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David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s Valor Memorial Park, and in Texas the SS American Memorial Foundation’s military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “creative tension.” Hajar Yazdiha, Struggle for the People’s King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey’s Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential. Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford. Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities. Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast. Playlist for listeners: Writing Biography Running From Bondage Jumping Through Hoops Never Caught Speaking While Female Women Reformers and The House on Henry Street We Refuse Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Prior to the American Revolution, the urban centers of colonial North America had little direct experience of war. With the outbreak of violence, British forces occupied every major city, invading the most private of spaces: the home. By closely considering the dynamics of the household—how people moved within it, thought about it, and wielded power over it—The Home Front reveals the ways in which occupation fundamentally upended the structures of colonial society and created opportunities for unprecedented economic and social mobility. In occupied cities, British officers usurped male authority to quarter themselves with families, patriot wives governed households in their husbands' absence, daughters flirted with officers, domestic servants disappeared with soldiers, and enslaved kin absconded to British lines in pursuit of freedom. As Lauren Duval shows, the unique conditions of occupation produced an aggrieved American population bound by shared emotional distress and domestic disorder. In the wake of this deeply disorienting experience, elite Americans deliberately reconsecrated the private home as a national symbol that epitomized masculine authority. Building on a stunning wealth of primary sources, Duval vividly captures daily life during the Revolution through the eyes and ears of those who intimately experienced it, showing how men and women of all races, statuses, and states of freedom understood its implications for their lives, families, and the nascent American Republic. In this episode Dr. Lauren Duval (University of Oklahoma) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss The Home Front: Revolutionary Households, Military Occupation, and the Making of American Independence ( Omohundro Institute and UNC Press, 2025). We begin the episode by discussing what the home meant to men and women in the revolutionary era. Next, we discuss revisionist histories and how violence has often been obscured from the revolutionary narrative. I commend Duval for her extensive archival research and she shares about the satisfying feeling of finding sources that speak to one another from across the Atlantic. Last, Duval gives us a sneak peek at her next project! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Henry Ford did not just mass produce cars. As a member of the Episcopal Church, reader of New Thought texts, believer in the “gospel of reincarnation,” mass marketer of antisemitic material, and employer who institutionalized a social gospel, Henry Ford’s contributions to American models of business were informed by and produced for an America he understood to be broadly Christian. Though Ford’s efforts at the head of the Ford Motor Company have commonly been understood as secular, Ford himself was explicit that his work in engineering and auto production was prophetic and meant to remake the world. In Assembling Religion: The Ford Motor Company and the Transformation of Religion in America (NYU Press, 2025), Dr. Kati Curts presents a religious history of Henry Ford and the Ford Motor Company repositions them within critical studies of religion, examining how Ford transformed American religious practice in the twentieth century. Drawing directly on documents from Ford’s archive, it examines Ford’s mass production methods and bureaucratic reforms as examples of prosperity gospel traditions, illuminating the ways manufacturing and technology intersect with American religious practice. Bridging American religious and industrial history, Assembling Religion offers a new and surprising way to understand Ford’s impact on culture, commerce, and the technology of labor. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1940s New York, immigrant Jewish scholars sought to build a museum to commemorate their lost worlds and people. Among the Jews who arrived in the United States in the early 1940s were a small number of Polish scholars who had devoted their professional lives to the study of Europe's Yiddish-speaking Jews at the YIVO Institute for Jewish Research. Faced with the devastating knowledge that returning to their former homes and resuming their scholarly work there was no longer viable, they sought to address their profound sense of loss by continuing their work, under radically different circumstances, to document the European Jewish lives, places, and ways of living that were being destroyed. In pursuing this daunting agenda, they decided to create a museum to memorialize East European Jewry and educate American Jews about this legacy. YIVO scholars determinedly pursued this undertaking for several years, publicizing the initiative and collecting materials to exhibit. However, the Museum of the Homes of the Past was abandoned shortly after the war ended. Homes of the Past explores this largely unknown episode of modern Jewish history and museum history and demonstrates that the project, even though it was never realized, marked a critical inflection point in the dynamic interrelations between Jews in America and Eastern Europe. Join YIVO for a discussion with author Jeffrey Shandler about this book, led by Deborah Dash Moore. Buy the book: here This book talk originally took place on June 24, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri’s entertainment industry within the context of America’s culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson’s popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans. Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From The New York Times–bestselling and Pulitzer Prize–winning author of The Hemingses of Monticello, a groundbreaking collection of Thomas Jefferson’s writings on race that every American should read Among America’s Founding Fathers, none was more deeply, personally, or controversially entangled with race and slavery than Thomas Jefferson. The man whose Declaration of Independence proclaimed that “all men are created equal” enslaved more than 600 people of African descent even as he acknowledged the injustice of slavery, saw himself as its opponent, and condemned it in his writings. How is this possible? In Jefferson on Race: A Reader (Princeton University Press, 2026), Pulitzer Prize–winning historian Annette Gordon-Reed gathers Jefferson’s most revealing writings about African Americans, slavery, and Native Americans, enabling readers as never before to directly explore his complex and contradictory thoughts, feelings, and decisions on these subjects—the most hotly debated aspect of his legacy. These selections come from Jefferson’s public and private writings, letters, and plantation records, as well as accounts by contemporaries, including his son Madison Hemings and three other people formerly enslaved at Monticello. The book documents Jefferson’s ideas about—and self-image in relation to—African Americans, slavery, and Native Americans, as well as his conduct, including interactions with individual Black and Native people. The writings show how Jefferson responded to living in a multiracial slave society while professing progressive ideals, and how his views on race and slavery were shaped by his experiences with enslaved Black people. Jefferson on Race is essential reading for anyone seeking to understand Jefferson’s conflicted attitudes—and the impact of race and slavery on American history. Annette Gordon-Reed is a New York Times-bestselling historian and the Carl M. Loeb University Professor at Harvard University. Her books include The Hemingses of Monticello: An American Family, which won the Pulitzer Prize and National Book Award, Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1806, when Meriwether Lewis and William Clark return from their journey—having led the Corps of Discovery across eight thousand miles of rapids, mountains, forests, and ravines—they bring an incredible tale starring themselves as courageous explorers, skilled survivalists, underrated scientists, and peaceful ambassadors. While there is truth in those descriptions, there is also distortion. From one of the most exciting new historians to emerge in the past decade, This Vast Enterprise: A New History of Lewis & Clark (Simon & Schuster, 2026) offers a novel take on the expedition: a gripping narrative that draws on lost documents, stunning analysis, and Native perspectives. Craig Fehrman spent five years visiting more than thirty archives, interviewing more than a hundred sources, and collecting oral history passed down over centuries. He came to see that the success of Lewis and Clark depended on much more than just Lewis and Clark. We all know Sacajawea, and some of us know York, the Black man Clark enslaved. But here we meet John Ordway, a working-class soldier who fought grizzlies and towed the captains’ hulking barge. We hear from Wolf Calf, a Blackfoot teenager who watched his friend die in a battle with Lewis and his men. Each chapter moves to a different person’s point of view, describing their desires and contradictions. We see Thomas Jefferson operating in an age of bitter partisan unrest—his secret political maneuvers to fund the expedition, revealed here for the first time, are a case study in presidential power. We witness the strategy and strength of Black Buffalo, completely upending our understanding of Lakota-American diplomacy. York, in his chapters, finds ways to wield power and make choices in an era that didn’t allow him much of either. Clark is not a folksy Kentuckian but a student of the Enlightenment. (Fehrman discovered his college notebook; no previous biographer even realized that he went to college.) Lewis is someone willing to sacrifice everything for his country and his mentor, Jefferson. In the end, the captains are men who needed help—from Sacajawea, from the Corps, and from each other. Mile after mile, the expedition pushes on through hailstorms and flash floods, frostbite and infections, rattlesnakes and rabid wolves, with the Spanish cavalry in fierce pursuit. Fehrman balances the story’s adventure with the humanity of its protagonists. The result is a thrilling reminder that even the most familiar moments in history can still surprise us. Craig Fehrman is a journalist and historian. He lives in Indiana with his wife and children. Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies