Episode 76: The Good Son

Summary

Old Gods of Appalachia - Episode 76: "The Good Son"

Release Date: February 14, 2025
Host/Author: DeepNerd Media
Production: Distributed by Rusty Quill

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Introduction

In Episode 76, titled "The Good Son," Old Gods of Appalachia delves deep into the haunted landscapes of central Appalachia, weaving a tale of family, dark rituals, and ancient curses. This episode marks the conclusion of the first arc of Season Five, setting the stage for a riveting anthology of standalone stories that explore both familiar and uncharted territories within the eerie Appalachian mountains.

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Plot Overview

Setting the Scene (00:00 - 06:19):

The story opens in Baker's Gap, Tennessee, 1989. Kelson Stallard waits anxiously in a Motel 6 parking lot, eager to reconnect with his wife and concerned about his father's visit. As Kelson engages in a mundane phone conversation with his wife, Pearl, he notices suspicious movements in the parking lot. Two men, dressed absurdly in Halloween costumes—a Dracula-esque figure and a knight from Monty Python—approach his vehicle with ill intentions. Kelson's instincts as a former forest ranger kick in, prompting him to confront the intruders, only to realize their disguises are merely a facade.

The Encounter Escalates (06:30 - 15:30):

Kelson's confrontation with the disguised men quickly deteriorates as Crystal Blankenship, a strong and resourceful young woman, resists kidnapping. Her fierce struggle leads to Cowboy Abshur, a central character with a mysterious past and supernatural abilities, intervening. Cowboy's internal turmoil is revealed through vivid flashbacks, showcasing his cursed ability to see and interact with the dead—a trait that has both protected and tormented him throughout his life.

Journey to Death Island (15:30 - 31:05):

The tension intensifies as Cowboy and his companions, including the reluctant Archie Stallard and the determined Cody Blevins, prepare to venture into Death Island—a site laden with personal history and supernatural significance. Memories of Cowboy's childhood and the tragic loss of his family to dark forces haunt him, underscoring the ominous nature of their mission. As they navigate the treacherous landscape, the characters' pasts intertwine with present dangers, hinting at deeper connections and unresolved conflicts.

Confrontation with Scotty Blankenship (31:05 - 54:33):

Upon reaching Death Island, the group encounters Scotty Blankenship, the antagonist leading a fanatical cult. Scotty's gruesome self-mutilation and unwavering devotion to dark rituals expose the depth of his corruption and the sinister forces at play. A tense standoff ensues, culminating in Scotty's betrayal and attempts to harness ancient powers through blood sacrifices. The island becomes a battleground as supernatural entities are unleashed, leading to horrifying devastation among Scotty's followers.

The Battle Within and Resolution (54:33 - 60:53):

In a climactic twist, Cowboy Absher grapples with an inner darkness personified by an entity taking control of his body. Supported by the spectral presence of his deceased friends and family, Cowboy fights to reclaim himself and thwart Scotty's malevolent plans. The ensuing battle between Cowboy's combined human strength and the unleashed supernatural horrors results in a harrowing showdown that tests the limits of loyalty, power, and redemption.

Epilogue and Transition (60:53 - End):

The episode concludes with Cowboy being restored to his true self, rescuing Ms. Bell, and overcoming the dark entity threatening him. As the immediate threat subsides, the narrative hints at future challenges and the continued battle against ancient evils lurking in Appalachia. The host, Steve Schell, provides a seamless transition, teasing the next arc of the season and encouraging listeners to engage with the show's subscription service, "The Holler," for exclusive content.

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Key Characters and Development

• Kelson Stallard: A concerned husband and father, Kelson's protective instincts drive him to confront the mysterious men in costumes, revealing his courage and resourcefulness.

• Cowboy Abshur: The protagonist with a haunted past, Cowboy's supernatural abilities and inner demons are central to the narrative. His journey reflects themes of redemption and the struggle between light and darkness.

• Crystal Blankenship: A formidable young woman whose resistance against kidnapping showcases her strength and determination, adding complexity to the antagonist's plans.

• Scotty Blankenship: The antagonist leader of a dark cult, Scotty's gruesome rituals and obsession with ancient powers highlight the pervasive evil within the Appalachian setting.

• Archie Stallard and Cody Blevins: Supporting characters whose loyalty and bravery contribute to the unfolding drama, illustrating the bonds of friendship and family amidst chaos.

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Themes and Insights

• Family and Loyalty: The episode underscores the lengths to which individuals will go to protect and support their loved ones, even when faced with supernatural threats.

• Good vs. Evil: A classic struggle plays out between the protagonists and the dark forces led by Scotty, emphasizing the eternal battle between light and darkness.

• Redemption and Inner Demons: Cowboy's internal conflict and eventual triumph reflect the journey of overcoming personal curses and seeking redemption.

• Cultural and Supernatural Folklore: The rich Appalachian setting provides a backdrop steeped in local legends and supernatural elements, enhancing the horror-anthology aspect of the podcast.

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Notable Quotes

• Kelson Stallard (04:18):
  "No, not me. They done up. Now y'all go on. I'll be there if you need me, one way or the other."

• Cowboy Abshur (15:30):
  "He can't believe that was supposed to be an actual exchange of hostages. They don't have any intention of giving Ms. Bell back. They just want me to come to them."

• Scotty Blankenship (39:12):
  "An angel without wings, with no harp nor singing choir, but an angel all the same. An angel that spared the righteous and laid low the wicked."

• Cowboy Abshur (41:19):
  "Not yet. You stay away from her. You hear me? I said get back."

• Scotty Blankenship (47:20):
  "We have no use for you."

• Host Steve Schell (60:53):
  "I'm right here, Ms. Bell."

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Conclusion

"The Good Son" masterfully intertwines personal vendettas with ancient supernatural lore, creating a gripping narrative that keeps listeners on the edge of their seats. The episode's rich character development, intense plot twists, and atmospheric storytelling exemplify Old Gods of Appalachia's prowess in the horror-anthology genre. As Season Five progresses, listeners can anticipate more standalone stories that delve deeper into the dark and mystical corners of Appalachia, each promising to unravel new mysteries and evoke spine-chilling emotions.

For those eager to continue following Cowboy Abshur and his companions' harrowing adventures, subscribing to Old Gods of Appalachia's "The Holler" offers exclusive content and early access to upcoming episodes. Visit www.oldgodsofappalachia.com to join the family and immerse yourself further into the dark heart of Appalachia.

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Support and Merchandise:

• Subscribe to The Holler: oldgodsofappalachia.com/theholler
• Patreon: www.patreon.com/oldgodsofappalachia
• Acast Support: supporter.acast.com/old-gods-of-appalachia
• Merchandise: www.teepublic.com/stores/oldgodsofappalachia

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Disclaimer: Old Gods of Appalachia is a fictional horror-anthology podcast that may contain material not suitable for all audiences. Listener discretion is advised.

Transcript

[Steve Schell]

Well, hey there family. Steve Schell from Old Gods of Appalachia here. If you're listening to one of the earlier episodes of our show, those before the beginning of season five, you may hear us talk about supporting the show through our Patreon. I'm just popping in to let you know that Patreon is going away. We just launched our very own subscription service, the Holler. The Holler is powered by Supercast, a platform built from the ground up for podcasters and their listeners. We think you're going to like it a lot. So if you'd like to support the show and enjoy ad free episodes, exclusive storylines and more, visit oldgodsofappalachia.com the Holler and join the family today. You can find that link in the show Notes of every episode ACAST powers the World's Best Podcasts Here's a show that we recommend. Hey everybody, I'm Naomi Egan. And I'm Andy Beckerman. We're a real life couple and a real life couple of comedians and we're the hosts of the podcast Couples Therapy. We're the only comedy relationship podcast ever. Yeah, I said it and we're so good. We've been written up in both the New York Times and we made Grindr's list of top podcasts. Yes, we're giving you that high, low appeal trust on the show. We talk to guests like Bob the Drag Queen, Angelica Ross Bowen, Yang, Janelle James, Danny Pudi, Darcy Carden, Paul F. Tompkins, and more. All about love, mental health and everything in between. And we answer your relationship questions. We are two unlicensed comedians just trying to help you out. So open your hearts, loosen your butts because we got a lot of laughs and a lot of real talk just for you. Download Couples Therapy Wherever you get your podcasts, ACAST helps creators launch, grow and monetize their podcasts everywhere. Acast.com Old gods of Appalachia is a horror anthology podcast and therefore may contain material not suitable for all audiences. So listening discretion is advised. Baker's Gap, Tennessee, 1989 Kelson Stallard gazed out the window of his room at the Motel 6, holding the phone between his shoulder and cheek as he slid his calling card back into his wallet. He let his eyes take in the scenic view of the parking lot while he waited for the miracle of modern long distance to manifest and connect him to his wife. Over in Blackmore, Virginia. There were a handful of cars and trucks scattered across the wide swath of pitted asphalt. Couple of family sized sedans were parked outside of Two of The rooms downstairs, 118 Wheeler, stood like a bulwark in the hazy lights at the edge of the lot. The remaining three were pickup trucks, two parked side by side bearing the name of an out of town business and the other near his own trusty Isuzu Trooper. It had taken him a solid half hour to get from Big Gap Road back to the motel and Kelson was already regretting allowing his father to stay and visit with his old school teacher and her nephew. If he wanted to pick his dad up by any respectable time, he'd have to turn right back around and head back over there after this phone call. As his eyes roamed over the vehicles outside, he thought he spotted movement in the shadows where the glow of the towering metal halide sentinels gave way to the darkness of the abandoned lot between the motel and the main road. He squinted and moved to get a better look, but as he did, the call connected and his wife's voice drew his attention away from the window.

[Kelson Stallard]

Oh, hey, honey. Yeah, we made it. No trouble at all. Easy drive all the way. Oh yeah. Telling stories and doing his thing. You know how he is. Nah, he did good. It bothered him a little bit, but. But he's all right, I think. Oh yeah. Good turnout. Dad got to see a lot of old friends. In fact, he's over at his old school teacher's house right now. She's known dad since he was a boy. Yeah, I know, right? I was surprised he wasn't the oldest one there too. How was your day? You let the dog out?

[Steve Schell]

Kelson's gaze wandered back out the window as Pearl reported on the doings of her day and what the dog was up to. He noticed that movement again. This time he could see two people, men by the look of them, wandering amongst the parked cars. One of them drifted close to an old Subaru and peered in its window. The other waved him over in the direction of the space where the trooper sat. Kelson tensed. He did not come all the way out to the ass end of nowhere just to get his car broken into. He dealt with this kind of thing before on the campgrounds of the national forest near home, and it was never fun. Hey.

[Kelson Stallard]

Hey, Pearl. Girl. I'm sorry to cut you off, baby, but I gotta run. It's a bit of a drive back out to where I left dad and I think I'm gonna hit the pals. Dad hardly ate anything today and I figured a couple of big piles with cheese and a shake would see him, right? Uh huh. I know I know, cholesterol, blah blah, blah. Well, maybe we'll split them.

[Steve Schell]

Kelson could see clearly now the men were hovering around his vehicle, one moving around the back and inspecting his tag, then glancing around the lot before motion into the second. The other man began to jimmy the driver's side door. Kelson swore under his breath.

[Kelson Stallard]

I gotta go, babe. I'll call you before we head out in the morning, okay? Love you too. Bye.

[Steve Schell]

He dropped the handset back into its cradle, grabbed his keys and bolted out the door leading to the shared balcony on the second floor. He could clearly see the men had his door open now.

[Kelson Stallard]

What the hell y'all doing? Get the hell outta there.

[Steve Schell]

Kelson made for the stairs, pounding down to the ground floor and into the parking lot. He was no more than 20 yards away from the scene of the crime when he hollered again.

[Kelson Stallard]

Y'all better leave that car the hell alone or you're gonna regret it. And I ain't talking about the law.

[Steve Schell]

Kelson broke into a run and expected the two strangers to do the same. But they did not. They just stood there with nothing but the cool evening air and a late model Silverado between them and him. The two men glanced up from their thievery as Kelson slowed to a stop. What the hell? They both appeared incongruously to be dressed in Halloween costumes. He could see that the one playing lookout had on a cape with a high collar with his face painted up like Dracula or some shit. Even more ridiculously, the smaller of the two wore a chainmail hauberk and crusader's tabard straight out of Monty Python. It was the stupidest thing he'd ever seen, and he'd seen a lot in his days as a forest ranger. Kelson switched into good ol boy mode, hoping to head off the escalation of hostilities.

[Kelson Stallard]

Oh hey now, boys, if y'all hightail it now, ain't nobody gonna get hurt.

[Steve Schell]

The knight looked him up and down nervously, clearly surprised at how tall a man Kelson Stallard was up close. The count peered up at him with fear in his heavily mascaraed eyes.

[Kelson Stallard]

Just step away from my trooper and we'll call this a misunderstanding. Y'all just get, and we'll say no more about it.

[Steve Schell]

They were just kids. Kelsa could see that now that he was closer. How shabby and silly their outfits were and how scared they were once confronted. What he could not see was the bigger older man who slid from behind that late model Chevy Silverado wearing heavy brass nugs. And after that, Kelson didn't see anything for a while when the walls close in and the light gets swallow and there ain't no place that feels like home the ones you love turn into strangers and you cast your eyes through the winding road Keep your foot on the gas, your eyes straight forward Clear your heart and mind Best leave them ghosts behind when the hearth grows cold and home is nowhere Then you might as well when darkness calls, run like hell. Cowboy Abshur sighed as he stepped down from the cab of the diesel behemoth that had carried him back to the one place he thought he would never lay eyes on again. The sights and sounds of this place wrapped on a dozen doors inside his mind, and he was tempted to let a few of them fly open. They'd come in through the reservoir entrance proper, the same path he and Floyd had walked long ago when the lake itself had been the rendezvous point for the weekend expedition. An owl called from over his left shoulder, and he recalled. If he started walking up the hill through those woods, he'd eventually come to the backyard of a little shotgun house that once belonged to Tim and Marie Duncan, Shane's grandparents. The Duncan's cozy kitchen had been the site of some of the best meals Cowboy had ever eaten. Shane's mamaw and papaw had always been kind to him, never treating him any differently from any other youngin who showed up for Sunday dinner. When he looked back over the lake, he could see the changes that had come to Bear Creek Reservoir over the years, with both the passing of time and the less graceful touch of men in the lines of power and death before him. He could see the way the landscape had been twisted and mangled to suit the needs of residents of the surrounding county who, to be fair, just wanted clean drinking water. When Cowboy had lost his first family to the pale woman in the woods, whatever strange mark she had placed on him had shifted the way he saw the world. He was given a second lens through which to see it, a lens that let him see the bending blade of time as it passed and would pass through all that he loved. That lens laid bare the secrets of both life and the grief. Cowboy learned that some places would trigger his second sight no matter how hard he tried. Sights that held too much death, such as graveyards, or the deep places in the woods where generations of critters and wild things had laid down. Their bones were the most common. With his sight fully open, he could see those lost things deep beneath the cold, dark earth, feel them lift their eyes to him like watchful hounds guarding their master. The darkness locked inside him would call to those long, still beings, waking them from their final repose and putting them on notice should the curse he carried call for them to rise. For a long time. Once the dark aura of protection that surrounded him in those moments was engaged, Cowboy had no control over what happened next. He had seen it manifest in different forms over the years on that long ago night on the reservoir. He had not been awake when it happened, but Floyd had told him about the great beast that rose from the heart of Death island, about how it both saved and nearly killed them all. But that wasn't quite right, Cowboy corrected himself. He hadn't been knocked out or merely sleeping that night on the island. He'd been dead. The black shadow that had terrorized Kurt Kilgore since the death of his father had smacked young Cowboy so hard that his neck snapped and he. He died. He felt the light leave his body like a candle guttering on a windowsill, and for a moment there was nothing but a smothering darkness that seemed to bloom from within him like a dense fog. No light, no air, no sound, just a thick softness as though somebody had swaddled him in a quilt made of midnight. For a moment all was peaceful and still and he knew and felt nothing. Then his eyes had opened and he saw the other side of the veil. He saw the old black door standing wide just for him, saw the hands of his mama and his papaw reaching out from just beyond its threshold. And then the pain came and the door slammed shut with a heavy final iron clang. He'd watched his adopted daddy, a blacksmith by trade, bend metal with a white hot flame and a hammer a hundred times, and that's what this had felt like. Lightning, fire, and wind slammed into his tiny frame and dragged him back to the world of the living, breathing and whole but seared around the edges as if fresh from the force. That night felt both like yesterday and a hundred years ago. He swore he could hear his friends cutting up as they made their way across Copperhead's den, laughing as Shane spun yet another yarn about Dirk Rockbone and his adventures along the native people of the land. He could almost hear Archie grousing and bossing everybody around, Cowboy mused wistfully. He jerked abruptly from this reverie as he realized that was, in fact exactly what he heard. Y'all wait up a minute. Lord, some of us have aged in the past 60 years, Kid, Cowboy realized. He'd drifted away from the truck, coming almost to the water's edge, and Cody Blevins had followed in his wake, Archie brought up the rear, limping noticeably. I swear to Christmas, kid, you're trying to kill me.

[Cowboy Abshur]

Sorry, Arch. Are you okay? You're limping a bit there.

[Steve Schell]

Mind your business, kid. I'm fine. Cody Blevins looked Archie up and down inside. No disrespect, Mr. Stallard, but I don't think you're gonna be up to all the hiking and climbing we're gonna be doing tonight. I've been making my way out in these woods before you ever thought of boy. Don't you tell me. Ain't no shame in getting old, sir. Ain't nothing wrong with being stubborn neither. But you gotta have sense. My old man's the same way. He almost learned the hard way last time. My dad said he was fine. We were out hunting a thing and had been stealing goats or toward hogskin. Tracked it back to its lair and we thought we had it dead to rights. But Daddy's knee gave out as we made our move. If that booger had been a least bit quicker would have got us both. We got lucky. You think that's what we're up against over there? Boogers and haints and such? We won't know what we're dealing with till we get there. Might be spooky shit. Might just be regular old folks who like hurting people. I couldn't tell you which one's worse. Neither one of them are gonna give you a timeout if your hip locks up on you.

[Cowboy Abshur]

He's got a point, Arch. Listen, we need somebody out here to go for help if things go wrong. What if Mr. Blevins here gives you his keys and you be our wheelman? How's that sound?

[Steve Schell]

I got a set of walkies in the truck. We can leave one with you and holler if we need you to go get the law. Archie Stallard bit his bottom lip as he molded over his hip. Did hurt like hell. And that was just from the ride out here. All right, fine. But if y'all get lost out there cause I ain't with you, that's on y'all. You hear me?

[Cowboy Abshur]

I hear you, Arch.

[Steve Schell]

Scotty said you'd know where to meet him. Poked at you about your brother. You know where he meant?

[Cowboy Abshur]

I believe I do, unfortunately. Let's go check on our guests in the back of the truck and get this over with.

[Steve Schell]

The three men made their way back up to Cody Blevins crew cab. The big man regarded his rear bumper for a thoughtful moment, then turned to Cowboy. We're gonna have to help him out of the back of the truck the way I trussed him up. So if you'll be ready to help me and Mr. Stallard, sir, if you'd cover them with a shotgun, I'd appreciate it. Archie nodded solemnly, taking the weapon. I imagine they'll be pretty disoriented, so it should be the easy part. Once we're on the move, I'll take the gun, if you don't mind, to help them up if they start to trip. Cowboy nodded and Cody raised his voice to call through the tailgate. All right, y'all, we're gonna help you out of there. I don't want no fuddy business. I'mma open the camper and drop the tailgate. Just slide down on your butts till your legs hang over the edge of the bed and we'll help you up from there. Agreed. Don't start no trouble. Won't be no trouble. Y'all hear me? There was a muffled from Bryce Adams. Crystal Blankenship, as had been her custom thus far, remained silent. Cody put the key in the lock and turned the handle. The instant the latch was clear, the glass panel snapped up hard, clipping the big man in the face. Cody staggered back as Crystal dove through the open space. Landing on all fours, she managed to free herself from her bond. Somehow her wrists were raw and bleeding and Cowboy had just time to register these details before she was on her feet, lunging for the woods. Instinctively, he made a grab for her. Crystal juked right and when Cowboy moved to block her, she shifted back left. Archie Stallard froze in the moment, the shotgun forgotten in his hands as the wild eyed girl screamed like a panther in the night and charged straight at Cowboy, her hands outstretched to claw at his face and eyes. Cowboy caught her wrist and there was a brief struggle. But Crystal Blankenship was country girl, strong and broke free, aiming a vicious rabbit punch at his face. Her bony fist found its mark, smashing his bottom lip against his teeth. Cowboy touched his mouth, staring in shock as his fingers came away bloody. His gaze returned to Crystal, his eyes widening with dawning horror. Crystal crowed in triumph. What now? Y'all think you're so big and bad kidnapping a girl you surprised when she fights back, huh? Cowboy didn't have time to explain. He could feel the power inside him rising to answer the question, threat reaching down into the darkness of the soil that surrounded Bear Creek Reservoir. The ground beneath Crystal's feet began to stir. Brambles that hadn't been there a moment earlier writhed about her ankles and the sound of skittering claws and chewing mouths whispered from below. The girl screamed as something that might have been a rat if it had possessed fewer eyes and legs scurried across her feet. The earth around her churned as more claws tunneled their way to the surface. Recovering, Cody started toward the girl, but Cowboy cried out, cody, no.

[Cowboy Abshur]

Don't go near her. Crystal, don't move. Just nobody move.

[Steve Schell]

Cowboy Apsher extended his hand in the direction of the space where the girl stood. He closed his eyes and concentrated. The air around them shifted, growing heavy with the smell of rotten leaves and freshly turned loam, and something growled as the power pushed back against him. He breathed heavily, exerting his will, pushing it down into the dark earth. Gradually, the scent began to fade.

[Cowboy Abshur]

Crystal, when I say go, run. Run as far away from me as you can. I know you're going to want to run to your uncle, but don't. I think I've got it under control. But if I ever see you again, I can't promise that you'll be safe. Do you understand me?

[Steve Schell]

Crystal Blankenship stood frozen in place, staring down at her feet in horror as the mass of brambles and hungry bones fade back into the ground. She didn't seem to hear him. What the hell was that? It looked like like the shotgun roared and Crystal screamed, nearly falling over in fright. Archie Stallard had found his trigger finger at last. The man said, run, girl. Now get. Archie racked the pump action once to emphasize his point, and Crystal Blankenship sprinted for the tree line. Cody sighed. You know she's just going to run to her uncle anyway.

[Cowboy Abshur]

Did you honestly think this was going to be an actual exchange of hostages, Mr. Blevins? They don't have any intention of giving Ms. Bell back. They just want me to come to them. So let's give them what they want.

[Steve Schell]

Easy now, kid. You sure you're okay? What just happened here was an awful lot like, you know, back when we were kids.

[Cowboy Abshur]

I'm. I'm fine, Arch. I've learned to reel it in when things like that happen. She caught me off guard is all. I'm all right.

[Steve Schell]

Cowboy squeezed his eyes shut, then opened them again, shaking his head, attempting to clear the hidden world from his field division. Cody turned to Bryce, who had managed to struggle up to a sitting position on the tailgate and was staring off in the direction his girlfriend had played, looking shell shocked. Well, hell, I guess it don't make much sense to drag you along with us at this point. You mind keeping an eye on him, Mr. Stallard? Archie nodded it's fine. He don't look like he got much fight left in him. No way. Let's get y'all situated in the truck, then we'll set up the walkies and get this show on the road. Cody Blevins popped the driver's side door open and checked Bryce's bonds, ensuring that, unlike crystals, they would hold, and helped the young man into the backseat of the cab. For his part, Bryce was wise enough to keep quiet and do as he was told. Then Cody put the key in the ignition and the CB radio crackled to life. Breaker, breaker, Eddie Kodiak, you got your ears on out there? Come on back now. Over. Cody Blevins snatched up the microphone from the dash and leaned in. We hear you, Good Shepherd. I believe we're pretty close to where you asked us to go. You want to come on out and see about swapping this missing property? Over. Oh, Kodiak, y'all are in the neighborhood, but you're gonna have to come up on the porch if you want to talk about missing property. Seems like we keep finding yours all over the place. Listen here. Say hi to your daddy, boy. Huh? What?

[Kelson Stallard]

Dad, if you can hear me, don't come out here.

[Steve Schell]

I'll be fine. But you stay away. You hear me? Stay away. Chaos. Cale, boy, are you okay? Well, it's just a goddamn family reunion out here. Stallards, the Walkers, the Cooks, the moores. I believe Ms. Fletcher's a Metcalf on her mama's side. All the old blood gathered out here on the water. You know the place, don't you, Mr. Absher? Come on out now. We don't want to start the party without you boys. But we will. Over. Now the radio fills silent, and Cody switched the truck. Back off. Archie's eyes were wide, simmering with rage as his hands clutched the shotgun. They got my boy. They got Kelson. I. I'm going with y'all.

[Cowboy Abshur]

Arch, we talked about this. You can't make it all the way up there on foot.

[Steve Schell]

You'll fall and get hurt and end up like your brother. No, not me. They done up. Now, you boys go on. I got an idea of my own.

[Cowboy Abshur]

Archie, please.

[Steve Schell]

I ain't gonna go climbing no rocks or any of that foolishness. Kid, I'll be there if you need me, one way or the other. But y'all get. I'll see you on the other side. And with that, Archie Stallard walked away from the truck, heading in the direction of the boat dock, quickly vanishing into the surrounding night. Cody produced another shotgun from the back of the truck, this particular model featured a file down barrel that Cowboy was pretty sure wasn't legal. Damn it, Arch, let him go. We gotta get a move on. Cowboy glanced across the lake to where the island loomed in the distance. The memories that flitted through his mind helped center him. Before the Night of the Wolf, this had been a happy place. A place of trust and secrets kept. This was the place where he and Floyd had truly become brothers and had shared that bond with the others. This was their place. This was his place. And he would be damned if he let Scotty Blankenship or anyone else spoil that. The journey to Death island seemed much shorter than the cowboy remembered. Granted, he'd been a child the last time he'd been here. Single file across the top of the earthen dam, laughing as Dallas pretended to push Shane over the edge. As he walked down the wide and well maintained trail that now led from the dam and water treatment plant, he remembered being little. He kept close to his big brother, listening in to the low private conversations Floyd and Kurt had had about older boy stuff. Kurt's daddy's death, the girl that seemed to like Floyd and what to do about it. He felt privileged to have witnessed his friends growing up and at the time wondered what it would be like for him when he was older. Little had he known at the time what a long and complicated journey that would be. Before he knew it, the cliffs of Dirk Rockbone rose before them. Or just the Rockbone Cliffs as Shane had called them in his stories as a child, they had seemed a nigh insurmountable obstacle. These moss covered sentinels were slippery as all heck to climb if it had been damp at all and they were high enough for a youngin to really get hurt if he should fall. They didn't seem so high now and much like the island wasn't really an island, the cliffs weren't really cliffs. They were just some rock formations that crested the hill leading down to the place that Kurt Kilgore had dubbed Death Island. Cowboys stared at the ground at the base of the rock. It was here that his brother Floyd had tried to climb the cliffs one last time and failed. His sight flickered and he could see just for a moment, Floyd and Kurt helping his 10 year old self up the rock face. It seemed so real. At least as real as any vision of a decaying future his strange cursed side had ever shown him. He allowed himself just a moment to savor it, then blinked and shook his head. And the ghosts of his past were gone. You all right, Mr. Absher?

[Cowboy Abshur]

Oh, yeah. This was just for Floyd.

[Steve Schell]

Oh, right. I don't mean to rush you, but.

[Cowboy Abshur]

No, you're right. Let's keep moving.

[Steve Schell]

So up and over the cliffs they went, back down and around to the final approach to the island. Once they cleared the rocks and the short, swampy patch of trail beyond them, there was a steeply dropping passage that could only be taken by one boy at a time. It was only a handful of rapid steps, but if the lake was up, there was water to either side filled with God knew what. The island itself lay ahead. When Cowboy and Cody reached this final passage, they paused. Cowboy had opened his mouth to explain how to approach this next part when two things happened. First, it occurred to him that Cody Blevins had grown up in Baker's Gap and was no stranger to the island. Second, he saw Floyd and Shane. Each of them may be 14 years old, coaxing a younger version of himself down the slope. He could not hear them, but he remembered that day well. He had taken his first steps onto the narrow path when Floyd gave him a little push and he slid faster than he'd ever moved in his life toward Shane shepherd, waiting at the base of the steep hill in the vision before him. Shane caught him just before he teetered over into the stagnant muck on the right hand side of the trail. They all laughed and cheered, and Cowboy watched as Shane pulled his younger self into a tight bear hug. He smiled fondly at the memory. Then a third thing happened that Cowboy could not have foreseen. Shane looked up at him and winged. Cowboy started in surprise and Cody Blevins put his hand on his shoulder. Easy there, old timer. You remember how to get down? When Cowboy turned back, the path was dark and empty, water from the lake glistening on its slick surface.

[Cowboy Abshur]

I was wondering if you knew your way around out here.

[Steve Schell]

Cody Blevins just chuckled. It's smaller than it used to be. South end got washed out when they changed the dam back in 75 or so, but yep, this was the best spot to sneak a few cold ones when I was in high school. Course, there's all kinds of other stories about this place if you know who to ask. Without another word, Cowboy set his feet to the scurrying measured steps required to make it safely down the passage and onto Death Island. Before he can even take a breath of that turpentine and dead trout scented air, a great battle unfolded before his eyes. He and his friends were locked in a great sword fight, the Knights of the Hillbilly round table engaged in great deeds of valor. He knew this day. This had been about an hour before he died. He watched as Shane called for a halt and everybody looked around. Though the action unfolded silently before him, Cowboy knew Kurt had just pointed out that it was getting dark. It was time to put their swords away and head home. Tears pricked in the corner of his eyes as his younger self handed a short little homemade sword to Shane, who would hide them all in the hollowed out tree trunk they had called the armory. All too soon Kurt would notice the shadow and everything would change forever. Cowboy stepped forward as if he could stop the scene from proceeding, watching as all the boys turned to look at what Kurt was pointing at. All of the boys except for Shane. Instead of following the others, Shane turned to look right at Cowboy. He held up a hand and gave the sign the boys used when they were about to ambush the enemy or do anything that might get them in trouble if they were called. A closed fist pulled down the signal for Be ready. As quickly as the vision had appeared, it was gone, and Cowboy saw the island as it was now. It was no longer the wondrous safe haven of his childhood. It was smoky and musty and dark, save for the sickly smolder of a campfire that burned somewhere deep within the stand pines. They'd taken a few steps into the grove, Cody at the ready with his shotgun. Cowboy fighting to keep his vision clear of lines of power and visions of the dead, when a voice unfurled from the darkness like a snake from a tree limb. That's far enough, Bear. Cody Blevins, former football teammate, stepped from the shadows, a.38 snub nose in his hand. He was wearing an unbuttoned flannel shirt that hung a size or two too big on his lean frame. A tall, rough looking man in camo and work boots stood at Scotty's shoulder, his own shotgun trained on Cody. Put the gun down and walk away, Cody. This don't concern you. This here's between me and your new friend. You made it my concern when you and your little bed of trick or treaters kidnapped Ms. Bell. Scotty. Scotty shrugged. Ms. Calloway's just fine. Victor here will take you right to her. Won't you, Victor? The man with the shotgun grunted.

[Cowboy Abshur]

Do as he says, Cody. I'm sure we can work this out.

[Steve Schell]

Scotty grinned and gestured at Cowboy. Boy with the revolver. See, Bear? The abomination here can be reasonable. Why can't you? Scotty Blankenship held out his hand and begrudgingly, Cody Blevins handed over his weapon. Oh, this is a nice piece, Bear. Your daddy does a real fine job filing his down, don't he? Come now, march. Scotty and his man Victor walk behind Cody and Cowboy, herding them around the next bend and into the clearing that had stood at the heart of Cowboy's childhood. What lay before them now, however, was no place for children to play. It was a landscape dredged from the bowels of the deepest and darkest hell. A bonfire smoldered in a low pit at the center of the clearing, casting a greasy orange glow over those in attendance, both living and dead. In a rough circle around the fire, several corpses in various stages of decay and dismemberment had been placed at even intervals. As they stepped into the light, a woman's body was being lowered into a shallow grave. In the dim light Cowboy could see that her throat had been slashed and her hands were missing. She wore a bloodied sweatshirt that read ASK ME ABOUT MY German shepherd in gold letters across the bright blue fabric gone dark with gore. Two more men carried a rotund older man dressed in head to toe denim. The sleeves of his jacket were covered in various novelty patches featuring off color jokes. The one on his chest read inexplicably, the hog is feral. His beard and mouth were matted with blood and fragments of broken teeth. He bore a single small caliber gunshot wound to the temple, which must have come as a mercy after what he'd endured before it. Cody Blevins cursed and spat the dog lady. Really, Scotty? And what the hell did Old Possum ever do to you? You lost your damn mind, son. Oh, Bear, I was lost. But now I'm found. Come on, boys, let's join the others. They made their way deeper into the pines where a dozen or so men and women milled about, attending to the odds and ends of what was clearly some sort of ritual. Bones of both animals and people had been arranged and careful patterns and constructs. Some hung like mobiles over a crib from the lower branches of the ancient trees. Each pile was ringed with a white powdery substance that connected it with its neighbor in lines so disconcertingly straight cowboy figure they must have been drawn with the aid of a yardstick. At their center was a second low burning fire, and there on either side of it were Bill Calloway and Kelson's Towers Ballard. Both had been bound, Ms. Bell sitting slumped but upright, looking uncomfortable, while Kelson lay unconscious on his side, snoring. What are you hoping to achieve here, Scotty? You done killed a bunch of people. Her own niece is out here running around barefoot and scared to death in the woods cause of you. Hell, her boyfriend is definitely gonna tell the law everything he knows. So what in the devil's fiery asshole could be worth all this? Scotty Blankenship chuckled. I'm glad you asked, Bear. I really am. See, there are those of us who have been abused and beaten down by them that has money, power, position, and privilege. Those of us with grievances against the world that we had no way to seek remedy for. There are those of us against whom the deck has always been stacked. Hell, you could argue the ol Appalachia fits that bill. In my mamaw's younger days our people prayed and they prayed for deliverance. They prayed until their sweat fell like great drops of blood. And lo, lo, an angel come unto them. An angel without wings, with no harp nor singing choir, but an angel all the same. An angel that spared the righteous and laid low the wicked. A loving mother who carried a babe in her arms and showed us her love by setting right the wrongs that had befallen those who loved her.

[Cowboy Abshur]

You're wrong, son. You're so wrong. Honestly, it hurts my heart.

[Steve Schell]

Silence, you apostate. If you are who we think you are, then you have borne her blessing for generations and have done nothing with it. If you are, as our prophecies indicate, her her chosen son, and you are a traitor to this faith. And today you will meet your reckoning. And once you do, oh, I will ascend to be her good son and carry out her will. All across the world the blood of wolves and lambs alike have been spilled. The old blood and the new will soak this place and that which dwells in you will abandon your heretic bones and come to rest in my prepared vessel. Scotty tore off his flannel shirt with a dramatic flourish, revealing the ruin beneath. His chest had been flayed. Blood had congealed in long rivulets where strips of his skin had been cut and stretched like belt loops from shoulders, shoulder to shoulder. Through those freshly opened wounds had been woven strips of thorny briars and fragments of bone. Illegible symbols were painted over his belly with a dried and rusty ichor whose source was better left unimagined. Dark mud had been spread all over his forearms, so it appeared as though he himself might have crawled from the grave. Cody Blevins could hold his tongue no longer. Scotty, what have you done to yourself? Have you lost your goddamn mind. You have no idea what sort of things you might be playing with out here. Revealing his self, mutilation seemed to sever the final tether holding Scotty Blankenship's facade of sanity together. His eyes grew wide and wet, and he waved the.38 in Cody's general direction. Oh, I know exactly who I'm playing with, as you call it, Bear. I know exactly what I'm doing. And I'll be happy to add some Blevins blood to the mix if you don't shut your ignorant heathen mouth.

[Cowboy Abshur]

Now calm down, Good Shepherd. Nobody needs to get shot.

[Steve Schell]

Gotti took a deep breath, releasing it slowly, his hand steadied. His voice was calm when he spoke again. Well, that's a matter of opinion, ain't it, son? Then he turned to Cowboy, pulled back the hammer of his revolver, and pulled the trigger. The shot echoed across the lake and the world seemed to freeze for a long moment. And then, for the second time in his life, Cowboy Absher fell to the soft pine floor of Death island and died. Bill screamed. Cody lunged forward, trying to reach his side, but two of the bigger men in Scotty's entourage tackled him to the ground. No. Oh, Scotty, you poor stupid boy. What have you done? There was a thrum of power and the whole island shook beneath their feet. The night seemed to deepen around them, the firelight growing dim and the shadows darkening as a foul wind began to blow from the east. I've done what I was born to do, Belle Calloway. I've slain the imposter and will now receive her blessing. Watch. You watch now. With the shedding of his blood, the lines that connect our offerings will burn with black fire and the peace of our mother hidden inside him. Well, the earth shook again, the bones hanging in the trees rattling like wind chimes, and the wind itself picked up and a sound like thunder opened across the lake. The noxious breeze scattered the ash and lime that Scotty's followers had used to mark the ground. No black fire sprung up from their scratching offerings, and the offerings that Scotty and his followers had strewn about the island lay still and cold. Somewhere a tree cracked and fell, its echoing crash like mocking laughter, and then there was silence, a suffocating absence of sound that hung oppressively over the island. Scotty looked around as did his followers, waiting for a sign, watching for some indication that all their dark and bloody work had not been for nothing, and they turned their eyes to the man their leader had shot, who lay still on the ground. No one daring to breathe. Then Cowboy Absher sat bolt upright. He made no sound. He turned his head this way and that to take in the crowd that had gathered around him. Him then rose carefully to his feet. At first, aside from the bloody hole marrowing his formerly neat white dress shirt, there was no sign Cowboy had done anything more unusual than choose an odd spot for a nap. Not until they got a look in his eyes. The bright blue orbs had gone an unnatural black from pupil to sclera, and what looked out from behind them was not Cowboy at all. As he rose to his feet, it became more clear that something was very, very wrong. Whatever looked out from behind Cowboy's eyes moved as if it wasn't used to wearing a human body. It stared down at Cowboy's hands, flexing the fingers experimentally. Cowboy's head cocked to one side curiously.

[Cowboy Abshur]

What have we here?

[Steve Schell]

Cowboy? Cowboy, honey, are you all right?

[Cowboy Abshur]

The one you call Cowboy is unavailable at the moment, and ones who seek to harm him end up speaking with me in the end. This is the first time I've had the run of the store, so to speak. I rather like it. Your Cowboy will be back. Fear not. Actually, I suppose you should fear. You should be very afraid.

[Steve Schell]

Scotty Blankenship threw himself at Cowboy's feet, his arms wide, his chest bleeding openly, joy washing over him like the rapture had come. O Spirit of our Mother, hear me. I am your true vessel, your good and faithful son. Leave the prison of that ungrateful heathen's wretched form and cleave in my flesh. We will do great works together. Let what has been planted in the dark earth bloom at dawn. The thing that was not Cowboy scowled at Scotty Blankenship, clearly unimpressed by the shirtless, bleeding man.

[Cowboy Abshur]

What would you have of me? Abandon the post I was set to guard? You foolish monkeys. You think we are cattle to be.

[Steve Schell]

Traded, but we have followed the teachings. We have obeyed the law. Sit down in the Good Mother's name. We have spilled blood. So much blood. Please, Please. This is what is right. Come unto me as my mamma foretold, and let us be as one.

[Cowboy Abshur]

Oh, you made offerings. You conducted your sad, little meaningless rites to honor us. You shed blood in our name, spoiled your hands in the hopes of redemption. You want us to raise the the dead and set things right. Well then, little Ap, let us see what we can do.

[Steve Schell]

The thing wearing Cowboy Ab sure turned and sauntered back through the pines to the spot where Maureen Fletcher, the Dog lady to the thoughtless and unkind and Possum had been haphazardly interred. It gazed down at the fresh grave, reaching up to touch the rapidly closing wound in the center of Cowboy's chest. It held his bloody hand out over the grave, allowing two drops of blood to fall on the shared resting place of Scotty's unfortunate victims. The freshly turned earth began to churn, steaming in the cool night air, as the flesh of men and bones of creatures lost to time answered its call. There was a roar deep within the earth, and then something that was neither the dog lady nor old Possum tore its way into our world. What climbed out of that unworthy grave was not the risen forms of two innocents who had been sacrificed, but a hulking beast with two exposed spinal columns twisted around each other like some mockery of a caduceus. Its bloated arms and legs consisted of petrified roots and the rich black loam that had filled their grave. Its face was a twisted amalgamation of Maureen Fletcher and the maw of some massive hound that probably had walked these hills since the Appalachian stretched as high as the rock. Four eyes stared out of it, blazing with an orange light. Clumps of dirt rained from its massive form as it shook itself at a distinctly canine gesture and let loose a blood chilling howl. The ground at its feet began to seethe and buckle again, heralding the arrival of a dozen such patchwork dogs, each more horrific and strange than the last. They ranged in size from a towering bull mastiff like thing complete with a crown of horns, to a pack of tiny rat dogs with toenails like kitchen knives. Each gave an answering howl as it clawed its way from the earth, and then, as one, they set upon the congregation of Scotty Blankenship's followers like a pack of coyotes on a warren of rabbits. The thing that was not cowboy turned back to Scotty, who had worship followed in its way. It cupped his face almost gently in one hand and turned his head to face the slaughter. Scotty tried to wrench his gaze away, but the thing held him fast. There were no survivors as the screams gave way to whimpers and the whimpers faded to silence. One by one the dogs disintegrated back into the earth, returning to their disparate parts. The thing made of old Possum and Maureen Fletcher slumped back to their burial plot, collapsing into a heap of bone and blood and shredded organs and began to rot. Scotty Blankenship had begun to weep. Now, now, sh. Enough.

[Cowboy Abshur]

If I were to forsake my given purpose, why would I trade one ungifted meat cage for another.

[Steve Schell]

The flat black eyes that gazed out of Cowboy Abshur's handsome face bored into Scotty Blankenship as it raised a hand. The vines of thorns woven in Scotty's flesh began to writhe in response, pulling the terrified man first onto his tiptoes and then into the air. His back arched as he hung, suspicious, suspended by his own tearing and bleeding chest. And then the brambles turned inward on the leader of the congregation of Peter's Brands, hunching through his rib cage and lungs like a hunting knife through the sidewall of a deflating tire. The vines burrowed into his flesh, knotting around one another, and then they began to move, forming a conveyor belt of gore and thorns that tore up and around, in and out through Scotty Blankenship's body like some hellish roller coaster. His screams echoed across the clearing, louder than any that had come before. They seemed to go on for an eternity until Bell Calloway had to turn away. She could hear Cody Blevins retching quietly in the grass. Finally, whatever was riding Cowboy raised a hand and the motion stopped. It took a long moment to admire its handiwork and then raised Cowboy's index finger, waving it in the air like a conductor with a baton, and those dead, lifeless eyes met Scotty's one final time.

[Cowboy Abshur]

There's not a scrap of power in you or any of these pathetic little sycophants. We have no use for you.

[Steve Schell]

Please, I just wanted to. There was a sound of rending flesh and a mist of dark blood as the rope of thorns began to twist again, faster and faster, too fast for the naked eye to even follow, and tours Scotty Blankenship apart the thing that was not. Cowboy gave a contented sigh and steepled the young man's fingers together as it turned back to the guttering campfire and the retired schoolteacher who sat bound in its fading glow. Bill Calloway edged away as it crouched down to meet her eye.

[Cowboy Abshur]

But you, you, Sarah Avery, you burn bright before us. You always have. We have been looking for you for a very long time.

[Steve Schell]

You. You stay away from me, you bitch. Cowboy? Cowboy, are you in there? Please, can you hear me? Deep within the darkness of his own body, Cowboy Abisher stirred. How long had he been gone? This time? He could feel his body had almost finished healing. There was a dull ache in his chest, and he moved to rub it, to soothe it, but his hands would not obey. He tried to look down but saw nothing but murky darkness. With an effort, he tried to open his eyes. And slowly, begrudgingly, his vision returned. He saw Ms. Bell on the ground before him. She was all right. But why did she look so scared? She was apparently unharmed. Then he felt it. The dark thing that kept him from harm, the thing that she had planted in him with a kiss when he was just a child. It was all around him. He was waking up. He was healed. The pain should bring him back into his body. But something was wrong. He could see his own hands reaching for Ms. Bell, but not by his own will. Cowboy felt its intent, and his blood run cold. It might not be willing to move to an ungifted host, but one with the potential power of the Walker bloodline. No. No. That could not be allowed to happen. He strained, but nothing happened. He screamed, but there was only silence. He was lost, lost in the dark, all alone. He felt panic rising within him. And then. Then a voice came from his left. Fear not, young adventurer, for you are not alone. Stand fast and all will be well. Cowboy thought he must be losing his mind. It was Shane, or Shane's voice, at any rate, in the grand, theatrical cadence he used when telling his stories. Then, in his more usual tone, it came again. Just a little bit longer, buddy. And one by one they came. Kurt Kilgore, followed by Dallas Shepard and then his brother Floyd. None of them spoke except Shane, but Cowboy could feel their presence beside him in the darkness, pushing that alien power away, lending Cowboy their strength as he strained to regain command of his body. Damn it, Dallas. I think all of us have to be here for this to work. The shade of Dallas Shepard nodded and held up one finger as if asking for patience. A moment later, the buzzing of an outboard motor came from just off the left of his field of vision. The whirring of the engine died, and there was a soft thunk of a boat coming to rest on the shore and feet splashing through the shallows. Kid? Hey, kid, where are you? Archie. The real Archie limped through the weeds and into view. His eyes widened and his mouth fell slack as he took in the destruction and horror that had been visited upon the place. And then he saw his friends, all of them as they were in their prime and also as they had been when they died. Cowboy saw them all as the young boys he remembered from their childhood, but Archie had known each of them all the way to their respective ends. It was also clear to him that Cowboy was not right, and there was some purpose in their gathering. And though he did not fully understand it, he moved to stand with them, stiff hip be damned. He heard Shane's voice call out, now, Dallas, now. And the memory or ghost or whatever it was of Shane's cousin whistled hard through his fingers. Cowboy heard the skittering of claws and the running jingling of dog tags as a familiar spectral shape blew past Archie Stallard, nearly bowling him over. Shane laughed. I love it when he does that.

[Cowboy Abshur]

Sam. Oh, hey, boy.

[Steve Schell]

We're all here now. Come on, kid. Cowboy pushed at the thing whose powers surrounded him and felt the combined will of his friends, his family, and this place surge into him, adding their strength to his. The thing that had been riding his body scream.

[Cowboy Abshur]

Not yet. You stay away from her. You hear me? I said get back.

[Steve Schell]

The ground shook and that thunderous boom sounded across the island once more. The boys of Death island, standing together one last time, poured everything they had into their youngest companion and in doing so vanished into the East Tennessee night like a sweet summer wind, the sound of sands booming Baroo carrying them on to wherever came next for them. All except Archie, who spotted his son on the ground near the fire and rushed to his side. Kelson was beginning to stir, and Archie spoke soothingly to him, pulling out his trusty pocket knife to saw at the nylon rope that bound him. Cody Blevins, no longer restrained by the two members of Scotty's cult, had hastened to Ms. Bell's side and began working to free her as well. Belle breathed a sigh of relief as she felt the presence of whatever had been driving her Former student recee. Cowboy Absher, for his part, lost his balance and fell to the ground beside her. Cowboy, honey, are you okay? Are you with us? There was a long silence as Cowboy remembered how to breathe. He looked up at her with clear, sparkling blue eyes.

[Cowboy Abshur]

I'm right here, Ms. Bell.

[Steve Schell]

The woman who was once Sarah Avery pulled Cowboy into a tight hug and whispered, I'm all right. You're all right. Come on now, sugar. Let's get out of here. There is a curse upon my head every awakened breathing. Well, hey there, family. So how did that hit you? Y'all all right? If you ain't, you will be. It has been an absolute joy to come back to Baker's Gap and Death island to see our boys at the end of their respective roads, and I appreciate y'all coming with me now. This does close out the first arc of season five of Old Gods of Appalachia. Run like hell Now. This season, Remember, is a true anthology and will feature standalone stories that will roll through both familiar and unfamiliar places so now we're gonna take a little bitty break and come back to you with a whole new story from your beloved hedge witch and mistress of the Dark, Cam Collins. So to be clear and explicit, the second arc of season five will begin on Thursday, March 6, 2025. If you want that a day early, you can make sure that you've joined us in our paid subscription service, the Holler. There are hours and hours of exclusive storylines to fill that extra week of waiting before we come back with a whole new tale. Just head on over to oldgodsofappalachia.com theholler to move on in. And this is your did you really think we weren't gonna bring Sam into it? Reminder that Old God's Vapalacha is a production of Deep Nerd Media, distributed by Rusty Quill. Our theme song is by Brother Landon Blood and our outro music is by those poor bastards. Today's story was written by Steve Shell and Cam Collins. The voice of Kelsen Stallard is Kelson Stallard and the voice of Cowboy Abshur is Brandon Bentley. Talk to you soon. Specifically on March 6, 2025. Family talk to you real soon. Acast powers the world's best podcasts. Here's a show that we recommend. Welcome to Just A Couple Things. It's your sister, Jesse Wu. You may know me from Wild N Out, Dish Nation, All Blacks, a la Carte, and so many other platforms. Just A Couple Things is a podcast where we're dishing all things pop culture as well as comedic story times. Give my podcast a follow and make sure that you subscribe. Subscribe so you never miss out on an episode. Acast helps creators launch, grow and monetize their podcasts everywhere. Acast.com.