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Steve Schell
Well hey there family. Steve Schell from Old Gods of Appalachia here. If you're listening to one of the earlier episodes of our show, those before the beginning of season five, you may hear us talk about supporting the show through our Patreon. I'm just popping in to let you know that Patreon is going away. We just launched our very own subscription service, the Holler. The Holler is powered by Supercast, a platform built from the ground up for podcasters and their listeners. We think you're going to like it a lot. So if you'd like to support the show and enjoy ad free episodes, exclusive storylines and more, visit old gods of appalachia.com the Holler and join the family today. You can find that link in the show notes of every episode.
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Narrator
Old Gods of Appalachia is a horror anthology podcast and therefore may contain material not suitable for all audiences. So listening discretion is advised. In a hidden chamber beneath the mountains of Pennsylvania, or maybe West Virginia, or maybe a place known only to the rock, a crowd had gathered to witness.
Steve Schell
The trial of a being who had worn many faces and introduced himself by.
Narrator
Many a moniker over the course of his long existence, but who everyone knew was simply Jack, Jack of Fables, Jack of Fools, Jack of all trades and none. Jack sat now beside his representative at a table reserved for him, wearing an expression of patient boredom one might be tempted to believe he was growing tired.
Steve Schell
Of the whole sorry affair, although he.
Narrator
Had borne up under the accusations hurled his way with little comment at the moment, Marcy Walker sat at the front of the room in the chair reserved for witnesses. Jack's history with the Walker family was long and complex, more so than the.
Steve Schell
Woman testifying likely appreciated, for Jack had done business with those of the Walker.
Narrator
Name long before the clan's matriarch, Sheila, may she rest in the arms of the green, was even a twinkle in her own mama's eye. Many times they had found themselves at cross purposes, while at others they had formed alliances to their mutual benefit. Luckily for Jack, today was just one such day. D.L. walker, Jack's counsel, paced at the front of the gallery.
D.L. Walker
So to be clear, the witness for the prosecution brutally murdered your brother in law and your niece's husband and would have done harm to both her and her then unborn child. And you called upon Mr. Fields in an attempt to prevent that?
Narrator
Yes, that's right. Mr. Fields was acting in fulfillment of a debt owed to our family that had been outstanding for some time. It was no fault of his that Marcy worked her mouth sourly as though she were about to spit, but finished stiffly, that Mr. Poe's compact with my niece's husband came into conflict with his obligation to the Walker family. We have the right to defend our kin. The power of names is a curious thing, family. When Marcy had spoken Mr. Poe's name aloud, it sat flat and sour in the room, like gas passed by a sickly hound dog. When she'd spoken her family name, however, there was a sense of acknowledgment, whether enthusiastically or begrudgingly from all in attendance. Half the room might not know Taley Poe or his new handle, but plenty more folks knew the Walker and what their word was worth.
D.L. Walker
Harbinger, I fail to see how you can give a single, solitary ounce of credibility to Mr. Poe's grievance. As Ms. Walker clearly detailed in her testimony, Trevor Gilbert satisfied his compact with Mr. Poe when he forfeited his life in place of his firstborn.
Narrator
Dougie Walker gazed into the shrouded face of the woman on the dais as she spoke. The elaborate hooded robe she wore prevented Dougie from meeting the Harbinger's eyes directly, but she didn't flinch from the stairs she knew was aimed her way. All the same, Harbinger, this DL Walker, as she calls herself, is not what we would recognize as a traditional member of the Walker bloodline. Ms. Gray sneered as she rose from her seat beside Hiram Cook. She keeps none of the old ways, nor has she ever been known to conduct business business outside of human affairs. Are we to believe that she has the slightest comprehension of the ancient compacts that govern our kind?
D.L. Walker
You don't even believe that.
Narrator
Dougie snorted.
D.L. Walker
I might not hold with the woo woo nonsense my mother and sisters practiced when I was little, but I can tell when someone's lying. You might say I have a knack for it. A gift, even while I may not be permitted the use of that gift within the confines of these chambers. I've been in enough courtrooms with enough hucksters and good old boys to recognize when someone's spinning bullshit to cover the fact that their case is weaker than their granny's iced tea.
Narrator
You dare speak to me or any of us that way, you insolent little A general rumble of discontent rolled through those who aligned themselves with the dark, inner or otherwise. Hostile eyes in the gallery stared daggers at D.L. walker. The bailiff pounded her staff thrice on the floor of the chamber. There will be order. Order, I say. Do. Do the Gray ladies even have grannies? Skint, Tom whispered as he slid back into his seat beside Old Green Eyes. A fresh new face stretched over the bones of his skull. Old Green Eyes seemed unsettled inasmuch as a disembodied mist with two floating green eyes in it might be said to express emotions. How. How did you already oh, there's a couple old boys from down at Honaker taking a smoke break outside. I got this one and a backup to boot. You want to see? Tom whispered excitedly. I do not, replied the Mist, rolling its glowing eyes as it turned back to the fray unfolding at the front of the room. Ms. Gray had raised her voice to be heard over the throng. JT Fields has cheated, robbed, and stolen from both the Green and the dog for generations, and his actions prevented Mr. Poe from getting his Mr. Poe wheedled from the gallery shot.
Steve Schell
Shut your mouth, you shit stained possum.
Narrator
Humper, Marcy Walker spat, rising to her feet. The practitioners of the Green roared with laughter. Mr. Poe hissed, his many tails bristling out behind him like a cat surprised by a copperhead. Silence. The voice resonated through the specially designed room, vibrating in the bones and teeth of all those in attendance like the gong of a church bell. The harbinger had risen to her feet and extended her left hand in front of her like a claw. She was tall for a woman, Dougie thought as the air left her lungs. How would she miss that? When the woman first entered the room, she had to be at least six foot. The room fell silent as the grave as throats closed and mouths snapped shut. Even the bailiff had a hand to her throat. That is enough. You will all leave us now. Today's session is closed. With that, the overseer of these grim proceedings turned and walked from the room, allowing air to flow back into lungs and jaws to unlock. No one or thing said a word for a long moment. The bailiff broke the silence, banging her staff hesitantly, her usual strident voice strained and shaken. We will resume these proceedings on the morrow if you Require shelter for the night. Please seek out Goodman Leonard in the gold trimmed sash by the west doors of the antechamber or the rock provides.
Songwriter/Performer
These old roads run into a ground so bloody, full of broken dreams and dusty bones. They feed a tree so dark and hungry where its branches split, new blood.
Narrator
Flows.
Songwriter/Performer
The ghost of a past Yeth all on buried rise a haunt the young. The shadow falls, judgment comes, Treads off my friend amongst your fellows on your word, lest you get what you deserve.
Narrator
Of all the folks in attendance at the trial of the man called Jack, there was one who had gone relatively unremarked upon amidst the flurry of gossip that flew amongst the onlookers in the gallery. Some people marveled at the poise, confidence or outright foolhardiness of D.L. walker as she worked to defend one of the most divisive characters in all the unseen world. Others whispered as loud as they dared about the presence and the power of the harbinger, while a vocal number complained about the bailiff's incessant banging of that godforsaken staff. But no one seemed to be talking about the young girl seated to the left of the accused himself. Rachel Harlow had not been permitted to speak since the beginning of the trial with her voice supernaturally silenced while in the courtroom, Harlow most folks had all but forgotten she was there. Even those who might not have forgotten didn't much care. Why should they give two hoots about some little nobody of a rot witch who apparently came from old Greta Ambery's farm for curse youngins or whatever it was. One or two perhaps had wondered what she'd been doing in the company of Jack Fields when the stag had laid him low. It was clearly of little import if she had been prevented from speaking. After a while, Rachel became virtually invisible to everyone except the men who hustled.
Steve Schell
Her and JT Fields to and from.
Narrator
The council's chamber, and of course, Jack himself. As the two of them were bustled from the room, Jack whispered over his shoulder to her, you all right, girl, the way she's got you? Shut up out there. I worry you're just going to keel over and bust from not being able to run your mouth the way I know you want to.
Rachel Harlow
I'm fine, Mr. Fields. Don't you worry about me. How's your back? I know it has to be hard hearing all these folks talk this way about you. I don't know how much of it's true, but you weren't nothing but kind to us.
Narrator
Oh, hush, child. Don't you worry about me. I didn't exactly help y'all out of the goodness of my heart, and I'm still hurting, but the old body is knitting itself back together. Sure would go a lot quicker if luck was on my side, if you catch my meaning. But I'll be all right. Thank you for asking.
Rachel Harlow
By the by, I can't rightly say I do, sir, but I'm glad you're mending all the same.
Narrator
I don't suppose you would before the conversation could go any further, a door opened onto a room and a familiar voice called in here, please. Goodman Cyrus, their lone escort, a hulking man dressed in the traditional blacks favored by the folks of the Rock, took.
Steve Schell
Rachel by the arm and steered her.
Narrator
Into a room only a dozen yards or so from the chamber. Jack caught a glimpse of Ms. Gray standing in the doorway as they hustled him past. Over her shoulder stood a man in a long white coat with a pointed, neatly groomed white beard.
Rachel Harlow
Mr. Fields. Mr. Fields.
Narrator
Rachel, where are you taking her? Never you mind. Keep moving. Goodman Cyrus pushed Jack hard, his frying pan sized hand slamming into the old trickster's injured back. Jack cried out in pain and stumbled forward down the long hall. Rachel Harlow suddenly found herself seated in a sturdy wooden chair across a table from the man in the long white coat. His face was smooth and relatively unlined, though his hair and beard were completely white. He regarded her with a calculating expression through eyes of striking emerald green. Three men in black suits with black shirts and ties hovered behind him, far enough away not to crowd the man, but close enough to intervene should there be any sort of trouble. Ms. Gray stood by a smaller table off to the side, where she poured water into a tall glass from a fancy crystal pitcher. She offered the glass to Rachel, who eyed it skeptically. Go on, drink up. I know you want it. It's just nice cold well water, girl. You have my word. Rachel wanted to refuse the refreshment, but her throat was bone dry and the sweaty beads of condensation on the outside of the ice cold glass were too much to resist. She grabbed it and gulped the water down. After the stagnant swill they'd been provided in their cells, this tasted like heaven. Ms. Gray refilled it without missing a beat. Child, this is Mr. Bonaparte Locke. I believe you know his nephew, Solomon.
Rachel Harlow
Solomon? You mean Jonah? You're Jonah's uncle.
Narrator
The man in the white coat smiled. It was the sort of expression you saw on the face of a preacher on Sunday when you stepped out into the aisle during Altar. Call that warm and invited, Won't you come and be saved? Smile. That was one part, bless your heart, and two parts, you poor thing, and a dash. Everything's gonna be all right now. Just take my hand. Rachel didn't trust it for a second. The man inclined his head and almost bowed. Indeed I am, young miss. In fact, my nephew Solomon asked me personally to come and collect you from these distressing environs you now find yourself in. He is pleased to extend an invitation to his ancestral home in Philadelphia, where he has recently taken up residence with his father, my older brother. He tells me you are one of his dearest friends and he has missed you terribly. The man's tone implied he was talking to a very small child, which made Rachel trust him even less. She decided to play along to see what she could learn.
Rachel Harlow
Is Jonah all right?
Narrator
Oh, yes, he's quite well, young madam. He and his father are thrilled to be reunited at last. He is learning much at my brother's side. My nephew will one day command the family's many business ventures. The fortune he is heir to provides a life of unparalleled security and luxury. There are many opportunities for a bright young woman such as yourself. He would like to offer you a place at his side. Rachel's blood ran cold. The terrifying women who had intercepted them on the road said they'd been sent by Jonah's father. If this man had been involved in returning Jonah to that branch of his family, then she was in deep trouble. Jonah might already be dead or worse for all she knew. But if that were true, what would they want with her?
Rachel Harlow
Are we leaving right now, Bonaparte?
Narrator
Locke's smile slipped a little bit. No. Not quite. Eager as my nephew is to spirit you away from this wretched place, I'm afraid we cannot depart until tomorrow. The hotel where my party is lodging is, well, very exclusive. They cannot provide additional accommodations on such short notice, so you will have to enjoy the hospitality of the Rock for one more night. I will return for you before the start of the proceedings to morrow, I trust. You will have her ready for transport in a punctual manner, Miss Gray. Of course, Mr. Locke, so long as payment has been made to our family for the delivery of young Master Solomon. And now the procurement of Ms. Harlowe here. Of course. Your father has been more than helpful in this enterprise. The man with the perfectly groomed beard snapped his fingers, and one of the dark suited men produced a plain brown envelope from his suit's interior pocket. That should cover the monetary end of our bargain. The other Items your dear paterfamilias requested will be delivered once we have safely delivered the girl to the City of Brotherly Love. Agreed. The elegant, bloodless woman nodded and smiled without showing her teeth. The brown envelope disappeared into her valise. Agreed. Bonaparte. Locke slapped the table with enthusiasm. Very well then, Ms. Harlow. I will see you bright and early on the morrow, and then we will be on our way to a joyous reunion with my nephew and his family.
Rachel Harlow
I can hardly wait, sir.
Narrator
Good, good. That smile appeared again, anxious and greasy. Do have her look more presentable, would you, Miss Gray? We. We have standards where we're going. Of course, Mr. Locke. Bonaparte Locke and his men filed out of the room. Miss Gray turned her steely eyes on Rachel. All pretense of affability sh shed like an ill fitting. Mask up, girl. Miss Gray opened the door and peered out into the hall. Goodman, Cyrus see the witch back to her cell. The hulking guard led Rachel down the narrow stairwell that led to the cells where she and Mr. Fields had been held for the past month or so. With Cyrus behind her, there was no chance of running back up. The man blocked the passage like a steam engine in a tunnel, chains rattling as he unlocked the door at the.
Steve Schell
Foot of the stairs.
Narrator
He shepherded her across the threshold. Usually this early old jailer Goodman Winston would be there to clap her in a leg iron and lock her in her cell, but there was no one in sight as they entered the low stone room. The air was even colder than usual. While the cells were located deep beneath the surface of the mountain, the eastern wall faced out into the open air of a she into the valley below. Long iron grated transom windows were cut along the top of each cell, the bars leaving enough space for limited ventilation but not truly enough to stir the air, which made the draft that currently chilled the space that much more unsettling. Winston. Winston, where are you, you old drunkard? If on the job, asleep you are, swear, do I the last time it will be. Goodman Winston did not answer. As Cyrus crowded her down the walkway between the rows of cells, a heavy, coppery odor reached her nostrils. For the first time, Rachel began to consider that perhaps something was wrong here. The sight of Goodman Winston sprawled on his back on the floor of Rachel's cell confirmed it. The old drunkard, as it turned out, was not asleep. The skin of his neck was torn to ribbons, and his eyes stared emptily out of a face that had frozen in a rictus of terror. There was strangely, though, very little blood by the rock. Murder Know I not how managed you this witch, but burn for it you will. Goodman. Cyrus. Threats were cut short when a shadow moving at near light speed streaked from the narrow window above. A window Rachel noticed, whose iron grating had been torn away and cast into the void below and landed on the big man's chest. Within seconds he too was on his back, his throat a jagged gash of spouting blood. Rachel screamed, and the creature that had just slain both of the men charged with keeping her imprisoned turned its face to look at her.
Songwriter/Performer
Sh.
Narrator
Keep quiet, Rach. We gotta get you out of here.
Songwriter/Performer
Skeeter.
Narrator
Her friend grinned at her, his mouth a bloody wheat field of needle sharp teeth. It had only been a month or so since she'd seen him last, but he seemed different, a little taller. The old hand me downs from Granny Ambergi had been replaced with a once clean, well fitting shirt and trousers. They were still homespun, nothing fancy, but very clearly made with care. Gazing down at the two dead men at her feet, Rachel mused he'd clearly been eaten better as well.
Rachel Harlow
What in the world are you doing here?
Narrator
Questions later. Get out now. The young scion of the night folk was a blur as he scooped her up like a babe in arms and leapt for the narrow window ledge above them. With a bit of wiggling through the narrow gap and extensive promises that he would not drop her, Skeeter hefted Rachel piggyback style and launched himself into the night, leaving the hospitality of the rock behind. The next morning when Jack was led into the council chamber, he found his representative seated at their assigned table, but no sign of Rachel Harlow. No one would tell him or his counsel what had happened to the girl, and he doubted he'd ever know. It's a damn shame. He liked the little witch and felt badly for the girl. She had no business getting dragged into all this. He'd not had a job go this sideways in a long time. Preoccupied with his concern for the girl, Jack only half listened as one of Polly Barrows Hollow men offered testimony alleging that he had interfered in the perfectly legal practices of Barrow Mineral Resources as they attempted to conduct a lawful transaction with an independent contractor who unfortunately could not be here to testify because she had been mysteriously killed in the process. According to Henricus Crane, Jack had used his gifts to cheat in a gunfight that cost BNL a considerable number of employees. Crane's testimony was followed by the recitation of a litany of so called wrongs committed against the Barrow family by none other than pretty Polly herself, the favorite child of old E.P. barrow maintained eye contact with Jack throughout her statement, a smug little smile never wavering from her pretty face. When D.L. walker attempted to cross examine the two Barrow executives, Henrika's crane simply replied to any question he was asked with a polite no comment, ma'am. Ms. Barrow, on the other hand, simply rose and walked out of the room before Dougie could finish her first question. The bailiff made no move to stop her. Dougie's eyes narrowed in irritation as she watched the tall, statuesque woman stride gracefully from the chamber. It was becoming increasingly clear that this trial was little more than a farce. Glancing over at the table where her opposing counsel sat, she noticed one of the white sashed attendants whispering to Hiram Cook. The gangly man rose excitedly from his chair, his eyes scanning the back of the room, and he motioned frantically to the attendant by the door, hissing to the man at his side, well, see them in. It's about damn time. Dougie surmised that someone had arrived to fill one of the as yet occupied chairs reserved for witnesses at the front of the gallery. Who might it be this time? She wondered thoughtfully. Some six legged beastie from the deep hollers of Isaac County? Perhaps a blind goat that spoke backwards Latin, who Jack once traded some magic beans that grew into a carnivorous briar patch that ate children? With her luck, it was probably worse. Hiram signaled to the bailiff the the Green is ready to proceed with its next witness, if it please the Rock. The bailiff leaned down to briefly confer with the woman in the white hood, who nodded slightly. Go ahead, Mr. Cook. The green calls Marigold Underwood of Oak Mountain West. Vir well, hey there, family. In the immortal words of one of.
Steve Schell
The greatest commentators of all time, business.
Narrator
Is about to pick up as we.
Steve Schell
Enter the final four episodes of season four. What will the Fire of the Mountain have to say about our man Jack, huh? What business has he had out on Oak Mountain?
Narrator
Only one way to find out. But I think y'all know that. You should have to come on back next time and find out. And I think you will. I hope you will. I'll be waiting right here, should you decide to.
Steve Schell
And now it's time for the announcement. We know many of you folks have been eagerly awaiting tickets for our 2024 national tour.
Narrator
Unhallowed grounds are available now.
Steve Schell
That's right, as in today for Patreon supporters at the $15 Bloodkin level and above. You can find the Patreon pre sale code over@patreon.com Old gods of Appalachia for the rest of the family. Tickets will be on sale Friday, April 5th at 10am local time for your venue of choice. You can find links to purchase those.
Narrator
Tickets on our website.
Steve Schell
Old gods of appalachia.com tour again, old gods of appalachia.com Tour and folks do be sure you use the links we posted on our website. We had some folks last year report paying exorbitant prices because they got hoodwinked by resellers. Don't you fall for their tricks, family. Don't fall for the dark trying to bilk you out of money and not even sell you tickets. Go over to old gods of appalachia.com tour and be sure you're getting your tickets direct from the Source. And this is your holy hellbenders on Harley Davidson's how is it Almost the end of Season four Reminder. The Old Gods of Appalachia is a production of Deep Nerd Media, distributed by Rusty Quill. Today's story was written by Steve Shell and Cam Collins. Our intro music is by brother Landon Blood and our outro Music Atonement is by Brother John Charles Dwyer. The voice of D.L. walker is Cam Collins and the voice of Rachel Harlow is Sarah Doreen McPhee. We'll talk to you soon, family.
Narrator
Talk to you real soon.
Songwriter/Performer
One night upon its life May it always swing swift and true. May it ever swing swift and true. The bridge won't move without its roots the bridge won't move without its rules. Tears won't bloom without its rs Surely it will show the rotten truth Always it will show the rotten truth.
Steve Schell
It.
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Old Gods of Appalachia: Episode 66 - "Night Comes to the Rock"
Release Date: April 4, 2024
Introduction
"Old Gods of Appalachia" is a horror-anthology podcast produced by DeepNerd Media and distributed by Rusty Quill. Set in an Alternate Appalachia, the series delves into the eerie and supernatural elements lurking beneath the mountain hollers. Episode 66, titled "Night Comes to the Rock," continues the saga with intense courtroom drama, supernatural confrontations, and deepening mysteries surrounding the enigmatic character Jack Fields.
Setting the Scene
The episode opens beneath the ominous mountains of Pennsylvania or West Virginia—places shrouded in mystery and ancient lore. A clandestine trial is underway in a hidden chamber, where various factions within the dark community gather to witness the proceedings against Jack Fields, a figure synonymous with deceit and supernatural dealings.
Key Characters Introduced:
Courtroom Confrontation
The trial serves as the central hub for unfolding tensions and alliances. D.L. Walker boldly questions the prosecution's case, highlighting the lack of credibility in their claims against Jack. At [05:06], D.L. Walker asserts:
"Harbinger, I fail to see how you can give a single, solitary ounce of credibility to Mr. Poe's grievance." (05:06)
This line underscores Walker's skepticism towards supernatural claims, positioning him as a rational force amidst the occult drama.
Ms. Gray, referred to as the Harbinger, challenges Walker's understanding of ancient compacts, insinuating a disconnect between human affairs and supernatural obligations. Her response at [06:16] reflects disdain:
"You don't even believe that." (06:16)
The courtroom atmosphere becomes tense as Walker's dismissive attitude towards dark practices provokes hostility from Ms. Gray and her allies, culminating in verbal and physical confrontations.
Supernatural Intervention
As the trial intensifies, Rachel Harlow's presence becomes pivotal. Silenced throughout most of the trial, Rachel's invisibility in the public eye shifts when Jack leans in to reassure her at [13:03]:
"You all right, girl, the way she's got you? Shut up out there." (13:03)
Her subsequent capture by Goodman Cyrus leads to a sinister encounter in a secluded room, revealing Rachel's deep connections to the supernatural world. Bonaparte Locke, a seemingly benevolent figure, offers Rachel an escape to Philadelphia, but ulterior motives surface, hinting at dark bargains and family debts. Locke's manipulative nature is evident when he states at [19:11]:
"I believe you are one of his dearest friends and he has missed you terribly." (16:45)
Rachel's skepticism grows as she realizes the precariousness of her situation, leading to her rescue by Skeeter—a young scion of the night folk. Skeeter's heroic intervention at [24:25] exemplifies the precarious balance between human and supernatural alliances.
Escalation and Chaos
The episode reaches a climax with Rachel's dramatic escape from her cell, facilitated by Skeeter. This act not only disrupts the established order but also signifies the escalating conflict between the human and supernatural factions within Appalachia. The reappearance of Skeeter, transformed and more formidable, introduces new dynamics and potential alliances.
Jack's return to the council chamber the next morning reveals the trial's fragile state. Witness testimonies from Henricus Crane and Polly Barrow expose the convoluted web of accusations against Jack, though Polly's sudden departure casts doubt on the trial's legitimacy. D.L. Walker's frustration builds as the proceedings degenerate into disarray, highlighting the inefficacy of human attempts to regulate supernatural entities.
At [29:07], Steve Schell's interjection teases the impending conclusion of season four:
"The greatest commentators of all time, business." (29:07)
Musical Interludes and Atmosphere
Throughout the episode, original songs by the Showrunners and performers like Brother Landon Blood and Brother John Charles Dwyer enhance the dark and haunting atmosphere. These musical pieces, including:
serve to underscore the themes of hidden truths, ancient grudges, and the ever-present threat of darkness lurking within the Appalachia setting.
Climactic Conclusion
As the trial spirals further into chaos, the arrival of Marigold Underwood of Oak Mountain West marks a significant turning point. Her introduction suggests the emergence of new adversaries or allies, setting the stage for future conflicts. The episode concludes with unresolved tensions and the promise of deeper explorations into Jack's dealings on Oak Mountain, leaving listeners eager for the next installment.
Notable Quotes
D.L. Walker at [05:06]:
"Harbinger, I fail to see how you can give a single, solitary ounce of credibility to Mr. Poe's grievance."
D.L. Walker at [06:17]:
"I might not hold with the woo woo nonsense my mother and sisters practiced when I was little, but I can tell when someone's lying."
Marcy Walker at [08:12]:
"Shut your mouth, you shit-stained possum." (08:12)
Rachel Harlow at [13:22]:
"I'm fine, Mr. Fields. Don't you worry about me." (13:22)
Bonaparte Locke at [16:45]:
"Solomon? You mean Jonah? You're Jonah's uncle." (16:45)
Rachel Harlow at [19:11]:
"Are we leaving right now, Bonaparte?" (19:11)
Bonaparte Locke at [19:15]:
"I will see you bright and early on the morrow, and then we will be on our way to a joyous reunion with my nephew and his family." (19:15)
Themes and Insights
"Night Comes to the Rock" explores themes of power, deception, loyalty, and the fragile boundary between the human and supernatural realms. The courtroom serves as a microcosm for these themes, where characters navigate complex alliances and confrontations. The episode delves into the consequences of ancient debts and the lengths individuals will go to protect their kin and interests.
The interplay between rational skepticism (embodied by D.L. Walker) and blind adherence to dark traditions (represented by Ms. Gray) highlights the ongoing struggle between modernity and ancient beliefs within Appalachia. Rachel Harlow's character arc introduces a personal stake amidst the broader conflicts, emphasizing themes of rescue, friendship, and survival in a world fraught with unseen dangers.
Conclusion
Episode 66 of "Old Gods of Appalachia," "Night Comes to the Rock," masterfully intertwines courtroom intrigue with supernatural elements, advancing the overarching narrative of Jack Fields and his entanglements. The episode balances intense dialogue, suspenseful action, and atmospheric music to create a richly immersive experience. As the trial teeters on the brink of collapse and new characters emerge, listeners are left with compelling questions and anticipation for the unfolding saga in the dark heart of Appalachia.
Episodes and Production Notes
"Night Comes to the Rock" marks the culmination of season four, transitioning into the final four episodes of the season with promises of revealing new layers to Jack's enigmatic history and his connections to Oak Mountain. Production credits highlight the collaborative efforts of Steve Schell and Cam Collins in writing, with performances by Sarah Doreen McPhee as Rachel Harlow and Cam Collins as D.L. Walker. The haunting melodies provided by Brother Landon Blood and Brother John Charles Dwyer further enrich the storytelling.
Support and Engagement
Fans eager to delve deeper into the world of "Old Gods of Appalachia" can visit the official website at www.oldgodsofappalachia.com and engage with the community through social media platforms. Supporters can join the Holler subscription service for exclusive content, ad-free episodes, and more at oldgodsofappalachia.com/the-holler. Merchandise and additional content are available to enhance the listener's experience and connection to the series.
Looking Forward
As season four approaches its finale, "Night Comes to the Rock" sets the stage for climactic revelations and confrontations. The intricate web of alliances and enmities promises a thrilling continuation, with the fate of Jack Fields and Rachel Harlow hanging in the balance. Listeners can anticipate unraveling mysteries, deepening character arcs, and the ever-present shadow of the Old Gods looming over Appalachia's darkened hills.