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Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

I n The Invention of Order: On the Coloniality of Space (Duke University Press, 2026), Don Thomas Deere retraces the colonial origins of spatial organization in the Americas and the Caribbean and its lasting impact on modern structures of knowledge, power, race, gender as well as understandings of global modernity. The coloniality of space dispossessed Indigenous, African, and mixed populations as it constructed new systems of control and movement. Deere demonstrates how these developments manifested, among other forms, in urban grid patterns imposed during the development of Spanish colonial cities as well as totalizing trade routes crisscrossing the Atlantic. Drawing on a range of thinkers including Enrique Dussel, Édouard Glissant, and Sylvia Wynter, Deere reveals how movement—who travels, who settles, and who is excluded—becomes an essential component of control under colonial rule. Against the violence of spatial reordering, Deere outlines how novel forms of resistance and insurgency geographies still take hold, particularly in the Caribbean, where landscapes remain excessive, eruptive, and uncaptured by the order of modernity. Don Thomas Deere is Assistant Professor in the Philosophy Department at Texas A&M University. He previously taught at Wesleyan University and received his PhD with distinction from DePaul University and BA from Cornell University. He is a Mellon Mays fellow and the recipient of a Mellon Career Enhancement Faculty Fellowship. His research focuses on the intersections of Latin American, Caribbean, and Contemporary Continental Philosophy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In 1898, on the eve of the Spanish-American War, the US Army seemed minuscule and ill-equipped for global conflict. Yet over the next fifteen years, its soldiers defeated Spain and pacified nationalist insurgencies in both Cuba and the Philippines. Despite their lack of experience in colonial administration, American troops also ruled and transformed the daily lives of the 8 million people who inhabited these tropical islands.How was this relatively small and inexperienced army able to wage wars in Cuba and the Philippines and occupy them? American soldiers depended on tens of thousands of Cubans and Filipinos, both for military operations and civil government. Whether compelled to labor for free or voluntarily working for wages, Cubans and Filipinos, suspended between civilian and soldier status, enabled the making of a new US overseas empire by interpreting, guiding, building, selling sex, and many other kinds of work for American troops. In The Work of Empire: War, Occupation, and the Making of American Colonialism in Cuba and the Philippines (UNC Press, 2025), Justin Jackson reveals how their labor forged the politics, economics, and culture of American colonialism in Cuba and the Philippines and left an enduring imprint on these islands and the US Army itself. Jackson offers new ways to understand the rise of American military might and how it influenced a globalizing imperial world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Reclaiming Colonial Architecture ( Routledge, 2024) explores the built inheritance of colonialism and considers how architects, heritage practitioners, students, communities, and activists might narrate, care for, transform, or challenge them today. Awarded the SAHGB’s Colvin Medal in 2025, the book draws on a variety of authors to combine historical context with thematically organised case studies across urban and architectural scales. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural History at the University of Manchester. His research explores nineteenth-century European architecture, focusing on artistic techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone : Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance (Rutgers UP, 2026) examines what the emergence of quiet as an elite aesthetic, privilege, and entitlement means for minoritized people who are often narrated as loud, disruptive, and disturbing, sonically, visually, and otherwise. Taking the Caribbean and its diasporas as its key sites of study, the book explores what we can learn from efforts to transform the region into the quintessential site of quiet leisure, in part, through the enactment of regimes of sonic discipline and surveillance directed against its majority Black population. Analyzing the work of Afro-Caribbean artists that catalog and critique sonic surveillance, the book questions the ways that quiet gets produced both as a regulatory ideal of racial, gender, sexual, national, and civilizational belonging and as a universal object of desire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Despite being a major figure of Haitian literature, Jean-Claude Charles (1949-2008) has received relatively little scholarly attention to date. Jean-Claude Charles: A Reader's Guide (Liverpool UP, 2022) seeks to serve as an introduction to the work and universe of this unique and capital writer to an English-language readership. The essays in the collection are organized along three major axes: contextual articles, placing Charles' work within the larger Haitian literary landscape, punctual articles, addressing specific themes in a selection of Charles' books, and author testimonials, attesting to Charles' work's importance both to his contemporaries and to a new generation of writers. With the ongoing republication of Charles' work by Mémoire d'encrier in Montreal, and the increasing interest in the author, the proposed volume is timely and necessary, and is in large part a critical accompaniment to the republishing programme. Described by Dany Laferrière as "most brilliant Haitian author of his generation," Charles has until recently remained largely unread and little understood. As the various chapters in the volume show, Charles is an author for now, and the collection will accompany readers seeking strikingly original insights on issues such as race, migration, and exile, and the role of the author and literature in times of crisis. Guest Eliana Văgălău is Associate Professor and director of the French program at Loyola University Chicago. Her research on francophone Caribbean literature and contemporary philosophy focuses on the relationship between aesthetics and politics, as well as on questions of transnationalism, diaspora, and sexuality. In addition to co-editing this volume, she has published articles on the work of authors such as Maryse Condé, James Noël, and Jean-Claude Charles. As a founding member of the Collectif Jean-Claude Charles, she dedicates much of her work to making visible the work of this fundamental Haitian author. She has published translations of literary and philosophical texts and is currently completing an essay on contemporary French Caribbean fiction. By teaching a course on Black Paris, her extensive collaborations with contemporary Black artists and writers living in France today, as well as serving as co-organizer of the Black Europe Symposium in 2023 at Loyola University Chicago, she has developed a secondary research interest in the city of Paris as achief site of Black transnational encounters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

An exploration of Caribbean cuisine and culinary history, featuring more than 380 authentic home cooking recipes from across the region Caribbean cuisine reveals a culture of boundless imagination and creativity. It is the result of resourcefulness and ingenuity, where the need to survive and thrive shaped dishes that stand as powerful representations of its various cultures. In The Caribbean Cookbook, chef Rawlston Williams celebrates the diverse foods, flavors, and culinary traditions of this vibrant region. Featuring more than 380 recipes from 28 countries and island nations, the book includes classic marinades, sauces, and preserves; broths and soups; rices, grains, and vegetables; and chapters dedicated to Sea & River, On Land, Flour, Sugar, Juice, and Rum. The iconic ingredients synonymous with the Caribbean - citrus, nutmeg, coconut, tamarind, pimento, pineapple, rum - are showcased throughout, with spices as the stars, elevating other ingredients to create layered and satisfying dishes. This intensively researched recipe collection includes both beloved classics and lesser-known specialties. Home cooks around the world will discover Jamaica's Jerk Chicken and Dominica's Callaloo Soup; Puerto Rico's plantain-based Mofongo; Green Fig Salad from Saint Lucia; Haiti's Seafood Creole; a sweet Cashew Cake from Aruba; and other authentic dishes. There's plenty for armchair travelers to enjoy, too: Rawlston's descriptions of the islands' histories, culture, and traditions bring each recipe to life, while stunning color photography of the food and landscapes offers a whirlwind journey across one of the world's most beautiful destinations. Beautifully designed in bold tropical shades, The Caribbean Cookbook is a powerful, joyful ode to the many flavors of this incredible region. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in the Department of Africana Studies from Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity ( U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations. Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Why did Langston Hughes's translations of Mexican and Cuban stories go unpublished for nearly a century? A landmark book—the first complete publication of Langston Hughes’s translations of thirty-three stories by eighteen Mexican and Cuban writers In late 1934, Langston Hughes, already established as a leading voice of literary Black America, traveled to Mexico City, where he stayed for more than five months and began translating short fiction by prominent Mexican and Cuban writers. These stories, as he wrote to a friend, explore “the revolutions and uprisings, sugar cane, Negroes, Indians, corrupt generals, [and] American imperialists,” and are “mostly all left stories, because practically all the writers down here are left these days.” But when Hughes proposed publishing the stories as a book, to be titled Troubled Lands: Stories of Mexico and Cuba as Translated by Langston Hughes (Princeton University Press, 2026), his agent discouraged him from further pursuing the project and it remained unpublished, until now, with only a handful of the translations making their way into contemporary magazines. This volume presents Hughes’s translations of these stories together for the first time as he originally envisioned. Edited by Ricardo Wilson, the book also features an introduction and brief biographies of the included writers. Troubled Lands features thirty-three stories by eighteen writers, including Rafael Felipe Muñoz, Nellie Campobello, Lino Novás Calvo, Luis Felipe Rodríguez, Germán List Arzubide, Pablo de la Torriente-Brau, and Juan de la Cabada. The collection depicts Mexico in the wake of its revolution and Cuba in the years between the brutal regimes of Machado and Batista. Hughes was a noted translator of poetry, but his commitment to translating fiction is less well known. Troubled Lands provides a window into this important dimension of his work and illuminates his deep interest in Mexico and Cuba. Ricardo A. Wilson II is a creative writer and scholar. He is associate professor of English at Williams College and founder and executive director of The Outpost Foundation. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Underneath picturesque views of palm trees, fruity cocktails in hotel lounges, and day trips to preserved colonial zones lies a history of tourism design that intersects with larger projects of development and national and cultural identity formation. Locating modernity and coloniality as the key framework within which tourism development takes place, Development Design: Hotels and Politics in the Hispanic Caribbean (U Pittsburgh Press, 2025) by Dr. Erica Morawski focuses on hotel design and its relation to larger urban and rural landscapes to uncover the way these seemingly carefree spaces are bound to local politics and international relations. Focusing on three sites in the Hispanic Caribbean—San Juan, Ciudad Trujillo, and Havana—Dr. Morawski traces different attitudes and approaches to tourism and its material design through five hotels that serve as case studies. Through examination of wicker chairs and lobby interiors, architecture and landscaping, public works and urban planning, Development Design illustrates the integral role hotel design played in negotiated and contested histories of development in Puerto Rico, the Dominican Republic, and Cuba. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies