Climb aboard the mothership...because we wants to funk YOU up!

This week, we celebrate the music of the P-Funk universe - revolving around the nucleus of the George Clinton-led Rock & Roll Hame of Fame bands, Parliament and Funkadelic. Joining us as our Third Lad is none other than "Kidd Funkadelic" himself, P-Funk guitar hero Michael Hampton!

Led by visionary bandleader George Clinton, the wildly influential collective known as Parliament and Funkadelic — together dubbed “P-Funk” — revolutionized funk music in the 1970s by blending deep grooves, psychedelic rock, outrageous sci-fi mythology, and fearless social commentary into a universe all their own. Featuring an ever-evolving cast of legendary musicians including Bootsy Collins, Bernie Worrell, Eddie Hazel, Michael Hampton, and Maceo Parker, P-Funk produced a staggering run of groundbreaking albums and hits that helped shape funk, hip-hop, R&B, rock, and electronic music for generations to come. Equal parts musical movement, cosmic philosophy, and extravagant stage spectacle, P-Funk remains one of the most creative and influential forces in popular music history.

After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”.

Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents.

Among Hampton’s Funkadelic writing credits are group staples like “Who Says a Funk Band Can’t Play Rock?!” and “Funk Gets Stronger”, both released during the group’s late-’70s/early-’80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop’s G-Funk movement—Dr. Dre’s “Let Me Ride” samples Parliament’s “Mothership Connection”, Ice Cube’s “Bop Gun” borrows elements of Funkadelic’s “One Nation Under a Groove”, while De La Soul’s “Me Myself and I”, Digital Underground’s “Kiss You Back”, and Snoop Dogg’s “What’s My Name?” all draw from Funkadelic’s “(Not Just) Knee Deep”.

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