42:I[185,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/0gtn0si1crxii.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/1pfyc3q3c61jb.js","/_next/static/chunks/35-gbipsuw5b6.js"],"SendEmailButton"] 44:I[63625,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/0gtn0si1crxii.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/1pfyc3q3c61jb.js","/_next/static/chunks/35-gbipsuw5b6.js"],"AddToLibraryButton"] 45:I[29721,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/0gtn0si1crxii.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/1pfyc3q3c61jb.js","/_next/static/chunks/35-gbipsuw5b6.js"],"ShareButton"] 46:I[58016,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/0gtn0si1crxii.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/1pfyc3q3c61jb.js","/_next/static/chunks/35-gbipsuw5b6.js"],"ProcessEpisodeButton"] 47:I[45269,["/_next/static/chunks/3xnt26d00_zk-.js","/_next/static/chunks/0gtn0si1crxii.js","/_next/static/chunks/42spz6paskvb6.js","/_next/static/chunks/06x30xgfe6iur.js","/_next/static/chunks/1pfyc3q3c61jb.js","/_next/static/chunks/35-gbipsuw5b6.js"],"SignupCTA"] 3a:["$","time",null,{"dateTime":"2025-10-29T00:31:02.000Z","children":"October 29, 2025"}] 3b:["$","span",null,{"aria-hidden":true,"children":"·"}] 3c:["$","span",null,{"children":"01:13:43"}] 43:T474,

On season 10, episode 9 of Paid in Puke, we're falling for John Dahl's 1993 neo-noir The Last Seduction, starring Linda Fiorentino, Peter Berg, and Bill Pullman. Fiorentino commands the screen as a femme fatale who is as brilliant and sexy as she is cold, and calculating. She steals the whole pot from a joint drug deal devised with her husband (Pullman), and hides out in small town in upstate NY. There, she passes the time with a naive townie (Berg), who eventually proves himself to be useful in ways other than sex. Dahl directed this film as a black comedy, but the script is also extremely smart and tight, making it a standout of the 90's neo-noir genre.

We have a lot of fun dissecting Bridget's schemes, appreciating her fashion and quick wit, marveling at the range of Bill Pullman, the ahead-of its time race and homophobia commentary (including a non-problematic trans character played by an actual trans woman!) and the surprising connections to Barb and Star Go To Vista Del Mar.

On the Lunchtime Poll, we reveal the aliases we would adopt if we were ever to go on the lam.