Podcast
New Books in Biography & Memoir
Hosted by Marshall Poe · EN
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
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91episodes
Episodes
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Christopher de Bellaigue, "The Golden Throne: The Curse of a King" (Bodley Head, 2025)
1w ago00:46:47Tap to summarizeWhat does a 16th century ruler reveal about the nature of power, past and present? Istanbul, 1538. The greatest of the Ottoman Sultans is at the pinnacle of world power, while his family and future are at the mercy of their own dynastic law: whichever of his five sons succeeds him must eventually kill all the others. So why not get a head start?For the next fifteen years, as Suleyman the Magnificent and his terrifying pirate captain Barbarossa face down imperial enemies across two hemispheres, the self-fulfilling curse of the Ottomans gathers its own unstoppable momentum.From the burning pyres of Paris to the rain-lashed mountains of Transylvania, from Buda to Basra, from Crimea to the coast of India, Christopher de Bellaigue's The Golden Throne is an intensely gripping yet entirely historical reconstruction of the life and world of the most feared and powerful man of the sixteenth century, revealing the price of succession and the terrible cost of success. Christopher de Bellaigue is an author, journalist and founder of The Lake District Book Festival. The Golden Throne is the second book in a trilogy. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Andrew Wilson, "I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes" (Grand Central Publishing, 2026)
1w ago00:43:23Tap to summarizePublishing one hundred years after her birth, Andrew Wilson’s biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe’s psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Thomas S. Mullaney, "How We Disappear: A Personal History of Information" (W. W. Norton, 2026)
1w ago01:16:02Tap to summarizeThis is the third time I have the great fortune of interviewing Tom Mullaney. I can hardly think of a more worthy ambassador for the history discipline, and the work we are discussing today, I believe, will serve as the perfect bridge from Tom’s historical scholarship to the wider, reading public. We are discussing Tom’s latest book, How We Disappear: A Personal History of Information (W.W. Norton, 2026). Tom’s book takes on some of the most philosophically rich ideas at the center of both history and memory. Over time, things come apart: objects, archives, ephemera, people, memories, histories. For millennia, we relied on common tools to remember the past: oral tradition, writing, and artifacts. In under 200 years, we developed more advanced information technology like the camera, phonograph, typewriter, computer, and more. The information encoded by these devices has a shelf life too, decaying over time, disintegrating, becoming obscured, getting deaccessioned. How We Disappear explores this process through the lens of family tragedy: the death of Tom’s parents and the attempts to recover and remember the past. What happens when we try to recover the lives of our parents, the people who shape our world, and what do we do when we discover the unexpected? To take us through his brilliant new book, I’m pleased today to have Tom Mullaney on the podcast. Thomas S. Mullaney is Professor of History and UNESCO Chair in Digital Futures at Stanford University. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Fred S. Naiden, "Railroaded: A Motorman’s Story of the New York City Subway" (Rutgers UP, 2026)
1w ago00:35:57Tap to summarizeFred S. Naiden, professor emeritus of history of at the University of North Carolina at Chapel Hill, is an authority on the ancient world. In the 1980s in New York City, however, he was New York City Transit Authority Employee number 4046. He cleaned subway platforms and restrooms, drove subways and locomotives, and belonged to Local 100 of the Transport Workers Union. All of these experiences inform his book, Railroaded: A Motorman’s Story of the New York City Subway (Rutgers UP, 2026), published by Rutgers University Press. The book covers his work, his life in New York before gentrification, and how the subway system is embedded in the city’s history. Robert W. Snyder, interviewing for the New Books Network and the Gotham Center for New York City History, is professor emeritus of Journalism and American Studies at Rutgers University. His books include Transit Talk: New York’s Bus and Subway Workers Tell their Stories (New York Transit Museum/Rutgers University, 1997). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Philip Norman, "Mr. Moonlight: Brian Epstein and the Making of the Beatles" (Da Capo Press, 2026)
2w ago00:39:58Tap to summarizePhilip Norman's latest biography, Mr. Moonlight (DaCapo Press, 2026) is the definitive, comprehensive biography of Brian Epstein--the man who built the Beatles. There will never be another pop manager like Brian Epstein, the young record-retailer from Liverpool behind the 20th century's greatest romance. Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "the Boys," protecting and pampering them like the children he could never hope to have. Due to his homosexuality--and possibly his Jewishness--Brian received no public honor (or even thanks) for this incalculable contribution to Britain's exports, let alone the national morale. He may not have been the best dealmaker for the Beatles, but in his hands, their guiding principles were always good taste, niceness to their fans, and value for money. Yet his only tangible memorials are a blue plaque marking his former office in London's theatreland and a modest bronze statue near the site of his family's electrical goods store in Liverpool. Mr. Moonlight draws on a cache of never-before-heard audio interviews to tell the story of this hugely complex, self-contradictory, and ultimately tragic character. From his Pre-Beatles years--the eight different expensive private schools at which he failed to shine, his problematic career as an army National Serviceman, his vague ambitions to be a couturier--through his management of the Beatles, where he turned a quartet of unruly young musicians in cracked black leather into a worldwide religion, up to his supposedly "incautious" overdoses in 1967 at aged 32, and the calamity that followed. As John Lennon said upon hearing the news, "Then we're fucked!"--and they were. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Xiaobing Li, "China’s Mahan: Admiral Liu Huaqing and the Rise of the Modern Chinese Navy (Naval Institute Press, 2026)
2w ago00:33:44Tap to summarizeIn 2012, China debuted its first aircraft carrier, the Liaoning, a refurbished Soviet-era ship from Ukraine. The debut of the Liaoning was largely thanks to a longtime pressure campaign by Liu Huaqing, the onetime leader of the People’s Liberation Army Navy and the man responsible for transforming China’s naval strategy. (China now has three carriers, and is building a fourth). When Liu began his career, China saw its military victories as coming primarily via land warfare; Liu, over decades, forced China to take naval combat seriously. Xiaobing Li writes about Liu’s life in his book China’s Mahan: Admiral Liu Huaqing and the Rise of the Modern Chinese Navy (Naval Institute Press, 2026), from his early career in the aftermath of the Chinese Civil War and finishing with his long push to start China’s aircraft carrier program. Xiaobing Li, professor of history and Don Betz Endowed Chair in International Studies at the University of Central Oklahoma, is the author of The Dragon in the Jungle, Attack at Chosin, Building Ho’s Army, History of Taiwan, and The Cold War in East Asia. He is the executive editor of the Chinese Historical Review. Li served in the PLA in China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Where Harlem Rests at the Woodlawn Cemetery
2w agoTap to summarizeA cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so. In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker. While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition. The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm. You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast. His recommended reading list is available on the Additions to the Archive Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Samantha Ellis, "Always Carry Salt: A Memoir of Preserving Language and Culture" (Pegasus Books, 2026)
3w ago00:49:38Tap to summarizeI had the privilege of speaking with writer Samantha Ellis about her deeply moving new book, Always Carry Salt: A Memoir of Preserving Language and Culture (Pegasus Books, 2026). Our discussion explored not only the story of a disappearing language, but also the broader questions of memory, identity, and what it means to inherit a fragile cultural legacy. At the heart of Ellis’s book is Judeo-Iraqi Arabic—also known as Baghdadi Jewish Arabic or Hakimalna—a language once spoken by the Jews of Iraq. Rich with layers of Hebrew and Judeo-Babylonian Aramaic, it reflects over two millennia of Jewish life in the region. Today, however, it stands on the brink of extinction. As Ellis shared, a language is considered endangered when it is no longer passed on to children, and Judeo-Iraqi Arabic may have only about a thousand speakers remaining worldwide. Within a generation, it could fall silent. Ellis described a powerful turning point in her own awareness: a casual question from another parent about why she was not sending her son to a nursery that spoke “her language.” Her spontaneous response—“my language is dead”—became the catalyst for the journey that led to this book. That moment captures the quiet grief of linguistic loss, but also the urgency of preservation. Our conversation traced the long arc of Iraqi Jewish history, beginning with the Babylonian exile in 597 BCE. Iraqi Jews lived in the region long before the arrival of Arabic, shifting over centuries from Hebrew to Aramaic and later to Arabic, while preserving distinctive linguistic features from earlier eras. This layered history lives on in the language itself. Yet the mass departures of Iraqi Jews in the mid-20th century—particularly the 1950–51 airlift—fractured this continuity. Today, only a handful of Jews remain in Iraq. And yet, as Ellis emphasized, culture does not disappear all at once. Language may fade, but other forms of transmission endure. Food, in particular, becomes a powerful vessel of memory. Ellis initially resisted including recipes in her book, but came to understand that cooking is itself a kind of language—a sensory bridge to the past. The image of her mother carrying three rolling pins from Iraq is emblematic of this continuity: tangible objects that hold intangible heritage. Even the book’s title gesture—“always carry salt”—evokes protective practices familiar across Mizrahi communities, small rituals that encode belief, memory, and identity. We also discussed the remarkable story of the Iraqi Jewish Archive, discovered in 2003 in the flooded basement of Saddam Hussein’s secret police headquarters. The archive contains hundreds of thousands of documents—school records, letters, communal registers—offering an intimate portrait of everyday Jewish life in Iraq. Today, innovative projects are using AI to transcribe and translate these materials across multiple scripts, making them accessible to descendants and scholars alike. Yet the archive’s ultimate fate remains uncertain, raising complex questions about ownership, memory, and cultural restitution. A particularly resonant theme in our conversation was Ellis’s struggle with authenticity. As a second-generation Iraqi Jew raised in the UK, she grappled with whether she had the “right” to tell this story, especially without having visited Iraq herself. Her resolution—to be “authentic to me”—offers an important model for thinking about diasporic identity. Preservation, she suggests, does not require perfect replication. It allows for adaptation, creativity, even reinvention. One can honor tradition while also “messing with it,” whether by adjusting a recipe or reimagining inherited practices. Ellis introduces a beautiful concept she calls “milk language”—the language absorbed in early childhood, through intimacy and care, even if it is not the dominant language of one’s environment. This idea invites us to reconsider how language lives within us, not only as a tool of communication but as a carrier of emotional and cultural memory. As an educator, I was especially struck by Ellis’s closing insight and her implicit call to action: to speak with our elders while we still can. There is a profound difference between hearing fragments of family stories in childhood and sitting down, as an adult, to listen fully and intentionally. These conversations do more than preserve history; they create connection, continuity, and a deeper sense of self. Always Carry Salt is not only a memoir. It is an invitation—to remember, to document, and to carry forward what might otherwise be lost. In a time when so many cultural threads are at risk of unraveling, Ellis’s work reminds us that preservation begins with attention, with curiosity, and with the willingness to listen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Emily Doucet, "Inventing Nadar: A History of Photographic Firsts" (Duke UP, 2026)
3w ago01:08:10Tap to summarizeFélix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar: A History of Photographic Firsts (Duke UP, 2026), Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Transcribe →Colin Flahive, "The Galaxy's Last Ride: Shifting Gears in Rural China" (Earnshaw Books, 2026)
3w ago00:46:39Tap to summarizeColin Flahive is an American entrepreneur and writer who has spent more than two decades living and running social enterprises in southwestern China. He is best known as one of the founders of Salvador's Coffee House, which is a hub of international exchange in Kunming, the capital of Yunnan province. In this New Books Network episode, we talk with Colin about his latest book, The Galaxy's Last Ride: Shifting Gears in Rural China (Earnshaw Books, 2026). The Galaxy's Last Ride is a rich combination of memoir, travelogue, and oral history that explores China's sweeping development through a deeply personal lens. The book weaves together several strands—a 2,500-kilometer solo motorcycle journey that Colin took across rural China during the height of the COVID-19 pandemic, the personal stories of Salvador’s employees, and recollections from Colin’s past travels—to paint a part-insider-part-outsider portrait of China’s evolutions over the last two decades. Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
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