Ongoing History of New Music: Episode Summary – "The Second Voice"
Release Date: June 12, 2025
Host: Alan Cross
Podcast: Ongoing History of New Music by Curiouscast
Introduction
In the episode titled "The Second Voice," Alan Cross delves into the intriguing dynamics of band structures, specifically focusing on instances where secondary members step into the spotlight to deliver unforgettable performances. This exploration highlights how moments when the "second voice" takes center stage can lead to some of the most iconic and beloved songs in music history.
Spotlight on Secondary Vocalists
The Clash – Paul Simonon on "Guns of Brixton" [04:30] Alan begins by discussing Paul Simonon of The Clash, traditionally the bassist, who took over lead vocals for the track "Guns of Brixton." Cross notes, “Paul was very nervous about recording it” (04:30), but his performance became one of the few instances where Simonon led the band vocals. This song not only showcased his vocal abilities but also added a unique depth to The Clash's repertoire.
Squeeze – Paul Carrick on "Tempted" [05:30] Moving to Squeeze, Alan highlights keyboardist Paul Carrick’s lead on “Tempted,” which became the band’s biggest hit. Cross remarks, “And it's been used in TV commercials for everyone from Heineken to Burger King” (05:30), emphasizing the song’s widespread appeal and enduring legacy, despite Carrick’s brief tenure with the band.
Pixies – Kim Deal on "Gigantic" [07:14] Alan explores the Pixies’ "Gigantic," sung by bassist Kim Deal. He points out, “Kim naturally wanted to sing lead on more Pixies songs. Black Francis did not like that” (07:14), illustrating the internal tensions that can arise when secondary members step into lead roles, ultimately contributing to the band's initial breakup.
R.E.M. – Mike Mills on "Superman" [09:00] The conversation shifts to R.E.M., where bassist Mike Mills took the helm on "Superman." Alan explains, “Wonder why? Does a really good job” (09:00), noting that this was one of the only three R.E.M. tracks featuring Mills on lead vocals, showcasing the band's collaborative spirit despite initial reservations.
U2 – The Edge on "Numb" [12:35] Alan discusses U2’s experimental track "Numb," where The Edge steps out of Bono’s shadow. He describes, “It's Radiohead and fitter, happier from 1997's OK Computer” (12:35), highlighting how the Edge's unique vocal approach contributed to the song's unsettling and powerful impact.
Nirvana – Dave Grohl on "Marigold" [15:22] In Nirvana’s realm, drummer Dave Grohl sings "Marigold," a rare departure from Kurt Cobain’s usual vocals. Alan notes, “Kurt Cobain does not play on the track” (15:22), emphasizing Grohl’s multifaceted talent and the song’s significance as the only track released by both Nirvana and Foo Fighters.
Oasis – Noel Gallagher on "Don't Look Back in Anger" [18:00] Alan moves to Oasis, where Noel Gallagher’s lead on "Don't Look Back in Anger" became a British chart-topper. He explains, “Good move, too, because the first Oasis single to feature Noel became the second Oasis single to reach number one” (18:00), illustrating how Gallagher's vocal contribution was pivotal to the song's success.
The White Stripes – Meg White on "In the Cold, Cold Night" [15:22] Highlighting The White Stripes, Alan points out Meg White’s rare lead vocal on "In the Cold, Cold Night." He states, “And yes, that is Meg White singing lead” (15:22), showcasing her understated yet impactful presence in the band’s dynamic.
Sloan – Collaborative Vocals on "Commonwealth" [19:00] Sloan serves as an exemplary model of a band where every member gets a turn at the mic. Alan discusses their 2014 album "Commonwealth," noting, “Everybody gets a turn on that record” (19:00), highlighting the egalitarian approach that allows each member’s creativity to flourish.
Radiohead – Synthesized Voice on "Fitter Happier" [18:17] Lastly, Alan touches on Radiohead’s "Fitter Happier," where a synthesized voice replaces Thom Yorke. He describes it as, “a synthesized one” (18:17), illustrating Radiohead’s experimental edge and the innovative use of technology in their music.
Insights and Conclusions
Alan Cross uses these examples to underscore the importance of every band member's contribution beyond just the lead vocalist. He emphasizes that allowing secondary voices to shine can lead to unexpected and remarkable outcomes, enriching a band's musical tapestry. Cross concludes that these moments often become beloved classics, demonstrating that greatness can emerge from any corner of a group’s dynamic.
Notable Quotes
- Alan Cross [04:30]: “Paul was very nervous about recording it, but his performance became one of the few instances where Simonon led the band vocals.”
- Alan Cross [05:30]: “And it's been used in TV commercials for everyone from Heineken to Burger King.”
- Alan Cross [07:14]: “Kim naturally wanted to sing lead on more Pixies songs. Black Francis did not like that.”
- Alan Cross [09:00]: “Wonder why? Does a really good job.”
- Alan Cross [12:35]: “It's Radiohead and fitter, happier from 1997's OK Computer.”
- Alan Cross [15:22]: “Kurt Cobain does not play on the track.”
- Alan Cross [18:00]: “Good move, too, because the first Oasis single to feature Noel became the second Oasis single to reach number one.”
- Alan Cross [18:17]: “Radiohead and fitter, happier from 1997's OK Computer. It's the only Radiohead song not sung by Thom York.”
Final Thoughts
"The Second Voice" compellingly illustrates how secondary members within bands can create significant musical moments, sometimes reshaping the identity of the group itself. Through detailed storytelling and insightful analysis, Alan Cross provides listeners with a deeper appreciation for the collaborative nature of music and the hidden talents that contribute to legendary tracks.
For more episodes and detailed explorations of music history, tune into Ongoing History of New Music with Alan Cross.