Episode 343 | Not Another One

Summary

Podcast Summary: New Rory & MAL – Episode 343 | "Not Another One"

Release Date: February 7, 2025

Hosts: Rory Farrell & Jamil "Mal" Clay

---

1. New Music Releases and Promotions

Rory’s Latest Track Featuring Leon Thomas

The episode kicks off with Rory Farrell celebrating the release of his new single featuring the talented Leon Thomas. Rory expresses gratitude towards his listeners and acknowledges the hard work behind the scenes.

• Rory Farrell [03:07]: "New single available now on your DSPs, Rory, featuring the talented, the super, super talented Leon Thomas. Who are you anyway? Go stream that."

Discussion on Royalties and Industry Challenges

Rory delves into the complexities of royalty management, highlighting delays and the financial impact on artists.

• Jamil "Mal" Clay [03:24]: "I had a backlog on some of my paperwork to actually get the royalties for songs from the last album. And because it was delayed, I was like, oh, it's cool that I left that alone. Now I'll just get a bigger check. Cause it's been on backlog. That shit was like $1,100."

---

2. Industry Insights: DJ Khaled’s Promotional Strategies

The hosts analyze DJ Khaled’s recent promotional efforts, particularly focusing on his high-budget trailer featuring Drake and Mark Wahlberg. They discuss the implications of using prominent artists in promotional content and the potential fallout when collaborations don’t go as planned.

• Jamil "Mal" Clay [09:02]: "It's okay. But now it is. I should reach out to my mentor because I think he spent maybe a quarter million dollars on a trailer that got taken down the same fucking day."

Impact of Drake’s Response

Drake’s comment on Khaled’s trailer, referencing Drake Bell, caused significant disruption, leading to the removal of Khaled’s promotional material. The hosts debate whether this was a deliberate sabotage or a misunderstanding.

• Jamil "Mal" Clay [11:35]: "I agree with you. I'm sure one of those out of the two was the first or second single. Yeah, but to take out everything from your rollout... and then hinting at having Rihanna and Jay Z features."

---

3. Kith Records Launch and Future Prospects

Introduction of Kith Records

The conversation shifts to the launch of Kith Records, celebrating the release of their first record produced by Scott Storch featuring Fab and Jadakiss. The hosts commend the quality and production value of the new release.

• Jamil "Mal" Clay [30:18]: "They've done some cool stuff like the Knicks drops with the Locks. I think it's pretty cool what they're doing, the creative team over there."

Potential Collaborations and Challenges

They explore the possibilities of future collaborations, including speculation about reuniting groups like Dipset, though skepticism remains about resolving past conflicts.

• Rory Farrell [32:43]: "I'm not saying Ronnie. He would have the amount of money. I'm saying the right number would get them all back together."

---

4. The Future of AI in Music: A Discussion on Kanye West's Innovations

Kanye’s Stance on AI and Its Implications

A significant portion of the episode is dedicated to discussing Kanye West’s recent ventures into artificial intelligence in music production. The hosts express concern over the emotional disconnect that AI-generated music might create.

• Jamil "Mal" Clay [75:40]: "But Kanye is putting it in that same exact category. And I don't know. When the dust settles in 10, 15 years, we may look at it that way. I don't."

Creative Authenticity vs. Technological Advancement

They debate the balance between maintaining artistic authenticity and embracing technological advancements, emphasizing the importance of genuine emotional expression in music.

• Jamil "Mal" Clay [80:07]: "This isn't just some straight AI Weeknd stuff. That's emotion."

---

5. Tribute to Irv Gotti: Honoring a Hip Hop Legend

Acknowledging Irv Gotti’s Legacy

The hosts pay homage to the late Irv Gotti, recognizing his monumental impact on the hip hop industry. They reflect on his role in shaping Def Jam and Murder Inc., celebrating his vision and dedication to nurturing talent.

• Jamil "Mal" Clay [93:44]: "Prayers to Irv Gotti, prayers to his family, and we thank you for everything that you've given us and left with us in this culture."

Influence on Modern Music Executives

They discuss how Irv Gotti’s unique approach as both an executive and a creative force set a benchmark in the industry, lamenting the void his passing leaves.

• Rory Farrell [95:41]: "Irv is on a very short list in hip hop and R&B that is a music man and an executive."

---

6. Voicemail Segment: Valentine's Day Antics and Banter

Humorous Calls and Personal Stories

The episode transitions into a lighthearted voicemail segment where listeners share their Valentine's Day plans and anecdotes. The hosts engage in playful banter, discussing hypothetical concert lineups and reminiscing about past events.

• Listener “Baby D” [99:58]: “I’d like to see some vinyl, Kith, I’m there.”

• Rory Farrell [101:07]: “Pretend it's your birthday... Who's your opener? Who's your middleman? Who's your closer?”

Future Plans and Super Bowl Predictions

They conclude with discussions about upcoming Super Bowl events, sharing personal plans and making fun predictions about the game.

• Jamil "Mal" Clay [119:46]: "I'm going with the Eagles."

• Rory Farrell [120:42]: “Make it seem that way.”

---

7. Closing Remarks

Final Thoughts and Reflections

As the episode wraps up, the hosts reflect on the importance of cherishing relationships and supporting each other, especially in light of recent losses in the hip hop community.

• Jamil "Mal" Clay [124:41]: “We want to be grateful for everything that Irv has given us... pray for Irv Gotti, prayers to his family.”

Announcements and Teasers for Future Episodes

They hint at upcoming content and encourage listeners to stay tuned for more engaging discussions and exclusive content on their Patreon platform.

• Rory Farrell [125:00]: “This Valentine's Day special is going to be insane... Pray for Irv Gotti, prayers to his family.”

---

Notable Quotes

• Rory Farrell [03:07]: "New single available now on your DSPs, Rory, featuring the talented, the super, super talented Leon Thomas. Who are you anyway? Go stream that."

• Jamil "Mal" Clay [09:02]: "It's okay. But now it is. I should reach out to my mentor because I think he spent maybe a quarter million dollars on a Khaled trailer that got taken down the same fucking day."

• Jamil "Mal" Clay [93:44]: "Prayers to Irv Gotti, prayers to his family, and we thank you for everything that you've given us and left with us in this culture."

• Jamil "Mal" Clay [75:40]: "But Kanye is putting it in that same exact category. And I don't know. When the dust settles in 10, 15 years, we may look at it that way. I don't."

---

Conclusion

In Episode 343, "Not Another One," Rory Farrell and Jamil "Mal" Clay delve into a multitude of topics ranging from new music releases and industry challenges to the ethical implications of AI in music and heartfelt tributes to hip hop legends. Their candid discussions, interspersed with humorous banter and listener interactions, provide listeners with an engaging and insightful experience, making it a must-listen for fans and newcomers alike.

Transcript

[A]

No warrior now I try to build you up you threw those stones back at me you think that money alone the rule of being happy happy you're too pretentious Unconscious pride and drive Mercedes always on her But I doubt you've looked in the mirror lately I know the mirror will say who are you anyway? Who are you anyway? Who are you anyway? Are you sure that we met? I don't recognize that face who are you anyway? Who are you anyway? Who are you anyway? Who are them people that you travel with? Those are the types you used to this what are those habits you picked up Nose is made for breathing schedule are up with them days you train.

[B]

For sleep.

[A]

I tried to build you up you threw them stones back at.

[B]

Me.

[A]

You think that money loans the root of being happy happy y'all too pretentious self conscious pride and driving Sadie always done up But I doubt you looked in the mirror lately I know the mirror would say who are you anyway? Who are you anyway? Who are you anyway? Who are you anyway?

[B]

And that was a new tune from the very successful and popular artist Rory, featuring Leon Thomas. Anyways.

[C]

Exactly.

[B]

Available now. I think I've annoyed you guys between Patreon and all our other content of promoting the song, but this is the first time we're talking about it on the actual episode.

[C]

Keep asking you how much trouble are you in with the label is you and Bruno Mars. I don't know who's in more trouble.

[B]

Bruno.

[C]

Bruno doing songs with everybody, you know what I'm saying? He backed away in the cowboy hat.

[B]

I had a backlog on some of my paperwork to actually get the royalties for songs from the last album. And because it was delayed, I was like, oh, it's cool that I left that alone. Now I'll just get a bigger check. Cause it's been on backlog. That shit was like $1,100.

[C]

Yeah, yeah, yeah. New single available now on your DSPS, Rory, featuring the talented, the super, super talented Leon Thomas. Who are you anyway? Go stream that. Available on all your DSPs right now.

[B]

Support Rory while they're listening to this. It already happened. But recording this on February 6th, Leon Thomas is doing Stephen Colbert tonight.

[C]

Fire.

[B]

So like you figure, he probably changed his entire set from Mutt Records. He's just going to do this just to plug the right. You'd assume.

[C]

Naturally.

[B]

Right now he's rehearsing.

[C]

Nobody wants to hear Mutt, even though nobody.

[B]

It just top 100 on billboards.

[C]

Hot 100. Nobody wants to hear that.

[B]

But I. We were talking about that with Dochi, and I think that's great with Leon too. I love that the industry is now realizing that post promotion is so important. Like, first week is whatever.

[C]

Yeah.

[B]

Mutt's been out for a minute. You just got to keep working a record now. It's in the hot 100 as. As it deserves to be.

[C]

Absolutely.

[B]

So congrats to Leon for that being there.

[C]

The real song of the year, my record. Well. Oh, the year just started, so technically, I don't know.

[B]

I feel like there's probably been. What's come out this year so far?

[C]

Nothing.

[A]

Nothing really? Blick, some remix.

[C]

I hate that record.

[A]

What? How do you hate that record?

[C]

All right, my bad. I don't hate her. I hate that message.

[A]

Lick something if you love me Hit something if you love me Better not put nobody but your opps above me Passy princess when I slide through no, them ain't not nothing classy.

[C]

I like lotto, but does that make.

[B]

You an accessory after the fact? Like, I do feel like if a woman sends a man on a dummy mission because she knows he has a fragile ego and will kill another man just because she wanted to fuck with that dude now doesn't want to anymore, she should be involved in the case, in my opinion.

[C]

Oh, she will be.

[A]

Is it a planned assassination?

[B]

It's a rico.

[C]

You think in the hood get assassinated, let me know they get killed. Assassinated and killed are two totally different things. I can promise you. None of these blood have been assassinated. Them are killed. It's a difference. Malcolm X was assassinated. Martin Luther King was assassinated. Dawson Jermaine was killed. That nigga was just murdered.

[B]

Yeah, okay. All right. Tupac.

[A]

That was an assassination.

[C]

He wasn't assassinating street for what he. That was gang, what he stood for.

[B]

Yes, I see why people would say Tupac was assassinated.

[C]

Okay? If he got.

[B]

If it was just some gang banging.

[C]

If, if, if PAC got killed at the naacp like he was giving a speech. Assassinated. Yeah, on the. On a strip in Vegas. Murdered. Yeah. The difference.

[A]

Okay, so I looked up the definitions of the twos or the difference between the two. Assassination is a type of murder that involves killing a high profile target, usually for political or ideological reasons. Murder is the unlawful killing of another person. So assassination typically involves a public figure. Murder can be the killing of anyone. I feel like Tupac was assassinated.

[B]

Yeah.

[C]

No, no, no, no.

[B]

That Crip said.

[C]

No, no, no. She missed.

[B]

There's no way a rapper is gonna punch me.

[C]

She missed. A very important part of the definition.

[A]

For political or ideological.

[C]

PAC was not killed for no political or ideological ideology.

[B]

Gang. Gang politics. There's no way an active Crip is getting punched by a rapper and living to see the day. That's. That's politics.

[A]

Or your ideals of. The ideals of, you can't do this or you can't do that. I feel like that's. I don't know. I'm voting assassination.

[C]

So you believe Tupac was assassinated? Okay.

[B]

Gang politics.

[C]

Okay.

[A]

If you get killed for how you feel up for. For anything you say on this podcast, that's an assassination. Because your ideals that you're spewing, other people disagree, that will be an assassination.

[C]

I think I would have just been killed. Well, I guess don't be at my funeral tomorrow. I got assassinated.

[B]

It would depend your definition of, like, ideologies. Like, if you spilled a drink on me, my ideology is, I don't like that. Now you must die.

[A]

No, that's not ideology.

[C]

It's the natural order. You spill a drink on me, you gotta die. You step on my sneakers, gotta die.

[B]

I don't make the rules.

[C]

Yeah, that's just.

[B]

That's.

[C]

That's the universe that was in place before I got here. So, I mean, talk to the people before me. Don't talk to me about it.

[B]

Well, I appreciate that you guys are saying I already have song of the Year, even though you said that in just new music is coming out. Like, you know, I also want to plug, like, my peers too. I don't want to just make it a selfish thing. A lot of good music coming out on Friday. Like, we all have to stick together.

[A]

Your peers or your mentor, because you definitely copy in DJ Khaled.

[B]

First of all, Khaled's not coming out today, first and foremost.

[A]

Oh, okay.

[B]

He dropped the trailer. And DJ Khaled, while I do appreciate what he has contributed to the music industry, has not been a mentor of mine. What are you trying to get at?

[A]

I'm just saying I feel like you the R B DJ Khaled, allegedly.

[B]

So I'm not the R B.

[A]

But that's what you're trying to be.

[C]

I can see it.

[A]

You're not singing on that album. Oh, exactly. So that's what DJ Khaled does. @ least Khaled, he writes production.

[C]

Where your Drop game at?

[B]

Yeah, I had the new Roy Mall Drop on the first one.

[C]

That was, like, one song.

[B]

It was the intro. Yeah, yeah, I'm not really like the Drop guy. Like, I don't want.

[C]

You don't want to interfere with the art. You want to just Kind of just.

[B]

I. I'm going to steal that answer. Even though that's not true. I want to make it seem that way. Like, I don't want to mess with.

[C]

Whenever you put art into it, you.

[B]

Like, okay, like, you ever see when people put the parental advisory on a beautiful album cover? Like, why'd you do that? That's kind of me with the drops. But Okhalid didn't start this shit. Like, Clue's been doing this forever. He wasn't rapping, he was talking on it.

[C]

Yeah.

[B]

Everything recorded. So even though Okhalid has done it to the highest level, I wouldn't say he would be my mentor in this entire thing.

[C]

It's okay. But now it is.

[B]

I should reach out to my mentor because I think he spent maybe a quarter million dollars on a trailer that got taken down the same fucking day.

[C]

We was in here, though.

[B]

Does this mean. Does this mean I win Friday with the compilation album Wars?

[C]

Oh, yeah.

[B]

Because I was nervous, definitely when I was trying to put together my assets for this record that's out today. Then I saw Khalid put out a trailer with Mark Wahlberg that was seven minutes long where Khaled is running with a suitcase full of money. I was like, oh, I'm fucked. It's over now.

[C]

Yeah, you can't compete with that.

[B]

And then finally, after everything this pod has had to deal with because of Aubrey Drake Graham, he came through for me and sent the C and D. Sending the C and D through a comment is fucking hilarious.

[A]

Saying, you must meet Drake Bell.

[B]

For those that don't know, Khaled put out this amazing trailer for his next album. He was pitching all of 2024 that it was coming out. Clearly it got pushed. And he puts this out. And in the little slideshow he had the photo of Drake walking out to the stage and photoshopped himself in, which I'm sure Peach did, which is fucked up. Like, whose side are you on in this. This collaboration album shit? With a sign saying, I have two Drake records. And if you guys remember, in 2024, he was following Drake around with that exact same sign. So we ASSUME he has two Drake records on the.

[C]

Was that 2024?

[B]

It was his last tour.

[C]

That was 23.

[B]

You are correct.

[C]

Yeah.

[B]

For the album in 2024. So he just took the date off, posted that, and then Drake commented, must be at Drake Bell. I think it's funny that he added Drake Bell to poor Drake.

[A]

Bell probably was just enjoying his cereal.

[B]

So then Khed takes down this quarter of a million dollar Trailer. That was incredible. E. Rivera, Incredible director. Do we think he took it down because of that Drake comment? Because I don't see why you would do that. Even if you can't use the two Drake records, I'm leaving my Mark Wahlberg seven minute trailer up there. The trailer's nothing to do with Drake.

[C]

What do you mean you don't. The entire program has changed now. Now, you know you don't have two Drake songs.

[B]

But I can. My album can still come out, and I can still keep my Mark Wahlberg dream.

[C]

No, it cannot. Stop it, bro. You know, if you had one of the biggest artists in the world, two songs from them, and that was what you were leading as part of your promo for your album, and then that artist leaves that comment, your entire staff is scrambling because you now know those two songs will not be on the album. And I'm willing to guess that one of those is probably the single.

[B]

I agree with you. I'm sure one of those out of the two was the first or second single. Yeah, but to take out everything from your rollout, like, I get everything down. That photo of you holding that shit up, but nah. And then even hinting at having Rihanna and Jay Z features.

[A]

So that's why I thought it got taken down. I'm like, is that confirmed? That's what I was.

[C]

Anything confirmed now on this album?

[A]

That's why I was like, is that confirmed?

[B]

So Drake and the Smurfs stepped on Khaled's rollout.

[C]

Yeah.

[A]

And you.

[C]

Well, Drake didn't step on it. He just interrupted.

[B]

I like to think it was really me. Once he saw that I was coming with.

[A]

Yeah, for sure.

[C]

I can promise you it wasn't.

[B]

But it was the Smurfs.

[C]

Yeah, it was definitely the Smurfs. They do crazy numbers.

[B]

I mean, I just feel like as someone that has been part of albums being pushed back so much, I feel like you would check in with the artist once you're ready to go. Like, hey, are we still good?

[C]

Especially after everything that happened two years ago.

[B]

You're saying you have these two Drake records based off everything that happened in 2024? I would maybe just check in with Dre, like, yo, remember those two records? Like, we still good to clear, though, right?

[C]

Before I post this, that leaves me to think.

[B]

Before I. Before I put together this budget to shoot Bad Boys 10 in Miami, that.

[C]

Leaves me to think, when was the last time Khad actually spoke to Drake?

[A]

Are you gonna tell us one?

[C]

Me?

[B]

Yeah.

[C]

How the would I know?

[B]

Oh, okay. I would speculate. They didn't speak in 2024.

[C]

Okay.

[B]

So that's what I'm guessing.

[C]

So off that speculation, if you say you're Khaled and you don't speak to drake the entire 2024, do you roll out this trailer and say, I have two Drake songs.

[B]

I would put the trailer film out, but no way in that slide show would I put, I have two Drake songs.

[C]

Okay.

[B]

I would confirm with that. I'd actually hold that regardless, to, like, use it as another asset later. Down with the role. This trailer stood by itself.

[C]

Yeah.

[B]

I didn't need Khalid to hold that sign for me to be intrigued about what this album is going to be, especially at this time.

[C]

Yeah.

[B]

So I don't know. I feel like that was one of the wildest mistakes I've seen in a rollout in quite some time. And I feel bad because I think Khaled spent a lot of time and money on that.

[A]

Yeah.

[B]

And I'm sure he was super excited about it. And then to have that, you need to just triple check. I agree.

[C]

Yeah.

[B]

Like, what if I'm sitting there, if I'm Drake and I'm in Australia and I'm watching this, like, I never agreed to this.

[C]

Not only that, I haven't spoken to you and God knows how long, if we're going off of that, it's like, yo, obviously they haven't spoken. You put this out in Dre comments with the comments, it's like, okay, clearly they're not in communication with each other. I just don't know how somebody like Khaled just makes that mishap of, you know, lack of discernment. Let's call it a lack of discernment and allude to having two. Now, Khaled does have two Drake songs.

[B]

I'm positive he has that probably has 15 Drake songs.

[C]

Will those Drake songs ever see the light of day? Will they ever get cleared? Absolutely not.

[A]

Okay, so am I missing something? Is there a specific reason why?

[B]

I just think so much is messy behind the scenes with everyone and Drake at the moment that I would probably triple check when releasing Drake. Even French Montana, who has a great relationship with Drake. Drake was like, yo, chill, putting out my verse. It's a weird time right now. So if I'm somebody and we don't know if Khaled and Drake have spoken, speculating. If I have not spoken to a person in over a year, and they had the year that drake had in 2024, I'm going to. Matter of fact, I'm just going to shut the fuck up. Because if I didn't check on you at all throughout that entire year, that first fucking text of saying, yo, we still good on those records from 2023, I would hope I'd be left unread. That would be the craziest text messages.

[C]

I told y'all last year, yo.

[B]

Hope all is well.

[C]

Yo, I'll do that. I told you last year, Target was closed. And this is what I meant. I don't think Drake is giving a feature to nobody. I don't think anybody gets a feature from Drake anymore.

[A]

I think DJ Khaled went the it's better to ask for forgiveness than to ask for permission route because he knew. He knew if he would have text Drake, it would have been a no. So I think he was hoping that he could just go along with it and throw it out there and Drake wouldn't say anything.

[C]

That's a terrible call.

[A]

It is a terrible call.

[C]

You hoping on your album release, like, you hope that this film. Yeah, like, you can't go off hope and film that type of trailer. You gotta know for sure what we doing, what's happening with this project?

[A]

Well, the trailer. I feel like the trailer's probably been shot for a long time, though.

[C]

Yeah, but you dropped the trailer along with announcing the big artist that's on there. This is all promo for the album. But you gotta. Khaled is no rookie. He's been in the industry for years. He knows how this goes. You gotta make sure, like, okay, I haven't spoken to Drake, and I don't know when he's had a year. You know, last year was an insane year for Drake. Let me at least reach out to him and see, like, yo, are we still good with these songs? Am I still good to go with these records, given everything that happened? I'm pretty sure, you know, Drake's stance on a lot of things has changed. So to do that and not have that conversation with Drake, which we know because he responded via a comment.

[B]

Yeah.

[C]

It's like, I don't know how Khaled makes that mistake. That's just not. That's not something that I expect from Khaled. Khaled is too much of a veteran to make a lapse in judgment like that.

[B]

Do we think Khaled is funding a lot of this himself over the past few years?

[C]

I don't think so. I think this is all label. I think the label understands Khaled's relationships with some of the biggest artists in the world. He's been proven to Be able to put some of the biggest artists in the world together on a project. I think at that point, when you prove that to labels, I think they open up the budget for you.

[B]

That's a fact. And, and I've felt that way especially after the Rihanna and Bryson record. Like that's. That's a certified classic record of the last decade. And I'm sure brought so much money and we know for a fact Khaled albums have brought in money. The last three do, we think have brought roi, where you can shoot. You can even go to your boss and say, hey, are you guys cool with clearing a quarter million dollars for a Khaled trailer? Yeah, at this point, I think, which, which is, I mean that's not a personal thing. That's a music business thing. I think Khaled has to put up a good amount of money himself, which I respect and appreciate. You care that much about your art. Put your own money up even when you're on a major. I don't know if Sony is clear in this whole thing. I don't care if you have Mark Wahlberg. That entire, that entire cast doesn't mean that money is going to come back with it like that. God did verse with Jay Z. Incredible. Love that that moment happened. Do you think that was a profitable record based off how big that budget really was?

[C]

I don't think so.

[B]

I don't think it was either. It was an amazing moment and I love Khaled for it. But if I'm working at Sony, I don't know what the ROI is with Khaled right now.

[A]

Yeah.

[B]

Because his whole entire thing is the A Lister shit. And I know it's favors like no one's really charging Khalid a favor averse fee or anything like that, but once you. Compilation projects are expensive regardless. And even paying out those producers, those splits, even if Sony owns half the master or all of the master, I don't know how profitable it's been over the past few years.

[C]

Yeah, but it's pretty profitable.

[B]

It's Khaled's commercial where he can get brand deals that he has. I think Khaled is a great businessman. I think Sony's the one getting fucked in this situation, which I'm all for. More power to you, Khaled.

[C]

If you sit down with Sony and say, hey, I have two new Drake songs, you think they don't open up the budget for you?

[B]

I think someone at Sony would say the same exact things that we are saying in these chairs now. When was the last time you Spoke to him?

[C]

I don't think so. I don't think nobody at Sony asked that. I think people at Sony assume that him and Drake are in communication. I don't think nobody at Sony said, yo, when is the last time you spoke to him? Are you still speaking to him? I don't think nobody at Sony says that. I think they trust Khaled, that he has all of that lined up already ready to go. I think that they. When he's coming to them saying, I have two Drake songs, I don't think somebody in the office saying, do you? What was the last time you spoke to him? I don't think that anybody says that.

[B]

Okay, new theory. Just spinning the wheels as this goes. In 2023, when he was following Drake with that sign at his tour saying, I have two Drake songs on my album, there may be a world where that paperwork was done. And that's why Khaled was so comfortable walking around with that sign and why he was comfortable putting it in. In his little real shit, Drake may be on some fuck you type of shit. Like, I'll fight this to the. I don't care that I sign anything. I'll happily spend as much money as possible for that not to come out. Even though I did sign that paperwork.

[C]

I don't think Drake signed anything. I think he gave him the records. And I'm just off a good faith.

[B]

Trying to give Khaled the benefit of the doubt, of being so confident in that and Sony being so confident, like, oh, well, we have the paperwork from 2023. Like, we're good. We'll be fine with that.

[C]

Yeah, No, I think that it was just on good faith. They've worked together before. He obviously does have the records. I just thought that. I think that Khaled assumed that when it was time to release the project that Drake would, you know, sign off and clear everything and they would be good to go. But obviously that's not the case.

[B]

Yeah, I'm just curious. I think. I think I speak for everyone comfortably in this, is that Khed does need a bit of a reboot in how he approaches these projects.

[C]

What type of reboot? Like, what does it look like?

[B]

Just grabbing a bunch of a Listers isn't really working.

[C]

It's not doing it for you.

[B]

I even feel like Okhalid earlier on used to do pairings that we, like, were really into. Like when he got like, Nas and Scarface, I believe, together, like, there was pairings that we were like, oh, shit, only Khalid could do that. And that's dope that his mind came up with putting these people together. Yeah. Drake and Lil Baby Drake yachty cool. They do that on their own. Like I just think he needs Rihanna and Bryson I thought was a. Especially where Bryson was at at that time was a Fire collab together. I just don't think Khaled does that anymore. I think he goes with the way too obvious A listers Keep with your A list. I'm not hating on that but I mean mix it up a little bit.

[C]

I mean, yeah, but if it's working.

[A]

But is it working?

[C]

I mean he's put out some albums that had some pretty cool songs from big, big name artists.

[A]

If we're talking about. I mean before. Yeah, I'm just talking about the last one.

[B]

The last one like major key is fire to me. I changed a lot. Is great suffering success. I love we the best forever. Like Okhed has great albums. I'm no way sitting here even father of. Is that how pronounces son's last name?

[A]

Sad.

[B]

Yeah. I didn't want to be disrespectful. I loved From Khed. Khed to God Did. It started to feel a little weird. It's. It's just getting too redundant and he's a brilliant marketer so people are going to continue to pay attention. But it's kind of a waste.

[C]

So do we think that Khed completely pushes the project back? Is he trying to scramble to get to replace those two records?

[B]

I don't think he pushes it back. I think Khaled can eat. Let me as I can't speak, let me not say easily replace it. But he had two Drake records on God did one of them he could have kept. It was like an intro that clearly like was just left on Drake's hard drive. Like you could have just left that. That wasn't worth it. So I'm not saying that these two Drake records that he thought he had were two smashes because we've seen him have two Drake records and one of them was a waste. And I also didn't like the single. So I don't know if they're the top tier Drake records. I don't know what's the flip that he did with the too short record.

[A]

You mean for free?

[B]

Yeah, for Freeze the smash. No, New Friends smash. What's the other one? When Drake and 40 got a tan but then they went back to work Smashes. Drake and Khaled have smashes together. But as of recent, like no secret that started God did throw away staying Alive. Absolute trash.

[C]

Yeah.

[B]

So I don't. I'm not that confident that these two Drake records needed to even be on this project. So I think Khaled can replace those quickly. I think he could still be on par. Also, this is going to sound crazy as a whole venger. I don't know what the whole feature on the Khaled album does anymore. I'm going to run to it. Of course, people always want to hear Jay Z, but it's not that crazy moment that it was in the past. It's now even getting, like, now we know we're getting the J shit every single time, but is that much of a moment for the Khaled album when they used to have way crazier moments?

[C]

Yeah, but, you know, the Khaled's albums are based on the names, the features, because now you. You're trying to guess, oh, what does that song sound like? He has a new J verse. What is Jay rapping about? Who else is on the song with Jay? Is that a solo Jay record? He has a song with Rihanna. What does that sound like? She hasn't put out anything. You know, I mean, like, if he.

[B]

Gets Rihanna, that's a huge moment to me.

[C]

That's.

[B]

That's way bigger than anything. But as we're talking about music that's coming out, Rihanna just teased that she may be on the Smurf soundtrack. I don't know if she's doing. I mean, you guys can give me my flowers on my 2025 predictions. I think Rihanna's gonna tease music with the Smurfs, give us one record this year to make it seem like she's back into music and then not give us anything else. I don't know if she's definitely on the Khaled album. And this is gonna sound like hate. I promise you it's not. I don't know if Rihanna's coming for DJ Coward.

[C]

I mean, she's.

[B]

I could be completely wrong. Hater across my forehead when that's a smash with Khed. And Rihanna put Hater.

[C]

What's the last time she gave KH a record? Was it the Bryson record?

[A]

Yeah, that was the Bryson record. And the last time she did a song was the Black Panther 2 soundtrack.

[B]

I get it with the Smurf thing. And. And I know rock is heavily involved with the soundtrack. Like, I see that. I don't know if she's doubling up on the Khaled. I. They have a good track record, so I would like to see it. I'm not sitting here Saying, like, I don't want Khaled and Rihanna to put some together.

[C]

So the Smurfs get a Rihanna feature before Khaled.

[B]

Yes.

[C]

Okay. All right, well, we'll have to see either way. They are scrambling over there and everything has to change as a result of Drake commenting. Must be Drake Bell. So now that that one little comment has completely shifted the entire building over.

[B]

There, I think he should have leaned into it, left it up, and then put Drake Bell on the project twice. Like, Drake Bell could have done the interludes.

[C]

I don't know if that hits the same, but I don't know if Khaled was. If he felt like that would be a good replacement.

[A]

But is there a chance that Drake's with him? As far as what that, like, Drake's like, like, is it a. Is it. Is there a chance that that's a. I don't want to say rollout thing, but that, like, Drake's just like, with.

[C]

Him, like, like, I'm just joking, like, joking type?

[A]

Yeah.

[C]

No, no, Those songs will not be on the album. Nah.

[A]

Okay. And that's coming. I'm asking, is that coming from your. Your predictions or insider knowledge?

[C]

I gotta ask. I'm never speaking from inside of knowledge.

[B]

Okay, cool. I have none of that, but I, I think it's pretty safe to assume Drake was not joking.

[C]

Yeah, like, that's not.

[B]

I don't think this is a funny rollout.

[A]

Yeah.

[B]

Drake was just on stage with smoke coming out of his back for a three hour set. I don't think he's playing right now. Yeah, I think he's actually, like, really upset.

[C]

That's it. Nobody.

[B]

He had steam coming out of him and it wasn't even through a smoke machine. That coming out of his bulletproof vest was from him.

[C]

That was really like his steam. That's it. Yeah, he's.

[B]

It's.

[C]

It's over. Anybody that thought they was getting a Drake feature, it's a. It's over for that.

[B]

But I think it's smart too. Let's say Khed and Drake had a good relationship right now. Same thing he did with French. I don't think this is a good time for this verse. Everything I do right now is super important. Yeah, just two records I gave you in 2022, 2023. No, you're not putting those out in 2025.

[C]

Yeah, but I think that you've put out music. I think that anybody in music understands that. They know, like, if. If an artist is completely doing something totally different. You haven't spoken to him and I don't know how long. I just don't understand how you just assume that it's okay to just say, I have these two records on my album, like you. I really don't understand how Khaled and his team made that mistake. I don't get it. I think they was hoping. I think they knew going into it. Like, damn. Haven't spoken to him. A little weird right now he's on tour. It let me just throw that out there and see what he says.

[B]

And it was like that one time, an artist I hadn't spoken to in a really long time that we did a record. Text me and said, hey, that record we did a few years ago, I sent it to Justin Bieber. I said, who? First of all, hello, how are you? It's been a long time. No, that's not your song. You're not going to impress me with the Justin Bieber job. I'm putting that song out. And, yeah, like, we have not spoken at all. What. What made you think you could go do that?

[C]

Yeah, it's just. It's crazy that people.

[A]

That was crazy.

[C]

People that are in the industry, too. I mean, it's crazy that people that are in the industry would make a mistake like that, though. Like, they know, because Khaled knows. Somebody couldn't do that to him. Somebody couldn't. Like, yo, I got these two Khaled songs on my album. And what? Like, we haven't spoken in I don't know how long? Like. No, you don't.

[B]

Yeah, I mean, we'll see. But outside of having to battle with Khalid for the king of compilations, now I gotta. I gotta battle with Kith today, too. It's like the Friday of compilations.

[A]

That's who you should have linked with, Kip.

[B]

Yeah, they make me. They don't even give me the friends and family anymore. I pay full price, man. That shout out to Kiff and Ronnie. Congrats on the new location. That was my favorite Crate and Barrel. So, y'all, no one. Was I the only one? That. This is too local. I'm sorry. Yeah, they moved Kith to my favorite Creighton Barrel. They got Creighton Barrel. The out of there.

[A]

Which Crate and Barrel in Soho.

[B]

It's gone. That was the best one in the. In the country. It was the best one.

[A]

The one right around.

[B]

Yeah.

[A]

Wow.

[C]

It's over.

[B]

And I love that Kith is continuing to grow, Prosper, and it's 17 floors. But, like, that was. That was the Creighton Barrel.

[C]

Yeah.

[B]

But either Way Kith Records launched, which we saw some press release about that before they put out their first record. Produced by Scott Storch with Fab and Jadakiss, video by Hype Williams. Congrats to Ronnie. I love the record. I think it's fire. I will say, as a music fan, I was a little worried about what Kith Records was going to be. And if this was just a gimmick to make, like, merch, which I get, I'd probably buy it too. Give me some vinyl, Kiss, I'm there. But I like the record a lot. You can't really go wrong with Scott Storch, Keys, Fab and Kiss.

[C]

So, yeah, there's no.

[B]

That's a beautiful layup.

[C]

Yeah, that's. That's an easy, easy call. Anytime you get Kiss and F to just, you know, lay some bars on a beat like this, I mean, it's not that. Not that hard to understand. And they're talking about just getting fly away and shit, like it's nothing, you know, that's. That's an easy call for kissing.

[B]

Fab, what do you think the first Kith album looks like off Kith Records?

[C]

I think they lean more to stuff like this. I think they'll probably do some cool shit around, like, Drops, like, different Kith drops, release a song with the Drop, things like that. I think it's pretty cool what they're doing, the creative team over there.

[B]

Does he stay, you know, because Ronnie put like, a whole thing about how the record came together and obviously his, you know, him being from Queens and his ties to New York and does he stay in the New York boom bap shit with Kick Records? Or do we think, like, I've seen Post Malone in there before. Do you think his investors are going to be like, maybe we should go get Chappelle Rowan.

[C]

I don't see it, Chap. I just don't see. Yeah, Chapel. I don't see. I don't see the mother.

[B]

Nader, Chappelle.

[C]

I think he keeps it. I think he keeps it like this. I think he keeps it. True to what Kith is. I don't think that he starts reaching for, like, you know, the super pop acts. I think he keeps it. I think he keeps it, kid. This feels original. This feels like original Kith type of energy. Fab obviously has a relationship with Kith Jade as well. They've done the Knicks drops with the Locks.

[B]

Yeah.

[C]

Polar Kip, stuff like that. I think that.

[B]

That too.

[C]

Well, with the Dipset, it's a little different right now. The Air over there is a little different.

[B]

Ronnie has enough money to get them back together with a feature for Mason.

[C]

All right.

[B]

Because Dipset, we've. We've seen even them post locks battle.

[C]

You mean to tell me you think that Ronnie Feig is going to get Jim Jones and Cameron on a song together with Mace and Andrew else and shoot it and like, I think he.

[B]

Has enough money for them to agree to do it. Because even watching Cam post versus Jim Post versus, they were all not in a great place for versus. They've been not a great place with.

[C]

So many two different things.

[B]

And they have said, we'll just do this because of the brand.

[C]

No, no, it's different.

[B]

We are businessmen. At the end of the day, we can squash the shit and not. We'll be in separate green rooms.

[C]

It's different right now. It's extremely different. Coming. Coming out of the verses and coming out of what they're going through right now. Two totally different energies.

[B]

Yeah, man, I. I just seen Jim Jones and Compton. I was like, oh, yes, Ronnie.

[C]

Ronnie does not have. I don't care what you talk about. Ronnie is not going to be the guy that gets Jim and Cam and Mace on a song.

[B]

I'm not saying it would be Ronnie. He would have the amount of money. I'm saying the right number would get them all back together.

[C]

I don't think so.

[A]

I don't think so.

[C]

I don't think so. Nah, I don't think so.

[B]

Jim and Cam are both businessmen that I think to the side for which I think is fine. Like, all right, we a group. We got a legacy. We could work together for the right price and we'll stay in separate green rooms. Fife and Tip did it for years. They didn't rock the bells for like six years and hated each other.

[C]

Yeah, but that's not.

[B]

But they was dancing.

[C]

But Fife and Tip, they never fell out publicly like Cam and Jim have.

[B]

Yeah, this.

[C]

This last fallout, this was like very, very personal. Like, it's not.

[B]

So Michael Rappaport got a hold of it.

[C]

It's. It's a little different now. And I don't. I'm just saying I don't think Ronnie is the guy that's going to fix that.

[B]

Fair. Would you sign to Kith Records?

[C]

Would I sign the kids records? No.

[B]

If you are an up and coming artist, put yourself in that shoe.

[C]

Not more like a young artist from New York anywhere.

[B]

Maybe I'd have to see the infrastructure.

[C]

Yeah, I mean, yeah, but who.

[B]

Who's doing my marketing?

[C]

Yeah, but I'M just saying if you're. If you're young and you don. And you just know the Kith brand.

[B]

Yeah.

[C]

And they came at you was like, yo, we want to sign you. We want to do a. I put an album out on you. I could see a young artist taking that. Absolutely.

[B]

I get it. But I think every young artist.

[C]

Don't try to pay me a Kith, though.

[B]

Oh, you know, that's.

[C]

Yeah. Nah, don't pay me a kith. Don't give me every drop before it drops and all that. I don't care about that.

[B]

If they're doing the Kith compilation album, Ronnie, I think you owe it to Dixon to put him on there.

[C]

Shout out to Dixon.

[B]

He worked at Kith. He is. He won, what, fucking seven Grammys yesterday?

[A]

Three.

[B]

Like, shout out to. Shout out to talented musicians in the industry right now. Worked at Kith. He better be on that. That Kith compilation, or I'm gonna be tight. And I understand Scott Storch is a legend, but, Ronnie, you need some. You need some Dixon beats.

[A]

You might not be able to afford him. You got a album of the year, Grammy.

[C]

He might not be able to afford Dixon, but he has Scott Storch.

[B]

But Scott, like, the debt that he's in, Scott is like, oh, yeah.

[C]

He's talking about something totally different now. I said, I'm not getting in people's pockets. I ain't doing that. I don't know what's going on with Scott.

[B]

One of my favorite producers, legend. I watch all his interviews. That's why I know he blew $120 million in six months. Like, yeah, he'll tell you now. Just put a camera in front of him. Yo, I need some money.

[C]

Yeah.

[B]

Love to see that Scott is sober and doing much better. And he's. He put out some great music with Russ. Like, Scott sorts has quietly been. Been working.

[C]

Yeah.

[B]

I like to see that we can stay on new music. I don't want to get more, like, too riled up. You know what? I'm gonna get riled up with you, man. I love Wayne, but I don't think he was right for this tweaker remix. It feels lazy. I think, why wasn't he.

[C]

It sounds like a fucking chat. GBT Hot Boys record. I've been telling y'all that now he does a fucking remix with one of the original hot boys, and it. And it doesn't sound right.

[B]

It would seem too obvious. Like.

[C]

Yes, it is too obvious.

[B]

It would have been cooler with either a younger act or all the Way left legacy. Like Anelli or someone like that. Like Wayne features on everyone's shit. It's not that big because Wayne is Wayne and always pops out. The past four years, I feel like he's had the best features no matter what.

[C]

Okay, so with all that being said, why wouldn't.

[B]

It's just. It's too obvious.

[A]

Sometimes obvious works, Rory. Everything doesn't have to be abstract.

[B]

This is my opinion. Damaris.

[A]

Who are you cursing that.

[B]

This is my opinion.

[C]

Double on the.

[B]

This is my.

[C]

There you go.

[B]

Yeah, Damaris.

[A]

I don't know who homie talking to got that. That song.

[B]

And Wayne wanted to get on the record. And Jello has $7 million to recoup. It's super bowl weekend. Everyone's looking at Wayne for an announcement. He does the fucking trailer. Yes. It's great. Can I talk as a music fan for once and not. I know we just went through the splits for the past hour with college shit. As a fan, I would have liked to see some. A cooler look than that. Than the most obvious shit in the world.

[A]

I would have liked to see Nelly.

[B]

Nelly would have been amazing. But it's weird now because, you know, inauguration and like. But I feel like nobody balls Pops voted for Trump for sure. The ball. The ball household is definitely a Trump household. Without question.

[C]

Jello voted for fucking Trump. Are you kidding me?

[B]

Nelly was the right one.

[A]

So has the. Has the. Did they drop a. Like a sample of it? Like, did.

[B]

No.

[A]

It leak. Oh, okay.

[B]

It's coming up. Well, when people are listening to this, it's out already, but as we're recording it, it's coming out of me.

[C]

But I just don't understand how you feel. Like, it just doesn't make sense. When I told y'all that that's the hot boy sound. That record sounds like a hot boys record.

[B]

Just the way of how it was viewed. Of how was an organic rollout? Even if it really wasn't. Like, the snippet started in the back of a car with a streamer. Like, it felt like a really cool, organic rollout. Like, oh, this is actually kind of good. Like, what the. This just feels like a label. Here you go. I would have liked a cooler, more organic way with the remix, too.

[C]

So Nelly instead of Lil Wayne.

[B]

Yeah, I think I would have been cooler.

[C]

You think that's organic? That could sound like a Nelly record too.

[B]

But Nelly doesn't, like, make music like that anymore. That's why I would have been cool. I would have stopped what I was doing.

[A]

It wouldn't have been. I think organic is the wrong word. I think you're looking forward. More surprising. That would have surprised you more the way.

[B]

The way I was like, damn, I did not know jello, like, could make music.

[C]

I can promise you, everybody at that label, but even totally happy with him getting Lil Wayne over now.

[B]

Oh, I'm happy, too. I'm actually really, really excited Wayne is gonna smoke that. But, I mean, I also could have seen more of, like, a young boy or them trying to go with the younger route than Wayne.

[C]

One of the Y ins.

[B]

I mean, I'm not going to call them that.

[C]

You can't say Y. N. No.

[B]

You can't do acronyms like.

[C]

No, Y Ends.

[A]

He can't say that. No.

[C]

Wait, what? He can't say the letter Y and.

[A]

The letter N. You know what the N stands for, though?

[C]

Yo, fam. All right, man.

[B]

It was like the time I didn't want to say.

[C]

I don't know what the.

[A]

The rules are so ridiculous.

[B]

It was because, you know, that used to be Elliot's nickname, but not what it stands for. It was yellow and then that. And I saw MC Search call him that one time, and I was like, you can do that.

[C]

I think you could say yn.

[A]

No, you say yn. If. Okay, so if he was to call Elliot yn, that makes sense.

[B]

Actually, no, I wouldn't. I've never called him that. I call him Elliot with two T's, yo.

[C]

I just don't know Y. N. It.

[B]

Feels like you're getting away with it. It's.

[A]

You're getting away with calling somebody a Yo, fam.

[C]

Y'all got this.

[B]

It's very.

[C]

This is out of condition. It's way too out of hand.

[B]

It's worse than to me, in my opinion, of people of color. Because now you're just getting away with saying to me, that's worse. You're. You're getting away from saying colored people.

[C]

People of color is way worse than saying Y. N. But you know what it stands for?

[A]

Why? Why?

[C]

Exactly.

[A]

Why are you saying why does it. Why does it not make sense to people of color? Yes.

[B]

Okay, but then where does that go work?

[C]

I might as well go outside and start fucking marching with fucking civil rights if somebody says, hey, people of color over there. What?

[A]

No. Because people of color doesn't just color cover black people. That's why they call it colors. All of.

[B]

No, I know the definition. Me always felt like a cheat code when people can no longer say colored people, because that is offensive. They would say people of Color. You're just, like, reversing it's still.

[A]

Because colored people used to be referred to just black people. They call them colored. That's different. People of color means you're referring to all of the people who are not white. So that's a whole array of people.

[C]

Y ends ain't talking about none of that.

[A]

Y ends literally means young.

[C]

Yeah, but it's not. That's not just a blacks. It's not about that.

[A]

But it's not about who it's about. It's about nigga. So instead of.

[B]

What if a white kid came up to you and said, what's up? And. And you knew what it meant? Like, come on.

[A]

Like, let's not.

[B]

Where are we drawing the line at what's up?

[C]

And see what I'm saying? Yeah, that's crazy, because that's what I'm like. What does that mean?

[A]

And he can say, that's what it means.

[C]

Okay.

[A]

Oh, but you also, you have to understand that you're. You are talking to the person who said that he was okay with people being called. He said that on this podcast.

[C]

You know where I'm from.

[A]

Yeah, we know up uptown where all the Spanish people say when they ain't got no business. So you cool with that? Doesn't make it okay.

[C]

Like, what the are we talking about? It's 2025. You can be a man and a woman at the same time, but you can't say why in.

[B]

I don't know how those two things connect.

[C]

The. Are we talking about why?

[B]

Why did this get brought up again? What was I saying? Oh, a younger. A younger gentleman that could have featured on Jello. That's great.

[C]

See, that's crazy to me.

[B]

A younger gentleman that tends to crash out and kill people.

[C]

Oh, my God, this world is crazy.

[B]

Well, yes, I. I would have liked maybe a younger feature. Either way, I'm here for it. Congrats.

[A]

You would not have liked the younger feature because then you wouldn't have listened to that. Stop. You wouldn't have listened to.

[B]

I don't listen to the Jello because I think is some boom bap that I grew up on. I like it because of the melody. This. That's what the younger rappers.

[A]

Yeah, but if you got an NBA young boy feature on it, if you.

[B]

Got Thug on that, it'd be the greatest in the world.

[A]

To me, Thug is not a Y N. You said.

[B]

I don't think anyone is.

[A]

You say younger. You not listening to. To one of them little tiny and him. You're not you wouldn't have ran to the remix, Tiny. You wouldn't have ran. You wouldn't have ran to the room.

[B]

Okay. Is Gunner considered a younger artist?

[A]

Why did you put the er.

[C]

What are we doing, man?

[B]

I'm trying to sound proper.

[C]

That's what I'm saying. Like, why?

[B]

You could just Gunner and Scout.

[C]

That's crazy. Like, what?

[A]

I wouldn't want to hear Gunner on it. That's not their.

[B]

You don't think.

[A]

Nah, I wouldn't want to hear Gun.

[B]

All right, well, you know what?

[A]

The person who's on it is supposed to be on it.

[B]

I will admit that I'm wrong in this entire thing, and Wayne is. Wayne is great.

[A]

Finally.

[B]

I have. I have.

[C]

No. That's your favorite rapper ever.

[B]

No, it's not. I love Wayne, but he's not my favorite rapper.

[C]

He's your top five.

[B]

No, he's. When have you ever heard me say that Wayne is in my top five favorite rappers of all time?

[C]

You've never said Wayne was top five to you?

[B]

No.

[C]

That's crazy that he's saying that.

[A]

Who your favorite? Who's your top five?

[B]

J, Nas, Fonte X, Scarface.

[C]

Nah, he keep capping. Wayne isn't his top five. He capping Starface in his top five. See, I'm not 2025. I'm just. I'm here for the lies. But cut this.

[B]

Wayne would probably end up in a seven or eight position, man.

[C]

Wayne is in. You said Wayne was one of your favorite rappers ever at one point.

[B]

At. Yeah, one point.

[A]

Not of all time.

[B]

Yeah, not of all time. When I was in high school, Wayne was definitely in my top five, and it wasn't even close.

[C]

Whenever in your life was Scarface in your top five?

[B]

Probably in high school, too, when the fix came out.

[C]

Oh, no, man. Stop.

[B]

What? You about to tell me about what I listen to?

[C]

Stop the. I'm not saying what you listen to.

[B]

I hate people on Twitter like you that try to tell you what you listen to.

[C]

When he was a fucking. Not in your top five.

[B]

When the fix came out, he was definitely in my top.

[C]

No, he was not. Man, we capping. We capping right now. That just sounds good. Scarface was not in your top five. I've never heard you play a Scarface song.

[B]

When have you. We don't hang out and listen to music together.

[C]

Give me your phone. Let me see. The last time you played a Scarface.

[B]

Record, it doesn't even show up.

[C]

Nah, it shows it. It shows. Recently played. Let me scroll your recently played.

[B]

So I had to listen to Scarface today.

[C]

No, not today, but it goes back. It goes back a few weeks. If you ain't played Scarface in the last two months, that ain't your top five.

[A]

I don't think that's fair because Rory doesn't really listen to rap like that. Rory listens to more.

[B]

This is my. This is my recent as far back as it goes.

[C]

Where's Scarface?

[B]

Bath Time playlist. ABC Kids, Rufus Dassault. Hey, now. Kendrick Lamar. Stay. Nas, DJ Khaled. Because that's what I was looking up. Chantel May, Day 26. Reason Jay Z, They, Lila, Rory, Frank Ocean, Fonte Black J. Electronica's there.

[C]

Her Fonte. Okay. Fonte's there.

[A]

Well, Jay isn't there. And you know, Jay's his favorite rapper all time, so that kind of mutual.

[B]

No, Jay's right here.

[A]

Oh, damn. So Nas ain't in there.

[B]

Nas is, right? Yeah.

[A]

Damn.

[B]

I'm trying to help you because I want to be truthful, because I'm.

[C]

I'm over this. Y'all just sitting this trying to make me sound like I'm stupid. No, no, no, no, no.

[B]

You have to listen to your top five every day.

[C]

I didn't know. I never said that. Because my top five, I haven't. I don't listen to every day.

[B]

By the way, I'm subject to change in my top five all the time, so.

[C]

Okay, I'm glad you said that. So at one point, you sat here and said Wayne was in your top five. That's what I'm talking about.

[B]

We were talking about that specific era. I remember this conversation was coming back from dc, Right?

[A]

Yes.

[B]

That era when I was in High School. Carter 2 to the drought, mixtapes to everything he was doing with Drama at that time. Yes. Wayne may have been number one to me outside of maybe Banks.

[C]

So how could somebody be number one to you @ one point but not in your top five?

[B]

Because I'm 34 and I've lived somewhat of a long life.

[A]

Wayne was in my. Wayne was probably high school was four years, two or three to me at that time, and he's not in my current top.

[C]

Who's your current top five?

[A]

I won't say top. I'll say favorite. I can't say top. Top is.

[B]

Oh, yeah, this is all favorite.

[A]

Favorite would have to be Jay Z, Fab J. Cole, dmx, Nicki Minaj.

[B]

I believe her.

[C]

I don't believe.

[B]

I don't feel the need to attack her.

[C]

No, I believe her. I don't believe You.

[B]

We had three of the same five.

[C]

What that mean that I should believe you because you got three.

[B]

You don't think DMX is one of my favorite rappers? You don't think DMX is my top five of all time?

[C]

You didn't name him just now. He did.

[A]

He named X.

[B]

He did.

[A]

Number four.

[C]

I believe that.

[B]

I believe X is J, Nas X Fonte. You don't believe out of those. That those four rappers out of which you know about.

[C]

Fine. Number five.

[B]

You are not rolling.

[C]

Number five on your list is Shaky. Scarface is not one of your top five rappers of all time. I'm not rolling with that. And I love Scarface, but he ain't in your top five.

[A]

I think. I think you will put Drake before Scarface.

[C]

He gonna put three before Scarface, Drake, Wayne, and probably Fab from New York City. What we doing here?

[B]

I don't know if I probably listen to Fab more because there's more to pick off of.

[C]

Of course you do.

[B]

Like, as much as, like, I don't really go back to ghetto boys like that. Of course. Scarface. Scarface. Solo idea.

[C]

Listen, I love Scarface. Legend. Legend. But he's not in your.

[B]

The fix has such a special place in. In my heart.

[C]

Like, amazing project. Amazing. You won't hear me say anything less, but I'm just saying in your personal, personal top five, I don't believe.

[B]

I'm not mad at the attack, but I do think there is some nuance between what you listen to consistently versus what you deem as your favorite.

[A]

I agree. I agree.

[B]

Because sometimes other music is just easier to listen because, like, as an adult in lifestyle and like, just moving around sometimes, I can't always have Scarface. Like, I can't always have G code banging, like, when I'm on the train or in the crib. Like, some music is more palatable for everyday lifestyle. Like, I could throw on a fab mixtape and go about my day and be great. But that doesn't mean I don't value the fix. Higher.

[A]

Yeah, X can be a little like, X is one of my favorite. X might be number two. But he's heavy. It's very heavy sometimes. So it's not. I'm gonna listen to Megan. Thee stallion. I'm repeat. I'm gonna listen to Cardi. I'm repeat. I'm not actually. I. Cardi before Nikki. I might put Cardi before Nikki at listen. That goes and changes. But I'm just saying, the later half of Nikki's career, I listen to Cardi. Way more than I do Nikki. At one point, Nikki was number one.

[B]

Respectfully, I don't even have Cardi and Nikki in the same sentence. But of course not.

[A]

But we're talking about favorites. We're talking about favorite songs. Like, that's what we're talking about. Now. Who's the better rapper?

[C]

Her.

[B]

Scarface. It's just one project.

[C]

Speaking of Cardi, Cardi and Party have announced that they are putting out a new song. When does that come out? Is that tonight?

[A]

Yes. Called Tutor. And I'm mad excited. What's up? I'm ready. Ready to toot it. What's going on?

[B]

I like it. I like it. Cardi we've seen, has been struggling a bit to put out a record that connects, to make it an actual single. Go back to the Party roots. I like it. What? Dirk and Kanye isn't working. All the big names aren't working. Go back to what started your career.

[C]

This record is old though, right? Like, they had it.

[A]

It's actually an eight year record. And Party is saying that he's the one dropping it. He like, get this off my hard drive. Like I'm dropping it, yada yada. But yeah, it's.

[B]

It's eight years old, even if it's coming.

[C]

So this record is eight years old?

[A]

Yes.

[B]

Probably around. What was the name of the party's record?

[A]

It's. Yeah, it's Party record with a car.

[B]

There's no way that Atlantic is just letting this go for Party. This is part of a big hardy rollout. So no way. There's like, yeah, let a Lucy go with Cardi. No, this is a record that's 50 years old. This is part of a strategy. Yeah. What was the name of the record they had that was incredible back backing it up? Backing it up was Fire. If is not clicking right now. All right, fine. What was working eight years ago?

[C]

Family not doing this. Why Any other artists that would do this? Y'all will be killing them. Eight year old record if.

[A]

If it's a nice thing.

[C]

I'm not saying nice thing.

[B]

She hasn't had a record to connect. I'm not saying a nice thing right now.

[C]

No.

[A]

But I'm just saying stop asking for the detox. Y'all been asking for the detox for fucking 14.

[B]

People are not 20, 30 years.

[C]

That's a joke. People are not. People are not. Ask people that ask for. No, it's never coming out. That's why they keep that going. But Atlantic, again, this is obviously a party, right? Correct record. Maybe he has Something coming. I don't see Atlantic using this as a Cardi rollout. A record that's eight years old.

[B]

There's no way anything Cardi B puts out is not attached to what her out is going to be with her career when she hasn't put music out like that.

[C]

She's put out music for the past how many years and didn't put an album out.

[B]

One or two records a year. And they just haven't connected. So you think they'll just be like, yeah, for. For parties album, we'll let a verse go out.

[C]

W. Didn't connect.

[B]

And a video. Clearly there's a video in the snippet. Like, this is a thing.

[C]

No, but I'm saying Wap didn't connect.

[B]

Yeah, of course it did. No album came after that because nothing connected after that. They thought they banked on that Kanye and Dirk record to be the one. Cardi delivered on it. The rest of them didn't. They banked on that to be the one. It didn't connect. She put out some cool freestyles that I liked.

[A]

The one actually up came after Wap, if I'm not mistaken. It up connected. Up.

[B]

Up did. Okay.

[A]

Up went number one.

[B]

Yeah. Okay.

[C]

And still no album.

[A]

Well, to be fair, when that was, when all of those were dropping, it was a weird time. That was during the pandemic. So it was for a Cardi album. We've talked about that before.

[C]

Back to the Pandemic.

[A]

No, but that's when those songs came out. So it was a weird time for a Cardi album to drop when people couldn't come outside. That was a weird time.

[B]

Time.

[C]

That was the. One of the best years in music. We talk about that all the time.

[A]

Not for music that makes you shake your ass.

[C]

Yes, it was.

[A]

Okay, so like what? Like who?

[C]

We do this all the time, bro. Let's cut this.

[B]

They're not putting a bunch of dope.

[C]

Out during the pandemic. Some of the best music.

[B]

I love what Freddie Gibbs put out. It made sense during the pandemic. Cardi. Atlantic's not letting Cardi B put out an album in the pandemic. No way.

[A]

And we have had that conversation. Malls. Right. So we can move forward from that.

[B]

All right. But for example, the Glorilla and Cardi record, that's.

[A]

Yes. Incred Tomorrow, too.

[B]

Smoke that. She also did a feature with Lotto shortly after that when she was doing her feature run. All of that was connected to a Cardi rollout as well. Atlantic is not letting videos and verses just Go for the of it for Cardi B. This is part of a Cardi rollout. Let's get back to the basics. We'll give it to to Party so we actually have somewhat of a cushion if it doesn't go the way we want. We could say it was just a feature for Party's album. This is definitely connected to trying to get Cardi B to put out out. They've had a record that's connected before. You don't seem satisfied.

[C]

We'll wait to hear it. I don't think this has anything to do with a Cardi album.

[A]

I. I think it's a part of a roll out for sure.

[C]

What roll out? We've seen to have number one songs and no album came after that. What are y'all talking about right now?

[A]

Okay, well that's.

[C]

Why am I the only one in here keeping a thousand right now?

[B]

So why don't you think we've gotten one then?

[C]

I don't know. It ain't because they couldn't wrote nothing out. Nothing connected. If your song goes number one, that shit connected.

[B]

You don't think after up and that momentum and then the dud that the Kanye and Durk record was didn't start somewhat of a lower trajectory of what Carti had been doing? The momentum shifted and I feel like the momentum has been inconsistent since.

[C]

Maybe I'm. Maybe I'm on another fucking planet here. I don't think Cardi needs any fucking rollout. I think Cardi is at a point where if she announces her album is coming out next week, that people are gonna go listen to that album and stream that album.

[B]

It's too risky.

[C]

She don't need the points that you've made.

[B]

She's Cardi B. Cardi B.

[C]

Her name, once it's on dsps, people are clicking on it. She don't need no rollout. Let's stop hiding behind this rollout.

[B]

Word.

[A]

I think Cardi is scared. I think of. Of not people like you, people like me.

[C]

I want to hear it.

[B]

I'm gonna listen. You got rap album of the year off your first fucking project. You had 10 number ones off that shit and then you stopped putting out fucking music like that. That.

[C]

So why is she scared of people like me when I'm saying I'm going to listen to.

[B]

Because you rightfully are going to go into this with crazy expectations and if everything isn't perfect. I'm not rolling out a Cardi B album if I'm Atlantic.

[C]

But what is the perfect rollout if you Put out records that went number one.

[B]

Music that you haven't heard yet. You have to have the momentum plus the music to match.

[A]

Cuz she put out, she put out two records and sales wise, as far as what I know, they didn't do too well, so. But that's another thing.

[C]

Who cares about sales? Dolce sold 11, 000 making that his best rap album. Who gives a about sales?

[B]

Even though this is Cardi B, her.

[C]

Brand is huge, her name is huge. She don't need this, this perfect rollout to put out an album. What are we talking about? I'm not comparing, I'm saying who cares about numbers? The girl that just sold 11, 000 her first week just won best rap album. Who gives a fuck about the numbers?

[B]

You think the person that's keeping the fucking lights on over there at one point they're going to risk to just put some shit out for the fuck one point?

[C]

There's been how many years since we've had an album?

[B]

You think she could risk a dud if she came right back with a sophomore album right after the first one? She'd have some more grace in that situation. It's been so long, which is why I agree with you. It's been this fucking long. Where is the music? It has to be perfect. Her first album was perfect. You wait five, six years, this shit has to be insane.

[C]

Her first album had a perfect rollout.

[B]

I mean it was.

[A]

The momentum was insane.

[B]

Every moment. Every song is a single. Every song, every song charted.

[A]

It was.

[B]

And not the way it does on the first night when everyone's just clicking it.

[A]

No, it stayed on the motherfucking charts. It stayed on the charts. I like that. Was on the charts for years.

[B]

Like it might still be.

[A]

Yeah, so I ma. This is what I'm saying. I'm not arguing, I'm not. I agree with you. But what I'm saying is people might be scared of putting music out because a lot of people's insecurities, they might be afraid of failure. We all know that Cardi pays attention to what people says. I can't speak for her, but I would be fucking terrified and I would be like very like insecure. And what if they say this or what if they don't like this? I don't think that she should be. I don't think that she should be. But you can't control how people feel.

[C]

I'm not trying to control how anybody feels. What I'm saying is. Or what I would like to say is if you Have a brand as big as Cardi does. I'm cool. You nervous? You want the album to be perfect, great. I get all of that. But I'm saying if you keep dropping songs and the songs keep connecting, obviously going number one, people love it. At some point, it's like, what exactly? What are they waiting for to put this project out?

[A]

I would love to know too.

[C]

What do they need to see? People are still supporting Cardi. People still are waiting for her to drop an album. That's all you can ask for as an artist is that people still want to hear from you and that people still support you. Obviously, when she puts out a single, people still listen to it, it goes number one. So what is this perfect rollout that she needs someone?

[A]

What I'm telling you is her last two singles have not charted like that. They have not gone number one.

[B]

Okay.

[C]

I don't think they went top. Shit. Fuck it. At some point it's like, so what that means that album never coming out until we get another number one single.

[B]

Welcome to the music business.

[C]

You had one and didn't put an album out.

[A]

Yeah.

[C]

So now you don't have one and you still not putting an album out. So I'm asking y'all, what the fuck is the label doing?

[B]

I think after up up, they thought they had the momentum because UP did well outside of charts. That was playing everywhere too. It was culturally, culturally cool as well. Then the Dirk and Kanye shit happened and a dud hit. And I think that stopped a lot of their plans. And the momentum has been very shaky since where it's up sometimes and it's low.

[C]

Like, this is why I hate the music business. When the business overshadows the music. This is why I hate the music business. Because with somebody as big as a brand as Cardi has a bigger fan base than Cardi does. For the label to not or to miss the opportunity to keep putting out an album. And maybe it's Cardi. Maybe she's not ready. We know she, you know, family. She had kids. Like, we give grace there. We understand life gets in the way too. Life gets in the way of art. We understand that. Family first. What I'm saying is, as the label, if they're planning on using this eight year old party record as a rollout to a Carti album, I don't think that makes any sense. Not an eight year old record like what the eight years old. You know how much has changed in eight years? You know how much sound has changed. You know how much music has changed in Eight years.

[B]

I mean, from the snippet that we heard, it sounds like a familiar sample with Carti rapping. Well, that I'm sure Party had a hand in. And we've been wanting to hear Party write for Carti for quite some time.

[C]

Okay, so now, so if this one does.

[B]

Has music changed much by familiar samples?

[C]

So I'm gonna ask you if this duds, then what?

[B]

Oh, I don't know. And to your point, I agree. I hate the business as well. But Cardi B is the music business. I'm not trying to take anything away from her talent. I think she has a specific set of of talent that is delivery, personality. Everything about her is on the record. But let's not say Cardi B is this musician. She's a music business, she is herself, but very much a. A product of the business. Taking something that is so organic and authentic and putting it all the way up here. She's the business. So they have to go by business rules with her. They don't have the luxury of just trying some shit out because she's just some spacey artist that will come back with something new and innovative. She's the business. They have to follow the business rules with her because there's too much on the line. People lose their jobs when they can't get Cardi B to do something. It's different. It's the music business. When it comes to Cardi B, it's not music. And then business, it sucks.

[A]

Because I agree, you know, bringing up the dochi point of okay, you don't sell first week, you keep post promo and post promo. Like that song that they did, Bongos with Megan and Cardi, it came out, it wasn't what people expected it to sound like. And I feel like when it didn't chart or do this whole thing, it became like, oh, that's just a dud. When it's like, no, that y'all spent so much money on that video and the song has a great concept. Y'all have to keep pushing that. Like you have to keep pushing it. So I don't know who's in charge, but maybe they know more than me. I don't know.

[C]

Well, or maybe they don't, which is the problem. They think they know more than you. Just cuz you work at LA don't make you know more than the people.

[A]

Very true.

[B]

I mean, the Grange family has taken over 2 of 3. They must know something.

[C]

Well, we know something now. Lil wayne announced that June 6th, right?

[B]

Favorite rapper of all time. June 6th, Carter Six greatest album series of all time. We are getting the sixth edition. Carter six. The goat is finally back. Number one. Not number two. Not number three. Not number four. Not number five. Not six, seven, eight, nine, or ten. Number one.

[A]

You gonna listen to it?

[B]

What? I'm not even gonna come in and record that day.

[C]

He's not listening to that. He didn't listen to the last one.

[B]

I listened to Carter 5. Did I go back to it? No, no.

[C]

The last album.

[B]

You're saying I did not listen to the last level the Lane.

[C]

The last. What's the last album he put out?

[B]

I don't know exactly.

[C]

You did not listen exactly.

[B]

So he's so overall point of saying that Wayne is my favorite rapper. I don't know the. What his last album was.

[C]

No, you said he's one of your favorite rappers.

[B]

I don't. And I'm saying he's not in my.

[C]

We went to that show at the Apollo because he was up to one of your favorite top five rappers. You kept yelling in my ear that whole night. That's what top five looks like.

[B]

I left early. You stayed.

[C]

Yeah, okay, but you still was in my ear. Like, this is what top five looks like.

[B]

I'm like, okay, this is what top five looks like.

[C]

Yeah, that's what he kept yelling all night.

[B]

Yo, did anyone see Skip yesterday post on his Twitter yet again a monologue about how Wayne should have been the halftime performer? Like, Skip, all of us are past this conversation. It's okay. We can move on.

[C]

It's all right. We get it.

[B]

Well, congrats to Wayne for announcing Carter 6. I mean, way to use momentum going into this weekend of something that didn't pan out the way you wanted with an announcement.

[A]

Smart marketing.

[C]

You use this weekend for his own announcement. I get it.

[B]

Okay. See, I didn't know funeral was his last album.

[A]

He's over here giggling.

[C]

I just love how as much more.

[B]

Time passes, I'm just proven right that he's not. Not my favorite rapper of all time. Because I would know my.

[C]

No, you just said, I'm listening to this. Carter six. No, you're not. Listen to the last album.

[B]

I'm trying to remember if I know any of these records.

[C]

You didn't listen to it. That's why you don't know it. We spoke about this in private.

[A]

Rory gonna do nothing else. He gonna pull out that laptop and start Googling.

[B]

No, I am. I'm trying to see, because I. In my mind, I had Carter 5 as the last one.

[C]

Yeah, cuz 5 is before 6. I see what you did.

[B]

No, I was saying his last album. Yeah, he put in between the Carter series. He put out other albums. Didn't just go, 1, 2, 3, 4, 5.

[C]

I just asked you, did you listen to the last. I know you didn't because you said you didn't.

[B]

Yeah, I didn't listen to it because I came here.

[C]

I was like, yo, we're not gonna talk about the new Wayne album. He was like, I didn't listen to it. I was like, okay.

[A]

Did you ever listen to that Chance album that you said you were never gonna listen to?

[C]

No. No, he didn't.

[B]

I came in and gave a full review on it. That's what people. I know it's a running joke, but, yes, I came in, and I actually think y'all were very hard on that album.

[C]

Album production is fire on Chance's last album.

[B]

Yeah, I don't really go back to.

[A]

It, but I don't go back to it as my favorite disc.

[C]

It's real. I understand that, like, more than ever now. Like, because it's albums that come out, I listen to it, and then it's like five months go past, and I didn't listen to a song off the album. Doesn't mean I didn't like the album, but it's just like, it didn't really. It didn't stay with me, that's all.

[A]

Okay. Yeah, I like that it didn't stay with you.

[C]

It didn't stay with me.

[A]

You guys had a brief encounter.

[C]

Yeah, it was like, okay, she left, went on one date. You know what I'm saying? It was cool, but it was like, I don't need to see her again. You know what I'm saying? It was like, it was cool, but.

[B]

There'S a lot of albums that, if I listen to them at this age that I did 10 years ago, probably wouldn't have stuck with me, but they stuck with me 10 years ago. I just feel like there is also this age gap that allows you to process so many albums at one time. And then, like, when adulthood really hits, it's tough to have that same process. You only. You can only take a few albums in a year that are gonna stay with you.

[C]

Not only that, I think that a.

[B]

Lot of a million blog era mixtapes stay with me. Now, if I was 34 in the. In the blog era, I don't know if I could say that all those would have stuck with me.

[C]

Well, that's what I'm. That's what I'm getting to is it is A thing of when you. Where you're at in your life when you listen to certain music.

[B]

Yeah.

[C]

Because it brings you back to that time. So you. You will listen to certain songs and albums just because it gives us that nostalgia, you know, takes us back to what we were doing 10 years ago, whether it was in college or high school or my first job. Got fired. Whatever it was, it's. It just reminds you of a specific time as you get older. Time means nothing. What day is it like? That's all it is.

[B]

Everyone hold the clocks. I did listen to funeral. And you know how I know that? Because hard to a funeral. I have. Yes. I've been to a few of those. Harden on this album. I ran into the ground. I didn't go back to any other songs. That was like vintage Wayne. It's all about James Harden. His over a soul sample. Fire.

[C]

So you ran the Harden song into the ground.

[B]

I did that one.

[C]

That's the one that stuck with you.

[B]

Go back and listen to that. That's like old mixtape. Soulful Wayne. I loved Harden a lot. I think I put that on my IG story a bunch of times, but it was, you know, pandemic. I was malnourished.

[C]

I didn't know it was a lot going on.

[B]

It's actually a really good Wayne.

[C]

Rough time.

[B]

Underrated. Harden. Go look it up right now.

[C]

Got you.

[B]

I don't think it's than anything Tommy Richmond's ever put out, though.

[C]

That's your God.

[B]

Where's my flowers? I was right about Rihanna already. This. Can we get like a graphic and start checking off in my 2025?

[A]

Yeah, we're gonna talk about it on Patreon. We gonna see. How you doing?

[B]

I'm batting pretty high. I said Tommy Richmond was gonna black it up for his next single and then he's gonna go right to country music. As of now, Asia old formula. Now he has women in doobies at the gas station to a Soulja Boy sample.

[C]

But he's not a hip hop artist. Not solely.

[B]

Don't you Bo?

[C]

Solely a hip hop artist. Yes. He's more than just a hip hop artist.

[B]

It sounds like I'm hating, but me and Peach were off mic saying, that snippet is fire. That record sounds really good.

[C]

It sounds like a good Mountain Dew commercial.

[A]

Yo, you a hater.

[C]

What? That's big. You get a Mountain Dew commercial. That's major.

[B]

Nobody took that as a compliment. Not one of us.

[C]

He would. The artist would.

[A]

Do you like the song?

[C]

The snippet sounded good. I Didn't hear the whole song. Well, it's not out yet, is it?

[B]

Well, when you're listening to this, it will be out.

[C]

Okay. Yeah, I heard a snippet. Sounds cool.

[B]

Peach brought it to my attention, and I was a little nervous because Peach is like, he has a soldier boy flip in there. And I was like, oh, God, here we go again. But whoever produced that amazing flip, it was a really.

[C]

I see the formula he's speaking to. I see. I see the formula he's. He's sticking to. I get it. I see what Tommy's doing.

[B]

No, that record does sound really, really good.

[C]

Yeah, it sounds good.

[B]

It's just. I don't know. That snippet with that visual coming off your tweets.

[C]

I mean, he just.

[B]

Was he. At the gr.

[C]

He's not solely a hip hop artist, that's all.

[B]

Was he. He told the Grammys he's a rap artist?

[C]

No, I think because he didn't want to go. I think the Grammys told him he's a rap artist. He like, no, no, no. This is rap.

[B]

There's nothing rap about that album. No, it's because you didn't want to compete with the pop stars and you thought you could. Which I get. Get a nomination if you go in the rap category. Yeah, but come on, man. Who do you think he sent? Like, maybe the treatment images for what women he wanted in that video and how he wanted them to dress?

[A]

Oh, that.

[B]

No, he might as well said said Wyan. Like, do you think that's his homegirls or.

[C]

Yeah, I think that's the homies. I like the homies.

[B]

Or do you think that's his mood board?

[C]

Nah, that's the homies, man. I'll do that.

[B]

I'm around. I like Tommy Richmond, and I know he gave him a lot of.

[C]

No, he's cool.

[B]

This record does sound great, But I do think he's going to go the quote unquote urban route, which I'm sure they said in the meeting. And he's gonna. Then he's gonna. He's gonna take a left and show his range. You know, he's from Virginia. He has country roots. Like, you know, maybe we'll get a Shaboozi thing just so they can check two boxes. But he's. He's definitely gonna take it to outside of the box, as they would say.

[C]

Yeah, he'll be in Wyoming next week. He went from Wawa to Wyoming. You know, pull up to Wawa video. It's like, yo, don't try to that doesn't mean you tapped in because you had Wawa shooting a video.

[B]

And first of all, sorry to South Jersey. Wawa is the most overrated I've ever had. When I got to college, it was like, yo, you gotta have Wawa. We went down the turnpike. I was like, oh, this is. This is actually a gas station sandwich.

[A]

Yeah, it tastes like a gas station.

[B]

Yeah. I thought you guys about to tell me, like, no, don't. Don't get it up. It's a gas station, but they got the sandwiches. No, this is a gas station sandwich. Why did I.

[C]

It's just that when you deli.

[B]

We passed 17 delis.

[C]

But that's what I'm about to say. When you're from New York City, you can't take nobody else's. Like, like, what they say about sandwiches. Seriously, like, if you're from, like, the dmv, you can't tell me anything about a sandwich. I'm from New York City. I grew up in front of the deli. Like, what are you. What. This sandwich is the best sandwich in the city. Right here. This one at the gas station right next to pump six. I'm cool. I'm cool, man. You can't tell me about a good sandwich. And I'm from New York, which, I.

[B]

Mean, I get South Jersey. There's not a lot there, but I was expecting it to be. Be like some crazy.

[C]

That's cool. I get it.

[B]

7:11 with just the hangout space.

[C]

The hangout for, you know, the. The high school kids, college kids. They drive there, park up, listen to some music. You know, somebody going there, get a beer or something. You know, let's eat some turkey and cheese sandwiches and listen to Soulja Boy. Yeah. And shoot a video.

[B]

Did anyone watch the Kanye West? I don't know if I'll call it.

[C]

The Marriage is Drunk. Yeah.

[A]

Okay.

[B]

What were you even trying to do?

[C]

It's just Drunk. Drunk.

[B]

She not even.

[A]

I'm not even drunk. I haven't been drinking for a while, but I just went to. Just ignore me.

[C]

She's going through withdrawal. Hands get shaky.

[A]

I am. I'm doing a damn February mall. You want to do it with me?

[C]

What's damn February?

[A]

Damp. Well.

[C]

Oh, damp.

[A]

Roy, do you want to do it with me?

[B]

No.

[C]

What's damp? February.

[A]

So instead of a dry. Like how I did dry January, instead of a dry February, it's damp. Which means I pick one day in February where I get to drink. So it's not all the way dry.

[C]

No, that's Valentine's Day.

[A]

Okay, but one. It's G. For my Galentine's gathering with the girls.

[C]

That's the 13th. What is the Galentine's.

[A]

Galentine. It doesn't matter. You could do it whenever. But we're doing it on the 15th.

[C]

The day after.

[A]

Yeah.

[C]

Oh, y'all want to talk about the. That didn't call, didn't send no flowers. Yeah, yeah, I know.

[A]

Or that's just the Saturday.

[C]

It's the 16th.

[A]

No, we're going to do the 15th. But yeah, I'm just. That's the only day this month I'm drinking. Rory, you want to try it just one day a month drinking year.

[C]

No, no, he wants to. He wants to pick one day this month where he doesn't drink.

[B]

It's not true. Don't pay me that.

[A]

Not a flooded February.

[C]

Yeah. Yeah. Where was like, okay, today? Cutting off the hoes.

[B]

No, it was Amara. I didn't have any moral stance on drinking less. It was my daughter's up at 6am and drinking does not coincide with that. Like, you can't drink every day and wake up at 6am like, you got to. You gotta chill.

[C]

Yeah. You gotta drink some water, go to sleep. Yeah, absolutely.

[B]

So, no, I won't do that. But, I mean, I'll support you.

[A]

Well, thank you. January was easy, but February.

[C]

Can I FaceTime you during Galentine's. We ain't never faced.

[B]

I'm gonna be with.

[A]

I'm gonna be with Kellen Rocks Penny. Like, be with the gang.

[C]

Yeah, but I'm saying I wanna. I want to just facetime the ladies and say, happy Galentine's Day.

[B]

Wait, what? Can Wall go to Galentine's Day?

[A]

Is he a gal?

[C]

Then what am I?

[A]

What a galdom. Are you a gal?

[C]

Oh, no, I'm not.

[A]

Okay, so no.

[B]

Yeah, but I mean, you can say you are.

[A]

Not anymore, anyway.

[C]

I like that. Not anymore.

[A]

Yeah, but I mean, the law is the law.

[B]

So they replaced Side Chick Day, which was the 15th, with Galentine's Day. That's what it is.

[C]

Yeah.

[A]

I mean, side chicks are still gonna do their thing, but none of us are side chicks.

[B]

I'm not calling you guys that. Okay, 15th used to be that. That.

[A]

I thought Side Chick Day was always the 13th. It's always the. The. The Friday before Valentine's Day.

[C]

But that was Side Chick Day is.

[A]

Yeah, it's always the day before Valentine's Day.

[B]

Usually, that's. No, you have two girlfriends. Like a side chick. You're not doing anything for Valentine's Day at All for her the day before. If you have to do the 13th or the 15th, you have two girlfriends.

[A]

So what was side chick day?

[B]

Side chicks don't eat.

[C]

Valentine's Day chicks just created for some recognition. Nobody paying no side chicks no mind during Valentine's Day like that any. The 13th, the 15th, the 16th, you know, you get nothing. I'll speak to you Super Bowl Sunday, and that's it. I'll speak to you in March.

[A]

Oh, no. What's happening? Oh, y'all. That's rough.

[C]

Yeah, it's rough being a side chick out here for a real nigga. These lames. Nah, they make it easy, ma.

[B]

You have to be in a relationship to have a side chick.

[C]

Who you. Who made that rule up?

[A]

So what's she. She gotta be honest with side or something in.

[B]

On the side of all.

[C]

On the side of this bed. On the side of me? Yeah, yeah, on the left side, you know, not by the door. You put them. You know what I'm saying? By the window.

[A]

Yeah, that's up. Putting them windows.

[B]

Intruder.

[C]

Yeah. Cuz if the intruder comes in, you know, he kills me first and then he kills her. That's all. He's not going to kill me, then leave. No, he's going to kill you too.

[A]

Kill me, then leave.

[C]

You can sleep on that side if you want to if that makes you feel.

[B]

There's a specific serial killers that only.

[C]

Go after the person, whoever's sleeping by the door. He gets killed and another one lives. No, we all die.

[B]

Say, keep your mouth shut. I'm out of here.

[C]

You didn't see anything. It doesn't work like that.

[A]

Oh, okay.

[B]

Well, Galentine's day should be fun. Did. Did anyone watch the Kanye west interview episode? Slash? I don't really know exactly. What's it called?

[C]

I saw clips of it. I didn't. I didn't sit and watch the entire episode.

[B]

I watched it. I really liked how it was shot. Like, they had the whole projector. It was definitely shot really cool. I liked how they went in and out of the, I guess, interview to certain things. Kanye was working on old clips. Like, it was definitely put together very well for that first episode.

[C]

I liked it. It wasn't. It didn't feel like it was overly produced. It felt like it was just like, yo, let's set up something right here. You know, just make your own rules. Like, I like that type of vibe where it doesn't seem like it was too scripted. You know, we just had a chance to get ye on camera for a few Hours. Shot a bunch of shit, and then, you know, we put it together.

[B]

So I like that they played to Justin LeBoy's strengths, where Kanye just talks and then they cut to old footage or him in the studio.

[C]

Yeah.

[B]

And then the boy is like, yo, crazy. And then they cut like, you know, they played to his strengths. Don't do that.

[C]

That was hate, right?

[A]

That was hate.

[C]

You caught that, baby D. That was a little shot for Justin. Yo, what's up with you?

[B]

Wait, that was hate.

[C]

Yeah.

[B]

Can we reverse the footage to when the actual interview came out? That was hate. I was on Justin La Boy the whole time. That was the worst interview I ever saw in my life. This liked. I actually really enjoyed what they put together. You didn't really get much outside of Kanye's stance on AI. I would say that was probably the biggest thing I took from it. He. Which we kind of predicted. He views it the way everyone on samples in the beginning, and then that became the norm. Everyone on autotune, and then that became the norm. He thinks AI is the same thing. It doesn't want to get left behind, which we expected from Kanye. I still think there's a drastic difference between it.

[C]

There's an incredibly drastic difference.

[B]

But Kanye is putting it in that same exact category. And I don't know. When the dust settles in 10, 15 years, we may look at it that way. I don't.

[C]

But this entire Bully album is AI, right?

[B]

Yeah.

[C]

Yeah. I'm not jacking it.

[B]

Well, he didn't. He didn't outright say that, but you got that idea.

[C]

It's AI.

[B]

They were even, like, showing other verses that other people cut, and then ye was like, yo, put my voice on it. And then. And it became Kanye.

[C]

Yeah. Like, see, that's a dangerous thing to play with, man. When you got an artist as dope as Kanye and as, you know, innovative and creative as Kanye, embracing that type of technology with the music, it's just. It's such a. It's such a dangerous. It sets a dangerous tone for other artists. Because now your argument is, oh, shit, Kanye just did it. And he sold this many. He streamed this, and he did. Now you can start pointing to that.

[B]

The snippets sound great.

[C]

Yeah. So it's just a dangerous. It's a dangerous thing for somebody like Kanye to, like, co sign that.

[B]

He says he's. He's by hand cutting every sample himself. He's producing everything by himself. He said he's gonna bring Mike Dean back into the mix on the engineering side, but he did Say, this is. This is yay on the npc. Cutting everything up. So we get that for the first time in a while, which I don't know if that. Does that add any credence to it for you?

[C]

No. I mean, I understand that he still has a. A hand in the music, but to embrace, you know, vocally and. And the song, the lyrics, the music, for you to lean so heavily into the AI Thing, I think it's just dangerous for somebody like an artist like Kanye to do that, because again, we've seen him create such classic pieces of music and create such beautiful moments in music to now embrace this technology where essentially it can get to a point where we don't even need the artist. It would just be a thing where people sign off on their likeness. You can use my likeness, but you never step in the studio. So we don't get real emotion, real soul, real, like. I just think that's a dangerous thing for artists to embrace.

[B]

Well, then do we owe old heads an apology? Because I was even one of the younger people. You know, we watch Prince say, yeah, samples are cool, but when are we gonna end up having the samples? Sample to sample, sample to sample, which clearly has happened. Yeah, but there were so many people older than me that hated my favorite era of hip hop pop production, which is soul samples being chopped up, even to the point that they're extremely obvious, and you're just adding a few snares to a record. That's already been proven. But to me, it was amazing. To them, it was like, this is. This is going to ruin music. Then autotune came, and a. People even three, four years older than me thought it was awful. I was like, yeah, I. With Auto Tune, like, I think it's.

[C]

Cool, but it's still a difference, though.

[B]

I know, but did all these changes lead to now where we're at, for AI to be more acceptable? So maybe these people were right based off, like, I love what Just Blaze does. But there's so many people that were older that were like, bro, he's. That's someone else's music. He's chopping that up. What the. I was like, you can't see the art in that. That is the first step to getting here.

[C]

I think it's different, like, hearing that Beanie Beans. Beanie Seagull was going to use AI on his new music because obviously, you know, he had had such a change in his voice, his tone, but, you know, he's just using it to kind of sound like he did before. Yeah, but he's still writing. He's still actually laying down the vocals. They're just gonna implement that technology to enhance his audio to sound similar to what it sounded like before his voice changed. I'm not mad at it there in that sense, because he's actually still going in the booth. He's still writing. He's still, like, laying down bars, but just in the mix, you know, we gotta tweak his voice, his vocals a little bit. I'm not mad at that. When you say this artist didn't step in the booth at all.

[B]

All emotions. And to me, that's like, connection is gone.

[C]

Yeah. It's like, all right, so this is. We had a problem with posthumous albums.

[B]

Yeah.

[C]

Even though the artist actually laid that song down at one point, may not have laid it down to that music. They may have took those vocals and then put it on a new track. Yeah, but people hated that. This is beyond that. This is like. I mean, he never even said that. He never even went in the booth and laid that down. To me, that's a problem. And somebody else.

[B]

Biggie duets. If Biggie was alive.

[C]

Right. So to me, just go.

[B]

To go do the duet.

[A]

Right.

[C]

Like, to me, somebody like Kanye, who's as influential as he is, probably the most influential artist in music, I just think it's dangerous for him to embrace that type of technology.

[B]

Why I think it's extremely dangerous, outside of everything that you just named, is that it's probably going to be really good, and you probably will feel emotion connected to it. I think Kanye is going to be really good at AI the way that we watch some of, like, the Weeknd stuff and Drake and, you know, people on Twitter that were putting stuff up, and we're like, this is getting close to good.

[C]

Yeah.

[B]

What y'all are doing. But we could still tell. I don't know if we would be able to tell with Kanye's album unless he told us, which he did in this episode. That's how good I think he's going to be at it. Because Kanye, we wouldn't say, is the most lyrical person ever, but his bravado and his delivery is what put him up there. Why he could do Watch the Throne with Jay, because his energy is just like that. I think he's going to figure out a way to do that with AI, and it's tricky, and it's going to be so good that that's why it's going to be accepted, because it's like, yo, there's emotion in this.

[C]

Yeah.

[B]

This isn't Just some straight AI Weekend. That's emotion.

[C]

It's tricky with. With Kanye, too, because he is actually still involved in the producing of the music. So technically, it is Kanye. Like, he's still on mp. He's doing those things. So it's like, yeah, nah, it's him. But when you start talking about the lyrics, the vocals, and things like that, and that's just all AI. I'm just. Yeah, I think this is where I start listening to country music, man.

[B]

Who says that's not gonna be AI?

[C]

I don't know. See, I think that they keep. That they look like they protect their culture a little more than hip hop does.

[B]

Just from Beyonce. No one else.

[C]

He didn't get nothing.

[A]

Yeah, Shabooz ain't win none either, even though he should have.

[B]

Okay. From black people. I didn't want to be the one to say it, but.

[A]

Okay, cool. Glad you cleared that one the up.

[C]

Oh, man.

[B]

Yeah. That's the only people they protected from.

[C]

Well, Kanye did say he's not bipolar. He said he's autistic.

[A]

I think he's a little bit of both, I think.

[C]

Yeah. I think, you know, pick and roll. You need to need the screen to get the shot off. I get it. So are we surprised that he said he's autistic? Do we believe that he is really autistic, or we think this is Kanye Just saying Kanye.

[A]

I'm not a medical professional. I'm kind of rolling with the fact that I've said. I think we've said before that we think he had a little bit of the tism.

[B]

No, I don't. Like. I don't. I think that was only news to Kanye West. Like, when he was sitting there with Justin boy, he's like, yeah, my wife came up to me and was like, you know, I've seen bipolar people, but that's not you. I think you might be autistic. And, like, you could see the bulb go up in Kanye's head, and I'm like, oh, I was 13 when you came out, and I could tell you was autistic.

[C]

Yeah.

[B]

This is just news to you, but, I mean, I'm glad he's getting the help that he needs. And he didn't really touch too much into it. I did, like, the point he was bringing up of staying on medication, but how to balance that without losing your creativity? Because, you know, a lot of autistic or bipolar people that are super creative need their meds, but that can kind of comatose you and not keep you in the right State. So him finding that balance, I thought was a really important conversation that I hope he talks more about, because there is, you know, some of our greatest creative people are autistic, and in this new world of big Pharma, they're just trying to put everyone on every medication, period. And I'm not saying people don't need that. That. But you are taking away a lot of the genius that they have with doing so. So there does need to be a conversation how to balance that with creatives.

[C]

Has Kanye. Has he ever taken the Toad?

[B]

He. I think he lives in the toe, bro. I would think I would like to.

[C]

See Kanye take the, like. See him after, like, a real, like, ayahuasca experience, you know, with people that.

[B]

Don'T have, like, super adhd, that Adderall makes them more focused and more hyper. And then people that actually have it. It. Aderall can actually calm them down, because that's what it's supposed to do. I think the Toad would turn Kanye west into a regular human being. I think he's in the Toad.

[C]

Does he leave all.

[B]

Every day? I think he would turn into, like, a regular guy.

[C]

Does he lose all of his superpowers as far as, like, artistically and music for the trip?

[B]

I think he would. He'd turn into, like, you know, just a regular guy that works a 9 to 5 job. He, like, all the thoughts in his head, he'd keep to himself because he knows those would be insane to say out loud.

[C]

Right. So because he's built on Kanye being somebody who's built largely on ego, I think to be stripped of all ego after ayahuasca experience would just be interesting to see the type of person Kanye is.

[B]

Yeah, I would, too. And I mean, not to make this a Drake thing. I forgot what interview he was talking about, which I thought was really interesting that he said he didn't want to go into therapy because a lot of what would heal him that he needs to go to therapy for would take away a lot of the edge and the creativeness. Like, he needs to have that. That he needs to heal from.

[C]

Yeah.

[B]

To stay as creative as possible. Like, going out there. I can't heal that right now. If I heal that, I'll lose a lot of. Yeah. Which I thought was a really, really interesting point in conversation.

[C]

That's dope that he recognizes that and understands that, though. Like, I need. No, I need this thing, this ego thing. I need this fuels this, funds, all of this.

[B]

Yeah. I just. I guess it gets to the point and not specifically to those two gentlemen. But the older you get, that will take a toll on you. And how many years your career. Like.

[C]

Yeah.

[B]

How many more years can your body handle that type of. Because, I mean, even mental health still affects your physical health, too. If you're constantly having those type of episodes, it's going to take a toll on you.

[C]

Yeah.

[B]

So, I mean, we'll see. And again, my only last takeaway from the Kanye thing on the negative side is a lot of the shocking crazy that he was saying, he said a million times. I think Kanye is going to have to find a new strategy of the chalk and all gimmick. I just said something insane. He didn't say anything that we haven't heard before. That's why I don't think it hit the same way that he thought. He used to do this all the time. It'd be insane. We'd be at the edge of our seat. Kanye is about to say this. He didn't say anything that we hadn't heard that wasn't shocking.

[C]

Well, we still got.

[B]

That's why I feel like it didn't get in the algorithm the way Kanye usually does.

[C]

Yeah.

[B]

But either way, I'm here for Bully. I mean, the snippets sounded really, really good. I'll probably watch the Drew Ski reality show before Bully, but Drew Ski.

[C]

I like Drew Ski.

[B]

He's so funny.

[C]

He has a reality show. Could have been love. Thank you to Flavor. Flavor Flav.

[B]

This is all shout out to delicious New York.

[C]

Yeah, but I like this man. Drew Ski has leaned all the way into his character, his Persona. He's entertaining. He's one of the few dudes that I probably would click on their skits and shit online. I think that he's genuinely a funny guy. So I'm looking forward to this to see what he put together.

[B]

Other so far. I mean, the trailer has Caleb from Sunday Conversation, who's hilarious via barstool. If anyone hasn't watched that, I mean, I'm sure people have at this point. Who. Who else were some of the. The bigger names that were in there?

[A]

Yeah, I'm seeing Meatball. That's Mall's girl from Baddies.

[C]

That's the homie right there. Meatball.

[A]

That's my homie.

[B]

Is it the homie, though?

[C]

That's my homie I With Meatball.

[B]

Yeah. Like y'all speak on a regular.

[C]

Nah, we never spoke. But that's my homie. I hold her down, though. That's my. That's my.

[A]

Right there.

[B]

I hold it down.

[C]

I hold Meatball down. That's my real talk.

[B]

So she doesn't win love with Drewski.

[C]

I'm running down on Drewski if Drew Ski kick her out. If he don't pick her up, Drew Ski is beef.

[A]

I kind of want Young and May to win over.

[B]

I don't think Young. I don't think she was competing. I don't think she was like, Drew's homie to judge some of the women.

[C]

She's there to, like, kind of spy on the women and figure out who's best for him. I think that's her role in this. I don't think she's, like, trying to be who Juski falls in love with.

[A]

I can't wait to see who. Doctor what? Dr. Umar say? Dr. Umar is a.

[C]

He's just trying to keep him away from the. From the white powder, that's all.

[A]

That's so funny.

[B]

Well, in the trailer, that was the conversation. Juy was like, nah, I'm trying to get you to.

[C]

Yeah, like Dr. Umar. I get it. But nah, fam, you ain't seen some of the white women I seen. Bro, you tripping.

[B]

It was definitely an interesting cast, to say the least. I don't know if Drew Ski has a type, per se.

[C]

No, Drew don't have a type, man. Drew just having fun living life, man. But I do want to. When is this coming out?

[B]

I don't know if I saw an exact date.

[A]

I didn't see an exact date either.

[B]

But I do appreciate, like, in a world where Drew Ski got so popular with the IG stuff and like, the low budget, I love that he is actually focusing on. Put putting together well produced content at this point, because I feel like so many people have lost that now because it's so easy to just turn on a camera and stream that we've. We've lost, like, really well put together content. And to me, this is like, I know how this must have taken forever to really put together.

[C]

Yeah.

[B]

And I appreciate that.

[A]

That and I feel like more people who do get famous off IG and stuff should. I mean, I know not everybody has worked as long as Drew Ski has, but find a way to collab with these people, like Tubi or like Zeus or these production companies where they're making these, like, low budget movies and stuff like that. People say all the time that they want to see their favorite creators, like, oh, I will watch you in a TV show. Like, come up with it. Y'all have the creativity. Go pitch these people for the money.

[B]

Now, Drew, out of that whole Vine Wave and just coming out of social media. He. He is a legitimate, legitimate comedian.

[A]

Yes, for sure.

[C]

This is dropping the day before Valentine's Day. February 13th. Makes sense.

[B]

If this is a paywall, I pay for it. I want to binge it. Is it, Is it weekly? One day.

[C]

I watch all 12 episodes in one day. Shout out to Drew Ski, though, man, I'm looking forward to this.

[B]

And not for nothing, I love. I love Drew Ski with white people. Him with Theo Von is hilarious. Him with Roll Tide.

[C]

Yeah.

[B]

Which I'm sure has some crazy blackface Facebook videos that will come out eventually.

[C]

Absolutely.

[B]

But for the. For now, yeah, love, love them pissed.

[A]

About nothing but the Tide.

[C]

Exactly.

[B]

Him with Caleb, when they did their Sunday conversation was hilarious. So I'm. I know their chemistry already is going to be great for this.

[C]

Yeah.

[B]

Drew Ski and white people, they should do like a buddy cop movie, national.

[C]

Security, ride along type of thing.

[B]

What is with production companies and putting a black guy and white guy together as cop partners? There's gotta be like 50 of them at this point.

[A]

They work.

[B]

They all work.

[C]

Yeah, but you need that because if we pull over a white guy, Need a white guy there to kind of speak white. If we pull over a black guy, we need a black guy to kind of, you know. Yeah, we need more of that.

[B]

Well, who was the first ever? Tupac.

[C]

I could promise you that was not the first. Yo, was that grill.

[B]

It was Clint Eastwood and a slave. Maybe Cut that. I don't know.

[A]

Yeah, you wilding today.

[C]

So you can say slave, but not y N. See, wait.

[B]

First of all, slavery happened and Clint Eastwood is 99 years old, so he.

[C]

Knows a little bit about that.

[B]

To say those two things couldn't exist.

[C]

Oh, man.

[B]

Anyways, not to damper the mood per se, but to celebrate the life of, in my opinion, one of the greatest ars of all time. One of the greatest execs hip hop has ever had or ever seen. I think the answer to why music has been suffering lately is because we don't have men like Irv Gotti who are in those offices and in those studios and fighting for their artists the way he did. Rest in peace. To one of the greatest that we have ever had. I don't even know where to begin on Irv Gotti's accolades. He created and had a hand in the soundtrack of my entire life. This was a big, big, big hit. Condolences to Chris, to Ricky, to Kyle, to his whole family. Condolences to everyone that was at Def Jam with him. Murder Inc. I Know, everyone is hurting today. Irv, what more do you say about someone like Irv Gotti?

[C]

Yeah, he's. Irv is a, he's the, the prototypical hip hop. I don't want to say historian, but he's one of those guys in our culture that you go back to the, the beginning and then you watch the transition. And when hip hop started to become this worldwide phenomenon. And Irv Gotti has his fingerprints on that moment.

[B]

The, the second wave of Def Jam. I mean, you start obviously with Rick Rubin and Russell. We don't need to say what that from BC Boys, LL Run created the first real hip hop label. They were hurting at one point. Once that started to fade, it kind of tapered off. And then you had Lior and Kev come in, who are absolute legends as well, that deserve every bit of credit that they do get. But if you don't have Irv got. I don't think Def Jam even gets to 2010 if you don't have him bringing in Rough Riders, having a huge hand in bringing in Rockefeller and then starting Murder Inc. Right after that. The Big Three that kept Def Jam and that legacy alive. Yeah, I don't know if Def Jam still has the same iconic logo the way we view it without that wave. That Irv Gotti, I'll almost say damn near single handedly with his vision of like, no, you need to fuck with Rough Riders.

[C]

Yeah.

[B]

X, this makes no sense to you?

[C]

Yeah.

[B]

I promise you, you. Yeah, this will, this will work. This depressed drug addict, people want to hear from this. This will be a monster.

[C]

He just was somebody that was always in tune and, you know, had his, had a fingerprint on the pulse of what was going on, what was next in hip hop. Legendary songs, legendary albums, legendary artists, you know, from the greatest ever to, you know, some of the biggest acts. Everybody had a relationship with Irv. Everybody has worked with Irv at some point or another. And you know, it's just sad that we lost another one of our giants in our culture. So, so young, you say? 54, I believe he was. It's just sad, you know what I mean? We lost legendary DJ Clark Kent a few months ago. Now we lose Irv Gotti. So yeah, it's just, you know, it's a sad time. But we want to be grateful for everything that Irv has given us, has left with us, has definitely, you know, pushed us forward as far as us, meaning the culture of hip hop. And you know, we want to send prayers and condolences to his family. Everybody that he worked with everybody that he impacted in one way or another. I'm sure everyone is affected by this. This is a big, big loss in our culture and there will never ever be another figure as big, as important, as legendary as, as Irv Gotti. So prayers to Irv Gotti, prayers to his family, and we thank you for everything that you've given us and left with us in this culture.

[B]

Yeah, I was having a conversation with someone last night. Like Irv, just based off his personality kind of overtook a lot of what his accolades were behind the scenes. Like Irv had that personality where you either love him or hate him. Like he had that type of bravado too.

[C]

Mh.

[B]

I don't know if there's been very many execs and music men that have done it at the highest caliber outside of Irv. And I'm, you know, in the hip hop world, Irv La Reid, Jermaine Dupri, Jay Z. That list is very short of the people that did exec and producer on a creative side at the highest level on both sides.

[C]

Right.

[B]

Irv is on a very short list in hip hop and R and B that is a music man and an executive. And it's funny when you huge executives and then I know good music, but you're not a music like you can't get in there with a ASR and if we need a hit, the CEO is going in to get get us a hit.

[C]

No, he was a. He's a music guy, you know, talking about starting out DJing, you know, and being in those places around those artists that's on the come up and being able to identify the next star. That takes a certain talent, that takes a certain gift to be able to identify somebody that you know is going to be great because you could all say, yo, this person's amazing. Is this. And then it turns out like, ah, it wasn't really what we thought. But you look at Irv Gotti's track record of the people that, you know, he brought to the labels and produced and worked with with and what they've done. Like you said, there's not many on that list that have done what Irv Gotti was able to accomplish in such a short time. So.

[B]

And even, you know, people from that 2000s era, a lot of people disappeared. Gotti stayed, got a whole deal with bet, did tails. Like he also had a second run.

[C]

Yeah.

[B]

As well. And in a whole different department which I think just speaks to is creative.

[C]

So.

[B]

Yes. And prayers to J. Like I always loved that through this whole business from the outside looking in of every crew that broke up, everyone that had problems with everyone, Ja and Irv stayed brothers up until yesterday and continued on. Like, it was always beautiful to see those two, no matter what, were always moving together. Like, that's a very rare, rare thing. There's no real up. There's ups and downs with Murder Inc. There's ups and downs with everyone else. John Irv, like, that was a true friendship that you could look at.

[C]

So, unfortunately, the business that you know of hip hop, it does break a lot of relationships and brotherhood.

[B]

Yeah.

[C]

But it is, you know, dope to know that him and Ja always remained what they started as, which was brothers. I'm pretty sure Ja has had some moments where he wanted to strangle Gotti. Like, yo, what are you doing?

[B]

Irv definitely doesn't seem like the easiest person to.

[C]

But, you know, it is. It is beautiful to see. See that the brotherhood remained intact throughout the years. So, again, rest in peace to the legendary, iconic Irv Gotti. Prayers, condolences to his family. Rest well, for sure.

[B]

Do we have voicemails? You've got mail.

[A]

Yeah. Rory, we got two of them.

[B]

Okay. How's. How's our Valentine's Day situation going?

[A]

I'm collecting them. Well, actually, Josh is collecting them. We're gonna see. We're gonna see how. How they're coming, but I want to let a couple of them build up.

[B]

You know, I went back and listened to the one from last episode. I think M was hating. I once I put the AirPods in. Like, homie was kind of talking.

[A]

You wanted him to talk to you in your ear? Like.

[C]

Yeah, he had homie talking in his ear.

[A]

Wow.

[B]

I had to hear the mix ride my tongue, sweetness.

[A]

Yeah.

[C]

What?

[A]

But you. You guys. So when I thought about it later, you guys didn't even get the entendre of he was comparing me to a fine wine. And when you're drinking wine and really trying to taste it, it does kind of ride your tongue a little bit. The wine does. So, like, I get where he was.

[C]

Going with that Damaris. That nigga is going to kill you if you ever link up with him. He's a serial killer calling into a podcast.

[A]

I wouldn't say serial. Serial means you have to kill, like, four or five in a row.

[C]

Oh, you know him. He didn't kill nobody yet.

[B]

What if you were his fifth? That made him.

[C]

I wouldn't say. You don't know this. What are you talking about?

[A]

Well, anyway, we'll. We'll See, I don't want to scare off anybody.

[B]

What if you kill three Rand random people, you just.

[C]

Not cereal. You're just.

[B]

No, you're a cereal.

[A]

It has to be in a certain amount of time next to each other.

[B]

I feel like if you randomly kill one person. I know the definition of serial isn't that, but you're by two. You're a serial killer.

[A]

No, has to be three. I think three or more.

[C]

I love the fact that we're like, how many did he kill? Nah, not seriously.

[B]

If you randomly kill somebody, to me, that's serial killer.

[C]

Yeah, I think that's assassination as well, too, according to y'all. No, he was killed because you sleep.

[B]

Closest to the door. You'll be assassinated, and shorty will live.

[C]

And she'll be killed.

[B]

Where?

[C]

Okay, got it.

[B]

All right, well, let's get to this voicemail. Baby D. I think.

[C]

I think me and you should get together. It. I'm not really into no spoken word. None of that. Like, I think you're fire. Like, when you put the red hair on it. Just do something to a. But the eyes is crazy. I think your aura amazing. And me and you should just be dating. Like, there's a little rhyme right there. But yeah, like, me and you. I could really catch a remedy. I'm just trying to vibe.

[B]

Like, caught your remedy.

[C]

What you're really about. Three syllables and just make you laugh and make that ass jiggle. Baby, I miss you. Baby, he love you.

[A]

What the is going on?

[B]

You know who that is talking that.

[C]

He said he miss you. Who is that?

[B]

I don't know that.

[C]

You know that. See, they always don't know when he call into you a job, leaving voicemails. Now you don't know.

[A]

I don't know him.

[B]

Sometimes when you feel like you was together with someone in a past life, you missed him.

[C]

Yo, that say, yo, he just tried to catch a vibe. Laugh, make that ass jiggle. Niggas be horny horny out here, yo.

[A]

Call it.

[C]

And leaving a voicemail.

[B]

I will say this Valentine's Day special is going to be insane. Off the two teasers we have with the poem and then just the regular Riz voicemail. Yo, they set the bar pretty high, Baby D. He.

[A]

What's up, sir, that's not how you talk to a lady. Like.

[C]

Like, that's how he giving it up. He said he wants you to be his remedy. Ain't never told you to be his remedy.

[A]

Mean you sick, though.

[C]

Like. Yeah, so he. He's sick.

[B]

He loves healing.

[A]

I'M not healing no more.

[B]

He loves.

[C]

He loves sick. He said he wants you to me. What's up?

[B]

How many of you healed?

[A]

We'll talk about it.

[B]

Are they still healed, though?

[C]

Baby D, what's up? He said he miss you.

[A]

I don't know him now.

[C]

You don't know.

[A]

I really don't know. I feel like you my nigga now. I don't know that. Like, I don't know him. Like, stay out my phone. I don't know that he lying on me.

[B]

Out of last week's voicemail. And this one. Can he get in the car with Damaris? Remember, we're gonna have a GoPro. I'm gonna have a gun.

[C]

You. We don't have no choice. He's getting in the car. If he sees Baby D in the car, he's getting in. He laid the low down. He's.

[B]

He's driving.

[C]

I miss you.

[B]

I love you.

[C]

Yeah, like, he. He's like, what's up, Baby D? Applying pressure. Y'all like when a step up. And you know I mean, y'all like that, right?

[A]

I gotta know you. I feel like all my love is blind, cuz. I don't know what any.

[C]

That's all right.

[B]

They get engaged in one day.

[C]

Yeah. You should be on. This is. Love is Blind. This is our version of the blind.

[A]

Love is Blind.

[C]

He gonna leave a voicemail. Based on what he say, you gonna be like, all right, I'll give him a shot. I think with this gentleman, you don't have no choice. You have to give him a shot. Like, he's. He's letting you know he loves you and he misses you. He wanna make that ass jiggle.

[A]

I'm easy to love, though. Like, why should I love you back? That's really the question. It's easy to love me. You saying you love me is not like a. Oh, he loves me. Everybody loves me. Me. Like, why should I love you back?

[C]

Gentleman, sir. What's his name?

[B]

I'm. You just are gonna let her say she's easy to love. You're just gonna go over that?

[A]

You love me, don't you?

[B]

Yeah. She is really difficult. Yeah, I do experience. Like, your text message on do not disturb all the time. There's no reciprocity.

[A]

Like, there's no reciprocity.

[B]

You don't even text back. It's hard.

[A]

I don't mean I don't love you.

[B]

I'm always confused and in limbo in different ways.

[A]

I don't got to text you back.

[C]

Well, this gentleman, you gotta you gotta respond to.

[B]

So if you don't text him back, he's showing up to your door.

[C]

Yeah.

[B]

I'm just gonna chalk it up to the game, though.

[C]

They like the energy.

[A]

There's other. There are other.

[B]

They say that till they show up on Twitter. They'd be like, yo, that's so sexy. Until he at your front.

[C]

Stop asking me how my day was and come make it. Well, he gonna come make your day. They love women love getting that off on social media. Stop asking me what you doing and come do it. All right, well, he's coming to do it.

[B]

He's going to make the cops quota too.

[C]

Yeah, he's coming. He's letting you know.

[A]

I will see what other entries we have, but thank you, young man, for having so much g audacity.

[C]

Older than you, young man.

[A]

Nah, he. That's a Y N. He said, I'm just trying to catch a vibe. For real.

[C]

He.

[A]

He 22.

[C]

Yeah, that's a that Sit down and smoke and play Grand Theft Auto all day. Yeah. And they hope that his Paul a hit.

[B]

What. What was my era's version of I'm trying to catch a vibe Vibe.

[C]

You would just send a play like a. A playlist.

[B]

Music that is romantic at least. No, that's better than y. I'm trying to see your ass jiggle. Let's catch a vibe and smoke.

[C]

That's real. That's valid. That's valid.

[A]

Chill it was it chill?

[B]

Yeah, I guess. Yeah.

[C]

Lituation, yo come through so we can make a lituation the zoo.

[B]

Like it was. I'm trying to say right before, like, Netflix and chill. What was it that I forgot what I used?

[A]

We chilling. We cooling. We cooling.

[B]

Yeah.

[C]

See my. See, I'm old.

[B]

We lamping.

[A]

What was yours?

[C]

My was y'all. I got open crib, open crib. You don't know when open. Mom said she was going out of.

[B]

Town when you were younger.

[C]

Oh, my God.

[B]

The prudest of girl on earth would never turn down the I have the open crib, open crib. Any girl showing up to I have the open crib.

[C]

Oh, my God, I remember Open crib, crib.

[A]

And then your homies always want to be there kicking it.

[C]

Move. Not the homies could come through, but it's like, you know, we know who we was waiting for to pull up. She pull up with two of us. It's lit. Open crib. That was a time.

[A]

Boy, I can't wait to tell your mother the next time I see her.

[C]

My mom, she know you think My mother don't know me.

[B]

The open crib was cool, but it was. It was the friend with the cool moment mom. And now he was in the Bronx. You guys didn't have basements? The friend with the cool mom or the girl with the cool mom that had a basement.

[C]

You think we'd have basements in the Bronx?

[B]

Not where you was living, definitely. Like the fourth foot. No, the basement was where the laundry was and you could get killed.

[C]

Like.

[B]

No, no, I'm not talking about that.

[C]

Yeah, yeah. You know the type of basement.

[B]

I'm not even saying, like, the finished basement, but at least there was some form of a carpet down there. You could all kick it in the basement. There was some. Somewhat of a TV at least.

[C]

That's why I love Queens. Girls growing. Growing up, all these girls had houses. Like, yo, wait, so this is all. No, your parents don't even come down here.

[B]

So when you. Yeah, no, first of all.

[C]

So it's just us.

[B]

First of all, they live on the third floor. There's tenants on the second floor. And the basement was. That's how it was. And when you had story that had the cool mom, there was a whole different entrance to that basement. Yeah, you could come and go as you please. The cool mom girl was typically a. Now she's a loving mother of six, but in high school.

[A]

Damn. That is so accurate. Wow, that. That's very accurate, Rory.

[C]

All right, so Baby D, we don't know if. If you're going to take this young gentleman's offer up and go on a date.

[A]

We don't know. I have to listen to the other people who are.

[C]

But where is he at with the last dude? Is he like number one or he.

[A]

He number two. I really like palm. Po gave creativity.

[C]

Yo. But he told you. He's like, yo, he. He gave you one bar. That kind of rhyme. He said that kind of rhyme a little bit. So there you go. He got straight to the shit.

[A]

I could tell that you're not going to put that much effort in. You're gonna. You think you have a winning personality. You think your personality is gonna win me over? That's what he thinks is gonna happen.

[B]

Of this new generation of men that think they should be chased. Like, he's not going to put any effort. She'll just come to me type of vibe.

[A]

Yeah, like, it's.

[C]

No, no, no, he's not. He's. He's. He's running down on you. He's not. You don't got to chase this.

[A]

But he don't look like he running. He like he gonna walk down. Like, he can be like, yo, what's up? Like, he high, baby D. Yeah, I don't like that. Okay. I like passion. I like you to be present in the moment. Like, not you just sitting up there. Chilling eyes, though, like he said, you.

[C]

Trying to make your ass jiggle.

[A]

Exactly. You're worried about the wrong things. What about, you know, making the crinkles in my eyes go up when I smile?

[B]

What about having her mind jiggle?

[A]

That's. I feel like.

[B]

That actually makes your brain bleed. Yeah, I think it's a definition of a concussion. That's a seizure.

[C]

Yeah, that's a seizure. We don't want. We don't want that to happen.

[A]

Well, we'll. Never mind next episode. We'll see who else has submitted. But do we have another voicemail? You called me off guard with that one. I didn't know.

[C]

Whole vibe up. Yeah, good.

[A]

I was ready to give some bad advice.

[C]

Yo, what's up, Pod? Rory Mall. The Marist Peach. Keep doing what y'all doing, man. Y'all killing it. Y'all doing God's work out here. No, I'm not. Two things I want to say. So the first one is a question. The second one's a statement. My question is make. Pretend it's your birthday, right? It's the best night of your life. You got front row, Madison Square Garden. You, your friends, your family in the building.

[B]

It's.

[C]

It's your night. Everybody's there to celebrate you. You get to choose three artists to come out that night and perform in front of, like, everybody. 25 songs, set this. 30 song set this from all of them. Who's your opener? Who's your middleman? Pause. Mega pause. And who's your closer? Who's gonna, you know, like, just finish the night off offer? That's a good question. Who's the opener? Who's the middle act, and who's the closer? 25. 25 song set. Damn. Opener.

[A]

I got mine.

[B]

Damn, I should have heard this before. This is a very tough one.

[A]

Really? Mine is easy.

[C]

I'm just basing it off of shows that I've actually been to that I was like, that was great. Opener. Damn.

[A]

I'll do mine first and give you guys some time.

[C]

Opener could be Usher. Okay, I'll let Usher be the opening act.

[B]

Do you think Usher is going to be okay with that?

[C]

I mean, it's my. It's my night. It's my night. Like, he has.

[B]

How are you going to pitch to Usher? That he's the opener. I'm like, yo, when people coming in, whatever, you can set the.

[C]

Like, you can set the tone.

[B]

They finding their seats because it's tough to.

[C]

It's tough to follow that Usher. The roller skate skates. It's tough to follow up the roller skates facts. So you go Usher opening act middle. I would. I'll probably put Drake as the second act.

[A]

Okay.

[C]

And I would probably end the night with.

[A]

You. Not picking Jay is insane. So me. Come on now.

[B]

Close though.

[A]

Yeah, that's. You close the highest. You close on a high.

[C]

Actually, Jay would be my closer.

[A]

Yeah.

[C]

As long as he ends with Reasonable doubt with the orchestra.

[B]

Okay. I like that. 3. I would probably just switch up the order.

[C]

Who would open Jay.

[B]

I think Jay would open Drake to Usher.

[C]

Usher would close.

[B]

Yeah.

[A]

Oh, you trying to go home with something.

[B]

Yeah, Riz, without one of my favorite shits ever. You think I want to end the night with can I live?

[C]

No, you don't end with real.

[A]

You would though.

[B]

Like, I would, but it's my night and I want to leave with some. Like. I think Usher would close that night out the way. I would like to leave the arena and the vibe of the arena at the that time.

[C]

See, you want to start R and B.

[A]

Okay.

[C]

Then you get into Drake because he got records all over R and B. Rap, dance, going to rap, get into all of that.

[B]

That's why Jay would get us the vibe going. And then Drake can R and B.

[C]

Cuz Jay gonna bring B out.

[B]

Wait, we had no stipulations.

[C]

This 25 songs. You picked the 25 songs.

[B]

Okay, so. So. So it's his Fade to Black tour to open.

[C]

No, I'm just saying in that set, we would have Beyonce come out out, do some of their joints together. Yeah, you know what I mean? Bring. Maybe bring Mary. Have her do the joints they got.

[A]

I don't think. I don't know if that's fair. That's a lot.

[C]

But I mean, I get to pick the set. You is crazy if you think Beyonce and Mary not coming out on that set. Absolutely.

[B]

Are they free?

[C]

Like I got to pay them for that?

[B]

No, I mean, like, are they available?

[C]

I think. I think B will be available that night.

[B]

She make herself free from. From all day.

[C]

Yeah, it's my night. Come on.

[B]

Before it was funny. It's not even like your birthday. It's mall's.

[C]

It's just my night. No, that's.

[A]

He said, imagine it's your birthday.

[C]

Okay.

[B]

I thought he was just saying it Was.

[C]

Oh, yeah.

[B]

My birthday.

[C]

Oh, yeah. She got to come out for that.

[B]

Of course, man.

[A]

She's been mine. Mine would be Bruno Mars open. Beyonce.

[B]

I got something to do.

[A]

Beyonce middle. And then no Bruno Mars open. Janet Jackson in the middle. Beyonce clothes. But also doing some of her. Her J feature pictures.

[C]

I ain't gonna lie. While Bruno opened. I'm at the. I'm at the concession stand. Let me go. Whatever.

[A]

It's not your birthday.

[C]

It's your birthday. I gotta go to your birthday party, right?

[A]

You ain't been to none of the other ones.

[C]

You ain't had? No, I took you. I was with you one of your birthdays.

[B]

That's a fact.

[C]

See, baby. Yo, stop doing that, yo. Cause you be trying to paint me that just thinking I don't with you. Stop doing that. Stop doing that. I do. Cause you talking about I never. I be been. I took you out for your birthday.

[A]

No, no, no, no, no, no, no, no. We were in la. Me and Rory went out.

[B]

You happened to come see, usually I like to on. That's not what happened. That's not what happened.

[C]

That is crazy. I went out knowing it was your birthday. We're going out. I was in my hotel room getting dressed like, yo, we going out for Baby D's birthday.

[A]

I didn't know, like, yo, that's crazy.

[B]

Was fully involved in that entire.

[A]

Back when you with me, though. That was 2022. It's a 2025. I'm about to be 31 this year.

[C]

Yeah, but can you ask me what.

[A]

I'm doing for my birthday? No.

[C]

What you doing for your birthday?

[A]

Nothing. I don't have any plans and any friends, so I don't have anything.

[C]

You got friends, you go to Galentine's. What are you talking about?

[A]

That's February.

[C]

Yeah, but that means you have friends.

[B]

After Galentine's day, they're gonna fall out because that's what women do. And somebody's gonna get a boyfriend.

[C]

Somebody's gonna go back to the Y'all said on Galentine's day, do not go back to that. Three weeks later. What you doing, girl? This nigga came over and we went to dinner, and this N ain't leave. It's been three days. He's still here.

[B]

He's a different person, though.

[C]

Yeah, he's changed.

[A]

2025. Knew him.

[C]

He's in therapy, you know, love to go to therapy.

[A]

I believe him.

[C]

I believe him. So Bruno, Janet Jackson, Beyonce. Yeah.

[B]

I'm a text Baby D and ask for the set list. And, like, what time everyone's coming on? Then I'll be like, yo, you want to do a pregame? And then we'll get there for Janet.

[C]

Yeah, let's get there for Janet.

[A]

Niggas just haters.

[B]

Let's get dinner before. Like, we'll get right when?

[C]

Yo, we be right down the street, like, we get dinner.

[B]

Let me 15 minutes before Janet.

[A]

If. If.

[B]

I would definitely go see Br. Of course I would go see Br.

[C]

Absolutely. We talking.

[A]

All right, Rory, who's yours?

[B]

I'm trying not to repeat, because I. I would steal a lot of what you guys have.

[C]

Scarface.

[A]

Scarface opening.

[C]

Scarface opening. Little Wayne in the middle.

[B]

Wait, did he. Did he put dead or alive? Like, are we allowed to do dead people?

[A]

No, no. That people.

[C]

Who.

[B]

Y'all got Beyonce coming out on J set from all day, and we can't just make a hypothetical.

[C]

Well, both of them are still alive.

[B]

I know at this point, that's a version of a hypothetical, so I feel like dead people should be.

[A]

No, dead people is a completely different hypothetical.

[C]

Yeah.

[B]

All right, fine. So Tupac to open in Cuba. H. I would.

[C]

Yep.

[B]

Start the night with Deange Angelo.

[A]

Okay.

[B]

Set the tone.

[C]

Or rb.

[B]

Yeah. I would then go. You guys took so many of mine.

[A]

So then do one of ours.

[C]

No, you could take another artist. We picked. We only picked some of the greatest artists ever.

[B]

I would go. D'Angelo. I would put. This would be risky because he'd probably go over his time. Kanye, as a middle could get really risky. Risky.

[C]

Oh, See, once you start putting.

[B]

But I. But I don't want him to close the night out because it up the vibe when he starts ranting.

[C]

Yeah.

[B]

Or it could be, like, to the girl that I'm talking to, like, it was probably time to leave. He. He talked about Facebook and.

[A]

Yeah. But I feel like that's. I feel like that's better as an ender, because if you put Kanye in the middle ranting, that's gonna up the vibe.

[C]

Yeah. Dry.

[B]

Okay. If Beyonce is the closer, I think Kanye would respect. Expect that Beyonce's time was coming, and they would do this summertime or what's the record that they have that Cole Andre 3000.

[A]

We like to party.

[B]

Yeah. That would. That would get us into the Beyonce set, and I feel like Kanye would respect it.

[A]

Oh, Drunken Love remix. Drunken love remix with Kanye is one of my favorite.

[C]

Ugh.

[A]

I love it so much.

[B]

And I would combine that Kanye set. Since you guys said we could just bring anyone in, it would be a Watch the throne Mashup into the Beyonce set. Liftoff would close it, and then we'd get into some on the Run, too.

[C]

So you said D'Angelo, Kanye, Beyonce.

[B]

That would be for, like, an arena.

[C]

Yeah, I'm gonna be at the bathroom when D'Angelo's on. Yo, get that out the way. First of all, that line is gonna be long.

[B]

You guys got to bring in all the people affiliated. If D'Angelo's there, I don't get all the soulquarians. He doesn't bring out bad Do. He doesn't bring out Maxwell. He doesn't bring out the roots. He doesn't bring out.

[A]

He's the opener. He's not the main act. So, no, he's not bringing out the roots. And.

[C]

And he only got 15 minutes. Yeah.

[B]

Thought he had 25 songs.

[A]

No, you have. It's a total five songs, so it'll probably be five.

[C]

Yo, giving D'Angelo a medley is crazy.

[B]

Don't do that. See, I'm just a.

[C]

What you mean? I'm just saying, if you hating on.

[B]

Legends, I don't like it.

[C]

I'm hate. I'm just saying, if you got minutes. No, D'Angelo's a legend. I'm just saying, if he only gave him 15 minutes to do 25 songs, he would do. It's a medley.

[B]

He would just do the really love song off the last album. I think that. I think that. I think that song is 25 minutes long. Rory, you don't think D'Angelo would be a cool opener?

[C]

No, I'm lying. For my open, I'm going to go 103,000, but only new Blue. New Blue Sun. He got to. You got to perform that.

[B]

Maris, I'm going text you and say, yo, let's figure out when Mall's second act is coming on.

[C]

Yeah, let my man, Three Stacks get the opening. Man, we don't Me play the. Play the flute, man.

[B]

You going to be on the floor.

[A]

I'm going tell ma to save me a seat. I'll be there soon.

[B]

Yeah, I never want to do Andre 3000. Hey, but shout out to the Grammys for. For fixing their mistake. You guys got it, right?

[C]

What did they do?

[B]

Should have never nominated that goddamn album.

[A]

Yeah, they were wilding.

[C]

Wait, how did they fix that after the Grammys is over?

[B]

They. They even brought it up. Just. Let's. Let's. Let's brush that mistake under the rug.

[C]

Really?

[B]

There was no Andre 3000 talk on the red carpet. No one was like, who do you think? Do we think Three Stacks is going to win. They just shut up.

[C]

So what did they say post the Grammys? Did they release a statement? Somebody said they. They cleaned it up.

[B]

They talked about everyone that was nominated but him.

[A]

Oh, yeah.

[B]

Shouldn't have been nominated. Three stacks were sitting there like, huh? Yeah, the Is wrong with y'all.

[C]

All right, well, Super Bowl Sunday is this weekend.

[B]

I'm gonna go to New Orleans tomorrow.

[C]

My guy, he will be in New Orleans for the super bowl if. Yeah, any prediction?

[B]

I tried to. To budget it, and Lon sent me a very long description that this would not. Boo hop.

[A]

But for all of them, not later. We'll talk.

[C]

You know, anytime it's time to party, hang out, Baby D. Trying to be there.

[A]

That's not true. I'm not even drinking this month.

[C]

You would be drinking if you went to New Orleans.

[A]

Cut the shoes.

[C]

Who you think you talking to?

[B]

You would be. You would be staying in an Airbnb with me and Jay. Electronica.

[A]

Oh, I'd need. I'd need alcohol just to survive life.

[C]

Predictions. My heart says the Eagles. My money is on Kansas City, but I would like to see Jalen hurts and say Quan.

[B]

Yeah, I'm. I'm gonna. I'm gonna lean into the storybook ending. I'm going with the Eagles.

[C]

Going with the Eagles. Yeah. Would you put your money on the Eagles, though?

[B]

No. God, no.

[C]

Okay.

[B]

I would put my money on the.

[C]

Chiefs, Baby D. I'm going with the.

[A]

Eagles, but I wouldn't put money on it either.

[C]

We don't have to ask. Ask Mr. Kansas City himself who he's going for.

[A]

Who you going for?

[B]

Giants fan, man.

[A]

He said the Eagles.

[C]

Get the out of here. You believe Peach if you want to. He ain't going for no Eagles. That's Kansas City through and through right there. You kidding me?

[B]

What type of New Orleans activity should I get into? Should I. Should I go full, like, Ratchet Rory, or should I be reserved? What do you guys think?

[C]

I think you should do whatever your heart desires. Tires. You want to get drunk on Bourbon street and pass out in your own vomit, Go ahead and do that.

[A]

You got a single coming out. Like, party it.

[B]

Nah, I'm gonna be with someone that doesn't want to be seen. So I think I'm probably flying to New Orleans to stay in an Airbnb and then flying back home as if I were still in New Jersey.

[C]

Yeah, okay.

[B]

Yeah.

[C]

Good time. Watch the game in the crib.

[B]

They'll probably go to the game. I'm watching that game in the Airbnb.

[C]

Yeah.

[A]

You gonna get tickets?

[B]

I. I'm not gonna ask. So I get it if somebody says, yo, you want to roll? Yeah. I already have my outfit laid out and picked out. It's ironed and everything. Got your jersey, and I even have, like, the laminate that's empty with the pass.

[C]

So I just put the pass in there. Yeah.

[B]

Prepare. It's already there. But I am going to play coy on the couch. Like, oh, what do you. Oh, what do you got? Oh, you're going with Hoven B. Oh, okay. Yeah. Oh, let me know how. Like, you know, like, if they be like, oh, there's a spot.

[C]

Like, there's one more.

[B]

Just, like, when we go through, like, the door. Just stay real, really close to me. Yeah, I have my fit ready.

[C]

I did that for. It's funny that you said that. I did the same exact thing for All Star Weekend. I want to say that was 2001. Well, nobody.

[B]

The year they was in about 9 11.

[C]

Whenever it was February of 9 11, I believe. I think the year it was in D.C. that's exactly how I got in the game. I literally took. God bless. It might have been Aaliyah that snuck me in because she was with Dame at the time. And I, like, got. Just walked right next to Aaliyah, and we kind of, like, just went through security together. I didn't have a ticket, but, like, we was all in D.C. together, and I was. They was just like, yo, are we mobbing? I was like, word. Fuck it. I'm young, dumb, didn't think about. Yo, if they stop me, what I'm gonna do? Walk back to the hot hotel.

[A]

Yeah.

[C]

But we all got in and had a good time. Yeah.

[B]

I feel like 2001 all star weekend is a. Things have changed post 9 11.

[A]

Yeah.

[B]

I don't know. With Jay Z being a partner with the NFL, if I'll be able to finagle. Just grab the back of Jay electronica shirt.

[C]

Yeah.

[B]

I don't know if it's gonna work at the Super Bowl.

[C]

I mean, it worked All Star Weekend for me, but the super bowl is a different. Different, whole different animal.

[B]

I don't want to put peach on blast, though, but he. He's done some Photoshop things back in the day. Statue of limitations. Yeah.

[C]

Yeah.

[B]

Of some shows he's gotten into. If I get a quick peek at what that pass looks like and I hit Peach.

[C]

Yeah. He can make it happen.

[B]

I might find a little print shop in New Orleans and.

[C]

Yeah.

[B]

Make it, you know, swap it out.

[C]

Yeah. Put a security Vest on. It's all good.

[A]

Yeah. Okay.

[C]

All hands on deck.

[A]

Julius gonna come from out of nowhere, tackle your ass to the ground. Don't play, play.

[B]

Julius knows me.

[C]

Come on. That's big roar.

[B]

I've been. I've been indictment with Julius. Like, come on.

[C]

I thought you about to say I've been indicted with Julius. I'm about to be like, oh, yeah.

[A]

I got going on.

[B]

Like, what? He just being indicted with Julius.

[C]

You just want to throw that out right now? Like, word. Okay, that's what's up.

[B]

That's funny. Well, yeah, this was fun. I will be in New Orleans minding my business. Yes. And maybe having some fun. Do you have a Super bowl party plans? Where are you watching?

[C]

Nah, man. I mean, one of my. Actually one of my boys does have a Super bowl party at his house that he's. He's trying to do, but I don't. I don't know if I'm gonna go yet. But that. That'll probably be the only thing.

[B]

I go to Damaris.

[A]

I'm having a party. But so far it's just me. I only invited me.

[B]

Thank God I'm going.

[C]

It's just you.

[B]

Baby D going to New Orleans only invited me.

[A]

It's just gonna be me watching the game. I think I'm gonna make some sliders. Or maybe I should just make one burger, being that it's just me.

[C]

Yeah, if it's just you, you don't need nobody else to slide. So just make one big ass burger, baby. Stop sleeping. Playing over there, playing sliders. It's just you. Ain't nobody going back to that tray to get that other little ass burger, man. Go eat that. Take all that.

[B]

You never know, man.

[C]

Take all that ground beef and put that together. One big ass burger, baby. D it.

[B]

I mean, what'd you guys do last year? Year before we all spent together.

[A]

Last year was who last year?

[C]

It was Kansas City, right?

[B]

Three years ago.

[A]

Yeah, Kansas City.

[B]

And when did we do that? That was the Dr. Dre, S.N. kendrick.

[A]

That was 2022.

[B]

Then it was Usher. Rihanna. Oh, some the years have passed. I have no idea.

[A]

Usher. Usher. Which was last year. I had a Super bowl party. Me and Alex did. The year before that was Rihanna. I was home. And then the year before that was Dr. Dre and them.

[C]

Yeah. So it was Kansas City, San Francisco last year.

[A]

Oh, San Francisco.

[B]

Well, everyone in.

[C]

In New Orleans be safe out there.

[B]

I did all star weekend out there one time. That city's not designed for these type of weekends. It's not on foot.

[C]

Yeah.

[B]

No way you can get anywhere.

[C]

Well, be safe out there. Have a good time. Tell Jay I said hello. Send my love.

[B]

We're not. We're not leaving that Airbnb.

[C]

No. Well, Jay's definitely not. But anyway, everybody, be safe, be blessed, enjoy each other, love each other.

[B]

And.

[C]

Just appreciate each other while we still have each other, man. Because tomorrow's not promised. And, you know, every time we have such a huge loss in our culture, like Irv Gotti is kind of reminding of that, of just enjoying our time together. And be legendary while you're here, try to be legendary, because that's exactly what Irv Gotti was. So we'll talk to y'all soon. Be safe, be blessed. I'm that nigga. He's just Ginger. Peace.