Introducing: The Road of Shadows

Summary

Red Valley: Introducing "The Road of Shadows" – Detailed Summary

Release Date: April 11, 2024
Podcast: Red Valley by Kontinue Productions

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Overview

In the premiere episode titled "Introducing: The Road of Shadows," Red Valley seamlessly transitions into a meta-narrative by spotlighting another enigmatic series, "The Road of Shadows." This episode serves both as an introduction to the new mystery drama and an in-depth exploration of its intricate storyline. The podcast masterfully intertwines promotional content with immersive storytelling, offering listeners a comprehensive glimpse into the dark and suspenseful world of "The Road of Shadows."

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Introducing "The Road of Shadows"

Red Valley opens with a recommendation segment by John, the writer of Red Valley, who enthusiastically introduces "The Road of Shadows." John provides a rich description of the series, highlighting its themes of isolation, suspense, and the supernatural elements that define its narrative.

John (04:06): "It's a mystery and suspense drama. It's about a man who finds himself on the run in a small town in the mountains. He's pursued by mysterious creatures that only he can see."

John elaborates on the protagonist, Daniel Knox, painting him as a relentless fugitive haunted by unseen entities known as "shadows."

John (04:12): "Daniel Knox spent his entire life on the run as he tries to evade mysterious creatures that he calls shadows. They can be disguised as everyday people preying on humans in secret."

John's recommendation is not just promotional but also serves to set the stage for the episode's main content, immersing listeners into the show's gritty 1980s aesthetic and narrative style.

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Diving into the Narrative: Daniel Knox and Helen

The core of the episode delves into a pivotal scene featuring Daniel Knox and a character named Helen. This dialogue-driven segment captures the tension and emotional complexity of the series.

Setting the Scene

The interaction begins in a local movie theater, establishing an ambient 80s setting filled with nostalgia and underlying suspense.

Helen (03:14): "Hey, wait up."

Helen initiates a conversation with Daniel, immediately creating a dynamic interplay that reveals both characters' personalities and backstories.

Character Dynamics and Development

Helen is portrayed as an outgoing and hopeful individual, contrasting sharply with Daniel's reserved and guarded nature.

Helen (05:10): "I'm Helen. I'm working at the gas station down the road. Denton's?"

Daniel Knox (05:30): "You've only been in town, what, a week?"

Their exchange highlights Daniel's reluctance to form attachments, a recurring theme that underscores his perpetual state of evasion from the shadows.

Heightening Tension

As the scene progresses, the tranquility is shattered by the impending threat of the shadows, culminating in a harrowing encounter that propels the narrative forward.

Daniel Knox (07:35): "Helen. It's a nice name. A part of me wishes I could have taken her up on her offer. But in the end, this is how it has to be."

This moment poignantly illustrates Daniel's internal conflict between his desire for connection and his instinctual need to remain isolated for survival.

The Encounter with the Shadow

The climax of the segment occurs when a shadow attacks Helen, revealing its terrifying true form and Daniel's desperate attempt to save her.

Daniel Knox (14:00): "Then she's swallowed up by the darkness again. Helen, wait a second."

Shadow Character (21:17): "What the hell are you doing? Are you following me now?"

The confrontation not only intensifies the suspense but also deepens the audience's understanding of the omnipresent danger that Daniel faces.

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Exploration of Themes and Insights

"The Road of Shadows" intricately weaves themes of isolation, fear, and the human desire for connection against the backdrop of relentless pursuit by inexplicable forces.

Isolation and Survival

Daniel's perpetual state of flight embodies the struggle between the need for human connection and the instinct to survive at all costs.

Daniel Knox (07:31): "I've learned the hard way over the years not to get involved. No attachments. Be ready to leave at a moment's notice."

Fear of the Unknown

The shadows represent the unknown fears that haunt individuals, making the narrative a profound exploration of existential dread.

Daniel Knox (16:30): "This won't do. If the disinfectant drowns out the scent of a shadow and bloodlust. I might as well just slit my wrists right now and be done with it."

Human Connection

Despite his efforts to remain detached, Daniel's interactions with Helen and Mark R. Healy hint at a deep-seated yearning for connection, adding emotional depth to his character.

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Conclusion and Forward Look

"Introducing: The Road of Shadows" sets a compelling foundation for the series, blending intense character development with a gripping plot. Through masterful storytelling and atmospheric narration, Red Valley invites listeners into a world where every shadow hides a story, and every interaction could be the key to survival.

As the episode concludes, listeners are left eagerly anticipating the unfolding mysteries and the continued journey of Daniel Knox in his quest for sanctuary amidst the shadows.

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Notable Quotes

• John (04:06): "It's a mystery and suspense drama. It's about a man who finds himself on the run in a small town in the mountains."

• Helen (05:10): "I'm Helen. I'm working at the gas station down the road. Denton's?"

• Daniel Knox (07:31): "I've learned the hard way over the years not to get involved. No attachments. Be ready to leave at a moment's notice."

• Shadow Character (21:17): "What the hell are you doing? Are you following me now?"

• Daniel Knox (16:30): "I might as well just slit my wrists right now and be done with it."

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Final Thoughts

Red Valley's episode "Introducing: The Road of Shadows" masterfully combines promotional content with immersive storytelling, offering a rich and engaging experience for listeners. By delving deep into the psyche of Daniel Knox and the ominous presence of the shadows, the episode sets the stage for a captivating exploration of fear, survival, and the intricate dance between isolation and connection.

Listeners new to Red Valley will find this episode both inviting and intriguing, providing a substantial foundation to engage with the unfolding mysteries and character arcs that promise to define the series.

Transcript

[Ryan Reynolds]

This episode is brought to you by Dutch Bros. Big smiles, rocking tunes and epic drinks. Dutch Bros. Is all about you choose from a variety of customizable handcrafted beverages like our Rebel Energy drinks, coffees, teas and more. Download the Dutch Bros app for a free medium drink. Plus find your nearest shop, order ahead and start earning rewards offer valid for new app users only. Free medium drink REWARD upon registration 14 day expiration terms apply. See dutchbros.com hey, I'm Ryan Reynolds.

[Mint Mobile Representative]

Recently I asked Mint Mobile's legal team if big wireless companies are allowed to raise prices due to inflation. They said yes. And then when I asked if raising prices technically violates those onerous two year contracts, they said, what the are you talking about, you insane Hollywood. So to recap, we're cutting the price of mint unlimited from $30 a month to just $15 a month. Give it a [e-mail] Switch $45 up.

[Daniel Knox]

Front for three months plus taxes and fees. Promoting for new customers for limited time Unlimited more than 40 gigabytes per month.

[John]

Slows full [e-mail] hi everyone, this is John. I'm the writer of Red Valley. I want to give you another recommendation for a show we think you're really going to like. Today's episode is brought to you by the Road of Shadows. It's a mystery and suspense drama. It's about a man who finds himself on the run in a small town in the mountains. He's pursued by mysterious creatures that only he can see. This man is Daniel Knox. He spent his entire life on the run as he tries to evade mysterious creatures that he calls shadows. They can be disguised as everyday people preying on humans in secret. The shadows remain this enigma even to Daniel, but he knows one thing for sure. The shadow's true nature can't be seen by anyone but him. So I've listened to a few episodes. Now I'm actually sitting in my car as I record this because that's where I like to listen to the Road of Road of Shadows. It's got this wonderful pulpy vibe to it. It's set in the 80s and it works really hard to to really get that aesthetic across. I really love a story where when a character wants to know more information, he can't Google it. He has to go to the local town library and chat to the locals. As a result, it's just got this really, really excellent vibe. And like I said, with my windows up in the darkness and the rain in my car, it sounded really, really cool. You can Find and listen to the Road of Shadows anywhere that you listen to podcasts. You can learn more about the show@the roadofshadows.com Our thanks today to the Road of Shadows for their support. You can now listen to Episode one. Enjoy.

[Mark R. Healy]

The Road of Shadows Created by Mark R. Healy a Beyond the Dark production Season 1 Episode 1 Misty Pines.

[Helen]

Hey. Hey, wait up.

[Daniel Knox]

Me?

[Helen]

Yeah, you. What did you think of the movie?

[Daniel Knox]

Okay, I guess.

[Helen]

Oh, you liked it that much, huh?

[Daniel Knox]

Well, how about you?

[Helen]

I loved it, but I knew I would. I mean, Kevin Bacon, Hello. He's a total hunk.

[Daniel Knox]

You like him, huh?

[Helen]

Doesn't everyone? Ah, here, check it out. I already bought the soundtrack on tape. I've got it here in my Walkman. Have a listen to this one. First track on side two.

[Daniel Knox]

No, that's okay. I'm good.

[Helen]

You're a bit like him, you know. Kevin Bacon?

[Daniel Knox]

What? Come on.

[Helen]

No, I mean the whole mysterious loner in a small town thing. That's you down to a te.

[Daniel Knox]

I can't dance like him, if that's what you're wondering.

[Helen]

You want to show me a few moves?

[Daniel Knox]

No. No, I don't.

[Helen]

Didn't think so. But at least there's a smile poking through. Haven't seen one of those on your face before.

[Daniel Knox]

You've only been in town, what, a week?

[Helen]

Week and a half?

[Daniel Knox]

See, I only smile once every two, three weeks, tops.

[Helen]

Yeah, that explains it.

[Daniel Knox]

What do you think of the place?

[Helen]

The town? Not much. Oh, sorry if that offends you. You probably grew up here, right?

[Daniel Knox]

Me? No. I've only been here a couple of months.

[Helen]

Settling down?

[Daniel Knox]

I don't know yet.

[Helen]

You won't stay? I could see it in your face. You're a traveler, like me.

[Daniel Knox]

Maybe.

[Helen]

Daniel, is it?

[Daniel Knox]

Yeah.

[Helen]

I'm Helen. I'm working at the gas station down the road. Denton's?

[Daniel Knox]

Sure. Behind the counter.

[Helen]

So you have noticed me.

[Daniel Knox]

Well, I.

[Helen]

Every time you pull in on that motorcycle of yours, I think this time he's gonna come over and talk to me. But it never happens.

[Daniel Knox]

Yeah, I'm not very good with people. Not good at talking, I mean. Sorry.

[Helen]

You know a good way to fix that? Practice.

[Daniel Knox]

Yeah, right.

[Helen]

I'm coming back here tomorrow night to watch this again. If you like, you could sit with me. We could talk about Kevin Bacon's dance moves and stuff.

[Daniel Knox]

You're not supposed to talk in a movie theater.

[Helen]

We'll whisper. What's the matter? What are you looking at?

[Daniel Knox]

Do you smell that?

[Helen]

Ah, stale popcorn.

[Daniel Knox]

No, not that.

[Helen]

The only thing I smell in this shit hole town is loneliness and despair. I'm choking on it.

[Daniel Knox]

Yeah.

[Helen]

I'm making my way east. Need to save up some cash so I can move on to somewhere better. Like. Anywhere. Daniel, are you even listening to me?

[Daniel Knox]

Yeah. Sorry.

[Helen]

Well, they're closing up for the night.

[Daniel Knox]

Yeah. I should get going.

[Helen]

Yeah.

[Daniel Knox]

Do you need someone to walk you home?

[Helen]

I've got Kevin Bacon in my pocket. Who else would I need?

[Daniel Knox]

I can.

[Helen]

Well, don't worry, Daniel. Nothing's gonna happen to me. Not in this damn town.

[Daniel Knox]

You sure?

[Helen]

I'll see you around.

[Daniel Knox]

Yeah. See you around. Helen. It's a nice name. A part of me wishes I could have taken her up on her offer. But in the end, this is how it has to be. I've learned the hard way over the years not to get involved. No attachments. Be ready to leave at a moment's notice. That's the only way to stay alive. Maybe in another world, in another life, things could have been different with her. But not in this one. God damn it. Helen? Helen, where are you? In the alley. The scent is stronger, overpowering, as I watch the overhead lamps flicker and wink out one by one. God damn it. No. The girl appears briefly under the last streetlight, the headphones snug against her ears, the Walkman clasped to her hip. She's oblivious as she walks, lost in her own world. Hey, stop. I need to talk to you. Then she's swallowed up by the darkness again. Helen, wait a second. It strikes her in the gloom so fast she barely has time to scream. She falls into the edge of the lamplight and lies there, bleeding, motionless. Shit. Oh, fuck. The man's skin is scaly, flaking, and there are patches of soot on his cheeks. He stares at me with eyes like midnight eyes that are devoid of remorse, devoid of humanity. He's one of them. I turn and run, and I don't look back. Sometimes, out here on the road is the only place I feel safe. With the wind in my hair and the sun sitting at my back, I'm free. Out here. They can never touch me. But that freedom is only as deep as a tank of gas. After that, all bets are off. With just a few bucks in my pocket, I have a decision to make. I have to stop somewhere. And once I do, I'll be vulnerable again. On the road ahead, the valley opens up before me in the twilight. Majestic pine covered mountains rise up on either side of the sleepy little town below, where the light from cottage windows shimmers through a haze of smoke. I ease off the throttle and let the bike coast down the slope. The homely smell of wood fired ovens thick in the. It's good. It's clean. I reach into my pack and pull out the notepad. The mud map I drew of the last town is right there on the first page. And a pang of guilt goes through me. I think of Helen. The way she looked at me outside the movie theater last night. The way she screamed in the darkness. God damn it. In truth, there's nothing I could have done for her. Not a thing. I can't fight them. Not again. They can't be killed. I know that now. All I can do is keep running, keep going until I find a sanctuary. Somewhere they'll never find me. This town. Maybe this is the one. The highway runs east to west, right through the center of town, with steep mountains on either side. There's no other way in or out. To the north, a fire trail leads up into the woods. If worst came to worst, I might be able to use it as an escape route. But I'd probably have to go on foot. The bike won't cut it through there. The town is small, and I'm able to cover most of the streets in just a few minutes. Then I take out the notepad and map it all out. Once that's done, I study it, memorize the layout. But I don't take too long. There's something else that needs my attention right away.

[John Hobbs]

Evening.

[Daniel Knox]

Hey there. How's it going?

[John Hobbs]

Fine. Just fine. You here for a room?

[Daniel Knox]

How much for a single?

[John Hobbs]

Prices are right over there on the counter.

[Daniel Knox]

Oh, right.

[John Hobbs]

Is there a problem?

[Daniel Knox]

No.

[John Hobbs]

Because there's nowhere else to stay in town, if that's what you're wondering.

[Daniel Knox]

Huh.

[John Hobbs]

Saw you driving past on that motorcycle of yours two, maybe three times in the last half hour. Figured you were checking out your options. But if you're staying in Colton, there's not a lot of choice. I'm afraid. It's my way or the highway.

[Daniel Knox]

No, I was just cruising. There's some nice scenery around here.

[John Hobbs]

Getting a little dark for sightseeing, isn't it?

[Daniel Knox]

I guess so. I got a bit carried away. Ended up long ass. That station out on the edge of town, Sandy.

[John Hobbs]

Closes at 5:00pm you, mister? Opens at 9 again tomorrow.

[Daniel Knox]

Oh, right.

[John Hobbs]

Do you want a room or not, mister?

[Daniel Knox]

Sure. Uh, do you have a layout I can see? Great. Can I take this room here?

[John Hobbs]

Not unless you want to sleep on a pile of trash. I'm having that one remodeled. Water damage.

[Daniel Knox]

Here.

[John Hobbs]

You can take this One around the corner.

[Daniel Knox]

How about this one?

[John Hobbs]

Any particular reason why I like the.

[Daniel Knox]

View out this way?

[John Hobbs]

The view, huh? The bed sheets need changing in there. Give me a half an hour. All right. I'll get someone onto it pronto.

[Daniel Knox]

Thanks. I appreciate it.

[John Hobbs]

You want to fix that up now?

[Daniel Knox]

Sure. Here you go.

[John Hobbs]

Enjoy your stay.

[Daniel Knox]

Hey, I don't suppose there's anything to eat around here. I'm starving.

[John Hobbs]

See that sign out front? The big neon one that says Misty Pines Motor Inn, not grocery store.

[Daniel Knox]

Right. But is there anywhere else in town.

[John Hobbs]

At this time of night? The diner maybe. If you're lucky.

[Daniel Knox]

Yeah. Okay.

[John Hobbs]

There's a vending machine around the side next to room three. That's the best I can offer here at Misty Pines.

[Daniel Knox]

Sure. Thanks.

[John Hobbs]

Tiffany, it's John Hobbs. I need you back for a minute. Yes, right now. Hey, don't give me that. I pay you good money. I called her, but it's gonna be a little while.

[Daniel Knox]

Mr. Hopps, is it?

[John Hobbs]

Yeah, that's me.

[Daniel Knox]

How long have you lived in Colton?

[John Hobbs]

A while, I guess.

[Daniel Knox]

Anything much ever happened here?

[John Hobbs]

Nope. Quiet as a mouse.

[Daniel Knox]

There must be some good hiking trails around the place.

[John Hobbs]

Look, pal, I'm trying to do inventory here.

[Daniel Knox]

Must bring in a lot of tourists.

[John Hobbs]

Good for business, I guess.

[Daniel Knox]

Is it dangerous up there? Does anyone ever get lost?

[John Hobbs]

You don't look like much of a hiker to me.

[Daniel Knox]

No, I'm not.

[John Hobbs]

Then you don't have to worry about getting lost, do you?

[Daniel Knox]

Just making conversation.

[John Hobbs]

Right.

[Daniel Knox]

Anything else you can tell me about the town?

[John Hobbs]

I'm not exactly a walking encyclopedia, mister. I just run the motor in. If you want to know all about what's going on. The bar is a few blocks that way. Plenty people who will talk your ears off.

[Daniel Knox]

Is there a library in town?

[John Hobbs]

Closes at 5pm you missed it, of course. Now, if you'll excuse me, you've got inventory to do. That's right.

[Daniel Knox]

Thanks for your time. The room is small and not particularly well maintained. A lot of the decor looks like it's from the 60s. But that isn't what concerns me most. It's the smell. The air reeks of disinfectant. Clearly the bed wasn't the only thing that needed tidying up in here. The floors have been freshly mopped and the counters wiped down. And that's created one hell of a stink. This won't do. If the disinfectant drowns out the scent of a shadow and bloodlust. I might as well just slit my wrists right now and be done with it. I'll be blind to its advance, and that means I'm as good as dead. The thing is, this is the room I need. From this vantage point, I can see the highway. I can see whoever's coming or going, and that's vital. Let's give it an hour, see how it smells. Then I give the place a once over. It's all pretty standard, like countless other cheap motel rooms I've seen over the years. In the bathroom, there's a window that leads out the back. It only opens a crack, but the hinges look pretty weak. I figure I could knock it out if I needed to make a quick escape. I unpack a few items of clothing and lay them out on the bed. The bandana is still nestled in the pouch on the side. So I take it out and run my fingers across it. Then lay it on the pillow. Today wasn't my best day, dad. Wasn't my finest moment. It was a girl. And I did what I had to to survive. I don't expect you to be proud, but I hope at least you understand. I take the bandana and put it away for safekeeping. Again. Not for the first time, I wish there was someone I could talk to. A real living person. Not a memory. But there's no one else who could possibly understand what I'm going through. No one else can see them. No one else knows they exist.

[Mark R. Healy]

What the hell are you doing? Are you following me now?

[Dillinger]

Well, you waved your skinny ass at every guy in that bar tonight. So I figured you must be ready for some action.

[Mark R. Healy]

Waved my. Get the hell out of my face.

[Dillinger]

Problem is, you're not going to get much action going home alone now, are you?

[Mark R. Healy]

I asked a few questions at the bar. That's it. Is that a crime?

[Dillinger]

Like I said, looking for attention. And I'm only too happy to give it to you. Take a seat right here next to me and I'll show you.

[Daniel Knox]

Hey, could you step away from the motorcycle, please?

[Dillinger]

Who the fuck is this? This your man?

[Mark R. Healy]

I've never seen this guy before in my life.

[Daniel Knox]

I said get off the bike.

[Dillinger]

Why don't you go back where you came from, asshole? The lady and I are talking here.

[Daniel Knox]

Doesn't sound like she wants to talk.

[Mark R. Healy]

Look, mister, sorry for the disturbance. Just go back to your room, okay? I can handle this.

[Dillinger]

You heard her. Fuck off.

[Mark R. Healy]

Same goes for you, Dillinger. Is that your name?

[Dillinger]

Yeah, that's me.

[Mark R. Healy]

I'd like you to leave.

[Dillinger]

But what if I've got some answers to those questions of yours?

[Mark R. Healy]

Do you?

[Dillinger]

Let's Sit down with a couple of beers and find out.

[Mark R. Healy]

I'm tired, okay? Not in the mood for this.

[Dillinger]

So I'm not good enough for you?

[Mark R. Healy]

Good night.

[Dillinger]

Good night, huh? Good night. Yeah, you and your needle dig boyfriend here will have a real good night, I'm sure. If he can even get it up.

[Daniel Knox]

Hey, and for what it's worth, I hope that bitch rots in hell, wherever she is. Hey. Are you okay?

[Mark R. Healy]

Fine.

[Daniel Knox]

You sure? You seem a bit shaken up.

[Mark R. Healy]

Yeah, it's. It's nothing. Sorry for all the noise.

[Daniel Knox]

That's okay. Sounds like you had a rough night.

[Mark R. Healy]

No, it's more like a month, actually. And it doesn't look like ending anytime soon.

[Daniel Knox]

Well, I should probably get back to bed.

[Mark R. Healy]

No one in this town knows shit. What the hell am I even doing here?

[Daniel Knox]

They don't know shit about what?

[Mark R. Healy]

Anything, apparently.

[Daniel Knox]

Are you a reporter or something?

[Mark R. Healy]

Why would you say that?

[Daniel Knox]

That Dillinger guy said you were asking questions at the bar.

[Mark R. Healy]

No, I'm not a reporter. I'm looking for my sister. Don't suppose you've seen her.

[Daniel Knox]

Look, I just got into town tonight. I'm probably not going to be much help.

[Mark R. Healy]

No, I didn't think so. She's been missing a month. A whole goddamn month, and I still don't have a single clue as to what happened.

[Daniel Knox]

Wait a second. She went missing here in Colton?

[Mark R. Healy]

Without a trace. Do you. Do you know something?

[Daniel Knox]

Are you sure it was here?

[Mark R. Healy]

As far as I can tell. But. But like I said, I'm having a hard time finding out. I. Are you okay?

[Daniel Knox]

Yeah. Sorry. I just had a long ride here and I'm beat. I. Well, good luck with your sister.

[Mark R. Healy]

Hey, wait a second.

[Daniel Knox]

I should have known. Shit.

[Dillinger]

Why does this keep happening?

[Daniel Knox]

I should leave right away. No question. Unexplained disappearances are a telltale sign of shadows. It's like a calling card. There's one of them here in Colton. I could almost guarantee it. I could feel it in my bones. Wait a minute. Wait a minute. Slow down. You're not going anywhere. Fuck the bike. I'm running on empty. Won't have enough gas to make it to the next town, no way. And if I tried, I'd just end up stalling. Out there in the wilderness. I'd be a sitting duck. Okay. Think about this. Just think. The gas station opens at 9. I just have to make it through one night, that's all. One lousy night. Then I can fill up and get the hell out of here. I stand at the window, feel the gentle caress of the evening breeze. There's still no scent. If a shadow is out there, it's dormant. Not a threat. For now, at least. Maybe I'm just overreacting to this whole thing. Maybe the disappearance has some other explanation. Sometimes people just go missing. I can do this. One night, it's quiet outside. Looks like the girl has gone back into her room. Everything's peaceful. Okay. Okay. It's all good. I gather up my gear and put it in the backpack. Apart from my shoes, which I don't bother to take off. I drag the blanket off the bed and set up a chair close to the window with all my belongings within arm's reach. The smell of disinfectant is already starting to diminish. That's good. This spot will do fine. I keep my eyes on the window and pull the blanket higher up, across my shoulder. Then, within the gloom of the Misty Pines Motor Inn, I sit and wait.

[Narrator]

The Road of Shadows is created by Mark R. Healy. If you're looking to dig deeper into the show, I have good news for you. Over at Patreon, we're already dissecting the mysteries of Colton through exclusive character dossiers and concept art. Learn more about the characters and the lore, and get a head start on the story by hearing episodes a week early, ad free. All of that and more is available now at patreon.com BeyondTheDark. Check out more of my podcasts at therotofshadows.com the Road of Shadows Season 1 stars Hamish Plagemas, Marta Da Silva, Rhiannon Marshall, Jimmy Yamaguchi, Trent Trachtenberg, Madeleine Norton, Andres Echeverri, John Carver, Jay Silver, Ryan Page, Jason Cryer, Gavarock, Isabella Tugman, Jaron Bacat, Ryan Geyser, and Diana Helen Kennedy. The Road of Shadows is a beyond the dark production.

[Daniel Knox]

The fable and folly.

[Mark R. Healy]

Network where fiction producers flourish.

[Bardi]

This season on Civilized or Not, it's improvised, so you don't know.

[Daniel Knox]

Bardi, please.

[Bardi]

No.

[Daniel Knox]

It has to be done for the good of the children.

[Dillinger]

Captain, is it Beatrix or Beatrice? I'm so confused.

[Daniel Knox]

I'll tell you who it is. It's your mother. I have summited the mountain, and I.

[Dillinger]

Declare this land for my own. Bardy, get down from the roof.

[Daniel Knox]

Every time. I can't believe we made it into space. Space Beatrice.

[Helen]

Yeah.

[Bardi]

It's been a long time coming, Al.

[Helen]

Wait, which version are you?

[Daniel Knox]

Um. Which version are you. So you're saying we've been on Earth the whole time?

[Dillinger]

Yeah, man.

[Daniel Knox]

It's like just a simulation.

[Bardi]

Actually, we've been dead the whole time.

[Daniel Knox]

Actually, this is lost.

[Bardi]

Actually, I'm lost.

[Daniel Knox]

We only have five seconds to defuse this bomb.

[Dillinger]

When you started saying that or at the end of saying that.

[Daniel Knox]

Sound of explosion so join us on.

[Bardi]

Similive Season five for this stuff that might happen, but probably a lot of it won't. Regardless, we're back with your favorite characters doing zany things in space, and we couldn't be more pumped. We'll see you soon, listeners.

[Daniel Knox]

Civilized Season 5 begins May 31, 2023. Tune in wherever you get your podcasts or visit civilizedpod.

[Ryan Reynolds]

Com.

[Dillinger]

That got weird because usually they're pretty normal.