Why is Trump so obsessed with the Kennedy Center?

Summary

Post Reports Summary: Why is Trump So Obsessed with the Kennedy Center?

Published on August 14, 2025

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Introduction

In the August 14, 2025 episode of Post Reports, hosted by Colby Ekowitz from The Washington Post, the focus centers on former President Donald Trump's unexpected and controversial involvement with the John F. Kennedy Center for the Performing Arts. Colby engages with features reporter Travis Andrews to unravel Trump's motivations and the broader implications of his actions on arts and culture in America.

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Trump's Takeover of the Kennedy Center

Colby Ekowitz (00:33) introduces the Kennedy Center as Washington, D.C.'s premier performing arts venue, historically supported across party lines. However, the episode delves into how Trump's recent actions have disrupted this nonpartisan legacy.

Colby Ekowitz (03:16): "So, Travis, I have to admit I was stunned when Trump announced that he wanted to take over the Kennedy center back in February. And then he actually went through with it, and he basically fired its existing board. He installed new members, and then they voted for him to become chair."

Travis Andrews (03:39) explains that Trump's appointment as the chair of the Kennedy Center's board was unprecedented. Historically, the board comprised a balanced mix of Republicans and Democrats, ensuring bipartisan support. Trump's move to replace the existing board members with his loyalists and appoint himself as chair marked a significant shift.

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Impact on the Kennedy Center's Operations

Travis elaborates on the tangible changes and challenges stemming from Trump's takeover.

Travis Andrews (05:43): "Subscriptions are down a good deal. People aren't going as much. Some of these shows that are being canceled, they're losing a lot of revenue."

The center has faced declining patronage, attributed to the politicization introduced by Trump's involvement. Performers and artists have responded variably, with some canceling their appearances to avoid association with Trump, while others choose to continue their engagements, emphasizing the importance of art over politics.

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Controversial Leadership Decisions

Trump's leadership style has introduced chaos within the Kennedy Center. Notable incidents include:

• Les Misérables Opening Night (08:09): Despite claims of record attendance, only a quarter of the seats were filled. The event was marred by a partial standing ovation and audible booing directed at Trump, signaling public dissent.

  Travis Andrews (08:43): "They were saying, f Trump. Like, loud enough that you think he could hear it."

• Renaming Efforts: House Republicans have proposed renaming parts of the center to honor Trump and his family, undermining the Kennedy Center's historical significance tied to John F. Kennedy.

  Travis Andrews (13:15): "House Republicans are like, well, let's just erase that and make this a monument to Trump."

These actions have not only alienated patrons and performers but also sparked debates about the appropriateness of presidential influence over cultural institutions.

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Broader Implications on Arts and Culture

The episode highlights concerns that Trump's interference extends beyond the Kennedy Center. Recent reports indicate his interest in overseeing Smithsonian museums, raising alarms about potential manipulation of historical narratives.

Travis Andrews (22:19): "Trump has ordered a review of the Smithsonian museums and exhibitions that I think should be troubling to anyone."

Experts warn that such actions resemble authoritarian attempts to control free speech and historical representation, drawing parallels to dictatorships where cultural institutions are tools for propaganda.

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Public and Internal Reactions

The Kennedy Center's staff and the broader arts community are grappling with uncertainty and division.

Travis Andrews (09:55) observes the internal turmoil: "Employees there have, where they working there, because it was a dream job if you were in the arts. And now they don't know what to do or what to feel or how to fight back."

The uncertainty has led to decreased ticket sales and hesitancy among donors and audiences, threatening the financial stability and cultural relevance of the center.

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Chronology of Trump's Involvement

A detailed timeline of events reveals the rapid shift in the Kennedy Center's governance:

1. February Announcement (03:16): Trump declares his intent to take over the Kennedy Center.
2. Board Replacement (11:05): All existing board members appointed by President Biden are dismissed and replaced with Trump loyalists.
3. Self-Appointment as Chair (12:16): The newly formed board unanimously elects Trump as the chairman.
4. Interim Executive Director (12:33): Trump appoints Rick Grenell, former ambassador to Germany, as the center's executive director, a position previously non-existent.

These swift changes circumvented traditional governance structures, raising questions about the erosion of institutional independence.

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Conclusion

Trump's obsession with the Kennedy Center represents a broader trend of political interference in cultural institutions. By repositioning the center to his image and undermining its bipartisan foundation, Trump has ignited a contentious debate about the role of politics in the arts. The episode underscores the fragile balance between cultural preservation and political ambition, highlighting the stakes for America's artistic legacy.

Travis Andrews (23:30) encapsulates the gravity of the situation: "It's not unusual in Russia or North Korea, but it's unusual here."

As the Kennedy Center navigates this tumultuous period, the episode leaves listeners contemplating the future of arts and culture in a politically charged environment.

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Notable Quotes

• Donald Trump (01:20): "I shouldn't make this political because they made the Academy Awards political and they went down the tubes. So they'll say Trump made it political, But I think if we make it our kind of political, we'll go up."

• Travis Andrews (05:43): "Subscriptions are down a good deal. People aren't going as much."

• Colby Ekowitz (17:30): "He's going to host the show."

• Travis Andrews (13:15): "House Republicans are like, well, let's just erase that and make this a monument to Trump."

• Travis Andrews (23:30): "It's not unusual in Russia or North Korea, but it's unusual here."

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Further Reading

For more insights into Trump's influence on cultural institutions and the evolving landscape of arts in America, subscribe to The Washington Post and explore their extensive coverage on these critical issues.

Transcript

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[Colby Ekowitz]

Washington, D.C. is of course, a political town, but it's also rich with arts and culture and history. Regardless of who occupies the White House, a crown jewel of the city has been the John F. Kennedy center for Performing Arts. The Kennedy center is this grand monument to theater and live entertainment that sits along the Potomac River. Supporting the Kennedy center has always been nonpartisan. President Donald Trump has changed that. Earlier this year, Trump was made the chair of the Kennedy center board. And this week, Trump inserted himself into its marquee event, the Kennedy Center Honors. It's a massive event that awards musicians, actors, and artists. On Wednesday, Trump did something that a president has never done before. He held a press conference at the Kennedy center and said he was going to host the show this year.

[Donald Trump]

I shouldn't make this political because they made the Academy Awards political and they went down the tubes. So they'll say Trump made it political, But I think if we make it our kind of political, we'll go up. Okay, let's see if I'm right about that.

[Colby Ekowitz]

From the newsroom of the Washington Post, this is Post Reports. I'm Colby ikowicz. It's Thursday, August 14th. Today I talk with features reporter Travis Andrews about how Trump is reshaping the Kennedy center in his image. And we'll discuss how Trump's broader goals of remaking arts and culture in America are stretching the bounds of his presidential power. Travis?

[Travis Andrews]

Hi.

[Colby Ekowitz]

Thanks for coming on.

[Travis Andrews]

No, thanks so much for having me.

[Colby Ekowitz]

So let's talk about the Kennedy Center. It's long been one of my favorite places in Washington, D.C. but for those who don't live here, what is it?

[Travis Andrews]

It's a performing arts center. It is kind of seen as America's performing arts center. It was originally conceived by President Eisenhower, and then following the assassination of John F. Kennedy, it was kind of turned into a living memorial for John F. Kennedy. And very famously, it's been a bipartisan art center that is both frequented and run by both Democrats and Republicans.

[Colby Ekowitz]

And so let's say I'm a listener and I don't live in D.C. why should I care about this place?

[Travis Andrews]

So that's a very good question. A lot of people in America probably didn't care about this place until recently. One of the things I think that's most important about it is that the idea of it was it was open to all Americans. Anyone can go there. You can visit for free. It's a performing arts center where you can go and you can see theater and you can see orchestra. The National Sophie Orchestra is housed there. You can see art of all stripes, comedy, whatever. There's artwork, there's a whole exhibit for jfk. But also it just kind of hosted great shows and became the center of kind of the arts in Washington.

[Colby Ekowitz]

So, Travis, I have to admit I was stunned when Trump announced that he wanted to take over the Kennedy center back in February. And then he actually went through with it, and he basically fired its existing board. He installed new members, and then they voted for him to become chair. I mean, he's the President of the United States. I thought he probably has other things to do. I mean, why is he getting so involved with the Kennedy Center?

[Travis Andrews]

It's a great question. I will say I was equally shocked in particularly because during his first term, President Trump showed no interest in the Kennedy center whatsoever. Every year there is the kind of the Crown event, which is the Kennedy Center Honors, and that is an annual event since 1978, in which the country essentially honors five artists or groups for their lifelong contribution to the arts. And what's special about the honors is all these artists go, but they don't perform. They sit in a box with the President and the first lady and usually the second family as well, and they are honored by their peers. It's a wonderful, beautiful black tie event every year, and president always goes until President Trump's first term and he decided not to go after Norman Lear, one of the honorees that year, was going to boycott a portion of the week that took place at the White House. And Trump said, I don't want to make this political. I don't want to get in anyone's way. At the time, that's at least what he said, and decided to forgo the honors for the next four years. So when he announced he was taking over the center, I was as confused as anybody. He seemed, so far as we know, to have never gone to the center, but we didn't have any records of him attending performances. He didn't talk about it much, and then suddenly became a focal point for him, and that was extremely odd.

[Colby Ekowitz]

Do we have any sense of why?

[Travis Andrews]

So it's hard to say. A lot of speculation, including from people who work at the Kennedy center, is that Norman Lear boycott that. Like so many things I think we see with this president, he, maybe, the theory goes, felt slighted by the center, and now that he was in power, decided, you know what? I'm gonna take over the center. His reasons, according to him, are that the programming was too woke, which I can just say was not true. It had over 2000 performances a year. They really ran the gamut. He pointed out that there were some drag shows there, but there were maybe four or five out of those 2,000 performances. None of his reasons really add up.

[Colby Ekowitz]

What's been interesting in the aftermath of Trump taking over is the response to it. And there's been performers who have canceled appearances at the Kennedy center because they don't want to be seen supporting Trump. So, like, what has been the impact to the Kennedy center of Trump now running it?

[Travis Andrews]

Yeah, it's been a really interesting thing to watch play out, because you're right. In the very beginning, I did a piece where I spoke to all these artists, some who were boycotting, some who were canceling upcoming performances, like Issa Rae and Hamilton, some who decided no to cancel would be to play into his hands. I'm gonna stay here. I'm going to do my art. Art is the most important thing. The very beginning of all this, there was this play called Finn, and Finn was about a shark who finds out that maybe the shark's actually really a fish inside. And clearly, it's like a gay allegory. Yeah, it's a gay allegory.

[Colby Ekowitz]

Yeah. I took my daughter. It was a very adorable show.

[Travis Andrews]

Oh, you saw it?

[Colby Ekowitz]

I saw it, yeah.

[Travis Andrews]

Well, I didn't get the chance to see it because it was canceled. And to be clear, and to be fair, the new leadership in Trump did not cancel the play, but they weren't able to sell enough tickets throughout the country. The Kennedy center was kind of sponsoring this that they had to cancel it. I think it's not a hard line to draw that maybe one of the reasons they're having trouble selling tickets was all this rhetoric from the White House and from the president. So we had all this going on and patrons wondering, do I support this place? If I boycott it, am I boycotting the Trump takeover? Or I'm just hurting the workers there and the artists who are going there. It was a very complicated and confusing, I think, equation for a lot of people. The calculus seemed to constantly be changing. But I think what we've seen so far, and I should say the new leaders at the center. And this administration has not been very open about their books, about sharing any numbers. Past leadership was a bit more. So it's really hard to say. But for reporting, we found that subscriptions are down a good deal. People aren't going as much. Some of these shows that are being canceled, they're losing a lot of revenue. So it's hard to say with any certainty, but it seems like fewer people are going. It seems like people are generally boycotting, or not even boycotting, but just going elsewhere. You know, in Washington, D.C. we have so many theaters, we have so many choices when it comes to the arts. You don't have to go to the Kennedy Center.

[Colby Ekowitz]

Right. I mean, I had a friend say exactly that to me. Like, I can still support the arts, I can still support theater. I just don't have to do it at the Kennedy Center.

[Travis Andrews]

Exactly. And, you know, the new leadership and the center puts on this kind of. They put out this image that they're having record shows and record things happening, record crowds and all this. And one of them that I was actually at was the opening night of Les Mis that the president and the first lady and the vice president and the second lady attended. And a quarter of the seats were empty.

[Colby Ekowitz]

Wow.

[Travis Andrews]

And it was kind of wild to see what the center was saying, including on the website beforehand saying, sold out. Reportedly, the center bought its own tickets to sell out the theater.

[Colby Ekowitz]

Wow.

[Travis Andrews]

But when I was there, the seats weren't filled. He got a partial standing ovation. But there were also a lot of people booing. A lot of people saying, f Trump.

[Colby Ekowitz]

Like, loud enough that you think he could hear it.

[Travis Andrews]

Oh, yeah. It kind of turned into. That actually happened after the intermission. So we first got there, there was kind of cheering and boos that were, like, fighting. And then it turned into a USA chant. And half the people were saying it was very odd.

[Colby Ekowitz]

That's so odd.

[Travis Andrews]

It was so weird. And before Les, of all place.

[Colby Ekowitz]

Yes. The irony there is not lost on those who know that show.

[Travis Andrews]

Yeah. I mean, Les Mis is a show about political revolution. It's about wealth inequality. It's about the poor rising up against the kind of wealthy overlords. And it's one of his favorite shows, along with a lot of Those kind of 1980 musicals like Cats and Phantom of the Opera. But the irony is thick was that.

[Colby Ekowitz]

The same night that a bunch of drag queens came to the show and got a round of applause.

[Travis Andrews]

They did. I actually met them beforehand and walked in with them, and one of the things I really noticed when they walked in, yeah, they got the applause from the crowd when they walked into the theater and all. But what really struck me is when they walked into the building, all the employees I could see just lighting up, they were so excited, which is kind of, I think, underpins this feeling a lot of employees there have, where they working there, because it was a dream job if you were in the arts. And now they don't know what to do or what to feel or how to fight back or if there's anything to fight back against. Because, you know, forgive me if I'm rambling, but one thing we talked about earlier is all those shows that were like artists pulling out and all. The center itself hasn't actually canceled many, if any, shows. Yeah. But the rhetoric, the uncertainty has kind of led people to do that themselves, which I think is understandable.

[Colby Ekowitz]

But.

[Travis Andrews]

But it's led to this just, I would say just chaos more than anything internally.

[Colby Ekowitz]

And so other than, you know, effectively appointing himself chairman of the board at the Kennedy center, what has he actually materially changed?

[Travis Andrews]

Yes, so. So that folks understand how he was able to make himself chair of the board. The. The Kennedy center has a board of trustees. The board is chosen by the current president, and they have six year terms. So generally what's happened over the years is that the board's been half Republican, half Democrat, more. And that board chooses its chairman. And so what Trump did is he came in and he fired everyone appointed by President Joe Biden, and then he appointed loyalists into the board. So now he had a board of all Trump supporters, for the most part, everyone that he had appointed the board in his first term and now in his second term. And those folks voted to make him chairman of the board. And that is something that we'd never seen before. Nothing like that had ever really happened. The president normally doesn't have time to run an arts center or interest in running the art center. At the same meeting, they voted to oust President Deborah Rutter, who had been with the center for about 10 years and had announced her retirement. At that point, Trump appointed his loyalist former ambassador to Germany, Rick Grenell, as the interim executive director of the center, which was not a position that existed.

[Colby Ekowitz]

Okay.

[Travis Andrews]

Over time, that's become president. And it also appears that maybe it's not interim anymore, but it's unclear because. Because a lot's unclear and not even because we don't know, just because I think kind of entropy maybe took away the word interim. And now he's president.

[Colby Ekowitz]

Right. Without it with little fair and fair.

[Travis Andrews]

Right, right. So that is sort of how everything got kicked off. And so far there haven't been that many material changes, but some seem to be coming kind of outside of Trump. Recently, House Republicans voted on an amendment to a spending bill to rename the opera the Melania Trump Opera House. And another House Republican introduced a bill to rename the entire center the Donald Trump center for the Performing Arts, which Trump kind of nodded at in a recent Truth Social post in which he called it the Trump Kennedy Honors and then put something like, whoops. I mean, Kennedy Honors.

[Colby Ekowitz]

I mean, there's like, for people that haven't been there, there's a massive bust of jfk. Like, this is a monument to jfk. And so effectively what you're saying is that Republicans in Congress are like, well, let's just erase that and make this a monument to Trump.

[Travis Andrews]

That certainly seems to be the case. And nowadays, I don't know the last time you were there, but now when you walk in, well, before you reach that bus, there's giant portraits of Trump, Melania, J.D. vance.

[Colby Ekowitz]

After the break, Travis and I are going to discuss how Trump has interfered in the Kennedy Center's biggest event and why it matters. We'll be right back.

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[Colby Ekowitz]

Okay, so we talked about this a little bit at the top of the show, but this week we saw Trump insert himself into the Kennedy Center Honors. You gave us a brief overview, but kind of give me the chronology of what happened.

[Travis Andrews]

I think it's important to note that normally the honorees are chosen by a board of usually past honorees, maybe some board members, prominent people in the arts, things like that. The chairman of the board was never even that involved with choosing the honors. I think that's an important thing to state. This week, the honorees were announced, and they were announced in an unusual way. Normally the way they're announced is the Kennedy center, like a lot of institutions, drafts a press release, lets us know, maybe lets CBS know, let some places know, and we report this fact out. And that's, that's generally how it's been announced. This year, as is his wont, Trump decided to shine the spotlight on himself a little bit, and he held a press conference where he was announcing the honorees. He said that he was 98% involved with choosing the honorees and that all the names went through him.

[Donald Trump]

I'm delighted to be here as we officially announce the incredibly talented artists who will be celebrated later this year at the 2025 Kennedy Center Honors. It's going to be a big evening.

[Travis Andrews]

And again, that's unusual for either a president or the chairman of the board to be announcing them, to be holding a press conference announcing them. But that's what happened. And at the conference, he announced that he's going to host the show, which is bizarre.

[Colby Ekowitz]

He's going to host the show.

[Travis Andrews]

He's going to host the Kennedy Center Honors. And normally in the past, the hosts be someone who was a previous honoree. It was Queen Latifah last year. I think it's important to note that I believe Trump thinks of himself as a performing artist because of his time on the Apprentice and on television, which I guess in fairness that it's true. I guess he was a performing artist. But he even joked, why would the president have time to do this?

[Donald Trump]

I've been asked to host. I said, I'm the President of the United States. Are you fools asking me to do this? Sir, you'll get much higher ratings. I said, I don't care. I'm President of the United States. I won't do it.

[Colby Ekowitz]

There was this interesting split screen because he's there at the Kennedy center announcing this. But then he also gets questions about, like, Russia and Ukraine.

[Travis Andrews]

Yeah, well, even before the question started, he. He announced the honorees by pulling velvet cloths off of portraits. It was very dramatic. But then he spoke a little bit about each honoree, and then he just started talking about crime in D.C. and how Plan to fix it and how our grass is bad.

[Donald Trump]

We're going to redo the grass with the finest grasses. I know a lot about grass.

[Travis Andrews]

He knows all about grass because he golfs a lot and owns golf courses.

[Colby Ekowitz]

Like, the grass everywhere in D.C. is bad.

[Travis Andrews]

Specifically at the Kennedy Center, I think in general.

[Colby Ekowitz]

In D.C. the general grass.

[Travis Andrews]

He had moved on from the Kennedy center to all of D.C. i see. And then moved back to the Kennedy Center. But that really struck me when he was just kind of talking about how grass.

[Colby Ekowitz]

I mean, I had an infestation of crabgrass in my yard. So maybe he's not wrong.

[Travis Andrews]

Yeah, there you go.

[Colby Ekowitz]

I mean, there might be something to this grass thing, but, I mean, so who. You said that he had a 98%, like, say over who got picked. Really curious about that other 2%. But do these seem like Trumpy picks this year?

[Travis Andrews]

I would say like a little yes and no. If you were to hand me a sheet of paper with every year's class of five honorees, and you were saying, which one did Trump pick? I probably couldn't guess. I probably couldn't tell you.

[Colby Ekowitz]

Really?

[Travis Andrews]

Okay, yeah. For context, last year's honorees were Francis Ford Coppola, Bonnie Raitt, the Grateful Dead, the Apollo, and Arturo Sandoval. And this year, the honorees are George Strait, the country legend Kiss, the rock band, Gloria Gaynor, the singer Sylvester Stallone, and Broadway star Michael Crawford. Of that list, Michael Crawford might be the one who feels most Trumpian, not because Michael Crawford has shown any interest in Trump, but because Trump adores Phantom of the Opera.

[Colby Ekowitz]

Right. And he was the original Phantom Kiss.

[Travis Andrews]

Gene Simmons has spoken out against Trump. Paul Stanley, another member of Kiss, seems to like Trump. So it's really hard to tell. Sylvester Stallone, he is.

[Colby Ekowitz]

He's a friend, right?

[Travis Andrews]

He's a friend and a supporter of Trump.

[Colby Ekowitz]

I saw someone, and I don't mean to steal someone's smart point, but I saw someone make the point that all of those people you named are kind of from the 70s and 80s, which was Trump's heyday in New York. They're all maybe nostalgic picks for him.

[Travis Andrews]

I could definitely see that happening. I do know George Strait has been offered it before. Tom Cruise was offered it this year and declined due to scheduling.

[Colby Ekowitz]

Right. Was it really due to scheduling?

[Travis Andrews]

Who knows? What really struck me is when he took over the center, there was this joke. You know, overworked Twitter jokes or X jokes or whatever it's called now. Go. You see the same joke a thousand times. And everyone said, oh, we'll see Kid Rock and Ted Nugent getting it right. And, you know, the pics were not that. They were basically a pretty standard.

[Colby Ekowitz]

Yeah. Fairly mainstream.

[Travis Andrews]

And even the decade that they came from could be nostalgia. It could just be. That's about the age folks normally are when they receive this honor. You know, it was shocking a few years ago when George Clooney received it. Cause he just seemed far too young. Like, this is the general age range.

[Colby Ekowitz]

Yeah, right. I guess that's a good point. So hard to jump to, like, too many conclusions about the timeframe.

[Travis Andrews]

I think that's one of the most interesting and frustrating parts about reporting the Kennedy center is how not open and not transparent. Despite all the kind of claims of transparency there are, we really have no idea how things are working in there because they don't like to share it or show anything.

[Colby Ekowitz]

So in addition to what he's done at the Kennedy center, and that seems to be where most of his attention has lied, the Post has also had some reporting this week that he wants a say over what is displayed in the Smithsonian museums that are here in D.C. what's that about?

[Travis Andrews]

Yeah, you know, that is, in a way, probably an even bigger can of worms. I know recently there was an exhibit of impeachments, presidential impeachments, and his name was not on it. My colleague Janae Kingsbury has done excellent reporting on it. But I do know that ahead of America's 250th birthday celebration next year, Trump has ordered a review of the Smithsonian museums and exhibitions that I think should be troubling to anyone. These are museums. They are not much like the Kennedy center is or was, who knows anymore, a bipartisan, you know, home for the arts. These are museums. They present history.

[Colby Ekowitz]

Right, Right.

[Travis Andrews]

So.

[Colby Ekowitz]

I mean, Trump's critics, they've warned. Right. That leaders who interfere with free speech in the arts or in history, like, these are behaviors of dictators that are seeking to control like every aspect of people's lives. And I've been thinking like this obviously comes as Trump deployed the National Guard on the streets of D.C. this week, had the federal government take over the local police. It all feels related.

[Travis Andrews]

Yeah, I keep coming back to a quote. I did a piece a few weeks ago when the bills to rename parts of the center and the center itself were introduced. And I spoke to George Henlaw Professor David super. And he, you know, he talked to me about how unusual it is to name anything after a living leader. And he said, I'm paraphrasing, but basically it's not unusual in Russia or North Korea, but it's unusual here. And take that as you will. But that has resonated with me.

[Colby Ekowitz]

Travis, thank you so much for coming on.

[Travis Andrews]

Well, thank you so much for having me.

[Colby Ekowitz]

Travis Andrews is a features reporter for the Post. That's it for Post Reports. Thanks for listening. As you know, the Washington Post has been reporting on all the ways the president has affected Washington, D.C. trump's takeover of the D.C. police and the deployment of the National Guard in the city. It hits close to home. Our reporters are all over this story and you can catch up on all of it with a seven day pass to the post for just $7. Find out more at washingtonpost.com weekpass Today's show was produced by Thomas Liu. It was mixed by Shawn Carter and edited by Rena Flores with help from Ariel Plotnick. I'm Colby Ekowitz. We'll be back tomorrow with more stories from the Washington Post.

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