Tyler Perry is the Devil!! (with Sydnee Washington) RE-RELEASE

Summary

Podcast Summary: "My Momma Told Me" - Episode: Tyler Perry is the Devil!! (with Sydnee Washington) RE-RELEASE

Podcast Information:

• Title: My Momma Told Me
• Host/Author: Big Money Players Network and iHeartPodcasts
• Description: Comedians Langston Kerman and David Borey delve into the most exciting, groundbreaking, and sometimes problematic Black conspiracy theories. They explore everything from silly conspiracies to scary ones, often sharing stories passed down from family members.
• Episode Title: Tyler Perry is the Devil!! (with Sydnee Washington) RE-RELEASE
• Release Date: June 19, 2025

---

Introduction to the Conspiracy Theory

Timestamp: [03:10] - [05:22]

The episode kicks off with the hosts, Langston Kerman and David Borey, introducing the central conspiracy theory: the claim that Tyler Perry embodies devilish characteristics within the Black entertainment industry. They set the stage for a deep dive into this controversial topic, emphasizing the need to explore both the content and the underlying practices within Tyler Perry's empire.

Notable Quote:

Langston Kerman [08:00]: "My mama told me Tyler Perry is the devil, and today we're unpacking why."

---

Analyzing Tyler Perry's Influence

Timestamp: [08:40] - [18:44]

The hosts dissect various aspects of Tyler Perry's career, focusing on his labor practices and the impact on Black actors and crew members. They argue that Perry's refusal to unionize and his demanding work hours create a toxic environment that stifles growth and perpetuates a cycle of overwork without adequate compensation.

Key Points:

• Labor Practices: Ty Tyler Perry's non-union approach and its repercussions on employees.
• Typecasting Issues: The limited roles available to Black actors, using Alan Payne as a primary example.
• Industry Control: Perry's extensive influence over Atlanta's entertainment scene, leading to a lack of diverse opportunities.

Notable Quotes:

Trey Farrow [12:07]: "Tyler Perry is forcing people to work crazy hours, keeping them trapped within his production circles."

David Borey [12:35]: "It's not just about the movies; it's about how he runs his empire, hoarding profits and exploiting talent."

---

Impact on Black Representation and Opportunities

Timestamp: [19:21] - [32:06]

The discussion shifts towards the broader implications of Perry's dominance in the industry. The hosts highlight how Perry's control limits the diversity of narratives and perpetuates harmful stereotypes. They compare Perry's influence to other industry leaders, suggesting that his practices have a more insidious effect on Black excellence and artistic expression.

Key Points:

• Stereotype Reinforcement: How Tyler Perry's films might perpetuate negative stereotypes.
• Limited Narratives: The lack of varied stories being told within Perry's productions.
• Comparison with Peers: Contrasting Perry's influence with that of Lee Daniels and others who maintain different standards.

Notable Quotes:

David Borey [25:25]: "When one person's story becomes the singular narrative for an entire community, it diminishes our collective experiences."

Langston Kerman [31:12]: "We have to go beyond Tyler Perry's realm to explore the vastness of Black storytelling."

---

Guest Segment with Sydnee Washington

Timestamp: [04:55] - [53:36]

Sydnee Washington joins the conversation, bringing her perspective as an artist and comedian. She briefly shares her own experiences in the industry and discusses her new podcast, "Mess," emphasizing the importance of authentic representation and creative freedom. Sydnee aligns with the hosts' concerns about Tyler Perry's impact but also highlights her efforts to create spaces that foster genuine Black creativity.

Key Points:

• Personal Experiences: Sydnee's journey in the entertainment industry and her observations of Perry's influence.
• New Projects: Introduction to her podcast "Mess" and its focus on unfiltered conversations.
• Support for Authenticity: Encouraging the creation of content that reflects true Black experiences without exploitation.

Notable Quotes:

Sydnee Washington [53:36]: "I'm excited to bring real, unfiltered stories to the forefront with my new podcast, 'Mess.' It's time we own our narratives."

Langston Kerman [53:20]: "Sydnee, your work is a breath of fresh air. Keep pushing boundaries and telling the stories that matter."

---

Debate and Diverse Perspectives

Timestamp: [36:35] - [47:10]

As the episode progresses, the hosts engage in a heated debate about the legitimacy of Tyler Perry's contributions versus his alleged negative practices. They discuss the balance between recognizing artistic achievements and condemning exploitative behaviors. This segment showcases varying viewpoints, with Langston expressing strong opposition and David advocating for a more nuanced understanding.

Key Points:

• Artistic vs. Ethical: Weighing Tyler Perry's creative output against his business practices.
• Community Impact: How Perry's empire affects aspiring Black artists and the larger community.
• Possibility of Redemption: Discussions on whether Perry can reform his practices and serve as a positive role model.

Notable Quotes:

Langston Kerman [38:31]: "It's not just about the movies he makes; it's about the lives he controls and the opportunities he denies."

David Borey [46:20]: "This isn't just about art; it's about human decency and the standards we set for our community leaders."

---

Conclusion and Takeaways

Timestamp: [50:46] - [57:54]

In the closing segment, the hosts reflect on the discussion, reiterating their stance on Tyler Perry and emphasizing the importance of holding influential figures accountable. They encourage listeners to share their own theories and experiences, fostering a community of critical engagement. The episode wraps up with promotions for the hosts' personal projects and social media handles.

Key Points:

• Accountability: The need for the Black community to scrutinize and challenge influential figures.
• Community Engagement: Inviting listeners to contribute their own stories and conspiracies.
• Promotional Messages: Information about upcoming projects and how to follow the hosts.

Notable Quotes:

David Borey [55:28]: "If we're holding all these influential figures to account, we need to support each other in seeking the truth."

Langston Kerman [53:36]: "Join us in this journey to uncover and discuss the realities that shape our industry and our community."

---

Final Notes

This episode of "My Mama Told Me" presents a provocative and critical examination of Tyler Perry's role in the Black entertainment industry. Through passionate debate and insightful analysis, the hosts challenge listeners to consider the broader implications of influential figures' actions on representation and opportunities within the community. The addition of guest Sydnee Washington enriches the conversation, highlighting the ongoing need for authentic storytelling and ethical practices in media.

Listen to the full episode on My Mama Told Me's YouTube Channel or subscribe through your preferred podcast platform.

Transcript

[Langston Kerman]

This is an iHeart podcast.

[Tom Yamas]

Taking over the helm of NBC nightly news, a 75 year old broadcast. It's a great responsibility. Good evening, I'm Tom Yamas. You have to go out there to bring people at home. Closer to the store. Wildfires continue to be a threat. With that massive hurricane comes the massive response. The best reporters in our business know how to listen. And when you listen, you get the truth. For NBC News, NBC News, I'm Tom Galamas. That's what we do every night.

[David Borey]

NBC Nightly News with Tom Yamas. Evenings on NBC.

[Ryan Seacrest]

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[Langston Kerman]

I've never felt like this before. It's like you just get me. I feel like my true self with you. Does that sound crazy? And it doesn't hurt that you're gorgeous? Okay, that's it. I'm taking you home with me. I mean, you can't find shoes this good just anywhere.

[Sydney Washington]

Find a shoe for every you from.

[Langston Kerman]

Brands you love like Birkenstock, Nike, Adidas.

[Sydney Washington]

And more at your DSW store or dsw.com.

[Ryan Seacrest]

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[David Borey]

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[Ryan Seacrest]

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[David Borey]

Nicolas Cage has been been every version of a person in Hollywood. He's been a joke, he's been a fraud. He's been somebody we we treated like.

[Langston Kerman]

An idiot, but he's always been white. We haven't seen him switch it. We haven't seen.

[Trey Farrow]

I would go crazy like now. I would like that Latino Nicholas Cage.

[David Borey]

I would like that quite a bit.

[Langston Kerman]

I think Tyler Perry can make that happen. Nicolas Cage, Tyler Perry.

[Trey Farrow]

I Think they need to collab Made inside of those two can only link together for evil I think.

[Langston Kerman]

I think tubie can make it happen Anyway.

[David Borey]

The ozone layer owes me money Marching to bed and dirty stuffing tell me nothing.

[Trey Farrow]

So I creep, Yeah, I just keep it on the down low? Cause no one else is supposed to know. Welcome, little mamas and gentiles alike, to another phenomenal episode of My Mama Told.

[David Borey]

Me, the podcast where we dive deep, deep into the pockets of black conspiracy.

[Trey Farrow]

Theories, and we finally work to prove that Andre 3000 has lost a couple of those numbers. Is Andre 2643, too, after that flute shit?

[David Borey]

My name is David Ward, man. I don't like hearing it, but I'm like, C German. Yeah.

[Trey Farrow]

I think that I exaggerated the number, the amount of numbers he lost, because.

[David Borey]

Yeah, it's. It's like.

[Trey Farrow]

It's in, like, the 2389. He's good. He's. Yeah, yeah. And I just don't like flutes. That's not his fault.

[David Borey]

I think he's. I think he's still only lost a few points, but. But it. Yeah, you. You just want that rap album, baby.

[Trey Farrow]

Yeah. Someday. Someday. I feel like a Trump presidency if it pushes us to a new 3000 album.

[David Borey]

Go ahead, finish your sentence.

[Trey Farrow]

Not as bad as it could have been, is all I'm saying.

[David Borey]

Finish your sentence. Four days. Four days in, you're like, this ain't so bad.

[Trey Farrow]

Oh, man, I've already resigned to it, man.

[David Borey]

This man's not even in the Oval Office again yet. You're like, nah, we'll be all right.

[Trey Farrow]

Gotta look on the bright side, Langston.

[David Borey]

We can't delete or dally any more than we already have. Our guest today is in studio with us. She's phenomenal. A dear friend, an artist, a comedian, a unit.

[Langston Kerman]

Come on, Lacey, do it.

[David Borey]

But so much more. She's a dear friend. We're so happy she's here. Give it up for Sydney Washington, everybody.

[Langston Kerman]

You know, black men. What an intro. I mean, no credits. Just. She's a person.

[David Borey]

She's vibes.

[Langston Kerman]

She's alive.

[Trey Farrow]

They love you, though.

[Langston Kerman]

She's funny. Thank you. I appreciate y' all.

[David Borey]

We love all vibes over here.

[Langston Kerman]

So I have. So you don't like the flute?

[Trey Farrow]

I'm not.

[Langston Kerman]

You not here for the flute.

[Trey Farrow]

I don't have discerning a taste enough to understand how good it is, I think.

[Langston Kerman]

Really? So that's a. That's a you thing.

[Trey Farrow]

That's what I said in the intro. I was like, it's you know, I'm not a fluke guy. It doesn't mean he's not expanding.

[Langston Kerman]

No, he's already expanded, baby. He did it.

[Trey Farrow]

So you left us behind.

[David Borey]

First of all, you're.

[Langston Kerman]

And I'm hurt. Catch up.

[Trey Farrow]

And I'm hurt. And I'm just a bitter ex.

[David Borey]

He ascended.

[Trey Farrow]

Yeah.

[Langston Kerman]

Yeah, a bitter ex. He's doing better than you, babe. He's working hard.

[David Borey]

The way you're going hard for this suggests to me that you did like the flute album.

[Langston Kerman]

No, absolutely not. But I say it's all about elevation. You have to elevate. You have to be a tastemaker. You can't be doing what everybody else is doing because they're doing it. You understand? If. If everybody is on the train rapping for dollar bills, Andre is like, no, no, no. I don't want to be associated with that. Flutes. I don't see flutes everywhere.

[David Borey]

That's fair.

[Trey Farrow]

That implies that he's not competitive. Like, if everybody on the trail was rapping, he's still rapping better than all the people for dollars.

[Langston Kerman]

We've moved on. We've done it.

[Trey Farrow]

Have you moved on?

[Langston Kerman]

Yes, we have.

[Trey Farrow]

You just said you didn't like it.

[Langston Kerman]

I don't like it because I don't have an ear for it.

[Trey Farrow]

Well, that's what I said. That's what he said.

[Langston Kerman]

You know what? I just. Christopher Columbus, your whole shit. How does it feel?

[Trey Farrow]

Terrible.

[Langston Kerman]

How does it feel, white man?

[Trey Farrow]

Terrible.

[David Borey]

You?

[Langston Kerman]

Yes.

[Trey Farrow]

Just because there's one on my shirt doesn't mean there's one in my arm.

[Langston Kerman]

Oh.

[David Borey]

Why did you direct that at me? I don't know.

[Langston Kerman]

I was panicking.

[Trey Farrow]

I was helping you. I was panicking.

[Langston Kerman]

I come here to dismantle this brotherhood, and it's working.

[Trey Farrow]

That's the truly bold in and of itself. What? We're united. We got pictures on our shirts. I see stronger than we've ever been.

[Langston Kerman]

It hurts to see this. Like you. Obviously, y' all are really good at whatever you're doing, and I have to support it. I salute you.

[David Borey]

I think by whatever you're doing, you mean talking to niggas at the mall.

[Langston Kerman]

Yeah.

[David Borey]

Excuse me, man. You think you could pull this off.

[Trey Farrow]

And he could shut out?

[Langston Kerman]

It looks good. Y' all. Look.

[Trey Farrow]

Jay Romero in a mall. I don't know the name of how much it costs.

[David Borey]

Enough. Ooh, yeah. No, this don't come cheap, sweetheart. You're gonna want that podcast to get at least a few more episodes in.

[Langston Kerman]

Clearly, if I want to start buying.

[Trey Farrow]

Shirts, I'm a bill Will Ferrell for this. This isn't even.

[Langston Kerman]

Oh, absolutely. Send that invoice in and invoice Andre as well.

[Trey Farrow]

It feels like you were on my side, and then I lost you for a little bit.

[David Borey]

Okay, enough. Goddamn enough. We have a conspiracy that you brought to us. No more than two hours ago. You said, I have a conspiracy. This is something I believe passionately. And we broadened that conspiracy a little just to be able to open this conversation up. But you said, my mama told me Tyler Perry is the devil.

[Langston Kerman]

Absolutely. And specifically Cicely Tyson died to get out of her contract with him.

[David Borey]

Wow.

[Langston Kerman]

The new Death row.

[David Borey]

Okay.

[Langston Kerman]

If you don't want me. All in the video.

[David Borey]

All in the dress in the video. Dancing, hitting people with your purse that has a gun in it.

[Trey Farrow]

Writing in your diary.

[David Borey]

Pushing niggas down the stairs in their wheelchair.

[Langston Kerman]

Got Janet Jackson in her curly, wet and wavy crying.

[Trey Farrow]

That was a good cry, though.

[David Borey]

Crying about her husband on the down low.

[Langston Kerman]

So you doing the bending. But that is another movie. That's.

[David Borey]

Oh, that's not. Janet did multiple.

[Langston Kerman]

That's. That was for colored girls that considered suicide. That's.

[David Borey]

But she did multiple.

[Langston Kerman]

Yes.

[Trey Farrow]

Yeah, she did. I think I love my wife.

[Langston Kerman]

I think I love my wife.

[Trey Farrow]

No. Why did I.

[Langston Kerman]

Why did I get married? Why did I get married?

[David Borey]

Well, I knew she did multiple. Why did I get married? I didn't know that. She then also extended into, like, the multiverse of Tyler Perry.

[Langston Kerman]

Yes. That's.

[David Borey]

You know what I mean?

[Trey Farrow]

Like, I think that's how you do it.

[Langston Kerman]

That's how you do it. You don't just do. If you do one thing, you're bad, that means you're not useful. He can't.

[David Borey]

He can't capitalize on it, but some people sober up to it to some extent. Like, Taraji did one. She's not going back to Tyler's.

[Trey Farrow]

Did she do more than one? Was it just, I can do bad all by myself?

[David Borey]

I think she only did that. I can do bad all by myself. I could be wrong. But even if she did, Idris is another example of, like, I fucked around over here for a second, but I'm not.

[Langston Kerman]

What do you do? Daddy's little girl?

[David Borey]

Yeah. Daddy's little girl.

[Langston Kerman]

Yeah. That wasn't terrible. That wasn't bad.

[Trey Farrow]

The issue is not the quality of the movie. Some of them I really like.

[Langston Kerman]

Really? That's. It's not the quality.

[David Borey]

I. Yeah, I already.

[Langston Kerman]

I'm going to already faint. I stop the break.

[Trey Farrow]

I consume some of those movies, like junk food.

[David Borey]

Okay.

[Trey Farrow]

It's just like.

[Langston Kerman]

So it's not good for you.

[Trey Farrow]

There's no. Yeah, yeah, yeah. In small doses, though, it feels good. You know what I mean? Like, it's just like. There's no major problems. It's just rich black people running around.

[David Borey]

Oh, that's interesting.

[Trey Farrow]

That's like. I like that. I'm cool with that.

[David Borey]

You don't see them in the comedies.

[Trey Farrow]

Not in the ones where it's like. But you don't see them in any.

[David Borey]

Way, like, morally corrupt or sort of.

[Trey Farrow]

Like, harmful, the characters within the movie. Yeah, not more so than, like, I see anybody in any other movie. Like, I don't.

[David Borey]

Whoa.

[Langston Kerman]

Are you. Are you all the way awake when you watching this?

[Trey Farrow]

Yeah, pretty much.

[Langston Kerman]

Are you conscious?

[Trey Farrow]

It's like. It's like. Yeah, it's like, if you're feeling down, you just watch, like, a funny, happy movie.

[Langston Kerman]

If you're feeling down, you put on Tyler Perry.

[Trey Farrow]

There's a couple movies. Yeah, there's a couple movies.

[Langston Kerman]

Do you have a therapist?

[Trey Farrow]

We're in between.

[David Borey]

It's a moving brother named Tyler Perry.

[Langston Kerman]

Tyler Perry also does Tyler Perry.

[David Borey]

He says hello.

[Trey Farrow]

Yes.

[Langston Kerman]

Yeah.

[Trey Farrow]

I'm just saying it's a big. There's a big market for it. The reason I think he's the devil is not the actual movies.

[David Borey]

Whoa.

[Trey Farrow]

Okay. I think it's the labor practices that really kind of get to me.

[David Borey]

Okay. You know what I mean?

[Langston Kerman]

Explain.

[Trey Farrow]

Explain, like, not being union and stuff like that in an industry where, like, the standard is to work union. So it's like you're already putting the people who work with you at, like, a little bit of a disadvantage, right?

[David Borey]

Yeah, yeah.

[Trey Farrow]

And then it's like. So it's like you build this thing that is massive and does give a lot of jobs, and that's very important, but you make it so that these people are tied to you in a way.

[David Borey]

Yeah.

[Trey Farrow]

You understand creating.

[Langston Kerman]

To where it's like.

[Trey Farrow]

If you were allowing people to bounce over here and here and here and get money and that was cool, then it makes sense. But now it feels like if you're keeping a stable, it feels like you're not allowing people to grow.

[David Borey]

I'm my brother's keeper. I. I know a few barbers who have, like, dipped in and out of, like, the Tyler Perry space, and all of them sort of like, in a weird way, get sort of like, ah, nah, I'm not going back over there. Or I want to go over there. I gotta really be down to be over there. Cause you're working Crazy hours. You're sort of being manipulated in this space. And then I think they're expecting a commitment that you can't back out of easy. You know what I mean?

[Langston Kerman]

Yeah. Well, because it's like again, it's that thing about like exposure. You're like, well, I'm in this, so this is actually gonna help me. And then after a couple rounds of it, you're like, wait, I'm still a bartender?

[David Borey]

Yeah.

[Langston Kerman]

I mean, I'm a well known bartender. People know me. But I still have to bartend on the side because I can't. I can't make everything ends meet.

[David Borey]

I also think where it gets complicated is to your point, the stink that it puts on you once you do become a little bit of a Tyler Perry person. You know what I mean? Like, did we see maximum Allen Payne potential? Wow.

[Trey Farrow]

This is. I need to say, personally, I didn't even know.

[Langston Kerman]

You threw me for a loop.

[Trey Farrow]

This is the third time you threw me for a little bit. The second time we talked about Alan Payton a week.

[David Borey]

You know what I mean?

[Trey Farrow]

Great.

[Langston Kerman]

You mean Jason's lyrics? The Alan Payne.

[David Borey]

He was a great.

[Langston Kerman]

He was in everything.

[Trey Farrow]

Come on. He was from the 80s.

[Langston Kerman]

He was in everything.

[Trey Farrow]

He had like a 10 year run.

[Langston Kerman]

He was gonna. He was in every six. He was on the Cosby shoes.

[David Borey]

He was handsome.

[Langston Kerman]

Handsome hot. Yeah, that curl pattern. Yeah, you don't see that kind of curl pattern now. And it was a natural, natural curl pattern.

[David Borey]

He was. He was a clearly black man.

[Langston Kerman]

Yes.

[David Borey]

With a natural curl. This nigga had it all.

[Trey Farrow]

Yeah, you would've. I would've bet the house on it. Yeah, I would've bet the house on it.

[David Borey]

And he sunk his fucking ship over there. What happened? Do you know what I mean? Give us back Allen Payne. Tyler Perry.

[Langston Kerman]

Or what? Or wait, was it Tyler Perry or that? It was just like Allen Payne had got typecasted so many times that we were like. We didn't seen this song and dance.

[Trey Farrow]

But there is a level of. That is a difficult thing, right? If you get typecast that much, but you don't grow to a level where it's unanimous that people know you're. That you kind of can't work in that forever.

[David Borey]

But I'll challenge you all. I will challenge you on this because on the flip, look at Bo. Keem Woodbine, who, who went through it, had like this heightened moment where he was sort of typecast as this like crazy eyed villain and shit, but then took a break, came back, came back chubby, and now has Had a whole new career. Do you know what I mean? As sort of this older.

[Langston Kerman]

What is he.

[David Borey]

He did Fargo, which was amazing.

[Langston Kerman]

He did do Fargo. He was in Queen of Slim.

[Ryan Seacrest]

Yeah.

[Langston Kerman]

And they said that was the best part of the movie.

[David Borey]

Listen, Bo Keen Woodbine is the best. But he never went over there. And that's what I'm saying is that maybe there's a world where Alan Payne finds his true detective.

[Trey Farrow]

Okay?

[David Borey]

But we cut him short.

[Langston Kerman]

We gotta put him in an A24 situation.

[Trey Farrow]

We gotta get em all here.

[Langston Kerman]

I think some people, or once you get in mainstream, you have that opportunity to do all things, like bad, good things that you're like, why are you even a part of this? But certain specifically black people, once you get into that little corner, that's it. That's all you have. Like Glenn Close, she was in Deliverance. I'm coughing cause I can't even catch. I can't even breathe. The work that she did in that movie one, I was like, oh. She's like, I've done everything that I need to do. I have ascended to the point of let's play, let's have fun.

[David Borey]

She's like, I'll learn some patois.

[Langston Kerman]

Yeah, why not? Now, the wigs were not by Tyler Perry in that movie. Glenn Close, I almost was like, is she biracial? She was giving Rachel Dolezal a run for her fucking money. I'm gonna say that on air.

[David Borey]

As somebody who has not seen the movie, I assure you she is not.

[Langston Kerman]

She is.

[David Borey]

I looked at all the clips y' all were posting, and I was sober when I. You know what I mean? Like, y' all were enthralled. So you were bought into the whole experience. As somebody who did not experience it, I was like, this looks insane.

[Langston Kerman]

No. She said, nappy pussy on in the movie. And I said, whoo. We're gone.

[Ryan Seacrest]

She's gone.

[Langston Kerman]

She's like. But they were every. Everybody black was like, she's gotta win a Golden Globe for this.

[David Borey]

And everybody white was like, what the fuck are you talking about?

[Langston Kerman]

Is she unwell? Is her med. Where is her med? Is it the braids? Is it the braids? That's what the white people were saying with Glenn. But Glenn has done it all. She has proven herself so she can do that. But once you get into the. I feel like the Tyler Perry realm, it's kind of wrapped up.

[David Borey]

And I think that's the scary part, right? Is that even that movie? I don't. It's not a Tyler Perry production, right?

[Langston Kerman]

It's Lee Daniels, which is the cousin, the cousin of Tyler Perry.

[David Borey]

I think there. I think. And I don't disagree with you, I think Lee Daniels is Certainly Tyler Perry Jr. Yes, he would love to be Tyler Perry in some form or fashion. That said, I think Lee Daniels still. They let Lee Daniels do too much, you know what I mean, in the legitimate spaces where they gave him Oscars and nominations.

[Langston Kerman]

But he is. First of all, we have to. No, let's not be anti black. These brothers have done some good work. There have been some things.

[Trey Farrow]

That's what I was saying.

[Langston Kerman]

I know, Dave. I'm sorry. They have done really. They've been some pieces where you're like, you know what? This is art.

[David Borey]

Give me. And maybe we should take the break. This is a good way for us to go on break. I think this will be fun. When we come back, we're going to unpack some projects that we think are defendable for Tyler Perry and or Lee Daniels. We'll talk through the ones that we think are truly defendable and we'll talk about why. But we'll come back and we'll be back with more Sidney Washington and more my mama told me.

[Howie Mandel]

I can't tell you how often I hear, oh, I'm a little ocd. I like things neat. That's not ocd. I'm Howie Mandel and I know this because I have ocd. Actual OCD causes relentless, unwanted thoughts. What if I did something terrible and forgot? What if I'm a bad person? Why am I thinking this terrible thing? It makes you question absolutely everything and you'll do anything to feel better. OCD is debilitating, but it's also highly treatable with the right kind of therapy. Regular talk therapy doesn't cut it. OCD needs specialized therapy. That's why I want to tell you about no cd. NOCD is the world's largest virtual therapy provider for ocd. Their licensed therapist provides specialized therapy virtually and it's covered by insurance for over 155 million Americans. If you think you might be struggling with OCD, visit nocd.com to schedule a free 15 minute call and learn more. That's n o c d dot com.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and safeway. Now through June 24th, score hot summer savings and earn four times the points. Look for in store tags on items like Kraft Mac and cheese, Celsius energy drinks, Quaker chewy bars, and sparkling ice flavored water. Then clip the offer in the app for automatic event long savings. Enjoy savings on top of savings when you shop in store or online for easy drive up and go, pickup or delivery subject to availability restrictions apply. Visit Albertsons or Safeway.com for more details.

[Sydney Washington]

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[Jana Kramer]

Get ready for July 4th with early savings at Lowe's. Get up to 40% off select major appliances and get an additional 10% off two or more select major appliances. These deals are coming in hot. Lowes we help you Save valid through 7 9. Selection varies by location while supplies last. See Lowes.com for more details.

[Unknown]

Visit your nearby Lowe's on Colorado street in Kennewick.

[Trey Farrow]

We are back discussing our favorite Tyler Perry movies. Oh God, is that not.

[David Borey]

I don't know that that was the assignment at all.

[Trey Farrow]

I had to tweak it because your parameters weren't working.

[David Borey]

Okay. I think what it should be is more this question. If we're talking about these figures as evil right as as sort of spawn of Satan as as is sort of implied here, I think we should be careful to remind ourselves which pieces at least hold some value for the greater good of society. That it's less about whether or not that we like them and more do they actually benefit the larger world around us.

[Langston Kerman]

And I'm gonna go first.

[Trey Farrow]

Yeah.

[Langston Kerman]

So precious that Lee Daniels that was probably the most controversial and a Tyler Perry production. Everybody was involved. They had everybody.

[David Borey]

They had the Oprah was there.

[Langston Kerman]

Oprah was there. Lee Diaz Carey showed up movie. I watch it and I say yes, this definitely gives Sundance. This gives. It's indie. Yes. This is like it feels like low budget but in such an artistic way that I'm like, I can appreciate this now. The masses. The masses watching this story from the book Push. It was so hard. And Monique playing that mother so well, to the point where, like, do we like Monique?

[David Borey]

Yeah.

[Langston Kerman]

Do we like her?

[Trey Farrow]

Right.

[Langston Kerman]

I almost think that people weren't on her side because they almost thought, you are that mother that was in Precious. You were touching your daughter. Like, that's how controversial the movie was, is that everybody was playing the role so well that you're like, this might be their real lives. Mariah Carey. Mariah Carey. Rough draft. Mariah Carey. That was alarming. It was alarming. They threw on the beauty supply wig and they said, go.

[David Borey]

Yeah.

[Langston Kerman]

Little bit of concealer. But she was great. She was incredible.

[David Borey]

I love this as an answer because I similarly felt all of those things in seeing the film in theaters.

[Langston Kerman]

You went in theaters?

[David Borey]

I went in theaters.

[Langston Kerman]

You went in theaters.

[David Borey]

I had my little sisters with me.

[Langston Kerman]

No, you didn't.

[David Borey]

I swear to God. Because I was like, this is gonna be, like, a beautiful film of empowerment for them to see. Like, this big girl who overcomes and, like, figures out a way to move forward.

[Langston Kerman]

You didn't read the book. No, you didn't.

[David Borey]

And truly was just haunted by the experience. And so I asked this because I agree with you. I felt all those things. But how much of that was just a weird stacking of awful on top of awful and not really a human experience to make us better?

[Langston Kerman]

Well, T. I had a friend in it, Zosia, and I think this was her first big role. She killed it. I was like, so there. I'm being honest. I'm there. Supporting.

[David Borey]

Supporting.

[Langston Kerman]

That I enjoy. Right. But then it is somebody's story. So should we not.

[David Borey]

But it's not somebody's story that. You know what I mean? Like, parts of this are somebody's story. The experience of abuse is somebody's story. The experience of being overweight and the challenges of being poor is somebody's story. The experience of getting AIDS is somebody's story. But all of those combined into this single person. You know what I mean?

[Langston Kerman]

You don't think somebody get all those things. You don't think all that stuff can happen simultaneously? Yes, I'm sure. This is somebody's story. If you're listening and this is your story, I need you to write it and let.

[David Borey]

If you're listening and this is your story, please stop listening to this. Go seek help now, because you have so much going on that you don't have time to dilly or Dally with podcasts. Truly, this is. That's not. She was pregnant and didn't know she was pregnant. She was being assaulted by her mama and her daddy. She was. Mariah Carey was trying to. Or Paula Patton was trying to save her. But then they had. Yes, yes.

[Langston Kerman]

I be on TikTok all day, all night. That is somebody's story. The way people be just diarrhea of the mouth, just telling they business, they mama business, they cousins, cousins. And bad after bad after bad. I mean, I don't even turn on the TV no more because people are telling us our problems.

[David Borey]

I guess less than me saying it's impossible for anybody to experience this. I'm saying there's a point where it stops being any version of universal. It just starts being a singular fucked up story that nobody. It doesn't belong to black people, it doesn't belong to brown people. That bitch's life sucks.

[Langston Kerman]

Well, she's.

[David Borey]

Period.

[Langston Kerman]

Just say, don't be disrespectful. She's.

[David Borey]

I'm just saying that's her shit.

[Langston Kerman]

Yeah.

[David Borey]

And there's some people in this building that also have stories that are closer to like a universal experience. And I wonder about the tragedy porn. Even though for. For me, a person watching it, it worked. I was like, holy shit, this. This motherfucker is crazy.

[Langston Kerman]

Okay, what about Monster's Ball? Whoa, what about that? Halle Berry won it, won that award, won that golden ticket for this movie.

[David Borey]

It's worth noting. Monster's Ball, you said is a Lee Daniels production.

[Langston Kerman]

Yes, right. Okay, thoughts? I mean, she is getting banged out by Billy Bob Thornton the whole time. Not a drop of makeup, not a comb going through the hair.

[David Borey]

Yeah.

[Langston Kerman]

Diddy's in it.

[David Borey]

Diddy's in it.

[Langston Kerman]

Diddy's in it.

[David Borey]

It's actually, I think one of his first serious roles, if I'm not mistaken.

[Langston Kerman]

Honestly, he ate. He ate. He was in jail.

[David Borey]

He did pretty good. Look at the fourth shadow of that shit.

[Langston Kerman]

He was on death row, baby. The way the art work.

[David Borey]

I feel like he was on death row. And they never told us why either.

[Langston Kerman]

He did not know.

[David Borey]

They're just like. He was. He was acting up. We gotta.

[Langston Kerman]

Ledger was in it.

[David Borey]

Whoa. Heath Ledger was in my school.

[Langston Kerman]

Ledger was in it. Amazing. Rip. Shout out to him. I met him in real life. And sweet, sweet, sweet guy.

[David Borey]

Okay.

[Langston Kerman]

Yeah. Gave good tip too.

[David Borey]

Okay. Yeah, yeah, that's good. That's good.

[Langston Kerman]

Some people like to speak ill of the dead. Not me.

[David Borey]

Sydney came on here and so far has only defended white men. Yeah.

[Langston Kerman]

Cut, cut, cut. The camera's dead ass. Cut it like, no. How dare you? You've been dragging blacks left and right. All dark skinned.

[David Borey]

Mind you, that's my style.

[Trey Farrow]

Come.

[David Borey]

You, on the other hand, are selling your people out.

[Langston Kerman]

Monsters Ball. I. I mean, I. I enjoyed the rawness of it. Again, like, if this was like an 824 production, we'd be like, yeah, we're all in.

[David Borey]

Well, I think it did get all the love, right? It's another example of one. I think it won. Well, she won the Oscar for it, certainly. I think it's just like a lot of films where we sober up to what the fuck we watched three years ago. Do you know what I mean?

[Langston Kerman]

You're saying it didn't. It won then, but it wouldn't hold up right now.

[David Borey]

Crash won the Oscar for Best Picture and is now, like, people laugh at the idea that Crash was the best of the year.

[Langston Kerman]

Y' all didn't like the invisible cloak? He tried to cheat me. You don't like. You like Crash? Crash is a. Wait a minute. Hold up. Their dragon. Crash?

[David Borey]

Yeah. The people don't like Crashing. How come? Uh, because it starred Ludacris.

[Langston Kerman]

Now, that's the.

[Trey Farrow]

I don't think he's the worst part of that movie.

[Langston Kerman]

He was in 2 Fast 2 Furious. They loved that.

[Trey Farrow]

Yeah, it was Luda's time, guys.

[David Borey]

I'm not saying that Luda didn't do a fine job. I'm saying that you don't give a Ludacris film Best Picture.

[Langston Kerman]

Lorenz Tate was in it.

[David Borey]

That's true.

[Langston Kerman]

They had everybody and they mama in Crash. What are you talking about?

[David Borey]

Damn.

[Langston Kerman]

Sandra Bullock. Yeah, yeah, the Patient Queen. Sandra. Sandra Bullock.

[David Borey]

You know who.

[Langston Kerman]

Sandra Samuel Bullock.

[David Borey]

Yeah. You know, the only other type of movie that does movies like that where everybody's in it is like, them shitty movies where it's like Valentine's Day, New Year's Eve.

[Langston Kerman]

Ryan Phillipe was in it. Yeah, yeah, it was.

[David Borey]

It's too many big names for you to be managing a truly good story.

[Langston Kerman]

That's true.

[David Borey]

So then you just.

[Langston Kerman]

Like, in a. In a cheesy way, they were making their points. Yeah. But then we found out the people who wrote it were white. So that's what fucked us up. That's what it was.

[David Borey]

Which is why you pick Ludacris.

[Trey Farrow]

Yeah, yeah. And then you look at it as a whole and you're like, damn, it did just that.

[David Borey]

Yeah.

[Trey Farrow]

No, it did just what you thought they would do.

[David Borey]

Okay, so Monster's Ball is a Defendable for you. Precious is a defendable for you.

[Langston Kerman]

I wasn't mad at the movie Halle Berry winning the Oscar for it. I was like, damn, why we gotta be down and out to win? But they do that for everybody. Either you gotta. What's her name? Charlize Theron. She had to get ugly and murder niggas. Like, yeah.

[David Borey]

You know, I think the only difference is they can also escape through, like, musicals. Do you know what I mean? That, like Chicago. What's the LA one? That Star is Born. No, no, no. Although A Star is Born is another good example. It's not quite. It is a musical to some extent, but the one where they're.

[Trey Farrow]

Oh, la la land, La la land.

[David Borey]

Those. They can be joyful. They can be not, like, look like shit.

[Langston Kerman]

And when Leonardo DiCaprio was in everything, they didn't give him that award until he got raped by a bear. So you know what? Maybe Academy is just doing everybody wrong.

[Ryan Seacrest]

Actually.

[Langston Kerman]

Actually, it's one for one.

[David Borey]

It' I like that. That's what you think happened with that bear.

[Langston Kerman]

That's what I saw.

[Trey Farrow]

It's what it looked like.

[Langston Kerman]

That's what it looked like.

[Trey Farrow]

That's what it looked like.

[Langston Kerman]

Am I wrong when they said, would you rather be trapped in the forest with a bear or a man? I'm like, well, which bear? Because if it's the bear in the movie with Leonardo DiCaprio, absolutely not.

[Trey Farrow]

Yeah, he's gonna take it.

[David Borey]

That bear got him. I remember just learning what the premise of that movie was and thinking, damn, this is. Give this man the award. This seems crazy.

[Langston Kerman]

And they did. I think he read.

[Trey Farrow]

Did you guys watch it?

[Langston Kerman]

He read the script and said, you know what? It's time. It's time.

[Trey Farrow]

Now I gotta lock in.

[Langston Kerman]

Now I gotta lock in. He said, I froze to death in Titanic. Right? This is a different. This is a different type of death.

[David Borey]

I'm not dying.

[Langston Kerman]

I'm not dying. I'm living.

[Trey Farrow]

Mm.

[Langston Kerman]

Jack. Jack.

[David Borey]

Oh, her sweet voice.

[J]

Ever had a thought like, is my partner the one? Maybe we should break up? Since I'm not sure even though I'm happy or what if I lose control and hurt someone with this knife, even though I don't want to, I should hide all the knives and maybe stop cooking. I'm Nicole Rafi. I have ocd. And that's what OCD actually looks like. Not the stereotypes about cleanliness. Real OCD overwhelms with. With unwanted, distressing thoughts. Then you feel compelled to do something about these thoughts just to function. It's exhausting and isolating, but more common than you'd think and highly treatable with the right therapy. OCD needs specialized therapy, not standard talk therapy, which can make it worse. NOCD is the world's largest provider of specialized treatment for ocd. Their treatments are highly trained. They offer virtual sessions and support between sessions, and they're covered by insurance for over 155 million Americans. If this sounds familiar, visit nocd.com for a free call to learn how they can help. That's N O C D dot com.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. Now through June 24th. Score hot summer savings and earn four times the points. Look for in store tags on items like Dove ice cream bars, Chips Ahoy cookies, Arrowhead bottled water and Charmin bath tissue. Then clip the offer in the app for automatic event long savings. Enjoy savings on top of savings when you shop in store or online. For easy drive up and go pickup or delivery subject to availability restrictions apply. Visit Albertsons or Safeway.com for more details.

[Jana Kramer]

Get ready for July 4th with early savings at Lowe's. Get up to 40 off select major appliances and get an additional 10 off two or more select major appliances. These deals are coming in hot. Lowe's, we help you Save. Valid through 7 9. Selection varies by location while supplies last. See Lowe's last. For more details.

[Unknown]

Visit your nearby Lowe's on Colorado street in Kennewick.

[Tom Yamas]

Taking over the helm of NBC Nightly News, a 75 year old broadcast, it's a great responsibility. Good evening, I'm Tom Yamas. You have to go out there to bring people at home closer to the store. Wildfires continue to be a threat. With that massive hurricane comes the massive response. The best reporters in our business know how to listen. And when you listen, you get the truth. For NBC News, NBC News, I'm Tom Yamas. That's what we do every night.

[David Borey]

NBC Nightly News with Tom Yamas, evenings on NBC.

[Trey Farrow]

Okay, here's what I'll say.

[David Borey]

Okay, here we go.

[Trey Farrow]

I'm looking at the full Tyler Perry filmography.

[David Borey]

Well, okay. And it's worth noting, she only defended Lee Daniels. Yeah, she brought nothing to the table for Tyler. Tyler so far is indefensible for you.

[Trey Farrow]

Is that true?

[Langston Kerman]

Why did I get married? I fucked with Abby. I thought that was valid. And 2 and 2 and meh. 2. I said, I don't know if we need this, but I heard they was doing a why? Why did I get married? 3. And that's why Cicely was like and Then she died.

[David Borey]

Oh.

[Langston Kerman]

She was like, I'm tired because Tyler said I paid Cicely a million dollars for one day at work. And she was like, wait, why are you telling her about my business?

[Trey Farrow]

Yeah, that's.

[Langston Kerman]

Cause he was trying to let her know, hey, you gonna have to work some other days, babe. We got more in the. We got more in the oven for you.

[David Borey]

That million was in advance.

[Langston Kerman]

Yeah, yeah.

[David Borey]

You got work to do.

[Langston Kerman]

Death Row.

[Trey Farrow]

We gotta shoot season 40 of Sisters.

[David Borey]

Woo.

[Langston Kerman]

We going to hell.

[Trey Farrow]

Yeah.

[David Borey]

But Tyler, it's only been out.

[Langston Kerman]

Ooh, Atlanta. I wish she was back. Yeah.

[Trey Farrow]

I think that I'll take. Why did I get married? Just in the idea of just a romantic comedy.

[David Borey]

Yeah.

[Trey Farrow]

I don't think it detracts anything from art or the conversation or anything like that.

[David Borey]

Okay.

[Trey Farrow]

Cause I do think that when we're talking about him as a whole and his output, I don't think it needs to be. He doesn't have to be a 24 to be worthy of existing in the space. You know what I mean?

[David Borey]

Yeah. I think that's always been my issue with it. Right. Is it's not that I'm expecting him to be.

[Trey Farrow]

And worthy isn't even the right word. I just mean, like, it doesn't have to be that stylized.

[David Borey]

But I guess that's my point, is I don't need it to be some high art. I just need it to hold itself to some standard. Do you know what I mean?

[Trey Farrow]

That.

[David Borey]

Like Adam Sandler movies, I don't like all of them. I don't like, honestly, most of them, but every single one of them, I go, oh, Adam really thought this was funny. Do you know what I mean? He really believed in, like, whatever this configuration of funny people and jokes was. And he put it out believing that it was going to serve an audience. Whereas, like, Tyler, I don't think gives a fuck.

[Langston Kerman]

But it does serve. It does serve an adjuster, though.

[Trey Farrow]

And I think they're, like, great. And what he does.

[David Borey]

No, I don't. I don't mean that.

[Trey Farrow]

Some of the stuff is, like, definitely just put together and rushed out. But some of them, you could tell, it's like he wanted this to be a good film. Right?

[Langston Kerman]

Like, he wanted to. Yeah, he wanted.

[Trey Farrow]

And it served his audience.

[David Borey]

But I'm saying that that's. The violence is to put out the rush shit. Knowing you had more potential for a quality film, even as you see it. Right. Like, even if it's not objectively quality. You knew, like, all right, when I put this out, I stand on that.

[Langston Kerman]

I believe in that.

[David Borey]

But what if.

[Langston Kerman]

What if Tyler Perry is ahead of the curve? And he said, these audiences, they're pretty bad. So what are we spending years trying to pull shit together and caring about throw it out there? They gonna watch it, they're gonna pay the money, they're gonna go, well, if.

[Trey Farrow]

You look at it that way.

[Langston Kerman]

And honestly, genius, right?

[Trey Farrow]

If you look at it that way, he was a trailblazer.

[David Borey]

Well.

[Langston Kerman]

It'S just like, comedians right now, stand up comedians, posting clips. You're like, that joke's not done. That needs some tags, whatever. It's like, what are we waiting for? Put it. And sometimes the stuff that's the most unfinished gets the most viral moments.

[David Borey]

So that's true.

[Langston Kerman]

Tyler Perry is, uh. Oh, let's go.

[Trey Farrow]

No, let's go.

[David Borey]

You wanna stand up while you say this? Let's go.

[Trey Farrow]

Let's go.

[David Borey]

Put your hand on your heart. What the fuck is about to happen?

[Langston Kerman]

I think stand up comedians took a note from Tyler Perry and they said, put it out.

[David Borey]

But I think that's where I start to go. Like, yeah, but that is a greater destruction of the world, right? Yes. Because I do think the deterioration of art is, like, a fundamental reflection of, like, what's happening in the larger world around us.

[Trey Farrow]

Ahead of the curve doesn't necessarily mean good still, Right?

[David Borey]

No, he's an innovator for sure. Like, he really broke ground on some vile, vile shit.

[Langston Kerman]

No writer's leg.

[David Borey]

Yeah. And that's so crazy.

[Langston Kerman]

That's. So now. Now that we are. Yeah. What? We know how it's done. You're like, sir, how much? Tell me what the Vyvanse prescription is.

[David Borey]

But. But even. Even the idea that you have, like, all these shoots happening constantly on this large property, that you're not doing multiple takes on that you're not even fucking. Like, how do you know?

[Langston Kerman]

You're not there, Sydney.

[David Borey]

What are we. What game are we playing?

[Langston Kerman]

I just wanted to put it out there. I just want to hear a fact.

[David Borey]

That's the whole point, is that we're not allowed to see it because they're doing crazy shit with these people whose lives that will never come back.

[Langston Kerman]

These people, black people. Don't just say, these people.

[David Borey]

These dumb, dumbs trapped in a cave in Atlanta.

[Langston Kerman]

I can't stand by that, brother. I can't. Now, your hairline is nice. Don't push it back.

[David Borey]

Alan fucking Payne.

[Trey Farrow]

Whoa. You don't even mean that.

[Langston Kerman]

You don't.

[Trey Farrow]

You don't even mean that.

[Langston Kerman]

You don't if you love Allen so much, I want you to get his tattoo. Get a tattoo. Alan. Alan Payne. Payne.

[David Borey]

I just miss him.

[Langston Kerman]

Okay. He's alive.

[David Borey]

Is he?

[Langston Kerman]

Find him on Instagram.

[David Borey]

Not as far as he's concerned. I bet he got a different Instagram.

[Langston Kerman]

He said that pain fucked him up.

[David Borey]

I bet it's alantylerpane.

[Langston Kerman]

There was a new movie recently. Not recently, but, like earlier this year that Tyler Perry made with Kelly Rowland, Mia Coppola, and I watched it. Yeah, I watched it. Was it terrible? No. Was it amazing? No, but I enjoyed it. I enjoyed it. And that sometimes we just need something that we could put our eyes on, take us out of the moment.

[David Borey]

But again, I think the point is less that he can't do it. I don't think my suggestion is. Everything he's ever made has been a violent violation. Daddy's little girls. I like. I was like, ah, that's cool. I'm not offended by this. It just is.

[Langston Kerman]

You just. You want to do things that you want things made that doesn't offend you?

[David Borey]

No, I'm saying I want there to be. Be a standard of quality so that we're not getting clips of a dude getting punched in the face and spinning a full 360 and saying, Ugh, as he falls down. I'm saying I want the. I want a billionaire who owns literally half of Atlanta to invest in quality wigs, and that not to be part of the conversation. I want to explore the world beyond. Mr. Brown, can they put music on this?

[Langston Kerman]

I need music, Olivia. Everything that he's saying right now, I.

[David Borey]

Want a real story that you believe in every time because you have the resources and frankly, you present to us to be this healer of our community. So put the effort in to show us that love every single time.

[Langston Kerman]

So once you say it said once. All that done is Tyler Langston will be right on that motherfucking lot. That's what he's trying to tell you. He's trying to tell you, get your.

[David Borey]

Get your money out of the way, buddy. When I run out, I'll come be a slave.

[Langston Kerman]

Cut. Cut. Got me a part of.

[David Borey]

I'll slave away. And I'll bring sign up for this stage and her unit with me.

[Langston Kerman]

This is really. Have just.

[Trey Farrow]

It's ending. Pro Tyler Perry, which is.

[Langston Kerman]

That's how you know it's.

[David Borey]

No, I. I want to be clear. I'm. I could not be more anti Tyler Perry. You two are pro Tyler Perry. For me, I am the exact opposite. I think he's the worst I'm pro.

[Langston Kerman]

You know, so we should be able to be as messy and ridiculous and unprofessional as everybody else in this business. And we are not. We're not allowed to. And Tyler Perry is doing that. And so therefore, I salute you, brother. But it also is, like, bad because, like you said, there's so many people who are trapped in this circle of Perry production.

[David Borey]

I just dream of a day when we don't have to hold a. It. Hold ourselves to the standard of the worst white person.

[Langston Kerman]

I didn't say white. Now you said white.

[David Borey]

Well, you.

[Langston Kerman]

It was white. I said the industry.

[David Borey]

I said.

[Langston Kerman]

I said the industry. I feel like we are so.

[David Borey]

You almost said Jewish.

[Langston Kerman]

What the hell is wrong with you? I did not say that. What I'm saying is we always have to do black excellence. Black excellence. We got to have all the credit. We got to. We've got to go to school for it. We have to be so about this life. And it's just like, that's not how art is made all the time. We didn't go to nyu. We didn't go to Juilliard. So that means that the way we conduct acting and comedy or whatever is not up to standard.

[David Borey]

No, I think. I'm not suggesting even for a second that there needs to be a standardization of quality. I'm not suggesting that there needs to be a standardization of this industry. But I do think that, like, this breaks down to questions of human decency for me.

[Langston Kerman]

Human decency.

[David Borey]

This is not just, oh, I made the best movie I could make. And if you like it, you like it. If you don't, you don't. I've seen plenty of those movies, and we can argue all day about which ones those are, but there's nothing he's putting in on Sisters. Do you know what I'm saying?

[Langston Kerman]

Oh, yo, when I tell you the BET Bandits is gonna be after you. Oh, brother. I don't wanna be a part. I don't wanna be a party.

[David Borey]

I get it.

[Langston Kerman]

Someone make sure you untag.

[David Borey]

Somebody's gonna be mad.

[Langston Kerman]

Sisters clan. They are. They will ride at dawn.

[David Borey]

But that's what I'm saying. I get it. That I'm.

[Langston Kerman]

The wigs are good on there.

[David Borey]

I understand that. There is an audience.

[Langston Kerman]

The fillers, even better.

[David Borey]

I don't think that he's trying his best on all of these things. And I think we gotta be honest about that.

[Trey Farrow]

That Dave, I think that. What are we talking about? Is it like a ratios thing? Like, what do you think is good to Bad ratio is.

[Langston Kerman]

Yeah, tell me. Let us know what you. Right now. Right now. Hold on. What is good for you? Movie right now? Show.

[David Borey]

No, no, no. That. That feels. That. That's complicating the conversation.

[Langston Kerman]

Okay. Because you want to. Oh. You want to keep your job.

[David Borey]

So, yeah. I'm not going to play this nasty.

[Langston Kerman]

Little game where you try to hold me. I wouldn't mind if I wouldn't do what I did right now. Who am I?

[David Borey]

That's not the point of this conversation. Good try, sister.

[Langston Kerman]

I can't even. They won't even send me a script. I can't even hear. Audition for Sisters.

[David Borey]

I think if we're talking ratio of what I think he offers up good to bad. I think it's 90% bad and 10% good.

[Langston Kerman]

Let me ask you a question. Did you like Vampire in Brooklyn?

[David Borey]

I don't think it was a good movie.

[Langston Kerman]

You don't think it was a good movie?

[David Borey]

No.

[Langston Kerman]

What is good?

[David Borey]

Not that.

[Langston Kerman]

Why wasn't it good? Eddie Murphy was in it. Angela Bassett was in it. Yeah.

[David Borey]

Eddie Murphy's in a Fever movie.

[Langston Kerman]

Alan Payne was in it.

[Trey Farrow]

That's right.

[Langston Kerman]

He was in it. Yo, you. Yo, you fake.

[David Borey]

You think it's a good movie?

[Trey Farrow]

You fake.

[David Borey]

Langston. Excuse me? You think it's a good movie?

[Langston Kerman]

Iconic, legendary.

[David Borey]

No, no, no, Boo. Boo. I'm not gonna play this game where we swerve around it because a bunch of people we like are in it.

[Langston Kerman]

Butterscotch behavior.

[David Borey]

Boo.

[Langston Kerman]

I'm not a part of it. Because it's like, what?

[David Borey]

Get off the stage.

[Langston Kerman]

I loved it. I loved it.

[David Borey]

There's a lot of movies.

[Langston Kerman]

True Blend Context also was sponsoring that movie.

[Trey Farrow]

It's crazy, but it's not a great movie.

[David Borey]

Thank you.

[Trey Farrow]

And that's fine.

[David Borey]

That's okay.

[Trey Farrow]

I think that's kind of how it is with the Tyler Perry stuff. Ass is good.

[Langston Kerman]

Evil good. Will you get some evil ass? Woo. What's in this coffee?

[David Borey]

Feeling good Meth. This is meth like behavior. This whole episode has been brought to you by meth.

[Langston Kerman]

How dare you? How dare you text me an hour before the podcast and I brought my sisterly love here to save the pod. And now you said, I'm on meth, brother. Where is the Calaber brothers?

[David Borey]

It is he already. He has that. It literally exists.

[Trey Farrow]

Covered both sides.

[Langston Kerman]

No.

[David Borey]

Right? That's the problem. You don't even know how thorough this man is. There's an auntie.

[Langston Kerman]

I'm hurting.

[David Borey]

I'm hurting.

[Langston Kerman]

I'm hurting.

[David Borey]

You have to stop this man made all the stuff.

[Trey Farrow]

And you out here being like, it's hard.

[David Borey]

It could be subjective. No, stop.

[Trey Farrow]

Here it is. Him being the devil, to me, does come down to more than content or anything. I think it's the way that he runs the ship that is the thing that I think that regardless of whether or not you enjoy it or you don't enjoy it, that is the sinister thread that we can all agree on.

[David Borey]

Right?

[Trey Farrow]

That's the problem with Tyler.

[David Borey]

He's saving insane amounts of money to hoard for himself by not paying people what they're worth and not unionizing. And more than that, he then even saves more and more money by forcing people to work hours that are far beyond reason to stay sort of, like, insular inside of this fucking dome that's built.

[Langston Kerman]

Bring us home.

[David Borey]

It feels like we would be irresponsible to walk away from this episode and say that Tyler Perry is, like, a good guy.

[Langston Kerman]

I just want to say if we. If Dave Langston and me die, we did not commit suicide 100%.

[David Borey]

I just want to say that right now.

[Trey Farrow]

We did not.

[Langston Kerman]

We did not kill ourselves. We did on this podcast.

[David Borey]

Wait a minute. If they find my body on Tyler Perry Studios, I did kill myself. Anywhere else.

[Langston Kerman]

How has this show not been shut down?

[Trey Farrow]

I don't even know. I don't think anybody's paying attention, to be completely honest.

[Langston Kerman]

Nobody is listening.

[Trey Farrow]

We really get to go over here.

[Langston Kerman]

It's going crazy over here.

[Trey Farrow]

Going crazy.

[David Borey]

They just say it.

[Langston Kerman]

Iheart supports this.

[Trey Farrow]

No.

[David Borey]

No. They've never listened to a single episode. Mr. James Iheart has never plugged in the old headphones. Well, I think we did it. I think we've concluded all our positions on Tyler Perry, and they do seem vast and a little diverse. We have varying sort of scales of what we consider to be evil about him. Is that.

[Langston Kerman]

Yeah. It's just crazy that we said all this stuff and it's like, we in this industry. Do we want to work?

[David Borey]

Yeah, I got a good feeling. I'll be okay.

[Langston Kerman]

Well, I mean, our good brother over here, English teacher, Abbott. I mean, you Living lights.

[David Borey]

You was on Abbott before me.

[Langston Kerman]

Light skin before me. Talky, sweet. I don't know what we going. All right. Hey, hey.

[Trey Farrow]

Don't worry about me, baby.

[David Borey]

Yeah, yeah.

[Trey Farrow]

I got my.

[Langston Kerman]

Okay, There you go. Leaving a black woman to fend for herself.

[Trey Farrow]

A Tyler Perry Dylan woman.

[David Borey]

You holding on his legs as he's trying to leave the house.

[Langston Kerman]

You know what? I'm ready. Telephone me.

[Trey Farrow]

Give her a call.

[David Borey]

Give her a call. Sydney, before you. Before you go on down to the compound, will you tell us. Will you tell us some cool shit you got going on?

[Langston Kerman]

New brand new podcast. Well, it's remixed, but it's called Mess. It's with me and your fave, Marie Foston on iHeart Big Money Players Network. And we just came out, and I'm very excited to be a part of the family. And obviously I'm on Instagram. Please follow me. In order for me to get the promo and the brand deals that I deserve, I need more followers. So follow me.

[David Borey]

I think that's fair.

[Langston Kerman]

Just Sid. Bw. I should be doing something with hair or makeup or, you know, if the lesbians follow this. I'm sure they don't, but if you do, Please follow me. JustSydBW.

[Trey Farrow]

We have some lesbians that come out.

[David Borey]

We've had a few. Three.

[Langston Kerman]

Yeah.

[David Borey]

It's always. It's a girl and then her. Much more masculine.

[Langston Kerman]

Watch your mouth. Watch your mouth.

[David Borey]

Masculine presenting girlfriend who is less happy to be there is usually the. It's like a small girl with glasses. And he was very nice, Very nice, very excited. And then a masculine presenting lady behind the camera being like, hey, y' all was cool.

[Trey Farrow]

But I have seen a couple times where it was a masculine lady and she put her small lady on.

[David Borey]

Oh, nice.

[Trey Farrow]

Oh, yeah, I remember. Shout out to that couple. And.

[Langston Kerman]

So it's only one couple a show coming. Yeah, Usually do better. Do better.

[Trey Farrow]

What can we do? You've heard what we talk about.

[Langston Kerman]

I saved the podcast. I don't think you know, you understand. They were looking for to be seen, and that was me.

[David Borey]

Oh, thank God.

[Trey Farrow]

Good job.

[David Borey]

Hell, yeah. And you can follow me at Langston Kerman. And we're still on the Start the Steel tour. We want you to come out to the next couple shows. We've got got Seattle, we've got Portland, We San Francisco and San. Okay, that's all the ones that I think we're probably gonna have.

[Trey Farrow]

Yeah, I think that's it.

[David Borey]

Yeah. Should we. All right, well, yeah, anyway. And if you want to send us your own drops, your own conspiracy theories, if you want to tell us what Tyler Perry does for you, send it all to mymamapodmail.com we would love to hear from you. Buy the merch. Call your mother, Suck a dick. Bye. My Mama Told Me is a production of Will Ferrell's Big Money Players Network and I Heart Podcast, created and hosted by Langston Kern, co hosted by David.

[Trey Farrow]

Borrie, executive produced by Will Ferrell Hansani.

[David Borey]

And Olivia Aguilar co produced by Bay.

[Trey Farrow]

Wayne Edited and engineered by Justin Kah Music Music by Nick Chambers Artwork by Dogon Krieger.

[David Borey]

You can now watch episodes of My Mama told me on YouTube. Follow at my Mama Told Me and subscribe to our channel.

[Ryan Seacrest]

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[Sydney Washington]

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[Unknown]

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[David Borey]

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[Ryan Seacrest]

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[Langston Kerman]

This is an I Heart podcast.