191: MKUltra, Crowley & Sabrina Carpenter’s Occult Rise w/ Izzy N Griffin

Summary

Podcast Summary: Nephilim Death Squad - Episode 191: MKUltra, Crowley & Sabrina Carpenter’s Occult Rise w/ Izzy N Griffin

Release Date: August 8, 2025

In Episode 191 of Nephilim Death Squad, hosts Top Lobsta and Raven engage in a deep dive into the intricate web of conspiracies intertwining occult practices, modern pop culture, and influential figures in the entertainment industry. Their guest, Izzy N Griffin, an esteemed researcher and musician, brings additional insights into the discussions surrounding MKUltra, Aleister Crowley, and the enigmatic rise of Sabrina Carpenter within an occult framework.

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1. Introduction to the Episode

The episode opens with a fervent discussion about societal manipulation, highlighting the disparity between public narratives and underlying truths. David Lee Corbo (also known as Raven) emphasizes the control exerted by influential figures, stating, "We are being hypnotized by people like this. News readers, politicians, teachers, lecturers." (00:05). This sets the tone for a conversation steeped in skepticism and a search for hidden truths.

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2. The Influence of Aleister Crowley and Thelema

The conversation transitions to the legacy of Aleister Crowley and his doctrine of Thelema, exploring how his philosophies continue to permeate modern culture. Corbo posits that Scientology, led by L. Ron Hubbard, operates in tandem with Crowley's Thelemic beliefs, suggesting a symbiotic relationship between these two influential spiritual movements.

"I think Scientology works hand in hand with Aleister Crowley's religion, Thelema." (09:10) — David Lee Corbo

This alignment is further explored through the lens of Sabrina Carpenter, whom Corbo suggests embodies Crowley's concept of Babylon, a deity representing the divine feminine. The discussion delves into Carpenter's music videos and public persona, identifying symbolic references that tie her image to occult rituals and Crowley's mythos.

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3. Sabrina Carpenter: Embodiment of the Divine Feminine

A significant portion of the episode is dedicated to unraveling Sabrina Carpenter's alleged role as the modern incarnation of Babylon. Corbo meticulously outlines various elements in Carpenter's work that align with Thelemic symbolism and occult practices:

• MKUltra References: Early in her career, Carpenter's music videos purportedly reflect MKUltra themes, portraying her as an agent under control.

  "Her first album was titled Eyes Wide Open, and the music videos mimic MKUltra themes." (02:54) — David Lee Corbo

• Symbolism and Imagery: From using fonts identical to those in "Rosemary's Baby" to incorporating esoteric symbols, Carpenter's imagery is dissected as a tool for occult messaging.

  "She recreated scenes from Rosemary's Baby, embedding the bassinet imagery to symbolize her role as Babylon." (34:28) — David Lee Corbo

• Divine Feminine and Modern Pop: The hosts discuss the broader trend of the divine feminine in pop culture, linking it to Carpenter's portrayal and its implications for societal shifts towards female empowerment under an occult guise.

  "As we're moving into this age, we're seeing a glorification and pride of women that ties back to Crowley's divine feminine." (16:25) — David Lee Corbo

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4. Archetypes, Memes, and the Modern Matrix

The dialogue extends into the realm of archetypes and their manipulation through memes and digital media. Corbo introduces the concept of the Kabbalistic Tree of Life versus the Tree of Death, suggesting that modern media acts as an inversion, propagating "diseased archetypes" that influence reality.

"Reality is quantum. The archetypes are now becoming shells and diseased versions of themselves." (26:25) — David Lee Corbo

Izzy Griffin echoes this sentiment, highlighting how memes serve as densely packed symbols that unknowingly degrade the soul and propagate occult messages.

"Memes are the most densely information-packed means of communication we have." (80:36) — Izzy Griffin

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5. Hyperborea and Its Contemporary Reinterpretation

The hosts explore the concept of Hyperborea, tracing its origins from ancient Greek mythology through Theosophy to its current representation in meme culture. Corbo connects Hyperborea to modern movements and ideologies, suggesting that its resurgence is part of a larger occult strategy to manipulate collective consciousness.

"Hyperborea is the Greek version of the Garden of Eden, and it's been co-opted into this alt ideal through meme culture." (93:04) — David Lee Corbo

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6. The Music Industry as a Modern-Day Priesthood

Examining the role of producers like Rick Rubin, the discussion posits that the music industry functions as a secular priesthood, subtly infusing occult and esoteric ideologies into mainstream music. Corbo argues that producers guide artists to channel archetypal energies, transforming authentic spiritual expressions into commodified, distorted forms.

"Rick Rubin tells artists to empty themselves into channel source, tapping into archetypal realms that now, due to our new age, require diseased archetypes to resonate." (64:56) — David Lee Corbo

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7. The Implications of Synthetic Reality and the Divine Feminine

The conversation culminates in a contemplation of the future trajectory of society under the influence of synthetic realities and the elevated status of the divine feminine. The hosts express concern over the potential for a race war and the manipulation of gender dynamics to subvert traditional power structures.

"We're being saturated with symbols and narratives that push a synthetic reality, distancing us from authentic spiritual truths." (81:35) — David Lee Corbo

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8. Conclusion and Final Thoughts

As the episode draws to a close, the hosts reaffirm their commitment to unveiling the hidden truths behind modern conspiracies and occult influences. They invite listeners to engage further through their Patreon platforms and to remain vigilant against the pervasive control mechanisms embedded within popular culture.

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Notable Quotes:

• "We need to be ready to raise up. Welcome to the end of days." (00:53) — Izzy Griffin

• "Good artists are extremely intentional. Everything is the way it is for a reason." (58:55) — David Lee Corbo

• "Everything looks like it should work on paper, but in reality, it's corrupted by integrated diseased archetypes." (77:03) — Izzy Griffin

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Conclusion:

Episode 191 of Nephilim Death Squad presents a provocative examination of the intersections between occultism, conspiracy theories, and the modern entertainment industry. Through an intricate analysis of symbolic representations and the manipulation of archetypes, hosts Top Lobsta and Raven, alongside guest Izzy N Griffin, urge listeners to question the underlying forces shaping contemporary culture and to seek deeper truths beyond surface-level narratives.

Transcript

[Top Lobster]

Top Lobster Productions.

[David Lee Corbo]

We are being hypnotized by people like this. News readers, politicians, teachers, lecturers.

[Top Lobster]

We are in a country and in a world that is being run by unbelievably sick people.

[David Lee Corbo]

The chasm between what we're told is going on and what is really going on is absolutely enormous. Oh yeah, dude, there's some Nephilim shit.

[Izzy Griffin]

It's like we all know what's going down but no one's saying what happened.

[David Lee Corbo]

To the home of the brave?

[Izzy Griffin]

They control us now when no one's.

[David Lee Corbo]

Talking about how they made us finally slaves and everybody's just walking around heading.

[Izzy Griffin]

The clouds and won't awaken to a dead in the grave by then it's too late.

[David Lee Corbo]

We need to be ready to raise up. Welcome to the end of day.

[Izzy Griffin]

Everybody is slaves. Only some are aware that the government releasing poison in the air. Welcome back, ladies and gentlemen, to another episode of Nephilim Death Squad. I am David Lee Corbo, AKA the Raven that is Top Lobster, the father of disinformation. Before we get into today's guest, a little reminder. Sometime around the 30 minute mark, we're going to be going live exclusively to patreon.com backslash Nephilim Death Squad, where you can sign up for whatever tier you'd like. Continue enjoying this episode, engaging in the live chat and also gaining early.

[Top Lobster]

Early access early. So go ahead, David. What are you getting paid for at this point?

[Izzy Griffin]

I don't know. Really.

[Top Lobster]

This is what you do.

[Izzy Griffin]

End the show. Just end the show. All right.

[Top Lobster]

Just go. Just go.

[Izzy Griffin]

Early access, ladies and gentlemen, to episodes before they drop. And also when we drop tickets to things like Bohemian Grove, you guys are going to get first dibs, which is pretty cool. That's pretty cool. I think it's pretty cool. Patreon.com backslash Nephilim Death Squad. Joining us today is Izzy Griffin. Izzy, before we get into today's show, let everybody know where they can find your work and. And what it is you do.

[David Lee Corbo]

Yeah, so most of my. If you want the real. The real, you got to go to my patreon. Patreon.com Izzy and Griffin. I do have samples on YouTube and X, I guess, Twitter, and I post a ton on Instagram. I'm pretty. Pretty popping on Instagram, but I do these, like, full breakdowns, fully sourced. I research my ass off every single day for everybody. And I just basically try to find the esoteric and occult underpinnings of what's going on within pop culture. I focus mostly on the music Industry. I am a musician. I started doing music again about a year ago. So, yeah, I'm just fully in it, and I'm just bringing the deepest truths I can possibly bring. And I go so deep. I go super deep.

[Izzy Griffin]

So what's your. What's your handle on Instagram? Because you're crushing on Instagram. I was checking you out the other day, and I was like, damn, dude. This dude is. He's doing work.

[David Lee Corbo]

Yeah. Thanks, man. It's. It's the same thing at Izzy and Griffin on Instagram. Yeah. And I said, I have stuff on YouTube, but like I said, it's. Patreon is where you get, like, the real. The Juice sense, as I call it.

[Izzy Griffin]

I've never heard that word in my life.

[Top Lobster]

That is like it.

[David Lee Corbo]

Yeah, I don't know what it means either. I just heard someone said.

[Izzy Griffin]

So. So check this out, Izzy. We were, you know, big fans of. Currently big fans of. Of. Of Tinfoil Hat, and we heard yours.

[Top Lobster]

We were, but we were not anymore.

[Izzy Griffin]

We're now dissing. No, no, it's not true. And we heard your Sabrina Carpenter episode, which I thought was fantastic. And I said, we have to get this guy on the show, derail him constantly, because we have all kinds of questions about this. And I know just based off of looking at your content, you. You kind of go everywhere. You have. You have something to say about everything, and it's something fascinating to say. So I kind of want to start with this Sabrina Carpenter thing. We. We beat to death on this show the topic of Crowley and. And Jack Parsons and, you know, what they were doing in the desert, him and L. Ron Hubbard jerking each other off, doing the. You know, So I would love to. To talk about that, because when I heard you mention how Sabrina Carpenter plugs into all this, I thought, damn, dude, I didn't see that. It's just nice. It's refreshing when somebody has a take that is fascinating. It's backed by information, and it's something you haven't heard yet.

[Top Lobster]

It's also something where it's like, you know, I'm buying all this Sabrina Carpenter merch. It's all over my house. And I know, like, you see. You see her everywhere, and it's just one of those things where you're like, it's another kind of, like, teeny bopper, you know, like pop star that's not really doing anything special, but she's everywhere. And it's like, I want to know why? Because I'm also a musician. So, like, when I listen to. When I listen to like, especially popular music. I'm constantly saying, what's so good about this shit? And most of the time it's nothing. It's. You know, they're going to give you the money cords and you're going to get the same formula over and over again, but they choose their people.

[David Lee Corbo]

Yeah. So, okay, so this is going to be great for you guys. So to. And I can answer your question as to why the pop music that is out now is out. I'm going to get. We'll get there. I have like a whole thing I've just recently done on that and it's really fucking fascinating. Like literally mind blowing. But yeah, we could talk about the Sabrina Carpenter stuff first too. So like basically with Sabrina Carpenter, I did a bunch of research on it and it's, it's really insane. It ties into Jack Parsons. Her. Her parents are. Well, it's hard to say. She has family members that are Scientologists. Nancy Cartwright is her aunt, who is the voice of Bart Simpson. And there were all these articles written about how Sabrina Carpenter is going to be essentially the next Tom Cruise of Scientology. She's came out and said that she's not a Scientologist. I personally don't buy that. I don't really know. But yeah, there's a lot of really strange connections going back to a lot of. With that. Let me kind of look at my notes with that. As far as Sabrina Carpenter, as you. As you guys want to get started with on that in particular.

[Top Lobster]

I mean we had this, this older theory that was very loose. It was, I mean it's super, super loose conspiracy. When we were doing the deep dive into Andreesia Puharich, right. And we did some research about like, so this guy was developing it's like a voice to skull technology stuff through dental implants, which is where you get the term tinfoil hat from. Like people were wrapping their heads in tinfoil in order to block the radio waves. And L. Ron Hubbard, before he developed Scientology, had a life changing event on in the Dentist. And I'm like, huh, that's really.

[Izzy Griffin]

Was it a near death experience?

[Top Lobster]

Right, it's like a near death experience. But then afterward he started that. That's when he started to get these communications and then create the religion of Scientology. So I'm like very suspicious. I don't know exactly where to put that. But all the rest of Scientology as it follows is very strange and the people around it. So it's just another one that I'm putting in the bucket for later. To look at and say, hm, a lot of in that bucket.

[Izzy Griffin]

Yeah. For the longest time, I kind of looked at Scientology as just like another. It's not another run of the mill cult.

[David Lee Corbo]

Right.

[Izzy Griffin]

Because of the amount of influence that they have in Hollywood. But it didn't strike me as massively significant until you start looking at L. Ron Hubbard in particular. Right. Because a long time ago I was watching Joe Rogan and he kind of. He almost made me look away from Scientology. And the reason that he, the way that he did that was by saying that L. Ron Hubbard was one of the most prolific science fiction writers out there and that so much of his work, you know, wasn't a banger at all. It just kind of flew under the radar. But he still wrote a shit ton of science fiction books, and then all of a sudden he ends up becoming a cult leader. So, you know, it sort of looks like a guy who's just trying to be successful in a bunch of different avenues. And then that goes to bed because he can't get a book, you know, that, that's, that's going to be a big book for the life of him. And then he ends up creating a cult. So it almost looks like a guy who's just. But then all of a sudden you find out that he's tied into all of these various situations, including the whole Jack Parsons thing, and you go, maybe this is a little bit more nefarious. Maybe that's the question. Izzy is like, what the, what do you, what do you think Scientology is? Because I don't think it's just a, you know, a kind of a run.

[David Lee Corbo]

Of the mill cult, I think. So here's what I think. Like Hollywood in particular in the entertainment industry has various factions that are running things behind the scenes, and each one is vying for their own position. Right. And what I think Scientology is, is I think Scientology works hand in hand with Aleister Crowley's religion, Thelema. And yeah, that's what I. That's basically what I think Scientology is. It's just, it's just another faction, right? And so, like where Sabrina Carpenter comes in is they essentially think that she is the embodiment of a deity named Babylon from Aleister Crowley's Thelemic religion. So Aleister Crowley actually created his own mythos and his own pantheon mythology related to his religion and the rituals that they would do. So in 1946, Parsons, in addition to L. Ron Hubbard, did these Babylon working rituals. Right. And they actually, I have a ton of stuff that links them actually. Thinking Sabrina Carpenter is the embodiment of Babylon. And Babylon is essentially Thalimas and Crowley's idea of the divine feminine. So that's kind of what I think that is. And the thing is, is people don't know that Parsons used to, like, live in the OTO and in one of Crowley's like, secret societies, that he was like, the head of it and he, like, lived with him in like a live in culture. So that was a thing too. Yeah.

[Izzy Griffin]

But when it comes to say, is he that. It seems like right now we're like in the middle of this massive divine feminine push. So, like, a lot of the. Back in the day, it would be like the symbolism you would see if you were doing like a deep dive on like a music video or something like that. It would be like all seeing eyes and. And kind of the baphomet, Right. You would see goat heads and this and that. And then lately, what I've been seeing instead is this thing that, I don't know, it's like. I'm colloquially calling it, like the spirit of Lilith. Right. And I think that's just because, like, a lack of a better term or maybe not enough information to really define what it is. Some people are saying, Sophia, I'm having a hard time separating those two things, but it's like this inverted triangle, right? So it's like, can't do that now. They can't do that. Yeah, I'm not allowed to do the inverted triangle on my show anymore because the Freemasons pay me.

[David Lee Corbo]

Right.

[Izzy Griffin]

So, but, but, but it seems like, like, for example, the super bowl that we just had, right? So I was getting obsessed with the Orphic egg and Caesar's Superdome looks like an egg from, you know, an aerial view. So I thought maybe something significant was going to happen at the Super Bowl. And you had Donald Trump being the first sitting president at a Super bowl ever. So I was like, this is it, dude. Something's going to happen. And then he's ushering in the golden age, right? That's the language that he's using for his campaign. It just so happens, like the first, you know, emperor of Rome or whatever ushered in what they considered a golden age. I guess, if it was intellectually and financially, they considered it a golden age. So I'm looking at all these alignments and I'm like, something's gonna happen. And then they do their Freemasonic ritual or whatever the hell they do, and it seems to be almost unimpressive. It seems to be focused on this, like, Divine feminine angle. So you have, like, eventually. What's the lady's name that played. I don't. I don't know. It was just like a female artist. Black lady.

[Top Lobster]

She. She.

[Izzy Griffin]

She performed at the super bowl adjacent to Kendrick Lamar.

[David Lee Corbo]

Rihanna.

[Izzy Griffin]

No, I don't think it was Rihanna. I forgot. What the hell? There was the one that we just had, like, a year ago. Something. It's like S, Z, N. Oh, scissor.

[David Lee Corbo]

Sizzle. Yeah.

[Izzy Griffin]

Is that. That's a thing. Okay, so sizzle.

[David Lee Corbo]

Yeah, yeah.

[Izzy Griffin]

Scissor comes out, and she's in an inverted triangle. That's her stage is an inverted triangle. And so the whole thing looks like it's this, you know, ritual that has something to do with the divine feminine. And then the super bowl commercial that plays is a female football player, and she's got the number seven on which, you know, 77 or some like, that has something to do with. I'm. I'm, you know, retarded. So maybe I'm wrong, but it seems like it has something to do with this divine feminine. She's number 77, and she's plowing through all these dudes. She's juking them. They're falling. And I'm just seeing all these elements, and I'm wondering, like, is it a coincidence, given your information? Potentially. Sabrina Carpenter being the embodiment of the divine feminine, Babylon. And then you look around, and culturally, it seems like we're being saturated and it's strong. Female leads left and right constantly. What do you think?

[David Lee Corbo]

Yeah. So, okay, so that ties into. Basically, Crowley wrote about this thing. The. The Aeon of Horus is essentially what he believed we were moving into. And it ties into the Age of Aquarius. Right. The Aquarius is you. It's the. It's the person pouring out water. Sometimes it's depicted as a man, sometimes it's depicted as a woman. So what this sort of ties into as far as a divine feminine. You're right. Like the. An example is like the Katy Perry space launch, how they're all women and they're all going into space. Well, Crowley's idea of the divine feminine, he has several different deities that he sort of, you know, describes and that he's created. And one of them is represented by space itself. So space, right, is a representation of the divine feminine because it's that which receives. So the rocket literally going into space would represent the masculine going into this empty void, this vastness, and it's being received by space, which would be represented by the divine feminine. That's why everybody in that shuttle was a woman, right? And that's why they had the logos and the patches. They weren't really a baphomet thing. It's more in line with kind of it's a thelemic thing, right? Like literally, like all of Hollywood is this big thelemic thing. In. In so far as the. One of the logos and the slogans of Thelema was, everyone is. Is everyone is a star. Every man and every woman is a star. That's why we call celebrity stars. And so part of the divine masculine to Crowley would then be like that of a star or something like that. There's a bunch of stuff on it. It's like, it's really interesting. So much so. Like, have you noticed this push in the music industry too? You remember we had like wet ass and like all those, like.

[Izzy Griffin]

Who could forget wet ass, right?

[David Lee Corbo]

So think of it as like, like Nicki Minaj, we had Wap, Meg, the stallion. All of these people, they were really degrading women, right? It was a degradation of women. So I write about this, right, And I'm talking about how we're moving into this new age, this aeon of Horus and this new age, I call it the meta aeon of Lucifer, right? Because essentially this age of Aquarius, Aquarius is an air sign. Lucifer is the God of the airways, right? But what we see is. We see this degradation now being shifted into a woman empowerment, like you're describing, right? If you think of artists, like, and I'm not sure if you know who they are because you didn't know who SZA was. But like Doce is like the. The forefront of like the. The woman's. Women's music, right? And it's all about female empowerment, woman empowerment. We have like Billie Eilish, we have Lorde, we have all these things that are. It's. It's a flip from the degradation of libido energy into the glorification and the pride of women. Women pride. Women, the empowered feminine, right? That's why it was so powerful when Katy Perry and all those broads went to space, right? But here's the thing. It. As we're moving into this age of Lucifer, as I'm calling it, it's what caused Lucifer to fall. Pride. His pride, right? So what we're going to be seeing specifically in the music industry, which music you could say is carried through the air, right? It's. It's empowerment. It's going to be women pride. That's what, that's what you're going to be seeing a lot of. To answer that question.

[Izzy Griffin]

That's fascinating, because I don't know if you've seen this trend. There's a lot of feminist movements, especially in Europe, and when they get out, they mobilize. The way that they, I guess, stand in defiance against the patriarchy or unfair is by whipping their tits out, like, every single time.

[Top Lobster]

And over sexualization.

[Izzy Griffin]

Yeah. And I go, that's an interesting. And I know that there's this idea that in the 60s or 70s, one of the early feminism movements was named Lilith after, you know, the Lilith. And I guess.

[Top Lobster]

Well, I think it was the. One of the first feminist magazines.

[Izzy Griffin]

Oh, really? Yeah.

[Top Lobster]

They named it Lilith. It's like, it's always right on the nose. Like, they always know the esoteric nature of what they're doing. And then we're supposed to. I don't know, I. I suppose we're supposed to act like they're not pointing at this stuff consistently and just continue to follow whatever the mainstream narrative is. It's nonsense.

[David Lee Corbo]

You know, it's interesting. You're talking about Lilith, right? So Lilith is a part of. It ties really into, like, what I have prepped for you guys, because I have some fire. I have some fire just for you guys. Like, as you know, I didn't know.

[Top Lobster]

We were both on prep.

[David Lee Corbo]

Yeah. Is this what this is right now? That's what this is. Okay.

[Izzy Griffin]

This is an intervention, Right?

[David Lee Corbo]

That's funny, man. So. So you guys are familiar with Kabbalah, right? Or no.

[Izzy Griffin]

Yeah.

[David Lee Corbo]

Okay. So you guys. You guys know about the Tree of Life? You know what it looks like? So. So the. The Kabbalistic Tree of Life. One of. So, so each of those circles, right? So to anyone listening right now, if you want to, you could pull this up in a tab and just look up Kab life. Each of those circles is called a Sephirot or a Sephiroth, right? And each one of those represents an emanation of light from God. Right. That's what they're supposed to represent. And as you go down the tree of Life, you go down the Tree of Life due to desire. Each of these desires brings you. You further and further away. Right? Oh, you guys have it. That's so sick. Yeah. So as you can see, each one of those pathways is also represented by a tarot card as well. And this ties in perfectly into what we're going to talk about. And to answer your question as to why music kind of sucks now. So as we're. We're going down there's actually the esoteric principle, you know, the as above, so below. You've heard that before.

[Izzy Griffin]

Yeah, yeah. There's also meant to kind of mean, like, you know, it's an obvious observable fact about the realm that we inhabit. And. And quantum science has. Has kind of dictated, like, oh, there's a fractal nature to reality. So even. Even science, like, as deep as you go, it emulates, you know, the. The micro emulates the macro. So in some ways everywhere, dude, like.

[Top Lobster]

Even we're actually doing a documentary about primary waters, like deep, deep underground waters. And it's just like, you know, the Bible mentions the waters above and the waters below. And I always thought that that meant it could mean, like, outer space and that whatever etheric liquid is out there. But I just think they're talking about, like, dude, waters above, and there's literally waters below. So it's just like, you know, that's the bath. I saw your video about the Baphomet thing today is pretty hilarious.

[Izzy Griffin]

Oh, dude, that was very funny. By the way, that video crushes.

[David Lee Corbo]

Yeah, yeah, thanks. Yeah. But so, like, with the Kabbalah, there's also the tree, the Tree of Death. So the as above, so below, everything is in it. Everything is the micro to the macro, but everything is also an inversion. So there's also a tree of death, which is the oppos. It. Right. So it's. It's not the. It's not the emanations of light. It's actually the emanations of desire. And one of those Sephiroths is labeled Lilith. Right. So essentially, meaning that there is an actual archetypal thing happening within reality right now. That is exactly what you guys are. Are talking about and wondering. It's literally like a. A staple of that reality. Because you're talking about, like, you were just mentioning how quant, like reality is quantum and it's fractal. That's what the Kabbalah literally represented to these ancient mystics who were trying to practice magic, and we're practicing magic. Right. But that's essentially what it is.

[Izzy Griffin]

Let me ask you this, Izzy. Talking about the whole L. Ron Hubbard situation and. And then Aleister Crowley's Dilemma. And you're saying that he sort of created these deities, Babylon and. And, you know, so pantheon of other ones. He. He created a new pantheon. Do you think that this is created in the sense of, like, original thought forms or. Or Topaz that didn't exist before? And then he's. He's creating them, and then they they are existing in some way, shape or form. Or is this a rebranding of pre existing? Because it seems like these entities obscure their names throughout history, their identities throughout history. And, and you know, one thing will be Bal Hadad in, in, you know, Sumer or whatever, and then it'll be Zeus in, in Greek mythology. Is he really creating his own thing or is he just creating a new form of identities for these pre existing entities to inhabit?

[David Lee Corbo]

Yeah, so one thing I, I talk about a lot, I just did a three part series on Rick Rubin and someone I called the modern day Aleister Crowley. Right. And one thing I talk about in this, the series is what makes an occultist famous is their ability to rebrand occultic ideas for a contemporary modern audience. Right? So that is what it's, it's, it's always a recycling and a rehashing and a changing of the language of these old things, these archetypal deities, these archetypal truths that they're never changing, but they're constantly being recycled. But the, the thing that we have going on now that changes that actually is we have the Internet now, which they didn't have 100 years ago, right? So when Crowley was operating in the early 1900s and he was utilizing print and he was talking about this pantheon and creating this literal religion, what we have now is we have the Internet, which is actually its own literal matrix, its own literal reality. And what we're having happen is this new aeon, this new age we're living in, this Age of Aquarius, what I'm calling the Medion of Lucifer. This matrix is now reflecting itself back into reality. And what's happening is these archetypal truths are now, you know, reality used to mimic, it used to directly mimic the Kabbalah, right? So like you have these archetypes, like the fool or you know, the magician, you have these things that are these, these truths that mirror themselves in storytelling and fiction and in reality, right? People, people mirror these archetypes in life. But now what we're having is we're actually having an inversion of that and reality is now mimicking the Matrix and we actually are having the Tree of Death emanating in real life, right?

[Izzy Griffin]

So that's very heavy. Can you elaborate on that a little bit? Because there's a lot of concepts that escape. I'm a simple man.

[David Lee Corbo]

Yeah, no, yeah, yeah, yeah. So this is what I have, this is what I kind of brought for you guys. So the Tree of Life, right? The Kabbalistic tree of Life is a way, you can view reality to sort of understand it, right? You have these. These archetypes that exist, right? So, for example, the fool's journey. The fool's journey is this, you know, this old archetypal story that the foolish person could eventually turn into a master, right? The person who doesn't really know what their path is. If they find their path, suddenly they can become a master of their own reality, right? Like that's, that's mirrored in. In tarot. That's mirrored in the Kabbalah, like you guys just showed. So this fool, right, this fool, it exists in reality. It is an archetypal structure that exists. But now what we're having is we have the Internet, which is the. The inversion of reality. And it's. Now we don't have the fool. We have a bastardized version of the fool because the Internet is morphing and it's diseasing these archetypes that we actually have, right? So if we look at these sort of fractals of like, God that exist as these archetypes, they become disease and they become sickened through the Internet and they become cheapened. And then those things start to become what we see in reality. That's what we see in real life. Because people are now, they're not embodying the truths they see in reality, they're embodying the fake truths that they see on the Internet, right?

[Izzy Griffin]

Oh, that's interesting. So it's actually really heavy. It is. And it's something that I've been talking about where not only do you get algorithmically siloed into different, let's say, like political ideologies or anything like that, but we seem to have built within our nature this desire to emulate what we see. For example, when I was a kid, I went through a really upsetting phase where I would not stop emulating Jack Sparrow and my movements is very embarrassing. Very embarrassing.

[David Lee Corbo]

Sick, dude. I love that.

[Top Lobster]

Intolerable now.

[Izzy Griffin]

It was the worst. I don't even know what I was doing. I was, you know, constantly moving my hair. But if that is the. The case, then what you're then getting is all of these new archetypes from the Internet. And not only are you getting new ones, but you're getting them in mass and they're. And we're cycling through them super rapidly. So, you know, my son, for example, if I let him watch, like some gamer or whatever, some of them aren't on YouTube. They have. Because I don't let my kid watch YouTube, but he's got like, other Some of them get channels on Hulu. And if I let him watch that, you'll. You'll very quickly hear him emulating, you know, their style.

[Top Lobster]

And then what are they emulating? Is the question.

[Izzy Griffin]

Right, right. And so what he ends up emulating is a watered down version. Because his father is a 35 year old man who is plugged into the Internet for his occupation, he is emulating a watered down version of meme culture. And that's really strange because I know, you know, when we talk about like memetic warfare or meme culture in general, it's like, it's like high level spell casting.

[Top Lobster]

Look at what I mean, we've done a lot of work or at least a lot of thought on what the fool is. And I think Owen Benjamin told us that like we play the role of the holy fool.

[Izzy Griffin]

Oh, yeah, yeah.

[Top Lobster]

Which is like, that's like a more Russian archetype. But the role of the fool would be similar to the role of the jester. And he's the guy that speaks truth to the king. And we talk a lot about that role being completely abdicated by most comedians. I mean, Sam Tripoli, Owen Benjamin, there's like maybe a handful of other ones that are actually telling the truth, like telling a very hard truth, and they're paying a cost for it, whether it be shadow banning or, you know, just taking off of their payment processors in general. But then you think about why they've been removed and now what the fool is representing. The Fool's representing this like, conglomerate of whatever Netflix has asked for. And what is Netflix asking for and why are they asking for it? And then that becomes like meme that now that's meme culture. Now you have like Matt Rife out there and you have a million people that are emulating him.

[Izzy Griffin]

Yeah.

[Top Lobster]

And as Izzy is saying, it gets so watered down that it's like, what the.

[Izzy Griffin]

Well, let's say the way that I understand the fool is sort of, if there's like a reductive way of understanding it, it's like, you know, is he saying he becomes the master? Or maybe you could say that interchangeably with like the hero. But it's like the fool, in so many ways is almost too foolish to realize that his endeavor is monumental. And so it's like if he was any smarter, he would be afraid. And so in that way, it's kind of like, you know, you talk about the holy fool. If the Bible says fear not, then the fool has that mechanism. He's too stupid to be afraid. Yeah, it's kind of the way that I look at it. And that lack of fear, because if he sat there and measured out, if he knew what he was setting out the door to achieve, he wouldn't do it. He wouldn't do it, right? And so that stupidity or that foolishness is what allows him to then achieve, you know, being a master or something like that, you know.

[David Lee Corbo]

Yeah. It's interesting you guys start talking about comedy because the next video series I'm doing is literally on that and it's talking about how we're living in this age of inversion. So the fool, as you're saying, like what Owen Benjamin said, he used to whisper truth to the king, right? Like, there's this example I use of this. There was this jester from France, I believe, and he actually. He slapped the king and the king was like, holy. And they. They laughed it off because it was fun. He's funny, right? And it's the. The jester used to be this individual who could actually check the king, right? He could check him. He could put him in his place and sort of do the bidding of the sort of collective consciousness thought of that realm or kingdom, right? But now what we have outside of a select few is we have. The fool is now the fool king, right? The fool is now doing the bidding of the king of whoever it is that is on their show or whatever, right? So you have. They've become mouthpieces, whereas before they were these sort of bearers of truth in a. In a roundabout way that looked a little bit different, right? And so it's almost this sick and twisted inversion where there. There has been like, the comedian is now sort of looked at as this bastion of truth when really their role is to be silly or whatever, right? So it's. It's almost like. Like imagine. Imagine if you went to, like, an alien planet and you're. You're trying to understand their society and there's this small role of these people who are supposed to not be taken seriously, and they're the people who are now the mouthpiece of truth. It would be. You'd be like, that's kind of weird. That doesn't really make much sense, right? But that's not what we have, because what we have, the age we are in, is the inversion of all of the traditional archetypes that are and that exist.

[Izzy Griffin]

It also seems like the fool would have no real problem abstaining from ego because ego will get in the way of your analysis of many things. It'll get in the way of the Truth as it passes through you, potentially as a filter, and then you become a mouthpiece, and then as it passes through you, your ego screws it all up. Right. So the fool doesn't really have too much of an ego. So in some ways, it makes a lot of sense that the fool would kind of be akin to the Jester, and the Jester would be, you know, speaking the truth. But I want to bring it back to this conversation about Sabrina Carpenter.

[Top Lobster]

Yeah, I actually had a question. So you were. When you asked Izzy about the embodiment, Izzy said that it's just replicating things that already exist. It's always like an A rebranding.

[Izzy Griffin]

Yeah.

[Top Lobster]

In your opinion, Izzy, though, somebody like Sabrina Carpenter, do you think that this is a person that is found? Like, does she have, like, certain characteristics that they. They notice afterward, or is this somebody that is literally created?

[David Lee Corbo]

It's like, yeah, in. In her case, she's created. So, yeah, she's created in her case. And I don't think that these people are aware. I don't think she's aware of what's going on behind the scenes. And I. You know, obviously it's kind of crazy to say that she's. She's the embodiment of Babylon or whatever. It's. It's not so much whether she is or she isn't. There are people who believe that she is and that have created this system around her to where that is the reality that they live it. Right. So it's like. Like, for example, in her early music videos, her first album was titled Eyes Wide Open. And the first, like, four music videos she did, it's like she's mimicking being MK Ultra. She's like, literally being MK Ultraed. They show her wearing clothes that were, like, a part of this big art piece, this, like, art collective that this woman did who was sexually abused in the Epstein stuff. Really, if you look, it's all there, right? And so, you know, eyes wide open. And then there's all of these references and all of these connections to Stanley Kubrick's movie Eyes Wide Shut. I mean, it's like all, like, super spelled out. So it's really crazy.

[Top Lobster]

Now that. That idea again, when you were saying this on Tinfoil Hat, I'm like, I'm talking back to, you know, my phone, and you guys can't hear me. But the idea of MK Ultra tying into what, like, you know, she's basically an MK Ultra, a little sex kitten. But her ties to Scientology, if these ties actually do go back from L Ron Hubbard, his surgery to Andriju Puharich. And this all happens around the 50s, right around that same kind of time, where this. All the stuff starts sprouting and developing. Andreja Puharich is basically the Godfather of MK Ultra. So it kind of. It's. It's almost all directly in line where you're getting marching orders from some dude that is planting a seed, and then it goes all the way down to current day. Very bizarre thought.

[David Lee Corbo]

No. Yeah. 100. I. I definitely think that that's all. It's all. It's all tied in. It always is.

[Izzy Griffin]

It's weird to say that they're not. That she's unaware, because that's often the question. Right. When you look at all this, like, symbolism surrounding an individual, especially in the music industry or Hollywood, and you go, do they know what they're doing? That they're. What they're implicated in, what they're moving along? And she had an interview not long ago where I don't know if she was doing an album or something like that. And it's got something to do with a movie about pedophilia. And she's naming her album. I believe it's her album after this movie. And then, like, I don't know if she shoots a music video or something like that, but there's, like, themes, elements from the movie, long story short.

[David Lee Corbo]

Oh, she did. Yeah, she did. So she did a photo shoot. She did a Lolita photo shoot. And she. She did the same. She recreated scenes of Lolita, like, directly in this photo shoot. Yeah, right.

[Izzy Griffin]

And Lolita is a. Is basically a movie about a dude in love with, like, a, you know, an underage girl. It's like preteen or something like that. And it's also obviously, like, the Lolita Express, or even within anime, there's a. There's a subdivision of anime called Loli or Lolly. I don't know how it's phonetically pronounced.

[Top Lobster]

How do you know that?

[Izzy Griffin]

Because I was doing an episode of Timeline Cleanse, and we were watching a man dressed as a woman who was a children's school bus driver, and he chose for his name Lolly or Lowly. And there were some people that were dropping their kids off that were like, they knew what this meant. And they're looking at this grown Asian man dressed like a. Like a child, you know, a girl, a little girl. He's got, like, pigtails and a. And a dress or like a skirt. And they're going, why did you choose that name? What are you doing here? You can't be the bus driver, yada. So I'm confused. And the chat's like, dude, this is like a one person's like, this has something to do with anime where they infantilize. That might be a word. I made up the characters. They make them like little, little kids, right? And. But that's weird. And there's like.

[Top Lobster]

Well, it's talking about infantilization.

[Izzy Griffin]

Infantilization.

[David Lee Corbo]

Yeah, yeah.

[Izzy Griffin]

Oh, there we go. Somebody knows.

[Top Lobster]

That's very much, that's very much what's going on with Sabrina Carpenter. With like her. She's got like this big head and like very tiny lollipop body. But like it's, it's childish. Like I'm not. I think she's supposed to be attractive to men. But when I look at her, I just feel like a little off put. She.

[David Lee Corbo]

Yeah, she's a little under.

[Izzy Griffin]

Yeah, yeah.

[David Lee Corbo]

It's a perfect, It's a purposeful infantilization. And it's crazy enough that actually ties directly to Crowley because basically. Well, first of all. Yeah, we'll go here. So first of all, like Crowley's a age of. I'm sorry, Aeon of Horus, right. Within his pantheon, it's depicted by the crowned child. And essentially the crowned child is the product of, you know, the divine feminine and, and the male figure, right? And the crown child. The point of the Aeon of Horus is that you are supposed to embody this childlike energy, which is why Sabrina Carpenter has a fortnite skin, which is why they have Sabrina Carpenter Happy Meal. And it's all the reason that they're going after the children. A part of it is because it is a harnessing of the childlike libido energy. That's what it is. So the reason, right, like there's a, there's a clip and it's all over my Instagram of Sabrina Carpenter flirting with a 16 year old at a concert. So she has this bit where she will start flirting with a fan and it's usually a girl, right? And the girl says like, I'm 16. Like she knows what Sabrina Carpenter is going to do. And she just steams past it and starts asking her if she's horny. She starts asking her all these really crazy questions. And what that is, is it is a, you know, you guys have both been 16. I've been 16. When you're a teenager. I blew right past it. I was born. Yeah, I skipped that. I skipped that. Like a guy lying about skipping fifth grade. I went straight to middle school. Right. No, but, but like when you're a hormonal teenager, your brain is up. There's a ton of energy that is just all over the place and they're literally harnessing it by sexualizing, you know, children and doing all of these things. That's what that is. It's a literal thelemic harnessing of libido energy.

[Izzy Griffin]

So that's what gets me is going back to what I was getting towards before she, she claims that she doesn't know. So when they bring up this whole like Lolita thing, she's like, oh, I didn't know. But then she's doing that to the audience members and it's like, I don't, I can't free her of accountability in any way, shape or form. Because when you tell me that, right. That she's doing that bit with the audience members and she's blowing past the fact that they're 16 and then she's asking if they're, you know, horny, like, dude, this girl knows exactly that. What?

[David Lee Corbo]

How?

[Izzy Griffin]

I don't believe that you get to be in those positions without being a pretty remarkable person.

[Top Lobster]

I think, I think she does know. I think she knows on an intimate level. I. So I, I did watch your episode where you, when you're talking about Rosemary's baby and they're, they're referencing the, the crib that would be perfect for Sabrina. And to reference back to like episode 160 of our show, we had on Nathaniel Gillis, we also had on Randy Goodwin, who's talking about sra. And they, they go into this idea of like necronetics and how this, like during Satanic ritual abuse, some of these elites will do rituals like, you know, kind of like Crowley stick rituals to conceive a child. And with like, when the mother's pregnant, there are ceremonies and rituals performed while she's pregnant. They're performed when the baby is delivered. And it's all to kind of like encapsulate the baby's soul as if they're preparing a vessel. And I think they do this, they do this a lot. And I think that their success rate is fairly low. Like, it's, it's all Nephilim shit. But when they do find a good vessel, somebody like a Sabrina Carpenter, maybe it's just a huge head or something like that.

[Izzy Griffin]

Yeah.

[Top Lobster]

Then, then they know and then this is the person that they're going to push to the forefront. So I think if they know, she knows because she's like from birth. If you are the star Child.

[Izzy Griffin]

Yeah.

[Top Lobster]

Or whatever you like to call it.

[Izzy Griffin]

Moon child, this, whatever.

[Top Lobster]

Yeah, yeah. I think you have to know, and I think that you're then trained.

[Izzy Griffin]

You know? Who I think is the moon child is Paris Hilton's baby with the big ass head.

[Top Lobster]

That's huge.

[Izzy Griffin]

That. That baby's got a big ass head. There's a lot of room for spirits in that head.

[David Lee Corbo]

See, I feel like it's. And part of the reason I say that she may not know is just because, like, I get so many people who are like, there's no way she knows. And it's like a. It's a way to just be like, well, maybe she doesn't. I don't know. You know? Like, there are people who do know. You know, I. I don't think my point with that is, like, whether she knows or not is it doesn't really matter because it's what it. It's what it is, and it's what it's presenting itself as. Right. Like a kind of crazy thing with me. Actually, that's very tangential. My father was signed to geffen in the 90s, and there was some weird things.

[Izzy Griffin]

Wait, what's Geffen?

[David Lee Corbo]

Geffen Records. David Geffen. It's now. It's now called Interscope. Oh. Oh, that's huge. Yeah, he was signed to Geffen. He.

[Izzy Griffin]

Jimmy Iovine.

[David Lee Corbo]

Yeah. Jon Bon Jovi. My dad was, like, a big musician, and part of the reason he left the industry was my mom got pregnant with me, and his manager was, like, a witch, and she was, like, trying to do weird with my. Associated with my birth. And so my dad. Yeah, my dad left the music industry.

[Izzy Griffin]

Okay, wait, wait, wait, wait, wait, wait. Hold on. Hold on. Is We're. We're. We're at the 43 minute mark. I just realized that we've given poor people far too much content, and now you're talking about something incredibly fascinating, and I can't allow.

[David Lee Corbo]

Oh, yeah. I thought we were on the Patreon, so I shouldn't.

[Izzy Griffin]

No, no, you have to save the. You have to save the gravy for the people who actually pay, who care.

[David Lee Corbo]

Right?

[Izzy Griffin]

Not these filthy pores.

[Top Lobster]

Wow.

[Izzy Griffin]

Guys. Patreon. Patreon.com backslash nephilim death squad if you want to continue watching this episode. Otherwise, YouTube, Twitter, and Rumble. We're out of here, baby. Izzy. So. So what are we talking? Wait, go back to the witch.

[David Lee Corbo]

Who.

[Izzy Griffin]

Who was a witch?

[David Lee Corbo]

One of my dad's managers. One of his managers. And. And the reason I'm. I'm saying this is because my dad told me this much later in life. So my dad was one of the. My dad told me about Project Bluebeam when I was 8 years old. I've been doing this forever.

[Izzy Griffin]

Okay, cool dad. Cool dad.

[David Lee Corbo]

Yeah. My dad's. I don't know. I don't know about cool. No, no, he's cool, but, no, he told me about this when I was, you know, my early 20s. And this is actually. This is a crazy story. Hand to God. This is a true story. I'm a Christian. I would never say hand to God if I'm not telling the truth. One time, my dad was like, you know what? I'm gonna tell you everything. And I was like, okay. I was. I was probably about 16 or 17, and he took me to a restaurant, and we sat down and he started talking, and the power went out in the restaurant. And he was like, I guess I'm not supposed to tell you everything. And we never spoke about it again. But this is something that my dad told me, and he did say that they were trying to do some Malachi and. With me and my birth. And that is partially why my real. My real first name is Isaac. It's not Izzy, so. Isaac. Abraham. The story of Abraham and Isaac were, you know, you guys know the story. So my point is, is, you know, I didn't know that. And that's a super crazy thing. You have people like Eric Clapton, whose son mysteriously dies. This happens all the time. This happens. Yeah. To tons of musicians in the industry.

[Izzy Griffin]

So.

[David Lee Corbo]

Right.

[Top Lobster]

You're saying. You're saying that they were asking your dad to, like, basically sacrifice you, and he named you Isaac because Didn't go.

[David Lee Corbo]

Through with it because he was like, you guys, basically incredible.

[Izzy Griffin]

Yeah, well, that. That kind of speaks to. Because you said top a moment ago that you think that they're doing this all the time, but they have a very low success rate. They probably literally are doing this all the time, but have a low success rate. So this thing, you know, you might not have any idea how many would be candidates for some sort of archetype that we're talking about where the moon child Babylon. This or that.

[Top Lobster]

We spoke with that dude, Randy Goodwin, and he's a. He's an SRA Deliverance minister. So, like, you know, like a regular deliverance minister, but deal specifically with satanic ritual abuse. And I was like, hey, man, if you're doing this kind of stuff, you must be getting a lot of heat because you're basically going and you're taking. These people have been Working on, they've been working on these, like, rituals with these specific subjects for a long time. And he's like, yeah, he's like, basically, though, they come and. I don't know how he explained it, but he's like, they come and they retrieve their knowledge or like, like whatever training that they put in them. I don't know how they do this. And he's like, and they're good, he said, but beside that, as long as, like, I just got, like, they lose somebody, fine. But they, they need to retrieve something from them and then they can move on with the next subject.

[David Lee Corbo]

And it's just interesting.

[Top Lobster]

Very. It's a crazy, it's a crazy idea, right, to consider.

[David Lee Corbo]

Yeah, yeah, that's, that's super, that's super wild, man. Yeah, I, I, I'm really, I'm interested in the whole thing because, like, when it, when this is like, what got me researching all of this stuff more was when my dad told me this. And, you know, I was involved in the music industry too. I was in a band, I had a management deal and all this other crazy cool stuff, you know, and I had really bad substance abuse problems, so it didn't work out. But just seeing this and seeing the patterns constantly with so many artists and then knowing sort of the inside side of it that I know from my dad and everything, it's just really. Yeah, it's just really, really crazy. Like, I, I think that there's a lot of bloodline going on as well. Like, you guys asked a question on Twitter the other day, and it was like, what's your favorite conspiracy theory? And one of mine has to do with my dad. And I, I don't know how true it is. Like, it's, it's very, it's very much just like a joke kind of topic amongst my family. But my dad, in his, up until he's about mid-30s, looked I identical to Jim Morrison. I mean, if you showed, if I showed you two photos of him and Jim Morrison, you wouldn't even know the difference. You literally couldn't tell the difference. And my dad actually almost played Jim Morrison in Oliver Stone's depiction of the Doors. He was actually one of the original people that was going to be cast over whatever the guy's name is, because my dad looks so much like him. And the joke is that, is that my, my dad is Jim Morrison's illegitimate son because my grandmother lived in a town that he used to frequent when he would, along Route 66, when he would drive his Mustang. And so I Think they're super obsessed with bloodlines. They're super obsessed with that. They're. They love the I. They also love the idea of knowing things that the public doesn't know because there's some sort of inversion, trickery going on there. It's a lot of it. Yeah.

[Izzy Griffin]

Can I ask you, you know, going back to this whole Babylon spirit that supposedly Sabrina Carpenter is, is embodied and you know, I'd like you to walk us through a little bit about the things that cued you off to that. And then I'd like to get into what the implications of it are because we're talking about like the Divine Feminine, which sounds like, you know, great for women, right? If you're a chick listening to this, you're like, oh yeah, that's what we need. We need the realm to be ruled by the Divine feminine because women have been suppressed and this and that. So, so what are the implications of it? But before we get there, what else cued you into this idea that she is, you know, this character?

[David Lee Corbo]

So a lot of it, you know, has to do with the Jack Parsons, the Working Babylon thing, and a lot of it just has to do with the various tie ins to like, like throughout Sabrina Carpenter's career. So like, you know, she has all these music videos, like I was saying, that are tied to MK Ultra that have all of these undertones of, you know, various different, I guess, things. Pink Pony Club, that's Chapel Roan.

[Izzy Griffin]

Okay. All right. Because I saw somebody in the comments say that I was like, that's a song for hoes.

[David Lee Corbo]

No, yeah, definitely. That's funny. But yeah, it's like. So part of it was like the Eyes Wide Open title to her first thing. A ton of her videos were actually shot in Elks Lodges that were, you know, Freemasonic and owned by, you know, various secret fraternal orders. There's also this like really weird pattern of extreme violence in her music videos. So in one of the music videos as I was talking about, there was her being MK Ultra, there was four individuals, four men who were administering the MK Ultra ing in the video. The next music video that came out after she's like dancing in a church and there's four coffins representing one of each of the men. One time she made, she had a custom shirt made that had a quote from Lucifer from Paradise Lost on it that I thought was like super weird. And the quote from Lucifer, it's the first thing that he says in the book. And it's essentially a call to arms for all of the demons in. In the book. So essentially, right when Lucifer falls and he rises up and he's like. He tells the demons, basically, like, are you gonna be a bunch of. Or are you gonna get up and fight with me and, like, we're gonna rule Earth? It's basically what it is. Another one was before one of her music videos. The titling is the exact same font as the titling in Rosemary's Baby. It's the same exact font. And come to find out what ends up happening in Rosemary's Baby, right at the end is. So you guys know the little girl is abducted at the end of Rosemary's Baby, right? Yeah, yeah. She's abducted by the people who are following Tom Cruise and the other lady around. There's also the Tom Cruise connection with Scientology. There's the article that's written saying she's going to be the next Tom Cruise. Very interesting. But essentially, in Rosemary's Baby, at the very end of it, there is this bassinet, right? And this bassinet is on the. The poster of Rosemary's Baby. It's like the main focus that's on there. And essentially the little girl runs over to her mom, and she's pointing at this bassinet that's from Rosemary's Baby, which is, you know, the font that's on the music video. And she goes, oh, mom, we can fit Sabrina in there. And she points over to this bassinet, and it's like this super weird, like, okay, and Sabrina is the name that she gives this doll that she doesn't own, but that she wants her mother to buy her. That is the Barbie 1996 Sugar Plum Fairy doll, right? Well, later in, Sabrina Carpenter, she has her own Christmas special on Netflix. And during this Christmas special, she's, like, doing normal things. And then all of a sudden, the video pauses, and she's, like, holding a knife, and she's staring at the knife. And the Ballad of the Sugar Plum Fairy starts playing. It's the name of the song that starts playing behind her. And she's, like, entranced by this knife. And it's just like. It's literally dozens and dozens of connections like that, like, constantly.

[Izzy Griffin]

Okay, I gotta ask you, and I'm not. Not looking for, you know, a straightforward answer here, but it is. What's on my mind is it's obviously not Sabrina Carpenter who's. Who's orchestrating all of this, right? And to do that level of, like, callback, you know, we're talking about something that. That transcends generations and oftentimes I will say that if you ask me who is pulling the strings, it's all spiritual because there's no man that would be alive to see the fruits of his labor. Because so many of these things. You want to talk about callbacks, outside of movies and music, you'll get callbacks that just happen on the world stage, but they're calling back to something that took place 100 or 200 or thousands of years ago. And it's like there's no. I mean, yeah, there are shady organizations that are all jockeying for power and things of that nature, but this all feels that it's. It's moved by a spirit that is ancient and doesn't die or hasn't died, you know, yet and is still kind of moving the chess pieces around. What do you think is going on there? Like, who. Who in the hell is. I think in. In. In music videos, like, nothing is out of place. Nothing is put there accidentally. Everything is done with intention. And there's people that are hired to do it, and they're paid quite a bit of money to do it. Like, how is this happening?

[Top Lobster]

The T shirt that he's talking about is almost.

[Izzy Griffin]

It's a huge.

[Top Lobster]

It's a huge tell. It's like they have to tell you where they're not. He's not talking about demons. I don't think Lucifer. I think he's talking to other fallen angels.

[David Lee Corbo]

Yeah, that's what. Yeah, that's what I meant to say. Yeah. Yeah, sorry.

[Top Lobster]

Oh, yeah, yeah. So these. These entities are the ones that are, like, kind of. This is the underpinning. This is why it's called Nephilim Death Squad. This is why we're constantly looking at this stuff. Because obviously the Nephilim come from the fallen angel. And this plan, this long plan to the end of days is. Is orchestrated by these guys. So it's like. Yeah, it's almost a dire, like, telling you directly this is the marching order that I've gotten. Will you follow? And it's just crazy. It's crazy the timeline that we're in, because she's just. They're just out there saying it out loud, and it doesn't seem like anybody cares or cares to notice.

[David Lee Corbo]

See, I feel like it's so. It's interesting and I'll answer all the questions, but, like, I feel like it's not so much that nobody cares. People like me care. Right? But it's. It's so crazy, and it's so quote unquote, coincidental that it's so easy for people to be like, oh, they just brush it off. Because it is easier to live within the realm of fallen archetypes and fake, fake. Everything's fake. I'm happy with my goy slop. I'm happy with the trash.

[Izzy Griffin]

It's.

[David Lee Corbo]

That's easy. It's. You know what's really hard? What's really hard is to look at the artists that you might like and say, oh, this is a literal spiritual war for my eternal being, my eternal soul. Like, that's a pretty hard thing to do. That cognitive dissonance literally destroys people. And it's so much easier to go, man, that's. That's. That's fake. You know, it's so easy. You know what I mean? And it's. It's really annoying, but it's like, that's what these people do. And I think, to sort of answer your question, like, is it people meticulously placing every little thing in every little part of the video, and we're going to use this font because it's a callback. I don't. First of all, I don't think it matters if it's a meticulous, intentional thing or if it's not. If it is this amorphous sort of spiritual thing that it just happens, right? Like almost like dominoes, right? Like the first domino's been set, the first one's been knocked over, and there is just this spiritual thing where things just happen. I think I. I believe that reality is. Is quantum. So I think it's both. I think that there are these people who do know, and then I think that there are people who might not necessarily know, but they're being guided by this sort of intuition, right? Like, I'm a musician, I'm an artist, I make artistic choices that I don't know what is necessarily leading them all the time. And then sometimes I might figure it out later, and sometimes I don't, right? But I think that that takes a prolific amount of discernment. And I think that not everybody. Most people don't have that, you know, But I. I think. I think there's a lot going on with it. And I do know one thing. Good artists are extremely intentional. Everything is the way it is for a reason. So I think to fiend ignorance on her part when she goes, like, I didn't know that. I. I don't know about the. Like a Lolita, that's stupid, right? Like, obviously she has a creative director team and they know somebody knows somewhere. But I think at the end of the day I. I think it's quantum. I have a weird outlook on reality.

[Top Lobster]

So I got a question for you. As a music. I'm a musician as well, but, like, not to the level.

[Izzy Griffin]

You.

[Top Lobster]

I just play guitar. But how many. How many of your thoughts do you think are your own?

[David Lee Corbo]

None. Yeah, probably. Probably. Probably none of them. I think that when I'm truly. Let's like, look at this. I'll answer this in a couple ways. When I'm truly artistically creating music, I think that there are various amorphous things that are trying to come out, you know, like different voices. But I know, like, when I'm doing this, I have a joke on my soundboard. I have, like, a little button I press, and it says, like, holy Spirit, activate. It's like a little meme. And I. I. Because I literally think, like, some of this research that I do, it is so crazy how things come together. It could be nothing else other than a Holy spirit, divine thing. Like, there's no way, like. Like, truly. You know, I don't know.

[Izzy Griffin]

No, I think that that's fair. That's something that we talk about a lot.

[Top Lobster]

It's a hard question. Yeah, it's not.

[Izzy Griffin]

Yeah, we kick around the idea that, like, 80% of your thoughts are not your own thoughts. Interesting to say that. That it could potentially be zero. But, I mean, you know, the other thing that we talk about constantly is that artists throughout history have always channeled this or that. Right. In Greek mythology, it was the Muses. One of the things we like to say is that. What's this guy's name? Santana. Carlos Santana. Says that he's channeling Metatron. Right.

[David Lee Corbo]

When he's.

[Izzy Griffin]

When he's making his music. I think that was like a famous Time magazine interview or something like that. And then you only need to look at all of the various artists, musicians, who have an alter ego that takes place while they're on stage. Right. Beyonce's got Sasha Fierce or even. Even Eminem had an interesting thing. It was like in his album Relapse, he had a song. I forgot what it was called. It was either 3am or. Or my Darling. But he, like. He names it and he calls it Rain Man.

[Top Lobster]

Oh, Rayman is Jay Z as well. I mean. Yeah, brought that up. Yeah. Yes. That's a fairly common entity.

[David Lee Corbo]

Yeah.

[Izzy Griffin]

Which. Which, if you look up, I remember there was something that I latched on to, and I got a definition for Rain Man. And I don't know, I have in my mind this Lovecraftian thing, this. Yog, so thought in the 13 Globes, and I'm not sure if. If that's actually it, but either way, like, the 13 globes were these entities, and one of them was Rain Man. He had a different name, but it was the same character, supposedly. And either way, he was responsible for moving great deals of money across the earth and also, I think, like, fame and, you know, like that. But I go, oh, that's interesting. That seems like an apt one for. For Hollywood. So my point is, it's interesting that you say that, Izzy. It feels like a bunch of things are trying. They're jockeying for position to try to get in. You're the filter that they pass through. They want to manifest in this reality one way or another. They can't create. They could only inspire. And so it's fascinating you say that it's all very deliberate. It has to be deliberate. Because if not, it is like, it's like, what do they do that, like automatic writing or automatic drawing where, like, people will channel a thing and they'll close their eyes and they'll just move the pen around the, you know, the paper, and next thing you know, some art emerges and it's like, well, that is the definition of it, ain't you, homie? Something else is moving through you.

[David Lee Corbo]

Yeah, no, that's. Yeah, this is like a perfect segue into what I got too. So, like. Yeah, first of all, what you're saying is interesting because that's how I got the nickname Izzy was like, when I was in my band, my band was called the Slumps. And you know, when I was. I was the front man and I used to be able to, like, I was a fucking maniac, dude. I could drink literally like 40 beers, you know, shit like. So my nickname came from. They were like, oh, you're like, Izzy is born. Because you could drink like Ozzy. Kind of a joke. That was the joke and that' became Izzy. But, like, currently this project I'm writing is like, I'm writing about me and when I used to use drugs and when I was an addict. So it's like I call it the Gargoyle. So it's like if I'm writing these like, low vibrational songs about like, like, like I just dropped a song about cocaine. And it's like not promoting cocaine use, but I'm talking about this part of me that used to do a lot of blow, dude. Like, you know, it's like the gargoyle that's within me still. I'm sober now, but it's like, that's still in there. Like, I could go on a bender right now. Like that. That exists. And it would be dishonest to not act like it's not in there. Right. But you know, it's interesting because one thing that there's like the master of the music industry, Rick Rubin, Right? And Rick Rubin in his book that I have right here, the Creative Act, A Way of being okay. And it's a way of being. What a weird way to talk about creating. It's all about making art. And what I've done with his book is I've actually gone through and I have traced all of the different ideologies that he talks about in this book to occult and esoteric teachings. So I've done that. The whole book is just like I was saying earlier about Crowley just rebranding the occult. This is. This book is the same thing. But what Rick Rubin talks about, the key thing he talks about is emptying yourself as a vessel and then channeling what he calls source. So it's just like you're saying, like, how many thoughts do you believe are yours? Well, we have the guy who's considered one of the greatest producers, if not the greatest record producer of all time, talking about how he tells artists to empty themselves into channel source. How many of these artists do you think are truly capable of channeling God? Right? Like, do you think that Jay Z could sit down in pure silence and channel God? Dude, I don't really think that that's happening. Right, so.

[Top Lobster]

Well, it's. That's. That's an interesting thing too, because then it gets into the idea of meditation and not the meditation and yoga. And why these practices, you know, they're commonly frowned upon by Christian. By the Christian community.

[Izzy Griffin]

Clear your mind.

[Top Lobster]

Clear your mind.

[Izzy Griffin]

Empty your vessel.

[Top Lobster]

Exactly. Well, I mean, listen, as a Christian, you're supposed to be consistently filled with the Holy Spirit. If you're not, then you will be filled by something else. Sounds 100, but is true. So you can just. I mean, you know, this is what they talk about you consistently having to fill up your cup because if you're not filled, something else will slide in there. And it's just. It's really funny because I know Rick Rubin doesn't. I don't even think he knows much about music or plays it. Plays an instrument. He's just a dude, so it's just odd.

[David Lee Corbo]

Yeah. You know, it's funny. I said that in one of my videos and I had like 3, 000 spurgs. Like, he actually played guitar on the Beastie Boys track on the album, he does play guitar, which is like. That's not even the point. The point is that. So then why did he sit down with Anderson Cooper and tell the whole planet he doesn't play any instruments? Right. Like.

[Top Lobster]

Yeah, like I say, too, just to. On guitar players like myself, if you play guitar, most guitar players don't understand music. It's just a series of patterns and chord shapes that they can play. Most do not understand the theory behind it. To go and understand the theory behind it. Like, a piano player is more. More likely to understand this because they're actually looking at this and doing the math of what music is and putting these things together. Guitar is like. It's. It shapes its chords. It's scales that you can. Like, if you're on the fifth fret, and you could play the minor pentatonic. You're in, you know, whatever key, slide it up and down. You don't really have to know what you're doing. And it's a. It's kind of messed up. So whatever. Just to. On Rick Rubin, a little bit more. All right. You played a couple of words on it.

[David Lee Corbo]

Yeah, yeah, yeah.

[Top Lobster]

You're the guy. You're the music producer. All right. Yeah.

[David Lee Corbo]

Right. Yeah. And it's like, you know, it's. It's really interesting because, like, the way I look at Reuben is what he does, right? So let's say he's telling these artists to empty the vessel, blah, blah, blah, right? We're talking earlier about archetypes. And the way that, like, Carl Jung talks about the archetypes is they're essentially. They exist underneath our. Our ego, underneath consciousness. They exist under. Like, if you're picturing an iceberg, right? There's consciousness, there's the subconscious. Then there's the collective unconscious, underneath. He believes within the collective unconscious is where these archetypes lie. And the archetypes are essentially what connect all of us, right? We all have these archetypal experiences that connect us. Well, I believe that what Rick Rubin is trying to do is he's trying to get these artists to tap in to this realm of archetypes. So that way the music is better, right? So just like a comedian. If a comedian tells a joke, the funniest jokes are the ones that we relate to, right? The best music is when you hear it, you go, oh, I fucking. I know what he's taught. I can relate to that. It's like a relatability. And the interesting thing that I found out with Rick Rubin is he's trying to tap into this realm of archetypes, right? And I think that it really worked for a really long time until recently. And I think what ended up happening is as we moved into this age of Aquarius, as I was talking about earlier, into this. What I call the meta aeon of Lucifer, right? What ended up happening is he can't reach that realm of archetypes anymore because it's changed. So what's happening is the archetypes are now becoming shells and they're becoming diseased versions of themselves, right? So if we look at the Tree of Life, the kabbalistic tree of life that has these archetypes, the inverse of that is the cliffothic tree of death, right, with these disease archetypes. Now, Rick Rubin cannot tap into this realm of archetypes. He has to tap into a realm of the diseased archetypes to get the music sounding better. So that way people can actually relate to it. Because the archetypes we all know aren't the same any longer.

[Top Lobster]

They need a reset. They need a.

[Izzy Griffin]

Like a great reset.

[Top Lobster]

Like a great. They desperately need a reset because they have. You're right. They've perverted things to such a level that like, yeah, these archetypes are degraded. You can't tell the story of the Lion King anymore. Like, they retell it, but it has to have this, like, you know, divine feminine in it. And it doesn't. It doesn't make sense anymore. I think people at their. At their base level understand the. They understand the archetype, they understand the story. But when you start to pervert it, they hear it, but it doesn't resonate as soundly as it did before.

[Izzy Griffin]

Yeah, I think the apex of that was like, we did Lord of the Rings, and then it was like, it's done. Yeah, it's all done after that, there's no more. You can't retell this story. I wonder.

[Top Lobster]

I think the apex. I was actually talking to a guy at the coffee shop. I think the apex was 9, 11. I think that was.

[Izzy Griffin]

That was a great story.

[Top Lobster]

Great story. No, but like, that. That ritual was when everything kind of fractured like that, that time, specific time in the world. Then you had, like, a huge blood sacrifice of millions of people in Iraq. We also uncovered some, you know, artifacts and, like, Stargates and shit in Iraq. So who knows what happened after that. But, like, that's the defining moment, in my opinion.

[Izzy Griffin]

It's interesting too, because in. In some ways the veil dropped off after that, where it started to become very Obvious. Like, I wonder, Izzy, your thoughts on these characters that.

[Top Lobster]

You know what's also interesting? Very, like, schizophrenic of me, please. Well, actually, I have two schizophrenic thoughts.

[Izzy Griffin]

Okay.

[Top Lobster]

First one, the veil thinning or almost tearing reminds me of, like, you know, Jesus dying. The veil tears in the temple. And then I think of Sabrina Carpenter. Jesus is a carpenter. Completely schizophrenic. Yeah, yeah, yeah.

[David Lee Corbo]

No, no, no, no. You know what's funny? You know what's funny? She literally, okay, when she did that video in the Catholic church, she got the priest fired of the church. And her joke was, well, Jesus was a carpenter. That's what she said. That's what she said when the public came after her. The public came after. And she said, well, Jesus was a carpenter. Yeah, sorry, sorry. I mean, to cut.

[Izzy Griffin]

You know, they're doing all kinds of weird shit. They have that bald black chick doing. She's Jesus now. Have you seen that? I've been trying not to even. Oh, yeah. Just like, I recognize everything is designed to upset me, and I don't want to get into.

[Top Lobster]

But one more thing before the completely.

[Izzy Griffin]

Is it schizophrenic?

[Top Lobster]

Completely schizophrenic. I want to ask you guys, though, are all of your clocks wrong? Like, I haven't seen a fucking clock in the last couple of weeks.

[Izzy Griffin]

That is correct. Yeah.

[Top Lobster]

It's been the crazy. Like, we were at Jiu Jitsu with the kids. Their clock is wrong. From the clock on my phone, my clock in my car is off. My dad's clock is off. This. This clock is off that.

[Izzy Griffin]

Yeah. It's interesting. My clock time moving different.

[David Lee Corbo]

That's a great. Dude, That's a great observation. Holy.

[Izzy Griffin]

My. My computer at home is off from my cell phone, but they're both hooked up to the Internet.

[Top Lobster]

Why?

[Izzy Griffin]

Well, I've literally stopped looking at clocks. And I just. I wake up in the morning, I say, God, what time?

[Top Lobster]

I look at the sun? I'm like, where's the. I say, where is the sun in the sky? And then I say, is that even the correct sun?

[Izzy Griffin]

I go, yeah, which one is it? Is that the pale yellow one? There's two of them now.

[David Lee Corbo]

The sun dial, right? Yeah.

[Izzy Griffin]

So. So speaking of the veil dropping, right? And it's like all of the illusions are kind of shitty now.

[Top Lobster]

Thinning.

[Izzy Griffin]

Thinning, right. All of a sudden, the music industry goes, you know what, witches? And they just give you Marina and Brahma Vic. And then they give you this other. With the dark she's got black fingers.

[David Lee Corbo]

Michelle Lemmy. Yeah, yeah, yeah.

[Izzy Griffin]

So, so what do you, what, what is the point in toting them out to the public, in your opinion? And, and what greater implication do these women have in the music industry? Is this just like a mask off moment or are we meant to believe that?

[David Lee Corbo]

Yeah, so, like, okay, so in this age that we've, we're so blessed to live in, so it's. Lucifer is the light bearer. He's the light bringer, right? It's the illumination. Everything's being Illumina. Ideas are everything I'm talking about right now. In five, 10 years, these will be top, these will be. This will be like YouTube jargon. People will know this, I'm telling you right now. And the reason that they're being touted out is because it's the illumination of everything that's behind the veil, right? That's what it is. It's, it's, it's knowledge. It's a false light, right? We're gonna, we're gonna start seeing the spirituality. It's going to be like new, new age, where it's going to be exactly what I'm talking about. And people are going to look at this as the light that is, is the, the light bear. It's going to be the light that people see as the truth. But really what it is, is, it's this synthetic false light. What, the light that Lucifer brought, right? It's a, it's a, it's a torch. It's not, you know, it's not the sun. The sun is the real light, right? And that's sort of what Kabbalah is. Kabbalah is a false light. It's a, it's a fallen human depiction, human explanation via magic of what God is, right? That's what the Kabbalah is. And now we're existing within the cliff off, which is the inverse of that, right? Which is now we have archetypes of the matrix that are existing within real life, right? So much so. So much so that like Rick Rubin, literally, he has a website called Tetragrammaton. Do you know what Tetragrammaton means? I'm guessing you guys do.

[Top Lobster]

My cousin mentioned he, he's like a, he was a devout Jehovah's Witness and he mentions the Tetragrammaton, Grammaton a bit, but I'm not sure what it. Exactly what it means.

[Izzy Griffin]

It sounds like a geometry terminology.

[Top Lobster]

It's like a depiction of God almost. From what I was trying, I was trying to understand him, but I'm not quite sure. So break this down for us.

[David Lee Corbo]

Yeah, so the Tetragrammaton, it's, it's that, it's. The Tetragrammaton is the true name of God, right? And it's the Hebrew name that is anywhere from 4 to 96 syllables long. And there are sort of like these rumors, these like ideas that if you say the full thing, you could literally bring things to life. There's a lot of, a lot of stories about that kind of stuff. Right?

[Izzy Griffin]

Yeah, we were just listening to this idea about writing the name of God on the forehead of a golem and animating the golem.

[David Lee Corbo]

Yeah, that's what this is. Yeah, yeah, yeah, same thing. Yeah, but he starts this, this project, this blog called Tetragrammaton. Right? And I'm looking at it, I'm reading this blog and it's also like a podcast, you know, where he interviews Peter Thiel, which is weird. And that ties in later to a bunch of other shit that I have. But basically it's a, it's sort of like a covenant. And he started hiring all of these occultists to write for this blog, right, called Tetragrammaton. And it's essentially they're trying to uncover the different sides of God using the occult. Like they're trying to understand the sides of God. So he has this one guy in particular who I call the new Aleister Crowley. His name is Chris Gabriel. I've spoken to him. Very nice guy. Super nice to me. I have nothing negative to say. He's very nice to me.

[Top Lobster]

No desire to kill myself.

[Izzy Griffin]

I will not commit suicide.

[David Lee Corbo]

Yeah. And so what Chris has done is he like Crowley has created his own mythos and his own pantheon of the, the new diseased fallen archetypes. So he has his own pantheon of this to describe these new archetypes that are existing around us within. Look up Meme Analysis. I'm sorry, he has a YouTube channel called Meme Analysis. Okay. Yeah. And so, but what Rick Rubin has done is Rick Rubin has hired him and he writes, you know, these pieces about.

[Top Lobster]

Asian looking dude.

[David Lee Corbo]

Yeah, yeah.

[Top Lobster]

Okay.

[David Lee Corbo]

Yeah. Dude's like really, really smart, really, really brilliant. Like, like truly really knows his shit. And, but yeah, like he's working with Rick Rubin and they're trying to like tap into this new cliff offic realm of these diseased archetypes. And I, I personally believe that that is really what is being injected into this new music is like, we're the music now. Like, you've heard the term co worker music no.

[Izzy Griffin]

Oh, oh, yeah, yeah. Like safe for work music, in other words.

[David Lee Corbo]

Okay, yeah. Like, it's, it's kind of a meme. It's kind of a joke. Like the music is. It's like music your co worker would listen to because, like your co workers always listen to music you don't like. Right? That's the joke. And this, it's this idea that like, all of the music now is co worker music. We have people like Sabrina Carpenter. Like, we have Chapel Roan, Pink Pony Club Girl. We have Benson Boone, these artists where everything looks right. Like, everything looks like it should work. Like, on paper. If I wrote down all the attributes of Sabrina Carpenter on paper and was like, hey, read this. Does this sound like a pop star? You'd be like, yeah, right. But because we're in this, like, inversed. These archetypes are diseased and nothing works. It just like doesn't feel right, Right. So it doesn't connect to real, true people like us who understand reality. We have this idea of God and we have these sort of more antiquated, traditional ideas on reality. We existed before the Internet. Like the new 15 year olds who are loving Sabrina Carpenter, they're loving this like, fallen thing that we can't even connect to or wrap our heads around because it is archetypally completely something we can't even spiritually comprehend.

[Izzy Griffin]

That's really interesting because I've been like, what is the hype? I don't understand the hype. I don't understand the. The when it comes to the quality of the music, even how, how like, beautiful she's supposed to be. I'm like, she's, you know, I don't want to get behind the meme of being like, she's mid right? Because that's like everybody, every, everything now is like, she's made. She's a pretty girl. I'm not saying she's not pretty, but it's like, I expect more from Babylon is what I'm saying.

[Top Lobster]

I think what is he describing is like, the idea of God. There was a lady again today at the coffee shop and she, she got involved with the conversation and she asked me, like, what is God? Like, what is God? What do you mean? What do you mean?

[Izzy Griffin]

That feels loaded. Is she trying to get you?

[Top Lobster]

I was like, what are you talking about?

[Izzy Griffin]

Should have kicked her in the chest.

[Top Lobster]

Yeah, I was, I kind of got short with her and I was like, God's the truth. It's the logos. It's the word. It is. You'll know it when you see it kind of thing. And I think that with this music, like, like Izzy's describing here, you're listening to. I'm listening to the music and I'm extremely perceptive of it. Like not just like on a. On like a. Like a musical construction sort of way where I can like, you know, I'll do it. I'll break this stuff down and I'll be like, ah, just. It's just more goy slop. But there's a. There's like some music that will move you and it moves you because at. At the very core of it, whatever it is, it could even be pretty simple. Like you know, music musically simple, but at the core of it, it's true. Something about it is.

[Izzy Griffin]

Something is. It's inspired by God. Right. So you could tell what is and what isn't. Well, you know, what does that you for. For me? The hallelujah version from Shrek1. Man, that moves me.

[Top Lobster]

Dude, that's a beautiful Kanye's. Kanye's album Jesus is King.

[Izzy Griffin]

Yeah, that does a lot of that does.

[Top Lobster]

I'm like, I don't know why but like, because I, I usually have a good sense of especially Christian music. I'm like, I don't know. Some of this stuff feels a little bit like in the box.

[Izzy Griffin]

When we were do. We were at the other service and they were. They had the missionaries from, from Puerto Rico and, and. And that girl was singing and like there was like two songs where I was like, these are legitimate bangers, dude. They were really good. And it wasn't like the music was tremendously executed, but it was like, damn, they're doing the thing. And that feels inspired by God. And then there's other crap that just feels like it was. It's inspired by a machine.

[Top Lobster]

That's the thing.

[Izzy Griffin]

It's formulaic.

[Top Lobster]

What we're getting now is. It's like. It's like, like, like Izzy describing. It's such a crazy thought. It's a. It's a description of a concept that is like a facade right in front of it. So like if God is the truth here behind it, they've now created these archetypes that should point back and reflect to what God is. Because all of these things are true within the human condition. But now we have a full like new set of them. Now we've got like 16 of them and they're all fake and they.

[Izzy Griffin]

So what? They've co opted the archetypes and they're trying to get them to point back to them.

[Top Lobster]

Well, they're trying desperately to get them to make sense and I wonder if they can't. They can get them to make sense. I think they can, dude, but go ahead.

[David Lee Corbo]

Yeah, go ahead, go ahead, go ahead. Sorry. You were on a roll. Sorry.

[Top Lobster]

They can get them to make sense to a group of people indoctrinated enough to think that this is true. And they're, I think that they're getting close to that.

[David Lee Corbo]

Well, and that's what's going to happen, right? Like all of like it makes sense to the, you know, zoomer or even like the Gen Alpha kid who only understands like friendship through the Internet. Like that kind of stuff makes sense to them. Like if I ask a 14 year old kid like, why does Travis Scott have a McDonald's meal? He's like, why wouldn't he? You know, like that's, that's what they, they get it, right? Like I was a teacher for years. I was a teacher and I, I worked with teenagers and like I could literally see like it happened during COVID I could see this shift and like the light of the kid's eyes was gone. It was a, it was a total 180 from like when I started teaching. And I was like, oh, this is, I have to get out of education. I can't do this anymore. Because it's. You're teaching a fake version of the fake version of reality to these kids that won't even acknowledge the truth. They won't even, they won't, they don't even want it. Like so it's like, it's just like you're saying like God is truth. And you know, I'm not like a kabbalist or anything. I'm not like somebody who practices magic. But I understand why people think the Kabbalah or even the archetypes, they think that that is the truth. That's like, that is a fallen depiction of trying to explain the truth, right? And so for so long that worked. Doing this kabbalistic magic worked, trying to tap into this archetypes worked. It doesn't work anymore because we've moved into a new age where it's the inverse of that. So the fallen version of that is what works now. And that's just going to continue to fractal out and what is going to be seen as truth and as light is going to continue to become more and more synthetic as time goes on until like we're a dying breed. This is gonna end. This will be over, right? This is gonna be like when we die and then our kid Maybe even our kids die. Right? It's just gonna, it's going to continue and it's just gonna become more and more bastardized as time goes on. Right?

[Izzy Griffin]

Well, that's the idea, is that that's what they want. Yeah, everybody's done this from like Wall er, Wall E, the, the Pixar movie, or even Mother Horse Eyes we were listening to recently. But, but the dystopian future is. Everybody is hooked up to some sort of synthetic reality. And it's like, you know, everything is chasing that dragon of like, how close can you get it? How close can you fine tune it and tweak it? Is there smells? Can you feel it? Does it feel right? You know, like everything is going to be about emulating and creating this, this, this fake reality. But I want to ask you, Izzy, what are the implications of this, like, Sabrina Carpenter thing? Right? So if we're, if we're trying to bring in archetypes that Aleister Crowley has coined, which are really just the rebranding of old archetypes or old entities, right? What's the, what's the end game in this? Where does this all go? If Alistair Crowley has his way, like.

[David Lee Corbo]

Specifically with Sabrina Carpenter or just in general?

[Izzy Griffin]

Well, I mean, it's like, okay, you bring into this realm Babylon, or you think you've done that, what then is the move? Do you just go like, all right, boys, we did it. High five. Or is this. Is she meant to do something?

[David Lee Corbo]

See, that's the thing is it's like you're talking about this guy. Like Crowley was this individual who, like. Let's think about what Thalima was, right? Thalima. The main ideologies behind Thalima, it's literally to fault, like, thy will be done is literally this idea with. In Thelema. Or I'm sorry, do as thou wilt. I'm sorry, I got that completely mixed up. Do as thou wilt is the slogan of Thelema. So the idea is to literally commune with your higher holy guardian angel, as he called it, to find your true will and to do your will. That is like what Thelema was, right? So when it comes to them trying to bring about Babylon or trying to sort of summon these deities, the idea with Babylon is that she precursors the beast. Beast, right. Which is he called himself the beast. So I really, I think it's supposed to precursor some sort of apocalyptic thing. I don't really know. And is that what the goal with Sabrina Carpenter? I really, I really don't know.

[Top Lobster]

That's What I see with the beast system when it. When that's mentioned, that's like end time prophecy stuff. But what we have right now is this divine fem, this very powerful feminine push. And we also see like a. It's almost like a result. It's obviously, it's synthetic because it's a result of the. The masculine. And in. In response to this divine feminine, we are now getting this hyper masculinized. That's not even a word, like a. An Andrew Tate type of person that is pushing back. And it's. It's basically feminism for men. And that, to me, looks a lot like what would be integrated into something like the beast system, because the beast system is much. It's. It's a more masculine aspect to what we have now.

[Izzy Griffin]

Well, that's like what. What. What Donnie Darken uses, Donnie Dargan, he used to say that, you know, what we're looking at is the beast system overthrowing the harlot system, right? The beast is killing the harlot.

[Top Lobster]

And it's interesting because the harlot's still strong, man.

[Izzy Griffin]

Well, we've gotten this so. So feminine, or the divine feminine is often associated with chaos. You have chaos in order, right? The upward triangle, the downward triangle. So chaos is where creation happens, but it's also where destruction happens, right? It's the. That those are the two polar ends of it. And then with the divine masculine, you have like, maybe you could call it like, order and maintenance, right? Where, like, maintenance is good. So the positive of the feminine creates and then the positive of the masculine maintains. But then there's like, order, which is like, you know, you're going into totalitarianism, like. Like actual fascism, right?

[Top Lobster]

So that's what we're. That's what we're being asked, right?

[Izzy Griffin]

So to ask for in. In response to the negative aspect of the feminine, which was chaos. So we've gotten that chaos for all of this time. And it's interesting.

[Top Lobster]

Tits on the White House, fake tits.

[Izzy Griffin]

On the White House lawn, they're cutting your kids dicks off, all kinds of, you know, super cool shit like that. And now we've been given this desire for, like, Hitlerism, right, that was fed to us by the algorithm on Twitter, or it was suppressed initially, and now it's allowed to. That. That dialogue is allowed to take place. It's allowed to take place on Twitter. I saw you recently, Izzy, talking about Hyperborean, and I would like to get into that because I think that that is important in this discussion. But now we're moving towards this, like, hyperbole hatred of Jews and this desire for a strong man. In fact, in very many ways, I think it's what won Donald Trump the election again, right? It was like you need that destructive feminine force of chaos, and then you need the order aspect of masculinity to come in, and that comes in the form of a strongman, somebody like Hitler. So it's interesting to me that we all get Trump back in office at the same time that we're all on Twitter making positive Hitler memes.

[Top Lobster]

Izzy, do you think the horror of Babylon was depicted by Taylor Swift not too long ago, and she just kind of like. Like, we've moved on. Like, they always have one place.

[David Lee Corbo]

I don't know. That's kind of a hard. That's a hard question to answer because, like, that's sort of what Crowley's idea of Babylon is. Is. It's like. Because all he did with his mythology was he, like, just like, bastardized a bunch of biblical ideas, right? So it's like the same, like. Like, Babylon is literally like a sort of tweaked version of the whore of Babylon. That's like, what it is. And it's so funny because, like, all these, like, occultists are so. They're so unoriginal, right? That's like, what all of them do. But I. I wouldn't be surprised. And maybe, you know, Sabrina Carpenter's role is to just replace her in this sort of, you know, music realm, right? Because, like, the way that I view the music industry is it is literally the modern day secular priest class that guises itself as secular, but it's constantly injecting these occult themes, these esoteric ideologies. So, yeah, like, it. It could be that she's the physical representation of this deity for, you know, kind of like what you're saying to bring chaos. I mean, we've been talking about it for an hour and a half. You know what I mean? Like, that, that's. It's.

[Izzy Griffin]

Yeah, I. I think there was a time when. When that character was Beyonce. Beyonce was like that, you know, the head. And then we literally saw that ritual take place on stage with the Kanye West Taylor Swift debacle, where Taylor Swift is like, in a white dress, which humiliation ritual. Yeah, kind of like a humiliation ritual. But it was like, it was her moment, right? So. So she's on stage in a white dress. She's accepting her award. She is humiliated because Kanye west gets on stage. It was like the Best Music Video award. Kanye goes, you know, this bitch had the greatest music video of all time, and it embarrasses her or shames her, humiliates her on the world stage. Then she goes out, she has a costume change. She comes back on the stage, and she is now the scarlet woman. She's dressed in red. And then Taylor Swift holds that shit down for, you know, like, a decade, it feels like. And then maybe, yeah, maybe Sabrina Carpenter is just that character.

[Top Lobster]

Now, there's a theory that. That we have. I mean, from Ed Mabry, when you're talking about the Antichrist or maybe even all of these biblical figures, the Whore of Babylon, these people that are supposed to be in place for end times, he thinks that they are consistently in place because nobody knows the time or the hour. So there always has to be.

[David Lee Corbo]

Have.

[Top Lobster]

It has to be that guy. Like, there's a person to fill the role of Antichrist. And right now, that's probably Elon Musk or something like that, or Donald Trump. You know, they're interchangeable. So these people are just in place, set there, and then, you know, when the. The moon doesn't line up, the stars don't line up, they go to the next person that's the correct agent. It's just a continual cycle of flesh.

[David Lee Corbo]

That's. That's so crazy you brought up Ed Mayberry. Because I'm literally, like, going through his catalog right now. I started it yesterday because his. What he says is so on point. That's so funny. That's such an odd synchronicity.

[Top Lobster]

He's been on the show, like, 50 times, so it's not.

[David Lee Corbo]

Yeah, dude. No, he. Yeah, that guy. That guy rules, dude. But, yeah, I could totally see that in that. That makes complete sense. I. I think. I think Ed Mayberry is, like, sort of the key to a lot of my stuff tying in, you know, and making a lot more, because there's a lot of loose ends. Like, I do the really great research, and I. And I have all of these really strong points, and now, like, what I'm kind of trying to do is I'm trying to tie it all together with my own sort of esoteric explanation, you know, in a Christian lens, to kind of clean it all up.

[Izzy Griffin]

But you got to talk to him. We can. We can put you. Ed's a personal friend. He's. He's on the show all the time. We'll put you in touch. I think you guys would make an excellent.

[Top Lobster]

I watch.

[Izzy Griffin]

I would say, hell, yeah.

[David Lee Corbo]

Yeah. Hell, yeah. Okay, cool. Yeah. Sweet.

[Izzy Griffin]

Izzy, I want to respect your time, but I Want to ask you one more question.

[Top Lobster]

I want to respect your time, but.

[Izzy Griffin]

I'm gonna disrespect it.

[David Lee Corbo]

No, dude, you guys are totally fine, man. I have as much time as you guys need. So.

[Izzy Griffin]

Okay, so. So you were talking a little bit about hyperborea, right? And it's interesting to me because so much of the, the, you know, MK Ultra, we're talking about MK Ultra and we're talking about all these rituals and, and we've not even talked about the Nazis, but here they are in 2025. It's, it's back in a big way and I think it's been orchestrated as such. And it's interesting because there's a lot of like Nazi sympathizing going on. We talk about it quite often. If you watch any amount of Europa, you know, you're going to come out of the other end being like, oh, Weimar conditions require Weimar solutions. Right? And to a degree, the history of World War II has been obfuscated. And so when you're lied to, sometimes you make a knee jerk reaction. You go to the other side and go, then this must be true. So, so right now we're sitting in this place where everything is about like the Nazis were based. You know, Hugo Boss made a hell of an outfit.

[Top Lobster]

You did.

[Izzy Griffin]

The Jews were a problem. Maybe they were. But then all of a sudden like Hitler is the man, right? And it's, it's fascinating to me that we're moving towards this thing where we're, we're clamoring for a strong man. They're engineering the race war. Do you see this or, or am I tripping? And, and does your hyperborea discussion fit into that in any way, shape or form?

[David Lee Corbo]

Yeah, no, yeah, I see what you're saying. 100 and I think that, you know, like a lot of what I've have doing has transformed into explaining the esoteric side of pop culture. So, you know, memes are a big part of pop culture and the hyperborean edits were like a really big thing for a long time. And it was like, we're gonna return to your vopa. Hyper. No, you know, I'm a blonde hair, blue eyed guy, you know, like I saw a ton of those. And then you do the esoteric research, you do the digging and you, you realize what it is. So hyperborea is this sort of, it's like the Greek version of the Garden of Eden, kind of. It's the land beyond the north wind, right? And it's this sort of perfect place that's that's what. It's the. That's the ideology of it, right? Well, it's been co opted and it's been turned into this sort of alt. Right. Ideal, you know, that has been mema. It's a meme. It's been memeified. Right? And you have these people and they're like, we return to hyperborea. Return the hyperbore. It'd be so sick if we're the mammoths and like all these stupid things. And what it really is, is like Helen Blavatsky, who, you know, basically created theosophy, which is the merging of Eastern and Western esotericism. And you know, again, what did she do? She rebranded it for a new audience. Right? And you know, she, she created this, this theosophy and Theosophy. There was a thing called the Theosophy Society. It was led by a guy named Franz Hartman and some other guy with the crazy German name. And actually those guys influenced Rick Rubin's book. So there you go. But those guys resurrected Armenism and they resurrected Wotanism. And those esoteric ideas are what created the contemporary idea of Nazism and the. The esoteric and occult side of Nazism. Right. Well, Blavatsky, you know, they created the Theosophical Society. Blavatsky had her own writings. A lot of them were plagiarized and crazy other. You know, a lot of other stuff. But she wrote about hyperborea as well. Right? But she had this idea that there are seven iterations of humanity. She. She calls them the root races. But it's. That's not really what it is. It's more of these ideologies of where humans came from spiritually. And there's seven layers to it. The first being, you know, essentially these like amorphous spiritual cells. And the last one being, we are pure emanated beings of light. Basically, she wrote and believed that we were at the fifth. The fifth stage of this evolution. The fifth stage were the Aryans. That's what she called it, the Aryans. And I understand people are like. Aryans were actually real people. They were real in proto European. I know that. Okay, that's not what. What I'm talking about. Context. Illiterate morons don't know anything.

[Izzy Griffin]

I'm so glad I asked this question.

[David Lee Corbo]

No, proto European. They were actually proto Europeans. Did you. I. You think I don't know that? I have a. I'm so much smarter than all of you. So anyway, anyway, no, anyways, so she wrote her definition of the Aryans. Where they were the fifth. The fifth iteration of this human spiritual evolution. Right? Well, what were the second ones? The second was the hyperboreans. Okay? So to all of the people who are like, we need to go back and become the hyperbore, reclaim hyperborea that you're literally describing, like, spiritually reducing yourself to, like, a puddle, literally, that's like, what. It's a complete psyop. So all of those people who are like, like, you know, what did we say earlier? What is. What caused Lucifer to fall was pride, right? So all of these people who are trying to. To find this pride in this place of this racial identity, I understand it, dude, I'm a white guy. I totally get. I get it. I totally get it. But to find it in a Hyperborean meme, which is literally a psyop, to get you to worship and mythologize your own self into regressing back into this, like, hyperborean being is like. So it's insane. It's like the craziest thing, isn't it?

[Izzy Griffin]

Like, okay, so it's understandable, right, because for the last decade, we were talking earlier about how there's, like, been this divine feminine, and it's really been the chaotic side of things. And, And. And what has that done? Well, it's. It's. It's. It's. It's persecuted in not the harshest sense, but certainly to some extent, masculinity. And. And in particular, white men. So. So it's like, it's the ultimate primer. What you do is for a decade, you go, white men aren't. White people cannot be victims of racism because there's a power dynamic which is like, you literally have to change the definition of racism in order to get to that point. You have things like black lives matter. You name the psyop, you name the. The fake subversive revolution that takes place that's funded by Soros or what the hell ever. And all it does is it builds resentment in white people. And then when white people have a cause, you turn around and you. You call them conquerors, you call them devils, you call them all this. So for a decade, I have such a good.

[Top Lobster]

Like, I'm watching you say this, and I'm like, I should just clip selectively what you say. Oh, please, put it online. Black lives matter.

[Izzy Griffin]

Yeah, but that's it. White people are conquerors. So you do that for a decade, and then all of a sudden, we say this over and over again. I really got to think of a new analogy. But you crack the release valve on it in the form of Twitter, right? Where all of a sudden, the dialogue can take place. And then you probably subversively inject concepts of hyperborea. You inject this, and then you allow it to, you know, organically bloom beyond that. But at its inception, the person that injected it was some nefarious.

[David Lee Corbo]

Yeah.

[Izzy Griffin]

Seeking to subvert. So it. It's understandable.

[David Lee Corbo]

So, yeah. So, like. Like, yeah, think about that, dude. Like, a decade of just, like, man, I'm a piece of. I. This. This is so. You're so frustrated, and then you finally see this, like, meme that, like, you're. You're like, I get it. Oh, my God. I totally. This is it. And what it is, is it was created by some girl with blue hair who knows what hyperborea is. And then you. You're like, this is it, guys. We're gonna return to Hyperporia, dude. And she's laughing. She's laughing with her. She literally has crystals hanging from her ceiling. And she's like, you idiot. Look at these idiots, dude. Morons. See, they are stupid. That's literally what it is.

[Izzy Griffin]

So what I'm wondering then is, like, where does this all go? Because I've been saying for some time that it's going to leave Twitter and it's going to start to happen at the dinner table. And I do believe that that's what we're looking at when we. We see, like, the Sydney Sweeney has good genes, or we see, like, the Dunkin Donuts viral commercial where it's like, the white dude with blonde hair and blue eyes and. Or there's even, like, another one. I forget what it is, but there's three major companies that have released commercials that seem to have these, like, white supremacy undertones. And that tells me that the conversation has entered the mainstream. It had to simmer in the underground, which was Twitter for some time. And now it is leaving that place, and it. It's going towards the big screen. And so I. I don't know if the end goal is. It feels like he said very Tim Pool of me, like, we're gonna have a race war. Like, I don't know if it's the race war is the end goal or if it's to get people to. To, you know, pride before the fall. Want to go back to some Hyperborean puddle like you described it here? Do you think that's what it is, or is there something more that we're missing?

[David Lee Corbo]

You know? See, that's the thing, right? Like, I never I. I never. I don't know the future. Like, I don't know that. I just know. So if you know where something is from, you have a better idea of where it's trying to take you. So if I can, you know, do this research and come to this understanding that something as innocuous and as silly as this meme that literally, I don't care. People say that's. Those memes have activated people. Right. And really what it's doing is you're actually unknowingly, subversively degrading your soul. And, you know, and if you think that's intense, that's too. That's too intense. Okay, whatever. Like, you know, so it's like, if they're doing it on these small levels of memes that do have these real spiritual implications, how far are they willing to take it? How far are they willing to push, you know, these boundaries and these lines and everything else? You know, I don't really know. I don't know what the next thing looks like. But I know that if even the memes are being tainted with esoteric, subversive, occult, magic, I'm. I'm sure it's in a lot more places than we could even imagine. Right?

[Top Lobster]

So memes, Memes were already tainted since, like, 2016. The whole keck thing that got Donald Trump elected is like, that goes back to ancient Egypt. So it's like.

[David Lee Corbo]

Yep.

[Top Lobster]

I'm looking at them as you're saying. This, this guy Chris. Chris Gabriel is the host of Meme Analysis, and I'm sure that he. He's has a better understanding of this than we do.

[David Lee Corbo]

Yeah, so, yeah, no meme, like. So what Chris Gabriel does is he. One. One thing he does is he breaks down memes and he discusses the, you know, memes. Essentially, the reason we get memes is because they have archetypal truths within them. That's like sort of what the memes, you know, and he. He explains that and he breaks it down. But. But, you know, the reason he was hired by Rick Rubin is obviously because these memes and these archetypal truths are now leaking, and they're leaking into reality, and they've always been in reality. Right. And. Yeah, I mean, it's just. I personally think, like, if you want to know what reality is going to look like in 10 years, go on 4chan. Right now, like 2016. 4chan. It's everything we're talking about today that's, like, out there, you know, And I. I think people really don't understand how the occult Operates now because I didn't until I really started researching all of this stuff. Dude, it's like, it's in the memes. It's in these silly symbols, you see, it's. It's everywhere. It's really crazy.

[Izzy Griffin]

I was watching some dude talk about like, what a sigil is, and he's like, you know, you take a concept and you reduce it. Like, let's say you write it out, like if it's a phrase and you take certain elements of that phrase and you, you sort of build a symbol out of those and you keep reducing it until it's its simplest form. And, and what's interesting about that is then you're left with this symbol that speaks quite a bit of information, right? Even though it's a simplistic little symbol. And Elon Musk tweeted recently where it was like a, you know, Michael Jackson leaning over Anakin Skywalker saying, annie, are you okay? Are you okay? Annie? And this is in reference to his, his new Grok AI anime chick named Annie, which A N I means I am. And we've talked about this before. I think they're trying to breathe, breathe life into AI through, through sex magic by getting a bunch of dudes to goon to an anime representation of Grok. But anywho, he says memes are the most densely information packed means of communication that we have. Or something like, I'm paraphrasing, ambassadorizing it, I'm sure, but we're dealing with it on a daily basis. We're a culture that loves memes. And, and that is true. It's like these are the most densely packed means of communicating information that we have, probably full stop. And it's a hieroglyph. It's a hieroglyph. Yeah. And, and we don't even, we don't even recognize it, but we're engaging with it all day. Izzy, we're coming up on, on two hours and I, I want to ask you one last thing. I think it's. Before we go, I know we talked about, it's a great question. We've talked about some pretty harrowing. Did I make that word up? Harrowing? Harrowing is a good word. That's a weird word.

[David Lee Corbo]

That's a good word. Yeah, that's real.

[Izzy Griffin]

Some harrowing topics here on this episode, Izzy, and with some, you know, pretty dark implications. I just want to ask you, are you having fun?

[David Lee Corbo]

Oh, yeah. I love this, dude. It's having a lot of fun. Man, this is sick. No, it's like there's there's nothing more fun than the truth, right? Like, the truth is. God, that's. That's pretty fun. Like, I don't know. I. I really love the idea of making these things known to such an extent that people don't even know the origin of them. Right? Like. Like a great example. The Mr. Beast. You guys know Mr. Beast is like, owned by night media and all that stuff. Do you guys know of that? I, like, was talking about that, like, four years ago on this little podcast I ran with my cousin called Duheads. And I, like, found a thread on 4chan of that. Like, it was posted and I saw it and I screenshotted it and I brought it to my weekly podcast, Duheads, like, the next day and we talked about it. And that idea is now been proliferated around the Internet to such an extent, it is now like an archetypal truth. People just know this. That is like, what my goal is, is to just make this known. And it's like the guy who invented the stop sign, no one knows who invented it, but it's just out there. That's like, what this is. Like, just let everybody know what's going on, what's really going on, what I think make some fun, cool songs about when I used to do cocaine and, you know, maybe have a couple concerts and rock and roll, dude. And if anybody in the music industry ever wants to fight me, I train every single day. I'll beat the out of all of you, dude. Hey, train mma, baby.

[Izzy Griffin]

Would you consider doing music at. But we. We have an event that we do. We just did the third one. It was. It was headlined by. It's called Bohemian Grove. We just had Sam Tripley and Owen Benjamin and an awesome time. Would you. Would you do music at our event, Izzy?

[David Lee Corbo]

Dude, I'd be super down. That'd be so sick.

[Izzy Griffin]

How sick would that be? That'd be dope as hell. All right, we'll consider it a formal invite. We'll let you know when the next one's going to happen. And we'd love to. To have you over one more time, Izzy. Where can everybody find you?

[David Lee Corbo]

Yeah, best place. If you want the full breakdowns. Everything I do is fully sourced. It's on my Patreon. Patreon.com. izzy N. Griffin. I'm dropping a video tomorrow about how the Joe Rogan Comedy Sphere directly mirrors the Royal Order of Jesters and Freemasonry.

[Izzy Griffin]

That's the coolest I've ever heard.

[David Lee Corbo]

Yeah, it's like a direct mirror. It's really crazy dropping that tomorrow. Yeah, I have free trials on there. My Instagram is at Izzy and Griffin. Yeah, YouTube @Izzy and Griffin. If you want some samples of everything I do and then I have music, it's. You'll find me Izzy and Griffin somewhere.

[Top Lobster]

So, man, keep in mind with that Joe Rogan idea and his. His group of minstrels, Joe Rogan introduced. I mean, yeah, I like, I like, I enjoy the show, but it is what it is. Keep in mind him introducing the ideas of dmt, uh, mushrooms, float tanks, this kind of stuff, like getting you in touch with this astral realm or this, you know, this underneath side of things because there's a little bit of a. David loves to say that Joe Rogan is the. The Laurel Canyon of Today's, you know, 100 culture. Yeah. So very interesting to see that and then to see the comedians that are around him and that are pushed and what is being said. And again, I enjoy most of these guys. Like, I. Oh, same.

[David Lee Corbo]

Yeah, yeah.

[Top Lobster]

But I'm suspicious, bro.

[Izzy Griffin]

What.

[Top Lobster]

What are you doing over there? Yeah, some weird stuff.

[Izzy Griffin]

Well, I think we have to have Izzy back on sometime then to. On Joe Rogan in the most, you know, loving way.

[Top Lobster]

I just want to know what you're doing over there.

[Izzy Griffin]

What are you doing? Why are you doing CIA?

[David Lee Corbo]

I wanna. I agree.

[Izzy Griffin]

Everybody should take DMT and jerk off dolphins. All right, Top. Is. Is that it? Is, that is.

[Top Lobster]

That's it, man. Izzy, thank you again for coming guys. Thanks for hanging out. And as always, don't forget to obey, submit and comply. We'll see you later.

[David Lee Corbo]

The greatest hypnotist on planet earth is.

[Top Lobster]

A oblong box in the corner of the room.

[David Lee Corbo]

It is constantly telling us what to believe is real. You can persuade this what they see with their eyes is what there is to see because they'll laugh in the face of an explanation that portrays the.

[Izzy Griffin]

Bigger picture of what.

[Top Lobster]

And they have.