Nero Wolfe: The Case of the Deadly Sell Out

Summary

Nero Wolfe: The Case of the Deadly Sellout

Host: Adam Graham
Release Date: September 24, 2024
Duration: 30 minutes
Transcript Timeframe: [01:28] to [38:02]

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Introduction

In this gripping episode of Old Time Radio Nero Wolfe, host Adam Graham presents "The Case of the Deadly Sellout", a compelling mystery that delves into the shadowy world of professional boxing and the high stakes behind match-fixing. As always, Adam Graham provides insightful commentary, enhancing the listening experience for both longtime fans and newcomers.

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Plot Overview

The story unfolds with Celia Lawson seeking the expertise of the renowned detective Nero Wolfe to locate her missing prizefighter, Pepe Gato. The disappearance threatens to derail Pepe's promising career, especially with an upcoming high-stakes match against Mellish, the title contender.

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Key Characters

• Nero Wolfe: The brilliant and reclusive detective known for solving complex cases from his New York City brownstone.
• Archie Goodwin: Wolfe’s charismatic and street-smart assistant, who often takes the lead in field investigations.
• Celia Lawson: Manager of the prizefighter Pepe Gato, desperate to find him after his sudden disappearance.
• Arnold Lawson: Celia’s husband, whose alibi becomes a crucial point in the investigation.
• Jerry Fay: A mysterious figure whose involvement complicates the case further.

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Detailed Summary

[03:23]
The episode kicks off with a phone call to Nero Wolfe's office, introducing a mysterious plea for help. Celia Lawson explains that her client, Pepe Gato, failed to show up for a crucial boxing match, raising suspicions of foul play. Wolfe, intrigued by the potential complexity of the case, agrees to take it on with Archie's support.

[05:18] - [07:03]
Archie provides a detailed account of the situation, highlighting that Pepe hasn't been seen for four days despite rigorous searching. Wolfe suggests inspecting Pepe's apartment at 206A Rathbun Street, identifying it as his penthouse. Wolfe emphasizes the importance of checking Pepe's wardrobe for clues:

Nero Wolfe: "If his clothes are missing, Mr. Rainey, it would indicate that he left voluntarily and deliberately for whatever reasons he may have had."
[12:00]

[14:00] - [16:15]
Upon inspecting the penthouse, Archie and Celia discover an exquisite ladies' hat, leading Wolfe to Madame Yeta, the hat's creator. Wolfe instructs Archie to interview her, which uncovers that the hat belonged to Mrs. Larson, Arnold Lawson's wife. This revelation shifts the focus of the investigation towards the Lawson household.

[17:01] - [19:44]
Archie confronts Arnold Lawson, uncovering inconsistencies in his alibi. Wolfe's interrogation techniques shine as he pieces together the timeline and motivations, suggesting that Arnold may have had both financial and personal reasons to harm Pepe Gato. The tension escalates when Wolfe receives a cryptic call from Jerry JERI, who hints at an upcoming auction connected to the case.

[21:00] - [23:00]
At the auction, Archie engages with Jerry Fay, who reveals vital information about the murder of Pepe Gato. Through a sharp exchange, Archie deduces Jerry's possible involvement, further tightening the web of intrigue. Wolfe orchestrates a confrontation with Arnold Lawson, who becomes increasingly agitated under scrutiny.

[25:00] - [28:00]
Wolfe masterfully maneuvers the conversation to expose Arnold's motives and inconsistencies. The discovery that Celia's mother had been dead for ten years throws a wrench into Arnold's alibi, leading Wolfe to conclude that Arnold had a direct hand in the murders to protect his wife and financial interests.

[29:00] - [31:01]
The climax sees Wolfe and Archie confronting both Arnold and Celia, unraveling the layers of deceit. Wolfe's logical prowess and Archie's keen observations culminate in the resolution of the case, ensuring justice is served.

---

Notable Quotes with Timestamps

• Nero Wolfe on Taking the Case:

  "I'm fascinated by the thought of anyone misplacing a prize fighter. They're usually quite large, aren't they?"
  [03:59]

• Archie Goodwin on Payment:

  "I got a phone, Mr. Wolf. And there he was, Mr. Wolf, under the old canvas awning."
  [14:54]

• Wolfe on Marital Devotion:

  "It's known as marital devotion, Archie. I suppose you realize, Mr. Lawson, that in shielding your wife, you're aiding and abetting a murderer."
  [25:15]

• Climactic Revelation:

  "Jerry Fay saw you in the act. And when she was about to divulge your identity to Archie, you killed her too."
  [28:45]

---

Insights and Analysis

Character Dynamics:
The interplay between Nero Wolfe and Archie Goodwin remains a highlight, showcasing their complementary skills—Wolfe's analytical mind and Archie's investigative prowess. Their dialogue is sharp and engaging, keeping listeners invested in the unfolding mystery.

Plot Construction:
"The Case of the Deadly Sellout" exemplifies classic detective storytelling with its intricate plot, red herrings, and a satisfying resolution. The theme of deception within personal and professional spheres adds depth to the narrative.

Thematic Elements:
The episode explores themes of loyalty, betrayal, and the lengths individuals will go to protect their interests. The boxing backdrop serves as a metaphor for the fight between truth and deceit.

---

Conclusion

"The Case of the Deadly Sellout" offers listeners a quintessential Nero Wolfe experience, blending suspense, clever dialogue, and intricate plotting. Adam Graham's adept presentation, coupled with the stellar performances of Sidney Greenstreet and the supporting cast, make this episode a standout in the Old Time Radio Nero Wolfe series. Whether you're a fan of classic detective stories or new to the genre, this episode is a must-listen for its timeless appeal and masterful storytelling.

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Additional Host Commentary

Towards the end of the episode, Adam Graham reflects on the nuances of portraying Nero Wolfe outside his usual brownstone setting:

"One reason why they might be having him leave so often is it does show how the Nero Wolfe novels are different from other detective stories almost in one way have a divided detective, the body and the brain going separate ways and the body reporting back to the brain."
[33:01]

He also engages with listener feedback, acknowledging suggestions for future episodes and potential expansions of the podcast's repertoire, indicating a commitment to evolving and catering to the audience's interests.

---

Closing Remarks

For fans eager to dive deeper into the mysteries of Nero Wolfe or explore other classic detective tales, Adam Graham's Old Time Radio Nero Wolfe podcast is an invaluable resource. Don't forget to follow the podcast on Radio Detectives Twitter and Facebook for updates and new episodes.

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Notable Advertisements Skipped:

• Fred Meyer Thanksgiving Feast Promotion ([00:00] - [00:30])
• Geico Car Insurance Ads ([00:30] - [02:51], [02:51] - [03:23], [32:27] - [32:57], [38:02] onwards)

---

Produced and Directed by Edwin Fadiman and J. Donald Wilson. Starring Larry Dobkin as Archie Goodwin and Sidney Greenstreet as Nero Wolfe.

Transcript

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[Geico Spokesperson]

How do you feel when you switch to Geico and save on your car insurance? It's like going to work on one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says Happy Friday. Then you check your phone quickly and discover today is actually Friday. So yes, Happy Friday. Random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with GEICO feels just like that. Get more with Geico.

[Adam Graham]

Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. If you have a comment, send it to me, box 13 reatdetectives.net you can always give us a call 208-991-4783 and please cast your vote once a month for the show on podcast alley. Podcastalley.greatdetectives.net well right now on my ipod, I'm listening to and enjoying the Nero Wolf novel and Be a Villain. This one is particularly fascinating because it deals with a murder on the set of a radio show during radio's golden age. The novel was released in 1948 and be a Villain is just one of many Nero Wolf short stories, collections or novels that are available with Audible. Audible, of course, has got a lot of other titles in all sorts of categories and genres. You can try Audible out free for two weeks and get a free audio book. You can even download Andia Villain as your free audiobook. Go to audiblepodcast.com old time radio for your free trial. But let's go ahead and we will take a listen to today's Neurowolf adventure, the Deadly Sellout.

[Geico Spokesperson]

How do you feel when you switch to Geico and save on your car insurance? It's like going to work on one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says Happy Friday. Then you check your phone quickly and discover today is actually Friday. So yes, Happy Friday, random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with GEICO feels just like that. Get more with Geico.

[Nero Wolf Narrator]

Ladies and Gentlemen, the ringing of that phone bell means.

[Archie Goodwin]

Mystery adventure near a Wolf's office. Archie Goodwin speaking. You're a. And you've lost your. Oh, Archie.

[Nero Wolf]

The answer is no.

[Archie Goodwin]

Hold on a second. The answer to what is no, Mr. Wolf?

[Nero Wolf]

I should not attempt to find a blonde for anyone.

[Archie Goodwin]

You've got the man on the phone a little wrong, Mr. Wolf. He's not looking for a blonde. He's looking for a prize fighter.

[Adam Graham]

Indeed.

[Nero Wolf]

Have him come here.

[Archie Goodwin]

Okay, Mr. Wolf will see you at 8. So long. I was all set to argue with you about taking the case. You gave in too fast.

[Nero Wolf]

Nonsense. I'm fascinated by the thought of anyone misplacing a prize fighter. They're usually quite large, aren't they?

[Archie Goodwin]

They are. But what this guy is worried about is not only finding his boy, but finding him alive.

[Nero Wolf Narrator]

Ladies and gentlemen, it's the bulkiest, bulkiest, smartest and most unpredictable detective in the world. That chairborne genius, Nero Wolf, created by Rex Stoud and brought to you in a new series of adventures over this NBC network in the person of Mr. Sidney Greenstreet.

[Archie Goodwin]

The Case of the Deadly Sellout. That's what my boss, Nero Wolf, called it. And it almost meant curtains for the firm of Wolf and Goodwin. But let me give it to you straight. Right from the beginning. Although you ought to know that it wasn't until it was all over that I knew the very beginning of it myself. It all started in the New York flat of one Brock Rainey.

[Jerry Fay]

Yes, My name is Jerry Fay.

[Celia Lawson]

I'm supposed to know you.

[Jerry Fay]

Being a very good friend of Pepe Gato's, it's time you got to know me. May I come in?

[Celia Lawson]

Sure. You've got a problem, Ms. Fay.

[Jerry Fay]

Peppy took a fall at the Garden last night against a coffee and bum named Eubanks, right?

[Celia Lawson]

As far as I know. Sister got home at his match.

[Jerry Fay]

Please, Mr. Rainey, do me a favor. Skip the sausage meat. It happens. I saw the 1,200 bucks you counted out to him to take a quick dive in the first.

[Celia Lawson]

You did?

[Jerry Fay]

How else would I know?

[Celia Lawson]

Okay, then, here's my wrist. Slap it, Ms. Fay. I'm a bad boy.

[Jerry Fay]

Now look who's kidding who. I don't care if Pepe makes himself a few deals on the side. I should worry whether he gives those meat eaters on the benches a run for their ducats. What's it to me?

[Celia Lawson]

If you're not worried, sugar plum, then neither am I. Also, I'm a very busy man.

[Jerry Fay]

Not too busy to pay off, I hope.

[Arnold Lawson]

Pay off to who?

[Jerry Fay]

To me.

[Archie Goodwin]

For what?

[Jerry Fay]

For keeping it to myself that you collected five grand from the Eubanks crowd for getting Pepe to take that dive. Certain people might not like to hear it, Ms. Fay. Yeah?

[Celia Lawson]

Drop dead.

[Jerry Fay]

I don't think we understand each other.

[Celia Lawson]

Which is just as well. Now get out of here.

[Jerry Fay]

There's something.

[Celia Lawson]

Hello, bimbo.

[Jerry Fay]

Okay, Mr. Rainey, have it your way. I'll go find someone with a more sympathetic ear. Someone like Lawson. Arnold F. Lawson. So long.

[Celia Lawson]

Wait. Where does Larson come into this?

[Jerry Fay]

You asking is stalling. Lawson dropped a sizable piece of change on last night's two step.

[Celia Lawson]

No, close the door, Jerry.

[Jerry Fay]

Oh, yeah. $25,000 to be exact. That's a lot of corn to lose because a cheap fight manager arranges a frame. At least Arnold Lawson might think so.

[Archie Goodwin]

Shut down.

[Jerry Fay]

Who's tired? Look, Mr. Rainey, it goes very simply in only one way. Lawson. It yet knows from nothing except that your boy Gato lost the fight. He may suspect, but he don't know. And I really don't have to know.

[Celia Lawson]

Glad to hear you say that.

[Jerry Fay]

And I'll be glad to see the shade of 3,000 long green bank notes.

[Celia Lawson]

How much?

[Jerry Fay]

You heard me. Three grand.

[Celia Lawson]

Get out.

[Jerry Fay]

Okay, I'm going to the next phone and call Larson.

[Celia Lawson]

Look, Jerry, give me time, huh? I haven't got that kind of dough right now.

[Jerry Fay]

Tell it to Lorson when he gets through with you. You won't need any kind of dough, you know.

[Celia Lawson]

I've got Gato set for a go with Mellish, the title contender. Godo can take him. Please believe me. He's gonna take him.

[Jerry Fay]

So?

[Celia Lawson]

So, after what happened in the Eubanks fight, the odds on Gato will be like a war debt. We can clean up. We can make it.

[Archie Goodwin]

Let's deal.

[Jerry Fay]

I wouldn't trust you from 11:59 to midnight. Get it up now. I'll give you six hours. After that, Larson. So long.

[Archie Goodwin]

Come on. Come on. Hello?

[Celia Lawson]

Hello, Rainey.

[Archie Goodwin]

This is Garo. Hiya, Pimpy.

[Celia Lawson]

Look, the boys dropped in on me.

[Nero Wolf]

At the office at Mindy's.

[Celia Lawson]

Lawson wants to see me. Lawson?

[Archie Goodwin]

Look, bum, I'm the one with the cauliflower ears. You heard me.

[Celia Lawson]

What do I do? Nothing, but don't come near him. Stay home.

[Archie Goodwin]

Let me take care of it.

[Celia Lawson]

How? How? What do you do? I don't know yet, Pepe, but I'll find a way.

[Archie Goodwin]

How did he find out? Your girlfriend. What?

[Nero Wolf]

She wouldn't do that.

[Celia Lawson]

She hates the guy. Hate him or love him? She told him I Can't believe it. I suggest you call our little doll Jerry and give her your regards for the double cross. Meanwhile, stay put in your apartment.

[Nero Wolf]

Don't move.

[Celia Lawson]

But, Rainey. Hello?

[Nero Wolf]

Hello?

[Archie Goodwin]

75. 3. 3. 19, 3.

[Nero Wolf]

Archie.

[Archie Goodwin]

Mm?

[Nero Wolf]

What on earth are you mumbling about?

[Archie Goodwin]

The high cost of blunt, indeed. Oh, you can say that again.

[Nero Wolf]

I have no intention of doing so.

[Archie Goodwin]

Okay, be smug, but there must have been a time even in your life when Knick knacks from Tiffany figured on the budget. Not to mention steak dinners and champagne or. What did you feed your girls? Peppermint lozenges. Nonsense, nonsense.

[Nero Wolf]

They preferred lime.

[Archie Goodwin]

Oh, I'm dying. And he laughs. Mr. Wolf.

[Nero Wolf]

Yes?

[Archie Goodwin]

I have decided that you are giving me a raise.

[Nero Wolf]

Archie, this is not a period in which unilateral decisions are wise.

[Archie Goodwin]

So I'll be a dope and get a raise, huh?

[Nero Wolf]

As for your future mental attainments, you may be right.

[Archie Goodwin]

As for Ray, you want to drive me to gambling? Like betting on fights or going. Okay, it's the doorbell and I'm answering it.

[Celia Lawson]

The name's Rainey. You're a good one.

[Archie Goodwin]

I'm Goodwin. Come in.

[Celia Lawson]

Is Wolf in?

[Archie Goodwin]

Mr. Wolf is always in. Unlike prize fighters, I guess. Come on.

[Celia Lawson]

Thank you.

[Archie Goodwin]

Mr. Wolf, this is Mr. Rainey, the man who lost his prize fighter.

[Nero Wolf]

How do you do, sir?

[Celia Lawson]

I'm not doing so good, Mr. Wolf. You gotta help me.

[Nero Wolf]

That will depend.

[Celia Lawson]

On what?

[Nero Wolf]

The fee. I digress. Your problem is what, Mr. Rainy.

[Celia Lawson]

Mr. Wolf, I manage a fighter named Gato. Maybe you've heard of him?

[Nero Wolf]

I have not. However, that is of little significance. You are having difficulty with this Mr. Gatto?

[Celia Lawson]

I'm not having difficulty with him. I can't find him. Maybe you better let me give you the whole picture, huh?

[Nero Wolf]

Very well.

[Celia Lawson]

Well, Gato is an up and coming boy, Mr. Wolf. He had a little upset last week with a guy named Eubanks. But everybody knows, in spite of that, Goddo's heading for the big time. I think he'll prove that when he goes against Mellish.

[Nero Wolf]

Mr. Mellish being another pugilist?

[Celia Lawson]

That's right, Mr. Wolf. Now, Pepe, that's Gardo. Pepe was due at the Turf Club this afternoon to meet the opposition management and go over the setup. He was due, but he didn't show. I waited all afternoon and then I started the phone calls and taxis.

[Nero Wolf]

Results?

[Celia Lawson]

No results. I combed every joint I ever knew him to buy a beer in and the score was zero. Matter of fact, nobody's even seen him for four days.

[Nero Wolf]

You would have Tried the gymnasiums?

[Celia Lawson]

Naturally I did.

[Nero Wolf]

Does this pugilist have a home?

[Archie Goodwin]

Yeah.

[Celia Lawson]

206A Rathbun street penthouse on the roof.

[Nero Wolf]

He was not at home during all this time.

[Celia Lawson]

It's where I tried first. Was empty as a bank on Saturday afternoon.

[Nero Wolf]

I see. And you want me to fine him for you.

[Celia Lawson]

If Pepe blows this fight, Mr. Wolf, it'll ruin his career.

[Nero Wolf]

And the preservation of his career is worth a good deal to you.

[Celia Lawson]

I got a check for two grand right here.

[Nero Wolf]

Archie.

[Archie Goodwin]

I'll get it. $2,000.

[Nero Wolf]

Very well, Mr. Rainey, I should take immediate steps.

[Celia Lawson]

I got a cab waiting outside. We can get started right away.

[Nero Wolf]

We? Phew. I shall remain here.

[Celia Lawson]

But how do you expect to.

[Nero Wolf]

Archie.

[Archie Goodwin]

Yes, Mr. Wolf.

[Nero Wolf]

You will even miss to Rainey. I need information. You might try the Rathbun street penthouse to start with.

[Celia Lawson]

But I've already been there.

[Nero Wolf]

Lord, you apologize, Mr. Rainey. Suppose you restrict your activities to pugilists, Archie, as a trained observer, you are not Archie. You will pick up whatever you can at Garter's apartment. I especially suggest a careful check on his wardrobe.

[Arnold Lawson]

Wardrobe?

[Nero Wolf]

If his clothes are missing, Mr. Rainey, it would indicate that he left voluntarily and deliberately for whatever reasons he may have had. If they are not Archie, you will phone me from the apartment after your investigation is over.

[Archie Goodwin]

Okay.

[Nero Wolf]

I should, in the meantime, devote some thought to the subject.

[Celia Lawson]

For two grand, all you're going to do is devote some thought.

[Nero Wolf]

Mr. Rainey, if I were not a modest man, I would point out to you that you're getting quite a bargain.

[Archie Goodwin]

Cut off. Got home.

[Celia Lawson]

He's not here. I told you that I was up here before.

[Archie Goodwin]

He left the door unlocked.

[Celia Lawson]

I had a key. Guess I forgot to lock up after I left.

[Archie Goodwin]

Now, let's look around. Bathroom?

[Celia Lawson]

Yeah.

[Archie Goodwin]

Empty. Nice penthouse. Is that a closet? Yeah.

[Celia Lawson]

What do you think, he's playing hide and seek?

[Archie Goodwin]

Try it.

[Celia Lawson]

Okay.

[Archie Goodwin]

Anything in there? Nothing.

[Celia Lawson]

I'm looking for.

[Archie Goodwin]

What's that? You found?

[Nero Wolf]

A hat?

[Archie Goodwin]

Well, let's see.

[Celia Lawson]

Ladies hat.

[Archie Goodwin]

Yeah, Smart and expensive. Label reads a Madam Yeta original. That bunch of lace and feathers cost somebody a fast half a hundred.

[Celia Lawson]

Yeah, probably one of those girls left.

[Archie Goodwin]

It behind and maybe she'll call for it. Come on, we'll take a gander out on the roof.

[Celia Lawson]

I took a gander out there. It's bare as a bone.

[Archie Goodwin]

Uh, what have we got over there with the chimney?

[Celia Lawson]

Where?

[Archie Goodwin]

Over there?

[Celia Lawson]

Just an old awning. Got blown down in the storm last month.

[Archie Goodwin]

Be right with you.

[Celia Lawson]

What are you doing?

[Archie Goodwin]

Looking under It. Oh, brother.

[Celia Lawson]

Yeah, you found him.

[Archie Goodwin]

Yeah, we found him, chum. A little late. Two holes in his dorsal development and dead as a clay pigeon. Yeah, well, what have you got to say?

[Celia Lawson]

Well, now at least the bookies will cancel all bets. We both save our dough.

[Archie Goodwin]

Yeah. I got a phone, Mr. Wolf. And there he was, Mr. Wolf, under the old canvas awning.

[Nero Wolf]

Where's the hat? Oh, this is it.

[Archie Goodwin]

That's it, boss. Snazzy number, no?

[Nero Wolf]

Where'd you find it?

[Celia Lawson]

On the floor of the closet.

[Nero Wolf]

You're right, Archie. Frothy, a little bit of millinery caprice. Have you any idea whose it may be, Mr. Rainey?

[Celia Lawson]

I wish I did.

[Nero Wolf]

Have to find out.

[Archie Goodwin]

Well, how, boss?

[Nero Wolf]

The hat is an original. See, the label under the band reads a Madame Jeddah originally. Tomorrow morning, Archie, you will interview Madame Yeta.

[Archie Goodwin]

Yes, boss.

[Nero Wolf]

And discover in your inimitable fashion for whom she made this chapeau. Hello, Archie again.

[Archie Goodwin]

Mr. Wolf. Per your instructions, I have just talked to Madame Jetta.

[Nero Wolf]

What did you learn?

[Archie Goodwin]

Madame Jette tells me she made that hat for a Mrs. Larson.

[Nero Wolf]

Who is Mrs. Lawson.

[Archie Goodwin]

The wife of an ex beer hustler who's in the chips and puts on airs. Lives in the penthouse of the Bradford Arms. I was just about to hop a cab and go up there, boss.

[Nero Wolf]

Good. Keep this up, Archie, and through sheer practice you may yet develop a full blown intelligence.

[Archie Goodwin]

Well, I'm trying, Mr. Wolf. And after the Lawsons, I do what?

[Nero Wolf]

Return here immediately and hurry.

[Archie Goodwin]

How do you do, Mr. Larson?

[Arnold Lawson]

Oh, Mr. Goodwin, my secretary tells me you're a detective.

[Archie Goodwin]

My boss might argue with you on that, Mr. Larson.

[Arnold Lawson]

Your boss?

[Archie Goodwin]

It happens I work for Nero Wolf.

[Arnold Lawson]

I see. And you wish to see me about.

[Archie Goodwin]

About this hat.

[Celia Lawson]

Hat?

[Arnold Lawson]

Oh, I see. Well, Mr. Goodwin, please believe me, I never wear hats like that.

[Archie Goodwin]

Would your wife be likely to say the same?

[Arnold Lawson]

My wife? Just what are you getting at?

[Archie Goodwin]

Would I seem too nosy if I asked how well you and your wife know Pepe Gato?

[Arnold Lawson]

How well do we know who Pepe Gato? The pug.

[Archie Goodwin]

No, no, not such a pug.

[Arnold Lawson]

No, huh? I lost 25,000 on him in the Eubanks fight. If you ask me, he laid down like a dog.

[Archie Goodwin]

And did you talk it over with him?

[Arnold Lawson]

Talk it over with him? Never seen the man in my life.

[Archie Goodwin]

Not even at the fight?

[Arnold Lawson]

No, I placed the bet over the telephone. I'd scarcely have anything to do with a character like Gato.

[Archie Goodwin]

Mr. Goodwin, you surely won't from here on out, Mr. Larson.

[Arnold Lawson]

What do you mean?

[Archie Goodwin]

Gato is dead.

[Arnold Lawson]

You don't say.

[Archie Goodwin]

He was murdered last night.

[Arnold Lawson]

Murdered?

[Archie Goodwin]

And what would you say, Mr. Larson, if I told you that this hat is your wife's and that it was found in a closet in Gatto's apartment?

[Arnold Lawson]

Now, wait a minute. Let me get this straight. Are you implying.

[Archie Goodwin]

Not implying. Facts are sticking out.

[Arnold Lawson]

What time was this dumb brute done away with?

[Archie Goodwin]

Oh, I'd set it at somewhere between 5 and 7pm last night.

[Arnold Lawson]

You said it very conveniently. Thanks. Why, my wife and I drove out of the city at 4:30 yesterday afternoon. Didn't get back until 2 this morning.

[Archie Goodwin]

And this hat, it took wings and flew into Gato's closet. Is that the answer?

[Arnold Lawson]

No, that's not the answer.

[Archie Goodwin]

Then what is?

[Arnold Lawson]

This is a month and a half ago. I was with Celia on a bus stop. She was wearing that hat and the wind blew it off her head.

[Archie Goodwin]

I see. And from there we figured that somebody picked it up and it finally wound up at Gotham.

[Arnold Lawson]

You can figure anything you please. Personally, I don't feel in any way obligated to figure anything, darling.

[Jerry Fay]

I was just on my way out and. Oh, I'm sorry. I didn't realize you were busy.

[Arnold Lawson]

Yes, I am busy.

[Archie Goodwin]

Celia, wait a minute. He's not.

[Arnold Lawson]

All right, run along now, dear. You'll be late.

[Archie Goodwin]

But I want to talk.

[Arnold Lawson]

Run along, Celia.

[Jerry Fay]

Yes, darling. Sorry. I'll see you later.

[Archie Goodwin]

Beautiful. Really beautiful.

[Arnold Lawson]

I've always thought so.

[Archie Goodwin]

Goodwin, you didn't give me much of a chance to talk to her, did you? Larson?

[Arnold Lawson]

If I didn't, it's for your own good.

[Archie Goodwin]

My good? I don't get it.

[Arnold Lawson]

Celia's a sensitive person and I won't have her bothered.

[Nero Wolf]

And do you mean to tell me you let him scare you?

[Archie Goodwin]

Let him scare me? Say, will you stop being so fearless with my life? The guy said don't bother my wife, so I didn't bother his wife. It was that simple.

[Nero Wolf]

Apparently, his wife is not blonde. Answer the phone, Archie.

[Archie Goodwin]

No, you answer it. Now you've hurt my feelings.

[Nero Wolf]

Oh, well, hello.

[Jerry Fay]

I want to speak to Mr. Nero Wolf.

[Nero Wolf]

Mr. Wolf speaking.

[Jerry Fay]

Oh, is it true that you're interested in the Gato murder?

[Nero Wolf]

Who are you and how do you know he's been murdered?

[Jerry Fay]

The second question is none of your business. And as for the first, call me Jerry J, E, R I.

[Nero Wolf]

How do you do, Jerry J E R I. Where do you call?

[Jerry Fay]

Would you like to come to an auction?

[Nero Wolf]

An auction?

[Jerry Fay]

You know, going, going, gone, to the highest bidder.

[Nero Wolf]

And what are you placing on the auction blog. Ms. Jerry.

[Jerry Fay]

A few facts, all in good condition and guaranteed to make it a cinch to snag the Gato Killer.

[Nero Wolf]

Sounds promising.

[Jerry Fay]

Only you'll have to bid against real money.

[Nero Wolf]

May I have the address of the auction room?

[Jerry Fay]

You'll have no trouble finding it. Your assistant was there last night.

[Nero Wolf]

Where?

[Jerry Fay]

The penthouse on top of 206A Rathburn Street. The big item goes on at four bells. Yeah? Who is it?

[Archie Goodwin]

Man named wolf sent me. Dr.

[Geico Spokesperson]

Sex.

[Archie Goodwin]

Hmm. You're Jerry, huh?

[Jerry Fay]

I was expecting the man named Wolf.

[Archie Goodwin]

Unfortunately for me, honey, when he's expected, I usually show up.

[Jerry Fay]

Come on in.

[Archie Goodwin]

You see, I'm the legs of the combination. He's the brains. It makes. Makes a nice division of labor.

[Jerry Fay]

I see he came in plenty of time.

[Archie Goodwin]

On the nose is our custom. Where are the rest of the bidders?

[Jerry Fay]

Any second now.

[Archie Goodwin]

Mm. How many besides me are coming?

[Jerry Fay]

One. Small auction, but big action.

[Archie Goodwin]

How'd you happen to decide on this?

[Jerry Fay]

I knew Godo pretty good.

[Archie Goodwin]

And you were fond of him. Pretty good, huh?

[Jerry Fay]

How did you get.

[Archie Goodwin]

You got a key to this place of his, or you couldn't let yourself in? It adds no.

[Jerry Fay]

Gee, you should have been a detective.

[Archie Goodwin]

Just what I keep telling Mr. Wolf. Look. Tell me, Jerry, darling, this other person who's coming to the auction. Who?

[Jerry Fay]

The killer.

[Archie Goodwin]

You don't say. You sure the killer isn't here already?

[Jerry Fay]

Look, I didn't kill him.

[Archie Goodwin]

The story you would like me to believe is that you witnessed the killing, huh? Called The Killer and Mr. Wolf and said, come on, kids, you can get me either to talk or shut up, depending on who pays the most. Bennett?

[Jerry Fay]

Something like that.

[Archie Goodwin]

Mm. Okay. Prove you know what you're talking about. Who is the killer? Is it Block Rainey?

[Jerry Fay]

Should also have your head examined, pretty boy. I talk for dough and only for dough. Not that I'm mercenary or anything, but.

[Archie Goodwin]

Okay, okay. Tell me this. How come you saw the killer in the act?

[Jerry Fay]

Simple. I was here with Gato. Called me to come see him. While I was here, the shot came through the window there from the roof.

[Archie Goodwin]

You know something, sweetheart?

[Jerry Fay]

What?

[Archie Goodwin]

I can't understand how a girl like you, a pretty nice girl, under all that paint and powder and Broadway shellac, how you could do a thing like this. You were in love with God. Oh, I know that. Everybody does. And still you're willing to keep your mouth shut if the killer pays enough. How come? Hmm? What's the matter, honey? Did I hit a tender spot?

[Jerry Fay]

I. I don't think you understand. Sure, I was in Love with the goof. Then along comes this other dame. She's rich and beautiful and she has everything to give him.

[Archie Goodwin]

Oh, do I know her?

[Jerry Fay]

Of course you do.

[Celia Lawson]

Sherry.

[Nero Wolf]

Jerry.

[Archie Goodwin]

He was just about to tell me, and then the shot came through the window. From the roof, boss, It's a flat roof outside.

[Nero Wolf]

You didn't, I suppose he the murderer?

[Archie Goodwin]

No. I caught Jerry in my arms. By the time I laid her down on the couch and got out on the roof, the killer was gone.

[Nero Wolf]

Get right over here and bring our client with you if you can find him.

[Archie Goodwin]

Raining?

[Nero Wolf]

That's right. He has a right to be in on the kill.

[Archie Goodwin]

Okay, boss, but keep away from that beer till I get there.

[Nero Wolf]

Don't be impertinent. I should be busy phoning Mr. And Mrs. Lawson. Meanwhile, I want them here, too. Besides, one bottle won't do any har. Ah, there they are. Let them in, Archie. You remain seated, Mr. Rainey.

[Celia Lawson]

Okay, Mr. Wolf.

[Archie Goodwin]

Well, come in, Mr. Lawson. Come in.

[Arnold Lawson]

Mr. Wolf.

[Archie Goodwin]

Here. He's here. Nice of you to come.

[Arnold Lawson]

Anything to help the law.

[Nero Wolf]

Ah, Mr. Lawson, your wife didn't come?

[Arnold Lawson]

No, Mr. Wolf. She was out when you called. Sorry, I forgot to tell you. I left word with the butler.

[Nero Wolf]

However, Mr. Dawson, about 20 minutes ago, a girl named Jerry Faye was killed.

[Arnold Lawson]

So?

[Nero Wolf]

She was killed in your neighborhood. In the flat formerly occupied by one Pepe cartoon.

[Arnold Lawson]

Where would that be?

[Nero Wolf]

Maybe your wife knows where the flat would be.

[Arnold Lawson]

How dare you, sir.

[Nero Wolf]

No histrionics, please. Where was your wife when the girl was killed? I'm advising you that if there is an alibi, now's the time to state it.

[Arnold Lawson]

I wouldn't humiliate Celia by alibiing for her.

[Nero Wolf]

Then the police will pick her up.

[Arnold Lawson]

But she didn't kill this girl, Mr. Wolf.

[Nero Wolf]

You have reasons for that opinion?

[Arnold Lawson]

The best of reasons.

[Nero Wolf]

I'd be grateful if you'd state them and let me be the judge of their excellence.

[Arnold Lawson]

One should do this one. Celia's out in the country visiting her mother.

[Nero Wolf]

Oh.

[Arnold Lawson]

Does that settle it?

[Nero Wolf]

Possibly. What's her mother's telephone number? Why, a Merely a routine check.

[Arnold Lawson]

Well, can't you take my word?

[Nero Wolf]

I'll take her mother's number.

[Arnold Lawson]

Well, Mr. Lawson, I'm sorry. I hoped you'd buy this story.

[Nero Wolf]

What do you mean?

[Arnold Lawson]

Mother's been dead for 10 years.

[Nero Wolf]

I see.

[Archie Goodwin]

Well, I don't. What's the idea?

[Nero Wolf]

It's known as marital devotion, Archie. I suppose you realize, Mr. Lawson, that in shielding your wife, you're aiding and abetting a murderer.

[Arnold Lawson]

I haven't stopped to realize anything. When Goodwin brought me that hat, I didn't know what to say.

[Archie Goodwin]

Oh, you pitched me a curve then, too.

[Arnold Lawson]

Well, I suppose you might call it that, but.

[Archie Goodwin]

And she didn't lose the chapeau off a bus stop.

[Arnold Lawson]

No, but you've got to understand, Celia's the dearest thing in life to me.

[Celia Lawson]

Yeah, so is a lady rattlesnake to its husband.

[Nero Wolf]

I suggest it is time for you to be objective in this matter, Mr. Lawson.

[Arnold Lawson]

What do you want to know?

[Nero Wolf]

Tell us where she can be found.

[Arnold Lawson]

I. I have no idea.

[Nero Wolf]

When is she expected to return home?

[Arnold Lawson]

Never.

[Nero Wolf]

Oh.

[Arnold Lawson]

You see, we. We had an argument. I doubt that I'll ever see her again.

[Nero Wolf]

Then we are quite on our own, Archie.

[Archie Goodwin]

To do what?

[Nero Wolf]

To make a journey to Goddo's apartment.

[Archie Goodwin]

Goddo's apartment?

[Nero Wolf]

She probably has a key to that popular abode.

[Archie Goodwin]

But she wouldn't go there, boss.

[Nero Wolf]

On the contrary, I am of the opinion that that's just where she would go. Give me my hat.

[Archie Goodwin]

Don't tell me you're going to stir yourself.

[Nero Wolf]

Ah, it's a most unpleasant necessity, Archie. But the lady in question is dangerous and not at all hesitant about indiscriminate gunplay. Get out of the car, Archie. We'll make the journey to Rathbun street penthouse with the hope that Celia Lawson will show up in time to mourn her lost love.

[Celia Lawson]

You want me to go along with you too, Mr. Wolf?

[Nero Wolf]

Yes, indeed, Mr. Raney, I do. I trust this chair will hold me.

[Archie Goodwin]

Should biggest chair in the house, Mr. Wolf.

[Nero Wolf]

Yes, Mr. Reening.

[Celia Lawson]

Mr. Wolf. Am I to understand that the way you have it figured is that Mrs. Lawson killed Gatto and then to keep the girl from pending the crime on her, she killed her too.

[Nero Wolf]

What's the matter, Mr. Rainey? Don't you think the theory holds water?

[Celia Lawson]

Well, yes. I mean, of course it does.

[Nero Wolf]

Thank you. On the other hand, there is room for doubt.

[Arnold Lawson]

I'm glad to hear you say that, Mr. Wolf. Would you mind explaining?

[Nero Wolf]

I'll explain, Mr. Lawson. Mr. Goodwin was in this room when Jerry Fay was killed, right, Archie?

[Archie Goodwin]

Right, boss.

[Nero Wolf]

He ran as quickly as he could out onto the roof, but your wife was nowhere in evidence.

[Arnold Lawson]

What difference does that make?

[Nero Wolf]

A good deal, I'd say. Wouldn't you, Archie?

[Archie Goodwin]

Yes. A detail like that would give a jury room for doubt.

[Celia Lawson]

Oh, don't be a fool.

[Arnold Lawson]

How so?

[Archie Goodwin]

Rainey.

[Arnold Lawson]

I was about to agree with Rainey. I mean, on sheer logic.

[Nero Wolf]

I'm afraid I miss your point, Mr. Lawson.

[Arnold Lawson]

What if Goodwin didn't see her, that proves nothing. She fired the shots and then she ran down the fire escape.

[Nero Wolf]

What fire escape?

[Arnold Lawson]

The one a few feet beyond the chimney.

[Nero Wolf]

Mr. Lawson?

[Arnold Lawson]

Yes?

[Nero Wolf]

Who told you there was a fire escape there?

[Arnold Lawson]

Why?

[Archie Goodwin]

Yeah, who did? You can't see it from here, Larson.

[Arnold Lawson]

Well, I just imagine there might be sensationally accurate imagination.

[Nero Wolf]

Mr. Lawson. Allow me to congratulate you.

[Arnold Lawson]

I don't know what you have in mind.

[Nero Wolf]

You have in mind to see your wife convicted of the murder of Pepe Gato and so punish them both for having dared to fall in love.

[Arnold Lawson]

I love Celia. I worship her.

[Nero Wolf]

Yes, that's what you expected me to believe. Hoping meanwhile that her hat would convict her, you worshipped her until she became fascinated by a young savage animal known as Pepe Gato.

[Arnold Lawson]

No.

[Nero Wolf]

At that point the worship shifted into reverse and you went green with hate. Hate that drove you to climb that fire escape that you know so much about and shoot him in the back.

[Arnold Lawson]

You're dreaming.

[Nero Wolf]

Jerry Fay saw you in the act. And when she was about to divulge your identity to Archie, you killed her too. Meaning to hang her murder on your wife along with the other killing. That's a lie, Mr. Lawson. I didn't bring you here to apprehend your wife. There's really no reason why she should come here. I suggested this visit in the belief that you'd betray some guilty knowledge of the place and circumstances, as you have so obligingly just done.

[Arnold Lawson]

You're clever, aren't you?

[Nero Wolf]

Monumentally.

[Arnold Lawson]

But a little hasty. So why this gun in my hand?

[Archie Goodwin]

I.

[Arnold Lawson]

Haven't you noticed?

[Nero Wolf]

Of course, sir. But yours is not the only gun in the world.

[Arnold Lawson]

What?

[Jerry Fay]

Sit still, Arnold. And don't turn her off.

[Nero Wolf]

Your wife. Mr. Lawson. Come in, my dear.

[Archie Goodwin]

Celia.

[Arnold Lawson]

What are you doing here?

[Jerry Fay]

I came to get a hat that I'd left in Pepe's closet. It suddenly was clear to me what was in the wind, and I thought I'd better remove all evidence that you could possibly use against me.

[Arnold Lawson]

Cecilia, listen, you must understand.

[Jerry Fay]

I understand one thing only. Pepe's gone and you took him away.

[Arnold Lawson]

Listen, please. If you let me explain, you'll understand.

[Celia Lawson]

Yeah.

[Arnold Lawson]

Please, honey, help me.

[Jerry Fay]

Sure, I'll help you.

[Archie Goodwin]

Cecil.

[Nero Wolf]

Celia.

[Jerry Fay]

Well, that's all, Mr. Wolf. What now.

[Nero Wolf]

Archie? Why is it when you drive, it always gets so crowded outside?

[Archie Goodwin]

Will it go tough on our boss?

[Nero Wolf]

Why not kill the man in cold blood? Though she actually saved our lives while doing so.

[Archie Goodwin]

I hope that helps her at the trial.

[Nero Wolf]

I hope so, Archie. After all, if she hadn't done what she did, what would have happened to the lobster bisque?

[Archie Goodwin]

What lobster beast?

[Nero Wolf]

The lobster beast that Fritz is making for dinner. Harry. Archie, it really can't be appreciated unless it's eaten hot.

[Nero Wolf Narrator]

You have been listening to the new Adventures of Nero Wolf, starring Sidney Greenstreet. Tonight's transcribed story was based on the characters created by Rex Stout. This is an Edwin Fadiman program produced and directed by J. Donald Wilson. In the cast were Larry Dobkin as Archie Goodwin and Ann Diamond, Charlotte Lawrence, Gerald Moore, Don diamond and Eddie Fields. Next week at this same time, Nero Wolf and Archie will bring you the case of the killer card. Don Stanley speaking. Three chimes mean good times on NBC. Saturday night is date night and NBC has a lively lineup of music and fun to help your courting along tomorrow. Dennis Day brings you a melodic and mirthful 30 minutes and then Judy Canova gets together with her gang for a sparkling session of mountain style song and laughter, followed by singing MC Red Foley and his friends and that exciting parcel of western tunes and mayhem, Grand Ole Opry. Here's Sam Spade. Three chimes mean good times on NBC.

[Geico Spokesperson]

How do you feel when you switch to GEICO and save on your car insurance? It's like going to work on one one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says, happy Friday. Then you check your phone quickly and discover today is actually Friday. So yes, Happy Friday. Random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with Geico feels just like that. Get more with Geico coming up this.

[Adam Graham]

Week on the Old Time Radio Snack Wagon.

[Nero Wolf]

Well, boy?

[Celia Lawson]

Yes, Mr. Finley.

[Nero Wolf]

Where are you, boy? What about my house?

[Celia Lawson]

Well, I'll tell you, Mr. Finley, where's your word?

[Nero Wolf]

You said you'd be over with a down payment. What are you made of, boy? Rock, maple or pine?

[Celia Lawson]

Something has come up, Mr. Finley.

[Nero Wolf]

I got 15 people after this house.

[Adam Graham]

Listen to the Old Time radio snack wagon, snackwagon.net or wherever you get your podcast. Welcome back. Well, I was a bit premature when I read that when I said that this was going to be our last episode. Last week with Larry Dopkin in the role of Archie Goodwin, I was reading off the usually reliable digital daily log and as I've not yet heard the episode. So this was the last Larry Dobkin episode. And next week we'll have another Archie Goodwin, who was actually among this week's guest stars. One thing I will say is that I do think the writer's probably taking Wolf out of the brownstone too much. And this one probably had the least plausible explanation for him leaving. He was heading out from what I could understand, because he thought there might be danger. It's kind of a huh. Moment for me. I guess one reason why they might be having him leave so often is it does show how the Nero Wolf novels are different from other detective stories almost in one way have a divided detective, the body and the brain going separate ways and the body reporting back to the brain. So it's quite different from other detective shows that they've had on the air. So there may just have been a. I don't know, maybe there's some discomfort about having every episode in with a denouement in the office, but other than that, this was a good episode. We got. We got some comments here. This one comes from Wade from the app. I love your podcast. How about Morse, Scarlet Queen and Adventures by Morse? They are a favorite of mine. Well, thanks so much, Wade. To be honest, I have seriously considered and wanted to do as a bonus for the app and those who have the premium site, do the entire Adventures of the Scarlet Voyages of the Scarlet Queen, excuse me series continue to think about it. My only question, I think, is time and also listener interest in that. Usually when I played another episode of something else, it kind of ties in to our main show. The reason, of course, Voyage of the Scarlet Queen was played was that particular episode was the basis for the Johnny Dollar episode. Adventures by Morse would be difficult just because you can't really play one episode of Adventures by Morse because there are actually eight serialized adventures. But I will keep that in mind if the time and opportunity arises. I got a comment for Jesse who said, who writes first of all, Dear Adam, I just wanted to suggest an app for any of your listeners who have an ipod or iPhone. It's called OTR Streamer and you can listen to pretty much any old show on it, including comedy, westerns, drama, mystery and more. Dragnet included. That is a pretty good app, I will say. It doesn't have some of the rarer shows and it doesn't have all the episodes of the show, but I've got it on there and it's nice if you just want to download a quick episode and you don't want to get on the computer to mess with it. She goes on to say, also, I just want to tell you how much I enjoy both Dragnet and great Detectives. I think they would make a perfect trio if you added a podcast for more spy shows like I was a Communist for the FBI. You know that is actually a great thought because there are a number of shows that you could do kind of on a spy ish espionage level. I've already mentioned in recent weeks listening to and approving of Dangerous Assignment and A Man Called X. You take that with I was a Communist for the FBI and you've already got close to 300 episodes if you were doing kind of a weekly show. Gotten a lot of suggestions for listeners for our next podcast and I have to admit that is one of the more appealing ones. So once again, great suggestion and I will keep that, take that under advisement and think about that. Alright, well that'll do it for today. We'll be back tomorrow with Let George do it. In the meantime, if you have a comment, send it to me. Box13REattectives.net Follow us on Twitter at radiodetectives and become one of our friends on Facebook. Facebook.com RadioDetectives From Boise, Idaho, this is your host Adam Graham, signing off.

[Geico Spokesperson]

How do you feel when you switch to GEICO and save on your car insurance? It's like going to work on one Thursday morning and thinking to yourself, just one more day until Friday. But then somebody in the elevator says, happy Fri. Yay. Then you check your phone quickly and discover today is actually Friday. So yes. Happy Friday. Random stranger in the elevator. Happy Friday indeed. Yep, switching and saving with GEICO feels just like that. Get more with GEICO.