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Aycee Brown, "Embody Your Magic: Create the Life of Your Dreams Through Astrology, Numerology, Mediumship, Metaphysics, and Human Design" (HarperOne, 2026)
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A
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A
Welcome to the New Books Network.
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C
Hi, this is Rebecca Buchanan, host at New Books Network and today I'm here with A.C. brown to talk about her latest book, Embody youy Magic. AC, thanks for being here with me today.
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D
Thank you for having me. I am so excited to be here.
- [02:23]
C
Could you start out by talking a little bit about how this book came to be? Why you wanted to write it and a little bit about it.
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D
Sure. Well, I didn't want to write the book. No. And let me, Let me, Let me. Let me rewind. So during 2020, at the time, I don't know, spirit was just like, get up and channel every day on Instagram Live. So I did that for 75 days straight. I got up probably between 8 and 9, and I channeled. Then we did like, a Q and A. Did that for a while. And then during that time, I had downloaded kind of the embodiments, the questions, and then I link together all of the other modalities to it, and then I just literally had it on a Google Doc. The first. What came to me was, was the embodiments and then the questions that came to me, like, one day during that whole, you know, the beginning of the pandemic, and I just, like, took out my phone and I wrote it in my notes app on my phone, and then, you know, just kind of went back to sleep, and then I transferred it into a Google Doc, all of that. And so then I just started working on it and just started like, okay, this could be something. But I left it alone. I used it to coach a few clients to work with, but I just left it alone. And then I had this really huge urge. I was like, all right, I'm. I think I'm ready to write my book. And I hired someone to help me who's been in the book industry for. In the publishing, excuse me, for a very long time to help with the proposal. So we had met probably around January of 2022, and I was like, okay, I'm going to figure it out. I'll be ready sometime this year. So I figured it out. We started working on the proposal. She was like, well, what do you want to write about? And I was like, you know what? I want to write this, like, this channel to guidance and, you know, and move people and talk about, you know, the collective and, you know, just how my guides kind of come through. And she was like, okay, that doesn't sound like a great idea, but it sounds great, you know, because I had. What I did was I took all of my channels that I did from Instagram and I transcribed them. And so that was essentially, I was like, I want to, like, start from here because I, like, I said channel for 75 days. I have this. Still have this whole document, right? And she was looking at it. She was like, oh, you know, well, this is not a book, you know, because she's been in the Industry, you know. So she was like, okay. And then I said, all right, let me think about it. And then something said, we'll show her the embodiments. Show her the stuff about the canyon, all of that stuff. And I was like, I don't want to. I was like, I don't want to show her that. So I sent it to her. And she was like, this is the book. And I was like, are you sure? And she was like, yeah, this is the book. I was just like, okay. And then we started working on the proposal. Literally only at that time, maybe three people knew I was working on a proposal. That's how enclosed it was. About a month into us working on the proposal, I get an email from my editor at my publisher now. And she's like, hey, I got your name from a colleague of mine, a friend of mine, and have you ever thought about writing a book? This is literally like a month. And no one knows that. I'm sorry. I message. I was actually voxed. I voxed. This is app called Voxer. So I voxed my friend. I said, hey, I just got an email from, you know, such and such@harper1. She was like, oh, yeah, she works at a big publishing company. She asked me if I wanted to write a book. I told her, hell, no, I don't want to do that. And, you know, she's younger than me. She was like, I know somebody who's ready. And I told her, I said, you know, I'm working on a proposal. She was like, oh, my God, I have chills. I said, because nobody knew. So I had the meeting, and then it just. Everything aligned, and then that's how I have my book.
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C
So you have this book, and I want to get into kind of talking through what you talk about, but this is not for. I mean, a book that you just kind of read. Like, you kind of say at the beginning, like, right. So can you kind of talk about your goal for people with this book, how you do the book?
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D
Yes. So I put that in the beginning. So interesting. When I was writing that, I wanted that to be very prevalent. This is not a book you read, it's a book you do. Um, because when it comes to mind, body and spirit category, you know, there's. Everybody's always selling these concepts, these ideas and these things, and people like, oh, yeah, I read that book and, you know, I learned this, and it was just like, nah, no, you didn't. And it's not a bad thing, but we consume a lot of information. I tell people this all the time. This is in our lifetime right now, where we are in 2026. This is the most information that we've had access to, more information than your parents, than your grandparents and your great. We have information galore. And so even thinking about the future, because I didn't know when the book was going to come out, I was like, they need to do the book. And so doing the book, because I know. Doing the work of healing, of transforming, of getting over stuff, of learning how to work with your triggers, all of those things, they work. But you actually have to do it. You actually have to go through the process. You actually have to ask the questions. You actually have to do these things. They don't just happen because you read it and you understand a concept. So that was my big thing, is that you have to do the book because the book can help you if you answer the questions, if you do the things.
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C
So you have kind of broken this up for people to kind of look through and think about themselves. And you start with this idea of really knowing who you are and knowing your story. So can you talk about, like, why and like, sort of that beginning piece and grounding it in that. And then maybe we can kind of walk through the different. I love that you want people to think about and really think about anger, right? And stuff and these kinds of things. But knowing your story and why, that's really important.
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D
Knowing your story and, you know, everyone asks me this question about the book. They're saying, if. If you could tell people only one chapter to read, which would it be? It would be the first chapter, the embodiment of validation. Who am I? Knowing your story. And the reason for that is because in the work that I do as a psychic medium, spiritual guide and teacher, everyone comes to me when they're at this crossroads. I've had CEOs, public figures, celebrities like, you know, therapists, PhD ers, corporate daddies, like everybody, professors, all of these people who come to me. Everybody's at a crossroads, and they're all dealing. We're all dealing with some of the same cyclical, like, themes, right? And so the key with the first chapter, the embodiment of validation and knowing your story, that who am I is. I try to explain to people just on a soul level or a spiritual level. There was a whole ecosystem happening before you got here. There was, you know, either happiness or trauma between your mom and your aunt or your mom and your uncle, say, on both sides. You. Your soul chose this to come into something that was already happening. So it's in a way, it's like, okay, you wonder why your mother and your aunt have so much animosity with each other, or why your aunt treats you like that, or your uncle acts this way towards you, or vice versa. All of these things. It's like, because there was something happening before you got here, you were inserted. You chose this. So now when you're in this functionality of this ecosystem, of this community, whatever it is, there's something already taking place and happening that you get on you, that you feel. So how your dad treated your mom when you were in utero, how their relationship was, that's all in you. And so when you start your healing journey, those themes are connected. And so asking that question of who am I? And asking your parents, or if people know your parents, asking them the stories, like, what was happening. It makes so much sense when you find out, like, oh, well, that, well, that makes sense why this and that and how, you know, me and my mom's relationship, like, even for me, I learned so much. I was. Even though, you know, there was still trauma and there's still things even to this day with my mother, um, and, you know, her emotional immaturity and things like that, I understand her a lot more from knowing my birth story. I was like, oh, well, that makes sense why you act like this because of this.
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C
So one of the things throughout this book you look at like, psychic channeling, astrology, numerology. Can you talk a little bit about how you people. I mean, some people come to this and are invested in some of these or believe in these, and some people come and might be a little more skeptical. And you are very open. You talk about sort of where, you know, your experience with all these things. So can you talk a little bit about that and how getting people to really think about this and open up and open up their minds to things beyond just the tangible
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D
world. Yeah, I mean, well, these are all tools, right? You know, you'll hear people say, well, I don't believe in astrology. Well, astrology is not a belief system. It's a tool. It's. It's science, it's calculations, it's history. It's so many things. Even with human design, same thing, metaphysics, psychic channeling, These are all spiritual tools that help you. The reason why I put them in the book in this manner, because they all helped me at different points in my life where I look to them to heal myself and then in turn to use it in my work. And me being my baseline of being psychic, being a Medium was always there. The modalities helped enhance the things. You know. I came to astrology because I thought something was wrong with me. You know, I was hearing all this sometimes negative stuff, you know. Unfortunately, I grew up in an environment where my, one of my parents was very emotionally and verbally abusive. So I walked on eggshells. So I'm like 15, 14, like, damn, what's wrong with me? I brought myself first self help book at 13:14 because I was like, well, I'm going to get my life together. And it was just like, you're still developing. But I didn't know that. And so astrology helped me understand myself. Astrology helped me see my quirks, my different things. And then knowing my parents, astrology knowing cousins and people around me, it was like, oh, this is how we interact. This is maybe why they don't get along, all of these things. And then when you go to the other modalities, they're all tools to help you at different points of your life, different healing points, just different ways for you to interact with more self awareness and self discovery.
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C
So you kind of have this, it's not two sections. I don't know, maybe you'll describe it better than I do, but you sort of have this start of your journey and then embracing your kind of embracing what's going on. Right. And so I'm wondering if we can talk a little bit about some of that. So you start with these ideas of psychic channeling through and thinking about anger and astrology through self and numerology and thinking about alignment. And that's kind of the start of the journey. So can you talk a little bit about that in that framework?
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D
Absolutely. So I call it the canyon. The canyon is a shadow place or your shadow self. Everyone has a canyon. We all go through it at different points in our lives. It's not a one shot thing where you go through it once and then yay, you don't have to go through it again. That's not it. So the canyon, the concept with these different entry points is that these different embodiments show up in your life at different times. So it's, it's meant to not start and then complete. It's more of what do you need right now? So knowing your story, the embodiment of validation, psychic channeling is connected to the embodiment of anger, astrology, self numerology, alignment, all of that. And so you can go on it as a straight path, or if you need something and you are caught at a crossroads and you're like, I want to understand myself more, I use astrology for that. Or if I want to understand the choices that I'm making and how to make better choices or how to receive better, that is metaphysics, how to change. And everything is connected. And so each of the modalities is taking you on a journey of the soul where you will explore different parts of yourselves and step into your own story by what you explore and what you learn in the canyon.
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C
So you have people starting with that, like starting your journey and then this idea of embracing the unknown. And I think, I mean, I'm not going to speak for everyone, but I think for many people embracing the unknown is a really scary thing. Right. So can you talk a little bit about that and why it is so important to really what, like really embrace what is out there, what you don't know and what is going to come next?
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D
Well, I'm a risk taker, so I love, love embracing the unknown. However, my risk that I've taken in my life has built my character. It's helped me with my intuition, it's helped me understand myself more. And if you are someone who is not willing to embrace what you don't know, you will always get the same results. You'll always have the same thing, you will always be in the same position. There is a desire in all of us where you want to. You have this thing and you, it is pulling you, but your situation might not align with that. That desire is real, but you have to move towards it. And because you don't know what's going to happen when you start pursuing your PhD, you don't know what's going to happen. When you start interning somewhere, you start working somewhere different, where you move somewhere different. So life presents you with the unknown every day. It's really up to you to say, okay, I'm open to what can happen and I trust myself enough that it's not working for me. I know how to pivot.
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C
Right. And like, and so in that you talk about, and you mentioned a little bit of destiny and change and choice and also truth. So can you talk a little bit about that? Those ideas especially in like the idea of truth and I mean, I guess that's the one that really interests me. All right. And how we can think about and use. Because we also think about, we often think about like you're saying, like choice or we have a destiny or we can make a change. But really knowing the truth and knowing your truth, I think is really something we often don't Think about, right?
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D
Or yeah, so the embodiment of truth. And I, you know, link that to mediumship. And the reason is because when I do mediumship work, people are looking for the truth or a truth at the moment that they want to hear from the op, the, the other side, right? And we discredit how much that helps us in life. And when you finally hear the message from your grandmother that passed, or your closest cousin or someone that passed, or a friend, and they're like, it's okay, you're fine, or you need to do this, or you can do this, whatever the message comes through, whatever that connection is, there's a saying, the truth will set you free. Because it really does. When you trust yourself, when you tell yourself the truth, you have a least likelihood, and this is my belief, you have a least likelihood for, for having a life that you don't like, because at least you tell yourself the truth. You know, I, in the work that I do, and even at some points in my life, my unhappiness or my disdain was because I wasn't being completely honest with myself about what I wanted. And so we do these things as people, as souls, as humans, where, because we haven't seen it, because we don't know anybody who has it, in some cases, you know, try and tell yourself that, oh, maybe I'm asking for too much, maybe I shouldn't be pursuing this or maybe that won't exist for me. But that's not true. The truth is you want it. And once you tell the truth about wanting it, all you have to do is just take the steps towards it. You that's embracing the unknown. Something's going to unfold. So it's really about the embodiment of truth is really about coming to a place within yourself, within your mind, body and soul and saying, this is what I want. And then allowing spirit, allowing the people from the other side, your good ancestors, to kind of help you, you know, manifest that in the physical world.
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A
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D
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C
Yeah, and so another one. I mean we could. We're not going to talk about every single one. People can read, right? Or they can do your book. But like another one I thought was really interesting Is this human design formation or like that? You talk about the human design for liberation and thinking about that as chain in change. So can you talk a little bit about that and what you're thinking about and how that impacts and gets people to think about change?
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D
Well, so human design, how I explain it between astrology and human design. Astrology is the who, what, where, why of you. Human design is the how. It's how you operate in the world, how the world responds to you, how you see things. And so human design for liberation, the embodiment of change, it is the starting point once you know how to operate within the world. Because every human design aura type has a different strategy and authority, which I talk about in the book. But that helps you move on your path a little bit more easy because you're not fighting against something that's not natural to you. So human design is always positioned as an experiment. Well, just experiment with it for seven years. That's, you know, how some of the older school human design people just experiment with it. And when you do experiment with it, you'll be surprised that, oh, wow, how I can change my life by moving in the direction that is more aligned with how I am naturally positioned to receive, to give, to experience. So human design for liberation is. It was. It's more about you knowing how you work with the world. So for me, I'm a projector. The whole projector thing, strategy is waiting for the invitation. So my only job is to be my authentic self, show up, do my thing. The right invitations are always going to come. And it's never failed me. Now, before human design, I would be pushing and pushing because I come from two generators, you know, who are like, go out and get it, make it happen and do all of this and push, push, push. And then I was like, oh my gosh, it's not working for me. Why is it not working? But then the things that did work for me are things where people sought me out, people ask me to be a part of, people ask me to be in a relationship with or, you know, those type of things. Or I had these internal invitations. And so that's why it's linked to that change. Because my change has always been from an invitation. Somebody else's change might be from their initiation if they are manifester or if they're a reflector waiting 28 days. So that's why I put that with that. Because human design helps you with the how it's going to happen.
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C
So one thing, I had just finished a memoir that's going to come out. And he called it an astrological memoir. Right. So he tied everything to his interest, his belief in astrology. And so it made me think like it tied really well with like sort of looking at your book and I was wondering like, do you also. So you cover these like astrology, numerology, mediumship, metaphysics. But are there people or there ones where like, if someone was like, this is something that I'm really invested in. So like with astrology, do you feel like your book is one where you could focus on just one part or one area? Or do you think it's like you can enter with astrology but also think about how you could learn from these other parts?
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D
Both. Both and right, both and. But some people gravitate towards one then and they, you know, kind of focus on it or it lights them up. So it's written in both. You can tackle the whole thing, tackle one part, go on a deep dive and really kind of understand yourself or you can do the whole thing. I mean, if, you know, I would love to do a book on each of them, you know, but that would be a goal over, you know, maybe, I don't know, the next five, seven years to do a book on each of them to really take a deep dive. And it was actually really challenging for me because I am a very, I'm a researcher, I like to go deep. And it was just like, oh, we can't put all of this in the book. It will, you know, be 600 pages. So you know, they weren't going to do that. So I had to keep it as, okay, interesting surface, but also give you something that was meaty for you to like inquire.
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C
So yeah, I would love for you to talk a little bit about kind of the research aspect of this. Right. We often think too that, that a book kind of, I don't know if you'd call it a self help book or not, but like in that genre where we're going to do this, both participate with this book is something that we don't think about research around that a little. But you have to do research to put this together to really about this. So can you talk a little bit about that?
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D
Well, the research part was easy for me because I had been research working with all of these modalities since I was a teen. So it wasn't hard for me to pull the things because I knew about all of the people that I wrote about or anything that I wrote about that was history, I already knew about it. So it was just Easier to pull from it. But yes, you know, writing a book, regardless if it is fiction, if it's nonfiction, self help, this would be considered mind, body, spirit category. There is a very technical component to it. You write. You know, I wanted it to be part memoir, part storytelling, to see how I, you know, got to these modalities, how I got to these modalities and the technical aspect. You still have to write a book. And I know that. I know if that sounds like what. Well, you're writing from your heart, your soul, your stories, all of that. But then you still have to. There's a format. Then you have to create how the. Each chapter is gonna go. You know, I have the magical downloads at the end, right? So I have to. We had to do all of that. I had to do all of that. So it flowed and made sense. So putting in the history, you have to. Because people in general need some type of backstory on where it comes from. And also, too, I love talking about history. That's a favorite thing of mine. Have an obsession with the CIA. That's another story. But, like, I love talking about history. I love talking about different things that have happened. And so that wasn't challenging. But you do have to do that in the book. I think it makes books a lot more. I don't want to say credible or anything like that, but it just gives the reader, in my opinion, some type of source.
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C
It enhances our experience. You brought up something I did want to ask you about. So in each chapter, you have this magical motherfucking download, right? Can you talk a little bit about that? Like that, you know, because what I really appreciate is that there is. There's humor throughout this, right? There's, like, there's this relationship you've created with the audience, what you need, right? With your reader, what you need. But yeah, like, let's talk about the download and why you kind of titled it that and what that is for the reader.
- [31:03]
D
Well, my. My newsletter that I have is Magical Motherfucking Mondays. That's been my newsletter, like, for a long time. At least for, like, the last three or four years or probably even before that. I think I started that in 2020. So it's. Yeah, like, six years. My, you know, Magical Mondays. That's my, you know, newsletter title. And then the. The reason why it got kept in the book, the Magical Download, is because that's what I wanted to name the book. Your Magical Motherfucking Life. That's what I wanted to name the book. That was what was odd by actual on the proposal. And they were like, yeah, no, we need another title. And so that's how we came. I'm like, okay, I guess embody your magic, because we're talking about embodiments, and I'm talking about your magical motherfucking life. And so we got to keep the magical motherfucking downloads, because that's how I consider my download. Just like kind of my magical motherfucking downloads. And here they are. And answer these questions and figure out the next steps.
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C
So do you have, like. You have these questions within the book? This is. I don't know if. Is this something too. Have you thought about, or is there access for people to get, like, it in kind of a workbooky, a more workbook version? Right. Or there, like, you were talking about downloads. I was just. I mean, has this come up?
- [32:24]
D
Yeah, well, when you click on the. The. The QR code, it brings up a page, and you can download a PDF that has all of the questions, all of the magical downloads in one document. Would I love to do a workbook of this? Absolutely. So, you know, if the publisher listens to this, I would love to do the workbook or journal of this, because I think it would be actually needed. And it's so interesting that you bring that up is because I don't. And you talk to a lot of authors, so I don't know if anybody has, like, physically said this, but I don't think people understand the energetic lift that it takes to write a book. You are in this bubble when you're writing, and then you have deadlines and you're trying to get your point across, and there's editing, there's all of these technical things, but you're also trying to connect with your story, with the information. You want that, right? And there becomes a moment where you are actually blind to what is happening and what I mean by that. There were moments where I actually didn't see the. The fold unfolding of the whole book because I'm working visibly, you know, visually in pieces, in paragraphs. This paragraph. What do you mean by this? Or in sections. I'm not even in the editing process of having to read the book from start to finish. It wasn't a reader read, it was a technical read, where it's like, does this make sense? Does that make sense? What do you mean by this? Like, that kind of thing. So there's this. You write the book. There's this period of seeing the book as pretty much a puzzle, and you're just like, oh, I don't even know what's happening. And so when people read it, it's actually, well, this is my first book. I'm sure for people who have written multiple books and published multiple books, this is my first experience with someone reading the whole thing from start to finish or a chapter. And, oh, you do understand. You do comprehend it. And that sometimes is shocking because I don't have the same. The eyes that you are looking at it from. You picking up the book. And here it is. I'm seeing it from a technical perspective because that's how I've been sitting with it for the last two and a half, almost three years, from very technical, getting my story out, telling the story in the best way, editing, moving things around, all of that stuff, and it kind of muddles the picture. So I say that to say is that you are almost, you know, being a psychic as an author, because you have. You're starting from wherever you are kind of predicting what the story is, what the flow is, what the lessons are that you want to teach people. And you just don't know how they're going to land. But there's a part of you that's like, this is how I'd like it to land. But that's, of course, your publisher and your editor. That's their goal, to kind of make it happen. And so I think it was done well, but there were moments where I just couldn't see. I'm like, this. I was like, does this even make sense? Like, what's happening? I mean, there was a point where, because I hired an independent copy editor, and I was like, let's just start all over. She was like, absolutely not. We were like three chapters in. She was like, yeah, we can't do that. We can't start all over. She was like, let me move some things around. And so I remember her. She said, I printed out all the pages and I moved some things around. We're good. And I'm like, are you sure? I was like, we should just start from scratch. And she was like, absolutely not. We can't. I love that.
- [36:19]
C
I talked to a fiction writer I don't know, last week or something who basically said, like, the ending of the book was totally changed. Like, she's like, I wrote the ending like, a month before the. Like, something crazy like that, right? Like, the whole end. They were like, oh, yeah, we want you to change the.
- [36:37]
D
I mean, the. The big book that's out, Kin by Tiari Jones. You know, she talks about it in several interviews, and it's a fiction Book. It's a phenomenal book if you haven't read it. She talks about there, you know, oh, there's a few chapters that, you know, we took out. There was different endings. And everybody's like, oh, my God. Because it was such a well written, such a great story. It was phenomenal book. And now everybody's like, well, what did you take out? Like, what is going on? Like, what chapters? And, you know, she. I remember if you've read the book, there's a character named Annie in it. She was like, yeah, there's some Annie chapters that we took out. I was like, what? Because it was so meaty, so juicy. But that's the, that's the part of the book. It's a.
- [37:21]
C
It's a.
- [37:22]
D
It's a technical process at some point.
- [37:25]
C
Yeah. So the book came out in February. So can. What's the reception been like for you? Like, what kind of feedback? Like, stories? Like, what's come back to you? Right. Like, that's something that I think is. We often don't talk about when we're, you know, thinking about, like, this whole experience. And it is an exhaustive experience to write a book. But then you also hear back, to
- [37:47]
D
sell a book, you have to promote the book. Right. The experience. I knew it was going to be a slow burn. I knew it was going to be a slow burn. And what I mean by that, this is the first time in history that anybody has put all of the modalities into one book. So that's that. And so I am the first person to do that. Black woman, American Black woman, like that. That's the first time it's been done. So I know that it was going to be a slow burn. But the reception that I've been getting back, people love the book. They absolutely love it. You know, getting, Getting reviews is like being a bill collector at this point.
- [38:27]
C
Boy, like, please, you love it. Write a. Give me a review, please.
- [38:30]
D
Wherever you bought it, just write a review. But people love the book. Every time I go to book signings or people DM me or message me, and they're like, I'm almost done. Or people, you know, write me about the chapters that resonated with them. So it's being well received. But I'm learning also so much about the book industry, about publishing and, you know, how it works. And it's just like, because you, you know, you wonder like, oh, this book was so successful. It must be good. And then you read it and it was like, it's not good because there's a. Another component, guys. There's another component there. So it's just like. I knew it was going to be a slow burn. So it's only been, what, February? It's only been three months. I'm not even officially. Three months. It'll be three months on the 17th of this month. So it feels like a. It feels like I've been doing this for a longer time. But, you know, I'm gonna promote the book until the wheels fall off. And I just want people to read it. I want people to have some type of epiphany or revelation or inquire about these things and, you know, learn about themselves.
- [39:40]
C
Yeah. What was that like? That was one. You answered. Another kind of question I was interested in is like, how often are these. All these kind of modalities, as you say, put together, and they're not. Right. So was that something too, that you. I don't know if concerned is the right word, but, like, in. In putting them all together. Yeah. Can you talk a little bit about that?
- [40:00]
D
Yeah, I was concerned. That's when I sent the document to, you know, my editor at the time who was helping me with the proposal. I was like, I don't know if people are gonna get it. That was, like my big thing. And, you know, when my editor at Harper had reached out, we had, like, just put together, like, this really fast, kind of. I like to say it was a little bit janky, you know, proposal, just. Just to see if it was worth going on with the concept, because what. She originally came to me and she says. She said, have you ever thought about writing a human design book? And I said, well, I'm working on something. I think it's better. And then just the human design book. And I said, you know, you know, I did the thing and then we sent it. And she's like, I. She's like, we love it. She's like, I love it. And so I was like, oh, you do? So, yeah, there was a fear of, like, people not getting it. And especially since, you know, I started writing the book at 20, 23, you know, that's three years ago. But, you know, I like to say that I can. You know, I'm. Well, I'm psychic, I'm medium, I can see the future. My Mercury's in Aquarius. I'm future thinking all of the time. So I knew that it was going to land well, but at the time, I didn't know if people were ready for it.
- [41:21]
C
Yeah, that makes sense. So, like, we. You sort of talked a little bit about kind of the slow burn and promoting. But I will ask you my kind of final question since we've been talking for a while. Is there anything else you want to promote with this? Anything that you're doing, anything that you want people to know or how to find you and access everything?
- [41:41]
D
Oh, absolutely. I mean reach out, go to my website to I have a community, I have group programs, one on one work. Invite me to your organizations, your colleges to speak. I love talking to people about the concepts in the book, helping them understand it as using it as a healing tool. I love working with corporations and helping them communicate better with human design and astrology. I love doing workshops and telling people how to use it in the corporate space. I have a corporate background, so I have my MBA marketing. So I use this when I was working in, you know, for my own benefit and selling and everything like that. So I love working in the, using these spiritual tools in the non spiritual spaces because everything is spiritual, everything is not. You know, everything is all aligned and I think we need to infuse that more in the direction that we are going as a collective, as a society and to stop separating them. You know, I worked with so many people, with CEOs, therapists, all of that celebrities, all of those things. So I love consulting work that is like my jam, using, you know, these tools and my skills for consulting, for ideation, for innovation. Like I'm passionate about infusing the spiritual into the mundane, into the regular spaces because it's all there. We're all connected. Everything has a purpose and it works together and it works really, really well.
- [43:17]
C
Well, thank you so much AC for talking with me again. AC Brown, embody your magic. Thanks for being on New Books Network.
- [43:24]
D
Thank you for having me. Thank you for listening to this episode of the New Books Network. We are an academic podcast network with the mission of public education. If you liked this episode, please share it with a friend and rate us on your preferred podcast platform. You can browse all of our episodes on our website newbooksnetwork.com connect with us
- [43:44]
B
on Instagram and bluesky with the handle
- [43:46]
D
ew books network and subscribe to our weekly substack newsletter@newbooksnetwork.substack.com to get episode recommendations straight to your inbox.