The Great Political Fictions: The Dispossessed

Today’s great political fiction is a path-breaking work of science fiction: David explores Ursula Le Guin’s The Dispossessed (1974), which imagines a world without the need for government or coercive authority. What makes this the most realistic of all utopias? How was Le Guin’s vision of anarchism shaped by nineteenth-century Russia and twentieth-century Israel? Why was her imagined version of political freedom so coloured by the Cold War? And where does Oppenheimer fit in?