As the country commemorates 250 years since the Declaration of Independence, several galleries are exploring the enduring strengths of Native Americans through both traditional and contemporary works. “Paper Trails: Unfolding Indigenous Narratives” at the Museum of Contemporary Native Art in Santa Fe, N.M. aims to stretch the boundaries of the paper medium while also examining Native cultural survival in the face of colonization. “Constellations of Place” at the Center of Southwest Studies at Fort Lewis College is centered on a visual history of Native people in Colorado. And Seattle’s Tidelands Gallery compiles a narrative inspired by “Lushootseed Creation Stories”. We’ll talk with artists and curators about how art inserts itself into the narratives being told about the origin of America.

We’ll also hear about the year-long streaming Native film festival, “Everything is Connected”, developed by Vision Maker Media.

This is an encore presentation so we won’t be taking calls

GUESTS

Alana Stone (Sičhą́ǧu Lakȟóta and Diné), curatorial specialist at Vision Maker Media

Matika Wilbur (Swinomish and Tulalip), author, photographer, and CEO of Tidelands Native Art Gallery

Melissa Melero-Moose (Northern Paiute), artist and co-curator of “Paper Trails: Unfolding Indigenous Narratives”

Dr. Meranda Roberts (Yerington Paiute Tribe and Chicana) guest curator for “Constellations of Place”

Break 1 Music: Atomic Drop [feat. Northern Cree] (song) The Halluci Nation (artist) Path of the Heel (album)

Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)