Beirut By Sunrise by Suspense

Summary

Beirut by Sunrise: A Detailed Summary of Suspense’s Classic Episode

Relic Radio Thrillers, presented by RelicRadio.com, delves into the gripping old-time radio adventure “Beirut by Sunrise,” originally aired on May 31, 1955, as part of the renowned series Suspense. This episode masterfully intertwines mystery, espionage, and psychological thriller elements, delivering a narrative that keeps listeners on the edge of their seats.

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Introduction to the Story

The episode opens with Mildred Gideon, a third-grade teacher from North Dakota, embarking on a Mediterranean cruise departing from Beirut. Accompanied by her sister and enduring less-than-pleasant initial stops, Mildred finds herself reluctantly sharing a table with two men: the uninteresting Frank Grady from Hacron, Ohio, and the enigmatic Mr. Haroun.

Notable Quote:

• [02:35] Mr. Haroun: “Beirut. One should see it at sunrise for the first time. A thrilling sight.”

Arrival in Beirut and the Mysterious Dead Sailor

Upon arrival in Beirut at dawn, Mildred is captivated by the city’s serene beauty. However, her awe is swiftly interrupted when she discovers a dead American sailor on the dock, a knife lodged in his back. Determined to report the incident, Mildred confronts a Beirut Police Officer, only to face skepticism and dismissal.

Key Events:

• Mildred’s vivid description of Beirut at sunrise sets a tranquil scene marred by the sudden appearance of a dying sailor.
• The police officer doubts her account, suspecting intoxication despite her clear evidence of foul play.

Notable Quotes:

• [03:09] Mildred Gideon: “I felt a little thrilled when I realized the engines had stopped and we were there. It was dawn when I reached the deck…”
• [05:13] Beirut Police Officer: “You are American. What are you running from, Mamzelle?”

Unraveling the Mystery: Sultan’s Turret and the Hidden Message

Persisting in her quest for the truth, Mildred recalls the sailor’s cryptic message: “Sultan's turret, 15 step.” This clue leads her to investigate the Sultan’s Turret, a historical landmark in Beirut. Navigating through darkness and evading suspicious individuals, she uncovers a piece of paper inscribed with “ship six,” deepening the mystery.

Key Events:

• Mildred’s determination drives her to explore the Sultan’s Turret, revealing hidden messages and escalating the suspense.
• The discovery of the note “ship six” hints at a larger espionage plot involving state documents.

Notable Quote:

• [11:37] Mildred Gideon: “The Sultan's turret. That seemed familiar. I was certain I'd heard that name before… It was dark inside… I looked at it. I was writing. It said, ship six. That's all.”

The Confrontation: Unmasking the Spy

As the tension peaks, Mr. Haroun confronts Mildred, revealing his true intentions. He discloses that he and Frank Grady are involved in illicit dealings, specifically trading state documents to the highest bidder. The dead sailor was an informant trying to relay critical information, and Mildred inadvertently became entangled in their schemes.

Key Events:

• Mr. Haroun accuses Mildred of being a spy, leading to a climactic confrontation.
• It is unveiled that Frank Grady was acting as Mr. Haroun’s contact, manipulating events from the start.

Notable Quotes:

• [22:15] Frank Grady: “The film documents. On the film teacher. A little white slip of paper tells place and time. And you've got it.”
• [22:35] Mildred Gideon: “He was gonna kill me.”

Resolution and Clarification

In the aftermath, the Beirut Police Officer intervenes, clarifying the situation. The dead sailor had been fatally stabbed in a street brawl before reaching the ship, absolving Mildred of any espionage involvement. Mr. Haroun acknowledges the complications caused by his misjudgment and departs, leaving Mildred relieved yet perplexed by the ordeal.

Key Events:

• The police officer explains the true circumstances of the sailor’s death, proving Mildred’s innocence.
• Mr. Haroun expresses regret over his actions and the misunderstandings, ensuring Mildred’s safe departure.

Notable Quotes:

• [22:45] Mr. Haroun: “He was stabbed in a street brawl before he could reach the ship.”
• [23:38] Mildred Gideon: “Thank you, Mr. Haroun. Thank you very much.”

Character Analysis

• Mildred Gideon: Portrayed as a perceptive and determined individual, Mildred’s journey reflects her resilience in uncovering the truth amidst deceit and danger.
• Mr. Haroun: Initially presenting himself as a cultured and knowledgeable companion, Haroun’s true nature as an espionage operative is gradually revealed, adding layers of complexity to his character.
• Frank Grady: Serving as the unassuming yet duplicitous contact for Haroun, Frank embodies the theme of hidden identities within espionage narratives.

Themes and Insights

• Espionage and Deception: The episode skillfully explores the clandestine world of spies, emphasizing the ease with which ordinary individuals can be manipulated into espionage activities.
• Perception vs. Reality: Mildred’s initial perceptions of her companions and the serene city of Beirut are continually challenged, highlighting the disparity between appearance and reality.
• Isolation and Trust: Set against the backdrop of an unfamiliar city, the story underscores the importance of trust and the dangers of isolation in unraveling truth.

Conclusion

“Beirut by Sunrise” stands out as a quintessential Suspense episode, blending atmospheric storytelling with intricate plot twists. Through Mildred Gideon’s harrowing experience, listeners are immersed in a tale of mystery and danger, ultimately delivering a satisfying resolution that reaffirms the protagonist’s integrity and courage.

Overall Impressions: The episode masterfully maintains tension and intrigue, utilizing dynamic character interactions and a well-paced narrative. The inclusion of Persian cultural elements and the evocative description of Beirut enrich the storyline, making “Beirut by Sunrise” a memorable entry in the Suspense series.

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For fans of classic radio dramas and those newly discovering old-time radio, “Beirut by Sunrise” offers a compelling narrative filled with suspense, making it a standout episode in the Relic Radio Thrillers collection.

Transcript

[Narrator]

Relicradio.com presents stories of mystery and intrigue, espionage and suspense. Hear tales of ticking time bombs, mysterious crime scenes and cloak and dagger action. This is Relic Radio Thrillers. Welcome back to Relic Radio Thrillers. New episodes every Friday, every@ Relicradio.com. our story comes from Suspense this week, a series that debuted over CBS stations in June of 1942. It aired until September of 1962, produced 946 original stories. The story we'll hear today is from May 31, 1955. It's titled Beirut by Sunrise.

[Announcer]

And now, tonight's presentation of radio's outstanding theater of thrills, Suspense. Tonight, the story of a schoolteacher who finds the unexpected on a Mediterranean cruise. We call it Beirut by Sunrise. So now, starring Miss Mary Jane Croft, here is tonight's suspense play, beirut by Sunrise.

[Mildred Gideon]

Darling sister, as I told you last, this Mediterranean cruise just hasn't been what I expected. We've sailed from Beirut, but I'm still shaking after yesterday. Honestly, I was positive I'd never see this good old ship again. It's hard to believe my trip to the near east began as disappointingly as it did. That first stop at Port Said was dreadful. Not that I thought there'd be perfumed nights, but I was hoping I'd feel a little of the. The mystery of it all. When we left for Beirut, the only stimulating thing was the new dinner companion at our table, a Mr. Haroun. At least he looked interesting compared to that awfully dull Frank Grady I'd been forced to sit alone with until now.

[Frank Grady]

Frank Grady. Mr. Haroun. Mr. Grady, this is Ms. Gideon. Mildred Gideon.

[Mr. Haroun]

How do you do, Ms. Gideon? Charmed. You are both Americans?

[Mildred Gideon]

Yeah.

[Frank Grady]

Yeah, we're Americans. I am from Hacron, Ohio. Ms. Gideon's from North Dakota. Teaches school, third grade.

[Mr. Haroun]

Oh, charming.

[Mildred Gideon]

Harun.

[Mr. Haroun]

That name's a Persian.

[Mildred Gideon]

Oh, yes, of course.

[Frank Grady]

They say Beirut's really something to see.

[Mr. Haroun]

Beirut. One should see it at sunrise for the first time. A thrilling sight.

[Frank Grady]

Oh, swell. We hit there in the night. How about a sunrise date, teacher?

[Mildred Gideon]

Well, I really hadn't planned on it. I.

[Frank Grady]

Well, it's okay by me. Can't say I didn't offer. Well, by route, here we come.

[Mildred Gideon]

Beirut, here we come. Honestly, he just made me wince. Companions are half the fun. But really, you couldn't commune with anything. With Frank Grady around, I was darned if I'd share Beirut by sunrise with him. It was around 5 when I awoke. I felt a little thrilled when I realized the engines had stopped and we were there. I It was dawn when I reached the deck. I was alone. It was marvelously still, like everything holding its breath. Then just a crack of sunlight, and spires of minarets began to appear. Then domes. The whole sweeping outline of the city rising out of the night. Just pure Omar Khayyam. I floated with it, completely carried away by the sight in that magic quiet. Ah, then, wouldn't you know, something had to spoil it. Down on the dock below, some man had come stumbling out of one of those shadows. Honestly, just reeling. It was still pretty dark, but I could see he was a sailor, an American sailor coming toward the ship. He looked up. I saw his face was filled with pain, and he swayed and fell, tried to drag himself. I don't know why I did it, but there just wasn't anyone else around any place. And I was positive he needed help. What happened to you? Can I help?

[Beirut Police Officer]

Dead sailor.

[Mildred Gideon]

What? Message. Listen. Yeah.

[Mr. Haroun]

Sultan's turret, 15 step.

[Mildred Gideon]

Tell it to look. Then I saw it. A knife buried in his back. He just died. I turned and ran. Oh. Oh, I'm terribly sorry.

[Beirut Police Officer]

Oh, you are America. What are you running from, Mamzelle?

[Mildred Gideon]

Down the street back there on the dock. Oh, Are you a police? Yes.

[Beirut Police Officer]

Mamzelle, Beirut police. I presume you are from the passenger ship.

[Mildred Gideon]

Yes, that's right. On the dock, there's a dead man, A sailor. There's a knife in his back.

[Beirut Police Officer]

Yes, of course. Now, what is it you wish me to do?

[Mildred Gideon]

Do? He's just lying there. Dead.

[Beirut Police Officer]

Isn't it a little early for dead bodies, Mansella Baron? You're sure he's not just drunk?

[Mildred Gideon]

Drunk? I told you, there's a knife in his back. Well, you could take a look, you know, you can almost see it from here.

[Beirut Police Officer]

Please, I don't mean to doubt you, but.

[Mildred Gideon]

Look, I'm only telling you what I saw. I didn't imagine this. It just happened. The poor, poor man's dead.

[Beirut Police Officer]

American tourist. All right, mamzel. I shall accompany you to the dead body.

[Mildred Gideon]

Now, you see, I was standing right up there on the deck.

[Beirut Police Officer]

Yes, I see. Now, where exactly?

[Mildred Gideon]

Just at the edge of those packing cases. I don't want to look. Oh, please, I. I couldn't bear to look.

[Beirut Police Officer]

There's nothing here.

[Mildred Gideon]

What? This is. This is the exact place.

[Beirut Police Officer]

Yeah, sure.

[Mildred Gideon]

I swear. They must have moved him.

[Announcer]

They?

[Mildred Gideon]

Well, someone.

[Beirut Police Officer]

Mamzel, when a man is drunk.

[Mildred Gideon]

He wasn't drunk, believe me. There was a knife in his back.

[Beirut Police Officer]

Then there should be blood. There is no blood.

[Mildred Gideon]

Look, I saw it. Possibly the shadow I Swear I saw it.

[Beirut Police Officer]

He was dead with a body. There is little we can do. You agree?

[Mildred Gideon]

Yes, but I. You don't believe I saw anything, do you?

[Mr. Haroun]

Something?

[Beirut Police Officer]

Yes. Beirut is a modern city, but it still has charm. Sometimes a visitor is overwhelmed.

[Mildred Gideon]

Well, I don't understand it. I'm not wearing my glasses, but. Well, it was so real.

[Beirut Police Officer]

The report will be filled. Now, if I may escort you back to the ship.

[Mildred Gideon]

All right. I don't understand it, but all right. I felt absolutely ridiculous. The policeman couldn't help thinking I was only a giddy, excited tourist. Saying any more just make it worse. I looked back at the place. It was broad daylight now and everything did look different. Well, there wasn't anything to do except try and push it out of my mind if I was going to enjoy Beirut at all. When I got to my cabin, I put some cold water on my face and went up for breakfast.

[Frank Grady]

Hey, you're late this morning, teacher. Oversleep, did you?

[Mildred Gideon]

No, no, I was just buying some film for my camera at the ship store. Good morning, Mr. Harun.

[Mr. Haroun]

Good morning.

[Frank Grady]

Well, by route, here we are. Hey, to see the sunrise, teacher? Thanks for the suggestion, Mr. Haroon. It was really something.

[Mildred Gideon]

Did you see the sunrise, Mr. Grady?

[Frank Grady]

Well, sure. From a porthole.

[Mildred Gideon]

Not from the deck?

[Frank Grady]

No, I just got out of bed, took a look, went back to sleep. Oh, it looks like a pretty good town. Little on the gaudy side. You're signed up for the tour, aren't you?

[Mildred Gideon]

I haven't yet.

[Frank Grady]

Well, you better hurry.

[Mildred Gideon]

Are you going on the tour, Mr. Haru?

[Mr. Haroun]

I am familiar with Beirut.

[Mildred Gideon]

Oh, well then you must know those little out of the way places that tourists ordinarily don't see some.

[Mr. Haroun]

The street of the Seven Nightingales.

[Mildred Gideon]

Oh, I'm just dying to see something like that. Well, you know, tours are so commercial.

[Frank Grady]

You want to see some of that hoochie coochie stuff.

[Mildred Gideon]

Why, teacher, that's not what I mean, Mr. Grady, if you were at all sensitive, you'd. You understand, don't you, Mr. Harun?

[Mr. Haroun]

A touch of Omar Khayyam.

[Mildred Gideon]

Oh, that's it. That's it exactly. To be a part of it. To see and feel antiquity with someone who.

[Mr. Haroun]

I could show you.

[Mildred Gideon]

Ms. Gideon, you must think I'm rather.

[Mr. Haroun]

Forward, but unfortunately I have business.

[Mildred Gideon]

Oh. Oh, I see.

[Mr. Haroun]

The tour is really excellent. It will not disappoint you. I have taken it myself.

[Frank Grady]

Sure, there's still time to sign up. We'll have big time, just like Port Said.

[Mildred Gideon]

Well, I guess I'd better go get my things.

[Frank Grady]

Atta girl. I'll go put your name down.

[Mildred Gideon]

See you this evening, Mr. Haroon.

[Mr. Haroun]

You will have a nice time, I am sure.

[Mildred Gideon]

Yes. Well, goodbye.

[Frank Grady]

Meet you at the gang plank, teacher. Now hurry up.

[Mr. Haroun]

The bazaar of the Hussat El Din. 300 years old. Now you'll have a half hour to absorb the interesting native handiwork and make purchases.

[Frank Grady]

There's some joint. Just like a Hollywood set, eh, teacher?

[Mildred Gideon]

My name is Mildred Gideon, Mr. Grady.

[Frank Grady]

Oh, sure. Hey, get a load of those shoes. They're selling now. Wouldn't you get the raz if you clumped around home in those?

[Mildred Gideon]

It's the style here.

[Frank Grady]

Sure, I realize that, but wouldn't you get the raz? I think I'll buy a pair. Hey, sahib.

[Mr. Haroun]

The Marketplace of Rashmir. 500 years old from our slave market. You will have a half hour to observe the interesting native handiwork and make.

[Mildred Gideon]

Slave market?

[Frank Grady]

This dump doesn't look like the one in the movies.

[Mildred Gideon]

Really, Mr. Grady. Do you have to compare everything with home? Use your imagination. Let it. Let it come to you. The camel's coming in carrying new slaves for sale. The slave dealers cracking whips. Can't you see it?

[Frank Grady]

Say, that's pretty good. Did you read it somewhere?

[Mildred Gideon]

Oh, forget it. Just forget it. I gave up after that. Frank Grady was going to be Frank Grady, and that's all there was to it. I tried to slip away, be alone for a minute, but he was just like a leech.

[Frank Grady]

Uh, teacher, better stick with me. You don't want to get lost, do ya?

[Mildred Gideon]

I was just about ready to call it quits. Go back to the ship, Find a good book to read when the next.

[Mr. Haroun]

Point of interest is Al Kasir, the Sultan's turret.

[Mildred Gideon]

The Sultan's turret. That seemed familiar. I was certain I'd heard that name before. Then it suddenly hit me. The sailor. The dead sailor, he'd said. Message. Sultan's turret, 15th step. Oh, I could have kicked myself for not remembering. For that policeman, it was a big stone tower, broken down in places. But it was solid and real proof that I hadn't imagined that poor man. My heart was simply pounding. I couldn't wait to get inside.

[Mr. Haroun]

By the Sultan amid Kassir. Now the upper half has been condemned as unsafe.

[Mildred Gideon]

It was dark inside, just little lights near the showcases. I looked around for the steps. In one of the corners, I saw them curving upward. They were roped off. I edged away from the others, praying Frank Grady wouldn't see me. I slipped under the rope, started up 1 2, 3. 4. 5. 6. 7. 8. 9. 10. 11. 12, 13, 14, 15. It was very dark. Only a glimmer of light. I waited. Felt as if there was someone else there in the shadows. Then a tiny white something caught my eye. A piece of paper. I picked it up. I looked at it. I was writing. It said, ship six. That's all.

[Mr. Haroun]

Well, Ms. Gideon. Mr. Harun, I have been waiting for you.

[Announcer]

You are listening to Beirut by Sunrise. Tonight's presentation in radio's outstanding theater of thrills, suspense. You can't shortchange today's students in their classrooms and hope that tomorrow's leaders will be up to the international competition. Give a thought to how well today's schools can train tomorrow's leaders. Join your local groups fighting for better schools. And now we bring back to our Hollywood soundstage, Miss Mary Jane Croft, starring in tonight's production of Beirut by Sunrise, a tale well calculated to keep you in suspense.

[Mr. Haroun]

I am sorry, Ms. Gideon. I really did not mean to frighten you.

[Mildred Gideon]

Don't come near me.

[Mr. Haroun]

All right.

[Mildred Gideon]

What are you doing up here?

[Mr. Haroun]

I do like forbidden places. I knew the tour would arrive here about this time. Fortunately, I finished my business early, so I came to meet you. Is that so frightening?

[Mildred Gideon]

No, I guess not.

[Mr. Haroun]

I thought you might like me to show you what I know of the city. You are all right now?

[Mildred Gideon]

Oh, yes, I'm all right, Mr. Haroun. Was there anyone else up here just a minute ago?

[Mr. Haroun]

No. You and I are the only curious ones.

[Mildred Gideon]

Oh, no. There had to be someone. I've got proof.

[Mr. Haroun]

Proof.

[Frank Grady]

Hey, teacher.

[Mildred Gideon]

Mildred, where are you? Hey.

[Mr. Haroun]

We're leaving, Mr. Grady. Well, shall we go down?

[Mildred Gideon]

No, please. Let's wait till they go. I've had just about enough of Mr. Grady.

[Mr. Haroun]

They will think you are lost.

[Mildred Gideon]

Oh, let them. I've got to talk to you, Mr. Haroun. Somebody. I've just got to.

[Mr. Haroun]

I know of a charming place. We will talk there.

[Mildred Gideon]

We waited for the tour to leave. Then I took hold of Mr. Haroun's arm and we started down those awful stairs. Seemed like hours to go through the darkness. And I shuddered all the way to the bottom. Then we were out in the sunlight and I felt like breathing again. We walked. Gave me a chance to pull myself together. Finally, we stopped in front of a little place didn't look like anything from the outside. And Mr. Haroun opened the door and we went in.

[Mr. Haroun]

What do you think of it?

[Mildred Gideon]

Oh, it's just charming, this garden. It's the Arabian Nights. It must be very old.

[Mr. Haroun]

They Say, Omar Khayyam once visited here.

[Mildred Gideon]

Oh, well, you can tell. Come, fill the cup and in the fire of spring your winter garment of repentance fling.

[Mr. Haroun]

The bird of time has but a little way to flutter and the bird is on the wing.

[Mildred Gideon]

You know the Rubaiyat?

[Mr. Haroun]

Some of it I remember.

[Mildred Gideon]

Oh, I'm dreaming again. Just couldn't be real.

[Mr. Haroun]

Oh, it is real, all right. Ms. Gideon. Back at the Sultan's turret.

[Mildred Gideon]

What?

[Mr. Haroun]

You said you wanted to tell me something.

[Mildred Gideon]

Oh, yes, that. Well, well, it's been so strange all day. First I see beauty, then death. Then it was gone. And suddenly terror again. And now this beauty. All without warning. I want to remember this place without anything to spoil it. Please take me somewhere else.

[Mr. Haroun]

Aren't you carrying this romantic theme a little too far?

[Mildred Gideon]

What? What do you mean?

[Mr. Haroun]

I mean. All right. I will take you someplace a little less overwhelming.

[Mildred Gideon]

Look, it's almost sunset. Funny, I didn't realize it was so late.

[Mr. Haroun]

Just this place. And we will go back to the ship.

[Mildred Gideon]

Go up these stairs, if you please. Oh, the view. There's the harbor. There's our ship. We'll make it back in time, won't we?

[Mr. Haroun]

In here, Ms. Gideon.

[Mildred Gideon]

Oh, it's a nice room, but I. Oh, the view from this window. It's lovely. Is that what we came to see?

[Mr. Haroun]

Not exactly, Mr. Haroun.

[Mildred Gideon]

I don't know whether I'll be sad or glad to leave Beirut. But this Time with you, Ms. Gideon. Yes?

[Mr. Haroun]

Time is growing short. We must discontinue.

[Mildred Gideon]

I know it's growing short, Mr. Harun. Short the time. But long my memory for that garden and the moments there.

[Mr. Haroun]

I am not sure whether you are extremely clever or extremely foolish.

[Mildred Gideon]

Foolish? Oh, no, Mr. Harun, please. Not foolish. I thought you realized what I truly feel.

[Mr. Haroun]

This place is not romantic, Ms. Gideon. You can stop it now.

[Mildred Gideon]

Stop it.

[Mr. Haroun]

You have caused me a great deal of trouble and I am finished playing games. Mr. Harun, what happened on the stairs of the sultan's turret? You are going to tell me, Ms. Gideon. What time is the meeting?

[Mildred Gideon]

Meeting masquerade is over.

[Mr. Haroun]

Do not force me. You know.

[Mildred Gideon]

I don't know what you're talking about.

[Mr. Haroun]

Death and terror. Ms. Gideon. Come here. You recognize this?

[Mildred Gideon]

The sailor. The dead sailor. You murderer. You murderer.

[Mr. Haroun]

Scott.

[Mildred Gideon]

Scott. I ran. Just ran. The vision of the dead man on the floor of the room, still in my eyes. And Mr. Haroun was coming after me. He was gonna kill me. I knew he was gonna kill me. I didn't know where I was or how to get back to the ship. And it got darker and darker. The streets twisted and turned in front of me. Shadow after shadow growing bigger and bigger. I had to get to the ship, but I didn't know how. Oh, my leg. Dirty ugly man appeared beside me. I backed away from him. He slithered after me. And then I put my back against a wall. Walls all around. There wasn't any way out. I could feel a scream gathering in my throat. I saw a door just out of reach. I edged toward was a big room, dim and evil smelling. There were people, but they didn't pay any attention to me. They were watching a dancing girl weaving through a greasy yellow light. I saw another door and slid along the wall toward it. And he was there, following me away from him. Keep up. Away.

[Frank Grady]

Mildred.

[Mildred Gideon]

Mildred. Frank. Mildred.

[Frank Grady]

Hey, teacher.

[Mildred Gideon]

Here. Here.

[Frank Grady]

Over this way.

[Mr. Haroun]

That's it.

[Mildred Gideon]

There.

[Mr. Haroun]

Hey.

[Mildred Gideon]

I'm never so glad to see anybody.

[Frank Grady]

Well, what happened to you? I've been looking all over. You know, the ship's almost ready to leave.

[Mildred Gideon]

He was gonna kill me.

[Frank Grady]

Who was going to kill you?

[Mildred Gideon]

That horrible, terrible Mr. Arun. Let's get to the ship, please.

[Frank Grady]

No, no, wait a minute. I. I gotta know what time that drop is. Drop the message you got at the Sultan's turret. I know you got her. You wouldn't have ditched me.

[Mildred Gideon]

What?

[Frank Grady]

The film documents. On the film teacher. A little white slip of paper tells place and time. And you've got it. Now, you forget your act and I'll forget mine.

[Mildred Gideon]

Sailor. He said tell it to.

[Frank Grady]

To me. To Frank Grady. He was my contact. You got in the way.

[Mildred Gideon]

No, no.

[Frank Grady]

Come on now. Give me that paper.

[Announcer]

Look, teacher.

[Frank Grady]

Give me that paper. I'll kill you. I mean it, Grady.

[Mildred Gideon]

What.

[Mr. Haroun]

Ms. Gideon, is.

[Mildred Gideon]

What? Mr. Harun. Don't touch me.

[Mr. Haroun]

No, it is all right. Everything is all right, I assure you.

[Mildred Gideon]

All right. Where am I?

[Beirut Police Officer]

Pilot's launch, Ms. Gideon. I'm escorting you back to the ship.

[Announcer]

Once more, policeman.

[Beirut Police Officer]

We are sorry you had to go through as much as you did.

[Mr. Haroun]

It was imperative to find out which one was the spy. Mr. Gideon Grady or you.

[Mildred Gideon]

Spy.

[Mr. Haroun]

Dealers in state documents collected and sold to the highest bidder. We knew someone would meet the sailor.

[Mildred Gideon]

Oh, I see now then you didn't.

[Beirut Police Officer]

He was stabbed in a street brawl before he could reach the ship.

[Mr. Haroun]

Unfortunately, you complicated things also for us as well as Mr. Grady. I am sorry I had to treat you roughly at the house on the.

[Mildred Gideon]

Hill because you thought I. And I thought you. Oh, Mr. Harum, I'm so glad I was wrong. About you. I don't mind anything now I am.

[Mr. Haroun]

Staying here in B. I wish you a pleasant trip and bon voyage.

[Mildred Gideon]

Perplexed no more with human or divine.

[Mr. Haroun]

Than tomorrow's tangle to the winds. Resign.

[Mildred Gideon]

Thank you Mr. Hart. Thank you very much.

[Announcer]

Suspense in which Miss Mary Jane Croft starred in tonight's presentation of Beirut by Sunrise. Next week, the story of terror in the streets. We call it the Whole Town Sleeping. That's next week on Suspense. Suspense is produced and directed by Anthony Ellis. Tonight's script was written by Mr. Richard Chandley. The music was composed by Lucian Marowick and conducted by Wilbur Hatch. Featured in the cast were High Averback, Jack Prusian, Don diamond and Ben Wright. Thursday nights the Whistler brings Mystery on the CBS Radio Network.

[Narrator]

You can find more from Suspense, Relic Radio Thrillers and all of the other podcasts@ RelicRadio.com. you'll also find our Shoutcast stream there with even more old time radio lots to listen to, all made possible by your support. If you'd like to send some of that support, visit, donate or click on one of the links on the website. Thanks to those who have thanks for joining me this week. I'll be back tomorrow with the Horror and next Friday with our next episode of Relic Radio Thrillers.