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Musician Daniel Ho spent much of his childhood on the water, so he relates to Thomas Cole’s river paintings. Ho responds to Voyage of Life with an original suite. Starting with simple harmonies to represent childhood, he gradually introduces complexity. Find full transcript and more information about this episode at https://www.nga.gov/music-programs/podcasts/daniel-ho-thomas-cole-voyage-life-series.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco’s painting looks. And it feels like the question on Laocoön’s face as he looks up for the last time. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil “Blue Butterfly.” The instrumental song helps the emotional weight sink in. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Elizabeth Alexander, poet, educator, memoirist, scholar, cultural advocate, and president of The Andrew W. Mellon Foundation, and Thelma Golden, director and chief curator of The Studio Museum in Harlem, discuss their connections to Thomas’s life and work. This conversation was filmed at Michael Rosenfeld Gallery while Alternative Worlds, a group exhibition featuring the work of Alma Thomas, was on view. Celebrate Alma W. Thomas's Legacy https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Presentations on Thomas’s studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Irvin Painter, artist, Edwards Professor of American History Emerita, Princeton University, and Alma W. Thomas: Everything is Beautiful catalog contributor; and Rebecca VanDiver, assistant professor of African American art, Dean's Faculty Fellow (2019–2021), Mellon Faculty Fellow in Digital Humanities (2020–2021), Vanderbilt University, and Alma W. Thomas: Everything is Beautiful catalog contributor. Moderated by Steven Nelson, dean, the Center (Center for the Advanced Study in the Visual Arts), National Gallery of Art. Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Presentations on Thomas’s aesthetic and social environment by Melanee Harvey, Margie Jervis, Marya McQuirter, and Thaïsa Way, followed with discussion moderated by Charles Brock. Melanee Harvey, assistant professor and coordinator of art history, Howard University, Alma W. Thomas: Everything is Beautiful catalog contributor, and American University Feminist Art History Conference session chair; Margie Jervis, artist and scenic designer, Creative Cauldron of Falls Church; Marya McQuirter, independent researcher, writer, curator, and scholar, faculty member, department of history and director of the Public History Collaborative (PHC) at the University of Arizona, with a joint appointment at the University Libraries, curator of the dc1968 project, author of the African American Heritage Trail Guide, Washington, DC; and Thaïsa Way, program director of garden and landscape studies, Dumbarton Oaks. Moderated by Charles Brock, associate curator of American and British paintings, National Gallery of Art. Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

Presentations on Thomas’s studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Irvin Painter, artist, Edwards Professor of American History Emerita, Princeton University, and Alma W. Thomas: Everything is Beautiful catalog contributor; and Rebecca VanDiver, assistant professor of African American art, Dean's Faculty Fellow (2019–2021), Mellon Faculty Fellow in Digital Humanities (2020–2021), Vanderbilt University, and Alma W. Thomas: Everything is Beautiful catalog contributor. Moderated by Steven Nelson, dean, the Center (Center for the Advanced Study in the Visual Arts), National Gallery of Art. Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

The final session of American University’s Feminist Art History Conference, cohosted by the National Gallery, brings together distinguished curators to discuss contemporary issues in museum practice. Lauren Haynes, Patsy R. and Raymond D. Nasher Senior Curator of Contemporary Art, Nasher Museum of Art at Duke University; Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum; Asma Naeem, chief curator of the Baltimore Museum of Art; Christine Sciacca, associate curator, European art 300–1400 CE, Walters Art Museum; and Christina Yu Yu, Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston. Moderated by Mikka Gee Conway, chief, diversity, inclusion, and belonging officer and EEO director, National Gallery of Art. Held in collaboration with the National Gallery’s John Wilmerding Symposium on America Art and the traveling exhibition Alma W. Thomas: Everything is Beautiful. In 1952, at age sixty-one, Thomas enrolled in graduate-level art history and painting coursework at American University to pursue “creative painting.” American University offers the Alma Thomas Award to an outstanding student studying painting. For the Feminist Art History Conference, Melanee Harvey will chair a session titled ACTIVISM: MAKING SPACE and Jonathan Frederick Walz will present a lecture titled "Alma W. Thomas’s Moving Pictures." Celebrate Alma W. Thomas's Legacy: https://www.nga.gov/learn/adults/john-wilmerding-symposium-community-celebration-alma-thomas.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks

In her 2021 Rajiv Vaidya Memorial Lecture, Terri Simone Francis reflects on Josephine Baker’s influence within the visual arts and theorizes Baker as both an international cultural figure and an African American film pioneer. Recent restorations of her films of the 1920s and 1930s have allowed her work to be seen in the context of recent cinema and media, indeed almost as recent cinema and media. In Francis’s view Baker exemplifies what author Toni Morrison called a “rememory”—a remembered memory. Francis’s study of Baker addresses absences and silences in film history, and she draws upon Morrison’s concept of rememory and Baker’s career to reconstruct the global beginnings of Black cinema. Ultimately, Francis is concerned with the film histories of the future, in which Black cinema history will be full of new unknowns, and believes that Baker’s authorship can inform new vocabularies of film thinking, film writing, and film feeling.

In this lecture, released on December 3, 2021, Patricia Marroquin Norby (Purépecha), associate curator of Native American art at the Metropolitan Museum of Art (the Met), discusses her recent research and curatorial practices that affirm Indigenous representations. Dr. Norby shares her vision for and approaches to collecting, presenting, and interpreting Native American art at the Met and beyond.