David Bore]

That's the goal, right? Yes, that's like the goal.

[Langston Kerman]

I want, like, an actual version of, like, happiness as it has been defined for me. For her. Do you know what I mean? Versus what I think for me is like this constant questioning of what is joy, how do I experience it? I just want her to live in that and not in this weird, like, backwards cynicism that I'm trapped in.

[Vincent Bryant]

That's. That's the brain shift. Yeah, that's your brain shift. She probably ain't gonna have it.

[Langston Kerman]

I hope she doesn't.

[David Bore]

She probably don't have it. I mean, she's stable. Right. Isn't that the.

[Langston Kerman]

That was. I hope so.

[David Bore]

But instability is what made me crazy.

[Langston Kerman]

But I've seen. I've seen a lot.

[David Bore]

That's like what. That's what did.

[Vincent Bryant]

But you also seen a lot of.

[Langston Kerman]

Stable mindset go crazy and I don't.

[Vincent Bryant]

Know how, and that's due to curiosity. Yeah, it's like, all right, you know, I ain't had no. I had a. Used to work for a really rich guy and he was like, I'm scared my kids ain't gonna have no struggle. And I thought he was joking. He was like, I'm dead ass. It's like, if they don't have it, they gonna create it. They'll create a struggle for themselves. So it's like, oh, shit. Ah, yeah. I ain't the reason. I am so vigilant about not doing certain things. Cause like, I just don't wanna go back.

[David Bore]

Yeah, yeah.

[Vincent Bryant]

They are interested in what? Oh, what's over there. Oh.

[David Bore]

I was like, there's nothing going back. They're baseline.

[Vincent Bryant]

No diversity.

[Langston Kerman]

Most dangerous motherfuckers I've ever known in my life were kids from the suburbs who wanted to be in gangs.

[Vincent Bryant]

Yes, yes.

[David Bore]

Kids who had resources and chose to be bad. 100% the worst people.

[Vincent Bryant]

But that be fueled by, like. Cause the kids that didn't have nothing made something out of nothing. They made it look cool. So then it's like, I got something, but I can't make something look cool. So I must go. Cool is a commodity.

[Langston Kerman]

Yeah, right.

[Vincent Bryant]

It's like, all right, it ain't worth. You can't really buy nothing with it. But it does have value.

[Langston Kerman]

Yeah.

[David Bore]

I mean, it's like a. It's such a complicated even idea. Right? Like, you read that bell hooks book. We real cool. Just like. The idea of cool is, like. It's so unattainable that it drives people crazy.

[Vincent Bryant]

I ain't read Bell a lot. You know what I'm saying? I like Bill. I prefer Tony. Even though they not. They have a similar discourse. But it's like. I don't know. I just. Tony just remind me of you. Like, come sit on my lap. That's what it feel like.

[Langston Kerman]

I don't know why you're more fiction than you are.

[Vincent Bryant]

Yeah. Cause you get a break. I think you work your brain a little bit more with imagination and you anger yourself with real stuff.

[David Bore]

I will say some of Bell Hook's shit, like, All About Love is like a difficult.

[Vincent Bryant]

You stop and put it down. You gotta stop and put it down.

[David Bore]

Yeah, yeah. You really can't. Like, just.

[Vincent Bryant]

You take the lessons and then you gotta digest it. That's not something you read straight through and say, I read it. It's not that. You know what I'm saying? If you're not that kind of reader, it's like, you need a notebook with this. You need to possibly a partner. I would even encourage it, like, read it before and then also read it with a partner.

[David Bore]

Because then I never thought about Reading it with a partner. Cause I've read it, but I never.

[Vincent Bryant]

Yeah. Cause your definition of what it is before with this. And love changes with every person.

[David Bore]

Right.

[Vincent Bryant]

Cause the definition gotta change, because everybody can't be loved the same. You can get the core stuff, but it's like, oh, you gotta love this person so much differently than the other person. So it's like, that's a good book to be like, hey, let's check in a little bit.

[Langston Kerman]

I really struggle with nonfiction because of that reason of not being able to create some of the story from it. And I think that doing it with the partner does feel like you get to be like, I read a thing. Now. Let's be mad about it, or let's be passionate about this.

[Vincent Bryant]

And it may anger you, but this thing's like. It unlocks something to her. She's like, oh, no, no. You ain't gotta be angry about it. Look, check this out. This is how you could. This could be a superpower. Now he's like, damn. Okay. Yeah, yeah, yeah, yeah. All right. Bet. Bet.

[Langston Kerman]

I need to just save my marriage, man. That's cool.

[Vincent Bryant]

Yeah.

[David Bore]

Mine hasn't even come.

[Vincent Bryant]

One step at a time. One step at a time. You just got engaged, right?

[David Bore]

Just got engaged.

[Vincent Bryant]

What was the. What was the. I'm gonna ask you. I'll ask you, and I'm gonna ask you. What was the. Like, all right. I knew.

[David Bore]

We're just weird in the same way it works. There was no weird part of myself that I felt like I had to hide.

[Vincent Bryant]

So you felt seen.

[David Bore]

Yeah, yeah. And accepted. Not just seen, but, like, fully accepted. And then at that point, I'm like, I don't think it gets better than that. You know what I mean?

[Vincent Bryant]

That's a good bass.

[David Bore]

Yeah. Yeah. It was like the first time I'm with somebody where I was like, I could see this going. Cause, you know, I've had other people, and you had other people that you thought. And then when you took some time away from it, you're like, oh, that wasn't really me being my full self. Me showing up in a real way. There was all this stuff.

[Vincent Bryant]

Yeah, yeah. You realize how many times you was lying. Cause your mind told you something like, man, I want this to work so bad. I'm willing to transform.

[David Bore]

And then, like, ignoring red flags and shit like that. But this was like. It wasn't like that. And it was also the ease of it. The ease of it. Like, it's hard, but it's, like, easy to be hard within this. It's like working on something that you love, where it's like, okay, it's difficult to do this work every day, but I love it.

[Vincent Bryant]

So it's like, it got a level of ease to.

[David Bore]

It feels like it doesn't work. It's fun to go to the grocery store and then it's like, yeah. All that kind of stuff together was like, oh, okay, yeah, this is a smart idea.

[Vincent Bryant]

What was your. What was the click like? All right, this it.

[Langston Kerman]

I think there's this weird thing where for marriage, you're often told about, like, finding a partner, right? And the partner is always. Is like, somebody who empowers the best of who you are, and you empower the best of them, or they fill in the gaps of what you're incapable of. And I think what I found is that it's a partnership in terms of both empowering me at my best, but also seeing my flaws as still workable assets for what we're doing, bro.

[David Bore]

Yo, that's for real. Cause, yeah, that's for real, man.

[Langston Kerman]

Like, I think partnership doesn't always mean the shit is rocking perfectly. It just means that you have somebody who's like, eager to get under the boat and figure out what the fuck we can do about that.

[Vincent Bryant]

That's just him. That's the sentence. I think that's just him. And not in a judgy way. It's like, you know, somebody else could see you, like, girl, duh. Like, no, that's just him.

[David Bore]

Yeah. Cause you be thinking that bad stuff is what's gonna kill it.

[Vincent Bryant]

No, like.

[David Bore]

Or I used to feel that way. I'd be like, man, there's parts of me that, like, that's perfectionism. Yeah, exactly that. Which is a huge thing.

[Vincent Bryant]

That was a big thing.

[Langston Kerman]

I spent a lot of time.

[David Bore]

That's a big part of therapy for me is like, learning about perfectionism, understanding how it's linked to, like, lower self.

[Vincent Bryant]

Esteem and acceptance and not trying to rock the boat. And I have to, like, all right, for me to be in this room, I have to be pristine. I have to be hypervigilant about who I am. And you always aware. And then you start to be. And then the motherfuckers pull you out of that awareness. You're like, hey, man, it's fine.

[David Bore]

Yeah, yeah, yeah, yeah. And even that idea of me to have value, I have to be perfect. Perfect. And anything short of that is me diminishing my value. When it's like, that's perfect.

[Langston Kerman]

I'm constantly questioning if anything, I'm Doing is good enough, valuable enough to make up for everything else that I'm doing.

[David Bore]

Yeah, yeah.

[Langston Kerman]

That way I found a person who not only is, like, comfortable with what I'm putting out, but also has the ability to, like, reassure and be like, we're good. We're cheap.

[Vincent Bryant]

You're cool.

[Langston Kerman]

You're doing good. I'm doing good. We appreciate each other.

[David Bore]

You know what it is, is what I really think about it. It's that, like, I was living a life so anxious and I wasn't acknowledging it, and this person allows me to acknowledge it and takes it, and it's like, oh, it's okay. You're just anxious.

[Langston Kerman]

When before.

[David Bore]

It's like, maybe I'm just kind of crazy. Maybe I'm crazy, you know?

[Vincent Bryant]

She talked to that little boy. Yeah, yeah, little boy. She speak to the child. Y' all speak to the kid and each other.

[Langston Kerman]

This nigga gotta get.

[David Bore]

This is crazy. I didn't listen. We gotta, like, chill. You see how they lean in and shit.

[Langston Kerman]

I don't like how the you doing this, Vince.

[David Bore]

This motherfucker leaned in on us and whispering.

[Vincent Bryant]

He think he doing some hey, man, you know what I'm saying? Back to the moon, yo.

[Langston Kerman]

The is happening.

[Vincent Bryant]

Back to the moon.

[David Bore]

We got to take a break. Yeah, we take a break. Let this cool off out here.

[Langston Kerman]

Trying to trick us.

[David Bore]

This has been great.

[Langston Kerman]

We're gonna be back with more. Vincent, Brian, more. My mama told me.

[Vincent Bryant]

What kind of man would let this happen to his family?

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[Langston Kerman]

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[Vincent Bryant]

Hi, I'm Morgan. I have three kids.

[Andrea Gunning]

I have an IQ of 160. I work with the cops.

[David Bore]

You're a cop?

[Andrea Gunning]

No, but they do sign my paychecks.

[Vincent Bryant]

Kaitlin Olsen returns in High Potential, the number one drama.

[Langston Kerman]

She was abducted. You knew that already, didn't you?

[Vincent Bryant]

Yeah, I thought it'd be nice to let you have this one. And one of the best new crime procedurals.

[Langston Kerman]

You're waiting on me to leave so you can poke around without a warrant, aren't you?

[David Bore]

Yeah.

[Vincent Bryant]

High potential. New Tuesdays, 10. 9 Central on ABC and stream on Hulu. I don't give a fuck who say what. Blood.

[David Bore]

Oh, crap.

[Vincent Bryant]

And we're back.

[David Bore]

Just like that. We're back. Thank you, Mr. Brown. Thank you, Mr. Brown, for your hours of endless entertainment you've given me.

[Langston Kerman]

You've done a lot for us with.

[Vincent Bryant]

That's hilarious. We cherish you. Always back to the moon. Yeah, this ain't about the moon, but this is about Mae Jemison. She's still alive, right? Y' all know what it is?

[Langston Kerman]

Mae Jemison. Yeah, she was the astronaut.

[Vincent Bryant]

That's the finest astronaut I've ever seen. Mae, if you interested, I would like to take you to space sometime.

[Langston Kerman]

Whoa.

[Vincent Bryant]

She is gorgeous. Look at that.

[Langston Kerman]

That's the shootiest shot I've ever seen.

[Vincent Bryant]

I got you.

[David Bore]

That was really good.

[Vincent Bryant]

People don't give her props, but she was a bad. It's a picture. She floating the space station and everybody else got on the same uniform. But black women do it a certain way. You be like, damn, you got that shit on. And I don't think they ever sit there. I wonder if. Did she ever get to go to space?

[Langston Kerman]

Uh, I don't know.

[Vincent Bryant]

Google that right quick.

[Langston Kerman]

Yeah, let's figure out.

[David Bore]

Google that picture, too.

[Vincent Bryant]

Yeah, pull it up. I'm telling you, she got like a little short joint going on. You can see her, fella. All right. Girl, you gorgeous. You should be an astronaut.

[David Bore]

You shouldn't have to work, man, I love that. You feel like our platform might be the One to get to her.

[Vincent Bryant]

It's gonna get to it.

[David Bore]

It's gonna get you.

[Langston Kerman]

I got the picture you talking about. It's gotta be that one that you're that float.

[Vincent Bryant]

That float boy right there.

[Langston Kerman]

This floaty right there.

[Vincent Bryant]

Man, that's that one.

[Langston Kerman]

You see, she a little thick under that.

[Vincent Bryant]

Because if. If she didn't go to space. I know why. Yeah, you know what I'm saying? She was dragging that way.

[Langston Kerman]

She wasn't there.

[Vincent Bryant]

That might be a trainer. Said, hey, we too much weight on the plane.

[David Bore]

You tethered to the ground.

[Vincent Bryant]

It's just his ass.

[David Bore]

She was practical.

[Langston Kerman]

Hey, we about an ass slow here, May.

[Vincent Bryant]

And wait, somebody else going to have to get off because I ain't leaving.

[David Bore]

Damn.

[Vincent Bryant]

We knew it was a 12 crew till she got there. Now I gotta go 11 his ass. Take up another spot. May, I love you.

[Langston Kerman]

You love Mae Jemison.

[Vincent Bryant]

I love Mae Jemison.

[Langston Kerman]

That's very beautiful.

[David Bore]

I like that.

[Langston Kerman]

To the question of whether or not the moon landing was fake. The actual conspiracy theory does have an origin, which I didn't know. Like, I thought that that was just some shit that people started saying as soon as it was happening. Yeah, but apparently that's not the case.

[David Bore]

No. Don't you think it was stupid?

[Langston Kerman]

So they think that's who shot it. But the actual conspiracy theory.

[Vincent Bryant]

And he can't get no credit for it.

[Langston Kerman]

No, but he keeps working.

[Vincent Bryant]

Hey, you know what? Cause he probably has. He ain't had no stinkers either, did he?

[David Bore]

I don't think. I can't think of a bad Kubrick movie.

[Vincent Bryant]

He ain't got no stinkers. So, yeah, he probably did shoot that motherfucker.

[David Bore]

That's what I heard.

[Langston Kerman]

So the original premise of the moon landing being fake came from a guy named Bill Kaysing. And Kaysing wrote and published this pamphlet called We Never Went to the America's $30 billion swindle. And it essentially was this pamphlet that he was handing out on the street, circulating that eventually caught fire. People like Rogan, Shawn Dawson, all these other people eventually are now repeating back this thing that started from a crazy motherfucker with a pamphlet.

[Vincent Bryant]

But it's 50 50, bro. We might have landed, we might have not had it. But here's the thing. If you. You prove that we didn't, and if you prove that we did, it don't help you none.

[David Bore]

Yeah, I've heard the idea that people think we did land. We didn't film it. Like, the quality of technology or whatever was not up to par. So we Were like, we need people to know that we did it. And for that reason, they got us out.

[Langston Kerman]

That's always been my feeling on it. I don't think that there's as much reason for them to lie about going to the moon. I think there's.

[Vincent Bryant]

Yeah. What do you get from that?

[Langston Kerman]

I don't know what you gain other than winning the space race, which they already did by 10 times by doing the rockets. You know what I mean?

[David Bore]

Right. Because all Russia got was Sputnik.

[Vincent Bryant]

Right.

[Langston Kerman]

They got a dog up there. And then they were like, we're good.

[Vincent Bryant]

We cool.

[David Bore]

Yeah.

[Langston Kerman]

And instead we were like, nah, we getting people too much.

[Vincent Bryant]

It's a waste. It's a waste of money. Unless they was. But. But again, you ain't got to clean money from. Nigga, Y' all the government. Y' all ain't got to clean no money. So it's like, what are we spending? Where is this money really going? I think that's the biggest coverage. Like, all right. That's where you find everything in the numbers. If you see where the money is and what's spent on what, okay, we can justify it. But if otherwise, like, what was y' all really building?

[Langston Kerman]

And I think. I think that's. To your earlier points about why we don't keep going back is they just counted the money.

[Vincent Bryant]

Yeah.

[Langston Kerman]

And they were like, oh, bro, we notice.

[Vincent Bryant]

We didn't get shit.

[Langston Kerman]

It's rocks.

[Vincent Bryant]

We didn't get a motherfucking thing.

[Langston Kerman]

It's a big ass rock.

[David Bore]

It's a big rock.

[Langston Kerman]

We're good. We're not.

[Vincent Bryant]

What if crack came from the moon? It happened in 70. We got fucked up in the 80s. What if crack came from the moon?

[Langston Kerman]

Here's the thing.

[Vincent Bryant]

It's the same, and I like that.

[David Bore]

Idea, but we know how they make crack.

[Langston Kerman]

Moon rocks. Don't do that.

[David Bore]

Don't do that. No, it's. The whole point of crack is that it's easy to process.

[Langston Kerman]

Not everybody knows. And smooths is the key ingredient.

[David Bore]

It's cocaine and it's baking soda and it's hot water.

[Langston Kerman]

Yeah, yeah.

[Vincent Bryant]

Now check this out.

[David Bore]

Check this out.

[Vincent Bryant]

I'm going to. You up. I'm finna fuck you up. The pyramids were first World War First. Not Egypt. Where South America, where cocaine come from?

[David Bore]

Uh. Oh, wait, no, I didn't. I didn't even.

[Vincent Bryant]

Walk with me.

[David Bore]

I need to know.

[Vincent Bryant]

Walk with me. I need to learn. Walk with me. They had pyramids and in Mayan temples all in South America, right?

[David Bore]

Are you talking about, like, Chichi Itzu and shit like that.

[Vincent Bryant]

All that shit. Yeah, all that shit.

[David Bore]

Right, Right.

[Vincent Bryant]

I ain't even know them n. But all that shit. Right. So the moon. The aliens come from space. They said they sprinkle a little that shit down there. They said. What's this? Just put on your gums. Right? Just put it in a gum.

[David Bore]

They didn't even tell them to put it in.

[Vincent Bryant]

Coke is a main component in crack. So either way you want to do it.

[Langston Kerman]

Yep.

[Vincent Bryant]

Crack come from the moon the way.

[Langston Kerman]

You want to do it, the way.

[Vincent Bryant]

You want to do this shit. Crack come from the moon.

[Langston Kerman]

Crack come from the moon.

[Vincent Bryant]

Crack come for the moon.

[David Bore]

What about the plan?

[Vincent Bryant]

That's what I'm saying.

[David Bore]

They brought the plan down.

[Vincent Bryant]

They brought pyramids in the plant.

[David Bore]

They brought pyramids. They brought coca leaf. They said, do what you will.

[Langston Kerman]

Yeah.

[David Bore]

Knowing that someday it was going to.

[Vincent Bryant]

Get wherever pyramids at. People be getting high.

[David Bore]

I can't dispute that.

[Vincent Bryant]

Come on, man. Walk with me.

[David Bore]

You were scared to walk with me. I was.

[Langston Kerman]

Walk with me the whole time.

[Vincent Bryant]

I'm bullshit. But I'm serious. Cause it hit us hard. Like a meteor. Crack came like a meteor, destroyed the community. Come on, man. Walk with me.

[Langston Kerman]

Walk with him. So Kaysing is interesting because he actually worked on the US space program.

[Vincent Bryant]

Told you. It's always a job.

[Langston Kerman]

Between 1956 and 1963, he worked for a company called Rocketdyne that helped build the Saturn V rockets. He published this pamphlet despite the 400,000 documented employees who helped to make the moon landing real. As well as a 382 kilogram of moon rock collected across six missions. Corroboration from Russia, Japan and China who saw the tracks in the dust. He's saying this is all fake. My pamphlet will prove to you otherwise.

[David Bore]

They are measuring it in kilos.

[Langston Kerman]

They are measuring in kilos.

[Vincent Bryant]

Much like walk with me and not away from me. I'm finna go make me some Pampers.

[David Bore]

Crack came.

[Langston Kerman]

Crack came from the moon.

[Vincent Bryant]

From the moon, baby brother.

[Langston Kerman]

Spread the good word. The crack came from the moon.

[Vincent Bryant]

Look up in the sky the same color.

[Langston Kerman]

What you smoking right now is your future, brother.

[Vincent Bryant]

That's where you gonna go.

[David Bore]

To send.

[Langston Kerman]

Your ass up to that crack rock.

[Vincent Bryant]

That's where you feel like you finna be. That's why niggas keep getting high like I'm gone to the money. You ain't gotta spend 7 billion. Spend a quick 20. You can get up there.

[David Bore]

20 for me. That's what this is all about.

[Vincent Bryant]

These also come from the moon.

[David Bore]

The moon for you right here.

[Vincent Bryant]

I wasn't gonna eat this shit. This shit come from the moon, man.

[David Bore]

No, that's an ancient civilization gave us that. That is true. That color doesn't exist on Earth.

[Langston Kerman]

It doesn't. It shouldn't. That's a special body.

[Vincent Bryant]

Blue heat.

[Langston Kerman]

I'm gonna be vulnerable and say that I ate some of those last week and my fingers were blue.

[Vincent Bryant]

For no come in, no crying, no talking.

[Langston Kerman]

An embarrassing amount of time in a way that felt like, hey man, this isn't reasonable as an adult.

[Vincent Bryant]

What's that shorty that be walking around with Rick Owens? I think it's his wife. She got the colored fingers. You know what I'm talking about? Little short lady. I think it's this girl, Rick Owens wife. She got her fingers dyed a black. That's how you was looking?

[Langston Kerman]

Yeah, it was blue.

[David Bore]

Yeah, those are.

[Langston Kerman]

You can't.

[David Bore]

That's why the bags were so small.

[Langston Kerman]

It was like I had fucked with Voldemort.

[Vincent Bryant]

But it ain't too bad. Cause we used to watch. Did y' all eat Kool Aid as kids?

[David Bore]

Yeah.

[Vincent Bryant]

Okay. So we used to.

[David Bore]

It's the powder.

[Vincent Bryant]

You know what I'm saying? We had palm sugar in the powder. You just ate the powder by itself? No sugar.

[David Bore]

When it was sour? Yeah, I liked it sour.

[Vincent Bryant]

Oh, you went crazy.

[David Bore]

I was alone.

[Vincent Bryant]

You a bad motherfucker.

[David Bore]

I was alone.

[Vincent Bryant]

Cause do not put no sugar with that is insane.

[Langston Kerman]

I did the same, actually.

[Vincent Bryant]

Y' all was cold. We had. We put a little sugar. We couldn't just do sour. Life is already hard. We ain't gonna do it.

[David Bore]

Because if you just do a sugar. Why not just make the juice?

[Vincent Bryant]

No. Well, that's what I'm saying. We making our own candy. See, y' all on some whole other. Y' all just want sour.

[Langston Kerman]

We ass feel something.

[David Bore]

Yeah, that's really.

[Vincent Bryant]

I got hooked to that dope ear. Never gonna be clean as sugar. I'm never gonna stop.

[Langston Kerman]

You're not gonna stop.

[Vincent Bryant]

Everything break down in sugar. Yeah, we all wired like that.

[David Bore]

You committed to sugar.

[Vincent Bryant]

We all are. Everything breaks into sugar. Everything breaks down into sugar. Everything. You can't leave it alone. So that's why when you put more sugar on top of it, it's like, what are you doing? You're already gonna do that. That's why I get bad when people eat too much sweets.

[Langston Kerman]

It's wild when you talk to people and they're like. You're like, what's your favorite cereal? Honey Nut? Cheerios. And I put more sugar in it.

[Vincent Bryant]

Now that's a wild motherfucker right there.

[David Bore]

Yeah, that's crazy.

[Vincent Bryant]

Plain Cheerios with the sugar I understand. But honey nut, they did the job for you.

[David Bore]

Plain needs it.

[Vincent Bryant]

Plain needs.

[David Bore]

Cause plain is nasty. Really. Plain Cheerios.

[Langston Kerman]

Can I be vulnerable?

[Vincent Bryant]

You get hungry enough, it get good. Go ahead.

[Langston Kerman]

It's kind of my favorite.

[Vincent Bryant]

At what age did you decide that? Wait, wait. Before you leave them, you gotta let them know. What age did you decide this?

[David Bore]

It better start with a three. No.

[Vincent Bryant]

Oh man. Okay, you see, we gotta get about. Come on, man.

[Langston Kerman]

That was your, I think pretty like early on.

[Vincent Bryant]

I was like, check this out. Since we've been.

[David Bore]

Were you not? Okay, okay. Were you not allowed to have real cereal?

[Langston Kerman]

Nah, I was allowed to have whatever.

[Vincent Bryant]

I wanted and that was the one. Did you spend a lot of time at your grandparents house?

[Langston Kerman]

No, but I was alone for a long time.

[David Bore]

That's okay.

[Langston Kerman]

I'm much older than my siblings. Okay, but the next in line is 10 years older. Younger than I am.

[David Bore]

Same.

[Langston Kerman]

And then it goes 11, 12, and then 23 years younger than I am. So like.

[Vincent Bryant]

It's a cold motherfucker, ain't it?

[Langston Kerman]

It's my mama. You would think it would only be possible.

[David Bore]

No.

[Langston Kerman]

Had me at 20, had my sister at 43.

[Vincent Bryant]

Since we've been vulnerable.

[Langston Kerman]

Yeah.

[Vincent Bryant]

Razor brand.

[David Bore]

It's your favorite.

[Vincent Bryant]

It like, like nine.

[David Bore]

Okay. But those, those, those raisins are so sugary. They're a little sugar, but.

[Langston Kerman]

But it is.

[Vincent Bryant]

Flakes are so bland. It's cut up cardboard.

[Langston Kerman]

That's a grown up ass. That's a cereal.

[Vincent Bryant]

But I spent a lot of time around my grandma. Yeah, that's why I asked. You know what I'm saying? That's just a nut Cheerio. That ain't no honey. You just eating a nut Cheerio. That's crazy for you to do something.

[Langston Kerman]

I don't like the way you're saying it.

[Vincent Bryant]

Yeah, that's how you should think about it. I don't even want you to do that no more.

[David Bore]

Come with the honey. The nuts come with the honey. The nuts got to come with the honey.

[Langston Kerman]

I was doing plain.

[David Bore]

It's just plain. It's just plain.

[Vincent Bryant]

It's just not.

[David Bore]

It's not nut Cheerios. And then Honey nut Cheerios.

[Vincent Bryant]

Cheerio. Mean by some you be shouldn't be doing.

[David Bore]

You.

[Vincent Bryant]

You putting it in your Cheerio and you saying hello to her. You backwards. You up.

[Langston Kerman]

We gotta get you a soapbox man. I think you got a good future. Cheerio. Mean by you saying hello to it, you fucking up. Here's a list of arguments about why people say the moon landing was fake. There are no stars visible in the pictures of the moon landing. What you was looking at apparently in the background in that big old vast black. There is no.

[Vincent Bryant]

Because it was in the daytime. They took a picture in the daytime. That's why one of those stars. Come on, cuz. You thought you knew something. You ain't no shit. Okay.

[Langston Kerman]

The flag waves on the moon despite there being no atmosphere.

[David Bore]

That's what I've heard.

[Langston Kerman]

That the flag is like clearly rippling, even though.

[Vincent Bryant]

So the flag can't be a wavy. You know what I'm saying? They don't like wavy people. You ever notice that the waviest motherfuckers get the most hate flags included, man, breathe a wave.

[David Bore]

Max B. 75 days.

[Vincent Bryant]

Hey, bro, that nigga been coming home for so long, that's kind of CO2. I don't even think he got no house. I'm coming home soon. When is soon? Here's the thing about N75.

[David Bore]

They just said 75 years.

[Vincent Bryant]

I'm not even mad at Max B. Cause N in jail. You ask me when they come, I'll be home soon. Nigga let me know so I can prepare. Who gonna pick you up? But I think you can't go that.

[David Bore]

Far from that too though. I think if you're in jail, you have to be like, I'm gonna.

[Langston Kerman]

I think you have to be able to turn 10 years into soon.

[Vincent Bryant]

Hey, brother, I need you to get with reality. That's the reason why you in there. Cause you be lying and meandering and doing bullshit in the world. Then you go in there and start lying and bullshitting to yourself.

[Langston Kerman]

I gotta know which iPhone to prepare to have for you.

[David Bore]

Cause you might not be ready for a 16. No, you're not ready for a pro, Max.

[Vincent Bryant]

You can't jump on it.

[David Bore]

You went in with sidekicks, you can't just come out.

[Langston Kerman]

We're. I gotta go on ebay and find a three. And we're gonna work your way up until.

[Vincent Bryant]

Check this out. My brother. You bullshit my brother. FaceTime fucked him up.

[David Bore]

Oh no.

[Vincent Bryant]

FaceTime fucked my brother. Been in outta jail for at this point. By the time he finishes half his life, by the time he finished this sentence, he's gonna be gone for half his life. So one year he came out FaceTime, he was like, man, what the fuck? I can like video call and talk to my son on the phone like, yes, N And this nigga was blown away.

[David Bore]

It is an amazing.

[Vincent Bryant]

And it fucked me up. Cause I was like, n. You should be used to talking to your son through a gl. If anybody, you should know this.

[Langston Kerman]

This is ancient technology.

[Vincent Bryant]

Come on, baby. Why I saying reconnecting? I was like, because that's what y' all doing. Y' all reconnect. You've been gone for me.

[Langston Kerman]

Sometimes that's gonna buffer a little bit.

[Vincent Bryant]

Touch the screen. Holding his hand down. Yes.

[David Bore]

They ended with like a pound. They found it on the FaceTime screen.

[Langston Kerman]

Just punching his phone. Damn. The shadow. Oh. There is no blast crater under the landing module. Meaning like when you touch down, the ground is still flat underneath them. There's no blast craters.

[Vincent Bryant]

That's AI.

[Langston Kerman]

AI okay. Of course the shadows fall incorrectly in the pictures. NASA was poorly managed and largely incompetent and then suddenly able to launch flawless flights with perfect. Yeah, that. That NASA. And this is worth noting. NASA, before the space race happens, is actively recruiting Nazi scientists to be.

[Vincent Bryant]

We be outsourcing, don't we? We don't know. Motherfucker.

[Langston Kerman]

Stuff that we ended up doing.

[David Bore]

Okay, this is a different tangent.

[Langston Kerman]

Yeah.

[David Bore]

Really feels like the high level Nazis kind of got away with. No, they just got jobs or they went to Argentina or whatever.

[Vincent Bryant]

If you skilled enough. That's the thing.

[David Bore]

That's their facts, man.

[Vincent Bryant]

Facts you got.

[Langston Kerman]

I think they.

[Vincent Bryant]

It's fucked up.

[Langston Kerman]

I think they really proved themselves to be essential workers in a way that the world wasn't ready to like just throw away.

[Vincent Bryant]

We should get into the root of how they got to Cause they. Terrible. Yeah, terrible.

[Langston Kerman]

And nobody's advocating for their character.

[David Bore]

Terrible.

[Vincent Bryant]

But what are the institutions that taught their. The way they think if they always been like, used?

[David Bore]

I mean, you wonder.

[Vincent Bryant]

Evil is connected to intelligence.

[David Bore]

Yeah. Oh, yeah.

[Vincent Bryant]

Somehow. So, you know, I try to remain dumb as best as possible.

[Langston Kerman]

I think it's.

[David Bore]

I'm doing my best. Every day I think I wake up.

[Vincent Bryant]

In the morning, I don't know. Motherfucking. That's why I'm happy. Kids always smiling. They stupid as a motherf cker.

[Langston Kerman]

I think there's like this thing past morality that is like detachment from human beings that we talked about before where I think the scientists, the people that are able to reach the level of vile shit that happened in World War II and the Nazis and a lot of the shit that frankly continues to happen now, even with fucking Palestine and things that we're seeing out in the world is like, oh, oh, you're not even a person to Me, like, I think they are able to hit a switch beyond, like, good and bad. Right.

[Vincent Bryant]

I see beyond humanity in a bad way.

[Langston Kerman]

You just don't exist. I'm willing to make whatever to see if I can make it as people. And I think that we have that in every.

[David Bore]

With black people, I mean, that's happening. Yeah.

[Langston Kerman]

And we have it in every government. We have it in every, like, sort of superpower. It just so happened that the Nazis collected the all stars of that shit.

[Vincent Bryant]

And they call it evolution. It's really not like, the further we go, we getting close to something. To something. It's like, all right, this thing was this. It worried about food. Shut the water. And then we started to evolve and started to worry about other things that ain't got shit to do with us. So the further we evolve, the more evil we become. That's what I think.

[David Bore]

That's why I don't give a fuck about space. I don't give a fuck about space.

[Vincent Bryant]

I hit my limit about shit I really give a fuck about. And that's how I know I'm getting a little. I was like, yeah, I don't. Man, I don't give a good goddamn. Cause I can't.

[David Bore]

I really. It's not interesting to me. And, I mean, I'm not saying everybody should be like me or whatever. That's just. But that is how I feel about it. Like, man, we're running out of water here.

[Langston Kerman]

Yeah.

[David Bore]

I don't really care.

[Langston Kerman]

I don't know how to.

[Vincent Bryant]

And I also don't think the other. I don't think oceans should be named differently. It's all just one big body of water. No, I don't. Fuck all that. Atlantic, Pacific, it's the same shit. They don't know they got different names. It's just one.

[David Bore]

Yeah. Yeah.

[Langston Kerman]

That's just all. Poseidon.

[Vincent Bryant]

Come on, bro. Put it on the map, dog. That's some shit you made up to make test questions harder.

[David Bore]

No, it is all continuations of the same water, Right? Because it's mostly water. So it's like it is all the same shit moving around.

[Vincent Bryant]

I ain't got no problem with a lake being named something different. It's contained in that little area. But this one thing, that's not. It's not separate for real.

[David Bore]

It does make it. It does take away from the power of the ocean. When you make it multiple different bodies of water.

[Langston Kerman]

I will say, I don't like having to distinguish on the map. What is the difference between one ocean versus another? Like, the Atlantic if you play with.

[Vincent Bryant]

It, it's gonna kill you.

[Langston Kerman]

I know where the cursive is. That's where the Atlantic is.

[David Bore]

Right.

[Langston Kerman]

But if you get, you know, yay high or yay low on the map, is that Atlantic or is that.

[Vincent Bryant]

You ain't finna have me doing that.

[Langston Kerman]

That's Arctic.

[David Bore]

What we got here, I don't know.

[Langston Kerman]

And that's where I go. Hey, don't do that.

[Vincent Bryant]

It's water then cold water.

[Langston Kerman]

Yeah, I know.

[David Bore]

It heats up and then it gets cold again.

[Vincent Bryant]

There we go.

[David Bore]

I'm okay with that.

[Vincent Bryant]

Get rid of it.

[Langston Kerman]

One of the other things that is worth talking about before we take a break is that this theory of the moon landing being fake sort of makes a modern reemergence via this Fox News documentary called Conspiracy Theory. Did we land on the moon? Which was hosted by one of the less famous X Files actors. Now, one of the bigger lies that was told in this documentary, and remember, it's Fox News that is producing this thing, is that 20% of Americans believe that the moon landing was faked when more legitimate polls put the percentage closer to 4 to 5 people.

[David Bore]

Now, 4 to 5%, that does make sense to me.

[Langston Kerman]

But because of the era of propaganda that we live in, you can make a documentary, falsify fucking statistics, and you can push people who may have been on the fringes of what that is or like, on the edge of what might lead them there and go, 20%. I'm not as crazy as I thought I was. I do believe.

[Vincent Bryant]

And that never grows.

[David Bore]

Yeah. Because 4 to 5% is an amount account you probably don't really need to pay attention to no, you know, 45.

[Vincent Bryant]

Anything. Come on, baby. Yeah, that's like.

[David Bore]

That's extreme outliers.

[Vincent Bryant]

95 to 96 on their phone. I'm leaving.

[David Bore]

Come on.

[Vincent Bryant]

Yeah, yeah, yeah, I'm leaving. It's not a factor. Yeah, I gotta sit for another 10 minutes.

[David Bore]

Yeah, let me get out of 10.

[Vincent Bryant]

I need to get that 90, baby.

[David Bore]

Let me get the green past the lightning bolt, and then I'm gonna go do what? I gotta go now.

[Langston Kerman]

Now I got a whole day ahead of me.

[Vincent Bryant]

Yeah.

[Langston Kerman]

The other way. This could go wrong at any moment. Yeah. I think what we're. What it becomes is sort of like the.

[David Bore]

The.

[Langston Kerman]

It becomes a victim of sort of this age of information and. And sharing, sort of like media in media without accountability. And so it becomes this thing where you can just say, 20% of people.

[Vincent Bryant]

Man, we gotta cut back on them channels, man.

[Langston Kerman]

There's too many I agree.

[Vincent Bryant]

Yeah, like a cheese grater.

[David Bore]

Because now the streaming channels have more, more channels within them. I, I clicked on Disney to watch the Incredibles the other day. There's like eight other things in there.

[Langston Kerman]

Hey, how many times are we gonna talk about this?

[David Bore]

Come on, man, don't do this, man. Bro, the other time wasn't. The other time wasn't even on camera, man. They don't even know that that happened. Oh, yeah, it was on camera.

[Langston Kerman]

We've talked about it three times today.

[David Bore]

It's a good movie, man. And it's a good movie, man. It's a universe.

[Vincent Bryant]

They're my friend, Miss Incredible. Thick as hell too. Come on. That's disgusting. They knew they was doing. Grown ass animators knew what they was doing.

[Langston Kerman]

No, they, they had an agenda.

[Vincent Bryant]

They got something for everybody. When you go watch the movie Daddy drive. He gonna see that ass. It's incredible.

[Langston Kerman]

The, the last thing I'll tell you is that, and this is something I saw, is that there is actually a video of a man confronting Buzz Aldrin outside of a hotel.

[David Bore]

Punches him in the face about Buzz punched him.

[Langston Kerman]

He says to swear on a Bible that he, or rather he's asking Buzz Aldrin to swear on a Bible that he walked on the moon, calling him a coward and a liar and a fake. Which eventually leads to Buzz Aldrin punching them.

[Vincent Bryant]

He should say, put it on your mama. That'd have been enough. Everybody don't believe in God, but you put that on your mama. Everybody believe in mama.

[David Bore]

Yeah, I do think there's a lot of astronauts who kind of go crazy because you, when you see, it's like a thing, right? It's like if you go and you can look down at the earth and you realize that it's just this thing, it. It fucks with your whole self.

[Vincent Bryant]

That's what Gayle King said. It's like a lot of them said.

[Langston Kerman]

He'S astronaut Gayle King, man.

[Vincent Bryant]

You ever open, you try it out first. That's how rich you is. You send one of your partners, like.

[David Bore]

I don't want you, Katie. The rest of them get on up there, try it out.

[Vincent Bryant]

I'll see, Let me see what it like.

[David Bore]

But they do, they like divorce their wives. It's like a. Astronauts have a. Yeah, because I don't think having that perspective is like, probably really scary.

[Vincent Bryant]

You're not supposed to be up there.

[David Bore]

Yeah, that's why I don't care about it. You're not supposed to be.

[Vincent Bryant]

You get in this shit and then you Start changing your perspective, too. Outside of normal, which is not a bad thing.

[David Bore]

White folks aren't supposed to be in the sun, let alone on the moon.

[Vincent Bryant]

Y' all don't get that close to it.

[David Bore]

Come on.

[Vincent Bryant]

Come on, man. That's on y'. All. Y' all allergic to the sun. Wanna go play with it, fool? Fool ass niggas. What's wrong with y', all, son? Ain't never liked y'. All. That's why y' all came and got us.

[Langston Kerman]

Block it, Murray.

[Vincent Bryant]

Block it. Malik.

[David Bore]

Go ahead.

[Langston Kerman]

Stand in front of me, Malik.

[Vincent Bryant]

Y' all don't pick that shit, man.

[Langston Kerman]

Hold on, I'm gonna crouch down. Stand in front of it, Malik.

[David Bore]

Amen.

[Vincent Bryant]

Gonna have to play with the Pope. What?

[Langston Kerman]

All right. We need to take one more break. Oh, yeah, let's take a break.

[Vincent Bryant]

Great.

[Langston Kerman]

We'll be back with more events. More My mama told me.

[David Bore]

What kind.

[Vincent Bryant]

Of man would let this happen to his family?

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[Andrea Gunning]

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[Langston Kerman]

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[Vincent Bryant]

Hi, I'm Morgan. I have three kids.

[Andrea Gunning]

I have an IQ of 160. I work with the cups.

[David Bore]

You're a cop?

[Vincent Bryant]

No, but they do sign my paychecks. Kaitlin Olsen returns in High potential, the number one drama.

[Langston Kerman]

She was abducted. You knew that already, didn't you?

[Vincent Bryant]

Yeah, I thought it'd be nice to let you have this one. And one of the best new crime procedurals.

[Langston Kerman]

You're waiting on me to leave so you can poke around without a warrant, aren't you?

[David Bore]

Yeah.

[Vincent Bryant]

High potential. New Tuesdays, 10. 9 Central on ABC and stream on Hulu. Cause I look good, I smell good.

[Langston Kerman]

I feel good and you sing good.

[David Bore]

And make love good oh, oh, oh.

[Vincent Bryant]

I love that James Brown clip. Boy, he was fresh off the line, man.

[David Bore]

He was going crazy. Living in America, my boy was the.

[Langston Kerman]

Highest he's ever, ever been and was.

[David Bore]

Crazy, wasn't he? In Hawaii, he was like.

[Vincent Bryant]

Who was the interviewer? Katie? No, it wasn't Katie.

[Langston Kerman]

It was just an older white hair.

[Vincent Bryant]

He was on her ass. Boy, it was crazy.

[David Bore]

It's such a.

[Vincent Bryant]

And I look good.

[David Bore]

And she thought she was. Yes. Handing.

[Vincent Bryant]

Yes.

[David Bore]

And you.

[Vincent Bryant]

She did a good job, though.

[David Bore]

She did a great job.

[Vincent Bryant]

She ain't trying to get her back on track. Sometimes you gotta let go because how.

[David Bore]

Do you handle that James Brown?

[Langston Kerman]

James, how did this all?

[David Bore]

At the height of his powers, living.

[Vincent Bryant]

In America, that's how he started sixth grade education. But he owned all his masters.

[Langston Kerman]

Yeah.

[David Bore]

Hey, man, he had a bunch of money too, right? He had a bunch of, like, cash buried on his estate. Right.

[Langston Kerman]

I think James Brown had all the things.

[David Bore]

Yeah.

[Vincent Bryant]

Everything they say about him is true, good, bad, or indifferent.

[David Bore]

I believe that.

[Langston Kerman]

I think he truly lived life in. In every way that you can live.

[Vincent Bryant]

Did y' all see that James Brown biopic? The Chadwick one?

[Langston Kerman]

I never watched one.

[Vincent Bryant]

No. That motherfucker was good, man.

[Langston Kerman]

It was good.

[David Bore]

The only part I didn't like about that movie, I don't like it. Cause I love music biopics. I don't like it when they say the name of the hit song in casual conversation. Cause you remember he was like, sometimes, Mr. Bird, you got to get down to get on. And I don't like That I don't like it.

[Vincent Bryant]

That's when they put the movie title in their movie sometimes, too. I'm like, all right, whatever.

[David Bore]

But that's how he did it.

[Vincent Bryant]

Sometimes it is, but it's inexplainable. That's also. Little Richard is a very interesting guy to me, too, though. He lives life they all, like, live.

[David Bore]

He makes me sad a little more.

[Langston Kerman]

Cause he went out of here pretending not to be gay.

[David Bore]

Yeah. It's like. It feels like he had something in himself that he really did.

[Vincent Bryant]

A dick. That's what he had. He didn't want two. He doesn't want to tell nobody. Foodie Fruity is about butt sex.

[David Bore]

No, it was Tootie Frutti Cabooty.

[Langston Kerman]

Yeah. Is that what the original lyrics were?

[Vincent Bryant]

Yes. They had to clean it up.

[David Bore]

Yeah, it's about. It's about.

[Vincent Bryant]

I think I watched the doc on hbo. I was like, man, this is a genius.

[Langston Kerman]

I will say, that explains more why they were like, well, we can't let Lil Richard have rock and roll.

[David Bore]

Do you know what I mean?

[Vincent Bryant]

What I heard was that the white girls. The reason why they didn't want them on stage like that is like. Cause the white girls are gonna want them. Cause they gyrating the moon on. He was like, that ain't what he wanted.

[Langston Kerman]

Yeah, but his claim is that he invented it.

[Vincent Bryant]

Rock and roll. Oh, yes.

[Langston Kerman]

And they can't give him them keys if he was. His best song was Tutti Frutti.

[Vincent Bryant]

Him and Chuck Berry. Yeah, yeah, him and Chuck Berry. He used to shit on people.

[Langston Kerman]

Chuck Berry put cameras in bathrooms so that he could look up women's fucking buttholes.

[Vincent Bryant]

St. Louis legends, they got a.

[David Bore]

It's like Chuck Berry's from St. Louis.

[Vincent Bryant]

Yeah. So they got a guy. It's called Blueberry Hill. He got a whole. Like. I think Chuck used to do nights there. So he got a whole, like, little restaurant performance venue after him. Like this in the Del Mar. Louis, like, amazing musician, terrible human.

[David Bore]

Fat bear, Batman. Very bad guy, bad man.

[Vincent Bryant]

But interesting people, they live life differently. Like, it was harder to live then, but they seemed like they live more life than most people.

[Langston Kerman]

But, dawg, imagine how crazy you have to be to put a fucking camera in a woman's bathroom and then afterwards write a song about Rudolph.

[David Bore]

Like, I don't think it was the same day. I don't think it was the same.

[Vincent Bryant]

He watched one of them tapes for the same day.

[David Bore]

He said, hey.

[Langston Kerman]

He was like, nigga, I'm about to sing about Santa, and I can't be.

[Vincent Bryant]

Around no nigga like that that get aroused when you hear piss hit the ground.

[Langston Kerman]

That's crazy.

[Vincent Bryant]

Yeah, you a freak.

[Langston Kerman]

This man was a nutcase.

[David Bore]

Yeah, you have no control.

[Langston Kerman]

Nah, he was lit. He was living. He was living, man. All right, let's do a voicemail.

[David Bore]

Here we go.

[Voicemail Caller]

Let's see what's up, big dogs. I'm not drunk, but I am taking an extended lunch break in the Panda Express parking lot. My conspiracy is that women with hard wigs often make soft lives. I've heard this many times, and I can attest.

[David Bore]

Hard wigs make soft wives.

[Vincent Bryant]

Soft lives.

[Langston Kerman]

Soft lives. Women with hard wigs live soft lives is what she's saying.

[David Bore]

Okay.

[Langston Kerman]

That base, it seems as if she's suggesting that they.

[Vincent Bryant]

Was there some more to it?

[Langston Kerman]

Yeah, there's more.

[Voicemail Caller]

That woman with stiff wigs and weaves that look very wiggish attract men with a lot of money. And I can think of several people in my personal life who have gone on this trajectory of hard wigs to a very soft life. According to Instagram, they are living a very wealthy life. And it's not exclusively that they're with white men. But more often than not, I can also speak from personal experience. That one time I wore a wig for the very first time in my early 20s. So it was looking rough. But that night I had a lot of white men with unknown financial statuses, I will admit, but I got a lot of attention from white men that night. So why is it that hard wigs attracts a soft life slash a certain type of man? It confuses me. It doesn't make sense. I think you should be with a baddie with a bus down, hanging down to it and glad. But that's just you.

[Vincent Bryant]

I don't know, you come over with a hard wig, you gonna have a hard life.

[David Bore]

That's kind of what I had thought. I never heard this though. Have you heard this before?

[Vincent Bryant]

I can see it in real time too. Because if you got bad wig, bad weave, crunchy weave, hard, it attracts. It attracts white guys. It's like, oh, she doesn't love herself.

[Langston Kerman]

And oh, oh, you think they can spot the self hatred in it.

[Vincent Bryant]

Yes. I was thinking we don't give white people, white like white men enough credit. They smart people cause they're predators, right? And you gotta stalk. And it's like, he's not trying that with a woman who keep up with her, I wouldn't know. She ain't got time. But the motherfucker just throw a wig on. Don't give a fuck about how she looks. The self love ain't there always.

[David Bore]

I was thinking that he saw that maybe she's not as like, adapted to the group. Like, he sees this as an outlier in that way that's easier to like.

[Langston Kerman]

It's a slow gazelle.

[David Bore]

Yeah, yeah.

[Vincent Bryant]

Where he's like little black sheep is.

[David Bore]

Yeah, yeah, yeah. And that way I can kind of take it in and control it.

[Vincent Bryant]

And also I ain't gotta assimilate it. Cause you already.

[David Bore]

That's what I mean.

[Vincent Bryant]

I gotta culture that.

[David Bore]

Like, she'll probably come over here easy.

[Vincent Bryant]

But the root of that is self hate.

[Langston Kerman]

I've always seen it that way of like, she will be more adaptable to whatever I need her to be a part of. Whereas, like somebody who's blended their weave very nicely, I assume ain't gonna play with me.

[Vincent Bryant]

And if you adapt to my life, I will make yours easier.

[Langston Kerman]

Yeah.

[Vincent Bryant]

So that's where. So she not wrong.

[Langston Kerman]

When you wake up in the morning, I would like you to be ready. Faster. And a hard wig goes on. Fast goes.

[David Bore]

Right.

[Vincent Bryant]

You know what I'm saying? Like one of them Lego tops.

[David Bore]

Like, let's boom, let's go. Picture taking the Maryland.

[Vincent Bryant]

I be like, free my sisters. But also they could be playing a long game. Cause a lot of times when your hair done and they want to touch it. So she might be tricked. She like. I get a soft bite and I don't get him to touch my hair.

[Langston Kerman]

Yeah.

[Vincent Bryant]

But I don't lose my power.

[Langston Kerman]

Put a sexy helmet on Samson daughter.

[David Bore]

Okay.

[Vincent Bryant]

The power's in her hair.

[Langston Kerman]

Yeah. I do think. I think I certainly can track it in my own life of women with crunchy wigs who have found themselves with wealthy partners. And I will say in almost all cases, it is a white man.

[Vincent Bryant]

Flip that, flip that niggas with crispy, crunchy cuts.

[David Bore]

Yeah.

[Langston Kerman]

Yeah.

[Vincent Bryant]

Unkept black people are favored by the others.

[Langston Kerman]

100%.

[David Bore]

The hairline theory.

[Langston Kerman]

Yeah. We've talked about it a bunch on this podcast.

[Vincent Bryant]

It's a real. That. Yeah, she gonna.

[Langston Kerman]

The Rock didn't even really start getting lineups till after the press.

[Vincent Bryant]

Really? Barry O. Yeah. How you pull Michelle? He would get this shit out of C cups.

[Langston Kerman]

He would do this.

[Vincent Bryant]

I'm cool with it.

[Langston Kerman]

But he didn't fuck with this.

[Vincent Bryant]

Wait, though.

[David Bore]

Psycho.

[Vincent Bryant]

No, it ain't. No, it ain't. No, it ain't. Listen to me. Listen to me. This is. I really don't think we should be doing this to preserve it. I look at white Dudes hairline. Sometimes I'd be like, he don't get a cut. Like we do. We ain't constantly taking a razor too. Who are here or they ain't. So he like, I'm preserving, right? And I just do the C cups. I get the shape of my face, and this should be fine, right? Which is cool. But now if I'm gonna be president, you gotta touch all of it.

[David Bore]

And then.

[Vincent Bryant]

But he just had it up now. He's like, if I lose it or not, I can. You know, you can cut this shit.

[Langston Kerman]

And I'm saying that, like, he was so sort of influential in his moment that he was able to do this. But I think the niggas that were before him weren't even able to do all that.

[David Bore]

They couldn't even do that.

[Langston Kerman]

You had to be Frederick Douglass.

[Vincent Bryant]

Slick that thing back.

[Langston Kerman]

Yeah, you just had y.

[David Bore]

It's burning.

[Langston Kerman]

Slick it back.

[Vincent Bryant]

Cook that.

[David Bore]

Have a. Had to have a conch.

[Langston Kerman]

Don't change it once. Do you know what I mean? Like that. You couldn't afford for it to be any different than it was the day before.

[Vincent Bryant]

I just want to see what kind of cut did Martin get? I want to know what kind of cut. Malcolm. Malcolm. Shit used to be short. Yeah, he had a fade with the little joint on.

[Langston Kerman]

And look how they felt about him.

[David Bore]

Yeah, yeah, but he had a conk. Like, that's. You see those old pictures he did. Like, when he went to jail, his shit was way heavy. Cause he had red hair.

[Langston Kerman]

Even Martin look. Martin did the side. He just tapered it out.

[Vincent Bryant]

We go forward. They went back.

[Langston Kerman]

Yeah, he went back. He was like, I'm not about to deal with a hairline with y'.

[Vincent Bryant]

All.

[Langston Kerman]

Cause y' all gonna act a fool if I'm too precise about it. Yeah, I don't think.

[Vincent Bryant]

I think that's why Jesse name ain't win.

[Langston Kerman]

Mm. Mm. It was nothing else.

[Vincent Bryant]

Al Sharpton.

[Langston Kerman]

Jesse, you had a perfect campaign. Otherwise, you ain't do nothing wrong. It was just the hairline. Otherwise, you were a perfect candidate.

[Vincent Bryant]

Rise.

[Langston Kerman]

Al Sharpton. You still got a chance, baby.

[David Bore]

Yeah, he's. Hey, we got Al Sharpton for a lot longer, man. He's in. He's in the gym.

[Vincent Bryant]

Somebody call his name too far, this neck gonna snap.

[Langston Kerman]

Have you seen the gym photos?

[Vincent Bryant]

Them back out selfies? That's not even the worst part. Look at the socks. One of them droopy little leg ass nigga.

[David Bore]

He got little legs. And I didn't want to know that.

[Vincent Bryant]

About how he gonna stand up for me if he can't stand up for himself.

[David Bore]

I did not want to know that he has. I don't want to know. Any man has small legs.

[Langston Kerman]

To me. To me, the miracle of Al Sharpton is that somehow no one in his life has told him he's making a mistake.

[David Bore]

Somebody has to have told him. I don't. Somebody.

[Langston Kerman]

The way that he's posting these, I. I repost it all the time. Almost weekly. He posts a picture of him drinking a green juice in the car, and it's just him pressing his lips hard against his green juice and then says, I drink green juice.

[Vincent Bryant]

It.

[Langston Kerman]

Nobody's helping him, bro. And that's. That's so cool.

[Vincent Bryant]

Ask what Al Sharpton has ever done.

[David Bore]

Nothing. Nothing. He was a CIA informant, right?

[Langston Kerman]

He's done absolutely nothing. And he's flexing.

[Vincent Bryant]

When I see him or Benjamin Crump show up, somebody ain't getting no justice. You see one of them niggas run, get the fuck away from my family.

[David Bore]

Yeah. Cause what are you doing over here?

[Vincent Bryant]

Y' all know Ben Crump? I think he graduated law school. But the nigga, he could talk like he can't read.

[David Bore]

Yeah, that's a dangerous. That's a dangerous person.

[Langston Kerman]

Nah, it's a nasty motherfucker.

[David Bore]

It's a bad.

[Vincent Bryant]

And you.

[David Bore]

You.

[Vincent Bryant]

You. You only come with fire, co. You know what I'm saying? When fire is around, that's when you show up, you got a photo op. And then it's like, the families keep hiring this n. I'm like, what we doing, y'? All? We ain't thinking. Even though we didn't think this was gonna happen, we not thinking.

[Langston Kerman]

I think. I think. And it's, again, the danger of, like, media and television. I think he can bring them cameras. And I think in our minds, it's like, well, cameras means information, means spreading the word. I gotta go this way.

[David Bore]

I think there's an idea of if you're able to see it, it will help. And I think that that's maybe a false idea.

[Langston Kerman]

I don't think that people become accurate.

[David Bore]

People think if they can just see the truth, that it will. Like, but that's not even how it works.

[Vincent Bryant]

No.

[Langston Kerman]

It used to be.

[David Bore]

I think. Yeah.

[Langston Kerman]

Definitely not anymore, though.

[Vincent Bryant]

No. Because people could deny anything. If people argue anything now, it's like, come on.

[Langston Kerman]

Yeah.

[Vincent Bryant]

This is humanity, baby. We. You know what we gonna do? What we gonna be today?

[David Bore]

Yeah.

[Langston Kerman]

Yeah. Goddamn. Well, this got nasty right at the end.

[David Bore]

Always does.

[Langston Kerman]

Yeah, but it was fun. Otherwise. This was great. Vince you wanna tell the people where they can find you what cool shit you got.

[Vincent Bryant]

Instagram, Twitter, v bryant9.v, b r y A N T, TikTok. We all on TikTok. Yes, we are. Lousy Lizard. Couldn't think of another name. And I got two accounts, but I go crazy on Lousy Lizard nine. I think so, yeah.

[David Bore]

You didn't say the other one.

[Vincent Bryant]

It might be V. Brian comedy, but I don't be on her no more. And I got pictures of my ex on there. So I was like, I don't delete stuff. You know what I'm saying? I just create a new life.

[Langston Kerman]

You just move on.

[Vincent Bryant]

I don't really move on. I check back in. I was like, damn, we was happy anymore.

[David Bore]

This really frames the whole. When did you know you wanted to marry that woman?

[Vincent Bryant]

Yeah, man, that's one of them. You know what I'm saying? All these things inform other things also, Ms. Pat, season five. I'll make my acting debut, which should be great.

[David Bore]

Hey, let's go.

[Vincent Bryant]

What else, man? We just move in the groove and pay attention to the stand up. If I'm come to your city, come see me. I'm pretty funny. You laugh. Bye.

[Langston Kerman]

Yeah, that's great. Vori. What you got?

[David Bore]

Cool guy jokes 87 on Instagram. My special, it's coming out. Not September 9th, September 29th on 800 pound gorilla media.

[Vincent Bryant]

Boom.

[David Bore]

You know, thank you. So you can watch it on YouTube now. Thank you to everybody who paid the $12 though. I really appreciate it it. But now it's time to let other people see it.

[Langston Kerman]

Hell yeah.

[David Bore]

No refunds.

[Langston Kerman]

You can follow me at Langston Kerman on all social media platforms. You can come see me on tour. The Aspiring Deadbeat tour is happening now. I'm in Pittsburgh, November 14th through the 15th and D.C. the 16th, Austin, the 19th of November, Phoenix, November 20th through the 22nd. Wilmington, North Carolina, December 5th through the 6th. Cleveland, December 7th. Brooklyn, December 11th, East Providence, December 11th through the OR. 12th through the 13th. Detroit, the 19th through the 20th. And then there are some dates in the new year that we'll.

[Vincent Bryant]

Yeah, you gotta get back home for Christmas.

[Langston Kerman]

I gotta get back home for Christmas.

[David Bore]

Home alone.

[Vincent Bryant]

You going to Houston? You doing improv?

[Langston Kerman]

Yeah, no, I'm doing Riot.

[Vincent Bryant]

Oh, man, I love Houston. They got some big old women down there. I just be like, I get up to the airport, I just pick me up. Oh, I love y'. All.

[David Bore]

They got that little bar that goes off, off below the riot.

[Langston Kerman]

Oh, really?

[David Bore]

Yeah.

[Langston Kerman]

Oh, dope. I'm excited to Be down there. It's gonna be fun.

[Vincent Bryant]

I've never done it. That's gonna get busy. God damn it.

[Langston Kerman]

We've only done whatchamacallit was. Secret group. Yeah, secret group down there. So riot.

[David Bore]

It does get. Well, you're not as sweaty as me, so you'll be all right.

[Langston Kerman]

No, I'm a sweaty motherfucker.

[David Bore]

Oh, it gets hot up there, boy. Okay, that was. Can I tell you before we get out of here, that was when I knew I needed to keep doing this podcast. Cause I did riot, like maybe like six months after I started doing this with you.

[Langston Kerman]

Yeah.

[David Bore]

And like four college aged Nubian princesses came up to me. I was like, this has never been. This has never been my ticket buying.

[Langston Kerman]

That's not your fan base.

[David Bore]

They said. They said, we love your podcast. I said, I'm gonna stay with Langston Kerman forever.

[Vincent Bryant]

You know what I'm saying? I'm gonna be the drop down.

[David Bore]

I'm gonna be. I'm gonna be right over here.

[Vincent Bryant]

You know they make fun of light skins online. I do a light skin. I ain't never seen them without a Change my life. I ain't never seen without nothing Change my life.

[Langston Kerman]

I. I can only.

[David Bore]

You're a bad podcast.

[Langston Kerman]

I can only offer what I offer.

[David Bore]

And I appreciate you for it.

[Langston Kerman]

Yeah, man.

[David Bore]

I think we got a good thing going on.

[Langston Kerman]

Follow us, like, subscribe, do all the shit rate, review. You could call us at 844 Lil Moms. You can leave us a voicemail at my mamapodmail.com and most importantly, you could be better. Bye.

[Vincent Bryant]

How is my man supposed to schmeat.

[Andrea Gunning]

His meat with this, bro?

[Vincent Bryant]

What the.

[Langston Kerman]

My Mama Told Me is a production of Will Ferrell's Big Money Players Network and I Heart Podcast, created.

[David Bore]

And hosted by Langston Kirkman, co hosted by David Bore, executive produced by Will Ferrell High and Olivia Aguilar.

[Langston Kerman]

Co produced by Bay Wayne.

[David Bore]

Edited and engineered by Justin Cotton.

[Langston Kerman]

Music by Nick Chambers.

[David Bore]

Artwork by Dogon Krieger.

[Langston Kerman]

You can now watch episodes of My Mama told me on YouTube, follow at my Mama Told Me and subscribe to our channel.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway Cough and Cold. Season is coming, so make sure you're prepared and stock up on your family's favorite personal wellness products. Now through October 7th. Shop in store and online for savings on products like Mucinex Kickstart Combo, Zyrtec Allergy Relief tablets or Liquid Gels, Halls, Cough Drops and Mucinex Fast day and night. So you and your family are armed and ready for the season ahead. Offer ends October 7th. Restrictions apply. Offers may vary. Visit albertsons or safeway.com for more details.

[Langston Kerman]

There's a million things to stress about when flying overweight luggage, TSA lines, delays, overpriced airport lunches. Your rental car shouldn't be one of them with Avis first, your rental comes with a personal concierge who meets you at arrivals, hands you the keys to a premium car and refills it for you at market price when you're done. You've rented before, but trust Trust me when I say you've never rented quite like this. Welcome to Avis First. Visit Avis.com to learn more.

[Andrea Gunning]

This is Andrea Gunning from Betrayal. I want to take a moment to talk about something that impacts how we feel every day. Our gut health. If you've been dealing with sluggish digestion, constant fatigue, brain fog, trouble losing weight or poor sleep, your gut may need some extra care. Your gut plays a vital role in your overall well being because scientists now say it's the foundation of your vitality and long term health. That's where Bioma comes in. This novel supplement has everything you need for a healthy and thriving gut. With every serving you get prebiotics, probiotics and postbiotics that are science backed and third party tested so you can enjoy comfortable digestion, boundless energy, better focus and restful sleep, and even smoother weight management when following a healthy lifestyle, just take two tiny Bioma capsules each morning before breakfast and start feeling your best. Visit Bioma Health and use Code betrial to get 15% off your first order. That's Bioma health code betrayal for 15% off.

[Vincent Bryant]

What kind of man would let this happen to his family?

[Podcast Advertiser]

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[Andrea Gunning]

Working on a story about the Murdochs. Their abuses of power are playing out in real time.

[Podcast Advertiser]

Starring Academy Award winner Patricia Arquette and Jason Clark.

[Langston Kerman]

It's only cheating if you get caught.

[Podcast Advertiser]

Hulu Original Series Murdoch Death in The Family premieres October 15th on Hulu and Hulu on Disney plus for bundle subscribers. Terms apply.

[Vincent Bryant]

This is an I Heart podcast.