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The Political Worldviews of American Social Movements: Partisan Politics and the Future of Democracy (Routledge, 2026) explores the political worldviews of progressive American social movements and how they play an increasingly important role in defining social problems, setting the national political agenda, and offering viable policy solutions. Arguing that the liberal consensus that historically held the United States together politically has broken down, this book demonstrates how new forms of authoritarian and democratic populisms are being offered as alternatives to a rigged capitalist system by an unaccountable oligarchy. It utilises the method of frame analysis to elucidate the political worldview of particular, left-leaning social movements, exploring their historical backgrounds, organizing methods, social grievances, policy solutions, current actions, and future goals. It examines three movements concerned with economic issues, three organizing around identity, and three advocating for change in the domain of public safety. The last chapter focuses on the current political situation in the U.S. and potential futures of democracy. Bringing together lessons from U.S. history and the previous chapters, the book ends with a proposal for how to ensure more democratic and egalitarian outcomes in America as a whole. As such, it offers an important reference for both academics and activists in the fields of sociology, political science, and policy analysis. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The premiere of Oklahoma! in 1943 is commonly called a “turning point” in the history of the Broadway musical. Often characterized as the first integrated musical―meaning that the songs and other elements of the show are integrated into the story―James O’Leary offers a different interpretation of Oklahoma! and other musicals at the beginning of Broadway’s Golden Age in The Middlebrow Musical: Between Broadway and Opera in 1940s America (Oxford University Press, 2025). Contextualizing his discussion within debates among US critics, O’Leary argues that the negotiation between operatic and popular music, and between frothy comedy and more serious themes mark the musicals he analyzes as examples of the middlebrow. Through detailed archival work, O’Leary uncovers the crucial critical networks that originally theorized a middlebrow approach to culture, beginning in the literary circles of Van Wyck Brooks and Archibald MacLeish, and radiating outward to major theater and music critics including Brooks Atkinson and Olin Downes. These writers believed American culture had splintered into factions, which in turn divided American audiences: highbrow art, which they regarded as obscure and elitist; folk art, which they found provincial and alienating; and popular culture, which they considered merely commercial. Blending these kinds of art, they argued, could draw together a fractured society into mutual understanding (if not necessarily agreement) by situating the most sophisticated ideas within longstanding expressive traditions, accessible to all. O’Leary finds in Oklahoma!, Beggar’s Holiday, and Street Scene a new kind of musical comedy that embraced American politics and weighty stories in ways not seen before 1943. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 2008, Rachel Canter founded Mississippi First, an education non-profit with the mission of improving educational outcomes for students across the state. Dating back to the 1990s, Mississippi ranked near the very bottom on educational assessment metrics for reading and math. Today, Mississippi’s elementary school students score above the national public average and the eight graders have nearly reached the national public average. For nearly two decades, Rachel has been on the frontlines fighting to improve reading and math outcomes for Mississippi’s public school students. In the process, she has learned that there are no quick fixes, silver bullets, or magical solutions. Improving educational outcomes takes time, accountability, evidence, and institutional support. Rachel and the Progressive Policy Institute have produced a short research paper on this incredibly improvement in outcomes titled “Inside the Mississippi Marathon.” This paper is essential reading for anyone concerned with the future of education in America. Whether you are a researcher, policy maker, parent, or student, Inside the Mississippi Marathon charts a path for national improvement in education. Rachel Canter is the Director of Education Policy for the Reinventing America’s Schools project at PPI. She holds a bachelor’s degree in English and History from the University of Pennsylvania and a master’s degree in public policy from the Harvard Kennedy School of Government. In 2008, she founded Mississippi First and served as its Executive Director for over 16 years. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) is the first fully illustrated history of Juneteenth and other Emancipation Day celebrations, told through photographs, art, and an engrossing narrative. For more than 150 years, Black communities have gathered to honor freedom, resilience, and the ongoing struggle for true liberation. While Juneteenth has recently gained wider recognition, it was one of many Emancipation Day traditions celebrated across the United States. These observances were spaces of joy, remembrance, and resistance—even as the fight for full freedom was unfinished. This volume brings together stirring essays and striking images from Juneteenth and beyond, offering a sweeping portrait of how Black people have created and sustained rituals of remembrance, a testament to the generations who, through celebration and storytelling, demanded that their contributions to the making of America be fully recognized. Blair LM Kelley is an award-winning author, historian, and scholar of the African American experience. She is also the president and director of the National Humanities Center, the only independent center for advanced study in the world dedicated exclusively to the humanities. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Anna O. Law, the Herbert Kurz Chair in Constitutional Rights in the Department of Political Science at City University of New York-Brooklyn Campus, has a deeply researched and important new book that weaves together different approaches to understanding American citizenship, especially in context of immigration and migration in the first century of the U.S. republic. Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) engages three different disciplines, including Political Science, History, and Legal Studies/Law, to unpack the many different approaches to citizenship in the new republic. Law noted as we spoke that she had not intended to write a book about slavery, but it was impossible to think about or understand immigration in the United States, especially in the first century of the United States, without examining the particular place and role of those who were enslaved, since they were also immigrants to the United States, though it was a forced immigration, against their will and without their consent. Part of what Migration and the Origins of American Citizenship focuses on is that prior to the Civil War and the post-war constitutional Amendments, immigration was a patchwork, designed state by state, without a national standard or structure. Thus, we see a form of federalism that shifts from the states to the national government after the 14th and 15th Amendments, and after a number of pieces of legislation passed in the 1880s by Congress. Immigration becomes a more centralized issue and process as Congress passed a raft of restrictive laws focused mostly on Chinese individuals. These moves took the power to manage immigration away from the individual states and nationalized policies and regulations. At the same time, the story of American immigration is incomplete without understanding how the national government forcefully took land belonging to Native Americans and compelled their migration to other areas of the United States. In much the same way that we cannot understand immigration without understanding how slavery was intertwined with it, we also can’t understand immigration to the United States without the history of how newly arrived immigrants displaced Native Americans and were given stolen land through national and state level regulations and policies. This is another entire area of history, policy, law, and regulation that Law unpacks to explore the interaction between Native Americans, sovereignty, land claims, and federalism in context of American citizenship and the complexity of who was and was not considered to be a citizen. Migration and the Origins of American Citizenship is a masterful work that helps us understand the contemporary battles over citizenship. As the Supreme Court is set to make yet another determination of how the 14th Amendment is to be applied to individuals born in the United States, Law’s research and analysis has particular relevance and importance as we grapple with these ongoing disputes. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of the Moy family—U.S.-born Chinese-American siblings who grow up in the first half of the 20th century—is one that spans the Pacific, covering New York, Chicago, and cosmopolitan Shanghai. It’s a story that spans the Great Depression, the Second World War, the Chinese Civil War, and the early Cold War—and stars one sibling who was an early participant in the Kuomintang…and another who records propaganda for Germany and Japan during the Second World War. In her new book, The Moys of New York and Shanghai: One Family’s Extraordinary Journey Through War and Revolution (University of California Press, 2026), historian Charlotte Brooks follows the Moys as they confront discrimination in the United States, search for opportunity in cosmopolitan Shanghai, and wrestle with questions of loyalty, identity, and belonging that still resonate today. Charlotte is a historian and author who has published widely on Asian American history, especially Chinese American and Chinese diaspora history. Originally from California, she graduated from Yale and worked in mainland China and Hong Kong before earning a PhD from Northwestern University. She is a professor of history at Baruch College and the CUNY Graduate Center. In this conversation, we talk about Charlotte’s research, the lives of the Moy siblings, and what their experiences tell us about being Chinese American in a turbulent century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The modern relationship between the Vatican and the State of Israel is rooted in a long history of hostility between Judaism and Roman Catholicism. Through the centuries, popes and theologians marginalized the Jewish people, assigning them collective guilt for the death of Jesus Christ and claiming that the sacred territory of Palestine was the true patrimony of the Roman Catholic Church. With the advent of political Zionism in the nineteenth century, Catholic fears of a Jewish-dominated Palestine were renewed. Contesting Zion: The Vatican, American Catholics, and the Partition of Palestine (McGill-Queen's UP, 2025) examines the relationship between the Vatican and the Zionist movement from the Balfour Declaration in 1917 to the first decade of Israeli statehood. Adrian Ciani considers the transnational nature of Catholic responses to Zionism and the creation of Israel, with a focus on the Catholic Church in the United States. From the 1920s through the 1950s, American Catholic leaders became crucial intermediaries between Washington and the Vatican. Speaking as both loyal American citizens and devout Catholics, they were uniquely positioned to articulate the Vatican’s policy objectives to the American government, including on the future of Palestine. American Catholics were also instrumental in advocating the church’s Palestine policy at the United Nations, playing a central role in the Holy See’s attempts to shape the twentieth-century international order. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon’s album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Jesse Montgomery joins Michael Stauch to discuss It Is Not Enough to Survive: The Young Patriots Story (UNC Press, 2026). They examine how young white migrants from Appalachia and the South fought police brutality, racism, economic exploitation, and displacement through community organizing, and even joined forces with Fred Hampton’s Black Panther Party and the Young Lords to create the original Rainbow Coalition in the streets of Chicago in the 1960s and ‘70s. Highlights include: How the Young Patriots evolved from street gang to political organizers active in Chicago’s “Hillbilly Harlem,” the Uptown neighborhood; A reminder that poor white workers made up the large majority of migrants from the South during the Great Migrations of the 20th century; How the Young Patriots attempted to “re-signify” the Confederate flag, paralleling efforts by “race traitors” like Noel Ignatiev to reframe white workers in a context of interracial class solidarity; How the story of the Young Patriots is also a story of urban renewal, and the fight against it, in Chicago; A discussion of Merle Haggard’s “Okie from Muskogee” and the role of country music in the culture wars of the 1960s. Guest: Jesse Montgomery is a visiting assistant professor of English at Berea College who works on American literature after 1945, Appalachian outmigration, and radical culture. Jesse holds a Ph.D. in English from Vanderbilt University. His writing has appeared in n+1, Popula, Full Stop, and the Journal of Popular Music Studies. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America's First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies