Best of Rory & Mal: Week of 7/14

Summary

Podcast Summary: New Rory & MAL – Best of Rory & Mal: Week of 7/14

Release Date: July 20, 2025

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Introduction

In this episode of New Rory & MAL, hosts Rory and Mall engage in an energetic and insightful discussion covering the latest in hip-hop, music festivals, the dynamics of the UK vs. US rap scene, personal experiences with fame, and a light-hearted debate over Uno game rules. The conversation is punctuated by humorous interactions and candid reflections, providing listeners with both entertainment and thoughtful commentary.

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1. The Clips' New Album Release

Timestamp: 02:18 – 17:44

Rory and Mall delve into the recent release of The Clips' new album, praising its strategic rollout and enduring quality. They highlight the thoughtful sequencing of the album, which begins with an emotional track before transitioning into high-energy songs like "Chains and Whips."

• Rory: "The rollout was such a dope product... I think this will be a staple of the remainder of the year. [02:49]"

• Mall: "It's good to see people react to the album the way they did... That promotion has to do with actually touching the people. [03:31]"

The hosts commend Pharrell's role in maintaining the album's high production quality and express appreciation for the authentic promotional efforts, such as a traditional promo run across different cities.

• Rory: "Remember that word, promo run? Like, you actually have to go to different cities and do different publications and actually be there. [03:35]"

However, they note areas for improvement, particularly the absence of Stove God's verse, which they believe would have enhanced the record.

• Mall: "I gotta express my disdain. Stove God deserves a fucking verse, man... [07:23]"

Overall, Rory rates the album an “eight out of five,” emphasizing its exceptional quality despite minor critiques.

---

2. Review of Wireless Festival in London

Timestamp: 17:44 – 25:22

The conversation shifts to the recent Wireless Festival in London, where Drake headlined an unprecedented three-night performance, mirroring Prince's historic stint. Rory and Mall express awe at the festival's execution and the diverse lineup, which included Lauryn Hill, Giveon, Bryson Tiller, and Vanessa Carlton.

• Mall: "Shout out to Drake for doing something not many other artists can do... [18:05]"

They discuss Drake's snippet "Put Your Hands on the DJ Booth," praising its hard-hitting beat and anticipating its official release.

• Rory: "That record was hard as fuck. [21:13]"

The hosts also touch on the cultural impact of having such a varied lineup, celebrating the ability of artists to adapt and deliver unique performances across different nights.

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3. UK vs. US Rap Scene Dynamics

Timestamp: 25:22 – 35:15

Rory and Mall engage in a passionate debate about Drake's endorsement of UK rappers, particularly Skepta, and its implications for the global rap scene. They discuss the challenges UK rappers face when crossing over to the US market, such as accent barriers and cultural differences, while highlighting the lyrical prowess of artists like Skepta and Joyner Lucas.

• Rory: "I think there's a lot of guys over here that can really, really rap and push their pins. [24:24]"

• Mall: "Guys over here that can really rap and push they pins... [24:16]"

They express excitement about potential collaborations and cultural exchanges, hoping for a richer, more interconnected global hip-hop community.

• Mall: "We are very excited just for this moment and this energy to kind of, you know, serve as a bridge... [24:59]"

The discussion underscores the importance of lyrical skill and authenticity, advocating for a focus on substance over regional accents or stereotypes.

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4. Navigating Fame and Maintaining Integrity

Timestamp: 35:15 – 51:42

Transitioning to personal experiences, Mall and Josh share their journeys from humble beginnings to navigating the complexities of fame. Mall recounts growing up in Harlem and how his brothers' influence kept him away from street life, emphasizing the importance of authenticity and hard work.

• Mall: "I wanted to carve my own lane... [43:08]"

Josh echoes similar sentiments, highlighting the role of integrity and the challenges of dealing with public scrutiny and industry pressures.

• Josh: "We have somebody prior to becoming somebody in the public eye... [48:04]"

The hosts discuss the resilience required to handle fame, the importance of surrounding oneself with supportive people, and the need to block out negativity from detractors.

• Josh: "We were dealing with a lot of the things that come with celebrity... [48:04]"

They emphasize maintaining self-respect and authenticity, rejecting superficial accolades in favor of genuine personal and artistic growth.

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5. Uno Game Debate: A Light-Hearted Interlude

Timestamp: 33:16 – 60:14

In a humorous segment, Rory, Mall, E, and Josh engage in a lively debate over the rules of Uno, highlighting their camaraderie and playful competitiveness. They tackle contentious rules like stacking draw cards, the use of wild cards, and the interpretation of reverse cards.

• Rory: "A draw four is the trump card of everything. [33:05]"

• E: "It's a wild card, and it's a higher number. [34:08]"

The exchange showcases their personalities and the dynamic interplay between the hosts, providing listeners with entertainment and relatable content about common game disputes.

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6. Conflict with Ross and Podcast Dynamics

Timestamp: 53:46 – 62:04

The hosts address a recent conflict with an artist named Ross, expressing feelings of disrespect and disappointment over a podcast interaction. Mall emphasizes the importance of mutual respect and clear communication within the industry, critiquing what he perceives as Ross's unprofessional behavior.

• Mall: "Man, I feel away. I'm like, I get... [54:33]"

• Josh: "We just got a product that we love, and we love each other first... [57:05]"

Rory and Mall discuss the challenges of maintaining professional relationships and the need for transparency and respect when collaborating or engaging in public discourse.

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7. Nicki Minaj vs. SZA Feud

Timestamp: 72:09 – 79:46

A heated discussion unfolds as Rory, Mall, and E dissect the ongoing feud between Nicki Minaj and SZA on social media. They analyze the origins of the conflict, including misinterpreted tweets and alleged feature requests that may have soured the relationship between the two artists.

• Rory: "Nicki did a whole fucking duet with Cardi B, who was my enemy... [77:06]"

• Mall: "People will look at y'all and y'all talking about something for sure... [73:49]"

The hosts express skepticism about the longevity and impact of the feud, debating whether it will result in musical diss tracks or die down naturally over time. They also reflect on how such public spats influence perceptions of the artists involved.

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Conclusion

Throughout the episode, New Rory & MAL offers a blend of in-depth music analysis, personal storytelling, and entertaining banter. From dissecting album releases and music festivals to navigating the intricacies of fame and engaging in playful debates, Rory and Mall, along with their guests, provide listeners with a comprehensive and engaging listening experience. Notable quotes and candid discussions ensure that both aficionados and casual fans will find valuable insights and relatable content within this vibrant episode.

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Notable Quotes with Timestamps:

• Rory on The Clips' Album Rollout:

  "I think this will be a staple of the remainder of the year. As far as constantly talked about." [02:56]

• Mall on Stove God's Contribution:

  "Stove God deserves a fucking verse, man." [07:23]

• Rory on Wireless Festival Planning:

  "That's gotta be insane." [19:46]

• Josh on Dealing with Fame:

  "Once you actually get into the fame of it and you realize it doesn't do anything but elevate if you already got those, you know, that skill set built up and make it a little bit easier." [48:04]

• Mall on Maintaining Authenticity:

  "I wanted to go somewhere as Mall, like, I'm going in as me." [43:17]

• Rory on Uno Rules:

  "A draw four is the trump card of everything. What do you do?" [33:31]

• Mall on Respecting the Podcast Relationships:

  "Cause we some real niggas." [46:43]

• Discussion on Nicki Minaj vs. SZA:

  "They are people out here that put dicks in their mouth." [51:24]

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Final Thoughts

New Rory & MAL successfully blends serious discussion with lighthearted moments, creating a well-rounded and engaging podcast episode. Whether analyzing the latest in music or joking over game rules, the hosts deliver content that resonates with a wide audience, making this episode a must-listen for fans seeking both depth and entertainment.

Transcript

[Mall]

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[Rory]

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[Mall]

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[Rory]

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[Mall]

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[Rory]

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[Damaris]

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[Rory]

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[Damaris]

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[Damaris]

Volume.

[Rory]

This weekend of music, which was one of the better Fridays of the entire year. I just want to start with that.

[Mall]

Great weekend for music.

[Rory]

The clips being, I would say a legacy act. Both both of those gentlemen will push is what, 48, 49. Malice is in his 50s. These are two older gentlemen where I feel like this album is not going to go away in three days. I think they had one of the better rollouts. It was a rollout that took a month and a half, which we haven't seen in quite some time. And I know we're only at Monday the 14th and it came out Friday, but I don't think this album is going away next week.

[E]

I think.

[Rory]

I think this will be a staple of the remainder of the year. As far as constantly talked about.

[E]

It'll sound even better in the fall.

[Rory]

Yeah. I don't think this album going anywhere.

[Mall]

I think that. Well, first of all, congrats on the Clips to the Clips for putting out.

[Rory]

A incredible dope product. Oh, I missed rap so fucking much.

[Mall]

Congrats to the Clips on that.

[Rory]

Finally we can use the word refreshing and actually mean it.

[Mall]

It's to see them apply old school moves to the new generation. Like, their rollout is such a. You know, you can tell that they came up in a different time.

[Rory]

Yeah.

[Mall]

So it's good to see that. It's good to see people react to the album the way they did into the music.

[Rory]

That promotion has to do with actually touching the people.

[Mall]

Yeah.

[Rory]

And going on a promo run. For real. Remember that word, promo run? Like, you actually have to use to go to different cities and do different publications and actually be there.

[Mall]

Yeah. Work. You had to work. Yeah, they did that. And it's good to see. You know, people always give me shit when I say, you know, an artist needs to lock in with one producer. Like, but this is the. What happens when you lock in with one producer for your fucking entire career? You're able to always go back to that fade away move that nobody can't stop.

[Rory]

Yeah.

[Mall]

And this is what the Clips and Pharrell have done. You know, somebody like me, a little older than everybody else in the room, but I came up in a time where, you know, the clips was. You know, I was. I spent some time going down 95 south to Kings Dominion for Black College Weekend. So, you know, clips to me is a different. It's a certain space that they hold in my. In my. You know, my taste for rap and hip hop. But this album, I liked it. I liked it. The only thing I didn't like was I didn't like them. Opening the album with such a emotional record, why I actually. And then go right into chains and whips like, nigga, I'm still crying. I can't hear chains and whips. Like, you can't. Don't give me changing whips after saying you found your mom dead and your father dead. Like, don't give me that. I'm still in here trying to pull my shit together. You know what I'm saying?

[Rory]

I text Damaris at maybe like 1:30am on Thursday going into Friday. And I said, did birds don't sing make you cry yet? Like. Cause I couldn't get past the record. Even though we had talked about it prior. That song they did when they walked on one of the LV shows. So I'd been listening to it, but when you hear it like in full CDQ version, like, yeah, like, you can't. It was tough. It was tough to get past that in a great way.

[Mall]

Yeah, like, I can't. You can't take me from that to chains and whips. Like, I just, I just think the sequencing was just a little like, you know, that, that, that much of an emotional record should be for later on. And now.

[Rory]

See, that's why I kind of like the move. Because yes, it feels like an outro or it feels like maybe a break in the middle for a switch up.

[Mall]

Song somewhere in the middle or towards the end.

[Rory]

I don't know, like, not to get like too corny, but it was nice to remember that they were brothers, like starting this record.

[Mall]

Who forgot? Who forgot pushing Malice's brothers?

[Rory]

Of course, yes, we know they are brothers, but we know them to be brothers and they like so coke together. I'm not saying they haven't did deep dives into their personal lives in clips albums or Pusha T solo shit, but this was like a reminder going into this project that how many times have we ever seen two actual blood brothers from the same parents be a legendary duo in hip hop? Like, that was a crazy thing that I don't think we've seen. And starting the record out with Push talking about moms, Malice talking about pops. Like, how we've never even seen that. I've never even seen that music.

[Mall]

No.

[Rory]

Can you name any, any genre of music?

[Mall]

What you're saying is absolutely correct.

[Rory]

It was beautiful to start. Like, these guys are brothers.

[Mall]

Like, these guys. Don't start me like that. Don't start me like that is all I'm saying. Like, don't do that.

[E]

I appreciated it too, because I was re listening to it again today. I appreciate, I appreciate the make me cry make me emotional. And then we right onto the bullshit and we on bullshit for the rest of the album. Like, you know what I'M saying, like, I like that. Like, oh, y' all are crazy.

[Mall]

Y' all are psychopaths.

[Rory]

Yeah.

[Mall]

Y' all want to cry and then get into bullshit.

[E]

Yeah, it's.

[Mall]

Nah, I want to get into bullshit and cry after the bullshit is over.

[E]

It's way too.

[Rory]

Nah, wipe my tears right when the bullshit come in.

[E]

It's way too good of a record to be at the end of the album. Yeah, it's an amazing record and needed.

[Mall]

No, it is. I just don't. I just feel like opening the album with that. I was just like, damn, man. Like. Cuz it goes right into a whole different type of energy with chains and whips. So I'm just like, damn. Like, all right, emotionally, I'm just everywhere right now. But, you know, that's just me nitpicking at, you know, just. Just preference.

[Rory]

But I think it was a very interesting and cool way to start an album where no other duo or rapper, whatever, could do that.

[Mall]

I gotta. I gotta express my. My. My disdain. Stove God deserves a fucking verse, man. I'm sorry, bro. Like, you can't. You can't give Stove God a hook on a record like that. Like, you gotta let him talk his shit. Like, I don't know if I just. I mean, that song, the music, the hook, the lyric, everything is perfect, and it just feels like it was room for Stove to get off. Like, it ended. So, like, the song is like, not even. Probably not even three minutes, is it?

[Rory]

Yeah, it's 322. But I. I hear you. It didn't feel like the song was already too crowded. I feel like, yes, there could have been a Stove verse and it would have felt fine.

[Mall]

It would have felt fine. Like. And that's. So. That's my. That was it. It was just like, we need a Stove God verse on that Ra. Y' all can't be talking greasy like that. Stove coming in with the melody. The only other person that could have done that hook that way is Pharrell.

[Rory]

Yeah.

[Mall]

Like, he's the only other one I feel like vocally, you know, that would have sounded like, good on that record. But to have Stove on it, I love that. Just giving Stove that look. But. But Stove, I mean, I don't let him get his balls off the way.

[Rory]

We obviously, you know, have said. Stove is. Is by far one of our favorite new rappers, especially in this sub genre of hip hop. He has become like the hook guy in a weird way. Like. Cause west side has done that with Stove for the past two albums. Like, there's times I felt stov should have got a verse and he'll just do the hook. On west side, he is great. He is like a coke Nate dog in a weird way for this genre. Like, I know it sounds nuts, but if you go through Wesley's catalog, Stove has the best harmonies on every fucking west side.

[Mall]

You know what else he has on west side?

[Rory]

Some verses.

[Mall]

Verses.

[Rory]

I'm not disagreeing with you.

[Mall]

Yeah. That's all I'm saying. Just let Stove cook. Let him get his shit off. That's just the perfect record. I know Stove has something for that. I know he wrote to that. I know he got bossed somewhere. So yeah, that was it. But other than that, the rollout was impeccable. The tiny desk, you know, all the interviews, you know, just seeing the clips, you know, stay true to a formula that they've. Obviously when they came up in industry was a different time, you know, as far as you did people doing their rollouts, it was a little different. But to see them still doing that be very intentional, you know, to still kind of attach high level art to hip hop, which is high level art as far as I'm concerned. To see them kind of, you know, keep that essence and, you know, keep those things around there album, it was dope to see that, man. So, you know, I'm. I like the album. That's. I haven't listened to any other album this weekend. I didn't get into Justin Bieber's album yet.

[Rory]

Well, I'll get to that in in one second. I do want to run through some of the records that are here. Chains and Whips. Obviously we had heard the Kendrick leak before that. I still think it's an incredible verse. Sounded way different coming on the album again. I think that's a perfect way to go after crying. Like, let's just get right to the shits. POV I think Malice may have verse of the year on pov. As of right now, I don't know if there's a better rap verse. I know you think it's Eminem on Animal, but I think Malice has the best verse of the year so far on pov. Explaining why he left and why he's better than everyone else. So be it. I was a little sad to see that it was. It was a different version. But I know they couldn't clear the sample so they had to go that route. The run from 7 to 10 MTBT, that's the only thing I can't like.

[E]

Too many Mike Tyson blow to the face.

[Rory]

I Know what it. But, like, just call it that, please. Because I have to say, you know how Mike Tyson. You know how stupid I am. Damaris. And I, like, I have to type. All right, Mike Tyson. All right.

[Mall]

You could have just. They could have just go to Mike Tyson.

[Rory]

But that run from Mike Tyson, Blow to the face.

[E]

Thank you.

[Rory]

Down to Inglorious basterds like that 4. I don't know if anyone's competing with that this year. That's an insane run. And I was telling Roc Nation on Friday. What's the E, B I T, D, A? Which one does that stand for? Demer, since you want our spelling bee.

[E]

I don't. I actually don't know for that one. I can't remember.

[Rory]

I hope they make that the next single. Can you guys just let the drug dealers have some fun sometimes? Like, I know so Far Ahead was a big favorite for our next single, but let the drug dealers have fun, man. It's a summer record. I feel like Malice smiled when he was recording that. I feel like they had a. A growl on their face recording every verse, but that you.

[Mall]

You. You know, I'm terrible with titles. Like, you're naming these titles, and I don't know what the. What song that is. Okay.

[Rory]

Yeah, like, a fun record. I feel like coke dealers, especially if they're free, should be able to smile sometimes and have fun. Like, that can be a single.

[Mall]

Yeah.

[Rory]

Doesn't always have to be, you know, so be it. So be it. Let's all smile. Yo, you guys are by Virginia Beach?

[Mall]

Yeah.

[Rory]

It's gorgeous.

[Mall]

It's a good album. It's a good album. I like it a lot, man. I'm very pleased with what they did. Pharrell is still sharp, and it's just good to, you know, see these guys still working, still in shape. I know in hip hop, we like to say, you know, it's a young guy sport or young lady sport. These older gentlemen are out rapping, making better songs, making better albums than 90% of you in this fucking industry. So I'm happy for that, man. I'm just happy to see guys from a different era still putting out dope shit, still looking good, still sounding good, still being intentional. Cause it's, you know, when the landscape changes and the business around, you know, the music and the genre that you love changes, it's easy to fall into, like, a different, you know, space mentally and just emotionally when it comes to creating music, but especially clips.

[Rory]

Yeah, they've been through a lot. Star Trek.

[Mall]

Exactly.

[Rory]

Def Jam.

[Mall]

So to still See them be so intentional and, you know, and have this. This body of work that they put together. And the one thing I really like that they did that I don't think nobody's talking about is it's such a short project.

[Rory]

Yeah. Straight to the point.

[Mall]

That's what I love the most. 13 tracks, 40 minutes. That's. Don't give me 27, 28, like. Cause then it's like. It's just you asking too much of me. Like, I gotta really be attached to. 28 tracks, 30 tracks. That's a lot. When you go 13, get right to it. Here's the music, here's the bars, here's the. It's like, okay. Me personally, I receive that differently than if you. I look at Alfredo, my anxiety starts going crazy. When I see 30 tracks, I'm like, all right, fam. Like, I can't, like, 30.

[Rory]

I'm gonna need the weekend.

[Mall]

Yeah. Like, it's just like, keep it. I like this. Everything about this feels like a different time. Like when albums were 13 tracks, 12 tracks, right to it. You know what I'm saying? Like, I just. I like everything the clips did with this. With this project.

[Rory]

Since you brought up, you know, the industry, shit they've been through. Do we think it's a blessing that they got off Def Jam? And I'm speculation here, of course, the clips were obviously heavily involved in how this was rolled out, and I'm sure a lot of the ideas came from them. Do we think it would have been executed the same way with Def Jam?

[Mall]

No, I think so. I think they control what they do as far as rollout and things like that. I don't think that Def Jam would have gotten away and said, hey, we're not doing that. Or we're not. We don't want y' all guys. I don't think they would have done.

[Rory]

That well, I mean, even putting some money behind what that rollout looks like, do we think Def Jam would even believe in that style of rollouts at this point?

[Mall]

That I don't know. I would assume so. It is Def Jam. I don't know who's there anymore. Who's, like, running the. The label now. Yeah. So much has changed at Def Jam over the years.

[Rory]

Or would have the staff that would be able to facilitate a lot of that.

[Mall]

Now that's a whole. You know, again, I don't know. Or maybe. Maybe they just, you know, let them not do them. Yeah, but I understand why you asked that, because that's a real question. You know, sometimes the Label doesn't understand it, or they say, oh, we don't need. Y' all don't need to do all of that. We're not doing all that.

[Rory]

Is that worth all the money?

[Mall]

I just think the Clips is a different act. It's a different thing. I think that the Clips is obviously a legacy act at this point. They've been around so long, so I don't see Def Jam getting in the way of that. But listen, man, the fact that they left Def Jam on their terms and wanted to get away from that, I mean, they definitely didn't miss any steps. They didn't drop the ball at all. No. So, I mean, I'm guessing the Clips are very pleased with how things landed, how people received it. I've seen nothing but people saying nothing but good things online about it. People personally, I know, have been saying great things about the album, and I like it. I listened to it a few times. And the music, again is Pharrell. Once you say Pharrell is in charge of the music and he's executive producing something, the music is always gonna be a certain level. And the Clips and Pharrell, to me, they didn't miss on this project at all.

[E]

What would you rate it out of five?

[Mall]

Out of five?

[Rory]

Eight out of five.

[E]

Okay. Out of ten?

[Mall]

Okay.

[Rory]

Five is always so.

[Mall]

So far. Matt, listen, Stove don't have a verse. I gotta take one off. A point off for that.

[Rory]

Can I give you my one critique? Since you're saying your critique? I feel like the Nas verse felt a little forced.

[Mall]

I was going to say the Nas verse.

[Rory]

And who the am I to say that? If Nas wants to be on your album, let's force it, let's do it. But that's literally my only. Of course I would like a stow verse, but I loved his hook, so it is what it is. That was the only time, track 12, where I was like, okay, yeah, I didn't.

[Mall]

I wasn't. I didn't.

[Rory]

I was really anticipating Nas with the clips.

[Mall]

Clips, yeah, you see that? You like. But see, it was the same thing for me. Not bad. No, it's not bad. It's a knowledge verb. But see, it was the same thing for me. When you tell me, Stove, God has a joint with the clips, I'm like, oh, these niggas.

[Rory]

You're looking for the exodus.

[Mall]

Somebody's getting indicted.

[Rory]

You know what I'm saying?

[Mall]

That's the feeling I had when this track was first dropped. I'm like, oh, my God. But for him to only have the hook, it's like, okay, great hook. He sounds good. He talking crazy. You know, he had the bag of one eye closed and all that. Shouts to Fetty Wap. You know what I mean?

[Rory]

I get it.

[Mall]

But you gotta let him get off. So to point off of that, I don't like opening the album. I love the song, but I don't like opening the album. Just that emotion. It's just like, dawg, like, you gotta let me.

[Rory]

I'd be tight if it was the outro.

[Mall]

Not. It doesn't necessarily have to be the outro. I'm not saying it had to be the last song on the album, but it shouldn't have been the first one on the album. Like, don't give me. Like, come on, man. That's just too much to unpack.

[Rory]

You guys had your super bowl this weekend as well. Take it away, man. Wireless.

[Mall]

Oh, wow. Shout out.

[Rory]

Shout out Weekend.

[Mall]

Shout out. Wireless fest. Wireless fest was this weekend in. In London. Shout out to Drake. Three nights, three different set lists, three different vibes. I think the only other person to headline wireless three different nights was Prince.

[Rory]

That's crazy.

[Mall]

So I think there was some. That was a little wink. Little wink, wink.

[Rory]

Ah, okay.

[Mall]

The whole little, you know, I mean, but it was. It was dope to see all the videos. People was there. I was mad I missed it. You know, Lauryn Hill, Giveon Bryson, Tiller, Bobby V, Mario Dave, Central, cj, Hus, Skepta, Vibes, Cartel, Lotto, Sexy Red. I mean, I don't know many Vanessa Carlton.

[Rory]

Vanessa, I was waiting for you to get to, like, the.

[Mall]

The number one Vanessa Carlton. Like, I don't. Listen, there's not many artists that could bring, you know, have say. First of all, it's not many artists that can get Lauryn Hill anywhere, but they didn't get Lauryn Hill somewhere on time.

[Rory]

Six hours ahead of her usual time.

[Mall]

Six hours ahead of her usual time.

[Rory]

She already in London?

[Mall]

I assume so. I assume she was over.

[Rory]

There were a lot of these artists already there?

[Mall]

Well, yeah. They knew they was going to touch the stage for wireless.

[Rory]

No, I just wasn't sure, like, how much Drake planned ahead with, you know, pop can vibes, all these people. If he was behind bringing everyone this specific list, outside of obviously, like, Dave in Central, Cee and certain people that live out there.

[Mall]

Yeah.

[Rory]

Did he fly all these people there, like.

[Mall]

Oh, he probably did.

[Rory]

I mean, I love that. I think that's amazing for three days that you want to put these specific artists up there, but that takes a Lot of planning. Yeah. Whoever was the stage manager for the last three days, like, can we get his name? And I hope Drake buys him a Rolex instead of some streamer he's never met. To get all these acts on stage on time three days straight is one of the craziest stage handlers of all time.

[Mall]

Yeah.

[Rory]

That's gotta be insane.

[Mall]

Yeah, the lineup was crazy. It was good to see, you know, Mario and Bobby V and guys, Vanessa Carlton, I'm still. That's like. That's almost like this can't be happening for real. Like, who sees Vanessa Carlton on stage? Like, when do you see that? So it was dope to see all of those people go out, shout out to Drake for doing something I think, you know, not many other artists can do. Like, as far as three different nights, three different vibes, three different set lists. That's incredible to have that much music in your catalog and be able to remember that much, that many bars and songs. That's a lot like, you know, you know, because you've obviously been a part of shows and things like that. But for an artist to do that, that takes a lot. It's a lot of moving pieces behind the scenes, a lot of things that have to go right. From what I know, everything went perfect. Was no mishaps, anything like that. So shout out to the uk, shout out to London, and shout out to Drake for an incredible wireless weekend.

[Rory]

I really like the Central C and Drake snippet that they played. I think it was like, day two, he played it. Or maybe it was day three. Put your hands on the DJ booth. That was hard. Like, of course I saw some people killing it online. But that's just what happens these days. If you just don't look at the comments and listen to a snippet and just judge for your self, I think you'll enjoy music a little bit more.

[Mall]

I think you'll enjoy life a little more. You told my music just like that record is hard.

[Rory]

I. I like the first part and then when it. The beat actually switches and drops. For real, it's a joint. Like, I hope we get that song sooner than later.

[Mall]

If he played it, it's definitely dropping soon.

[Rory]

That record was hard as fuck.

[Mall]

Yeah.

[Rory]

The only thing I did hate on the Internet during this entire thing was not Drake's opinion, because he's entitled to that. As far as London rappers versus US rappers, it was more at UKRAP Daily with their headline, Drake ends the UK versus US Debate. Nah, he didn't end ended. It ended before it Started and Drake saying London rappers are the best lyricists in the world. Cool. And I'm never taken away from the ability of London rappers and lyricism and that. Drake is in London. Those is guys this and that. But like, we got to stop with some of these fantasy debates just for the of it. We're still cleaning up London just cause Drake. Just cause a Canadian rapper was like, nah, nah, it's them. Nah.

[Mall]

I mean, listen, man. You.

[Rory]

Don'T say listen. No, man.

[Mall]

No, I'm saying Skepta shot. He shot. We waiting for Joyner. Joyner posted this video was like, I bet he gave us the Cam Newton. I bet. And we know what Cam Newton did after he said I bet. So I mean. I mean, we got.

[Rory]

Which is one of the craziest sports clips of all time.

[Mall]

Oh my God, that was. That's like legendary. When Cam Newton was like. He looked at the scoreboard and was like, all right, I bet like I got this and then went out and won the game, like so I mean, we still waiting on Joyner. But I like this type of shit, man. I like the fact that Skepta jumped out there, you know, he threw some bars at Joyner. Keep it rap.

[Rory]

You see who I'm standing with?

[Mall]

Harvard.

[Rory]

Skepta said you rap like you went to Harvard. I'm wearing my Harvard alumni shirt.

[Mall]

You didn't go to Harvard, though.

[Rory]

I know. Yeah, but neither did Joyner. But we standing with him. Listen, man, I bleed red, white and blue. Yeah, join I'm yourself. I wore this today for you while you rap like you studied at Harvard. That's not going to get it done. Skepta and I love Skeptical. That's not getting it done. We Joyner Lucas.

[Mall]

No, we do.

[Rory]

He is going to. He is going to adopt an entire British accent and rap from your perspective and you are going to be cooked. You thought family matters was bad.

[Mall]

Somebody said Joyner's going to rap from the perspective of a crumpet. I was like, all right, man. Like I said, she.

[E]

No, he gotta rap like how Drake did, like with the Kendrick beef. Like, you gotta rap as the queen.

[Mall]

Yeah, the queen act. Rap is the queen of London. That's crazy. If Joyner do that, I might be done with rap. I'm gonna be honest with you. If he rap is the queen of London, that might be the guy.

[Rory]

What if he raps from Prince Harry's perspective and Meghan Markle?

[Mall]

I'm done. I'm done. It's just. It's just too much. It's like we just doing anything and rapping. What if he gets.

[Rory]

Then gets Flo Millie to do, like, Meghan Markle's part?

[Mall]

We know one thing. Joyner could rap his ass off.

[Rory]

That's a fact. And he's gonna take this very seriously.

[Mall]

Oh, no, he's dope. This is because this has been for.

[Rory]

This type of shit.

[Mall]

Listen, this has the potential. The reason why I love this, the reason why I love this whole thing is because this has the potential to be one of the biggest crossovers that we probably been trying to figure out with the UK rap scene. Guys from that across the pond, as they say, crossing over to America Central. Cee obviously had some success.

[Rory]

Hell yeah.

[Mall]

Ye over here. Dave, Dave, Dave. You know what I'm saying? There's been some guys that have crossover, but there's a lot of.

[Rory]

Gabe's a skeptic. We're probably the first.

[Mall]

Yeah. But there's a lot of guys. There's, you know, Chip J. Huss. Yeah. There's guys over there, Getz. You know what I'm saying? There's guys over there that could really get into that bag and really rap. But I think that us Americans, sometimes the accent kind of divides us and we don't really want to listen to it. But there's guys over here that can really, really rap and push they pins. So I'm excited just for this moment and this energy to kind of, you know, I mean, serve as a bridge, if you will, of guys crossing over to the US and, you know, just. Just being aware of other guys around the world that are actually a part of hip hop that are actually rapping. Yeah.

[Rory]

I mean, even when we saw with the Joey Badass versus Everybody, that whole week, everyone was focused on bars for a change. I think that'd be great for a bunch of Americans to actually have to sit and focus on UK bars.

[Mall]

Yeah.

[Rory]

Because again, the. The accent can deter certain people. It's just kind of is what it is. So I hope. Hope this does turn into like an actual great back and forth.

[Mall]

Yeah, I want to see it. Yeah. Let the.

[Rory]

We gonna clean them up.

[Mall]

But still, listen, I mean, you know, I just want to hear good music, man. I want to hear rappers rap. Like we said earlier this year, I'd rather rappers rap than to be on IG live dissing each other, man. So if you talk about rappers getting back in the booth and, you know, sending shots at each other, all for the sport, like nothing, nothing, you know, spilling over into no real beef and in the streets, because that's corny if guys want to keep it rap this rap.

[Rory]

Yeah. Did you ever see Central Seas leakers freestyle a couple years ago when he did like his version of UK Big L Ebonics. That I thought was a great idea because it made Americans looking at an American platform like try to understand and get past the accent of what are saying. So I hope it does that times 10 with this and Skeptics is no slouch. I am joking around but I just don't think Joyner is the one to play with.

[Mall]

No no no Joiner, let's be very clear. Joyner Lucas can rap his ass off. You know so we, we never, we never questioned Joiner's ability to rap. But it's, you know, it's going to be interesting just to see this whole exchange this back and forth and just to see here to hear the bars and the music that, you know, these guys create. That's all I'm looking forward to. No Warrior Now.

[Damaris]

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[Mall]

My favorite thing about Shipt since I signed up for target circle360 no price markups when I order same day delivery from tons of local stores, only a handful of alcohol retailers and items don't count. I won't lie, I've had too much.

[Josh]

Fun being like Markups on groceries, not in my fridge.

[Mall]

Markups on pet food, not for my dog. Markups on tools, electronics, home goods, meds. Not in my house.

[Josh]

Anyway, it's awesome.

[Mall]

Order [e-mail]360 Terms apply.

[Damaris]

Time for a sofa upgrade? Visit washablesofas.com and discover Annabe where designer style meets budget friendly prices with sofas starting at $699, Annabe brings you the ultimate in furniture innovation with a modular design that allows you to rearrange your space effortlessly. Perfect for both small and large spaces, Anabe is the only machine washable sofa inside and out. Say goodbye to stains and messes with liquid and stain resistant fabrics that make cleaning easy. Liquid simply slides right off. Designed for custom comfort, our high resilience foam lets you choose between a sink and feel or a supportive memory foam blend. Plus our pet friendly stain resistant fabrics ensure your sofa stays beautiful for years. Don't compromise quality for price. Visit washablesofas.com to upgrade your living space today with no risk returns and a 30 day money back guarantee. Get up to 60% off plus free shipping and free returns. Shop now at washablesofas.com Offers are subject to change and certain restrictions may apply.

[Rory]

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[Damaris]

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[Mall]

Thing about Shipt since I signed up for target circle360 no price markups when I order same day delivery from tons of local stores, only a handful of alcohol retailers and items don't count. I won't lie, I've had too much.

[Josh]

Fun being like markups on groceries not.

[Mall]

In my fridge, markups on pet food not for my dog, markups on tools.

[Josh]

Electronics, home goods, meds not in my house. Anyway, it's awesome.

[Mall]

Order [e-mail] 360trees apply.

[E]

All right, so, Rory, before I. Before you go to Vegas with me trying to play Uno, I need to know, can you put a draw four on top of a draw two and make it draw six?

[Rory]

Yeah.

[E]

Okay.

[Mall]

A draw four on top.

[Rory]

A draw four is the trump card of everything. What do you do?

[Mall]

Can't put.

[Rory]

And this is why I can't go to Vegas. Because I'm gonna get to that table, and you guys won't play by the right rules, and I'm gonna throw a fucking fit in their security.

[E]

Why do you think that?

[Mall]

Because it's a whole different card. It's a draw card. But you could put a draw two on top of a draw two.

[E]

No, we all know that.

[Rory]

Facts.

[Mall]

So how could you put a draw four on top of a draw two?

[E]

Because it's a wild.

[Rory]

Yeah, that card is the trump card of everything.

[E]

It's a while everything. And once I put that down, you can't go and try to put a draw two on top of that draw for them. No, you can't do that.

[Rory]

Anyone that would do that?

[Mall]

But you could put the draw four on top of the draw two draw. Now you see why that makes no sense?

[E]

It's a wild car, and it's a higher number.

[Mall]

Yes. Yeah, yeah. And this is why they made the rule.

[Rory]

All right, so. So.

[Mall]

So you.

[E]

You follow the rules that Uno laid down for you.

[Mall]

I mean, not all of them, but that rule definitely. You can't put no draw for on top of no.

[Rory]

So you just follow the constitution. Whatever they say goes.

[E]

Can I take all the tools out my hand and put them down at one time?

[Mall]

Can you do what?

[Rory]

Absolutely, Ken.

[E]

If I have.

[Rory]

You just have to do it at one time.

[E]

If I have five tools in my hand.

[Mall]

Draw twos.

[E]

No, regular twos.

[Mall]

Any number that's the same.

[Rory]

What's sitting right there?

[E]

Yeah, you said what.

[Rory]

What is sitting on the pile at that point?

[E]

Okay, so, okay, there's a green four down, right?

[Mall]

You could put a green two followed by a yellow two.

[E]

All the rest of my twos on.

[Rory]

Hell, yeah.

[Mall]

Absolute. Hell, yeah. Absolutely stacks. Yeah.

[Rory]

Hell, yeah.

[Mall]

I'm with that. That I agree with. A draw four top of a draw, too, is absolutely crazy.

[E]

Y' all believe in when they say swap hands?

[Rory]

No, that's that new shit that I like. I don't play that.

[Mall]

Yeah, we take that out the deck.

[Rory]

All right, let's. Let's really separate it. If I put down two reverses, is it still my turn?

[Mall]

Yep.

[Rory]

100. All right, cool. Just trying to make sure we're all sane here. No, If I put a double reverse down, it's my turn again.

[E]

If there's only. If there's two of us playing. Yes. If there's more than two of us playing.

[Rory]

Playing Uno with two people is nuts.

[E]

People do that all the time.

[Mall]

If you put two reverses down, I'm so lonely. I have no bond.

[E]

Y' all get pussy.

[Mall]

I don't.

[Rory]

Sit up there and play Uno with your partners.

[Mall]

No, I'm busy getting pussy. I'm busy. Fuck it. That's what we play, Uno.

[Rory]

Okay, if we're playing in this circle. Now, you peach Josh. Me ma. If I put down a double reverse in this circle, it's my turn again.

[E]

No, stupid.

[Damaris]

No.

[E]

Because if you put down. If you put down one reverse, if it's going clockwise, it goes to mall. If you put down one reverse, that means it switches to Josh's turn.

[Rory]

So.

[Mall]

Yeah.

[Rory]

What do you mean reversed to. All right, If I. If we're going this way, I put down a reverse. It should go to Josh. Right? If we're going this way, but I put down two reverses from Josh, it goes right back to me.

[Mall]

That's.

[Rory]

That's. That's how a circle works.

[Mall]

Yeah. No, bro, Agreed.

[E]

It don't work like that. It just means that it's.

[Rory]

Now, m. Yo, trying to reinvent the wheel is crazy. If you're in a circle and I.

[Mall]

Do double, I agree with certain rules that draw four on top of a draw two. No. Double reverse is my turn again.

[Rory]

No, if I put down three reverses, then it's back to mall.

[E]

Because technically, it was never Josh's turn. Because if it was really Josh's turn, then it would. Josh would be going. But since you took Josh's turn away from him by putting two cards down, it's not Josh's turn. Change the direction. It's Mal's turn. You just change the direction of the game.

[Rory]

My turn to go again.

[Mall]

Okay, that's how. That's how I play.

[E]

Well, that's why I don't play with certain niggas.

[Mall]

Yeah.

[Rory]

Okay. If you guys don't have anything, sit.

[Mall]

There and play it one hand for seven hours, then, Baby D. That's fine. That's what you're going to be doing. Seven hours, one hand, and Josh is.

[Rory]

Pulling up the UNO rules. Josh, I hate to inform you, UNO doesn't know their own rules. So despite what they say, I don't. That's why I'm scared about Vegas. Are you Guys, a pluck till you have to play type of person or just the one card.

[E]

No, I'm not plucking to what we can play if your turn misses.

[Rory]

Nah, enjoy the projects. You gotta pluck until you got something.

[E]

If you miss your turn. Miss? What are you talking about? You can't go.

[Mall]

Say that again.

[E]

So basically what he's saying is if I don't have any. If it's a green, four down, and I don't have any wilds, any greens, or any fours, he's saying I need to pick from the pile until I have a green, a four, or a wild.

[Mall]

I've seen people play like that, but I don't really play like that. You pick one card, you pick one. If you ain't got it, it's the next person.

[E]

If we playing with five people, that means I'm about to be shuffling this fucking little ass dick 15. I'm not doing that, bro. You can't go. You can't go.

[Mall]

Yeah. Nah, I'm not. Yeah, you pick one. If you ain't got nothing. Just the next person go pluck till you play. Nah.

[E]

And I'm never playing with you. Yeah, you don't got to worry about it.

[Rory]

All right, what happens when Vegas makes that the rule?

[E]

Vegas is going to adhere to the rules that Uno.

[Rory]

But Uno doesn't even know their own rules. I think Uno thinks you can't even put, like, any green card on a red. Like, if the number matches. You can't even do that.

[E]

No, you can, you can, you can.

[Rory]

A popular house rule is to draw until a player has a card to draw.

[E]

This is not the official rule. Read the full sentence.

[Rory]

Nothing about UNO is the official rules. They don't know their own rules. How many times I have to say that?

[Mall]

All right, anyway, but this is not the official rule. Yeah. Got to play by the rules, Man.

[E]

I hate the way Rory play.

[Rory]

Okay, are you guys on the side of teaming up with other people in the circle when someone has Uno.

[E]

Yes.

[Rory]

To ask. All right, what you like? Let's make sure we get them and then in the same time, then. Wait, what Scheme against them? Like you betray them once they get Uno?

[Mall]

What type of is that? First of all, Uno is one. Uno, meaning you supposed to be the one.

[Rory]

I know.

[Mall]

How you teaming up with somebody? Yeah. Like, it's Uno like one. Yeah, but so how you like yo. Nah, he got one call left. Yo, let's. Let's kill this right now. What type of stuff?

[Rory]

Let's say. Let's say I Just played. Then you. You said uno before we could say anything. And I look at Damaris and be like, yo, you good. You got him.

[Mall]

What is that? That's nasty. You can't do that. Yes, you can. Where have y' all done that?

[E]

So I don't go all the way. Like, Rory asking, yo, what do you got?

[Rory]

I'm just saying. Look. No, just a look.

[E]

But it's like, all right, if I know I got this wild, I might not want to use this wild on him.

[Mall]

But.

[Rory]

But we got to keep the game going.

[E]

But we got to keep the game going.

[Mall]

But that goes without saying.

[Rory]

But that's why I, like, you could pluck till you play. Because if somebody next to me has uno and I could potentially get them out the paint, I'm. I may just pluck until I get something to make sure they don't win.

[E]

And that's. But you can't do that because that is cheating.

[Rory]

It's not.

[E]

You're supposed to pluck until. First of all, that rule is stupid. But you're supposed.

[Rory]

You don't even know what I have. So how do you know I'm cheating?

[E]

It doesn't.

[Rory]

Just be.

[E]

That explains a lot.

[Mall]

You call you some couple.

[Rory]

How did this just get personal? Like, I'm the first person in UNO to pluck until I make sure somebody didn't.

[Mall]

Nah, nah. But you know, you can't do that.

[Rory]

Oh, my God.

[Mall]

Do that.

[E]

That's cheating.

[Rory]

That's a. I play with people that hide cars in their pocket. Like, what are we talking about?

[E]

Okay. Cheating. That's cheating. It's.

[Rory]

I know what I'm saying. The honorable way of that is you don't know my hand. So if I say I don't got it, no one's the wiser. If I could. Because you counting cards.

[E]

If we're waiting for you to get a green Card or A4 or anything like that. And then after you put down that wild card, draw four your next hand. Suddenly you got four fours in your hand. We're going to know.

[Rory]

Oh, you were. How do you know that? If I have now 20 cars in my hand? You don't know what. I plucked you. Welcome to strategy.

[E]

If you didn't have just.

[Rory]

Cuz you didn't win and I had strategy, that's my fault.

[Mall]

Strategy. Welcome to strategy. Yo, that was the white yo you. That's the whitest I ever heard.

[E]

You hear the colonization even in the uno.

[Mall]

Like, welcome to strategy.

[Rory]

Black people taught me that rule.

[Mall]

Welcome to. You wanted to say taught you that rule so bad. I know you wanted to say taught me that rule.

[Rory]

No, the movie 21 with Patrick Swayze. It was the one that did it.

[Mall]

Oh, man, I've never played Uno with y'. All. The easiest thing I've ever done is be myself. Yeah. And I don't care what's happening, bro. I don't. That's. Which is why I never joined a gang. I never got into drugs. I grew up in one of the most treacherous parts of the Bronx, bro. Grew up in Harlem. Treacherous.

[Josh]

Some of my friends had to been a Decepticon.

[Mall]

Yeah. I ain't that old, motherfucker. When you in those neighborhoods where we all come from, it's easy to fall into bullshit if you don't know who you are for sure. For sure. I think that we all have the. If you're mentally healthy enough, you know, when you're doing something and it's wrong, your nervous system will be like, yo, that ain't for you.

[Josh]

I'mma ask you this question, though. Cause I asked a lot of people coming up from that environment, I always had those type of dialogues as I come up in the. You know, growing up in D.C. in the streets and all that, and was active. But I also understand that a lot of what I didn't have to go through was because of nepotism, because of who my people were.

[Mall]

Yeah.

[Josh]

Were you the beneficiary of that as well?

[Mall]

Of nepotism? No. I stayed away from.

[Josh]

In the streets. Not. Not, you know, I mean, as far as, like, the actual definition of it. But, you know, your brother being who he is and your people being who they are, that benefits you at all? And being able to stay away from a lot of the things you able.

[Mall]

To stay away from, it benefited me in the sense that my brothers, you know, when they was in the streets, I was still very young, but they never glorified that to an extent. Like, they didn't. Like, my brother might have punched me in my face if he knew some of the shit I was doing away from them. That type. Like, they never wanted me to even think about going that route. It was dangerous. N. Exactly. It was the dangers of it. You know what I'm saying? And then when they started Roc a fella, Rory knows this to this day, he was like, yo, you're crazy. I never worked at Rockefeller. I never was in a video. Like, I stayed. Excuse me. I stayed as far away from that shit as I possibly could because I felt like I wanted to carve my own lane.

[Josh]

Yeah. But still, people Saw you and knew.

[Mall]

Yeah, but they respected it more because they knew that I wasn't trying to get in like you said on somebody else's name, my brother's name.

[Josh]

Gotcha.

[Mall]

I wanted to go somewhere as mall, like, I'm going in as me. If you fuck with me, you fuck with me. Not because you know my brothers are who they are. Not because you know if Jay Z see me right now, he gonna hop out the car like, come on, nigga, we out. Like, right? I stayed away from that. I tried to keep that as far left as possible because I just felt like might just start asking me for shit. Yo, my man, I didn't want to deal with none of that shit, bro. I got my homies. We do what we do. Some shit I did, I wasn't supposed to do, but again, I'm young. I'm trying to find my way. My brothers found their way, and I'm like, cool. That's dope. But I found it was hard for me to be in the studio with Jay Z all day and then get on the train and go back uptown of the hood and be like, all right, well, I was in Bentley's last night with Jay Z. I'm on the D train tonight. Right? That wasn't my reality. Now I can go be a part of that if I want to be, or I can create my own reality. So I chose to create my own reality.

[Josh]

I got you. I mean, that makes sense, but that's commendable. As a man, that's commendable. But still, you got to give credence to the fact that when you were able to look at those people in the environment that you come from and be like, man, I ain't with none of that y' all got going on. They knew that, you know, if we do something to him, we. It's some other dudes, for sure.

[Mall]

No, that was. That was part of it. Yeah, yeah, yeah. No, that definitely protected me and kept. You know, they knew I had brothers behind me and people that was gonna pull up if anything happened, if anything.

[Josh]

Right.

[Mall]

But I also wasn't a knucklehead just outside.

[Josh]

Yeah, no, that's.

[Mall]

That's right. Sometimes you probably don't know what's going on.

[Josh]

I wasn't one of the people that was out, like, you know, utilizing that to my knowledge, like, yeah, because I know it.

[Mall]

But that's like. But that's like. But that's like, if. The one thing I don't like is when get on and make their homeboy head of Security. Now, if something happened to some pop over, you want your man to be the. That might get shot or get killed. I never understood. I'm talking about now. If your man is trying to kill someone and he has, you know, a background and you know, security, that's what he does, then cool. But don't just take your man off the block and like, yo, you security now.

[Josh]

Yeah, why?

[Mall]

Because if it pop off, you want your man to jump in front of this bullet. It ain't that. It's just I'd rather have you with.

[Josh]

Me versus another I know gonna go.

[Mall]

It ain't that. It's just like, I'm not gonna be in nothing. I'd rather you.

[Rory]

I don't.

[Mall]

My security. You my security of my. You know what I'm saying? My security, my eyes and ears. I don't want to go hide nobody and then you still on the block. Yeah, but I never. I was never like. Because I've watched people walk their man into some. Because that mean they ain't exactly. And I was never that. I was never knucklehead. Like whenever say we gonna do something like, nah, I'm chilling, man. I'm in the crib, bro. For sure. For sure. Always. I've always had discernment the type of people I was around only because I knew the dangers. I've seen it. Like I said, one of my closest friends, he's down for murder right now. But we had lost, you know, in the early 2000s, mid 2000s, we kind of split ways. He fell into some whole other lifestyle. And I'm over here. Then when I heard about him, I'm like, wait, he doing what we used to play Super Nintendo. He was cool. Coolest on the block. Now he down for a body, drugs. I'm like, like, you can't. It's easy to make that left, right? Right. When life hits you, you like, damn, I got these bills, baby. Mom's tripping. I'm gonna go get the shiesty and go run down on these. It's easy to do that right then to get up every morning at 7:30 and get on hard work. For sure. For sure. And for the record, you know, you know how folk be like, you know, we control the narrative, man. We ride with everybody. You ride with Drake, Kendrick, everybody, everybody.

[Rory]

I forgot we was even talking about that.

[Mall]

Yeah, you know, but you know how motherfuckers still be dwelling on like, nah, man, hey, man, we rock with everybody I fuck with. That's one thing I proud myself. I don't Got beef with nobody for sure.

[Rory]

For sure.

[Mall]

If a nigga got an issue with me, I don't even know.

[Josh]

That's good. That's a.

[Mall]

Like. If A don't like me, I'm like, all right. Never even met that.

[Josh]

But you know what?

[Mall]

When I was coming up, I always thought that was weird to me when I was like, nah. Because I used to be, like, naive to the. To the fat. Like, you don't like me. What you mean?

[Rory]

Like, what the.

[Mall]

Because I had to do something wrong for you to like me. Right. In order for you don't wake up. Like, I don't like that, nigga. I don't like this. I wasn't raised to not like nobody. You see what I'm saying? I'm like, why? Right? What I did. Yeah. What I do to make you. But somebody like you, I don't like you. I'm like, all right. What I said. You heard? I said something. I said something on my show. Right. You didn't like it. But do you not like what I said or do you not like me? Some people don't.

[Josh]

Some people don't like you because other people love you, which is weird. Yeah.

[Mall]

I had to learn that, though. I didn't understand that for years until I got grown, like, older in high school. Yeah.

[Josh]

It's always been. It's never something I did to him. It's something I didn't do for him.

[Mall]

Right.

[Josh]

That'll make a.

[Mall]

But how do y' all deal with that now with y' all success, though?

[Josh]

I don't give a. Yeah, you gotta. At this point, you know, I mean, you done been through it so long, like, for all of us. Like, we from different places, but all of our backgrounds are very similar. Being that we were all somebody prior to becoming somebody in the public eye.

[Mall]

Yeah.

[Josh]

So we were dealing with a lot of the things that come with celebrity before there was any real celebrity. So you kind of get a. You build up a tolerance to the bullshit you're getting talked about. Cause it's always been. I can say for all three of us, before we were. Any of us were famous, more people knew who we were than we knew. So that comes with a certain level of, you know, you having to deal with people talking about you, people having an opinion about you, people wanting to do something to you because people love you, all of that type of stuff. So once you actually get into the fame of it and you realize it doesn't do anything but elevate if you already got those, you know, that skill set Built up and make it a little bit easier. It doesn't stop the bullshit that comes with it. Cause it's certain people that's gonna hurt you if they fuck you over, no matter what you got going on. It's just certain people that had that type of credence in your life. But as far as I know, for us, as I've watched all three of us deal with adversity, just, you know, been proud of the fact that, like, man, these niggas is warriors. These dudes are beyond strong to be able to deal with all of the. That the world has. And then the things that the people that we are assigned to do as well. You know what I'm saying? 90% of the people who don't with us just talk shit. But they can't talk more shit than us.

[Mall]

Right? Right.

[Josh]

You get what I'm saying? It ain't even. It's not even real. We were talking about that shit earlier, bro.

[Rory]

I mean, I get why people dislike us, but to dislike y', all, I could never understand. Who the fuck do y' all bother?

[Josh]

Some people hate laughter.

[Mall]

People. People.

[Rory]

People get mad in fan bases split and weird Internet. I understand why people could dislike Mall and I for no reason, but I get why they dislike it. Because they have allegiance to other people. Y' all don't bother nobody.

[Mall]

No, people get mad because you are who they trying to achieve, to be. Some. See what I'm saying? They like, damn, I want to be. I want. How's he getting what I'm pointing in, Chico? I didn't know he was in competition.

[Josh]

Yeah, yeah. I don't even know.

[Mall]

I didn't know it was in competition.

[Josh]

Yeah, that. That happens all the time. But you gotta count. You gotta block that out. You know what I'm saying? You can't pay attention to that. Because the reality of what people come up to us and tell us, like, it's. It's just. I look at it, I call it the rule of 100. Like, if you got a hundred people in a line and 99 of them got a hundred dollars handed out, out for you to grab, most people will go to the last person that got their hands down and argue with them about why they ain't got nothing for them, and you pass by a hundred who got love and gifts and admiration for you to go to the one person that has something negative to say. And that's really the mentality that we. When we out and people see us, it's love. So we see all that time, brother. Who don't like me. Those are the same kind of people that dig in their ass and smell their fingers.

[Mall]

Are these even people I want to be associated with anyway?

[Rory]

They take a shower and then take.

[Mall]

A. I'm talking about people who watch their ass first.

[Rory]

Then they face.

[Mall]

I don't want to be friends with them, bro. These are. There are people out there that put dicks in their mouth.

[Josh]

You think I give a.

[Mall]

What they say out of that mouth.

[Rory]

That had a dick in it?

[Mall]

I don't care, bro. You enjoy that.

[Rory]

I can never wrap my mind.

[Mall]

We are not the same, bro. You're not supposed to like me. I get why you don't like me. You need to find somebody else you can with.

[Rory]

That's gonna be all right with the.

[Mall]

That you be doing. Yeah, get a dick in his mouth.

[Rory]

He.

[Mall]

He don't even have the right mouth to say something good about. About a. Like me. That's a big mouth. This is crazy, bro. This is crazy. Oh, and bite the fingernails.

[Josh]

Them people.

[Mall]

Yo, man, I'm talking about these be.

[Josh]

You ever pull up at the light.

[Mall]

And it'd be a muffler, and you know they flicking the boog out.

[Josh]

Those are the people who don't like me.

[Mall]

Now, that's a fact, though. He right. He right. Yeah. That's crazy. This got be a. You is from the country. Oh, my God, man. Waiting to get that off.

[Josh]

People who don't like me.

[Mall]

Smell.

[Rory]

They smell.

[Mall]

They. You know how many people do that in real life? Yeah. My God. Hell yeah. Weird matter. Let me see what it. You know what it smell like? Smell like. Oh, my God, man.

[Rory]

I have done that with some. I was fingering.

[Mall]

I mean, that's different, man.

[Josh]

Different, man.

[Rory]

I may have even bit my nail.

[Josh]

See, that's what I mean. That's what I mean about what we do. Like, this happens all the time. People think this like, bro. Like, this happens. Oh, we make each other laugh like this all the time, man. Like when nobody's watching, when nobody's around.

[Mall]

Especially happened when the cameras is off. Imagine. Imagine the producer saying, you can't say that.

[Josh]

Yeah, exactly.

[Mall]

And the like, man, that. That.

[Josh]

Can see it.

[Mall]

Have y' all had a chance to. I know we spoke to DC Last time he was here about it. Have y' all had a chance to talk to Ross since. Since he walked off on that.

[Josh]

We were just talking to Angie Martinez about that yesterday. Don't think it's nothing to talk about that. Some new cookies out, right? Some protein cookies.

[Mall]

He just mailed me a Jar of cookies. Oh, yeah.

[Josh]

To the studio.

[Mall]

Okay. We. Me and DC didn't ran it. We in Atlanta, so we run into him all the time.

[Josh]

Ain't never been no hard feelings.

[Mall]

I don't want to say no hard feelings now. Yeah, now. D.C. said he was hurt. My feeling. Because. Okay, I'm gonna say, first of all, I don't give a. Yeah, yeah, I get it. But I give a. Because with you as a person. Yeah, yeah. You see what I'm saying?

[E]

Before.

[Mall]

Okay, let's just say before all that happened, right? Yeah, let's just say before all that happened, bro. I'm listening to you, Ross. I feel like you wanted to. Hey, shut the up. I'm listening to you, Ross. I feel like you. You probably one of the best lyricists from the south that we got. You dig what I'm saying? Like, you poetic, bro. When I listen to your music. I think you put a lot of time and effort into this. Yeah. From listening to your. Not only that, I. With everything you do. You with Wingstop, I'm a with Wingstop. We gonna go. We're gonna buy. This ain't promo marketing. Like your PR team and came brought all this around. This was here we was. This was set up so you can see. Yeah.

[Josh]

We rock with you. Yeah.

[Mall]

You see what I'm saying now? Do you owe us an explanation? No. Right. But as who with you? Yeah. I think it's just something to say. Hey, man. Just a little respect. To be like, hey, man, this is what I gotta go. This is what I got going on. Let me. I can respect that. That's cool. This is when it get insulting. This is when it get insulting. Because we the type of people that we'll never bring up nothing that we feel like that can be diminished to your career or anything. Cause we some real niggas. Yeah. The moment you lead our show, you went and did a podcast, a white podcast. You sat your ass right there for almost two hours and didn't. And didn't leave. And you talk and the white folk ask your ass. Was you a fucking correctional officer? Yeah. We would have never asked you no shit like that. And then come got respect for you. Right? And you sat right there and you answered that question so eloquently.

[Josh]

Eloquently.

[Mall]

Eloquently. Right. You dig what I'm saying? Yeah. Like it wasn't even disrespectful. Yeah. And then I get to sit back and watch that shit and be like, damn, what's the difference between them and us? Okay, now I feel disrespected, right? You feel what I'm saying? Because you're like, damn, that nigga as a man, my nigga, come on. Don't say money, right? We got it right.

[Rory]

You got it right.

[Mall]

But, nigga, we fuck with you, bro. Don't do us like that. And it's still love, but, nigga, yeah, don't do us like that. I respect that. I respect that.

[Josh]

When he did say something about it that kind of struck me the wrong way was when he was like, the little homies, and, you know, we gonna die, you know, salute to me. I'm gonna do this for the. Well, if you really feel like we the little homies and we your little homies like that. Is that how you do your little homies? My right? Cause when left, we ain't take none of that off the table. Yeah, we kept it right there and kept doing what we was doing. So it was never no disrespect on our part. And we've had many guests come through that, you know, we protect. We protect our people. We protect our people. So it wasn't a situation where we felt like it was something that we thought was gonna go the way it went. We just got a product that we love, and we love each other first, so we not gonna let that us look bad for nobody if we can help it. So that was the reason why it even went the way it went. But as far as, like, now getting the explanation or feel, it ain't even about that, but it's just about the, you know, like you said, the. The respect and the love of just saying, hey, man, you know what I mean? If nothing else, come tell us why you left. You know what I'm saying? Come sit down and let us know. And even if you don't want to talk, if that's another thing that we can't ask you about, least come back and let us clown on the fact. Let us come back and get up and leave on you and leave you sitting on the couch one. Just for fun, you know, we had.

[Mall]

We got something similar like that to somebody that I really with as a. As an artist. We supposed to have two chains on, right?

[Josh]

That's the homie.

[Mall]

He was coming to the studio, and maybe like two hours or hours before he's supposed to pull up his people hit was like, yo, he got a family emergency. He got to get back to Atlanta. We gonna double back, you know, next time.

[Rory]

Wasn't even the studio. We had a whole thing set up in. In Jersey with Old sketch, whole set.

[Mall]

Up, like we gonna shoot with him. And I'm saying family emergency.

[Rory]

All good.

[Mall]

Yeah. Go take care of the family, bro. Facts. This ain't. This ain't more important. Yeah. But we can't tune into the game at 7:30 and see you courtside at the Hawks game, though.

[Josh]

That's a family emergency.

[Mall]

But see, y' all don't know what. Y' all don't know what that family emergency was before the Hawks, though. I'm with you.

[Josh]

Yeah.

[Mall]

I'm with you.

[Josh]

Think about it. Right?

[Mall]

But I'm just saying, my first reaction was I feel away. I'm like, I get.

[Josh]

No. But I get back, I handle the family emergency and I go to the game. That child that made me fly all the way back here. And now I gotta go to the game to be able to make myself be at ease. For what? I just had to come home for sure.

[Mall]

For sure.

[Josh]

You know what I'm saying? So that's the way I think. They don't understand, like, the dynamic of the side of having a platform. Cause people reach out to us all the time. You know what I mean? But it's not to the point where we gonna move shit around and cancel shit just to. To accommodate you.

[Mall]

Right.

[Josh]

So when we do make accommodations for you.

[Mall]

Yeah.

[Josh]

A lot of times when it's not respected, then it feel crazy.

[Mall]

Yeah.

[Josh]

You know what I'm saying?

[Mall]

Yeah. And the crazy part about it. It don't. It don't. It did not stop me from listening to his music. Do I be a little angry as I'm listening? Yeah. Yeah. I be like, when he come on back. Yeah. Turn that up. No, I cut it off. I'll be a little mad, but I.

[Rory]

Still bump that shit.

[Mall]

You feel me? You did some wax. But I know what I said not to play schematics, but you know when you get people who.

[Josh]

Maybe you got somebody who's a bigger.

[Mall]

Star, and then they stay two hours. Yeah. And they show love. Yeah.

[Josh]

It make you wonder, like, what the fuck really going on.

[Mall]

Yeah.

[Josh]

You know what I'm saying?

[Mall]

100%.

[Josh]

It's other mother.

[Mall]

You're not the biggest at all. At all. And how you look at us when it comes to our platform like you just sat down. See, that's why I was saying, like, I don't know these niggas. And they ain't even us, nigga. We gonna protect you. Like he said, we gonna protect you. Yeah. We gonna protect everything you stand for, Everything you live for. Even if we heard some shit, we Ain't even type of to bring up none of that. We want to talk about good shit. You left us when he sat down and let them folk spill whatever beans they want to spill. They be like, bro, we would have never did no shit like that.

[Josh]

And you said that, and that was cool.

[Mall]

Yeah. What was different with us, right? I'm hurt.

[Josh]

And we in this game with integrity, bro. It's people out here who trying their best to get on podcast platforms like, you know, 85 and they wanted. Man, how much is it?

[Mall]

No, it ain't a money thing. Right. You know what I'm saying?

[Josh]

That's the part that they be missing.

[Mall]

That's the part, like, if we're not angry, it's the integrity.

[Josh]

How much to get on there, bro, don't worry. Like, people say that to me all the time. What I got to do to get on the show. Whatever it is you do, keep doing that and we'll notice. Lab call public.

[Mall]

Managers.

[Josh]

He pulled up. Cause we with him.

[Mall]

Right? Even if your PR team and all the record lab. Hey, man, pull up and figure out a date. Don't send us nothing. Right? Yeah, we pulling up on our own time, and we gonna do it. Cause we rock with these folks. We. We ain't in it for that.

[Rory]

And even with the change thing, like, you know, I'm not putting this on serious. They were our partner at the time. But that. It was facilitated through that. That. So I don't even know if Chains had a family emergency. It goes through three to six reps in between of what he's doing. Chains could have been like, yo, I'm exhausted. I want to go home. Respect.

[Mall]

Which is cool.

[Rory]

And I would have been like, the amount of times I've had to do interviews, and I'll just be like, yo, I. I can't.

[Mall]

I can't do.

[Rory]

He could have said that. And they trying to keep relationships on whatever universal and serious is and just made up some, like, family emergency. One thing may have not even known that that was said to us.

[Josh]

Yeah.

[Mall]

One thing I do know, in between when the agents and all that, sometimes people don't respect the relationship you and the artist got. Yeah. Yeah. So some might have been said. They may think it ain't that serious. And you be like, oh, wait a minute. Time out. Like, do my fault. And they like, oh, I ain't know. Like, no, don't push them to the side. Right. They're my people. Don't give them the. The Hollywood. They're my folk. Yeah. I called them personally. I wanted to set that up. That wasn't no PR thing. So let's talk about the, the people y' all have signed signs of. Paul Minds. Yeah. Shout out to Dre and Lex. That's. That's our family. What was the, what was the mindset behind it? I just wanted to bring some ladies on and say, listen, we need to have some ladies representing this thing.

[Josh]

Yeah, that basically it. And they had a joint that they.

[Mall]

Were doing out the crib.

[Josh]

Yeah, they invited me on and I.

[Mall]

Was like, y' all got some good chemistry. Y' all know how to keep a flow going.

[Josh]

And y', all, y' all appealing.

[Mall]

People will look at y' all and y' all talking about something for sure.

[Josh]

So it's like, we got the platform. Let's see how we can build a relationship. Because whether it's us that fuck with y' all or not, y', all, if y' all stay consistent and keep doing this, somebody gonna notice all these things that I'm noticing.

[Mall]

Yeah.

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[Mall]

Thing about Shipt since I signed up for Target Circle360 no price markups when I order same day delivery from tons of local stores. Only a handful of alcohol retailers and items don't count. I won't lie, I've had too much.

[Josh]

Fun being like Markups on groceries not in my fridge.

[Mall]

Markups on pet food, not for my dog, Markups on tools, electronics, home goods.

[Josh]

Meds, not in my house.

[Mall]

Anyway, it's awesome. Order [e-mail]360 Terms apply.

[Damaris]

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[Mall]

My favorite thing about Shipt since I signed up for target circle360, no price markups when I order same day delivery from tons of local stores. Only a handful of alcohol retailers and items don't count. I won't lie, I've had too much fun being like.

[Josh]

Markups on groceries, not in my fridge.

[Mall]

Markups on pet food, not for my dog.

[Josh]

Markups on tools, electronics, home goods, meds.

[Mall]

Not in my house. Anyway, it's awesome. Order [e-mail] 360trees apply. Niggas don't trip. Y' all don't tweet on Tundras.

[Rory]

I don't. Y' all don't. Y' all don't tweet on Tundras. You know who doesn't tweet on Tundras? Nicki Minaj. That is a straight.

[Mall]

She's a straight shooter. If I've ever seen a metaphor in sight. If I've ever seen a straight tweeter. You don't have to guess this. Nicki Minaj. Yo, Nick, what's what? I just want to call Nicki like, yo, what happened? What is going on?

[Rory]

You don't need to call her. It's all laid out there.

[Mall]

Yo, Nikki, you know I love you. What is happening?

[Rory]

Yo, she. Somebody tried to screenshot like a long ass tweet. And because of the regular screenshot on Twitter, it looked like a CVS receipt. Feet like how long it was. And somebody was like not reading it, God bless or whatever. And everyone under that was Nicki Minaj fans saying, okay, so you never wrote an essay in high school? Like you've never written a five paragraph essay before.

[Mall]

Yeah, but not on Twitter though. On X you don't write essays. But no, seriously, all jokes aside, what. What is this stemming from with her and scissors with Nikki and sz? What is this? What's the beginning of this thing?

[E]

From What I know, TDE's what's Punch? Yes. He tweeted a song that had Barbie in it and she took it as a broken Barbie. Broken Barbie, which is a song that's coming out.

[Rory]

Well, no, it's out. It's from one of their new artists. The video came out. It's called Broken Barbies. Cool record.

[E]

And then she went and she started going off thinking it was about her. Then Sza tweeted, mercury retrograde, don't take the bait. Lol, silly goose. And Nicki just went off, said, go draw your freckles back on bookie. She's still, like, fighting with Desiree and.

[Rory]

It'S literally still going on right now. It is July 17, 3:04pm you could hit refresh on Nikki's page and it is still going.

[E]

Yeah.

[Rory]

And this is from three or four days ago.

[E]

Yeah, maybe five days ago. She keeps telling Sza she then Scissor has said something like, you need to get it together. And she was like, sissy, you think you're more famous than me or you think you're more more successful than me? And so it's just like, I don't give a fuck about none of that weird shit you popping. Like, it's just going back. Sza and Nicki Minaj going back and forth on Twitter is something I never thought I would see, but I'm not surprised.

[Rory]

And all right, so I thought it was based off what Punch was tweeting that had to do with the new song he's promoting. But then Nicki had retweeted someone bringing that up and she was like, imagine if I ever went off like this because of what Punch tweeted. It has nothing to do with that.

[Mall]

That.

[Rory]

So now I am completely lost. I thought maybe she just misunderstood what Punch was saying and she's claiming it has absolutely nothing to do with that. She didn't even see that. So I am completely lost. I'm sorry I don't have any journalistic things to bring you here. I know the Desiree Jay Z, Roc Nation thing goes back to the title, goes back to them managing Megan and Megan and Nikki having a back and forth and funding Megan saying nasty things about Nikki, according to her, which we covered two episodes ago.

[Mall]

I was trying to, like, follow it and read everything, but I just, you know, sometimes I just be like, this ain't for me. Like, when the girls are fighting, I'm just like, when the women go at it.

[Rory]

It's like when you see Chris Brown put out 60 songs on one album and you're like, I can't keep up with all this. Yeah, I'll listen to the first five. And that's as far as I've gotten in the Nicki Scissor thing.

[Mall]

All right, so do we think that, you know, because, you know, I'm always. Is it music bars coming?

[E]

No, no. Since it's not taking. Since it's not going in the studio to diss Nicki Minaj on rap.

[Mall]

No, it ain't got to be dissing it, but it could be a. It could be a bar in. In. In between some good melodies that's directed at Nikki.

[Rory]

I don't know. All right, sos the intro on the. Yeah, Champagne Poetry beat. Sizz was getting bars off. Let's not act like SZA hasn't halfway wrapped before and is a great runner.

[Mall]

I definitely believe Nikki is gonna have some balls for scissors.

[Rory]

Here's my thing. When Bigfoot came out, I said that if Megan doesn't reply, that's an L to Megan. And I still stand by that. I think she should have replied to that. Even though I didn't think it was the greatest diss record. You're not about to diss me like that. So directly after I sent you subs and then just be quiet. So I think personally, Meg did take an L with Nikki in that back and forth. Cause Nikki showed up to rap and did it. Even though I didn't think it was a good diss record. You still gotta reply. I don't think SZA is gonna do the same route. If Nikki comes out with a record tomorrow towards sza. I think SZA during tour is going to reply.

[E]

I don't. I do not. I think SZA's enjoying her stadium tour. Like, I don't. I don't think she's going to. I think maybe a couple years ago, but I don't think. I think that Nikki's rants. The barbs are gonna kill me.

[Rory]

Whatever.

[E]

I don't give a fuck. I think that Nikki's rants have taken her from that beloved. Everything she has and everything that she's earned when it comes to her career, she's earned it. Like, she's stamped as the greatest female rapper of all time. But her Beyonce ish level of, like, the way people looked up to her, she's taken that away with the constant rants. People don't pay attention to her rants anymore because there's been so many of them. You know what I'm saying? Like, if. When Jay Z went on his one long rant on Twitter, it was the biggest thing on Twitter, you know what I'm saying? Because he never does that.

[Rory]

He was also bigging everybody up.

[Mall]

Well, yeah.

[Rory]

Wasn't a negative rant.

[E]

This is so regular now. It's become so regular that people just kind of brush it off. Now it's not an important thing. It's just like Nikki ranting again.

[Rory]

This feels like an extra crash out, even for Nikki. We going on four days right now of the same shit over and over too. It's not like it's new information. It's not new information.

[Mall]

The energy behind these tweets that I'm reading from Nikki, it definitely feels like she's been a lot of this is shit that's been building up and shit that she's been holding in for some time, and she just finally found the moment to just like, really go off. But it's definitely a different energy behind this. Seems more like I've been waiting for this, for this moment, because, like, you.

[E]

Know, when it comes with Sza.

[Mall]

Yeah, like, you know, I don't rock with you. I think you phony. You've been mad phony for years. Like, it feels like that. Like. Like I tried to have respect for you because, you know, whatever. But, like, I don't like the funny moves you've been making throughout the years. Like, you always move funny and I don't like it. I think it's weird.

[Rory]

Well, according to Sza, the funny moves were Nikki requested two features and she didn't do them. Is that funny moves?

[Mall]

Some people. Yeah. If you don't do. I mean, listen, if Nicki Minaj hit you for. And I don't know if this is factual or not, we just going off of what we saying.

[Rory]

No, no, it's factual because Sza posted it and Nikki did co sign that. That happened down to her saying, nikki, question mark. Who Nick about. Of course it was. It was that.

[Mall]

So, yeah. So that's valid. Yeah.

[Rory]

I don't think crashing out like this to me is not valid because somebody wasn't available to give you.

[Mall]

No, no, no, no. I'm not saying that's all.

[Rory]

That's not.

[Mall]

I'm not saying that's the sole reason. I'm saying I think that the features not coming back or not responding to the features or doing it, whatever, I think that that may add to it. Like. Like, you gonna keep. Like you ain't gonna do a feature with me. Like. Like I'm some struggling up and coming artist or something like that. Like. Like who. Who doesn't do a Nicki Minaj feature? Now, that's not something you see, like, often you don't, you know, you don't hear that. If Nicki Minaj reach out to somebody for a feature, nine times out of ten, that feature's coming back. Especially when you're not. At the time, I don't think Sza was as big as she is now. So at that time, I'm sure Nikki probably was like, I just think you dope. Like, you not to the level where you could just like, not respond or just not Send a record back. Like, oh, if you don't want to do it, just say that. But to not have no, like, back and forth, you know, on why the record, why you don't want to do it. I could see Nikki feeling away like. Like, yo, who is it? Like, word. Shorty just curved my. My feature request. Like, that's crazy.

[Rory]

Which I didn't even see the Barbs put this one together because I want to be fair and objective here. I see your point. And she did a Cardi feature. She's on Cardi's first album.

[Mall]

So here we go.

[Rory]

So now I'm getting in the brain of Nikki, even if I don't agree. I'm like, okay, maybe she's looking at it like, I tried to do features with you. You didn't, but then you did a whole fucking duet with Cardi B, who was my enemy and felt like the entire industry was against. But I still think this is corny and weird. I can also think two things are true.

[E]

I think this is a Cardi feature. Came before Nicki requested. This is a feature. I think the Nicki Sza feature was for Nicki's latest album, Pink Friday too, which was like, what, last year? A year and a half ago, where the Cardi one was like, six years ago.

[Rory]

Yeah, for sure. But also when Nicki was saying that she doesn't even know SZA's music. And this is. Was like, all right, well, you use my bars on feeling myself with Beyonce. And so to me, I feel like there has been talks six, seven years ago of Nikki and Sza working together. I don't think it was just for the last album because they did say it was two different times.

[E]

Okay.

[Rory]

So, yes, I think there was a time early that Nikki was maybe not even just a feature, just to work together, which is fine. Fine. Like, Rihanna was seeking out Sza as a writer to work together. This is a great writer. I can see around that time when Invasion of privacy was happening, that Nikki would have been like, oh, that girl's dope. She's a great writer. Let's. Let's work together. I can see that. That happening not just with the last album, but I don't. I just.

[Mall]

Man, give us some music. It's. Don't tweet.

[Damaris]

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[Mall]

Here at the Almond Joy Factory, where tropical vibes abound, we use soft, fresh.

[Rory]

Tasting coconut, the crunchiest almonds, and delicious chocolate Chocolate candy.

[Mall]

Ah, but do you know what our.

[Josh]

Most important ingredient is?

[Rory]

Sometimes you feel like a nut, sometimes you don't. Almond Joy's got nuts and something even way better than that. Yes, Almond Joy is made with almonds.

[Damaris]

And Jo.

[Rory]

A treasure trove of bananas has been stolen and it's up to Donkey Kong and his buddy Paulie to get them back. This unlikely duo is going on a world smashing adventure, using DK's destructive abilities to explore an underground world and the power of Pauline singing to activate wild transformations. Donkey Kong Bonanza available now. Rated everyone 10 and up only on Nintendo Switch 2 game and systems sold separately.

[Mall]

This is an iHeart podcast.