Podcast
New Books in Poetry
Hosted by New Books Network · EN
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
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30episodes
Episodes
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In Praise: A Conversation with Texas Poet Laureate & Founder of Torch Literary Arts, Amanda Johnston
3d agoTap to summarizeIn 2006 poet Amanda Johnston went in search of community and, when she didn’t find what she was looking for, Amanda built her own. Today, Torch Literary Arts is a resource and a destination for Black women writers and readers across the diaspora. Fueled by wisdom and writings from poets, novelists, and screenwriters, the organization’s exceptional programming and award-winning magazine amplify Black women’s voices, and has featured work from poets like Patricia Smith, Yona Harvey, and Toi Derricotte, screenwriters and playwrights like Jonterri Gadson, Charla Lauriston, and Lisa B. Thompson, and novelists like Tayari Jones, Crystal Wilkinson, and Sapphire. And at a time when Amanda is preparing for Torch’s 20th Anniversary celebration, “A Gathering of Flames,” she is also celebrating the publication of a new book in her capacity as the 61st Texas Poet Laureate, Praisesong for the People: Poems from the Heart and Soul of Texas (Host Publications, 2025), showcasing original praise poems commissioned from poets across the state, and seeking to uplift diverse and intersecting populations across age, gender, and BIPOC, LGBTQIA+, differently-abled, and immigrant communities. You can find Amanda at her website, on Instagram, and on Threads. And check out Torch Literary Arts, Torch Magazine, and follow the organization on Instagram, Facebook, and Threads. Want to hear more from Amanda about the journey to Torch’s 20th Anniversary? Check out our continued conversation on Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Donna Vorreyer, "Unrivered" (Sundress Publications, 2025)
2w ago00:49:33Tap to summarizeIn this NBN episode, host Hollay Ghadery speaks with Donna Vorreyer about her poetry collection, Unrivered (Sundress Publications, 2025). Donna Vorreyer strikes gold with Unrivered, a stunning collection of poems that meditate on grief, regret, longing, self-love, and acceptance. Reeling from the loss of her parents, Vorreyer’s speaker is forced to grapple with her own mortality, and with the complicated feelings that come with aging. At times whispering softly in our ears, at times spitting venom with every word, Vorreyer charts the ways loss impacts the body and our perceptions of self, and how we are to keep on living. With a heroic sonnet crown woven through the book like the loose stitches in her grandmother's quilt, Vorreyer offers hope, courage, and gratitude in the face of our deepest fears. The result is a masterful and gripping story of loss and acceptance. Offering up rending, apocalyptic elegy, ironic detachment, or passionate, joyful celebration of life, Unrivered is bound to both take your breath away and give it a new form. Donna Vorreyer is the author of four full-length poetry collections: To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), and Unrivered (2025), all from Sundress Publications. Recent work has appeared in Ploughshares, Poet Lore, Colorado Review, Harpur Palate, Baltimore Review, and Booth. Her visual art has been featured in North American Review, Waxwing, About Place, Penn Review, Ilanot Review, Double Back Review, Pithead Chapel, and other journals. Donna currently lives and creates in the western suburbs of Chicago and runs the online reading series A Hundred Pitchers of Honey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Poet-Prophet of American Democracy: Walt Whitman’s Vital Political Prose
3w agoTap to summarizeWalt Whitman’s outrage at American politics and politicians was surpassed only by his passionate faith in democracy’s future. Both his anger and his hope fire his visionary prose writings on democracy, gathered for the first time in a new Library of America paperback edited by acclaimed political commentator and literary critic David Bromwich. Join Bromwich, Mark Edmundson (author of Song of Ourselves: Walt Whitman and the Fight for Democracy) and Karen Karbiener (The Modern Scholar: Walt Whitman and the Birth of Modern American Poetry) for an exploration of our essential poet of democracy and his prophetic vision for the country that speaks directly to our present moment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Laurie D. Graham, "Calling It Back to Me: Poems" (Random House, 2026)
3w ago00:50:41Tap to summarizeIn this NBN episode, host Hollay Ghadery interviews acclaimed poet Laurie D. Graham about her new book of poetry, Calling it Back to Me (McClelland & Stewart, 2026). A poet’s clear-eyed witnessing of familial history, this is the most personal collection yet from two-time Trillium Book Award finalist Laurie D. Graham. In these searching, spare, and resonant poems, Laurie D. Graham traces the story of her great-grandmothers’ lives before and after they left their homelands and settled on this continent, striving to understand how she came to be here and writing the act of colonization as it exists in her own family history. This collection’s fractured lines, time-weathered yet alive with detail, reflect a family’s knowledge broken by global immigration and memory loss, both individual and collective. The result is a courageous reckoning with the legacy of leaving home. With tender curiosity and a determination to bear unflinching witness, Calling It Back to Me: Poems (Random House, 2026) asks: When language and memory are so tenuous, what is it that gets passed down between generations? LAURIE D. GRAHAM grew up in Treaty 6 Territory, near amiskwacîwâskahikan (Edmonton, Alberta), and she has lived in Nogojiwanong/Peterborough, in the Territory of the Mississauga Anishinaabeg, since 2018, where she is a poet, an editor, and the publisher of Brick magazine, a journal of literary non-fiction based in Toronto. Her first book, Rove, was shortlisted for the Gerald Lampert Memorial Award for the best first book of poetry in Canada. Her second and third books, Settler Education and Fast Commute, were both nominated for Ontario’s Trillium Book Award for Poetry. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Jaime Forsythe, "Yield" (Buckrider Books, 2026)
3w ago00:33:32Tap to summarizeIn her third collection, Nova Scotian poet Jaime Forsythe has created an elegant long poem with Yield ( Buckrider Books, 2026). In these dreamlike lines a mother faces the postpartum void from a porous house by the ocean as the veil between land and sea, and between being lost and being found, grows thinner. With repeated waves of couplets Forsythe brings the reader unforgettable images: a pom-pom that hardens into a sea urchin, an underwater dance club, a coast that melts into the sea. Delicately tracing the disorientation and dark edges of new motherhood, this is a collection that embraces beauty and ambiguity with a baby that roots for milk while what's ancient—whether history or memory—floods in. Jaime Forsythe's previous books are I Heard Something (Anvil Press, 2018) and Sympathy Loophole (Mansfield Press, 2012). Her poetry and fiction have appeared in Arc, EVENT, Grain, The Malahat Review, Geist, The Ampersand Review and This Magazine, among others. She holds an MFA in Creative Writing from the University of Guelph and currently lives close to where she grew up in Nova Scotia/Mi'kma'ki. Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Amrita Chowdhury and Ujaan Ghosh trans., "Baidehisha Bilasa: The Amorous Plays of Sita’s Husband" (Wide Open Window Books, 2025)
4w ago00:54:35Tap to summarizeAmrita Chowdhury and Ujaan Ghosh bring into English for the first time a long-inaccessible masterpiece of South Asian literature Baidehisha Bilasa: The Amorous Plays of Sita’s Husband (2025). Composed in the late seventeenth century by Upendra Bhanja — the Odia prince-poet hailed as Kavi Samrat, the Emperor of Poets — the work is a Ramayana that privileges shringara, the erotic sentiment, over martial heroism. Rama-the-lover overshadows Rama-the-warrior, and his conjugal life with Sita takes center stage in a poem dense with puns, classical ragas, and chitrapadya — word-arrangements that resolve into wheels, chariots, and arrows on the page. Famously, every verse begins with the letter ba, and the text has long been considered untranslatable. With a preface by Wendy Doniger, Chowdhury and Ghosh's decade-long translation preserves the strangeness and sensuality of the original while opening it to a new readership. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →chaun webster, "Without Terminus: untraining an archive" (Greywolf, 2026)
May 26Tap to summarizeIn his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss. You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack. Follow chaun webster on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Barry Devine and Ellen Scheible eds., "Teaching James Joyce in the Twenty-First Century" (UP of Florida, 2025)
May 2300:46:06Tap to summarizeA guide for today’s classrooms, this collection from leading Joyce scholars explores innovative pedagogical approaches to the works of this often-challenging writer Teaching James Joyce in the Twenty-First Century (UP of Florida, 2025) presents examples of bold, innovative pedagogical techniques instructors have used to adapt the study of Joyce’s work for the contemporary classroom. Leading Joyce scholars share approaches that go beyond the traditional university lecture hall to include experiences teaching high school students, senior citizens, art students, book club members, and people in prisons. The strategies in this inspirational volume range from class discussions to creating art and music to walking city streets. Works examined include the complex Finnegans Wake and the influential modernist milestones Ulysses and A Portrait of the Artist as a Young Man. While Joyce is often viewed as an essential and foundational author of Irish literature, contributors to this volume argue that the spirit of Joyce’s writing is global, and they offer suggestions for teaching these works in an international context. Students are often daunted by the perceived difficulty and inaccessibility of Joyce, but this volume helps both new and experienced teachers of Joyce make the writer’s texts understandable, relatable, and even fun. These authors argue that reading Joyce helps develop skills in holding and interrogating opposing ideas, skills that are essential in navigating the modern academic and political landscape. In grappling with Joyce, students will recognize his writing as relevant and urgent. Barry Devine is associate professor of English at Heidelberg University. Ellen Scheible is professor of English at Bridgewater State University. Scheible is the author or editor of many books, including Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland. Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Alex Averbuch, "Furious Harvests" (Harvard UP, 2026)
May 2200:48:15Tap to summarizeFurious Harvests ( Harvard University Press, 2026) transports readers to Alex Averbuch’s homeland of eastern Ukraine. Amid the bloody destruction brought by Russia’s war of aggression, the poet toils in fields of memory, reaping lyrics from family archives and mementos to amass testaments to the complex and painful histories of this place and its peoples. A family tree, letters to home, and the faint scent of a grandmother’s dress kept in the back of a closet speak to histories of inter-ethnic violence, WWII forced laborers, and the Holocaust. Mixing dialects, styles, registers, and voices, Furious Harvests—presented in a bilingual edition—defiantly cries out in its rage and longing toward reconciliation of the self and other. Alex Averbuch is assistant professor of Ukrainian literature and culture in the Department of Slavic Languages and Literatures at the University of Michigan. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Transcribe →Elizabeth Bradfield's Books in Dark Times (JP)
May 2100:30:11Tap to summarizeFor the RtB Books in Dark Times series back in 2021, John spoke with Elizabeth Bradfield, editor of Broadsided Press, poet, professor of creative writing at Brandeis, naturalist, photographer. Her books include Interpretive Work, Approaching Ice, Once Removed, and Toward Antarctica. She lives on Cape Cod, travels north every summer to guide people into Arctic climes, birdwatches. Liz is in and of and for our whole natural world. Did poetry sustaining her through the darkest hours of the pandemic? What about other sources of inspiration? Mentioned in the episode: Eavand Boland, “Quarantine” (from Against Love Poetry; read her NY Times obituary here) Maeve Binchy, “Circle of Friends“ Sherwood Anderson, Winesburg, Ohio Edgar Lee Masters, Spoon River Anthology Louise Gluck Averno and Wild Iris Brian Teare, Doomstead Days Derek Walcott, “Omeros“ W. S. Merwin, “The Folding Cliffs” Natasha Trethewey, “Belloqc’s Ophelia“ Yeats, “We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.” Nest, Eggs and Nestlings of North American Birds (Princeton Field Guides) Trixie Belden Shel Silverstein Lois Lowry, “The Giver“ Liz equates poetry and Tetris Leanne Simpson, “This Accident of Being Lost“ Elizabeth Bradfield, “We all want to see a mammal“ Listen and Read Here: Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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