Transcript
A (0:00)
Over the past four weeks, I've been responding to my email subscribers with handwritten notes. This is incredibly inefficient. Instead of typing a quick reply, I handwrite one. I scribble down a note, take a picture of it and send it. If I had a boss, he or she would tell me to stop. It's a waste of my time. And yet, these incredibly inefficient handwritten replies have been surprisingly effective. They are 350% more effective than than my standard emails. To explain why, I've invited Harvard professor Mike Norton back on Nudge today. He discusses his seminal research on the IKEA Effect and inspired me to start writing handwritten responses. All of that coming up. The OPS Authority, hosted by Natalie Gingrich, is brought to you by the HubSpot Podcast Network, the audio destination for business professionals. Every week on the OPS Authority, you'll hear transformational stories of powerhouse business owners who value business operations. You can't ignore the back end pieces that have to work together and flow smoothly to build a brand, grow a community, or disrupt an industry. If the operations side of your business is a mess, putting out fires will always take priority, leaving no room for the behavioural science improvements that I think every business needs to make. So listen to the OPS Authority wherever you get your podcasts. Hello and welcome. You are listening to Nudge now. Many of my guests on Nudge have written books. Many are best sellers. However, very few have personally named a psychological bias. But that is precisely what today's guest did over a decade earlier in his career.
B (1:44)
I'm Mike Norton. I'm a professor at Harvard Business School.
A (1:48)
Mike and his two co researchers first documented and named the ikea effect after three studies first published in 2011. Put simply, the IKEA effect is idea that we prefer things we've created ourselves. I will prefer an IKEA bookshelf if I've built it myself compared to the exact same bookshelf built by you. Mike intuitively knew this before he even began his studies.
B (2:13)
When we started studying the IKEA Effect, of course we hadn't named it that yet, but the initial intuition was that people, and by people I mean us, had things in their house that they had made at some point in their lives that were objectively terrible and yet we were sure to keep them. You know, every time we moved we would pack it up and bring it with us. I had a terrible stone sculpture that I made, I shouldn't even call it a sculpture, a chipped stone that I tried to make a sculpture out of and I still have it, and I know it's terrible, but I still keep it. And there was this idea of, well, what's going on there? Why do we, when we make something ourselves, think something about it is so great that we want to keep it? Couples get in arguments about this, you know, like, why do we have to bring that bookcase with us? It's hideous. But I made it, so I want to keep the bookcase. And so we really wanted to, of course, boil it down into very simple experiments to kind of get at the intuition. And one of the first ones we did was with. We thought, well, what's something that's completely useless or very, very low in value? And of course, it's a piece of paper. It doesn't really have a ton of value, but if you work on it a bit, like make origami out of it, well, now it's not just a piece of paper. Now it's this beautiful crane that I made that I'll never part with. So that was why we chose origami, was taking something that really has zero value. And just by having you work at it, suddenly we can see, does it now have value to you? And what we do in this experiment is we had experts make origami, and they're beautiful. I mean, you know, origami made by experts is stunningly, stunningly beautiful. I can't do it. But we have these amazing ones. Then we have people like me try to make origami as well, and I try to make it as best I can, and we have me bid on it. So I say, you can only take it home if you bid enough money on it. But we also have. We show to other people the ones that the amateurs like me made, and they bid on it also. And we also sell the expert ones. We say, how much would you pay for the expert one? So we really have. What we wanted was three prices in the market. One is an objectively good thing. That's the experts. The other price is my valuation of mine. And then the third one is other people's valuation of mine. And if we were all amazing, of course those would all be the same experts mine, what you bid on mine, they'd all be high and the same. And of course, it's not what happens. We tend to see ours as valuable. Not necessarily as valuable as the amazing ones, but valuable. But third parties are like, dude, it's a piece of crumpled paper. I'm not going to give you any money for the piece of crumpled paper. And so we see those differences that we expected to see, which is there is something very specific about investing my own effort in things that causes me to value them.
