Second Drink: Did I Stutter?

Summary

Office Ladies – “Second Drink: Did I Stutter?”

Original Air Date: February 16, 2026

Hosts: Jenna Fischer & Angela Kinsey
Episode Covered: The Office, Season 4, Episode 16 – “Did I Stutter?”

Episode Overview

In this “Second Drink” installment, Jenna Fischer and Angela Kinsey revisit “Did I Stutter?”, an iconic Office episode centered on Stanley’s confrontation with Michael and its aftershocks across the Scranton branch. They break down the origins of the story, behind-the-scenes moments, deleted scenes (including a racy Jim/Pam line!), wade deep into the episode’s creative inspirations, and share lots of fan mail, observations, and tangents—Mad Libs, anyone? Expect warmth, plenty of nerding out, and candid actor memories as they open their archives.

---

Main Topics and Key Discussion Points

1. Listener Feedback: The Phrase "Did I Stutter?"

[02:08 – 03:42]

• Angela opens with fan mail pointing out that “Did I stutter?” is seen as insensitive and outdated.
• Jenna reflects:

  “Definitely an outdated phrase for sure… Good that we have phased out this phrase.”

• Angela shares her discomfort about phrases from childhood that made light of hearing impairments—her family’s experience made her particularly aware of such jokes.
• Both hosts are grateful to listeners for highlighting these issues.

2. Behind-the-Scenes & "Candy Bag Alts"

[03:42 – 05:13]

• Angela uncovers alternative lines (candy bag alts) for Michael’s final talking head, including a moving, sad version:

  “I have a lot of friends and I have a lot of employees, and they’re the same people mostly. So if I lose an employee, I am also losing a friend, and I don’t want to lose two friends.” — Michael (Read by Angela, [04:41])

3. Libraries and Old Tech

[05:13 – 08:19]

• Deep dive into a listener’s observation: “When Kevin asks Pam to say ‘those will be due back on Wednesday,’ even that job is now automated.”
• Angela and guest Matt reminisce about volunteering at school libraries, scanning books, and the joy/tension of giving “no more new books” news to little kids.
• Matt:

  “If they have two books at home, I say, sorry, Joshua, you can’t check out a book this week. No, just go sit down.” ([07:32])

• Angela laughs about being a softie: “...I’m gonna let you have this one. But your parents are gonna get an email.”
• Warm stories about library volunteering and the evolution of book notifications.

4. Episode Summary and Fast Facts

[09:05 – 17:19]

• Official summary:

  “Stanley challenges Michael’s authority during a conference room meeting, leaving Michael stood speechless. Later, Michael responds by attempting to scare him into an attitude adjustment with a fake firing.”

• Other narrative threads: Dwight flips Andy’s car, Pam deals with old (junior high!) backup glasses, Michael’s love of fake firings.
• Origins:
  Writer Brent Forrester explains: This is the “biggest Stanley story yet,” with Stanley as the sole antagonist to Michael.

  “Michael is an overpowering boss… but is totally unable to stand up to one person: Stanley. No one ever dares to challenge Michael this blatantly.” ([11:12])

  • Mindy Kaling’s insight: Reversal of status comedy.
• Writer’s Room Slogan:

  “Small. Real. Relatable.” Episode's subtle interpersonal conflict became the new gold standard.

• Pam’s Glasses (and Greg Daniels’ Vision Plan):
  Jenna shares the “lengths” Greg Daniels wanted for visual authenticity (having her wear degrading contacts, then glasses to magnify eyes):

  “Greg said, well, here’s what we’ll do: we’ll give you contact lenses to degrade your vision and then correct your vision with the glasses…” ([15:35])
  “Everybody poo pooed this idea... the potential for mishap... is too great.”
  Lee (Jenna’s husband): “That would have been funny. Greg was right.” ([16:30])

5. Deleted Scenes and Script Discrepancies

[17:19 – 18:43]

• Angela unearths her shooting draft with many deleted or lost scenes.
• Teases:

  “There is a Jim/Pam moment that is going to make your mouth drop.” ([18:24])

6. Cold Open – Michael’s Wet Cement Gag

[22:08 – 25:32]

• It wasn’t real cement (it was an oatmeal mixture; [24:00]).
• Steve Carell wore a Vaseline (actually KY jelly) face mask and Saran wrap apparatus.
• Only took one take; everyone tried desperately not to laugh.

  “...We were not gonna ruin that take for him.” — Jenna ([24:59])

• Easter Eggs: Angela’s visible pregnancy and breaking, John and Rain smiling, and fans noting Angela covering her mouth to stifle laughter.

7. Mad Libs Scene & Deep Dive

[26:28 – 31:06]

• Angela recounts a cut “cat eating a hamburger” bit with Andy (Ed Helms’ improv shines).
• Jenna’s “Mad Libs” origin story:
  • Invention was a byproduct of comedy writers goofing around.
  • Name came from overhearing “It would be mad to ad lib an interview.”

  “You can have this once-in-a-lifetime idea ... don’t let go of it, even if it takes you six years.” — Angela ([30:44])

8. Quotes and Iconic Lines

[31:07 – 32:46]

• Michael to Pam:

  “In order to get hotter you’ve got to take off those glasses.”
  And:
  “It’s noise coming out of an ugly scientist.” ([31:36])

• Jenna recalls fans quoting these lines back at her when she posted real-life glasses selfies.

9. The Deleted Racy Jim/Pam Moment

[33:04 – 34:34]

• Angela reads from the shooting draft:

  “Jim says, ‘the price you pay for a night in heaven.’”
  Pam, stilted: “‘Yes, the movies were good.’”
  Jim: “You mean the movies we made of us making love?”
  Angela and Jenna freak out: “Just hearing that makes me feel like I’ve just walked in on my parents…” — Jenna ([34:18])

10. Conference Room Showdown

[35:39 – 36:13]

• Stanley’s rebellion:

  “Did I stutter?” — Stanley (Leslie David Baker)

• This is the only episode where the title comes directly from the script’s dialogue.

11. Dwight’s Org Chart Antics

[41:10 – 43:09]

• Dwight unveils his “employee org chart,” complete with elaborate overlays and even menstruation tracking.
• Rainn improvises touching Michael’s face with a metal pointer:

  “It took over seven takes before they got even three seconds of usable footage.” — Jenna ([43:09])

12. The Pam & Kevin Dynamic

[43:41 – 44:20]

• Kevin’s “glasses” come-on and “these are due back Thursday” line.
• John Krasinski’s visible FreeCell playing in the background.

13. Down in the Warehouse: Fluffy Fingers

[49:10 – 51:40]

• Michael seeks Darryl’s gang wisdom; Darryl gives him “fluffy fingers” (tickling to diffuse tension) advice.
• Hilarious improvisational delivery by Craig Robinson.

  “Michael’s like, wow, I didn’t think that's how it went in the gangs, but okay...” — Angela ([50:35])

• A deleted scene: Michael tries but chickens out on tickling Stanley.

14. Ryan Returns: New Height of Douchebaggery

[51:51 – 53:29]

• BJ Novak plays up Ryan’s smarmy side to perfection.
• Deleted scenes further show Ryan’s mania as he tosses bagels at Pam, with more physical comedy.

15. The Jim Warning & Toby’s Smugness

[53:53 – 55:05]

• Fans hated Toby after this episode.
• Deleted scene of Toby’s even smugger conversation with Jim justifies fan rage.

• “Wallace likes Jim, so going after him, that’s a risky move for me, but in business, you gotta take risks.” — Toby ([55:24])

16. Dwight Outsmarts Andy

[56:04 – 56:13]

• Dwight flips Andy’s Xterra for a profit; Angela’s character is impressed:

  “He bested you. You were bested.” — Angela’s Angela ([62:01])

17. Michael & Stanley’s Emotional Confrontation

[56:30 – 60:39]

• Michael’s failed fake firing; Stanley’s eviscerating monologue (Leslie David Baker was word-perfect, every take).
• Michael, actually alone, breaks down:

  “Why do you pick on me like this?”
  Stanley: “I don’t respect you.”

• Michael:

  “Fine, I accept that you don’t respect me. I accept it. But you can’t talk to me like that... I am your boss, and it just cannot be done.” ([59:08])

• Jenna and Angela discuss how the show shifts when characters think cameras aren’t present.

18. Michael’s Rodney Dangerfield Riff

[60:07 – 61:00]

• Michael cycles through impressions—Dangerfield, Seinfeld, Borat.
• The particular version was not in the shooting draft—improvisational flavor, likely a mix of alts and Steve Carell brilliance.

19. Feisty Deleted Parking Lot Scenes

• Angela/Andy/Dwight triangle: Dwight scraping off Cornell sticker, Angela swooning over his cunning win over Andy ([62:03]).
• Jim confides in Pam about Ryan’s warning, Pam comically vows violence:

  “I’m gonna bash his face in with a stale bagel. Then I’m gonna throw a rock at his car. ...If I hit him without my glasses, I don’t think it’s a crime.” — Pam ([62:43])

20. Finale: Tag Scene & Season Four Wind-down

[63:51 – 64:29]

• Michael pitches “summer Christmas caroling sales event”; Stanley deadpans:

  “I think it might be your best idea yet.”

• Phyllis: “That’s the dumbest thing I’ve ever heard.”
• Michael: “Everybody out except Phyllis.”

---

Notable Quotes & Memorable Moments (with Timestamps)

• On the phrase “Did I Stutter?”
  “Definitely an outdated phrase for sure... Good that we have phased out this phrase.” — Jenna [02:38]
• Michael’s Sad Candy Bag Alt:
  “If I lose an employee, I am also losing a friend, and I don’t want to lose two friends.” — Michael (Read by Angela) [04:41]
• Michael’s Insult to Pam:
  “It’s noise coming out of an ugly scientist.” — Michael [31:36]
• Jenna on fan quotes:
  “Why is everybody coming down on me? I thought my glasses were cute.” — Jenna [32:30]
• Deleted Jim/Pam line:
  “You mean the movies we made of us making love?... Hi, Pam’s grandma. Sorry you had to find out like this.” — Jim ([34:00])
• Dwight’s Power Move:
  “Say yes now. Sell it. Give it to me... 3, 2, 1, 5, 4, 3.” — Dwight ([39:51])
• Darryl’s Gang Knowledge:
  “We do something called ‘fluffy fingers’...you keep tickling them until they start to tickle you, and then you’re just tickling each other, and then you’re over it.” — Darryl ([50:15])
• Stanley’s Showdown:
  “I don’t respect you.” — Stanley ([59:08])
• Angela on Dwight:
  “He didn’t take advantage of you. He bested you. You were bested.” — Angela ([62:01])
• Pam’s Threats to Ryan (deleted scene):
  “I’m gonna bash his face in with a stale bagel. ...Come on, we’re going to New York right now. ...If I hit him without my glasses, I don’t think it’s a crime.” — Pam ([62:43])
• Final exchange:
  Stanley: “I think it might be your best idea yet.”
  Phyllis: “That’s the dumbest thing I’ve ever heard.” ([64:13])

---

Fun and Nerdy Tangents

• Commedia dell’arte, “reversal of status,” and improv theory ([12:00 – 12:54])
• Mad Libs origin story ([28:31 – 31:06])
• Production/prop details:
  Props for Michael’s “cement” scene, Dwight’s giant org chart (which was supposed to be a poster). ([24:00]; [41:31])
• Angela’s digital packrat habits—saving shooting drafts, emails, etc. ([19:10])
• Multiple deleted and alternate scenes sprinkled throughout
• Hosts’ joy at nerding out and sharing “homework” with listeners

---

Structural Rundown

• [02:08] – Listener mail & topic sensitivity
• [03:42] – Alternate lines, sadness of Michael
• [05:13] – Library tech nostalgia & volunteer stories
• [09:05] – Episode summary & writer insights
• [14:41] – Pam’s glasses: Backstory & production trivia
• [22:08] – Cement cold open: production details
• [26:28] – Mad Libs & deep dive
• [31:07] – Michael’s iconic insults to Pam
• [33:04] – Deleted racy Jim/Pam lines
• [35:39] – Conference room confrontation
• [41:10] – Dwight’s org chart comedy
• [43:41] – Kevin hits on Pam’s glasses
• [49:10] – Fluffy Fingers scene
• [51:51] – Ryan dials up the d-bag factor
• [53:53] – Jim’s warning & fans’ anger at Toby
• [56:04] – Dwight flips Andy’s Xterra
• [56:30] – Michael & Stanley’s emotional scene
• [60:07] – Rodney Dangerfield riff
• [62:03] – Deleted feisty parking lot scenes
• [63:51] – Final conference room tag; credits; goodbyes

---

Tone and Style Highlights

• Warm, playful, “best friends sharing” energy.
• Deep affection and respect for cast, crew, and listeners.
• Cheerful theater & improv nerd-outs.
• Endearing honesty about their own on-set shortcomings.
• Genuinely touched by listeners’ observations and sensitivities.

---

For Listeners New and Old

• This “Second Drink” offers rich, rewarding insight for superfans and new viewers alike. Key issues like language and cultural shifts are treated with care. Deleted and behind-the-scenes moments will delight any Office devotee.
• If you love Office lore, improv theory, weird production hacks, or just the joy of two friends reliving their comedy memories, don’t skip this episode.
• Iconic moments and famous one-liners are revisited, but the heart of this episode is the honesty and complexity Stanley brings—and how the show leaned into subtle, “real-life” drama for some of its greatest episodes.

---

Next up: “Job Fair” as the Office Ladies podcast approaches the end of Season 4.

Transcript

[A]

Here's a little something that actually one of Josh's tennis pals told him about and he has started trying. It is AG1. It simplifies your nutrition. It's multivitamin pre and probiotics, superfoods and antioxidants. It's so easy to make part of your morning routine. Just one scoop and eight ounces of water and you're done. And Josh was curious about it and he said he's been using it now for about six months and he just feels more energetic. And it's also really helped his gut health.

[B]

Oh, gut health is so important.

[A]

I know. Especially at our age.

[B]

I also like anything that. It's just a small habit change, but it has a really big impact.

[A]

Right?

[B]

AG1 has over 50,000 verified 5 star reviews and comes with a 90 day money back guarantee.

[A]

Go to drinkag1.com officeladies to get their best offer. For a limited time only, get a free AG1 duffel bag and and free AG1 welcome kit with your first subscription.

[B]

Order only while supplies last. That's drinkag1.com officeladies drinkag1.com officeladers life with kids is wildly unpredictable.

[A]

Oh, yeah.

[B]

I mean, the only thing that's certain is that something is gonna go not according to your plan. Like, it doesn't matter how much you try to plan.

[A]

It doesn't.

[B]

There's just always gonna be chaos. And sometimes you need a. Like, for example, it's the middle of the night, your kid is sick. You can't leave the house to go get medicine or supplies or maybe a working thermometer because, oh my gosh, I can't believe the battery died in this one.

[A]

And we don't have any batteries. And I can't leave my kid who's running fever.

[B]

Yes, but that's where you can use doordash.

[A]

I mean, we're so lucky we have doordash.

[B]

I know. In this day and age.

[A]

I know.

[B]

I mean, there's all kinds of things.

[A]

Real life needs real relief. That's why doordash is there for whatever you need whenever you need it. We all know life gets crazy. Doordash just helps bring a little order to it.

[B]

Order now.

[A]

Welcome back to our second drink of Did I stutter? I wanted to kick us off, Jenna, because we got a lot of mail about this episode. Many people wrote in to say that the phrase did I stutter? Is offensive and should not be used. Some people said that while they could see a buffoon like Michael Scott using this phrase, they were surprised that Stanley used it. And it's the title of the episode. Yeah.

[B]

I mean, I think that's all valid.

[A]

Yeah, I do, too.

[B]

Definitely an outdated phrase for sure. And, you know, it makes me think of something else from my childhood that people also used to do if you couldn't hear them. Like if they said something and you said what?

[A]

Okay.

[B]

Right. Cause that's what happens in the episode. And then Stanley's like, did I stutter? Right. Another thing that someone might do is sort of like mimic the vocal pattern of a deaf person, like, to mock you for not being able to hear them or whatever.

[A]

Right.

[B]

Well, you know, my sister wears hearing aids, so did my grandfather, and my aunt and uncle were deaf. And it always kind of like. I don't know. I didn't like it.

[A]

Right. It's like it's making. This is making a joke, making light of this.

[B]

Yeah. I mean, it just. I don't know. But that is something that we have phased out as well now. And I'm glad we have.

[A]

Yeah.

[B]

And also good that we have phased out this phrase. Cause I don't. I don't hear people say that anymore.

[A]

I don't either. And I'm really glad everyone wrote in. Thank you, guys.

[B]

Yeah, thank you. Well, listen, Brent Forrester and Leslie David Baker gave us some great behind the scenes details about this episode. But, Angela, I believe you found more.

[A]

I did. So here's the thing. I went digging into the candybag alts for this one. And when we first broke down the episode, we talked about Michael's talking head at the very end of the episode. You know, him and Stanley, they've kind of come to some type of an agreement. And then Michael has this hilarious talking head where he does an impression of Rodney Dangerfield. He actually does a bunch of impressions.

[B]

Yes.

[A]

And I shared that it wasn't in the shooting draft.

[B]

Right. You found the shooting draft in your digital clutter and you wondered if there'd been candy bag alts for that. Yeah, but this was before we had access to all the candy bag alts.

[A]

Exactly. So, yes, there are a bunch of candy bag alts. You were right. Yours were correct. And I thought I'd read you one.

[B]

Great.

[A]

Okay. This one kind of made me sad.

[B]

Oh, no.

[A]

Okay.

[B]

It's sad, Michael.

[A]

It's sad, Michael. Michael says, I have a lot of friends and I have a lot of employees, and they're the same people mostly. So if I lose an employee, I am also losing a friend, and I don't want to lose two friends. Aw, sad. Michael. But yes, there were lots of candy bag alts. Most of them are along the same vein of like him just trying to perform for the camera and thinking he's really hilarious. But I thought that one was like, aw.

[B]

Well, we also got a fun catch from Taylor in Vancouver, British Columbia. Taylor said, I noticed something. It's not an old tech alert per se, but it is a quote out of date thing. I suppose when Kevin asks Pam to say quote, those will be due back on Wednesday because she is wearing glasses. I noticed that I haven't had an actual person say when my library books are due back in so, so long. It's a machine that does the book checkouts now, at least at my library.

[A]

That's so true. Yes, I volunteered at the library. You know, at the elementary school when my kids were little. This was a very coveted volunteer spot, by the way. There was only two parents that could volunteer and I snagged one of the spots and I coveted it.

[B]

Matt, I believe you are the library volunteer at your kid's school, Is this correct?

[C]

Oh yeah, I've been waiting years to become the library volunteer.

[A]

Oh my gosh, Matt, it's such a.

[C]

Yeah, it's a good gig. So you have to pay your dues.

[A]

You have to pay your dues. You have to kind of lobby for it. I didn't get it until fourth grade. I don't know about you.

[C]

Well, I'm with my youngest and she's in kindergarten. But that took a few years of like, you know, campaigning with the older kids. So yeah, no, I'm in now.

[A]

You're in early. I went every Thursday and I was there for story time. And I also helped restock the books and I would scan books in for kids when they came in to return something, you know, and it is, it's all I had. It has a little barcode and you have like the little bing, bing, you know, little zappy thing.

[B]

But you wouldn't remind people when their books were due verbally.

[A]

You get an email, lady. Oh, you get an email. So now these are kids in elementary school. So Matt, I don't know how you guys are doing it, but they would get an email from the libraries, you know, at blah, blah, blah, library school. Right? That would just say your child has a book that has been out for three months, it's on arachnids and it's due back or something.

[B]

I feel like Taylor in Vancouver is saying that there's not even a person there. That it's almost like a self checkout. Like the grocery store.

[A]

Well, this is at school.

[B]

Yes.

[A]

So, you know, kids need a person. But yours. I'm sure all of your notifications are.

[C]

Oh, yeah, I scan their card and it pops up. And if they have. I'm with the kindergartner. So if they have two books at home, I say, sorry, Joshua, you can't check out a book this week. No, just go sit down.

[A]

You have to say no to the little.

[C]

Oh, I love it. That's my favorite. That's my favorite part.

[A]

What is that?

[B]

Teaching them responsibility.

[A]

Oh, my gosh. I was such a softie. I'd be like, okay, you're not supposed to check any more out, but I'm gonna let you have this one. But your parents are gonna get an email.

[C]

I say it very kindly, but I do like, you know.

[A]

Yeah.

[B]

I mean, that's part of the job. It might be why you secured the job, Matt.

[C]

I think so.

[A]

Yeah. You can be the heavy. I also, Matt, oddly enjoyed restocking books. Did you enjoy that? Did you have to? Is that part of your job description?

[C]

I prefer the scanning and beeping and interacting with the children, but it is kind of Zen. You learn the Dewey decibel.

[A]

You do. And. Oh. And then by the end, I had the layout of the library and I knew where everything was. But it was a very coveted job. I loved that question. It kind of brought me right back.

[B]

Well, listen, everybody, thank you for writing in. And now here's your second drink of this episode.

[A]

Oh, and teaser, y'.

[B]

All.

[A]

Jenna has a fantastic deep dive on Mad Libs in this one you won't want to miss.

[B]

I'm Jenna Fisher.

[A]

And I'm Angela Kinsey.

[B]

We were on the Office together and we're best friends. And now we're doing the ultimate OL Office Rewatch podcast just for you.

[A]

Each week we will break down an episode of the Office and give exclusive behind the scenes stories that only two people who were there can tell you.

[B]

We're the Office ladies. Ooh, Angela, we have a good episode today.

[A]

It is so good.

[B]

It's so simple, so wonderful.

[A]

So much tension, conflict, little bit of drama. It's all there and some laughs.

[B]

It is called Did I Stutter? It is season four, episode 16, written by Brent Forrester and Justin Spitzer and directed by Randall Einhorn.

[A]

We got a lot to cover. I say get into that summary, lady.

[B]

Here it is. Stanley challenges Michael's authority during a conference room meeting, leaving Michael stood speechless. Later, Michael responds to Stanley's insubordination by attempting to scare him into an attitude adjustment with a fake firing. What is with Michael and the fake firings? I don't know.

[A]

He thinks it's like a go to. I mean, it did not go well with Pam.

[B]

No. He should have abandoned this whole idea back then. Yeah, but he's still doing it. Meanwhile, Dwight decides to buy Andy's car at a discount, only to immediately flip it for more money.

[A]

So shrewd did he shrewd it?

[B]

He shrewded it. Pam has to deal with the unexpected inconvenience of wearing her backup glasses to work after spending the night at a friend's house.

[A]

Her backup glasses from junior high.

[B]

Perhaps I'll have a lot to share about that.

[A]

I bet, I bet.

[B]

All right, fast fact number one. We're going to talk a little bit about the inspiration for this episode. We had a fan question from Bianca O. And Katie W. They wanted to know who came up with the idea for Stanley to sass Michael.

[A]

It was me. No, I'm kidding.

[B]

Well, Angela, you do love a sass.

[A]

I love the sass.

[B]

Well, we traded messages with writer Brent Forrester about this episode, and he told us he remembered being very excited when Greg assigned them the script because it was the biggest Stanley story he had ever done at that point. It was really the first time that Stanley had ever been the sole antagonist in a Michael story.

[A]

I remember we were all so excited for Leslie, just as actors, to be able to have that big moment with Michael and to go head to head with Steve, that was like, you hoped for that, right?

[B]

Oh, yeah.

[A]

This was huge.

[B]

Brent remembers Greg told him with great delight what the game of this episode was. It should be this. Michael is an overpowering boss to everyone in the office, but is totally unable to stand up to one person. Stanley, no one ever dares to challenge Michael this blatantly. So when Stanley snaps at him, Michael just has no playbook for dealing with it. He said that Mindy referred to this as reversal of status comedy, and it was the first time Brent had ever heard that term.

[A]

Mindy, you're so smart.

[B]

I know, right? I remember doing Commedia dell' arte in theater school. Angela.

[A]

Oh, here we go.

[B]

Did you ever do commedia?

[A]

No, Jenna. I did my improv and my standup and my sketch comedy. So just let's hear it.

[B]

Well, it's really very interesting because commedia dates back to long, long ago, and it is really all about status, and you're constantly switching status between these archetypal characters. And this has some real commedia elements for all you theater nerds. Out there. This reversal of status comedy.

[A]

No, it's fantastic. I mean, even in improv, we would make someone, when you walk on stage, choose status, high or low. And if you constantly played high status, because some people it's their go to in comedy, our teacher would make you reverse it and play low status. It was always a really cool exercise. Okay, getting a little nerdy. Okay, we can move.

[B]

No, I love that we're nerding out on status comedy. Guys, watch comedy shows and look for status and reversal of status. That's your homework. We're making your television viewing homework now. You're welcome.

[A]

We're giving you homework.

[B]

Fast fact number two. Brent told us that this episode produced a mantra for the writers room and a standard for which all episodes would now be held. What? Here were the three words that applied to this episode that they believed make a great Office episode. Small, real, relatable. Brent said, by normal TV standards, almost nothing happens in this episode. Stanley insults Michael. Michael doesn't know how to respond. He said, on any other show, this would have been considered a totally insufficient plot for 30 minutes of TV. But he said at this point in the series, they were so confident in the characters and their dynamics that they fully committed to this very subtle interpersonal story. And they wrote this slogan in the writer's room. Small, real, relatable. And he said that he believes that this is the signature of the office at its best.

[A]

I agree. I always love those types of episodes. I mean, I know it comes before this one, but I felt like health care was in that vein, you know?

[B]

Yes.

[A]

But, yeah, I love small, real, relatable.

[B]

I love that kind of comedy. All right, fast fact number three. Angela, Pam's glasses. Oh, yeah, we got a lot of mail. Abby S. And Amy G. Want to know. Jenna, is your eyesight as bad as Pam's? And then Kat F, Jessica M. And Rachel G. Want to know how many pairs of glasses were given as options for this episode.

[A]

I remember when we were filming this, at that time, you didn't need glasses. You had great eyesight.

[B]

Yes, that's right. I did not wear glasses. I do now, but I didn't then. Those are totally fake glasses. Phil Shea came on over with his tray of frames. Greg was there, and we went through, and I had to put them on. And we just talked about which ones did we like. We did discuss, Angela, that these were frames that dated back to maybe, like, years for Pam, like you said. Are these her junior high glasses?

[A]

Well, you said something interesting on the DVD commentary for this episode, you said you gave yourself your own little actor backstory. Right. That didn't exist on the page, hadn't been discussed with the writers. And for you, these glasses were the pair that Pam leaves in the glove box of her car for just in case.

[B]

Yes. Here's the crazy thing about these glasses. Greg really, really wanted for my eyes to look super giant when I put on the glasses. But in order for that to be true, they would have had to put a true prescription in the lenses to magnify my eyes. And I said, but then I wouldn't be able to see all day. Right, but listen to what Greg said. Greg said, well, here's what we'll do. We'll give you contact lenses to degrade your vision and then correct your vision with the glasses.

[A]

Greg.

[C]

What?

[B]

And I said, that sounds like a lot of effort for these few scenes where Pam wears her glasses. I've never worn contacts before. This sounds like it has the potential to be a real disaster and possibly.

[A]

Damaging to my future eyesight.

[B]

So I told this to Lee as we were watching the episode. I said, can you believe that Greg wanted me to wear, like, contact lenses and then glasses? And Lee said, oh, that would have been funny. Greg was right. You should have done it. Oh, Lee. And I was like, oh, Greg will be so happy to hear that, because everybody poo pooed this idea, like props, hair and makeup, production. Everybody was like, greg, the potential for mishap with this idea is too great. We can't have it. So Greg was very reluctant to let it go, but he did. He was like, all right, fine, fine. So I think Greg would be really happy to know that my husband backs up his idea. Well, I have a few more tidbits about Pam's glasses, but I will sprinkle them into the episode, as we say. And that finalizes my fast facts lady.

[A]

Well, I have two things to share. First of all, little tidbit from the DVD commentary. Randall Einhorn, who directed this episode, said that the editor's assembly cut came in at 4:41 minutes, and then he took that 41 minutes, and he got it down to 31 minutes for his director's cut. 31. He didn't want to lose any more, and they had to get it down to 22 minutes to air it on NBC. So there are a ton of deleted scenes, but in addition to that, there's all these other scenes that they didn't even get to put in the deleted scenes. There's more.

[B]

Wow.

[A]

Yes. And, Jenna, here's my big thing. I wanted to share with you. As I was prepping for the podcast, I found my shooting draft of Did I Stutter?

[B]

What? I found the script with all of those lost scenes.

[A]

Yes. And some we actually shot. They're not even in the deleted scenes. They're out there somewhere. But I found my shooting draft and there are some really hilarious discrepancies that I am going to share with you. There is a Jim Pam moment that is going to make your mouth drop, but I am going to sprinkle these in. I'm so excited. I had my shooting draft.

[B]

I am so jealous.

[A]

I couldn't believe it.

[B]

I can't wait.

[A]

So now with that knowledge, I want you to know that we filmed this episode starting March 31st of 2008. We got an email from Kent Sibornak that said, hey, you guys, just so you know, while we're filming, Did I Stutter? Canadian Entertainment Tonight is coming by the set to do interviews in the warehouse and they're going to get B roll in the main bullpen. So we had Canadian ET here the week of Did I Stutter?

[B]

Amazing. I love how you save every freaking email, Angela. It is so cool and really paying off.

[A]

I'm just a packrat. I'm a digital packrat and a real life pack rat.

[B]

Well, let's take a break because when we come back, we've got a lot of stuff.

[A]

Mm. You know what I love about Chicken of the Sea?

[B]

What?

[A]

I like it. It's tasty and I can grab and go.

[B]

You know what I like about it?

[A]

What?

[B]

Lots of protein.

[A]

Yes, exactly.

[B]

Chicken of the Sea has something for everyone, including an expansive portfolio of tuna, salmon, sardines and more available in cans and portable packets. I love the portable packets. I have bought the portable packets.

[A]

Yeah, same here. There's also a new chicken of the Sea. Wild caught light tuna with Frank's Redhot. Oh, my gosh. My sons put Frank's Redhot on everything. They're gonna love that.

[B]

Chicken of the Sea tuna packets are portable. They're great for hiking, camping, perfect for office lunches or as a quick snack.

[A]

To learn more about Chicken of the Sea, visit chickenofthesea.com and look out for their products sold in store and online nationwide at major retailers.

[B]

Try Chicken of the Sea's new Frank's Red Hot Tuna packet today.

[A]

This show is sponsored by BetterHelp. Sometimes it can feel like everyone else has it all together. Their love life, even whether they're married or dating or single, like they've got it figured out. But the Truth is, I think we're all still figuring it out. No matter where you are in your romantic journey, therapy is kind of great because you have someone to talk it out with, get advice from, kind of help you determine what you want and take some of that pressure off yourself.

[B]

Yeah. And maybe to help unpack some elements of the past that might be holding you back. Well, betterhelp therapists work according to a strict code of conduct. They are fully licensed in the US and BetterHelp will offer you the therapist match commitment. You get a short questionnaire, you say your preference, and they'll match you with someone. But guess what? If you don't like them, you can switch to a different therapist at any time.

[A]

With over 30,000 therapists, BetterHelp is the world's largest online therapy platform, having served over 5 million people globally.

[B]

Sign up and get 10% off at betterhelp.com officeladies that's betterhelp.com officeladies.

[A]

All right, well, we are back. Michael burst into the bullpen with all of this excitement because, you guys, there is wet cement in the parking lot. And this is a lifelong dream of his. He's got to do something, write something. What is he going to do? And Jenna, when I rewatched this, I started laughing because I remembered how hard Phyllis kept breaking.

[B]

How hard we all kept breaking at Phyllis.

[A]

Breaking.

[B]

Yes, because she has an idea for Michael of what he could write in the cement. Oh. But she can't remember it. What was it again?

[A]

And Michael's going, come on, come on, come on.

[B]

Go, go.

[A]

It's drying and watching Phyllis trying not to laugh, like, fighting it so hard. We were all cracking up. And if you go to 37 seconds, you can see rain and John smiling really big because we had all just been laughing.

[B]

Well, I just think it's very funny that last week Michael got gum in his hair because he found something in the parking lot. And now, I mean, the cement. The parking lot has been a real source of excitement for him lately.

[A]

And trouble. I kind of just want to say, Michael, get out of your car and go straight inside.

[B]

Exactly. Somehow, Kelly suggests via Pam that Michael put his handprints.

[A]

Pam translates. Kelly.

[B]

Yes.

[A]

Pam speaks Kelly for Michael.

[B]

But Jim1 ups it and says, you should put your face in the cement. Oh, ding, ding, ding. Michael is so excited. This is what's gonna happen.

[A]

And so much went into this one gag.

[B]

Oh, yes.

[A]

This simple sentence in the script was like a whole production.

[B]

We got some fan questions from Anna V. Abby M. Sonya C. And Gabby C. Please give us all the details about this hilarious cold open. Did Steve really put his face in cement? How many times did he have to do it? Well, it was not actual cement. Kent Sibornak told me that they had an outside prop house make an organic mixture to look like cement. It was made out of water and some ground oatmeal and a few other ingredients to create a wet cement.

[A]

Look, Jenna, I remember touching it, and it kind of felt like a putty squishy.

[B]

Yeah, Kent said that we put that Vaseline all over Steve's face partially so that we would have quick cleanup and we could do multiple takes.

[A]

And guess what? It wasn't Vaseline. The container he's holding says Vaseline, but Vaseline is too thick, so it was actually KY jelly.

[B]

I remember that. Yes.

[A]

And then they Saran wrapped Steve's head and put this, like, really big rubber band around it and then stuck a straw in there.

[B]

Yeah, guys, Steve is a trooper.

[A]

Oh, yeah. Thankfully, Randall Einhorn shares that. We got this in one take, so he only had to do that one time. And when Dwight says, force it in as deep as you can, Steve improvised. That's what she said.

[B]

I remember that.

[A]

And none of us laughed. Thank God.

[B]

We couldn't. There was no way we were gonna ruin that.

[A]

No.

[B]

Steve had been, like, prepped forever with Saran Wrap on his head. We were not gonna ruin that take for him. We all wanted it to be done in one take for him.

[A]

Oh, yeah. Well, Jenna, at 1 minute, 35 seconds, we all help Michael up from the ground, and there was absolutely no way they could crop out my belly, and I am full pregnant in the shot. It is hilarious to me. I couldn't believe it. I laughed out loud when I saw it. There was just no way. It's a split second, but my big old belly is right there.

[B]

Also, Angela, we have a fan catch from yonina L. At 1 minute, 26 seconds. She would like to know, are you covering your mouth to stop from laughing? She caught you probably.

[A]

I knew I couldn't ruin this take.

[B]

We got a laugh catch and a belly catch. In one scene?

[A]

Oh, yeah. In one scene.

[B]

Well, after he has placed his face in the cement, Michael has a wonderful talking head, and he just wants you to know that today wasn't just about him. It's about his grandkids, his great grandkids. They can come back in a hundred years, and he can say, look, kids, your daddy left that face hole, and.

[A]

That'S really the gift you want to give your kids. And grandkids. Right. It's a face hole.

[B]

Yeah.

[A]

Look, kids, at my face hole.

[B]

All I could think about was the number of people who were going to trip in that face hole as they left the building.

[A]

It's just going to become like a rain puddle.

[B]

Yeah.

[A]

Oh, Michael. Well, now we're into the episode. Angela and Andy are doing Mad Libs in the kitchen.

[B]

Yeah. Angela is delighted to be spending this time with Andy. She's having the best time.

[A]

Well, I think what we learn in this scene is that Angela loves a Mad Lib. Who would've. I don't know if it necessarily is Andy that she's delighted by or just the idea of a Mad Lib.

[B]

Maybe a little of both.

[A]

Maybe. So I went to the script, Jenna. I went to my shooting draft to see if this scene was written the way we did it. It is up until one point. And then there was an extra couplet that I remember us filming because Ed was so funny and I'm so bummed. It's not even in the deleted scenes on the DVD commentary. And I'm going to share it with you. So in the episode, Andy reads the Mad Lib. And it reads, the tall man entered the nice building to visit a very nice man. Sit down, Mr. Smith. Could I interest you in any good cat food? And Angela says, a man eating cat food. And Andy says, a cat eating man food. And they giggle. Right?

[B]

Yeah.

[A]

Well, the scene would have continued. Andy starts pantomiming being a cat eating a hamburger, and he goes, meow, a burger. Ed was so funny doing this, Jenna. And then I would have responded, a cat eating a hamburger sandwich. That's impossible. And then Andy goes, I know. And I say, where do you think of these things? And we laugh.

[B]

Amazing.

[A]

A cat eating a hamburger sandwich. I'm really sad that you didn't get to hear that or see Ed pretending to be a cat eating a hamburger.

[B]

Well, Angela, Justin told me that Jean and Lee actually wrote this Mad Libs scene for Angela and Andy. So all of that was Jean and Lee.

[A]

Well, it was so fun to do.

[B]

I became inspired by this scene, Angela, to do a deep dive on Mad Libs.

[A]

Oh, no. What'd you find?

[B]

Oh, my God. It is fascinating.

[A]

Well, our kids love Mad Libs. I mean, Jenna, I did them growing up. We still do them.

[B]

Same. Let me tell you the history of Mad Libs. Okay. Mad Libs was invented in 1953 by two men, Leonard Stern and Roger Price. Roger Price had worked as a writer on the Bob Hope Show. Leonard Stern was His friend who worked as a writer on the Honeymooners. They were comedy writers.

[A]

Yeah.

[B]

One day, Roger went to visit Leonard at work, and Leonard was working on a script for the Honeymooners. He was trying to figure out the right word to describe the nose of Ralph Kramden's new boss. Before he could explain the whole thing, he just said to his friend, I need an adjective. And Price jumped in and started throwing out words like, clumsy, naked. He just started throwing out adjectives. So they thought this was so funny, right? Like, oh, a clumsy nose. A naked nose. So this gave them the idea to write a bunch of stories with missing words. They took them to a cocktail party with their friends. They had people fill in the blanks without knowing the context, and it was a huge hit. People thought this was a hoot. They tried to get these stories published, but publishers passed, nobody wanted them. They said, we don't get it. Maybe sell it to a game company or something. It sounds like a party game. So they sat on the idea for five years, and then they decided to self publish. But now they needed a name for it, right?

[A]

Yeah.

[B]

They had all their stories. They're self publishing. Get this. These two guys, they're out having breakfast in New York, and they overheard an agent arguing with his client at another table. And the agent was trying to tell this actor that he had to recite a certain script for an upcoming interview. And the actor was saying, no, I want to ad lib my interview. I want to ad lib it. And the agent said, that would be mad to ad lib an interview. And that's where the name Mad Lib came from. And now they have sold over 110 million copies of Mad Lib's books.

[A]

That was amazing. I loved every single moment of that. I also find it really inspiring that you can have this once in a lifetime idea and, you know, don't let go of it, even if it takes you six years to see it come, like, to fruition.

[B]

Yeah. They were onto something and they knew it, and they made it happen.

[A]

I love that. Great deep dive.

[B]

Thanks.

[A]

All right, well, now Michael's going to come out of his office, and immediately he's going to clock Pam and her glasses. And he says to her, you know what? In order to get hotter, you've got to take off those glasses. She's just going in the wrong direction.

[B]

Yes. And Pam tries to explain to Michael what happened, why she's wearing these glasses. And he has this line that people quote to me all the time. He's like, it's Noise coming out of an ugly scientist.

[A]

Michael.

[B]

I love it. That was really hard for me to get through every time Steve said that.

[A]

I bet. I feel like I've seen that on a T shirt, Jenna.

[B]

Oh, yeah. Oh, you have.

[A]

Imagine for someone who's never seen the Office and then, like, see someone in these T shirts like, dwight, you ignorant slut. It's just noise coming out of an ugly scientist. I feel like the Office has given some really random clothing choices for people.

[B]

Well, when I got my glasses in real life and I posted my first picture on Instagram of myself in my new glasses, people started putting all of these comments. They were like, you're going in the wrong direction. You have to take off your glasses to get hotter. And then other people were like, it's noise coming out of. I was so offended, I forgot about this scene in the office. And I was like, why is everybody coming down on me? I thought my glasses were cute.

[A]

I know. I so relate. One time I posted a photo early in my Instagram days in a green sweater, and someone was, like, looking a little whorish, aren't we? And I was like, wow, how rude. And then I was like, oh, right, green is horish. Okay, okay. Got it, got it, got it.

[B]

I know. Sometimes I forget I'm actually grateful that we're doing this. Re watch. Because I feel like I'm less likely to be offended by comments now because they're actually quotes. Well, after all the insults, Michael tells everyone to go into the conference room for a brainstorming session.

[A]

Oh, lady. There is a scene between Jim and Pam that is not in this episode and it's not in the deleted scene. So you have to tell me if you guys film this, it's kind of racy. You want to hear it?

[B]

What?

[A]

So I'm reading the shooting draft last night, and this is in there. As people head to the conference room, Jim smiles at Pam. Jim says, the price you pay for a night in heaven. Oh, wait. Pam glances at the camera. Stilted. Yes, the movies were good. Jim. Jim says, you mean the movies that we made of us making love? Pam, panicking, glances to camera. Shut up. We didn't film ourselves. Jim to camera. Hi, Pam's grandma. Sorry you had to find out like this. And then Pam hits Jim and they go into the conference room. What?

[B]

I don't remember if we filmed that. If it's in the shooting draft, we must have. People would have lost their minds if we'd left that in the show. I know.

[A]

Like, what the heck? I read it Last night, and I was like. Like, I did a spit take. I was like, what's happening with Jim and Pam?

[B]

Just hearing that makes me feel like I've just walked in on my parents.

[A]

I know.

[B]

Having an intimate moment. Like, I just like, no, no, no. Don't want to see it. Don't want to see it.

[A]

Which is probably why it was edited out, but it cracked me up reading it.

[B]

Wow. Well, there you go, guys.

[A]

There you go. Now we're in the conference room, and the actual scene they leave in between the two of you guys is Jim proposing to Pam, which is also in the script. So I guess if they had to choose one, that one is a little bit more in character for you guys.

[B]

Well, proposing that I go get him some more coffee.

[A]

Right, right, right. But you're doing the.

[B]

You know, he's.

[A]

He's now doing this bit with you, right?

[B]

Yeah. Well, Michael has written the words energize in block letters on a piece of paper up front, and he wants to know, how can we energize the office? A few people are throwing out ideas. Andy suggests that we have a new outgoing message, something with zing and pep. Jim suggests we have an even better message with more zing and more pep. Michael wants to get Stanley's opinion.

[A]

Stanley's not having it. He's like, not me.

[B]

He's not interested. He's not even answering him.

[A]

I know. And Michael keeps pushing and pushing and.

[B]

Pushing, and that is when he says the line, did I say stutter? And everyone is stunned.

[A]

We're like, whoa, this just took a turn.

[B]

Michael excuses himself for a glass of water. Oof.

[A]

Oof. Now, Jenna, per Justin Spitzer, this is the only episode title that was an actual line in the script.

[B]

Yes. Justin said he had originally thought they should call it insubordination.

[A]

Oh.

[B]

But they settled on, did I stutter?

[A]

Well, I. Like, did I stutter better.

[B]

Me too. Next up, we're in Michael's office, and Toby is sitting with him. And he's trying to tell Michael that he needs to talk with Stanley about his insubordination.

[A]

And once again, Toby is in Michael's corner. And Michael just refuses to see Toby as someone who could be there for him.

[B]

Yeah. He tries to tell Toby that he misinterpreted what he saw, that they were actually a couple of pals. They're kind of joshing around. Toby wouldn't know because Toby doesn't have friends. Michael says, yeah, if you had a friend, you would say something like this. Hey, you're poor. Well, hey, your mom is dead.

[A]

That's what friends do.

[B]

Yeah.

[A]

So there you go, Toby. Get some friends.

[B]

But it's clear at the end of this meeting that Michael is going to be expected to do something about what happened.

[A]

It's also clear that Michael's really anxious about it. He says he has a stomachache.

[B]

Mm.

[A]

And, Jenna, there's a deleted scene. It's so great. First of all, it shows the geography of Dunder Mifflin in a whole new way that we've never seen before. So in this deleted scene, there's a talking head and it's over the action. You know what I mean? And Michael is talking about how him and Stanley are friends. In fact, Stanley is one of his oldest friends. But while he's saying all this, he's walking out of his office and he clearly has to go pee. And he sees Stanley and he pivots hard right. He goes out the front door of Dunder Mifflin, past the elevators to the stairwell door next to Vance Refrigeration. He goes down the stairs, out the front door of Dunder Mifflin, through the parking lot to a back door that's another stairwell up those stairs. And he comes out by the break room, by the vending machines. And then he walks through the annex into the kitchen, into the men's room. That's what he did because he had to go pee, and he did not want to walk past Stanley's desk.

[B]

Wow.

[A]

And we've never seen anyone in the run of the show come up the back stairwell into the area where the break room is.

[B]

That's right.

[A]

I loved it, just visually. And that shows you the extremes he was going to to avoid Stanley.

[B]

Well, now we're going to get into the bee storyline of this episode, which is that Andy is selling his car, his Xterra, and Dwight is going to.

[A]

Buy it, his Xterra, when he was driving a Prius. So I don't know what's happening here.

[B]

I know. What's that about?

[A]

You know what? In my mind, it was like his old car from college, maybe so from his Cornell days.

[B]

Well, we had a fan question from Barbara G. And Rebecca H. At 6 minutes, 45 seconds, Dwight points out that there's a scratch on Andy's Xterra. In a deleted scene from safety training, Angela, you might remember, Angela keys Andy's car. Did Angela also key his Xterra?

[A]

I don't think so. I think she just keyed the Prius. But in the script, you guys, Angela is watching all of this interaction Between Dwight and Andy. She is perhaps titillated by it, fascinated, curious. But there are several scenes where she's peering through the window. The camera busts her at one point, and she gets agitated. So she is sort of watching all of this all day long.

[B]

Well, Dwight ends up bullying Andy into selling him the car at a very low rate. Way under asking. He does that thing where he's like, do it. Sell it. Give it to me. Say yes now. Say yes now.

[A]

3, 2, 1, 5, 4, 3.

[B]

Say yes. And it works. He says, okay. Now, here's an interesting tidbit. This car, this Xterra, actually belonged to.

[A]

Our hairdresser, Kim Ferry, and she was actually selling it.

[B]

She was. It was so crazy. She let us borrow her car for this episode, and then she sold it, just like these guys. Well, I guess Michael is going to finally baby step up to Stanley's desk, and he's basically going to forgive Stanley before Stanley has even apologized.

[A]

But the way he approaches Stanley really reminds me of, like, when my kids want something but they don't want to ask me, and they just come and stand by you and kind of hover.

[B]

Yeah.

[A]

He's just standing next to Stanley's desk. And Stanley's like, yeah, what do you want? Yeah.

[B]

And he's like, you know, nothing. I think I just want to say, like, we're cool, right? Like, I forgive you and we've forgotten about what happened, Right? Yeah. Now, Stanley could just say, yes. I know, but he does not.

[A]

I think Stanley has had years of putting up with Michael, and he's just had it.

[B]

Yeah. Since that didn't work, Michael is going to sit with Dwight and try to figure out, is there a way that someone else might be able to discipline Stanley? Does Stanley report to anyone else besides Michael? And this is when Dwight gets out his very extensive, very hilarious employee org chart.

[A]

It's so elaborate. It was really well made. He has a, like, tripod. He sets it on. There's like, an overlay. I mean, Jenna, this thing was not cheap.

[B]

Well, Brett told us that the entire writing staff put a huge amount of time and effort into that org chart and that they had the idea that after this episode, NBC could sell the org chart as posters. So they filled it with all these little jokes that you can't even really spot in the episode itself. And unfortunately, though, the poster did not become the runaway bestseller they had hoped it would be. However, Kent Sibornak sent me a picture of it, and we will put it in the pod so you can really unpack it. If you'd like.

[A]

Yeah, I looked at that last night and the detail of the menstruation cycles of the women. You know, Dwight has shared that he clocks all of that. Well, he wasn't kidding.

[B]

Angela, we got a fan question about this scene. At 9 minutes, 34 seconds, did rain improvise touching Michael's face with his pointer?

[A]

Yes. Yes, he did. And they could not get through it. They were cracking up. Something so sort of delicate and intimate about Dwight touching Michael's face with that metal pointer. And those two fellas were just disintegrating into laughter. It's in the bloopers. It's so fun to watch.

[B]

Justin said before they started the scene, they had to decide whether or not Rain would have that metal pointer or a laser pointer. And he's so glad. I'm so glad they gave him the metal pointer.

[A]

Yeah.

[B]

Brent said that after Rain improvised it once, they loved it and they had him do it again. And it took over seven takes before they got even three seconds of usable footage. And that's what you see in the episode was like take number eight.

[A]

Well, back at reception, Kevin is complimenting Pam's glasses. I mean, they're kind of a turn on for him. Jenna, there's a lot more in the script. In fact, Kevin says, you're basically in his league now. So I think there were a few alts for this scene.

[B]

I remember shooting it. We were laughing so hard. There's also that famous line where he says, can you say, these are due back Thursday? And Pam's like, no, no. At 9 minutes, 58 seconds. At the very top of this interaction between Pam and Kevin, I want you to know that John is at actively playing FreeCell on his computer.

[A]

Oh, I saw it.

[B]

It's not just on his computer. You can see him moving the cards.

[A]

Oh, no, he's full on playing.

[B]

But this interaction between Kevin and Pam is going to cause Pam to take her glasses off. Now for the rest of the day, she's done. She's sick of the comments. She's just gonna not see.

[A]

But how bad is this woman's vision? Because she takes her glasses off. And then, Jenna, the phone rings and she has a hard time finding the handle of the phone.

[B]

There is a talking head that did not make it in the episode.

[A]

Oh, yeah.

[B]

Where Pam says that her vision is 2400. I'll have you know, Angela, legal blindness is anything that's 2200 or worse. So Pam would be considered legally blind without her glasses or contacts. And basically what it means is that Pam can see things 20ft away, but normal people could see that same thing 400ft away. So it doesn't really track that Pam can't see the phone.

[A]

Okay.

[B]

What it should mean is that she can't see Stanley anymore.

[A]

Okay.

[B]

Yeah. So maybe we didn't research her eyesight properly, but in general, though, all of her vision would be fairly blurry. I do remember researching that.

[A]

Well, I thought you played it so well, Jenna, because that's not an easy thing to play. And the physicality of your comedy in this episode is fantastic.

[B]

Well, thank you very much.

[A]

Yes.

[B]

Well, guys, Michael's gonna go down to the warehouse and try to get maybe some advice on how to deal with Stanley. But before we go there, let's take a break and then we'll come back to learn a little bit about fluffy fingers.

[A]

True story. For years, the USA medical team had to bring their own scrubs to the Olympics. But when they head to Milan for this year's Winter Games, Team USA will once again be wearing the official medical uniform designed by figs. And now everyone else can wear them too.

[B]

This collection from FIGS introduces their most durable fabric yet, Fiber X. It's lightweight and breathable with moisture wicking, antistatic and antimicrobial properties that transition seamlessly from hospital corridors to city streets to the great outdoors.

[A]

We're talking high performance, functionality and style worthy of the podium, but equally good in the exam room. New and best selling styles are available in red, white and blue.

[B]

Check out the limited edition Team USA collection and get 15% off your first order at wearfigs.com with code FIGSRX.

[A]

That's wherefigs.com, code FIGSRX. You know, a lot of times you get ads that are just not meant for you. You're like, why am I getting this? And a lot of times those business to business marketing ads get wasted on the wrong people.

[B]

Well, LinkedIn doesn't want to be one of those people that's sending out an ad that's not targeted, that's not intended. They have grown a network of over 1 billion professionals and 130 million decision makers. And that is where it stands apart from other ad buys.

[A]

First of all, you can target your buyers by job title, industry, company role, seniority, skills and company revenue. So you can stop wasting budget on the wrong audience.

[B]

If you want to reach the right professionals, use LinkedIn ads.

[A]

It's why LinkedIn ads generate the highest business to business roas of all online ad networks.

[B]

Seriously, all of them spend $250 on your first campaign on LinkedIn ads and get a free $250 credit for the next one. Just go to LinkedIn.com office. That's LinkedIn.com office.

[A]

Terms and conditions apply.

[B]

Angela, I was talking to the fellas over at how we made your mother and do you know what they told me? They want to try Simplisafe just because of how much you have talked about it. Are you serious in office ladies? Yes.

[A]

Well, here's the thing. It is very simple and it makes me feel safe. It's like everything in the title says what it is and what it does because you can build to customize for your home.

[B]

Right.

[A]

But what I like is if you're an existing customer, you can go on their website and expand your system. Because once you have the basic setup, you're like, well, what else do I need? And I like that. You can continue to expand your system.

[B]

Well, their monitoring plans start at around a dollar a day. They have a 60 day satisfaction guarantee or your money back. Yeah.

[A]

There's no long term contracts as well and there's no cancellation fees. So you can try it and if you don't like it, it's no big deal.

[B]

So why wait? Protect your home today and enjoy 50% off a new SimpliSafe system with professional.

[A]

Monitor simplisafe.comofficeladies that's simplisafe.comofficelAdies. there's no safe like Simplisafe.

[B]

Okay, guys, we're back. And as promised, we're gonna break down this scene between Michael and Darryl. It's amazing.

[A]

Everything about it is amazing, even just from a technical standpoint. This was such a tiny, tiny room and Randall had to shoot through the door in a window and capture this moment. It's so beautifully done.

[B]

Michael's going to ask Darryl, hey, man, have you ever been in a gang? And Darryl needs to know what Michael needs to say. Yeah, so he says he has been in not just one gang, but several.

[A]

Yeah.

[B]

He has been in the Crips and the Bloods and the warriors and the.

[A]

Newsies and the Newsies on Broadway.

[B]

And Michael is just like, oh, my God. Yeah, oh my God. And Michael can't believe that Daryl is now about to share with him his like, deep gang knowledge.

[A]

Yeah. What do you do if you're disrespected in the gang?

[B]

Darryl's going to tell him they do something called fluffy fingers. And that is where you surprise the person by tickling them. And you keep tickling them until they start to tickle you, and then you're just tickling each other, and then you're over it. It's really effective, he says.

[A]

And Michael's like, wow, I didn't think that's how it went in the gangs, but okay, okay. Michael's like, all right, I'm. I guess I should try this. It's so great. And both Steve and Craig play it perfectly.

[B]

Oh, yeah.

[A]

Well, you know, Jenna, there was a deleted scene where Michael tries to get up the courage to tickle Stanley to do the fluffy fingers.

[B]

It's insane.

[A]

Stanley is at the supply cabinet. He's kind of reaching up to grab something, and Michael sneaks up behind him and he holds his hands up like he's going to tickle them, but then he just can't quite figure out how to do it. And Stanley doesn't even notice, and Michael backs away. And then Michael has a deleted talking head where he says, it's not Darryl's fault. It was a great idea. I just couldn't quite figure out how to do it. I don't know. I've tried everything. I'm running out of options. Yeah, and when you run out of options, you decide to fake fire someone. That's what Michael does.

[B]

Oh, Michael. So now Ryan has arrived. He pulls up in his convertible. His shirt is open. He winks at himself in the rear view mirror.

[A]

Oh, yeah, he's feeling real good. And there was a deleted scene. Jenna, that was so good. He comes in the office. He's got bagels, but Pam doesn't have her glasses on. He tosses a bagel at her. She can't see it. It hits her in the face. And then he goes on Jenna to show Pam how to eat a bagel. He just, with his own hands, starts digging out all the good part of the bagel, all the middle part. And he says, yeah, you just eat that outer part, you know, so you don't gain weight. And he kind of points to Pam's belly.

[B]

Yeah.

[A]

And I felt like that whole scene showed his state of mind, how manic he is throwing the bagels, digging them apart, like, oh, my gosh.

[B]

I remember shooting that. I was sad it didn't make it in because that was really fun.

[A]

You were so good in it. I mean, he, like. He tosses a bagel at you and Jenna, I really believed you didn't see it. That's how good you are in the scene. Anyway, so Ryan is here. He's actually got some big business. He goes in the conference room and he calls Jim in. Toby's there, and he's going to give him a formal warning about his job performance.

[B]

But the way he calls him in is so amazing. He's like, hey, Jim, Jim, I gotta ask you a question as a true Eagles fan.

[A]

Oh, so slimy.

[B]

I thought BJ was so good in this scene. He was like every douchebag I've ever had a meeting with. I actually recorded it off my computer and I texted it to him and I said, bj, we're watching. Did I stutter? And you are so brilliant and amazing in this scene. I just needed you to watch it so you can see how good you are. And he wrote me back and he was like, jenna, oh, my God, I forgot about that scene. Thank you for sending this to me. That was so fun to watch. But that happens when we are rewatching this show. Sometimes I will see one of our friends perform just like, madness level amazing. And I just send it to him. I'm like, you need to be reminded of what an amazing comedic actor you are. You're welcome.

[A]

Oh, for sure. I had a whole text thread with Phyllis because I was like, phyllis, you are so amazing. Back in Yankee Swap. She's so good.

[B]

I know.

[A]

Yes. BJ is so good in these moments. And Jim is like, is this because I talked to David Wallace? And Ryan's like, no, no, no. I appreciate, you know, constructive criticism. I thrive on it. Yeah, so do she. And he says, you can get more details from Toby. This leads to a Toby talking head. And dare I say that Toby seems smug.

[B]

Oh, for sure.

[A]

Yeah. Toby says, I'd say all the goofing around at Pam's desk and hanging out with Pam has finally caught up with him. Fans were furious, Jenna, when this episode came out, they hated Toby so much. I mean, in the episode before, he put his hand on Pam's knee, and now it seems like he's going behind Jim's back to try to get him fired.

[B]

Oh, yeah.

[A]

And, Jenna, if you thought you hated Toby with that talking head, had you seen the deleted scene between Jim and Toby and then Ryan, you would have been like, oh, my God. People would have. Toby would not have been able to come back from it. Sam, can you play that deleted scene?

[B]

A formal warning? Seriously?

[A]

Well, as you know, Dwight has filed.

[B]

A lot of complaints against you over.

[A]

The years and no one cared about, but now it's being looked at as.

[B]

More of a productivity issue. Productivity.

[A]

My numbers are good.

[B]

I know, but Ryan thinks that they're not good enough.

[A]

Wallace likes Jim, so going after him, that's a risky move for me, but in business, you gotta take risks. Sometimes you gotta get out on the open highway with a top down.

[B]

Oh, my God.

[A]

And Ryan is trying to put the top down to his car, and it won't go down.

[B]

Wow.

[A]

But, yeah, can you imagine if those things have been left in.

[B]

Oh, well, Angela, speaking of treachery, Dwight has washed the Xterra and he's now reselling it for over $9,000. He's selling it for a profit. Oh.

[A]

And Andy is like, what the hell, man?

[B]

Angela's impressed. Angela's like, oh, yeah, you got him. You're smarter.

[A]

She loves two men dueling over her.

[B]

She really does. I know.

[A]

You guys, remember, Michael has run out of options. Fluffy Fingers isn't going to work for him. So he's gonna have to do the thing he didn't want to do. He's gonna have to fake fire Stanley to teach him a lesson.

[B]

And he comes out of his office and he announces it to everyone. He says, guys, guys, guys, listen. I'm gonna fake fire Stanley, but I just want you to react as if I'm really firing Stanley. And everybody's like, if you hadn't told us what you were doing, we would have reacted correctly. And he's like, oh, my gosh, why aren't you understanding this?

[A]

The person that says it, the person that's the voice of reason, is Kevin. I know you know you're in trouble when Kevin is the voice of reason.

[B]

Stanley walks into the bullpen and Michael fake fires him. And it does not go well. Stanley unleashes on him just a tirade of insults.

[A]

I remember when we filmed this, Jenna, and you could have heard a pin drop.

[B]

Yes.

[A]

It was such a beautifully dramatic moment. Leslie crushed it.

[B]

Yeah, you guys, we reached out to Leslie because we really, really wanted him to come on the pod today. Because this is just a tour de force storyline and performance by him in this episode. And he is filming this week. He is filming something and he couldn't come on. But he did want us to share with you that this monologue was completely scripted. This was not improvised. You know, And I remember, Angela, that he worked on this, and he delivered it like it was just an amazing performance. And he nailed it. Every take.

[A]

Every take. He was 100% off book. He showed up ready to throw it down, and we were just all so happy for him. This moment was amazing. And I remember us all applauding at the end of the scene.

[B]

Yeah. Well, Michael throws everybody out. He yells and says, everybody get Out. Everybody except Stanley. Everybody out.

[A]

And everyone gets the hell out. And Jenna, in the script, which isn't in the deleted scenes, but in the script, Michael turns to the cameras and says, you two cameras, out of here, everybody.

[B]

Wow.

[A]

And that's why at 18 minutes, 17 seconds, you see the cameras sneak back in. It's because in the script, Michael told them to get out.

[B]

I loved that move. I loved it. Because when Michael is alone with Stanley, or thinks he's alone with Stanley, he gets really vulnerable. There's tears in his eyes. And he says, why do you pick on me? Like, why do you pick on me like this? And it's really vulnerable. And Stanley very matter of factly says, I don't respect you.

[A]

And then I felt like Michael had such an honest moment that could not have happened if the cameras were there, where he says, fine, I accept that you don't respect me. I accept it. But you can't talk to me like that. Here I am your boss, and it just cannot be done.

[B]

And I agree with you, Angela. Anytime Michael knows the cameras are there, he can't help but perform in some way for them. And so I feel like we're seeing a side of Michael Scott that can only be seen when he doesn't know the cameras are there.

[A]

Yeah.

[B]

And that was such a fun part of our show, playing with who are our characters when we know the cameras are there and when we don't. And I loved that we got to reveal these little different parts of ourselves in these different ways.

[A]

Oh, me too. It made the show so, so rich.

[B]

Right? It's cool.

[A]

And you know what? They have this moment of resolution. They're like, fine. We now know our rules of engagement, right?

[B]

Yeah. They shake hands. Done. This leads to Michael having a talking head. He's really stuck on the idea of respect, getting no respect. And this just sends his brain into Rodney Dangerfield land. So he's going to do some real kind of, like, off the cuff Rodney Dangerfield impressions, which morphs into a Jeff Foxworthy impression, and then Borat and then Jerry Seinfeld and then back to Rodney Dangerfield again. It's a pretty epic talking head.

[A]

It is. Well, you know, Jenna, that talking head, that whole Rodney Dangerfield comic riff is not in the shooting draft. It's a whole other talking head.

[B]

Huh.

[A]

So I have to imagine they handed Steve a whole bunch of alts. They would do that to us. Right. And this is the one that they picked because that is not the one in the script.

[B]

Interesting. Well, I liked this one.

[A]

I Did too. And I have to think Steve improvised a little. I think it was on the page, but I can sort of see Steve doing his thing. I'm sure while that talking head was happening, everyone else is in the parking lot. You know, they're heading home. There is a wrap up scene of the Dwight, Andy, Angela love triangle. It's in the shooting draft and it didn't make it to the deleted scenes. But Andy and Angela walk to the car. They pass by Dwight, who is scraping off a Cornell sticker from the back window of the Xterra. And Andy says, goodbye, old friend. May all your roads be downhill and the wind be on your back windshield. And Angela's like, Andy. And Andy says, I can't believe Dwight would do me like that. He took advantage of my kindness. And Angela says, he didn't take advantage of you. He bested you. You were bested. And then he tries to put his arm around her and she shoves it away. And she looks at Dwight like he's super hot.

[B]

Wow.

[A]

Yeah.

[B]

Well, Angela, we should just call these deleted scenes feisty in the parking lot, because I know that over by Pam and Jim's car there is a scene that we shot that I believe is in the deleted scenes where Jim tells Pam the truth about Ryan and what Ryan said to him, that he's gunning for him to maybe get fired or put him on notice. And Pam is not having it.

[A]

Oh, I titled it. Pam's pissed. Yeah. And Sam, you gotta play that clip.

[B]

Hey, what really happened today?

[A]

What do you mean?

[B]

I mean, I don't need my glasses to know when something's stressing you out. What happened today?

[A]

Ryan is trying to get rid of me. He came in today to give me.

[B]

An official warning about my job performance. What? God, he is such a creep. That really pisses me off. I'm gonna bash his face in. I'm gonna bash his face in with a stale bagel. Then I'm gonna throw a rock at his car. Come on, we're going to New York right now. I'm driving. If I hit him without my glasses, I don't think it's a crime.

[A]

Great.

[B]

God, I should have told you all about this sooner. What a jerk. What a jerk. Can you imagine if they had left in the sex talk between Jim and Pam up at the top? And then this scene of Pam saying she's gonna throw a rock at Ryan or maybe hit him with her car. Oh, my gosh.

[A]

And in the shooting draft, it was much shorter. You just said, I'm gonna Smash his face. And that was it, you know? But in this deleted scene, Pam is going off. You do not mess with her, man.

[B]

I guess not. Not after the night they had last night.

[A]

The one night in heaven.

[B]

Yeah.

[A]

Wowzers.

[B]

Well, the tag for this episode brings us all the resolution we need. We're back in the conference room. Michael is proposing some more great ideas. Like a summer Christmas caroling sales event. He throws to Stanley. Stanley, what do you think? Stanley says, I think it might be your best idea yet.

[A]

Yeah. And then Phyllis kind of laughs and says, that's the dumbest thing I've ever heard.

[B]

Michael says, everybody out except Phyllis. And that's the episode.

[A]

It's such a great tag, guys.

[B]

That was. Did I stutter? I can't believe I'm about to say this. Angela, we are coming up on the end of season four. We've just got a few more episodes.

[A]

I know. Last night I had to put a whole new disc in my DVD player. Wow.

[B]

You know it's serious when she's gotta put a new disc in. Guys. Yeah.

[A]

I'm on my last disc for season four.

[B]

It's going by so fast.

[A]

It's flying by.

[B]

We'll be back next week with Job Fair. Thank you. Thank you to Brent Forrester and to Leslie David Baker. Thanks for texting us back about this episode and thanks to me for being.

[A]

A digital hoarder and having my shooting draft.

[B]

Yes, thank you, Angela.

[A]

All right, you guys have a great week. We'll see you next week.

[B]

Thank you for listening to Office Lady's second drink.

[A]

This episode was initially created in collaboration with Earwolf.

[B]

Office Ladies is a presentation of Odyssey and is produced by Jenna Fisher and Angela Kinsey.

[A]

Our executive producer is Cassie Jurkins and our audio engineer and associate producer is Molly Nugent. Odyssey's executive producer is Leah Reese Dennis.

[B]

Office Ladies was mixed and mastered by Bill Schultz. Our theme song is Rubber Tree by Creed Bratton. Hey, everybody. If you wanted to plan a romantic night in, Whole Foods Market is the place I'd recommend for pulling it all together.

[A]

I love Whole Foods Market. They have that365 by Whole Foods Market makes it easy to create an unforgettable evening without running all over town.

[B]

Oh, yeah. You can put together your charcuterie board with your little cheeses and your meats and your crackers and your nuts. Some grapes, some figs, some wine.

[A]

Some wine. They have a great wine selection. They also have great desserts. They have the chocolate dipped strawberries, which I love. Or you could get like A little heart shaped cake and then they also have beautiful flowers.

[B]

Oh yeah, Whole Foods Market has a whole floral department. So listen, you can skip the extra trip to the flower shop. You literally have everything you need in one place.

[A]

That's right. You got dinner, you got dessert, you got a little adult beverage, some flowers, hours. Don't take it from us. Go to Whole Foods Market.

[B]

Taste the love. All month at Whole Foods Market. Having people in your corner to help you makes all the difference. And with State Farm, you can feel good knowing that whether you need coverage for your car, your home, or even boats, motorcycles and RVs, you can choose the right amount of coverage for you.

[A]

With State Farm, an agent can help you along the way. And if things get complicated and you have questions, you've got options too. Go [e-mail] or use the award winning app to get help from one of their local agents. You know, this is going to age me a little bit here, but when I got my first car, my dad got me State Farm car insurance. And there was no online and there was no award winning app. And I have to think my dad would be so happy that that was more streamlined now because it really is so helpful, especially the app. It's right on your phone.

[B]

Talk to your agent to help you choose the coverage you need. Have coverage options to help protect the things you value most. File a claim right on the State Farm mobile app.

[A]

Reach a real person when you need to talk to someone, like a good neighbor. State Farm is there.